#how do y’all do that

[meet-me-in-the-pouringrain]

sooo

i finished TPATR

well near enough

coz i got bored

and now the next chapter is collectively over 5k words

and it’s 🫣spicy🫣

so i need to find where to split it

but it all flows really nicely and i don’t wanna

so the next chapter may genuinely be 5k words long.

i think no one will have an issue with that…right?

[s0livagant]

My dad had this game set up today where you had to guess the number of candies in a jar and my twin cousins both guessed the same number even tho they went separately and like 15 minutes apart from eachother . Category 5 twin moment

[beeh0rnz]

I love it when ppl repost my art and the tags are just like “OMG THEY’RE SO CUTE” or “YOUR ARTSTYLE IS SO PRETTY” etc etc LIKE THANK YOU??? WHAT??? PPL ARE SO NICE 😭😭😭😭

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[juniperhillpatient]

“apologist.” “critical.” y’all are doing too much. when my favorite characters do evil reprehensible shit I simply don’t fucking care cause it’s not real

[stuckinapril]

i know the quest of educating people never ends, but it does kind of bum me out that even in the year of 2023 we need to go out of our way to explain the simplest concepts to people. “you should give a fuck that a whole country is being genocided” seems like a relatively easy to understand sentiment, and yet you will still have people out there coming up w a thousand and one reasons for why it’s none of their concern. it blows my mind every fucking time. we really do need to teach people to care about other people and that is insane to me. like what basic human rights do you need to be spoon fed next??? should we also be pointing out that poor people are also people

[housecow]

almost need both hands to hold my boobs at this point..

[aziraphalalala]

What if it’s 4am and you can’t stop thinking about two ageless eldritch horrors divorce-kissing? What then?

[pasukiyo]

the change from tess being killed by soldiers in the game to the mob of infected coming to the capitol building and her blowing the place up while simultaneously sacrificing herself… like yes she sacrificed herself in the game but her sacrifice in the show just seems so much more meaningful now. it may just be the second episode but the show has yet again proven just how much care and heart has been put into this series. this really is a love letter to the ones who played the game and have connected with the story for all these years like myself. i’m so in love and am just so in awe of this show, it’s like i’m playing the game again for the very first time.

[hopefulonion]

Bleeding hearts ❣️

[alithographica]

If I had to find out this way so do you

[whimsyprinx]

“people who don’t block and report bots are why they’re still here” actually staff not properly dealing with them theirselves is why the bots are still here, not people who got tired of having to block and report several bots a day

[m-aximumjoy]

Some interesting similarities between the forms of Falling Devil and Darkness Devil.

There’s the use of multiple bodies to create a singular form, the angular shapes, the mantis-leg-like appendages, the sheer height.

These two also share very strong hand motifs, which makes sense for both of them: when it’s dark, you have to feel your way around, usually with your hands; when you’re falling, you try to grab onto something with your hands.

I’m curious to see if the other Primals look anything like these two.

[mediumgayitalian]

Will wakes up sometime around two, stumbling over to Arts & Crafts. He looks so incredibly, adorably sleepy, face creased with pillow marks and hair sticking out everywhere even worse than usual, that Nico can’t help his smile.

“Morning,” he says quietly, shifting over in the bench to make room. “Or, well, afternoon.”

“Mmfh,” Will responds. He sways on his feet, eyes still closed, so Nico has reach back and take his hand, guiding him to the seat Nico cleared for him.

“Still sleepy?”

Instead of answering, Will slumps onto his shoulder. Nico tenses for a moment, but quickly relaxes — Will is out of it. He’s a heavy weight on Nico’s side, and his breath comes out in little puffs; he’s halfway to snoring. He sets aside the clay sculpture he was making, wiping off his hands, and shifts slightly to make his shoulder more comfortable, sliding his hands in Will’s hair. After a quick glance to double check that no one’s around, he cards through the matted curls, carefully untangling the birds nest that sits currently upon his head.

“Night shift was long?”

Will groans, nuzzling deeper into Nico’s neck. Nico huffs, allowing it, turning his half-limp body so he’s practically sitting on top of him. It’s kind of a nice weight, actually. And Will is warm, slumped and half-sprawled in his lap like a freckly blanket.

“Got thrown up on three times.”

It takes Nico a second to decipher the words, mumbled as they are. His finger gets caught in a strand of Will’s hair as he winces, tugging a touch too hard. Will shivers.

“Oof.”

“Mhm. Shouldn’t complain, though. Not Cecil’s fault.” He pauses. “Well, it’s a little his fault. I told him not to mess with Billie’s garden.”

Nico smiles. “You know, it’s not the first time a Hermes kid has been poisoned for their dumbassery. You could’ve left his cabin to handle him.”

“They would do a horrible job. They might actually make him worse.”

“Yep.”

“…I can’t leave him to suffer, Neeks.”

“Hero complex,” Nico teases. “Sounds like a natural consequence to me.”

“Shhhh. I’m sleeping.”

“It’s two thirty in the afternoon, Solace.”

“Pot, kettle, et cetera.”

Nico smiles. “Only dorky people say et cetera when they’re half asleep.” He shifts, accepting that he has a lapful of head medic, now, no refunds or exchanges. It’s still, somehow, very comfortable — he feels as if he’s laying in a sun patch, under a warm, heavy blanket. Plus, Will smells like strawberries and lavender and his sandalwood shampoo. Nico could get used to it.

He does, however, subtly raise a couple skeleton to stand guard outside the gazebo — no need to get anyone gossiping. As cute as a sleepy Solace is, Nico can and will shove him to the ground the second anyone gets too close. He has a Reputation.

(He is a liar.)

“Did I miss the strawberry coffee cake this morning?”

“Yes.”

“Aw.”

Nico hums, untangling the last of his hair. Without anything for his hands to do, he slides them under Will’s hoodie, resting them in his stomach, ignoring his whining and exaggerated shiver at Nico’s ice-cold hands.

If Nico is going to function as his personal bean-bag chair, Will is going to function as his space heater. Fair’s fair.

“Saved a piece for you, though.”

He feels Will’s grin more than sees it, twisted up as they are. He feels his happy little wiggle, too, arms flailing before wrapping around Nico’s waist, thighs shifting before re-bracketing his hips.

“You’re my actual favourite.”

“Hm. I think you say that to all the boys you save you strawberry cake and let you nap on them.”

“Nah.” Will’s breathing starts to slow, body stilling as he rests his head right about Nico’s heart. He can feel his puffs of breath in his collarbone, tickling the skin under his thin t-shirt. “Just you.”

Nico flushes, more pleased than he’s willing to admit, and rests his chin on his head, watching over the strawberry fields. He checks that Will is actually asleep, and when he is, he presses a quick, darting kiss to his still-creased cheek, and smiles.

“You’re my favourite, too.”

[inkclover]

🩸(un)Holy Matrimony🩸

[fabuloustrash05]

1987 Fans hated the 2003 series when it first came out.

2003 Fans hated the 2012 series when it first came out.

2012 Fans hated the Rise series when it first came out.

Rise Fans are now hating on Mutant Mayhem

This is a toxic cycle in this fandom that we need to stop doing NOW.