#how does one include things that are happening ever

[dinogoofymutated]

Hey! I wanted to make a request but I wanna state right away that if you're simply not comfy with it or don't vibe with it - I completely understand!

I'm on my period rn and wanna request some SFW or NSFW head-canons with Kurt comforting F!Reader while on their period. (Totally understand if NSFW wouldn't be your thing for this. Just any comfort HCs at all would thrill me. <3)

I just can't stop thinking about him applying gentle pressure with his hand to my lower abdomen like a heating pad. I feel like he'd be so sweet. Furball cuddles for the win.

Extra note: Your writing is lovely and thank you so much for your posts. They bring me joy and I even reread some of them a few times. I hope you're having a good day/night and I'm sorry for the long ramble. Remember to take care of yourself and drink plenty of water 💜🫂

SFW! Nightcrawler/ AFAB! reader - Period HCs It's finally here!! I'm sorry it too me so long to get to this ask lol. Hope you enjoy! TWS!: depictions/descriptions of Menstrual Cycle, Blood, staining the sheets on accident. Cramps. Please do not read if you're not comfortable.

Kurt 1000000% is one of the best marvel characters when it comes to making sure his S/O is taken care of.

He's thoughtful and cuddly, and he definitely runs hot, so he's quite literally a heating pad/blanket. He hates the fact that you are in pain, even though it's a regular biological thing that happens to so many. He provides for you in any way that he can when you're on your period, making you food, running to the store, making sure you're hydrated and taking your meds.

You tell him to jump, he'll always ask how high.

And he's comfortable buying pads/tampons for you too! He memorised the brand and size you get after the first time you had your period while dating him, and he does his best to remember when you change that too!

He will also buy you the snacks you crave while on your period and will never let you pay him back.

Don't be embarrassed about your period around him. He's seen blood before, and just because it's coming from a vagina instead of a wound doesn't make it disgusting. He respects your boundaries during your period, and has a lot of patience with you if you're the type to get mood swings. He just loves you a lot, and if that includes uncomfortable menstrual cycles from time to time, he's more than willing to accommodate you however you need.

    You felt extra groggy waking up this morning. You can’t go back to sleep, but opening your eyes felt like an absolute chore. You didn’t feel well- and you can’t place why at first. You groggily sigh, uncomfortable even in bed, and are immediately comforted by a three-fingered hand soothingly petting your hair.

    “Good morning, Schatz.” His voice is soft and sweet. Even in your pain, you smile at him, trying to keep your eyes open just so that you can see him.

    “Mornin’ “ You sigh, leaning into his touch. 

    “Are you feeling well?” Kurt asks, ever the attentive sweetheart. You shake your head at him, moving closer to him so that you can snuggle into his chest. He’s warm and comforting. His tail wraps around you snugly, and he presses a kiss to your forehead. After cuddling for a while, your stomach growls, and Kurt chuckles. He mentions something about breakfast you’re a little too sleepy to remember and gives you a chaste peck before he pulls back the covers and gets out of bed.

    You only feel his weight on the bed shift a little before he seems to freeze abruptly. 

    “Is everything okay?” You ask, slowly blinking your eyes open to see what was the matter. Kurt has this soft, concerned look on his face as he looks at the bed, and then at you, turning to sit sideways where he can face you.

    “Love, you're bleeding.” He tells you. You look at him in confusion for a second, before you suddenly recognise that awful sticky wetness between your legs, and bolt straight up. You rip the blankets off, horrified at the sight of blood staining the sheets.

     “I'm so, so sorry, Kurt!” You say, frantically trying to sit up and get moving.   “- I promise I'll clean up and-”

    “Why would I make you do that?” Kurt immediately cuts you off, setting his hands on your shoulders to settle you. “You didn't do it on purpose.” He states. You don’t actually know how to respond, both embarrassed at the circumstances and thankful he’s not mad at you. 

    “I’ll start the shower for you. Just wash up and let me take care of everything else, okay?” Kurt says, taking your hands in his own before he stands. He kisses you again before he’s gone in a cloud of smoke.

    The water is the perfect temperature when you step inside, warm and cozy. You debate on turning the water scalding hot, still trying to shake off the embarrassment, but you don’t. Your cramps become more and more noticeable while you’re in the shower, causing you to ache once you finally shut off the stream. There's a fresh, fluffy towel and a new set of pajamas waiting for you when you step out- ones that Kurt must have teleported in without you noticing. The thought makes you smile.

   Kurt had replaced the bedsheets and re-made the bed while you were in the shower, also laying your weighted blanket across the bed. He’s not in the room right now, but that doesn't stop you from curling up under the fluffy cover immediately. You’re so thankful you swear to yourself that you were gonna repay Kurt ten times over with whatever he could possibly want, already knowing that he’d tell you to not worry about it.

   You’re lightly dozing, curled up in the fetal position under the covers to fight your cramps when Kurt teleports to your bedside. He’s got a tray of food in one hand with a glass of water in the other. You sit up when he sets it down on the bedside table, and he sits next to you had he hands you the glass, holding out pain meds in his other hand.

    “You know how much medicine I take?” You ask, smiling sweetly at him. He’s grinning, his tail swaying back and forth on the bed.

    “Why wouldn't I? It's the same amount every time.” Kurt says, tilting his head at you. You quickly take the medicine before you get too sidetracked, and the moment the glass of water is set to the side you pull him in for a kiss that he eagerly returns.

    “You’re the best, You know that?” You tell him, and all Kurt does is chuckle. He crawls under the covers with you, sitting by your side as the two of you eat breakfast together. When you’re done, He lays back down with you, setting his warm hand on your lower stomach as he spoons you from behind, pressing gentle kisses to the back of your neck. You’re already feeling better when you drift back to sleep again in his secure, comforting embrace.

[ulltraviolences]

let the light in | haymitch abernathy

pairing: haymitch abernathy x fem!covey!reader

synopsis: deciding to indulge in old habits after a particularly hard night & glimpses of his past life, haymitch doesn’t expect to be comforted by the voice of a beautiful songbird in the hob of 12.

warnings: mentions of war, canon violence, ptsd, alcohol, mention of blood, flirting, age gap (reader is in early 20s), slight sexual themes, kissing, fluff-ish, sweet haymitch

song included: the ballad of lucy gray baird

a/n: this is something I’ve had for so long in my drafts & now that we’ve got the prequel announcement, what better time than to post it! <3

Maysilee’s loud screeches echo through the trees, the mockingjay’s repeating the blood curdling sound as they start to encircle him. Haymitch’s feet moving fast beneath him against the dirt trail in order to lose the career pack behind him. His movements beginning themselves before his mind can process them and the fact that she’s gone. The wind being his sole helper in drying the tears that threaten to keep flowing, catching a glimpse of his hands still stained red from the way he held her before she passed.

The only thing on his mind now being that he survives this, for her, for his family, for his district, and more importantly so he can show that they don’t control him.

━━━━━━━━━━━━━━━━━━

The sound of glass shattering against the hardwood floor is what finally pulls his consciousness out of the nightmare of the arena. Flailing his arms around as if to protect himself from ever being touched again, haymitch is quick to his feet to stand up and surveil the empty dining room for the slight hint of the ghost of a past tribute looking to attempt to take his life once more.

He stands completely still as he finally takes into account his surroundings, his heart still pumping out an extra beat per minute and silently waiting as he catches his breath. it’s just a dream. you survived. you’re here. you’re home. He repeats the mantra in his head over and over again till it hopefully sticks this time.

It isn’t until he feels a slight trickle drip down onto the table that he sees the fallen glass shatter all over the floor and mixed with the hint of crimson from the shards stuck to his palm.

It feels like a cruel joke almost, a reminder. The blood that he’ll forever have stuck to his hands. The mess of blood that no matter how hard he tries to clean up will just keep flowing in an endless cycle no matter what he does to prevent it from happening again.

A bitter chuckle escapes him at the thought. Amused by his own misery and the situation he’s found himself in. He backs up and slowly treks himself to the kitchen sink to turn on the faucet, relishing in the slight sting that the lukewarm water elicits from his wounded hand.

A small price to pay for the families he thinks about every waking moment that he’s, no doubt, wounded for life by surviving the games against their children. Their loved ones that they’ll never get the chance to see again. Yet, whose faces and names haunt him every night since he’s stepped foot out of that arena.

The pain of not only them but his parents. His sisters. His girl. And Maysilee. Her family. People who he couldn’t save even here at home and after the games. All because he wanted to show them, the capitol, that they couldn’t control him they way they did everyone else.

The growing pit in his stomach now feeling inescapable the longer he stands in front of the running faucet. Shaking his head, he slams the faucet switch off, grabbing the alcohol beside him to disinfect the wound. Hissing and banging his leg against the drawer beneath his sink when when the liquid hits his palm. He slowly bends down to open the drawer and finds the bandaging wrap that he keeps for instances like these, which have happened to become routine for him. He bandages up the rest of his hand until he looks down and hums in slight satisfaction at his work.

As soon as he’s finished, his mind is already preoccupied with what the next choice, or beverage, of distraction he is in need of. It can’t be here though. Anywhere but the empty, cold house in the almost unoccupied, lone victor’s village.

Walking towards the front door, he quickly shrugs on a light coat and his boots. Stepping out into the cool, autumn night out in district 12. He continues down the path towards the main part of the district. Letting the sound of the wind be the only thing present in his mind before he decides to sit down at the hob and think more about his decisions in life so far.

As he nears the hob, he can hear the slight sound of music making its way through the open doors to the outside. Both young and old residents of the district out tonight and drinking, the only semblance of fun and normalcy you’ll find them indulging in despite the circumstances of their situations.

He walks in, immediately making a straight beeline towards the bar. Trying as hard as he can to ignore the lingering stares and pointed whispers of those who recognize him. The only lone alive victor of district 12. Eyes filled with both curiosity and pity as they follow his frame to the bar. All were surprised that he had decided to grace them with his presence for once. As his absence was growing long enough for him to almost be forgotten till the painful reminder on reaping day each year.

Haymitch settles onto the stool near the end of the bar, ordering whatever scarce brew is available for the night. Once it’s placed in front of him, it’s almost gone just as it was full. Already raising his hand to catch the attention of the bartender for another glass. Opting to ignore the judgmental stare and low warning given to him before the bartender hesitantly slides another glass his way.

Lost in thought of the nights earlier events and his second helping of beer, his mind is pulled away by the loud cheers of the people in the hob. Still nursing his beer, he takes a small peak from the corner of his eye to where everyone else’s attention is on to the girl twirling her way onto the stage with guitar in hand.

He’s a bit taken aback for a second, not ever having seen much of her before around the district or even hearing of her name. Yet, he might be the only clueless one as to who this girl is, he thinks. Spotting even, off duty peacekeepers who’ve decided to join in once they see the young woman take the stage.

“Well hey y’all!”, The girl beams, “Now just how might all of you fine folks out here in district 12 must be doing tonight?”

The crowd roars in excitement at the question. Never had he ever seen in life someone command the attention of a majority of a district in such a way that wasn’t related to the games. In a joyful way, nonetheless.

“Alright! Alright! Settle down y’all, I hear you all quite clearly, no need to go rupturing my ears now!”, You say as you playfully roll yours eyes at the crowd, “For those of you who may not know, or have been living under a rock, my name is Y/n Ivory!”

As the crowd around him laughs at the charming display of your personality in full force, Haymitch finds out he’s not immune to the power of your charisma either. He finds himself, still secluded in the dark corner of the room, cracking a small smile at your undeniable stage presence.

Pale white dress flowing freefully over your body landing just right above your knees with flowers woven through your hair and all. You’re the purest untainted vision of beauty he’s ever seen dancing in a place that has seen so much violence and pain as 12. It’s a wonder, he thinks to himself, how he’s gone so long without ever seeing or hearing of you.

He doesn’t know if he should be mad at himself for not getting out more or grateful for the fact that he chose to leave tonight. By having it lead him right here tonight as he watches you illuminate the room with every step you take and smile never breaking off of your face for even a second.

“Now don’t you worry, I’m gonna sing y’all a special one tonight,” you say, strumming the guitar as you continue to speak, “this one is a little tune some of you might know, a ballad we’ve all heard passed down, figured something slow is fitting for a nice night like this”

Haymitch watches you slightly clear your throat a little as you strum the chords on your worn leather guitar. He marvels at the intactness of it, such a prized possession to be in hold of that he’s sure has seen so much in its time. Figuring to himself that it has to be some sort of heirloom, as he knew at least no one, not even him, could afford such a luxury except if you lived in the capitol.

“ When I was a babe I fell down in the holler

when I was girl I fell into your arms

we fell on hard times and we lost our bright color

you went to the dogs and I lived by my charms ”

Your voice is sweet, he thinks. Melodically beautiful, just as he expected, yet it doesn’t take away his surprise nonetheless. The glide of the strings paired with your voice forces him to shake his head a bit just to make sure he wasn’t dead yet from the alcohol and your voice was mistaken as angel from above.

He concludes that regardless, there’s not much of a difference. As he takes in your frame, almost floating above the crowd as high as the sound of your lungs can take you, he figures that you might as well be an angel.

“ I danced for my dinners, spread kisses like honey

you stole and you gambled, and I said you should

we sang for our suppers, we drank up our money

then one day you left, saying I was no good

well, all right, I’m bad, but then you’re no prize either

all right, I’m bad, but then, that’s nothing new

you say you won’t love me, I won’t love you neither

just let me remind you what I am to you

‘cause I am the one who looks out when you’re leaping

I am the one who knows how you were brave

and I am the one who heard what you said sleeping

I’ll take that and more to my grave ”

The lyrics are familiar, he concludes to himself. He remembers the ballad well, one his mother would often sing to him & his sisters when they were younger. It would be a way for her to calm them down each night before a reaping.

He remembers the stories she would tell along with it, of how before the rebellion, there were these people who’d call themselves, “covey”, traveling from district to district singing to their hearts content for the enjoyment of others. She knew them well, she’d tell them. Telling them how the covey eventually settled into district 12.

His mother would talk about the nights where she would go to the hob and dance away. Making great friends with the girl who sang these infamous songs that had been passed down. The girl who also coincidentally introduced his mother to his father one night. Pushing his father until he asked his mother for a dance.

She would end each story by telling Haymitch, “well, now you know that you have someone to be thankful for making sure that you exist”.

The story seemed so mythical to him then, as it still does now. To think of a time when there was so much free will that people once held, especially outside of the Capitol’s restraints. To how something so frivolous as singing was enough to be one’s way of survival. A life of fulfillment and light melodies sung with no threat or existence of the games to ever ruin them.

The sound of Y/N’s voice sweetly coaxes him out of his thoughts. It is then, as he hears her, that he does believe in the stories. That if he continued to hear her voice for the rest of his life, it would be enough to ensure his survival for good. Not even the games would be enough to take him away from her. Not if he could help it.

This line of thinking scares him as it does entice him. He hasn’t felt this way since his first love, the one that they took away him. He feels like a teenager once again, heart practically bursting at the sight of the girl in front of him.

Her eyes roam the crowd as she continues singing, before they eventually catch his awe stricken expression. She smiles slightly, lightly fluttering her lashes at the attention. All before closing her eyes, swaying and losing herself in the music once again.

Not one for ever caring about appearances, he suddenly feels hyper aware of himself. He’s not used to feeling like this, he’s not quite sure how to process it. Just desperate, hoping that when her eyes linger a bit longer on him that she hopefully is feeling what he is too.

When she eventually looks away, he finds a part of himself chasing the high that she had bestowed upon him. Thinking how nothing could ever compare to the way he’s feeling now, not even the smooth liquor that would soothe his mind enough to make him forget things that have happened to him.

Now abandoning the half drank pint in front of him, he finds himself wanting to remember this night. This moment where he doesn’t need anything stronger than your presence to tell him that everything is okay.

The song ends, much to his dismay. The last few chords of your guitar lingering in the air before the hob breaks out in a harmonious applause, praises & hollers being shouted out your way. He watches you graciously thank the crowd, letting the band behind you take over. His eyes linger on you as you exit the stage, watching you laugh & thank everyone who meet on your way through the crowd.

It isn’t until he sees your frame slowly getting nearer that he suddenly feels shy, quickly diverting his attention down to his drink. Hands getting slightly clammy as he registers your sweet voice beside him, asking the bartender for a pint for yourself.

“Well my, my, to what do I owe the pleasure of dragging a victor out to one of my shows tonight?”, you say while letting out a slight giggle at the sight of him.

He’s a bit bewildered at first. Not exactly not knowing how to respond out of fear of embarrassing himself. His mouth slightly opens, letting out a playful scoff at the nickname victor, before replying back in the same playful manner you had.

“Just had to come down to hear what all the yapping around the district was about a pretty girl singing her heart out here each night”, he lightly flirts, hoping it lands well with her.

The action is thankfully welcomed as her laugh floats through the air. He wishes he could bottle the sound up so he could hear it over and over again.

“Now you’re just a peach aren’t you? Trying to butter me up .. hm?”, she says. Poking fun at his attempt of flirting before adding on, “And? Did I meet your expectations?”

His heart flutters at the question, chuckling to mask his nervousness that she so easily seems to trigger.

“That you did, sweetheart. Better than I could’ve thought”, he says, relishing in the way her wide eyed expression lights up at the praise he gives to her.

He feels himself mirroring her contagious smile. Nerves still present, but easing themselves when he sees her relaxing into his gaze.

“You’re a very sweet man, Haymitch Abernathy”, you tell him. Warmth slightly flooding your cheeks as his eyes remained fixed on you.

Quickly, taking the opportunity to glance away from the intense eye contact to take in the details about him. You take notice of the way his hair falls around his face, carefully framing it in a way that was too-professionally done to be of his own doing as the rest of the men in the district. A small testament to his time back and forth between his home and the calling of the Capitol. His slightly rugged appearance combats this, a small show of rebelliousness in the appearance the Capitol attempts to smooth over in a Victor, yet still seeming so distinctively him.

To anyone else, his demeanor would have been enough to ward off lingering stares here in the district. To you, it radiated a rare aura of comfort & warmth around him that you had never felt around another man before. You had wanted to get lost in it, envisioning yourself spending late mornings, running your fingers through his locks and humming a secret tune just for you both.

He chuckled dryly, swirling around the ale in his pint before glancing back up at you, “Sorry to disappoint sweetheart, tell anyone else here that and you might get a different answer”.

He watches as you cock your head to the side, a sly smile on your face, “Well good thing I wasn’t planning on asking anyone else”, sternness lacing your tone before scooting closer towards him, “Anyways, I think I like that I might be the only one in this damn district that can tell the difference”.

Haymitch could feel the way the way his heartbeat practically sped up, his hands fidgeting around the handle of the pint in front of him. Taking a deep breath before turning his attention back to the way your wide eyed gaze is fixated on him, eyes slowly analyzing him as if he’ll run right off. The thought crossed his mind for a minute, more so out of fear of embarrassing himself.

Taking a leap of faith, he brings his hand up to run his hand through a lock of your hair, tucking it behind the flower adorned between your ear. He hums at the pretty detail before plucking it to hold out in his palm, “A primrose?”.

You can feel your body still at the motion, warmth pooling in your chest at the feel of his hand. Carefully eyeing his expression, something that reads as a mixture of wonder and adoration at you. You remember to let out a small breath in the midst of the intimacy this situation, softly smiling as he hums in notice of the flower that lays against your hair.

“It was one of my mama’s favorites”, he can feel the wistfulness in your tone as you recall her, “She used to tell me stories of how my grandma and her great aunt would collect different flowers from their travels in the covey to use to bathe her and her cousins, since the borders between districts closed in the dark days, she gathered primroses here from the fields instead for me”.

He takes notice of the way you softly grasp onto his hand, your smooth palm contrasting with his hardened one and its tiny scars littered that hold unspoken memories of the arena. Your finger lightly traces the petals he holds in his palm, he watches as the mixture of nostalgia and sadness battle in your mind as you recall these memories.

Haymitch feels his own heart twinge, thinking back to what he can remember of his own mother, her voice, her stories, her mannerisms, anything. There’s a thick layer of understanding in the air between the two of you, unspoken feelings and experiences of loss and familiarity. The scattered chattering of the hob and instrumentals seem far away as the two of you take in each other’s presence.

He makes the first move to break the stillness between you two, bringing his hand back up to place the flower in your hair once again. You sigh softly as you feel his hand go to cup your cheek, the pad of his thumb softly tracing back & forth on your skin. Haymitch feels the ghost of a smile threatening to overtake his lips as he feels your nestle your face further into his grasp before asking, “Would you wanna get out of here?”.

You softly nod at his question, not trusting your own voice to betray you and tremble at the delicateness in which he’s treating you. Standing up, you envelope your hand into his as his other finds it’s way onto your waist to lead you through the crowd. A motion so easily done as if it is second nature to you both. There is nothing but comfort and safeness in the act.

The cold air hits you both as you walk out, not feeling quite sure if the goosebumps forming on your skin is a result of that or the proximity of the man that still has a firm hold on you. You don’t seem to mind either way. You take a small peek over to him, watching the internal battle with himself as it plays on his face, eyebrows creased in deep thought. Yet still, he holds onto you, as if it’ll ground him.

You stop walking after a minute or so, watching the confusion in his expression as he snaps out of his thoughts. You pull him over to the small alley way, taking his face in both of your hands and forcing him to look into your eyes. His eyes trace over your questioning expression, taking a hard swallow before he speaks, “I .. I haven’t done this in a long time, sweetheart”.

“And what exactly are we doing?”, you say while lightly laughing.

He feels his nerves dissipate little by little at the sound of your amusement, still battling with the lingering fear in the back of his mind. He hesitates in his action, slowly leaning in to rest his forehead against yours, hands tightening their hold around your waist.

He can feel your breath hitch, your nose slightly touching against his own as your lips part, begging for him to make a move.

“If I do this, I don’t think I’d want to ever have another day where you’re not near me, at least to where I know you’re safe”, he whispers gently as his lips begin to ghost above yours.

“You won’t have to, I’ll be right here”, you whisper back. Your voice filled with reassurance and desperation, willing to give almost every part of you to him if it takes.

You feel the wind knocked out of you, as if you’ve forgotten to know how to breathe once you feel his lips against your own. Your mouths molding perfectly against one another as if this is what you’ve both have been waiting for your entire lives.

You whine softly as he deepens the kiss, his mouth claiming you with purpose. Whether it’s his way of subconsciously ensuring to himself that he won’t let anything happen to you or to convey his own worthiness to you, he can’t tell. The only thing taking up space in his mind being the way you sound as he familiarizes himself with you, tongue exploring yours while his hands grasp at your body.

You both finally break apart after what feels like an eternity, your heart racing as you try to catch your breath. Unable to shake the burning feeling of that his lips left against yours in their wake. Your lids flutter open, already finding his gaze with what reads as both love and protectiveness staring back at you.

“I …”, he clears his throat before finding a way to gather the right words he wants to say to you. He goes over every possibility of what this could mean between the two of you, of letting you in. It would be easier if he could just act like this was meaningless, that he could walk away now and never think of it again. But as with everything else, he knows that you will ruminate in the back of his mind forever with no avail. Not now that he already has you in his arms.

“I won’t be able to give you much”, is all he is able to choke out. A twinge of disappointment lacing his words.

“That’s okay, I’m not looking for much anyways”, you hum. You tip your head up slightly to look at him, “Just want you, it’ll be enough for me”.

“Yeah?”, he says softly. His eyes searching yours for any sign of doubt, relief blossoming in his chest when he doesn’t find any. The only thing staring back him being the firmness in your vulnerability as you hold him in your palm. He pulls his hand from your waist to grab ahold of your hand against his face, bringing your knuckles to his lips, before leaning back in to press another kiss to your lips.

A part of him knows that it’ll always never be this simple. He will do his best to make sure he can protect you from what he can, if it ever comes to it. But right here, right now, in this moment. It’s not something even, Snow himself, can ever take from him.

[misty--nights]

Episode 2 now. It's definitely one of my favorites, because it introduces Niko and Tragic Mick and I love both of them. I didn't think there would be that many details I missed, but there are so enjoy (some of this seem kind of obvious, but I'll still include them)

Maybe I'm focusing on the wrong part, but the Cat King's bed doesn't look to be the most practical to sleep with someone else. When he sits on it, it looks like he wouldn't fit completely even if he scooted all the way back against the pillows. I don't know, I guess I'm just wondering the logistics of how they'd sleep together if Edwin had accepted. Would he make the bed bigger? Would their legs be left dangling at the bottom? Hilarious either way (I know this is most likely a trick of perspective, but let me live in a world in which this pathetic man tries to get laid and can't because his bed is too small)

Maybe a bit obvious, but I never noticed Edwin was gone all night. It's day again when he returns to the warehouse. It makes sense how freaked out Charles sounds when he returns

I love this show's intro a lot. The music is really good and the skeletons dancing and playing around are really funny. No new details for it, because I've watched it full every time, but I've been thinking about that part at the end with the bike and the beach chairs. Since those skeletons are supposed to be the boys, I need to see them in their usual forms riding one of those double bikes and going to the beach. It's a must

Ok, I lied, one intro detail I hadn't noticed. Going by their shoes, Edwin's skeleton is the one that drinks from the cup at the end and spills it all over himself. I don't know why, but I think that's funny

I've been wondering this since episode 1, but how do the boys know possession sets off alarms? Have they seen it happen with other ghosts? Or have they ever been in a similar situation and managed to escape? While I think maybe the first is more likely, the second would explain why Lost and Found knows they're together

Jenny comes into Crystal's room still in her pijamas. Did Edwin's banging wake her up? No wonder she's so mad

Tragic Mick's shop is called “Tragic Mick's Magic Tricks and Items", which is both a tongue twister and oddly vague. Oh yes, there's magic stuff and other shit in that shop. Amazing, Tragic Mick, never change

All of the items on Niko's grocery list have question marks at the end except for strawberry ice cream, which has an exclamation mark. I agree with that

Charles is being way too nice about the doctor. The guy didn't even take out any tools to check on Niko, he just leaned over her and said she was dehydrated

I really like Crystal's overalls in this episode. In my previous watches, I focused a lot on Niko's clothes, because they're amazing, but I'm starting to notice Crystal's more now and I really like them

The Night Nurse looks tiny next to her assistants. Is she really small or her assistants really big? I don't remember how tall she looks in comparison to the kids

Speaking of heights, though, is Niko much taller than Crystal? When they are on their own, it looks like it, but then next to the boys they look more or less the same height

When he notices Edwin doing the thing with his fists, Charles does like a little double take between his face and his hands. Something small, but I really like the way he does it. Like he's really paying attention to every little detail

We get a close up of Edwin's boots and I think they're really cool. I've never seen that style of shoe as a boot before, but I've always liked them. Also his socks are cute and I would love to make myself a similar pair

The top of the dandelion altar thing has this lines. At first I thought maybe it looked like the underside of a mushroom, but it makes more sense for it to be a dandelion seed

Edwin first translates a word as gifts and then goes “not gifts, sacrifices”, and in general sounds a little hessitant with his translation. Usually people in movies and shows just bust out a perfect translation on the fly, so as someone who struggles translating, I appreciate that little detail

The jar stops sounding like the sea when Charles empties it. I'm choosing to believe that's a missed opportunity because can you imagine how much Litty and Kingham would hate living in a jar that constantly sounds like ocean waves? Insufferable, it would have been great

Obviously Charles looks worried about her when Crystal offers herself to the sprites, but Edwin does too. He cares about her, even if at this point they haven't really bonded and their animosity towards each other is more or less geniune

Litty's outfit is actually really cute. Love the puffy dress and the sweater over the shoulders. And both of their waistcoats are adorable. Never noticed that Kingham's has a subtle print. I's the same as Litt's skirt, too. More dandelions maybe?

When Niko is telling Crystal that she thought abot replying to her mom, Edwin id in the background writing in his notebook. And Charles is leaning over his shoulder to see what he's doing, which looks really sweet

There's a guy in the line of ghosts outside that looks very much like the postman with a different mustache

Say what you want about Esther, but I love her commitment to having atmosphere music playing whenever she's up to something

[thelunarfairy]

Have you ever noticed that in meetings of the seven mysteries, not only are the seats strangely divided, but also the way in which the meeting is held? I mean, Hanako-kun is the leader, but from where he is, it looks like he's being tried like a criminal, answering questions asked by Kako as if he were the real leader. Why would Aida Iro have put it that way, I mean, if Hanako-kun is the leader, doesn't he deviate from being the one who leads and judges?

It's interesting, isn't it?

To me, it just seems like a constant and recurring metaphor, about how Hanako is always blamed by time for the mistakes of the past.

Kako is the time guy who is always judging the boy who doesn't want to follow his rules. Time is almost a character here, it has an important function, everything that is happening is due to it.

Hanako is the guilty boy from the beginning, that's how Aidairo wants you to see him "he killed his brother, he is guilty" "he tried to kill Aoi, he is guilty" "he was sealed, he is guilty"

This has been repeated so many times that Amane himself believes it. Of course, nothing negates his guilt, but he's NOT THE ONLY culprit here. What guilt does he have to bear?

Hmm…..

This usually happens when the author wants to create a plot twist, it can be done in two ways.

The first, Amane is really to blame for everything (include here situations that I didn't mention and those that we don't know about yet) but Aidairo introduced us to Hanako being sweet, fun, kind, so that we got attached to him and took a while to accept it (like Nene and Kou do, they still don't believe that Hanako can be truly dangerous, even if he does the wrong things)

The second is to divert attention, when Hanako is not to blame for EVERYTHING, but a portion.

I can't tell you which path is most likely, but when something is mentioned so many times, it's because it's important.

It's as if it represents the real guilt he feels, or how he is always judged and condemned by others. I still think this is connected to time.

He and Tsukasa are changing everything, and this change in time leads to serious failures and consequences. Recently, Kako found out about the second culprit, Tsukasa, who was tried before being purged by him.

So, the scene was a metaphor, a representation of guilt. This place also exists in the pilot, when Hanako is also "supposedly" judged for his actions.

[buuniebaby]

head canons about hamzah with a pervert gf will alter my brain forever..🙏

A FREAK TO DRIVE ME CRAZY 🎀

includes: nsfw, hamzah being hot n sexy, semi public sex, ft sex, pantie theft, ur both freaks

- you’re gross, and hamzah fucking loves it.

- you two always have some sort of hand on each other. whether he’s creeping his hand up your thigh, holding your tiny wrists with his big, strong, veiny hands, or you’re just ever-so-slightly brushing his crotch while reaching over, it drives both of you fucking crazy.

- his arms. lord. hes so beefy and strong.. you literally cling to him all the time. you love how much more powerful and bigger he is than you. if you bruise easily, his strong hands will always be leaving little marks. he’ll apologize, shyly, not wanting to hurt you - poor boy doesn’t know how much it turns you on.

- going to the gym just to sit there and watch… and then get nasty in the shower rooms 🤗

+ sitting on his lap while he lifts

- literally the SCENT of this man will get you going. when he comes home from the gym, sweaty and tired, arms all veiny… you need them wrapped around your neck. you just want him to smother you in his chest like that video of markiplier.

- getting horny when he’s mean in public.. it’s rare, but when it happens, you sort of wish you were the one he was angry at. this clip makes me feral like lord i need to see him PISSED so bad. fuck me like u mad at me babyyy!! 😽😽

- sometimes, if hamzah is working and you realllyyy need him, you know how to get his attention: be loud. whether it’s you using your shower head to get off in the bathroom right next to him or having a particularly good time with your vibrator, as soon as he hears you moaning his name, he’ll drop everything he’s doing.

- when he is editing and you aren’t too riled up, you like sitting on his lap. he usually gets pretty distracted though.. by the time he’s supposed to have finished the video, you’ll be bouncing on his cock.

- facetimes are your favorite thing when you two aren’t together. it doesn’t matter how late it is; it could be two in the morning and hamzah is still picking up the phone if you call him with video on. you just get so desperate while he’s away.. ;(

- hamzah is sooo shy about it, but that boy does match your freak. he’ll never initiate sex or be as outwardly horny as you, but when you find a pair of your panties that’s been missing for a while in his bedside drawer, you know he’s been just as needy as you.

[gentlemenbarstools]

realising a huge part of me struggling to write scene descriptions/anything other than play-by-plays oh god that's embarrassing is that i, personally, have never noticed a thing in my life.

[diabolic-wave]

naptime

[cassynite]

.

[thelostboys87]

realistically in a couple months i will look at this little acrylic mountain painting and be like wow this kinda sucks ass but i had fun and i was me and i felt connected to my best friend from my novel who is always painting little acrylic mountain scenes......tbh never liked paints as a child/teen cause art class never taught us how to actually fucking use them LOL so im also like wow i actually blended stuff in and it looks good

[killjoy-prince]

Big boy manga haul today!!

[opens-up-4-nobody]

...

[unproduciblesmackdown]

no, More active effort, More conscious consideration

[second-breakfast]

Got put on a PIP today for shit no one ever mentioned to me before that isn't new plus some some stuff that it is only halfway accurate

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[joycrispy]

I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

[imafoolishfragilespine]

i'm just like ugh i gotta figure out where to get this x ray and when i should do it this week and i'm just worried about walking in without an appointment even though it says you can and like them not having the machine or a person to do it or whatever since i went into one place on the list already and they did not have x-rays

and then i've got this birthday thing which idk where it's going to be so idk if i should take a lyft or not and then i'll have to either exercise in the morning or choose that as my skip day

and then i'll just be worrying about my test results and not knowing if the doctor is going to call before my follow up or WHAT is going to happen and i just. cannot relax.

i just want to be done with doctors i really fucking do like just tell me what's wrong and let me be DONE like this follow up is gonna be the eighth fucking time i've seen a doctor in some form since all this weird shit started and if i don't get any answers i'm gonna be mad. i mean i'd rather not get bad news of course but i figure things are already mildly crappy in my body so like it's not like i can't get used to that i just can't stand the idea of it getting worse