#how did she go from the victim to the villain?

[blank468]

My somewhat final thoughts of My Hero Academia

Note: Now that MHA is now doing an epilogue and is ending soon, I might as well give my final thoughts about this series. I’ll probably continue to talk more about it after the series is officially over but I’m not going to do a full fledged hour long review because I have better things to do.

This is a generic shonen empowerment fantasy that managed to screw its own theme and message. Any good will I would’ve given to series at the beginning is completely irrelevant as it when on. The morals and themes are constantly changing to throw random s**t on a sheet of paper that either doesn’t make sense, contradicts what being shown on screen, or if it doesn’t fits the tone of the story. My hero is not a deconstruction of the shonen genre that does anything new that would make it stand out. Most of the ideas and plot points created either have horrible execution, given no amount of attention where they’re just ignored or just have horrible payoffs. It follows all the exact same tropes seen in every other series and makes them worse. It also gets to the point where it rips off Naruto and makes the same mistakes it did. The amount of plot twists that are excused as some kind of subversion are obnoxious and predictable where’s it gets incredibly annoying. The world building is horrendous and just makes the story feel small for a world that has a life changing impact. The power scale doesn’t always make sense and it does nothing but act as a way to reward characters that didn’t earn it.

It has a dangerous and horrible message for victims of abuse and bullying. My hero has no problem telling the audience that if you’re a victim of any kind of abuse, it’s your problem and you should just act like it’s not a big issue. Apparently it’s ok lie to your friends, family and colleagues that you can trust but it’s not ok to lie or even hold accountable to your abuser. And no matter if he/she has a reason for the way they are, you are always in the wrong and you should spend your sad life praising and benefiting them.

There exists way too many characters for the audience to be invested in and after watching them for several arcs, they are just stereotypes with nothing new or original about them. Many of them come across as either being stupid, annoying, unlikeable, petty, ignorant or just both. Some characters will either exist to benefit others or just highjack the story, ruining every other character’s chance to get any sort spotlight. The series is way too reliant on putting focus on unpleasant and uninteresting characters to please its large audience. The humor is way too reliant on a character’s personality trait. No matter what they do, the story expects us to automatically like them regardless of how horrible and selfish their actions are. Izuku may not be the worst character, but he’s no where near as great as everyone hypes him up to be. Bakugo is an unbearable mess of a character that serves no real purpose in the story and exists to take away every characters chance of development. His development is one of the laziest and obnoxious parts I have ever seen in any story and yet he’s the most popular sadist in the show with no sort of reason or sympathy for me to like him. Any criticism given to this d**khead is automatically shot down and people like me get harassed and called a brain dead immature f*g for stating our opinion.

Aside from Twice and Gentle/ La Brava, these villains are not that interesting and what ever traits about them gave them something to do is absence. Shigaraki is the stories biggest wasted potential that went from being an idiot to being an incompetent idiot to benefit my left nutsack. Toga is a Mary Stu who went from being a sad and annoying character to an annoying and self centered bitch who complains after being told her actions are wrong. Dabi is just a Gary Stu who’s only interested in wanting to kill his dad. Spinner is a joke that is constantly scammed by his creator.

The only saving grace I can give to this series is the art style of the manga and some parts of the Todoroki family drama. I can even say that Horikoshi’s art style and how he designs characters and panel designs inspired me as an artist. The anime as a whole is fine but it’s not perfect, but that’s mostly because it doesn’t do a whole lot of creatively/artistic things to make it on par with the most popular anime series. As an artist, I would recommend my hero as a reference to use to improve your work. If you just want to read or watch a series that has fights that just make you feel some kind of emotion, then you might get something out of this series. It’s not even the absolute worst thing I’ve seen; I’ve seen much worse in other genres other than shonen manga. It’s just rare to find a badly written series without being surrounded by d**kriders. It’s just a disaster of a series, and I wished I spent my time during the pandemic watching another series like Demon Slayer, or Black Clover.

[spop-romanticizes-abuse]

you know, i like hordak as a character. he's interesting, he's likeable, he's a good example of an abuse victim who isn't overly infantilized and coddled by the narrative. his relationship with entrapta was cute, his relationship with horde prime was tragic and i like that he at least gets a proper confrontation with his abuser, where he is able to declare his own independence and get some closure from his trauma.

however, there are two main problems i have with his character (some of which i've already talked about but i want to go into more detail):

1. hordak was not an effective villain. heck, he was barely a villain at all.

you cannot tell me that hordak was the main villain of the first four seasons when the majority of his screentime was spent with him either lurking in his sanctum or canoodling with entrapta.. in his sanctum.

at first i thought that hordak was going to be this looming presence that had control over everything and puppeted everyone's every move, and was this evil masterpiece who orchestrated everything behind the scenes but.. nah. turns out he's just an incompetent manchild who needs a literal teenager with no battle experience to plan everything out for him. how did he conquer half of etheria before that? who knows? not important.

hordak also has no meaningful relationship with adora, the hero. there were actually a lot of parallels that could be drawn from hordak and adora both being raised by abusers who valued perfection over everything else. granted, in that aspect, hordak is more like catra but there isn't even that many parallels with him and catra. there are, in fact, more parallels with catra and shadow weaver or catra and horde prime.

and okay, not every hero and villain needs a deep intertwined relationship or complex narrative parallels. but at least give us something? a proper interaction?? the show even acknowledges the fact that hordak and adora have absolutely no connection with each other, when adora asks him why he kidnapped her and he basically replies with "lol who are you again". and then he just randomly remembers her at the end of the finale and it’s supposed to be this touching, emotional scene except you feel nothing because these characters literally never interacted, what are we looking at?

adora is supposed to be fighting the horde, but it seemed like she was just fighting catra most of the time. as the hero who opposes etheria's oppressors, shouldn't adora mainly be targeting hordak, the person who started it all? and shouldn't hordak, as the leader of the horde, be more concerned about the rebellion having an actual god on their side? i guess it doesn't really matter if said god can be easily defeated by a inexperienced catgirl

it just feels like hordak didn't have to be a villain at all. we only know he does horrifying things, because the narrative says that he does. oh, and he tortures catra once and sends her to crimson waste, so i guess that qualifies as being a villain.

the point of a villain is to drive the central conflict of the story. to oppose the hero and to pose an actual threat to the status quo. any character who doesn't do this is merely an antagonist. in hordak's case, i don't even know if he counts as an antagonist. he's like that one edgy antihero with a dark past where he murdered countless people but it doesn't really matter in present time. it’s just there to add flavor and to enhance his tragic past, because war is obviously a fictional fantasy trope and totally not something that has happened in real life. /s

2. like many other characters in this show, hordak's character almost completely revolves around his love interest.

yes, entrapta taking care of hordak and boosting his self-esteem is endearing. yes, hordak breaking his defenses and being vulnerable around entrapta is very sweet. but apart from entrapta, the only characters who have any kind of effect on hordak is horde prime and catra. and.. i guess, imp? but again, imp is mostly just a stand-in for the cute animal sidekick.

i know that hordak was supposed to be a recluse but it's impossible to believe that this kind of person was able to start an army and feed them with false propaganda. again, if you read my post about cults and their methods of indoctrination, you would know that cult leaders are often very charismatic and friendly people. and i know the horde isn't exactly a cult but we are supposed to believe that at least some of the cadets raised there genuinely believed that they were on the side of good, when their leader was a mysterious shut-in who basically didn't do anything substantial and their mentor/superior officer was just actively radiating Evil Vibes™.

i just wish they did more with hordak’s character and actually made him interact with some of the other characters. he doesn’t even interact with shadow weaver that much, and she was his second-in-command. even if it’s not direct interactions, it would have been interesting to see the characters mention hordak more, especially the ex-horde soldiers. apart from the general “oh no he’s evil and wants to kill everyone”, that is.

like we see people talking about shadow weaver. we see adora open up about her relationship with shadow weaver and ponder about whether there’s some good left in the woman who raised her. we see glimmer talking about how powerful shadow weaver is and how she could help the rebellion. we see catra complaining about how shadow weaver treated her in comparison to adora. we see angella talk about how shadow weaver shouldn’t be trusted.

when you think about it, shadow weaver was much more of a looming menacing presence in spop, despite not even being a villain, let alone the main villain.

even when she was on the good side and helping the princesses, there was always a ceaseless feeling of unease and fear, because we’ve seen what she’s capable of. we weren’t just told that “shadow weaver is sooo abusive, she’s bad!” we see how she treats adora and catra, we see how she manipulates situations and people for her own benefit, we see how she slowly starts to get into glimmer’s head. the show actually does a good job with shadow weaver, and i have to give credit where credit is due. shadow weaver was genuinely a well-written character.

hordak is just.. there, most of the time. he acts evil enough to be considered as one of the villains but he’s not actually a villain if you consider it for more than five seconds. he doesn’t really do anything for the bulk of the narrative, he has one kinda cool scene where he stands up to his abuser and then he just peaces out with entrapta.

i don’t really understand the point of taking a main villain of the show and turning him into this. sure, the OG hordak was more of a comedic villain and wasn’t super complex, but from what i know, he still played an important role in a narrative and his humorous moments made up for the lack of a tragic backstory.

[mangora]

Me: So yeah the thing about the PI girls for me is how they view themselves and treat other people because like, Sky sees herself as a hero and believes that everyone deserves help or a second chance, which becomes actively harmful whenever she has to battle herself about what’s best for her/her team vs what’s best for the feelings of others, often resulting in failure (ex: her refusing to call out teammates like Leonard as team leader) or her own feelings of anger/guilt (ex: the entire Dave situation); meanwhile Ella is truly kind through and through because she sees herself as an innocent fairy tale princess and the level of kindness is born from the naivety and idealism accompanying that label ended up being her downfall (ex: refused to see the bad in Sugar and insisted on being friends even when Sugar clearly hated her); and of course Sammy is kind and wants to help people (ex: volunteers to go berry picking), but has a massively skewed view of confrontation due to her low self esteem and her image of herself as a helpless or worthless proxy to her sister, to the point that she won’t confront people until she blows up in the most inopportune moments; and then Jasmine wants the best for people but believes that they must make this happen themselves (ex: Sammy) and she also believes that individual healing/kindness is second to working together as a team towards a collective goal (ex: again, in the case of the Sammy/Amy situation) because she sees herself as a leader and a survivor above anything else and expects other people to feel the same, which is why it stung extra hard when Shawn, who she likes, worked against her instead of with her for a collective good, and why it was extra impactful to her when he sacrificed his win to save her when they weren’t working together; and then Sugar sees herself both as a bit of a comedian and as a queen who is above other people, and will make fun of people or manipulate them for her own gain or entertainment, but is still willing to work with others and will still treat them as friends (ex: Sky, Leonard) when a goal is within close reach, with the exception of people she believes are out to hurt her (ex: Ella); and then Scarlett sees herself as a villain but has sought out friends before (ex: Max) and can be incredibly helpful in a team and will only turn to cruelty when people have lost her trust (ex: Topher, Max), or when she feels she’s finally in total power with nothing to lose by hurting others (ex: Scarlett Fever), suggesting she likes some people and would be willing to align with or befriend someone who shares her goals but ultimately sees people as resources, perhaps because the people around her never showed an initiative to work with her as friends past the merge as they did when they worked on a team together (see: Jasmine); and finally Amy is the worst of them as she sees herself as the best of the best in a similar way to Sugar (though Sugar will do the work for this title, while Amy feels entitled to it), and she doesn’t like or respect anyone, and is actively cruel to people for little or no reason even when they can help her, though she still wants their praise and adoration despite this. All of the PI girls are victims of circumstance clearly but they’re also all self-fulfilling prophecies in their own ways. Their adherence to their own self image is both what caused them to clash and what caused them to bond. In the end Jasmine and Sky are the only ones who broke out of their moulds which is why they succeeded (Jasmine got part of Shawn’s reward in his ending and Sky got the full million in her’s). Yuri could’ve saved all of them faster though.

Woman Taking My Order At Unspecified Drive Thru Eatery:

[fictionadventurer]

A character's motivation should not be a mystery. Their backstory can be a mystery. The depths of their character can be a mystery. But not motivation. If you want us to care, we should know why they're doing what they're doing; we should understand why success is so important to them.

A villain can be a different case. Sometimes, the only motivation you need to know about is "They're evil" or "They work for the bad guys." But if the feud is personal, we should see what makes it personal. Holding the "why" back as a thrilling reveal is almost never as effective as just letting us know from the beginning.

A plot twist gives you one cool moment. Character attachment makes the entire story interesting.

[joesalw]

Taylor Swift has an unhealthy obsession with changing her personality according to the men she dates from time to time. It’s funny how she talks about how she's never gonna get back the six years of her life being wasted for being private. But this is the same person who released interviews saying she craves privacy and it has made her life manageable and feel real instead of being the objective of tabloid stories by the media.

It's like she doesn’t have her own perspective of life, she always sees the world the way her partners see them. When she first started dating Joe and started talking about him, she made it look like he is the best thing that has ever happened to her, even in her songs she wrote so highly of him. All the things that she's rejecting now are the things that she admired back in 2016-2022. With all the privacy cravings back then, her fans were dragging Tom hiddleston and Calvin Harris for being so public with her, they dragged these guys saying they only used her for fame and never seen the real Taylor. Back then the narrative was, only Joe was a real guy who loves Taylor for being herself and not the Taylor Swift tm. But since the relationship didn’t work out, she switched the whole narrative again.

This time Joe is the villain for not being public with her. She is so proud of Kelce, she loves to enjoy his shows and apparently she doesn’t care about how many people are pissed of seeing her face everyday, she made a quote on that. But how long since she will switch this narrative too? Again swifties will villainize Travis Kelce and not TS. It's funny how they totally erased the existence of Matty Healy from the interview as well, since it was bad for her image. But we didn’t forget it Taylor that you were proudly hanging out with a racist, xenophobic, islamophobic, zionist guy and publishing articles on how your relationship is NOT platonic.

Her whole activism era started because Joe was an activist. He didn’t stop it after the breakup because it's a part of his personality, he still signed the ceasefire letter. But Taylor didn’t utter a single word about genocide, she's busy learning football and crying about how oppressed she is in her billionaire lifestyle. And somehow she is the Person of the Year in Times magazine.

And talking about her new boyfriend so publicly is something she never did even with Calvin Harris, which was (in comparison) her third most public relationship. But somehow all of this is directed towards Joe as if he was the one in fault for keeping her silent for so long. She is a grown ass woman who can take her own decisions. If she wanted an out from being locked for so long in her own mansions, she could've done that anyway. But to make it look like someone else fault is something she never gets tired of. It's always her exes' faults and not hers. When will you take accountability for your own decisions Taylor Swift?

Like this woman is pushing 40 and is still acting like a high school bully. She is proud of having a boyfriend from football team which is fulfilling her dreams from high school. She loves the attention, loves to play a cheerleader role as a gf. She got a platform like Times magazine’s person of the year where she could talk about serious issues in the world but she'd rather talk about how independent she feels being in a public relationship like this.

Btw it will take no longer than two years for this to turn into a victim trap again, she will then release another article about how she hates so much attention from public and how she craves privacy again, (based on whatever her then boyfriend would want lol) and her fandom will again forget everything she's said in this interview and make an ultimate villain out of Travis Kelce. Literally the same way they did with Jake Gyllenhaal, Calvin Harris, Tom Hiddleston, Harry Styles and Joe Alwyn. It is a never ending cycle and it will go on forever until she decides to seek some therapy for herself.

[utterlyotterlyx]

Written In The Stars

Azriel x Fem!Reader

Summary - As Azriel prepares himself for your wedding day, he recounts the moments where all of his dreams came true.

Warnings - fluff central, slight touch of angst, pining Az, lots of love all round

If there was anything that Azriel was sure of, it was you. It would always be you.

That morning had started the same as any other, although, there were two key differences. The first difference was that his mate hadn’t woken up beside him, and he walked through his memories and smiled at the one where Nesta, Feyre, Mor, and Elain had coaxed you out of the house whilst Amren sternly told the three Illyrians to not interrupt your last night as an unmarried woman or else face her wrath.

Azriel recounted the innocent terror in your eyes and chuckled roughly as the sun warmed his skin, urging him to wake.

Then he noted the second difference to his morning, it turned out that the day ahead wasn’t going to be like any other, and that no day would ever compare to what was to come. It was his wedding day. The day that he married the love of his life, his mate, his reason for existing.

His y/n.

Remembering the past 400 years, it dumbfounded Azriel how the bond hadn’t snapped sooner considering he had spent the better part of those 400 years pining after you, hopelessly in love with you and growing increasingly frustrated at your unawareness toward his affections.

There was no one in the world that was as bright and perfect as you.

They had met you in Windhaven, on a night so brutal that you had never nor ever would speak of it, and it was the only place you could go where your light would blinker. It flashed on your face often. Being the daughter to an Illyrian general meant that you had unfortunately fallen victim to the barbaric act known as wing clipping, and it was something you had worked your entire life to destroy.

Despite it all, you were as radiant as the sun, you were gifted that from your mother, she was the most beautiful person you'd ever think you'd see. Until Azriel that is. There was a certain warmth about you, a gut-wrenching scent of home that Azriel could never quite explain, an aura that pulled everyone around you into serenity and soothed any of their pain.

The day Rhys had figured out that you were an empathic healer was the day he knew that you and Azriel were meant to be. No one could soothe his pain more than you, and when he slept next to you he actually slept. No demons haunted his dreams, every villainous thought evaporated from his mind, and he felt peaceful. Truly peaceful.

Azriel remembered the moment the bond had snapped as if it had only occurred yesterday. It was one of the warmer days of the year and you had insisted upon a family day out, they were too rare even though you all spent the majority of your time together; you had leveraged Tarquin's adoration of you in your collective favour and bagged the family a day on the beaches of the Summer Court, promising that you'd keep a strict eye on Cassian and personally tie him to a pole if he stepped one toe out of line. Azriel had simply chuckled at your might as the words left your mouth.

Summer had always called to you, perhaps it was the sound of the waves, maybe it was the sand between your toes or the salted breeze that drifted by. Whatever it was, it moulded with you. Azriel had never seen you happier actually. The moment the bond had snapped had taken him by complete surprise, you were walking through the water with Nyx in your arms, occasionally dunking the babe in the water and smiling at his wild laughter as he emerged; when Nyx had resurfaced and grabbed your face in his little hands, staring at you like the brightest star in the sky, did the bond snap for Azriel.

Since that moment all he could ever imagine was the image of you with your own child, his child.

Frustratingly, the bond hadn't snapped for you in that moment, which was annoying as it was the perfect setting for it. Azriel dreamt of it when you had all returned home that evening, he dreamt of you feeling the snap and turning around with Nyx bundled up into your arms, he dreamt of your eyes connecting across the beach and the most serene smile etching its way onto your lips before the most joyful giggle passed through them.

But no, the Mother had decided to drag it out for as long as she possible could.

The entire of the Inner Circle had figured it out long before you did, only, you didn't figure it out. Azriel had pretty much screamed it at you after seeing you getting a little too up close and personal with another male during Starfall.

No one could have even tried to compare to your beauty that night, you wore a sheer dress embellished with a thousand crystals, priceless jewels that had been crafted just for you. The Star of Velaris. No one could shine brighter, not if they even wished it, and all eyes were on you and the silhouette of your figure the moment you stepped into the hall that was dressed to perfection at the House of Wind.

All air had left his lungs when his eyes found yours twinkling in the faelight, constellations inking your irises, and he knew then that no matter what he was going to tell you that he was your mate. Azriel was nervous, it was very well known that no one could ever be good enough for you, and he was terrified that you wouldn't accept it; and even more than that, Azriel was afraid that he'd lose you as a pillar in his life altogether.

Rhys had instructed the quartet to play your favourite rendition of your favourite song, it was slow and romantic, a flurry of alluring strides from the violins and crashing crescendos, if you could be a song then it would certainly be that one. Though, before Azriel could ask you to dance with him to the sweet melody, another male had swept in and taken you, curling his digits around the curve of your hip in a way that was meant to be his to do and his alone.

Azriel watched from the side-lines, itching to cut in and bring his plan to fruition, but he couldn't ruin a night made for you, not when you'd gone through so much effort to be the most spectacular thing in the room. Not that you needed to try by any means.

The moment you smiled at the male, so sultry, exposing all of your gleaming white teeth into a smile that could only be described as captivating, did Azriel completely lose his mind. Azriel crossed the dancefloor, gripping your wrist just as you were about to expose your neck to the male who believed he was righteous enough to have you, and dragged you from sight leaving behind the Inner Circle who all exchanged smug knowing looks to one another at the situation at hand.

"Azriel! What are you doing? Will you just stop for one pissing second?!" Your voice reverberated against the walls, you were struggling to keep up with his stalking, the effortless curls Mor had spent the better part of two hours styling whipping past your face in the breeze he was creating. "I swear to the Mother, Azriel. Will you please just slow down?"

It seemed as though Azriel had heard the request and cut his speed by a third, making it easier for you to scramble after him. You had continued to ask him what his problem was as he dragged you through the House of Wind, all up until he pushed through a familiar set of looming doors and pulled you in front of him, taking the opportunity to close the doors upon his own exit onto the balcony.

Looking at you in the moonlight despite your fury made him forget the reason why he dragged you from the party that you had helped Feyre to arrange, the way your dress sparkled in the light made him lose all sense entirely. "Did you drag me out here to say absolutely nothing? If so, I'll just head back to the party," you went to move past him, your fingers barely grazing the doorhandle before he wrapped a strong arm around your midsection and lifted you, setting you onto the ground on the other side of the clearing, "What is going on with you? Did something happen?" When he said nothing you took a step backward, the small of your back colliding with the stone railing keeping you from toppling over the edge, "Az, you're scaring me."

He'd never want to scare you, he fumbled with his words, stuttering out what he needed you to hear, and upon the sound of his insecurity your eyes softened. Tilting your head to the side gently to inspect him further, you hadn't noticed your hair sweep across your back, exposing the skin of your neck to him which almost sent him into a frenzy right then and there.

"You were dancing with him."

Furrowing your brow, you asked incredulously, "Am I not allowed to dance with a male now?"

"No. I mean, of course you are. Just not him."

"Then with who?"

That usual wit was prominent in the way you popped your hip to the side, hand resting on the bone as your temper rose, "You're meant to dance with me."

Scoffing, you turned around to face the open air, noting the flurry of gold from the valley below, turning your head to the side you smiled at the music floating from the ballroom in the grand hall, "I always dance with you, Az."

It wasn't a lie, you always sought Azriel out at these kind of events, even in the comfort of the River House it wasn't odd for Rhys or Cassian to return home to see you and Azriel dancing in the living area to some serene folk melody. The two were the first to know of the bond, Azriel had told them one evening when you had padded off to bed in one of his jumpers that drowned you, a ghosting grin tugged at his lips and he said, "Isn't my mate the most perfect creature you've ever witnessed?"

"It's not enough," Azriel approached you, admiring the way the breeze floated by your figure, sending the tendrils of your curls dancing in the wind that his shadows immediately shot out from his shoulders to waltz with.

A gentle chuckle rolled from your tongue at the act, you had always adored them, and they always found a certain level of peace when with you, just like everyone did. Turning back to him, you leaned against the railing, your fingers curling around the hem, "Dancing with you isn't enough? How about all the nights we've fallen asleep next to one another reading? Or maybe all of the dinners we've been out to? Or the thousands of evenings where we've gotten drunk off our asses and gossiped? What about the countless missions we've been on together?"

The ignorance was making his blood boil with need, and he couldn't stop the words from flying from his mouth, "I'm your mate, y/n!"

Your body stilled, your eyes widened in shock, and the tether of your soul swam out to greet his own, curling around it and shuddering in untold delight but you didn't move at the sensation, you hadn't even let out a breath, "I have loved you for 400 years regardless of it, I've loved you since the moment I first laid eyes on you all those years ago in Windhaven. I love everything that you have become, everything that you have grown into. It snapped the day we went to the Summer Court, the day you told Cassian that if he misbehaved that you'd tie him to a pole?" A huff of amusement flew from your lips at the memory, Cassian had never been so terrified of you in that moment.

"I was content in waiting for you no matter if it took 4 months or 400 years, I was happy to sit a watch you live your life whilst waiting for it to snap, but I can't stand by and watch another males hands roam all over you. It makes me think the most violent things I have ever thought in my entire existence."

"I didn't want to ruin it for you, but I can't watch another male hold you when I know that it should be me," Azriel strode over to you, cupping your face in his hand whilst his other wound around your own, pulling it your chest and resting your palm over your heart, "I'm yours y/n. Completely, utterly, hopelessly yours. So please say something, anything."

A moment passed, a moment that felt like an eternity to him as he waited for those beautiful lips to make a sound, "You've loved me for 400 years?" Azriel barely heard your question, he lowered his gaze to meet yours, brushing a stray stand of hair behind your ear and grazing the shell of it.

The gates of the bond had flung right open, and all you felt was the pure adoration and certainty of his feelings for you flowing down the tether tying your souls together, it made you feel as though you were floating. Azriel nodded, "And I know that it's impossible to love you more than I do right now, but I know that tomorrow I will, and each day after that."

Furling your fingers into the lapels of the jacket you had picked out for him, you pulled Azriel down to meet your lips in a clash of desperate nips and teeth; his hold strengthened around you, leaning you back into the stone railing and allowing his hands to rest on your neck and the small of your back as he deepened the embrace, moving his lips against yours in a way he was only able to dream of. Parting for air, you smirked against his lips, "I love you too."

Then the skies opened, streaks of starlight soured across the blank canvas of the night, like they were waiting for you both to finish until they put on their show. The citizens of Velaris couldn't stop talking about how it was the most magnificent Starfall they had ever witnessed, and both of you were inclined to agree.

It had made complete sense that the balcony where Azriel had confessed his feelings to you was the same place where you had decided to get married a year later to the exact day.

Mor and Nesta had made sure that the balcony was covered in faelights, Elain had designed a beautiful flower arch of orchids and freshly bloomed cala lilies that Lucien had been instructed to erect that morning, and Feyre was in charge of everything else. Bestowing the title of maid of honour to Feyre was the smartest decision you had made in the entire process, Cassian pouted for three days after she had accepted, but then you had asked Rhys to officiate the ceremony which meant that by default Cassian became Azriel's best man.

The fact that Azriel hadn't seen you for almost a day was driving him insane, he had to be near you each moment he was in the city, and even on missions he would constantly flood the bond with his love for you so that you'd know that he was alright and that he was just as obsessed with you as he was the moment he would leave. Every second you were with one another meant that he had to be touching you, whether it be his fingers grasping the skin of your thigh or pulling you onto his lap so he that could be as entwined with you as possible.

Even when he was meant to be readying himself for his wedding, all he could think about was you, he sent a flow of love and unwavering certainty down the bond and smirked to himself like a bashful schoolboy when the same flood was sent back to him.

"Are you ready to get married, Az? You can still run, no one would judge you," Azriel sent Cassian a warning glare, earning him a small apology in return for the stupid remark. There was no reality where Azriel wouldn't choose you, your bargain tattoo was proof of that fact, a promise you had both made the night you had solidified the bond, a promise that you would always find one another in any lifetime, in any world. One would not exist without the other.

Azriel's suit was impeccable, just how Feyre had ordered it to be, a black open collared shirt and form fitting pants, and a slightly oversized midnight blazer made that way because Feyre knew you'd be asking for it at some point during the course of the night. If Azriel looked this good then he could only imagine how other-worldly you would appear at the end of the aisle.

You had both decided on an intimate ceremony, the Inner Circle only, it meant more to you both that way. But the party afterward would be packed full of friends from across the continent, a rare allowance from Rhys for such a special occasion. Which meant that all of the High Lords were to be in attendance, which meant some very luxurious gifts for you and your to-be husband.

The night was perfect, a soft summer breeze floated through the city from the west, the warm faelights sparkled against the backdrop of the night sky and the golden valley of the city below, illuminating the pristinely bloomed flowers in their collective hue.

Azriel awaited you at the end of the aisle patiently, stood between Rhys and Cassian who were beaming with pride, the latter doing his best to contain his tears. Mor, Amren, Elain and Lucien found their places on either side of the makeshift aisle and all looked back as the door opened to reveal Feyre wearing a beautiful blue-grey gown adorned with crystals embellished into the skirt; she had clearly been crying, and that fact made a silent sob catch in Azriel's throat.

The High Lady approached the arch, smiling brightly at Azriel and blinking away her tears before kissing Rhys on the cheek and stepping off to the side. A gentle song consumed the small quartet that you had insisted upon having at the ceremony, playing the most beautiful rendition of your favourite song, a song that meant a great deal to both of you.

Inhaling deeply, Azriel watched the doors open once more, revealing Nesta with your arm linked through hers, she was wearing the twin dress to Feyre, her hair was unbound down her spine, and she had began crying before the doors had even opened by the way she dabbed a tissue against her cheeks.

Then he found you, your skin shimmered in the faelight, like a star had floated from the sky and brushed against your skin. The dress threatened to make him crumple to his knees, a white long-sleeved off-the-shoulder garment that accentuated every single curve and angle of your form; a thigh high cut in the fabric exposed your calf and that bargain tattoo on your thigh. Then was the matter of the veil, intricately crafted so that the hem resembled tendrils of white shadow, his own shadows reacted instantly, flowing from his body and pecking the hem of it as you drifted up the aisle arm in arm with Nesta.

Nesta hugged you tightly before finding her place beside Feyre, and you turned to Azriel, taking his outstretched hand and stepping up to the dais, "I told you that I'd love you more today," he spoke lowly, just loud enough for you alone to hear.

This time the stars didn't wait for the descent, the moment your lips touched one another, the stars unleashed their joy across the night sky, casting their glow across the entire city and dragging themselves right across the balcony where you stood, showering you and your husband in their love and happiness.

The entire of the Inner Circle danced well into the early hours of the morning, and you were right, inviting the other High Lords did have it perks considering the gifts you had received. But when the party began to die down and the last few souls dwindled in your presence, did Azriel whisk you away back to that balcony where you had both confessed your love a year prior, pulling you close to his body and ensuring that the night at the House of Wind ended doing the thing you loved doing most. Dancing in one another's arms until Azriel scooped you up and carried you back to your shared home on the bank of the Sidra.

It was safe to say that the Inner Circle didn't dare to contact you for an entire month afterward.

Author's Note

Just a little one from me x

[victimsofyaoipoll]

Finals

Propaganda Under Cut

Sakura Haruno

Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.

My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 

What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.

Misa Amane

she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.

she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!

Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime

[redflagshipwriter]

Young lovers are shot by Cupid (he is now wanted for questioning)

“Suspicious?” Todd paused mid-pull on his smoothie. He lifted his face, surveyed the mall, and frowned slightly. “Who?”

Damian tried to physically point Todd's face at the incredibly suspicious man lugging an unconcealed weapon in public. “How did you fail to see him?” Damian demanded. The man was very nearly flouting public decency laws and wearing extremely unseasonable sandals.

“Whoa, squirt.” Todd tried to ruffle his hair. “What are you talking about?”

“Cease!” Damian dodged with a scowl. “How could you fail to notice such a person? Open your eyes and look!”

Todd sighed. “Who are you talking about?”

Damian pointed.

Todd's eyes glanced over the man without any recognition.

But the man looked over to make eye contact. His eyes widened. He looked delighted.

“Brat?”

Damian watched with narrowed eyes as the strange man gave him a mischievous smile, pressed a finger to his lips, and gestured for secrecy. Then he took the bow and arrow off his back, pointed in the crowd, and fired in one smooth motion.

The arrow hit a woman in the back, in the center of her chest. It flashed out of sight in the same instant.

Damian shouted and stood straight up. Food flew as he jarred the table. Heads turned to look at him.

The woman was one of them.

He stood, processing. There was no blood on her body at all. She was unwounded. He had watched the suspect fire an arrow in public into a woman's heart and she was unharmed.

When he did nothing, people turned back to their food. He stared in disbelief. The woman who had been hit leaned into her friend and said something close to their ear.

No one looked at the archer. The arrow- the arrow that he had fired was back in his hand. How?

He nodded at Damian and then he disappeared.

Damian blinked.

Clearly, this villain was supernatural or magical. What had been his purpose? Damian would have to track that woman down and see if anything unusual happened to her. As he watched, she laced her fingers together with her friend and walked away, laughing. His lips curled. Foolish. She had no concept of the danger she was in!

“The hell is up with you?” Todd demanded, sounding unnerved. “Hey!” He tapped the table rapidly with a hand.

Reluctantly, Damian sat. His brain was churning.

“Are you-”

“I'm fine,” Damian cut Todd off. He crossed his arms, as if to protect his own heart. “I was…. Mistaken.”

Todd leaned back. “If you say so,” he said, dubious.

He was missing something. He had to do research. As soon as Todd released him from the purgatory of shopping for a birthday present for Father, he went to the batcave and started researching villains who used a bow and arrow.

Unsatisfactory. He widened his search. Hits were few and easily discarded. “It was not Oliver Queen,” he muttered to the monitor with a sneer. It kept pinging helpfully that Queen was the most famous archer at the moment. “The man I saw escaped from a different off-Broadway musical than Queen.”

He needed to change his approach. He attempted to access the Mall's security footage.

…It was on a closed connection. Damian felt his lips thin.

Very well. Robin would go retrieve the footage, locate the victim, and see if the attacker appeared on camera.

[linkspooky]

It's not just the fact that Hori decided to kill a lifelong victim of grooming.

My two favorite comic book storylines are New Teen Titans Judas Contract, and Uncanny X Men's Inferno. They both feature villains / victims (Madelyne Pryor and Terra) that die at the end of the story. Terra is specifically fifteen years old and a victim of sexual grooming.

However, both of these stories are clearly written as tragedies. It's clear from the start that these are tragic stories not only meant to get us to sympathize with the victim turned villain but also the failure to save a clear victim is meant to make the heroes look bad.

Let me just list off all the shit Scott Summers put Madelyne Pryor through.

Fell in love with her only because she looked like his ex girlfriend Jean. Even though Madelyne specifically stated before getting into the relationship she didn't want to be jeans replacement.

Married her, and refuses to take time off to the point where he misses the birth of his own son leaving Madelyne at home to deliver her baby on the floor.

When he finally retires and they move to Alaska together he gets a phone call that Jean is still alive and abandons his wife and daughter for weeks to go back to his high school girlfriend.

Madelyne is attacked by a group of supervillains while Scott is away and just barely manages to escape but loses her baby.

She joins up with the x men to look for scott only to find out in the time she's been gone Scott had already gotten back together with Jean.

She is tricked into making a deal with a demon who wants to overthrow ilyanas control of limbo (she thought it was just a dream and the contract to sell her soul didn't matter).

She used her newfound power in order to find her child Nathan only to find Mr sinister there who reveals that Madelyne was a clone of Jean Grey, her entire life was a lie, she was made to breed with cyclops and produce a baby for sinister.

At which point madelyne snaps and decides to burn everything to the ground and kill her own child.

It's clearly telegraphed as a tragedy. The reference to Medea is pretty obvious. Madelyne had no chance from the beginning, however even in this tragedy Scott specifically forbid any of the heroes from using lethal force on her. Jean and Maddie mindmeld at one point and Jean literally begs for Maddie not to die and that she should live on to raise her son. They even throw a funeral for Maddie afterwards because be no one else would ever mourn her.

Not only do the heroes look bad, especially Scott for not being able to save her, they do at least try to talk with her, use non lethal force, and beg her at one point to let them help her.

On the other hand not only did Deku never engage Shigaraki Tomura once, just the vision of a crying child in front of him. Deku doesn't look like a failure for failing in his goal to save him he's still the greatest hero, they don't hold a funeral for Shigaraki, Dekus last words are about how he doesn't forgive Shigaraki (and therefore he deserves to die i guess because deku is the punisher now). Deku doesn't even give Shigaraki the respect of calling him by his preferred name he just calls him Tenko who was the only person Deku cared about saving.

It's not just about a victim dying it's about how the story promised us over and over again the kids were going to save the villains in the final act, that this was going to be an optimistic story about the new generation being better than the old.

Only for Horikoshi to deliver something entirely different. If I'm watching punisher I know what I'm getting into. I'm here to watch Frank Castle shoot mobsters. If Batman picks up a Tommy Gun and starts shooting mobsters that's bad because Batman wouldn't do that shit.

There's writing a story that's tonally inconsistent, or changing your plans for how a character is going to end late in the game and then there's this.

Which is basically narrative gaslighting. Where one thing is clearly happening onscreen but the narrative needs you to believe those gaslights clearly are not dimming.

I know Deku made no effort to save Shigaraki when he explicitly said they OFA is a power for saving but not killing, but don't worry Deku became the greatest hero anyway, and this is still a happy optimistic ending!

Horikoshi isn't looking for treasure in the house. Those gaslights aren't dimming. You're clearly being hysterical, woman.

[blacknedsoul-blog]

Montresor is the Bad Ending of White Raven

So Montresor has a religious trauma. And from what little we know of the flashback to his death, the man was apparently a corrupt preacher.

What that tells me about his life made me crack my knuckles, because holy shit, this guy is an even better villain than I expected. And not for the reasons I thought at first.

Montresor's possible backstory

A fun fact: "unholy men" used to be called "sons of Belial". Same as Monty's Spectre type, so there's the initial connection, but with what we saw in chapter 87, this phrase from his mother resonates quite a bit:

Montresor was most likely a bastard (literally), and if he was raised in a religious community, that immediately made him and his mother outcasts. Possibly his mother hated him for "ruining her life". Whether this is true or not, the implication is that he grew up a victim of a system that decided he was sucked by the devil from birth.

In this light, Montresor's attitude towards the world is actually a logical consequence: he has decided that abuse is the only way to relate, and you can either be the victim or the victimizer. Of course, he is now the victimizer.

But he decided that because life taught him two lessons that were important enough to make him the person he is now.

"I know this game better than anybody"

We know from the clothes and hat in his flashback, and the cross around his neck, that Montresor was a preacher. And I would venture to say an excellent one: he has heard all his life that he is a demon, he knows better than anyone what terror hell produces in people, so he knows exactly what to say (or not say) to manipulate others through that fear.

Montresor, like Annabel, is someone who exploits his own traumas.

Annabel has been almost conditioned to behave like the perfect high-society lady, and that includes going to impressive extremes if it means getting something in return. She has engineered her way through life by identifying the currency of the people around her and knowing exactly what to give them so that they will, in her words "kissing her rings".

Loyalty gained through fear vs. loyalty gained through pretended sympathy.

Same goal.

If the world has made them that way, both Annabel and Montresor will use every last footnote of knowledge gained through trauma to get what they want.

But then there's something else they have in common: this deep knowledge of the rules of the game has also made them both know that the odds are too stacked against them to ever win. In the past, we've seen Annabel throw in the towel on her arranged marriage, but Montresor took a different path, much more along the lines of…

"So I'm not afraid to cheat."

Montresor decided that if people wanted a demon. He would give them one. The worst demon of all, because this one knows the rules: he knows how to play the game, he knows how to cheat and get away with it. We don't know the extent of his atrocities, but given what happened in the flashback and the fact that his idea of a sleepover is stuffing someone behind a wall to slowly suffocate, this guy must have a long rap sheet.

So long, in fact, that he was tied to the tracks of a train to be torn to shreds without even a trial.

Because if the rules are just there to screw you, then screw them: the only option left is to cheat.

Which is exactly what Lenore did when she burned down her house and pretended to be a man to go after Annabel. Lenore jeopardized everything Annabel said was important to her.

And she got away with it. At least until they were both killed (or, if those of us with our chips on Annabel's childhood friend, they may have both died without anyone knowing).

Now, in Nevermore, Lenore is still doing that, as we can see in her reluctance to kill or destroy Montresor: she refuses to play the game, refuses to follow the rules.

She will look for ways to cheat here, as she did before (something Annabel actually expects her to do). The woman is too stubborn to bend, and so far she seems to have the wind at her back (the question is, for how long?).

The bad ending

These elements make Montresor a complete exhibition of the ultimate consequences of taking Annabel and Lenore's attitudes to the extreme: a person who instrumentalizes her own traumas to unravel and try to inflict them on others, and who is not afraid to cheat for her own benefit if it means getting what she wants.

The only thing that separates Annabel and Lenore from Montresor is that they both still use these attitudes in the name of other people: Annabel for Lenore herself, and Lenore for the people she cares about. That both of them (still) seem to have their hearts in the right place.

But if Annabel continues to use her vast knowledge of this twisted game to work her way through people without caring, and Lenore still believes she's above all rules, here's Montresor to show them (and us) what's waiting for them at the end of the road.

[bigfatbreak]

I love reading about all your AUs so much! They’re all so creative!

I’m curious about the people of Paris in your villains AU. Like obviously Adrian and Mari are the villains but how do the people of Paris fear them. Is it similar to Hawkmoth in the original timeline? Or are they considered more or less of a threat?

Keep up the good work and make sure you’re getting plenty of rest!

the issue is, Paris is really split on the whole notion. Nekydallon and Pavo clearly are willing to go to strange lengths to find the "miraculous" they're looking for, but neither of them attack citizens, and Nekydallon exhausts herself helping the people of Paris.

They cause trouble, but, nothing that... can't be fixed? Meanwhile, Felix Furvus and Coccinella seem to act as though they're Paris' defenders, but- some citizens ask - defenders from what?

Many people see Nekydallon as a faceless entity who's worth admiring, with Pavo as her stalwart representative into the world. Those who've been her champions don't lose their memories like they did with Hawkmoth, and note that she sounds soft and quiet, and delicate. She never demands anything, and she feels like a friend who's letting them borrow her power to do what they need to do, but, easier.

Doctors and Nurses find that, being bestowed with a power grants them to operate with better accuracy or with steadier hands, or they're capable of clotting and healing deathly wounds with mysterious powers. Some Akuma are capable of healing life-threatening illnesses or diseases, or at least helping people cope with the pain.

Firefighters find themselves with the power to spring water from their fingertips or to smother fire with the flick of their hands. Some can suddenly carry six people at a time without breaking a sweat to evacuate a house.

Retail workers in the middle of getting robbed suddenly have the power to fight back. People being kidnapped are suddenly granted the power to escape. Victims have a butterfly bond to them and they find the strength to stand up to their abusers and/or escape their clutches.

Marinette works very hard as Nekydallon. She can hear Paris' woes, and doesn't hesitate to try and assist whenever she can. The rest of Paris sees butterflies as a good omen for the most part, though some are deeply suspicious. However as a whole, its the black cat and ladybug that people are most suspicious of, as they hear a lot of talk but don't see results like with Neky.

[slayagami]

𐙚 synopsis: after losing consciousness in a villain attack, you wake up 2 and a half years later in the hospital. the time doesn't feel long to you, so adjusting to the new updates takes you by surprise. like your boyfriend of 2 years, izuku midoriya, apologizing that he found love elsewhere, in your best friend ochaco uraraka. you find refuge and comfort in your old friend todoroki, who visited you everyday you were out. does new love blossom or do you fight for midoriya back?

𐙚 pairing: midoriya x afab!reader x todoroki

𐙚 warnings:: mild violence, cursing, cheating?, love triangle-ish, angst to fluff, slow burn, friends to lovers, depression, nonchalant reader but over thinker, reader struggles expressing emotions, characters are 22

𐙚 readers quirk: poison arrow. can appear a bow and produce arrows that are ingested with poison that can temporarily paralyze or slow down the movement of who was shot. effects lasts roughly 20 minutes but depending on the victim, possible to move but will be slowed down. quirk allows the reader to have sharp sight, and can see farther and more clearer than most. reader has to train to shoot arrows more accurately. strength of poison depends on readers emotions. hero name: artemis.

𐙚 a/n: slow writer </3 3.9k words & might include typos, i finished this at 4:45 am lolz. link to join tag list is at the bottom!

┊ ➶ ｡˚ ° m.list ! ┊ ➶ ｡˚ ° mha m.list ! ┊ love again

you remember sitting in your u.a. classroom in your final year, ochako around your arm while giggles left the slip of her mouth laughing at iida’s antics. his stiff arms flailing around the place as he scolded bakugo yet again, red eyes full of irritation and annoyance.

“something’s about this class will never get old!” you laughed as well, holding onto your bestfriend. she agreed, slowly pulling you to the hallway as the lunch bell rang, waiting outside the door for iida and another.

you remember loving your class. loving your homeroom teacher. loving the lunch meals, loving the thrill of training. but most importantly, you loved the flirtatious glances across the room from bright green eyes, the soft pink hue of his cheeks dusting over his freckles, a nervous smile paired with a wave. you loved eating lunch with him, sitting beside him while your knees touched. you loved visiting his dorm room late at night to play games on his switch. you loved going on dates around the city with your hand holding onto his arm while he guided you through town. you loved graduating with him, jumping into his arms in your cap and down and diploma in hand. you loved the way he asked you to be his girlfriend, bringing a huge bouquet of your favorite flowers and a pretty bracelet to your apartment door. you loved how gentle his hands always caressed your body, mumbles of permission being asked against your lips. you loved waking up in the early mornings with his arm over your torso, half naked while drool seeped its way onto your pillows, green hair tousled and scars on his back prominent. the melodic hum when you scratched his scalp, eyes peeking through long eyelashes up at your sleepy face. you loved working under the same agency as him, being sent on missions together and working hard. you loved having parties in your now shared apartment (after a year of dating) and inviting ochako and iida as well as other old classmates.

it was a comfortable life. so warm and loving. maybe that’s why you had this unfair situation happen to you. perhaps being too happy, too perfect, was a sin. but why? why have you been stuck in a void for so long, unable to move or wake up. faint beeping to your right. why did you deserve to be paralyzed for so long, after having everything you wanted. being where you wanted. you lost sense of time, only knowing the inescapable black hole that you seemingly floated aimlessly in. it was dark and cold. so dark that when you finally opened your eyes, even with the lights turned off the room was still too bright. it took you a while to understand where you were. pupils dilating as they adjusted to the low light. you turned your head to the side, eyeing the heart monitor and wires that connected from the machine to your arm, the soft glow illuminating the bed stand. there was a vase of flowers, still fresh, with a small ribbon that wrote ‘mom & dad’ . there was a red button behind the vase above the desk, ‘push for assistance’ and with a slow and sore arm you reached over. almost immediately loud footsteps and hushed yells came from the hallway, the intense flicker of the lights turning on causing you to wince and close your eyes.

“miss y/n! you’re finally up, how are you feeling?” the head nurse walked over with a clipboard, her blue eyes shining excitedly through her glasses. she wrote down on her clipboard while looking at the monitor, pen scratching filling in the silence. now that you had the chance to talk, your throat felt like sandpaper. dry and stiff, so scratchy it made your eyes water. one of the nurses standing around passed a cup to you, pink bendy straw in all its glory.

“what time is it? how long was i asleep?” a nervous glance between the nurses made you uneasy, fully awake now.

“ahem, its currently 3:44am. you were out for almost two and a half years. do you remember anything before you knocked out?”

a throaty laugh mustered its way up, scoff-like. you thought, unbelievable. it had to be some prank. some pro-hero reality show. you scanned the area, looking for possible hidden cameras. but the room was empty. just your heart monitor, IV bag, flowers. you spoke slowly, unsurely.

“i dont. i feel like i woke up a very long nap but im so stiff..” you fixed yourself to sit upright, your lower back tight. with uncertain eyes the head nurse gave an awkward smile, telling another nurse on stand-by to notify your parents. she spoke with a low tone, as if it would ease into her words.

“you were involved with a villain attack two and a half years ago. you fought very bravely one on one with a man who’s quirk went out of control. from what other pro heroes told us, your body had given out due to extreme exhaustion and overuse of your quirk, but your body automatically moved on its own and still fought. we believe the immense stress your brain and body endured is the reason you fell into a coma for so long.”

after the nurse ran your vitals she excused herself, and you spent the rest of your time wracking your brain to try and remember this so-called fight you were in. but you cant recall anything, and to be honest you don’t remember much of anything from before your coma. just the general facts like where you live, your agency, your friends, your boyfriend. but what you did the week before passing out? nothing. you don’t even remember when you had last went to your agency to work, just the general knowledge that you went. it was a strange feeling. almost out of body, like the person you were was you but also wasn’t.

it was 4:00am when your parents walked in the room, teary eyed and elated. your parents’ hair was longer, complimented with a few more noticeable gray hairs. it tugged at your heart not knowing the amount of stress you put them through, engulfing them in a warm hug. you talked for an hour or two, for any updates you should know and if everything the nurse told you was true. a part of you was hoping this was still a stunt. your parents awkwardly gave each other a look while you drank some water, unsure what to say. their hands found place in each other and intertwined their fingers, a thumb from your father rubbing your mother’s hand. it was quiet and still in your room. the clock on the wall ticking faintly in anticipation. you were now propped against your pillows, big eyes waiting for their words. and, almost comically, a knock on the door broke your attention, all three of you turning in curiosity. plush green of hair paired with the emerald eyes you fell in love with two- no, four? years ago. a smile cracked at your lips, your heart skipping at beat at the change of look your boyfriend held. hair that was shorter than before, styled and cut. a tanner complexion, slightly taller in height with new scars on his arms. he seemed more buff too, white tee hugging onto his biceps.

now, your eyes were always more perceptive than most, mainly because of your quirk. maybe thats why finding these differences were so easy for you to see. maybe thats why you noticed his new scars and shorter hair. maybe thats why your eyes trailed to his wrist, a thin gold chain wrapped around. a different bracelet from what you had given him on your one-year anniversary, to match with the old one he bought you when he asked you to be his girlfriend. your smile faded, intuition kicking in. something didn’t seem right. the glare in his eyes wasn’t as bright as before. weren’t excited. his face showed relief, sure, but also uncertainty. uncomfortableness. guilt. but for what?

you spoke softly, unsure. nonchalant. but your eyes held so many emotions. and midoriya knew that. he knew you’d rather be nonchalant when you’re unsure, even if the thoughts in your head are spiraling. he knew everything about you. which is why it was so much harder to speak. to get the words out. his eyes glanced at the machine next to you, the bpm slowly raising. with awkward, stiff steps he walked towards you, stopping at the your side of the bed. his hand held yours, unfittingly. you took note of the uncomfortable look on your parents face. it only made you worry more.

“it’s nice to see you’re finally awake. are you feeling okay? does anything hurt?”

of course, he still cares for you. you can hear it in his voice the hidden feeling of love and affection,

but why hide that?

like its there but he doesn’t want to show it. you can feel the tension in the room, in your neck as you strain to look at him. you told him you were fine, not knowing how to feel. the conversation lingered, all four of you sitting awkwardly in silence. in the background down the hall, faint flip-flop and footsteps made their way in the direction of your room. little gasps of air, brown hair shoving itself through the doorway.

“y/n oh my goodness! i’m so happy to see you’re finally awake!!” ochako squeezed her way to your side, hugging your body with teary eyes. she seemed like the only normal one, the only one expressing her happiness and relief. it was enough to make you feel better yourself, sighing in ease at her side with a light chuckle.

“of course im awake. that would’ve been a lame way to go out.”

she laughed with you, exchanging jokes and a giggle, yet slowly making her way towards midoriya’s side. then your unease came back. the weird gut feeling, the tug at your emotions and brain. you can see the remorse through the green irises. you can feel the thickness in the room. and as much as you wanted to run away from this feeling, you couldn’t. not physically, not emotionally. what in the world happened when you were out? with a quivering voice, midoriya speaks up softly. cautiously. you can practically see his puppy-dog ears folding downwards against his skull. “things changed between us.” you parents escorted themselves out, saying a faint goodbye. midoriya fiddled with his thumb, teeth nipping at his lower lip. you just say and listened. to his rambling, to the way his voice shook and how the back of his food tapped the floor.

“the doctor’s told us many times you weren’t going to make it. that your body would reject the IV fluids and make you ill, or your heart would stop and they’d struggle to start it again. i spent a year in agony, refusing to eat, refusing to work. i never left your side in the hospital. but it make me sick too. i couldn’t sleep, i-… i felt so hopeless knowing there was a huge chance you’d never wake up.” his lip shook with every word like a leaf to a tree, the smallest crack in his voice breaking his sentences.

“and so ochako took care of me. she let me cry, listened to my nonsense, helped with my sleep and motivated me to go to work again…”

“i guess a part of me accepted you weren’t going to wake up, so i allowed myself to grieve and found new love in ochako. she said she the healthiest way for us us if i agreed to be with her even if there was a small chance you woke up and wanted me still. that if you woke up, i’d still choose her.”

you wanted to laugh. now this really had to be a set up. some sick joke. it was unfair. to wake up, and be told by your nurse you've been out for two and a half years. to not even remember you fighting in the first place. to be stuck in a black hole with faint memories of your past. to see your parents age in the slightest ways 'overnight'. to see your boyfriend change physically. to hear your boyfriend say he's in love with your best friend.

to have your best friend betray you.

frankly, you don't know what hurt more. the fact that your own boyfriend, or now ex-boyfriend, the same man who never let you open a single door, pay for a meal, tie your shoes or take them off, order your yourself, walk alone anywhere without him, the man who talked about marriage and kids with you. to just wake up and hear he couldn't "wait" for you. and that he still can't chose you just from a stupid promise.

or your best friend, the one you've known since you were 5, the girl who sat in the rain with you when your parents forgot to pick you up after school, the girl who's seen you cry so hard you threw up after your first boyfriend in middle school, the girl who always chose you over a boy, over anyone. or used to. ochako knows everything about you. she knows you hate super sweet foods because it makes your stomach hurt. she knows you like your coffee on thee slightly more bitter side. she knows you like the fuzzy socks with animal faces. that you attempted to run from home when you were 11 because your parents grounded you, but got lost at the subway station and cried. and especially knows your love for midoriya. ever since you first started being friends, he was all you talked about. she knows how much you talk about him and how he treats you so well, how excited you were when he first held your hand when he walked you home for the first time, or how you cried when you had an argument that almost ended your relationship, how you had a pregnancy scare and couldn't sleep for days. so why? and ochako looked at you with her huge brown eyes, almost hopeful. you can see it, her asking not for forgiveness, but for you to understand where she's coming from. if you can let it go because nobody knew if you would ever wake up. that she should have the right to date him too. that you were too late.

the tips of your fingers grew cold. your face grew even more pale than before, completely losing whatever life you could express. why must the world be so unfair to you? and why couldn't you express the frustrate you felt, the anger, the pain, the betrayal. you had it verbally sorted out in your head, everything you could possibly say to make you feel better by shitting words out, but the lump in your throat refused any noise to slip by. the room was silent, becoming colder each passing second. it was unsettling. the two just stared at you. green eyes filled with guilt, brown eyes with expectance.

you allowed yourself to slump down the hospital bed, trying to calm your beating hard. though the machine just gave it away, beeping at the same pace as you, only increasing as more time passed, the rise of your chest more visible as you kept battling your thoughts.

"i understand it must be hard for you, for your girlfriend to be unconscious for two and a half years and you finding the comfort in our close friend. and i know as heroes we talked about death, and for us to find happiness if we ever lost one another," you could practically see the growing excitement in ochako's eyes, holding onto every syllable that slipped through. was she even ochako anymore? did she even care that you just gained consciousness not even three hour ago? doesn't she not understand that, to you, yesterday you were 20 and today you wake up 22. you ignored her gaze and look dead straight into midoriya's.

"but i didn't die. and i guess it was wrong of me to assume you'd wait in the first place."

you could tell izuku wanted to say something, and you can see the stupid look in his eyes of wanting to be with you, but would rather be a man of his word to ochako instead of you. and ochako? the excited look in her eyes should be illegal. why is she so happy she gets to be with your man? why does she look like she’s accomplished something? did 20 years of friendship mean nothing to her? before she could slip a word out, your assigned nurse came back in with a stack of papers and medications, asking the visitors to leave so she can properly discharge you. her words found no importance in your mind, completely passing through your head as you replayed what just happened, the anxiety kicking in and making the monitor go off again, dangerously high.

but the nurse calmly removed your vital compressor on your arm as well as your IV drip, refusing to ask questions. she stood outside your door and heard everything. but she really didn’t have to. there’s articles everywhere pertaining to your coma and inside scoop magazine’s of midoriya and uraraka’s dating life. you guys weren’t celebrities or anything, but coming from a school like U.A. that documented your every move puts you in the spotlight. you were considered heroes as soon as you got you license anyways.

midoriya was always at the top of his game, having interview after interview, making his name known whether he meant to or not. he became a popular topic for years, and still continues to rise in popularity. and you got your spotlight after being sent to Kyoto with ochako to handle a gang of villains from the LOV in an abandoned building, managing to save three children who got lost in there while fighting off three villains with close ranged attack-based quirks. your quirk is mainly used for medium to long range combat, but you and ochako interned under gunhead and improved your physical combat which stunned citizens and made you a ‘big deal’. you spent 20 minutes using only combat skills and plain arrows to paralyze them, since they always attacked once you pulled your bow out, never giving you an opportunity. you both took a beating, sure, but you both had unwavering confidence and raw strength, causing you to headline for a couple weeks in Kyoto. ever since then, the media has been keeping tabs on both of you, and your relationship.

so obviously everyone freaked once pictures of him holding ochako’s hand went public, a year after your comatose article went viral. he received a lot of hate, especially from his friends. and it was hard for him to be out in public again without being ridiculed. he eventually stopped his hospital visits, the media speculating it was his new girlfriend’s jealousy of her boyfriend visiting his unconscious lover.

“take this medication when your body feels sore, its just some asprin. your limbs shouldn't feel too stiff, our staff helped stretch your body while you were in your coma. this reduced the shock of trying to use them after they were idle for so long. and these pills are supplements to update your body on the natural nutrients it missed throughout the years! come back in two weeks for an MRI to make sure your body is recovering well,” she handed you two bags of pills, and a change of clothes your parents had left before going to work. you took your leave, a stretch of the body with a silent ‘crack’ of your unused bones. it was roughly 8am now, the sky painted in pink and blue’s as the sun rose, rays of sun covering your body in a light hug. you thanked the nurse,

“oh, and before you go!” she chimed, blue eyes sparkling with interest, “i know its not any of my business, but while you were gone the handsome young man with red and white here visited you quite often, you should thank him.”

todoroki? he was a good friend to you, in fact one of your closest friends you shared with midoriya. you sat next to him your second year at u.a. spending time getting to know him as a person. he was always quiet during class, yet you can see how his eyes shone curiously as he eavesdropped on conversations, acting like he didn't care. or how he would engage in the silly activities your classmates did, like fake a protest when the teacher was biased, or twisting the top off a confetti canon as people walked in during your christmas party. most students always thought he was cold, mean and uninterested. you could tell how that affected him too in the long run, your classmates not conversing with him enough or being too scared too. though as the school year went on, more people realized he just wasn't good at expressing so much. and that he was in fact, just really dense. the only one he was ever mean to was his dad, understandably.

and so you spent class throwing pieces of paper on his desk, written in small characters random questions you had about him. when's your birthday? who's your favorite classmate? favorite subject? what manga do you read? it was simple at first. general question to please the curiosity you both held. until the questions turned into late night invitations hang out in his room, playing on his switch at 2am. he was fun to be around, he became sassy and full of snarky remarks as you grew comfortable with each other. his personality seemed much more brighter to you. and you told him a plethora of things, a bunch of tiny secrets you kept to yourself. throughout each time you saw each other, you grew to understand each other more and more.

“i dont know if i like him or if i just think hes cute..” you hummed, face squished on his silk pillows as you laid on your side. he sat on the floor, back questionably straight as he played on his switch. a piece of cookie stuck out of his mouth, “you and ochaco both like midoriya? isnt that.. against girl code, or whatever you told me?” blue and grey orbs flicker across your face through his bangs, a hidden emotion dwelling in the depths. cookie crumbs lingered on the corners of his lip, moving his attention back to the mini screen in his lap. you laughed naively, hand reaching out to wipe his face.

“oh, she doesnt like him! she said she only sees him as a friend,” the softest shades on pink touched the tips of his cheeks, his face heating up unbeknownst to you. nimble fingers stopped fidgeting at the buttons, peeking once more to look at you, though to his dismay your eyes remained elsewhere, distant. “and you? is it true you have a thing for yaoyaorozu?” your eyebrows wiggled, giggling like a child finding out these simple secrets. everyone in 2-a knew yaoyaorozu had the mushy-gushy for your bi-colored friend, it was a topic always brought up during parties when the two sexes were separated in their respective rooms, desperately seeking gossip. todoroki remained silent for a minute, a soft huff puffing out his chest. “yeah, i like her.” sure, he liked her. she was smart, intuitive, intelligent, diligent, a great leader. anyone would like yaoyaorozu. she came from money yet never expressed that she was better than anyone else, she was generous and humble, kind. everyone liked her. but in todoroki’s eyes, you can see he longed for something else

tag list @c0sm1cstqrsx @aliceblossoms @0b1wan @obeythehuman @whippedbyikemen @faimmm @sagejin @gummy-toes @seobstarr

[let-us-cultivate-our-garden]

I just remembered the "Please. I don't want to see another human life destroyed by this place” line, and honestly did they have scenes of Luz starting to wonder if Belos' had a point and going into the island did destroy her life? If not, they should have had.

No, they did not have Luz ever wonder how the isles affected Belos--except in the storyboards:

Luz still calls him out for trying to destroy the isles and being a hypocrite but there's still that moment of empathy in which she asks point blank: "What do you think they DID to you?!" She briefly contemplates just why someone would go so far to destroy an entire population and what his mindset might be. Unfortunately, this was not included in the final version and Belos' expression is blank instead of pleading.

Then there's this storyboard from For the Future in which Luz, Eda, and King explain to the Collector how people like Amity and Lilith became their friends:

Luz's line about "people being complicated" is in the episode but the entire exchange between her and the Collector is not even though it opens up a lot of interesting ideas and themes. Without it though, the show becomes straight up hypocritical when it states that people are complicated but reduces its villains to generic archetypes and its hero characters as being simply misguided or victims of the villains.

And no, this doesn't mean that the show should have excused Belos' actions or even forgiven him; but they could have and should have acknowledged the complexity of his character by keeping this nuance in and how the characters react to it. By doing so, the message of "people are complicated" becomes clear and strengthens the other characters as well. Luz gets to self-reflect on how she sees other people and learn that even the worst people among us are incredibly complex and have driving forces that are uncomfortably close to our own, thus making it much harder to demonize them. The Collector--instead of being a Giant Star Baby--keeps both his childlike bluntness and keen observational skills that he had in season 2, thus fleshing out the character instead of devolving him.

Regrettably, that nuance is absent from the show and we have a rather black-and-white narrative about Good vs. Evil; people are only ever really "bad" if someone tricked them or if there was a misunderstanding and all the Real Bad People are just selfish jerks who are power hungry and controlling.

This is not compelling storytelling; this is a tale as old as time. And the worst part is that there was a great story in The Owl House but it was left in the rough drafts.

Storyboards by Yasmin Khudari and King Pecora

[almacambiondaughterofsaleos]

The Biggest Problem With Hazbin Hotel's Rehabilitation Mentality Is Trying To Make All Sinners Victims Instead Of Owning Up To Their Own Sins

I think the biggest problem with Hazbin Hotel rehabilitation mentality is that they focus in on how sinners are victim of circumstances rather than owning up to their problems and changing themselves. I think the biggest thing with this series is the fact that they think the problem is society instead of someone's own issues how they got into hell.

One of the first indications of this bs is making it out that Lucifer and Lilith were just misunderstood dreamers were against a strict ignoring that they caused sin in the world and caused help humanity's downfall. But the narrative ignores that fact and tries to treat them as victims of heaven, so we can have Lucifer as a misunderstood sad boy instead of how in the Bible he was jealous of humanity and wanted to bring it down with him due to God's love for them. A misunderstood sad boy wouldn't do this type of shit and Vivziepop selling it a load of it.

I know this is going to be controversial but I think Angel Dust is hindered as a character but not focusing on what got him into hell. And it wasn't just the drugs and sex, because he did kill people and some of them probably didn't end up in hell. So just imagine him being sent to heaven and his former victims recognized him for his crimes and until now showed repentance. However, the narrative even then doesn't focus on that fact but the idea he's a total victim and doesn't show part of his way to redemption is get his life back together and admit he's done shit where he wasn't the victim but the victimizer. One could say he was put through that life, but then again show his sister is in heaven and that she chose a life of virtue and made it. So, he has no excuse of his dad or brother getting himself into hell except himself and he needs to work on it. Even if he's a victim to Valentino, he still is a victimizer in someone else's eyes who recognizes him decades ago.

And I am also going to say this the Extermination is used as a way to have all of hell be turned into pitied victims that you forget a lot of them are in hell for a reason. And even more they are doing antics that got them probably into hell like murder, sex, and other types of depravity. While not all sinners are on the same level, the exterminations as a whole just i used to make you forget that they are there for a reason and erase that there is a reason they weren't given a chance into heaven. Seriously, Emily herself called them innocent souls when in any other scene they are far from innocent and the reason why Adam is depicted as a one note villain is because they can't fathom the idea that maybe the Extermination could be used to cull the worst sinners or something.

I think the biggest problem with Hazbin Hotel's every sinner is really a victim it comes ironically counter to finding redemption. A show which Vivziepop says she inspires from but she completely misses the point is Bojack. She says she's watched it but the biggest point of the show just because you are the victim doesn't give you an excuse to act like a total jackass to others and not own up to your mistakes. The problem is Habzin Hotel never lets anyone own up because they have to play victims, especially any character favored by Vivziepop. Redemption doesn't come from seeing yourself as a victim, but recognizing your own mistakes and how to reform from them. And frankly I didn't see Angel Dust want to reform from his mistakes, but just want a home away from Val. The problem is that Hazbin Hotel is about enforcing victimhood instead of owning up that you did bad things and need to change. An excuse for your behavior is still not fully an excuse and you need to own up to your actions.

[scintillyyy]

the way that the steph story in showcase '95 #5 is a steph story written by not dixon in the 90s & has some of the best character work that *includes* a lot of the negative traits she was given by dixon && ends up having some absolutely excellent parallels with bruce in gotham knights #1 and yet the only thing people want to use out of it is that she was on the gymnastics team.

okay. seriously, though. the story is that steph is on her school gymnastics team & her mom comes to a meet (much to steph's chagrin) & her mom immediately clocks that her coach is a junkie & steph refuses to believe her at first because to her her coach is a responsible adult (and the safest one she knows) who wouldn't do that & then does some investigating after a kid dies from a car accident after meeting with the coach due to driving under the influence & finds out that not only was he dealing drugs, he didn't think he was doing anything wrong with his double life & steph has to grapple with the idea of how anyone could lead such a double life *while* keeping her own double life a secret. like it has the all the highlights of peak steph characterization to me:

inability to fully divest herself from her biases meaning she refuses to acknowledge at first what's clear to others (see also: unintentional but fantastic parallels to bruce in gotham knights #1)

her shame over her own life circumstances--having an addict mother & criminal father--that she wants to divest herself from completely and pretend they don't exist so she is made completely uncomfortable when people see them because reminders of their existence goes against the narrative of 'being able to fit in with her peers and that she'e not like 'those' people' that steph is desperately trying to hold onto (see also: her immediate backing down on her suspicions when her friends tell her she's overreacting)

steph being a child of an addict while probably logically knowing that addiction is complicated thing, but being a child affected by a parent with addition has a lot of trouble seeing addiction as anything but a poor choice her mother makes and that people she deems good wouldn't be so weak as to make those same choices. steph being a character who is biased and thinks that people can choose their circumstances because she is someone who's just going to choose to be a better person and raise herself above her circumstances unlike her parents who hurt her is chefskiss. to me.

steph's motivations trending towards selfish--she goes after her coach because a kid died, but the crux of her conflict with her coach is about the personal betrayal she felt after her suspicions are confirmed and he was involved, it's more about her versus the death of someone. which is why her double life is juxtaposed against that of her coach/the villain. because steph's decision to be the spoiler isn't about the victims or a duty to them, it's about her. the tendency in her stories to compare and contrast her choice to be a vigilante vs. a criminal choosing to do crime (usually her father) is often used in interesting ways--hidden beneath her steadfast refusal to be anything like them is an uneasy similarity in that she's doing this for her own self-satisfaction more than anything else, much like her father. and her lies being shown in comparison to her coach's lies & steph's lack of internal conflict over her lies in comparison to her coach thinking he did no wrong...it's soo intriguing.

[gallavichsreddie1128]

Innocent (Billy Butcher)

Description: Y/N is the youngest members of the boys and has no experience so Billy wants to change that.

Warning: Smut, Age Gap

Word Count: 1,362k

She was the youngest member of The Boys, 24 years old. She didn’t have much sexual experience but damn sure had a lot of other experiences. Most 24 year olds have sexual experience and won’t have the experience she has. That experience was taking down what the world called “Heroes” but in reality were villains. Y/N never got around to the normal things in life, her whole life she’s been running from Vought. She was also wanted, like the rest of them so that didn’t help much.

When the time comes to relax and joke, she’s the victim. With her being the youngest and most innocent one all the jokes aimed at her. She wasn’t hurt by them, she just rolled her eyes. Hughie never really made fun of her, never felt the need too. It was Frenchie and MM that loved to tease her at any given moment. Billy sometimes teased her but not as much as the other two.

He found her adorable but not in a puppy type of way. He wanted to pound her into his mattress with his dick. Nobody else knew or had the idea because he was smart. He never got caught staring at her with those dark, lustful eyes that ate her up, or the groans he’d keep in his throat when she walked around in barely anything. He never thought he’d fall for another woman after Becca. But Y/N surprised him. She was sweet and not easily offended. She never pissed him off or made him want to kill her like the others do.

She was perfect in his eyes. Except one thing, She had no idea what she did to him when she woke up and walked in the living room with just a shirt and panties. A shirt that barely covered her ass. It was hard to restrain himself when she did that. It was like she was doing it on purpose. Which she wasn’t but it really made him think. The others were still asleep so that gave him time to check out her perfect little body without being caught. He eyed her like she was his prey and he was getting ready to pounce any second. She was making eggs for herself and Billy, like she did most mornings.

She never noticed him staring at her which was a good thing for him. “Okay it’s all done.” She said, snapping him out of his thoughts. He grabbed the plate from her and thanked her. She smiled and took her own. She sat next to him as they ate. “Do you ever get cold?” He asked her. She shook her head No. The place was sometimes freezing. “Hard to believe in barely any clothes.” He said. He wasn’t meaning it in a bad way but she really didn’t understand how fuckable she looked. “Do you have a problem with how I dress?” She asked him. He chuckled and shook his head. “No, love. It’s just freezing is all.” She hummed and went back to eating. 

It was an everyday thing and each day it got harder for Billy to control himself. She wasn’t going to realize or understand that she’s causing a problem on her own. Each day he’d watch her with dark eyes and she never noticed, completely oblivious to the fact. Today was his final straw. The shirt she had on was showing her panties as she reached up to grab something. Billy groaned and wished she would have just asked him to grab it instead. She tried everything to reach the salt and pepper that was put on the high shelf. He came up behind her and grabbed it for her. She turned around and took it from him with a smile and a thanks. She turned back to what she was doing as if it was nothing. Billy turned off the stove and pushed her up against the counter. She let out a gasp.

His hands on her hips as he pressed up against her. “Do you have any idea what you’re doing to me? Walking around in barely any clothes, making me almost cum in my pants.” He growled in her ears. “I’m I’m sorry.” She squeaked. He chuckled and moved his hand up to grope her breasts. “You should be. You’re a walking wet dream and you drive me crazy.” She moaned at his words and his hands playing with her boobs. His lips found her neck and started abusing it. Her hands were gripping the counter so hard her knuckles were turning white. One of his hands moved down to her panties.

He chuckled as he felt how wet they were. “Holy fuck. You’re soaked.” He said. She let out a moan as he started to rub her clit through her panties. Her head laid back on his chest and she sighed. “Fucking hell, the fact that you’re falling apart in my arms is so hot.” He groaned. Her eyes were closed and she was moaning softly. Her hips started gently moving. He let out a groan as she was backing her ass into his groin. One of her hands reached down to his and pulled it in her panties.

He chuckled and looked down at her. “Is that what you want, baby?” He asked. “Yes please.” She whined and moaned as his fingers were abusing her clit. His other hand held her hip as she dry humped him. “Fuck I need to be inside of you before I explode.” He groaned. His motion stopped and she whined as he pulled his hand away from her wet pussy. He pulled down her panties and undid his pants pulling them down. He found her entrance and softly pushed in. Before she could scream his hand covered her mouth. “Quiet love, don’t want the others to hear, do ya?” He asked ,pushing into her more. She shook her head and moaned against his hand. He was splitting her in half but she was okay with it. Her pussy squeezed him and he groaned. “You’re so fucking tight.” She moaned at his words.

She thrusted back against him and whined as the pleasure took over the pain. He took that as a hint to start moving. Her hips moved back on his at the same time he thrusted. It felt perfect and the two found a rhythm really fast. She was letting out all types of pleasurable noises he wished to hear clearly. But didn’t wanna risk the others waking up. “You sound fuckin’ beautiful, love.” He groaned in her ear. His hips started moving faster, bumping her small body into the counter. She wasn’t able to keep up with his thrusts. His hands move to pull her body as close as possible to his. His hands stayed on her stomach. She bit her lip to quiet the moans that tumbled out of her lips.

She’s never felt this good before. Billy felt her spasm all over his cock making him grunt out a “fuck.” She was close to her end as was he. “Billy I- I think I’m g-gonna cum.” She whined a little too loud. He placed his face in her neck and let out a moan himself. “Yeah baby? Let go for me.” He tells her. “Let go for Daddy.” Her eyes rolled back into her head and her mouth dropped open, it took everything in her tiny body not to scream his name. He felt her drench his cock which triggered his orgasm. He grunted and came inside of her. She gasped at the feeling of his cum inside of her.

They both slowed their hips and came to a stop. Both of them panting like dogs as they stayed in that position. He kissed her neck and whispered sweet nothings in her ear making her giggle. Her giggle was so fucking cute to him. He pulled out of her, making them both gasp. She turned around and looked up at him with a smile. He looked down at her with a smile and realized that he was in love with her. “You’re so fucking adorable.” He grunted before kissing her again.