#how to create gif image

[daily-xisuma]

[047] Applied my version of Doom's partial invisibility fuzz effect and an accidental offshoot I created in the process, heehee :-)

[frodo-with-glasses]

If you haven’t listened to the audio Phil Dragash recorded for me at the end of our interview, you’re really missing out on a riot!

Turning the last panel into a GIF ate my colors, so here it is as a still image.

[mvshortcut]

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[mekatrio]

seto................

[nasa]

Observations from both NASA’s James Webb and Hubble space telescopes created this colorful image of galaxy cluster MACS0416. The colors of different galaxies indicate distances, with bluer galaxies being closer and redder galaxies being more distant or dusty. Some galaxies appear as streaks due to gravitational lensing — a warping effect caused by large masses gravitationally bending the space that light travels through.

Like Taylor Swift, Our Universe Has Gone Through Many Different Eras

While Taylor's Eras Tour explores decades of music, our universe’s eras set the stage for life to exist today. By unraveling cosmic history, scientists can investigate how it happened, from the universe’s origin and evolution to its possible fate.

This infographic outlines the history of the universe.

0 SECONDS | In the beginning, the universe debuted extremely small, hot, and dense

Scientists aren’t sure what exactly existed at the very beginning of the universe, but they think there wasn’t any normal matter or physics. Things probably didn’t behave like we expect them to today.

Artist's interpretation of the beginning of the universe, with representations of the early cosmos and its expansion.

10^-32 SECONDS | The universe rapidly, fearless-ly inflated

When the universe debuted, it almost immediately became unstable. Space expanded faster than the speed of light during a very brief period known as inflation. Scientists are still exploring what drove this exponential expansion.

1 MICROSECOND | Inflation’s end started the story of us: we wouldn’t be here if inflation continued

When inflation ended, the universe continued to expand, but much slower. All the energy that previously drove the rapid expansion went into light and matter — normal stuff! Small subatomic particles — protons, neutrons, and electrons — now floated around, though the universe was too hot for them to combine and form atoms.

The particles gravitated together, especially in clumpy spots. The push and pull between gravity and the particles’ inability to stick together created oscillations, or sound waves.

Artist's interpretation of protons and neutrons colliding to form ionized deuterium — a hydrogen isotope with one proton and one neutron — and ionized helium — two protons and two neutrons.

THREE MINUTES | Protons and neutrons combined all too well

After about three minutes, the universe had expanded and cooled enough for protons and neutrons to stick together. This created the very first elements: hydrogen, helium, and very small amounts of lithium and beryllium.

But it was still too hot for electrons to combine with the protons and neutrons. These free electrons floated around in a hot foggy soup that scattered light and made the universe appear dark.

This animated artist’s concept begins by showing ionized atoms (red blobs), free electrons (green blobs), and photons of light (blue flashes). The ionized atoms scattered light until neutral atoms (shown as brown blobs) formed, clearing the way for light to travel farther through space.

380 THOUSAND YEARS | Neutral atoms formed and left a blank space for light

As the universe expanded and cooled further, electrons joined atoms and made them neutral. With the electron plasma out of the way, some light could travel much farther.

An image of the cosmic microwave background (CMB) across the entire sky, taken by ESA's (European Space Agency) Planck space telescope. The CMB is the oldest light we can observe in the universe. Frozen sound waves are visible as miniscule fluctuations in temperature, shown through blue (colder) and red (warmer) coloring.

As neutral atoms formed, the sound waves created by the push and pull between subatomic particles stopped. The waves froze, leaving ripples that were slightly denser than their surroundings. The excess matter attracted even more matter, both normal and “dark.” Dark matter has gravitational influence on its surroundings but is invisible and does not interact with light.

This animation illustrates the absorption of photons — light particles — by neutral hydrogen atoms.

ALSO 380 THOUSAND YEARS | The universe became dark — call it what you want, but scientists call this time period the Dark Ages 

Other than the cosmic microwave background, there wasn't much light during this era since stars hadn’t formed yet. And what light there was usually didn't make it very far since neutral hydrogen atoms are really good at absorbing light. This kicked off an era known as the cosmic dark ages.

This animation illustrates the beginning of star formation as gas begins to clump due to gravity. These protostars heat up as material compresses inside them and throw off material at high speeds, creating shockwaves shown here as expanding rings of light.

200 MILLION YEARS | Stars created daylight (that was still blocked by hydrogen atoms)

Over time, denser areas pulled in more and more matter, in some places becoming so heavy it triggered a collapse. When the matter fell inward, it became hot enough for nuclear fusion to start, marking the birth of the first stars!

A simulation of dark matter forming structure due to gravity.

400 MILLION YEARS | Dark matter acted like an invisible string tying galaxies together

As the universe expanded, the frozen sound waves created earlier — which now included stars, gas, dust, and more elements produced by stars — stretched and continued attracting more mass. Pulling material together eventually formed the first galaxies, galaxy clusters, and wide-scale, web-like structure. 

In this animation, ultraviolet light from stars ionizes hydrogen atoms by breaking off their electrons. Regions already ionized are blue and translucent, areas undergoing ionization are red and white, and regions of neutral gas are dark and opaque.

1 BILLION YEARS | Ultraviolet light from stars made the universe transparent for evermore

The first stars were massive and hot, meaning they burned their fuel supplies quickly and lived short lives. However, they gave off energetic ultraviolet light that helped break apart the neutral hydrogen around the stars and allowed light to travel farther.

Animation showing a graph of the universe’s expansion over time. While cosmic expansion slowed following the end of inflation, it began picking up the pace around 5 billion years ago. Scientists still aren't sure why.

SOMETIME AFTER 10 BILLION YEARS | Dark energy became dominant, accelerating cosmic expansion and creating a big question…?

By studying the universe’s expansion rate over time, scientists made the shocking discovery that it’s speeding up. They had thought eventually gravity should cause the matter to attract itself and slow down expansion. Some mysterious pressure, dubbed dark energy, seems to be accelerating cosmic expansion. About 10 billion years into the universe’s story, dark energy – whatever it may be – became dominant over matter.

An image of Earth rising in the Moon’s sky. Nicknamed “Earthrise,” Apollo 8 astronauts saw this sight during the first crewed mission to the Moon.

13.8 BILLION YEARS | The universe as we know it today: 359,785,714,285.7 fortnights from the beginning

We owe our universe today to each of its unique stages. However, scientists still have many questions about these eras.

Our upcoming Nancy Grace Roman Space Telescope will look back in time to explore cosmic mysteries like dark energy and dark matter – two poorly understood aspects of the universe that govern its evolution and ultimate fate.

Make sure to follow us on Tumblr for your regular dose of space!

[sweet-as-an-angel]

Giant! König Headcanons

Warnings: 18+, Creep! König, Perverted! König, König Owns a Cum Jar, Size Difference, Giant! König, Size Kink, Sadistic! König, Abuse of Power, Dub-Con, Cum Soaking, Attempts at Forced Impregnation, Implied Pregnancy, Voyeurism, Hostage Situation, Human Pet! Reader, Physical Violence, Human! Reader, Fem! Reader.

Giant! König captures you after he catches you sneaking around his castle, trying to loot something of value to take back to your impoverished village.

Giant! König immediately jumps at the opportunity to take you as his human pet, throwing you into a nearby jar and closing the lid, observing you like a spider beneath a glass.

Giant! König who, after deciding he wants to keep you long-term instead of turning your body into the sprinkles atop his ice cream, creates a more sustainable living space for you after discovering you’re not as durable as he thought (almost suffocating, dehydrating, and starving to death whilst being held in that damn jar).

Giant! König surprises you with a dollhouse of his own design: a door that locks from the outside, windows too small for you to crawl through, and walls made of a material too strong for your tiny utensils to burrow through.

Giant! König doesn’t take long to start using you for his own pleasure – almost like he has no other outlet; like he was just waiting for this opportunity to come.

Giant! König who, whenever he feels like punishing you, puts you in The Jar and stares you down whilst stroking his cock, gigantic even in comparison to other giants’. He grunts, berating you, telling you how he’d “Fill you with my cock if you weren’t so small – bet I could crush you with it if I wanted to.”

When he’s ready, he cums into the jar – all over you – thick and heavy, almost drowning you with just one spurt of his load.

He loves watching you struggle to keep your head above the viscous pool he’s trapped you in as you literally swim in his semen, looking up at him with pleading eyes, begging him to “Get me out, please!”.

He’ll often leave you in there without clothes to try and teach you a lesson. Until it turns into another reason – to breed you – which you accidentally sparked in him when you told him to be careful! You’ll end up getting me pregnant!

Giant! König can’t get your words out of his head, the primal urges he’s suppressed for so long unearthed by your pleas for him to spare you, if only once.

Giant! König knows he’s way too big to fit inside you, so this –  cumming profusely into a jar he’s encased you in whilst giving you no means of refusing his attempts – is the next best thing.

Giant! König gets off on the sheer size difference between the two of you  – the fact that you’re entirely dependent on him for your survival. Makes him feel like the kind of giant he’s supposed to be; strong and well-seeded.

Giant! König lays awake at night and fantasises about having a family, a far-off dream until you came along. It’s all he can think about as the image of you, his tiny wife, swollen to an almost painful degree as you bear his children, floods his mind, makes his cock twitch – harden. He resists the urge to relieve himself of this burden, preferring to save every ounce of his seed for you rather than wasting even a drop of it.

Giant! König who, despite his…questionable treatment of you, does try to treat you well. He lets you eat as much as you want, both because he knows you come from a poor background and because he has to keep you healthy to bear his offspring — especially since he knows they’ll be quite big compared to you.

Giant! König enjoys questioning you about your life before him, how humans work, what they do all day, whether the stereotypes of them all being lustful, pride-driven,  creatures are true.

If you validate any part of this stereotype, he’ll use that as an excuse to sink you in even more of his cum, to subject you to the task of sitting on his cock (horizontally, might I add) while he commands you to get yourself off by humping the shaft.

Man’s had no outlet for basicall all his life – he’s feral.

Giant! König loves to watch you while you’re tucked up in your dollhouse, observing everything you do. Humans are a rarity in the Giant Lands, so to have one in his home is a mythic occurrence.

Giant! König loves showing you off; he thrives on the reaction he gets when his friends see you. You’re, as stated before, a rarity in their parts, often used as a delicacy rather than a pet since humans aren’t particularly sturdy compared to giants, so managing to keep one alive is something of a status symbol in itself; the mark of a truly capable mate (hence captive humans are often given as courting gifts between giants).

However, König is also highly protective of you – especially after he caught Horangi (another giant he’d been showing you off to) goading you – harassing you – stroking his cock, telling you to “Lick the tip. Never felt a human tongue before.”

Needless to say, König never invited him around again after that.

Giant! König is, obviously, good with his hands and technical know-how. Thus, if his method of soaking you in his semen doesn’t work when trying to knock you up, he’ll create some unlawful contraption to make it inevitable.

Despite his size, König has managed to make a tiny glass syringe that he’s packed with his cum, holding you down easily with one hand as he presses the tip to your entrance, pumping you full of his seed.

He struggles to contain how the scene – the feeling – of you trying desperately to fight him off, to stop him from filling you, makes him feel. You have to watch the bulge between his legs grow as the feeling of being filled past full overcome you.

Giant! König does this as many times as he likes until he knows his seed’s taken, when you start showing. Which, considering how big his offspring will be, is pretty early on.

He definitely makes maternity clothes for you – comfortable garments that show the swell of your stomach as the weeks crawl by into months.

Giant! König loves bathing you, too. Especially after he’s covered you in his cum.

There’s something so intimate and gentle about it – a scarcity in the Giant Lands. Having something so small and fragile in his hands, knowing that he can crush you in his grip at any moment, makes him feel…responsible. Trustworthy.

Giant! König will never let you go, btw. You can try to run as much as you want, but he’ll always catch up to you, his human pet.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

AO3 Wattpad Tumblr Backup Account

[angis-filthy-corner]

Fun things to do with your selfship!!

for when you want to do some fun stuff with your f/o and have no idea what.

Make yourselves on the SIMS 4! The game is free on Steam, and there's a whole modding community where you can find lots of fun (and sometimes kinky) things to play around with. :3 You can just make each other and have fun watching you interact in a domestic environment! Orrr torture the shit out of them in game. /l-h

Make moodboards! This is really fun to think about and you can spend hours looking for pics online. What objects are important to you and your F/O? What colors define you? Is there a specific aesthetic that you two fit? Etc.

If moodboards are not enough, make stimboards! Yeah! Selfship stimboards! You can look for stims here on Tumblr, or on YT if you know what you're looking for, or cool niche products on Etsy and the like. If your selfship reminds you of a starry night sky, or about a creepy storm at sea, you can find and gif those things and have fun!

Make SMAUs! SMAUs are the shit these days lmfao. Either write how you and your selfship would interact on Twitter, or silly convos you'd have over text, I can assure you these are addicting and stupidly fun to make. There are plenty of sites and apps that let you create these, depending what social media you are looking for.

Make online collages! (Thanks bae for the idea) You can use something like Picsart with their huge free sticker selection, or import your own images and just throw a bunch of things together that remind you of your F/O!

Make PicMixes! Kinda like collages but with gifs lol. Just go to picmix.com and have fun creating!

Make a playlist! You can get inspo for character-inspired playsts, POVs that align with your selfship dynamic, using YT or Spotify or whatever app you use for music.

Anyone is free to add to this with their own ideas. :3 Just have fun!!

[rainydetectiveglitter]

Your Midheaven Brand Identity:

A Guide to Boosting Your Social Media Presence

When it comes to building a strong brand identity, your Midheaven (MC) sign can offer invaluable insights. This astrological point reflects your career, public image, and how you’re perceived by the world. While many focus on their Rising sign to guide their personal brand, the Midheaven is actually more influential in shaping how you're perceived professionally. Also, consider how this relates to your IC for a more rounded approach.

Midheaven in Capricorn (Aries Rising)

Brand Identity: Your public persona should project authority, reliability, and professionalism. You’re seen as a goal-oriented and disciplined figure. Highlight your achievements, strategic thinking, and leadership skills.

Social Media Tips: Focus on structured content such as detailed guides, case studies, and professional milestones. Use a polished, business-like tone. Incorporate posts that reflect your strategic planning and long-term vision. Share behind-the-scenes looks at your projects to show the effort and planning involved.

Brand Colors: Deep green symbolizes growth and stability, gray for professionalism, and navy blue for authority and trustworthiness.

IC Connection: Leverage Cancer's emotional depth and nurturing qualities to soften the Capricorn edge. Share personal stories that reveal your emotional investments and how they drive your professional goals. This adds a relatable human element to your otherwise authoritative presence.

Ambitious and Professional: Emphasize your leadership skills and career-driven mindset.

Structured and Goal-Oriented: Showcase your strategic approach to achieving success.

Public Image: Present yourself as competent, disciplined, and reliable.

Social Media Tips:

Share content that highlights your achievements, career milestones, and strategic insights.

Use strong, authoritative visuals and a professional tone.

Midheaven in Aquarius (Taurus Rising)

Brand Identity: Your brand should emphasize innovation, originality, and a forward-thinking mindset. Showcase your unique perspective and contributions to progressive ideas.

Social Media Tips: Create content that reflects cutting-edge trends, technological advancements, or visionary concepts. Use engaging formats like interactive posts, futuristic graphics, and thought-provoking discussions. Position yourself as a leader in new ideas and unconventional solutions.

Brand Colors: Electric blue represents innovation, silver for technology, and neon green for modernity.

IC Connection: Infuse your Leo charisma into your Aquarius content to make it more engaging and personal. Share your passionate insights on future trends and show how your creativity shapes your forward-thinking approach. This blend enhances your appeal and relatability.

Stability and Luxury: Focus on high-quality, luxurious content and the practical aspects of your field.

Innovative and Unique: Bring a fresh, unique perspective to traditional topics.

Aesthetic Appeal: Use rich, earthy colors and visuals to create a soothing, attractive profile.

Social Media Tips:

Share content related to comfort, luxury, and tangible results.

Use high-quality images and engaging, thoughtful posts.

Midheaven in Pisces (Gemini Rising)

Brand Identity: You are seen as empathetic, artistic, and intuitive. Your brand should be focused on creativity, emotional connection, and spiritual or philosophical insights.

Social Media Tips: Use your platform to share evocative stories, inspirational content, and artistic expressions. Emphasize emotional resonance and creativity in your posts. Engage your audience with reflective and soulful content, such as personal journeys or meditative practices.

Brand Colors: Soft pastels evoke calm and creativity, sea green for emotional depth, and lavender for spirituality.

IC Connection: Incorporate Virgo's analytical skills to add depth and clarity to your Piscean content. Provide well-researched insights and practical advice wrapped in a creative or emotional narrative. This combination balances creativity with substance, appealing to a broad audience.

Versatile and Communicative: Showcase your adaptability and ability to handle a variety of topics.

Inspirational and Imaginative: Focus on creative and philosophical insights.

Intellectual Engagement: Share informative and engaging content that stimulates thought.

Social Media Tips:

Use diverse content formats, such as articles, videos, and infographics.

Share posts that combine creativity with intellectual depth.

Midheaven in Aries (Cancer Rising)

Brand Identity: Your public persona should be dynamic, confident, and pioneering. Emphasize your leadership abilities and proactive approach.

Social Media Tips: Share bold, decisive content and take a stand on relevant issues. Use energetic visuals and assertive language to engage your audience. Highlight your initiatives, new projects, and leadership moments to convey authority and drive.

Brand Colors: Bright red for passion and leadership, orange for enthusiasm, and black for strength and sophistication.

IC Connection: Balance Aries’ assertiveness with Libra’s charm and diplomacy. Engage with your audience in a way that is both bold and approachable, showing your leadership qualities while maintaining a sense of fairness and balance.

Dynamic and Courageous: Emphasize your proactive and pioneering approach.

Balanced and Harmonious: Highlight your ability to bring harmony to challenging situations.

Community Focus: Showcase your role in fostering positive change and leadership.

Social Media Tips:

Share bold, action-oriented content that reflects your leadership and dynamic nature.

Use harmonious and engaging visuals that balance professional and personal elements.

Midheaven in Taurus (Leo Rising)

Brand Identity: Your public persona should reflect stability, practicality, and an appreciation for quality. Focus on your reliable and steady approach to success.

Social Media Tips: Share content that highlights your achievements, high standards, and practical advice. Showcase luxurious or high-quality aspects of your work or lifestyle. Use a consistent, polished visual style to emphasize reliability.

Brand Colors: Earthy tones for stability, gold for luxury, and deep green for growth.

IC Connection: Integrate Scorpio’s intensity and depth into your Taurus-centric content. Share powerful personal experiences and transformative moments that underline your commitment to quality and reliability. This adds a rich, emotional layer to your dependable image.

Creative and Charismatic: Showcase your artistic talents and strong presence.

Stability and Practicality: Focus on grounded, practical aspects of your creativity.

Transformational Experiences: Share stories of personal growth and resilience.

Social Media Tips:

Create visually striking content that highlights your creativity and achievements.

Use a combination of dramatic and practical elements to engage your audience.

Midheaven in Gemini (Virgo Rising)

Brand Identity: Your public persona should be adaptable, communicative, and intellectually curious. Highlight your versatility and wide-ranging interests.

Social Media Tips: Create diverse and engaging content, from informative articles to interactive posts. Showcase your quick thinking and adaptability by covering a range of topics and trends. Use engaging formats like quizzes, debates, and live interactions to connect with your audience.

Brand Colors: Bright yellow for creativity, turquoise for communication, and light gray for neutrality.

IC Connection: Blend Sagittarius’ enthusiasm and philosophical insights with Gemini’s adaptability. Share your adventurous experiences and broad interests in a way that stimulates curiosity and engagement among your followers.

Analytical and Knowledgeable: Emphasize your expertise and practical solutions.

Versatile and Communicative: Highlight your ability to adapt and share diverse insights.

Movement and Learning: Incorporate elements related to continuous learning and exploration.

Social Media Tips:

Share detailed, informative content that offers practical value and insight.

Use a clear, organized visual style with engaging, versatile formats.

Midheaven in Cancer (Libra Rising)

Brand Identity: Your brand should be nurturing, empathetic, and community-focused. Emphasize your caring approach and ability to create supportive environments.

Social Media Tips: Share content that highlights your commitment to community and emotional well-being. Use personal stories, testimonials, and supportive messages to build a sense of belonging. Engage with your audience through compassionate and encouraging interactions.

Brand Colors: Soft blues for calm and trust, warm whites for purity and care, and sea green for emotional balance.

IC Connection: Incorporate Capricorn’s professionalism and structure into your Cancer-centric content. Present your nurturing approach in a way that also highlights your organizational skills and strategic thinking. This creates a well-rounded and credible public persona.

Balanced and Nurturing: Focus on creating harmony and providing support in your field.

Professional and Caring: Highlight your ability to blend professionalism with a caring approach.

Community and Relationships: Showcase your role in fostering connections and support.

Social Media Tips:

Post content that emphasizes balance, community, and supportive interactions.

Use elegant, harmonious visuals and empathetic messaging.

Midheaven in Leo (Scorpio Rising)

Brand Identity: Your public persona should be dramatic, charismatic, and authoritative. Emphasize your creative flair and leadership.

Social Media Tips: Share powerful, impactful content that showcases your expertise and creative achievements. Use bold visuals and compelling narratives to engage your audience. Position yourself as a leader and visionary in your field, using confident and inspiring messaging.

Brand Colors: Gold for leadership, royal purple for creativity, and bright red for passion.

IC Connection: Incorporate Aquarius’ innovative and unconventional ideas into your Leo-centric content. Highlight how your creative vision is informed by progressive thinking, adding a unique and forward-looking dimension to your leadership.

Intense and Impactful: Showcase your deep insights and transformative impact.

Creative and Bold: Highlight your innovative and charismatic approach.

Power and Influence: Emphasize your leadership and ability to inspire change.

Social Media Tips:

Share powerful, thought-provoking content that reflects your depth and creativity.

Use bold, dynamic visuals and impactful language.

Midheaven in Virgo (Sagittarius Rising)

Brand Identity: Your public persona should be detail-oriented, analytical, and practical. Focus on your ability to provide valuable, well-organized information.

Social Media Tips: Share well-researched content, practical tips, and detailed insights. Use a methodical approach to present information clearly and effectively. Highlight your expertise and problem-solving skills through structured posts and informative articles.

Brand Colors: Earthy tones for reliability, navy blue for professionalism, and muted green for practical growth.

IC Connection: Use Pisces’ creative and philosophical perspectives to add depth and richness to your Virgo-centric content. Combine practical advice with imaginative insights to engage your audience on both intellectual and emotional levels.

Adventurous and Insightful: Focus on exploration, learning, and philosophical insights.

Practical and Organized: Showcase your ability to apply your expansive ideas in practical ways.

Health and Movement: Incorporate elements related to well-being and personal growth.

Social Media Tips:

Create inspiring content that reflects your adventures and learning experiences.

Use clear, organized visuals and practical advice.

Midheaven in Libra (Capricorn Rising)

Brand Identity: Your public persona should be balanced, diplomatic, and aesthetically refined. Emphasize your ability to mediate and create harmonious environments.

Social Media Tips: Share content that reflects your sense of balance and aesthetics. Use a polished, graceful approach in your posts and interactions. Highlight your ability to bring people together and foster collaboration.

Brand Colors: Soft pink for harmony, light blue for balance, and neutral tones for sophistication.

IC Connection: Incorporate Aries’ boldness and assertiveness into your Libra-centric content. Show how your diplomatic approach is driven by strong convictions and proactive leadership, creating a balanced yet dynamic presence.

Ambitious and Balanced: Highlight your strategic approach and ability to create harmony in your field.

Professional and Diplomatic: Showcase your leadership and ability to handle complex situations with grace.

Success and Influence: Emphasize your achievements and your role in fostering professional relationships.

Social Media Tips:

Share content that highlights your career milestones, strategic insights, and professional network.

Use strong, balanced visuals and a professional tone.

Midheaven in Scorpio (Aquarius Rising)

Brand Identity: Your public persona should be intense, transformative, and powerful. Emphasize depth, passion, and your ability to handle complex issues.

Social Media Tips: Share content that delves into deep topics, transformative experiences, and impactful insights. Use powerful imagery and compelling narratives to engage your audience. Position yourself as an authority on complex or intense subjects.

Brand Colors: Deep reds for intensity, black for power, and rich purples for transformation.

IC Connection: Integrate Taurus’ steadiness and practicality into your Scorpio-centric content. Balance your intensity with reliable, grounded insights to provide a comprehensive and credible perspective.

Innovative and Transformative: Focus on cutting-edge ideas and profound impact.

Practical and Grounded: Highlight your ability to make innovative ideas practical and effective.

Personal Transformation: Share stories of growth and change.

Social Media Tips:

Post forward-thinking content and transformative ideas.

Use striking visuals and impactful, thought-provoking messaging.

Midheaven in Sagittarius (Pisces Rising)

Brand Identity: Your public persona should be adventurous, philosophical, and enthusiastic. Focus on your broad vision and love for exploration.

Social Media Tips: Share content that inspires and excites. Highlight your travels, philosophical insights, and adventurous pursuits. Use engaging formats like storytelling and exploration to connect with your audience.

Brand Colors: Vibrant oranges for enthusiasm, blues for expansiveness, and purples for creativity.

IC Connection: Use Gemini’s versatility and communication skills to enhance your Sagittarian content. Present your adventurous insights and philosophical reflections in an engaging, accessible way, appealing to a wide audience.

Creative and Visionary: Showcase your imaginative and expansive approach.

Exploration and Inspiration: Focus on your passion for discovering new ideas and inspiring others.

Versatility and Insight: Highlight your ability to communicate diverse insights and inspirations.

Social Media Tips:

Create content that reflects your creativity, exploration, and visionary ideas.

Use imaginative visuals and engaging, inspirational messaging. Alright! Now go and ...

[ldknightshade]

morality: a character creation guide

creating and understanding your oc’s personal moral code! no, i cannot tell you whether they’re gonna come out good or bad or grey; that part is up to you.

anyway, let’s rock.

i. politics

politics are a good way to indicate things your character values, especially when it comes to large-scale concepts such as government, community, and humanity as a whole.

say what you will about either image; i’d argue for the unintiated, the right image is a good introduction to some lesser discussed ideologies… some of which your oc may or may not fall under.

either way, taking a good look at your character’s values on the economic + social side of things is a good place to start, as politics are something that, well… we all have ‘em, you can’t avoid ‘em.

clearly, this will have to be adjusted for settings that utilize other schools of thought (such as fantasy + historical fiction and the divine right of kings), but again, economic/social scale plotting will be a good start for most.

ii. religion + philosophy

is your oc religious? do they believe in a form of higher power? do they follow some sort of philosophy?

are they devout? yes, this applies to non-religious theist and atheist characters as well; in the former’s case… is their belief in a higher power something that guides many of their actions or is their belief in a higher power something that only informs a few of their actions? for the atheists; do they militant anti-theists who believe atheism is the only way and that religion is harmful? or do they not care about religion, so long as it’s thrust upon them?

for the religious: what is your oc’s relationship with the higher power in question? are they very progressive by their religion’s standards or more orthodox? how well informed of their own religion are they?

does your oc follow a particular school of philosophical thought? how does that interact with their religious identification?

iii. values

by taking their political stance and their religious + philosophical stance, you have a fairly good grasp on the things your character values.

is there anything they value - due to backstory, or what they do, or what they love - that isn’t explained by political stance and religious and/or philosophical identification? some big players here will likely be your oc’s culture and past.

of everything you’ve determined they value, what do they value the most?

iv. “the line”

everyone draws it somewhere. we all have a line we won’t cross, no matter the lengths we go for what we believe is a noble cause. where does your character draw it? how far will they go for something they truly believe is a noble cause? as discussed in part iii of my tips for morally grey characters,

would they lie? cheat? steal? manipulate? maim? what about commit acts of vandalism? arson? would they kill?

but even when we have a line, sometimes we make exceptions for a variety of reasons. additionally, there are limits to some of the lengths we’d go to.

find your character’s line, their limits and their exceptions.

v. objectivism/relativism

objectivism, as defined by the merriam-webster dictionary, is “an ethical theory that moral good is objectively real or that moral precepts are objectively valid.”

relativism, as defined by the merriam-webster dictionary, is “a view that ethical truths depend on the individuals and groups holding them.”

what take on morality, as a concept, does your character have? is morality objective? is morality subjective?

we could really delve deep into this one, but this post is long enough that i don’t think we need to get into philosophical rambling… so this is a good starting point.

either way, exploring morality as a concept and how your character views it will allow for better application of their personal moral code.

vi. application

so, now you know what they believe and have a deep understanding of your character’s moral code, all that’s left is to apply it and understand how it informs their actions while taking their personality into account.

and interesting thing to note is that we are all hypocrites; you don’t have to do this, but it might be fun to play around with the concept of their moral code and add a little bit of hypocrisy to their actions as a treat.

either way, how do your character’s various beliefs interact? how does it make them interact with the world? with others? with their friends, family, and community? with their government? with their employment? with their studies? with the earth and environment itself?

in conclusion:

there’s a lot of things that inform one’s moral compass and i will never be able to touch on them all; however, this should hopefully serve as at least a basic guide.

[ttsukiimi]

˗ˏˋOPEN ARMS! (AND LEGS) ´ˎ˗

୨୧⋆ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 ⎯ After your divorce, you’re devastated. Devastated enough to welcome the same man who hurt you with open arms. (And legs!)

୨୧⋆ 𝐭𝐚𝐠𝐬 ⎯ Ex-husband!sukuna x fem!reader, smut (mdni), unprotected sx, lowk hate fckking, hair pulling, overstim, sukuna is feening, mention of slight toxic relationship, slight rough & mean!sukuna, light gaslighting, reader referred to as (baby, princess)

“I hate you,” you whimpered through gritted teeth, the absolutely pathetic noise that left you soon after betraying your previous words. Your eyes threatened to fill with tears, and your throat grew a lump you knew was too hard to swallow.

This was all so stupid—you were stupid for welcoming him back into your home.

You questioned your own moral, your self-respect; where did it all go? Maybe he had taken it with him. And with the way he had you acting such a fool, maybe it was right to assume that.

“Y’hate me, baby?” Sukuna mumbled, and you wanted to slap that stupidly hot smirk off his lips, but something in you also wanted to kiss it, caress his face and let him do as he pleased. But you didn’t.

“Inviting you here was a mistake,” you sighed, trying your best to ignore the way chills erupted on your body from just a touch of his hand. Sukuna stroked the supple skin of your cheek and let his thumb roam to your lip, pulling down and watching as the plumpness sprang back in place. His eyes bore into you as he stared down, a mischievous tilt to his head.

“If you think so, why don’t you kick me out?”

Your breath caught in your throat. “I—“

But Sukuna was faster. He had his lips plastered to yours before you could even react, holding your hips so softly in a way that wasn’t him, and that made you melt in his arms. Your knees buckled under the now tenfold weight pushing down on them and he chuckled, deep and taunting.

He pulled back, a string of saliva connecting your lips together. Somehow, he seemed more passionate with you than before.

Had he changed? Had he finally bettered himself? Your heart fluttered in your chest at the thought—albeit against your own will.

And maybe he had changed, but the way he handled you was still the same. All he seemed to want was to use you for his own satisfaction and pleasure.

Which was subsequently why he—seconds after consoling and convincing you that he loved you—had you sprawled out on your bed, stripped of any clothing.

“Wider, f’me, princess,” he ordered, palming himself through his sweats, and you’d be lying if you said that the way that he groped his cock through the material wasn’t captivating. Sukuna crawled onto the bed, making and claiming his rightful place between your legs.

“I missed you, y’know?” he asserted in your ear, cupping your cheeks together to force you to look at him. He let his free hand drift down to your chest, and fondled with your tit, admiring how his palms fit so perfectly around your mound. “Missed these pretty tits too.”

“‘Kuna,” you whined, arching up into his touch so quickly like the movement was ingrained in your brain. You’d been with him for so long, accommodated his every move, it felt wrong not to be with him.

Hence why, out of confusion for your own mental state, you hit him up. However, perhaps this was okay.

Sukuna between your legs, right where he always belonged. Stroking himself with such fervor that it seemed he had been thinking about you too. But he wouldn’t admit it, of course.

“Most of all,” he hummed, snaking his large hand down to your core, cupping your pussy. “Missed this filthy fucking cunt.”

It was all so lewd. His words, his touch, the way he glided the head up and down your sopping folds, coating his tip with your seemingly endless stream of dribbling slick.

"Gonna show you just how much I missed all of you."

And that was the problem. Sukuna wanted you, but not you. He had an obsession with this image of you he created in his head—this perfect wife—which was essentially you, but not.

You also found it hard to love a man that had an insane sex drive. Granted, the dick was heavenly, just not when you weren't in the mood. These little cracks between you drifted you both apart, and that led to the divorce.

With a swift movement, Sukuna had turned you around onto your stomach, propping you up on your knees. He inwardly cursed at how plump your body looked; and was immediately drawn in to smack the malleable flesh of your ass.

Hissing, you turned to glare at him, the complaint about to roll off your tongue caught in your throat as he thrusted in. Sukuna noticed this and rasped, voice so sexily low, and took a handful of your hair. "Shuts you up just like it always does, hm?"

"F-fuck you!" you replied, and one smart remark was all it took for him to have your head shoved into the pillows, rough hands gripping so harshly at your hips.

"'M already doing that, baby." As he pulled your head back by your hair, making sure your eyes held contact with his, sadistically finding satisfaction in the way tears welled in your waterline. Sukuna watched as each ram he drove into you caused your eyes to roll back—your mouth falling agape as soft little ah, ah, ah's fell from your lips.

The sight was unbearable to him, he had to see more, more of that already fucked-out expression taking place on your face. He found his rhythm quickening, the slaps of your bodies becoming more frequent, and your cries became louder.

Sukuna looked down at where you both connected, whistling and smirking to himself at the sight. "Always been so good at takin' dick."

"Mmf—it's easy cause y'r microscopic," you were quick to retort, smiling as you felt his grip on your hair and hips tighten, a little annoyed 'tsk' rolling from his tongue. But he was more than annoyed, he just played along with your little game.

Your cocky grin was wiped off of your face the moment you felt his tip repeatedly ram into your g-spot, stimulating you so much to the point it had you stuttering and your vision blurring. He was essentially taking his anger out on you and your poor pussy, fucking wildly into you like it'd be the first and last time he did so.

"I'm small, huh?" he murmured in your ear, breath fanning past your neck now, smiling against the skin of your shoulder. "I'm fucking small?"

He repeated his question again, though it didn't sound like a question initially, gripping your hair even more tighter.

You whimpered in response, shaking your head no, however, he wanted an answer. Though he knew you were in no state to talk.

"Yeah? Not so small when I'm ruining you." he licked a stripe up to your ear. "And not when I made you cum four times in a row, either, hm?”

[blindbeta]

Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t

[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]

The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.

Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could

(should and could are bolded for emphasis)

This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.

A Few Notes Before We Start

These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.

1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age

[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]

This point suggests that it is difficult to find candidates fitting Toph���s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.

Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.

Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.

Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.

In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.

Link to casting call here with alt text.

2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see

[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]

The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.

An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.

Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.

We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.

There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.

Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.

Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.

Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.

Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:

here

here

here

and here.

Here is a good list of legally blind YouTubers with various types of visual experiences.

According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:

93% according to RNIB

This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision

American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here

The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.

This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.

Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.

While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.

Which leads me into the next point.

3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people

[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]

There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.

While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.

The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.

In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.

Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.

Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.

4. The idea that accommodations would be impossible to provide is rooted in ableism

[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]

Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.

A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.

That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.

With that said, let’s explore what work accommodations might look like using examples of blind actors.

Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.

Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”

Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.

And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.

To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.

She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.

Transcript:

Elie Wallwork speaking:

“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”

End transcript.

You can listen to the full episode here.

Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.

Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.

The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”

People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].

This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.

For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”

Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.

I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.

Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials

Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here

Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness

And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need

A few Disclaimers:

1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.

2) Reminder that blindness is a spectrum that a blindfold cannot replicate.

and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.

Let us return to refuting those excuses with the last thing I wanted to address.

5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else

[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]

Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.

This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.

Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].

Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.

Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”

End transcript.

Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.

Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.

A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.

Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.

The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]

Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.

Closing

Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.

Too Long, Didn’t Read:

Unchecked ableism can lead to oppression even if it is unintentional

Blind actors exist

A blind actor would better capture Toph’s ease and confidence with her blindness

Blind people can do a lot more than sighted people usually think they can

Blind people also face discrimination and limitations that sighted people may not have considered

Blindness is a spectrum and most blind people can still see something

There is no one way to look or move like a blind person

Accommodations are not that difficult to provide

Hiring a blind person would actually cost less money

Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism

This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful

For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions

Toph Beifong could totally be played by a blind actress

[harmoonix]

How to activate your VENUS sign!

* Activating your Venus sign plays a major role in how you love yourself and how you see your own self, is also giving you a big glow up when it comes to confidence and self worth*

🌄TIPS🌄

1. Start to read about things that are associated with your Venus placement, you can start by wearing colors (clothes) related with your Venus sign;

Aries Venus - Red

Taurus Venus - Pink

Gemini Venus - Yellow

Cancer Venus - White

Leo Venus - Blue

Virgo Venus - Brown/Beige

Libra Venus - Baby Pink

Scorpio Venus - Black

Sagittarius Venus - Purple

Capricorn Venus - Burgundy

Aquarius Venus - Turquoise

Pisces Venus - Dark Green

2. Your Sign of Venus shows how does it manifest

Aries Venus - Through Confidence/Leadership

Taurus Venus - Through Generosity

Gemini Venus - Through Expressions

Cancer Venus - Through Feelings

Leo Venus - Through Passion

Virgo Venus - Through Service/Through Devotion

Libra Venus - Through Emotions

Scorpio Venus - Through Rebirth

Sagittarius Venus - Through Discovery

Capricorn Venus - Through Respect

Aquarius Venus - Through Community

Pisces Venus - Through Empathy

3. How your Venus manifests and activates in houses:

Venus 1H > Focus on yourself/loving yourself/things that make you happy

Venus in the 2H > Focus on your worth/value/finances

Venus in the 3rd > Focus on your inner mind/intelligence and creativity

Venus in the 4H > Focus on those dear to you, on your home, on your comfort zone

Venus in the 5H > Focus on your passions/desires/talents and your own happiness

Venus in the 6H > Focus on your mental health, your daily work/service, focus on creating a balance between work and yourself

Venus in the 7H > Focus on your partner/lover (if you don't have focus on loving yourself first before sharing your love to others),

Venus in the 8H > Focus on your healing time, focus on things that make you learn more, focus on things that give you life

Venus in the 9H > Focus on your faith/religion/culture, focus on traveling and trying new things, focus in learning

Venus in the 10H > Focus on your career, on your job/community, focus on material succes and on your self image

Venus in the 11H > Focus on your friends/friendships, social communities, focus on humanitarian activities/focus on creating new boundings with people

Venus in the 12H > Focus on your sleep (schedule), subconscious, intuition, spirituality, focus on your karmic path

4. FOCUS on your VENUS DECAN! Your Venus Decan is very important and it shows how your Venus is combined and mixed with the others

For this post search the degrees and sign of your Venus and identify their ruler, in the end that planet is combined with your Venus!!

Note: If you have your Venus in Libra or Taurus between 0° - 10° your Venus is most dominant here the other planets don't interact much with these ones!

- Hope this helped you as a start of how to activate your Venus guys🌄🌄🌄 Harmoonix

[ghostlyferrettarot]

🖤✨️Venus in the houses✨️🖤

❗️All the observations in this post are based on personal experience and research, it's completely fine if it doesn't resonate with everyone❗️

✨️Paid Services ✨️ (Natal charts and tarot readings)Open.

🖤🖤If you like my work you can support me through Ko-fi. Thank you!🖤🖤

🖤Masterlist🖤

♥︎Venus 1st house: charming people with a flirtatious aura. They know how to get people attached to them ; love to compliment others but expect double the praise in return, they know they are a catch. This individuals are usually the life of the party, the one who unites the relationship/friendship group.

♥︎Venus 2nd house: This is the house of finances, so these people prefer to be pampered by their loved one. People with strong values and respect, they expect the same from their partners. They don't play, they want stability and seriousness in a relationship; most loyal and supporting persons ever.

♥︎Venus 3rd house: really flirtatious and persuasive. They value new experiences, they are attracted to other's personality and interests. You have to keep them entertained, they have an adventurous nature and can get bored easily when it comes to a routine.

♥︎Venus 4th house: These individuals have a really harmonious and protective nature, a fairy-like aura to them. They value comfort and openness in a relationship, they want to feel the love of their partners and create a special bond with them. These people tend to attract people with mommy and daddy issues, with an "I can fix them" vibe.

♥︎Venus 5th House: These are my luxurious people, they have high standards and don't care what anyone has to say about it. They are in love with love, their cheerful nature attracts them towards creative people and people who are in a position of fame or success. They are the muses of artists.

♥︎Venus 6th house: These individuals tend to manage many things at once, they thrive on self-improvement. Their love language tends to be acts of service, they are also attracted to truly selfless people. They can spot a lie from miles away, value trust, and expect the same from their romantic partners. They forgive but they never forget.

♥︎Venus 7th house: They have an attractive and persuasive personality, they are tolerant and charismatic. The 7th house is the house of agreement and partnership, so your luck will probably change after your marriage, your significant other may play an important role in your life. These people crave love and genuine connections.

♥︎Venus 8th house: They are very sensual and intimidating; tend to have stalkers and admirers. They value deep connections, people who truly understand and accept them. People with some type of trauma are attracted to them. You may be interested in occult sciences and have healing powers.

♥︎Venus 9th house: They have a happy aura and an adventurous character. These individuals are attracted to optimistic and adventurous people, those who value their beliefs and want to take risks with them. Venus in the 9th house attracts many foreigners as it may indicate a lot of travelling, you significant other may be from another country.

♥︎Venus 10th House: The 10th House governs public image, career aspirations, and career achievements which makes these individuals attracted to status. They are goal-oriented, always looking to improve, and expect the same from their partners. You will want to live a high-profile life and connect with influential people.

♥︎Venus 11th house: They have a calming and jovial personality. Easily attract many friends who would want to work and connect with you to grow your business. These are my "friends to lovers" trope, they value friendship over romance, which attracts them to those closer to them.

♥︎Venus 12th house: These are my artistic people, they have a lot of passion and compassion. They tend to be attracted to spiritual or helpful people. They value connections and are naturally drawn to others; They find much comfort in helping those around them. They are looking for a partner with good character and empathy.

[marvelouslizzie]

A Lonely Night

summary: Your crush on your roommate gets out of hand. His smile ruins you in a way you never expected.

pairing: Bucky Barnes x Female Reader 

word count: 1.9K

warnings: 18+, masturbation (fingering, vibrator use), fantasies, daddy kink, no mention of y/n 

A/N: I actually planned this as a 3 part story where we see his POV as well. I hope to write the remaining 2 parts. I hope my inspiration lasts.

The gif represents the smile that ruined the reader. Who can blame her?

Thank you so much @notafunkiller for beta-reading and editing on such short notice. You're a lifesaver!

All work is mine, please do not repost or translate without my permission.

Read more tag starts after the second paragraph of the story.

You don’t know how you ended up here. You had no intention of doing something like this. You didn’t intend to think about sex at all, especially not while your roommate is home. But when you saw his charming smile and those shiny blue eyes, you felt a jolt of electricity running through your body. It somehow felt like a 0.5-millisecond orgasm. It doesn’t matter how short it was, though, because you can feel the dampness of your panties, so you have no other choice but do something about it.

The TV is on, and it sounds like Bucky is watching the news. That’s not the sexiest thing to hear while touching yourself, yet you are grateful there’s something that covers the noises you make. It’s not like you are a really loud person. Especially not while touching yourself, but this time… You feel there’s something different about this time. The way your body responds to your own touch is not something you’ve experienced before. Neither is the wetness that is dripping out of you. It’s like your body is desperate for this. Desperate for attention and release.

You keep rubbing your pussy, touching all the different spots that make yourself feel good, and your whole body starts to shake, your ears buzzing, and your mind completely blank except for the image of Bucky. His smile and those blue eyes... You want him to be on top of you, touching you the way you like it, fingering you, telling you to be a good girl for him, and making you come over and over again. Then when you think it’s over you want him to push himself inside you, making your abused pussy clench with need. You can imagine how tired you would feel yet how wonderful it would be to finally have him inside you. He would start slowly, making you ask for it. You would either beg him to give you a break because you can’t come one more time or beg him to go harder, faster so you can just lose yourself. The thought of him consumes you while you are coming. It’s such a sweet orgasm, not all-consuming. It feels like you are floating in the air. So good. Exactly what you needed. What you don’t expect is how long it lasts. 

You don’t remember the last time you felt like this. Self-pleasuring is something you do often, but it never felt this good. Normally you would be done by now: already reached the top and breathing heavily while enjoying your after-glow, but this time it’s like your body wants even more. You can’t stop touching yourself. It just doesn’t stop feeling good, no overstimulation. At least not yet.

So if your body wants more, you are going to give it more. You will continue until you feel absolutely satisfied. That’s why you keep touching yourself, testing what feels the best and using your wetness. You haven’t used an ounce of lube since you started and yet your fingers are unbelievably sticky. You can’t help yourself but raise on your elbows and look at your pussy. You move your fingers apart and the wetness creates a bridge between them.

“Oh my god…”

He just gave you the most charming smile on the face of the earth. Nothing more. Why are you so freaking wet?

You can actually think of a couple of reasons. One of them is not having sex for a while. You don’t remember when was the last time. You can only remember it wasn’t impressive so you came home and took your vibrator out and rode it until you collapsed on the bed, finally feeling satisfied enough to sleep. Since then, you either used your fingers or your vibrator to get off, and your body needed more. A lot more.

The other reason is, your growing crush on Bucky. You knew this would be a problem when you decided to be roommates with him, yet it didn’t stop you. It’s delightful to see his handsome face every day, but it’s also torture. Seeing him getting out of the shower, with only a towel around his waist, or half naked while working out… It’s impossible not to get a crush. And on top of that, he’s super kind. Always considering you. He doesn’t sleep much, you know that, but he never makes any noise at night. Never disturbs you. Never eats your food. He never even brought someone over. At least not yet. You are dreading the day that might happen. It will hurt so badly, and there’ll be nothing you can do about it. Maybe that will help you get over your silly crush. But truth be told, you’d rather have it forever than hear him fucking someone else.

You keep rubbing yourself, over and over again until your head is thrown back. There’s this hunger building inside you. God, you feel like begging even though you are the one touching yourself.

“Please, please, please…” You try to be as quiet as possible. It’s just a whisper.

“I really need it, please…”

You do. You really do. You need to come so hard that you can’t breathe. Maybe then it will be enough. Maybe then you will feel satisfied. Your fingers start working even faster. You can feel your second orgasm, but there’s something on the back of your mind that’s holding you back. The thought of Bucky finding you like this. You don’t want that to happen. So you are holding back a little. You can’t risk it, can you? Otherwise, you won’t be able to look at him. You keep rubbing different spots trying to find the best one for this orgasm. Nothing works until you hear a sound from the living room. Probably Bucky moving around in the apartment. Somehow that sets you off. Your orgasm comes crashing in, taking your breath away while you silently keep touching yourself. You keep going until you can’t anymore. You feel buzzed, breathing heavily. That might be the best orgasm you had lately. You take a deep breath in, and then out. The thought of him catching you was terrifying yet you couldn’t stop. You didn’t want to stop. Can you be actually terrified and excited at the same time? If so, that’s exactly how you felt.

You lay there, in the comfort of your bed, and try to collect your mind. A part of you feels guilty because of what you’ve just done. Not the masturbation part, but pleasuring yourself at the thought of Bucky because he has no idea. He probably never even looked at you like that. Still, you can’t help but feel attraction, and it’s not just a physical thing. His personality is making everything worse. If he was just an asshole, everything would be easier, but he had to be the most amazing guy you’ve ever met. So, it’s his fault if you are masturbating to the thought of him, right? He’s just too perfect.

You breathe in and out, trying to deal with the guilt and your racing thoughts. Normally, this would be more than enough. Two back-to-back orgasms and the second one was so fucking intense yet you can still feel the need. It’s right there. Your core is silently begging while your wetness keeps dripping out of you. When you close your eyes and imagine Bucky pushing himself inside you, your muscles contract and your whole body begs for more.

Sighing, you open your bedside drawer. Here it is, your beloved vibrator. You close the drawer and look at it for a couple of seconds, trying to decide if you should really do this. He’s still in the living room, you can still hear the TV. It’s possible you might get caught, yet the hunger inside you takes over any rational thought. 

After a couple of seconds, you finally give in. Slowly, you push the vibrator inside you and your pussy clenches around it. Even without moving or turning it on, it feels amazing. The feeling of being full… You missed it so much. Then you start to move it in and out, slowly. You close your eyes and imagine it’s a real cock inside you, but it’s hard to get lost in that thought. The texture of the vibrator is far from realistic and the size isn’t that impressive. When that doesn’t work out, you turn it on and let yourself feel it. It’s better. Much better but still not enough. 

“God…” You complain silently while changing your position. You flip around and go on all fours, pushing your ass out as much as you can, the way you would do during sex. That finally hits the spot. You grab your pillow with haste and push your face into it, trying to cover any noise you might make.

“Oh fuck, oh fuck.” Your muffled moans can’t reach Bucky. He’s watching the TV after all.

“Yess, right there.” The words leave your lips before you are able to process them. Where are these words coming from? Who are you talking to? Is it a fantasy? You don’t know, but it feels good to let it out.

“Oh please, fuck me.” You try to push all the rational thoughts aside. It’s not the time for that.

“Fuck me, daddy, please.” You close your eyes and imagine Bucky again. Him taking his sweet time, edging you until you beg for release. You would give anything, absolutely anything to do this with him.

“Harder, please, daddy, I need it harder,” you mumble and then turn and press the vibration button again. It starts to pulse faster inside you and you feel like there is no air in your lungs anymore. You choke for a second, raising your head up from the pillow, and take a deep breath while your orgasm rips you apart. It’s nothing like you’ve experienced before. A part of your brain thinks you’re unlocking another level of orgasm while the other part is trying to enjoy this feeling while it lasts.

“Yes, yes, yes. Right there.” You let your head fall back on the pillow as you keep imagining Bucky. You have no idea how long your orgasm actually lasts. It’s definitely the longest one you’ve ever had. When your pussy starts to feel too sensitive you take out the vibrator and turn it off. 

Finally, you are feeling satisfied. You place the vibrator on top of your nightstand while you get on your back again. After taking a couple of deep breaths, you notice the lack of TV noise.

Shit.

Why did he turn the TV off? And more important, when? You look at the clock on the wall in front of you and the news program is not over yet. Did he hear you? 

God, please... Don’t let that happen.

You quickly stand up, putting your clothes back on quickly, and then you open the door as carefully as possible. The living room is empty. All you can hear is the shower running.

Thank god!

Bucky is taking a shower. So even with no TV on, he couldn’t have possibly heard you. The sound of the water would cover your moans, right? You hope so at least.

You go back to your room, clueless about the fact that Bucky heard everything, how he paid attention to every single detail, trying to memorize how you sound while coming. How you moan, how you rub yourself, and how needy you are.

Feeling like a creep, he jumped in the shower. Clearly, you were imagining someone else, and he had no right to listen to something as private as this. Yet he couldn’t stop himself. He couldn’t stop imaging how it would be the one that you call daddy. And he definitely couldn't stop his left hand from wrapping around his cock.

[nasa]

A simulated image of NASA’s Nancy Grace Roman Space Telescope’s future observations toward the center of our galaxy, spanning less than 1 percent of the total area of Roman’s Galactic Bulge Time-Domain Survey. The simulated stars were drawn from the Besançon Galactic Model.

Exploring the Changing Universe with the Roman Space Telescope

The view from your backyard might paint the universe as an unchanging realm, where only twinkling stars and nearby objects, like satellites and meteors, stray from the apparent constancy. But stargazing through NASA’s upcoming Nancy Grace Roman Space Telescope will offer a front row seat to a dazzling display of cosmic fireworks sparkling across the sky.

Roman will view extremely faint infrared light, which has longer wavelengths than our eyes can see. Two of the mission’s core observing programs will monitor specific patches of the sky. Stitching the results together like stop-motion animation will create movies that reveal changing objects and fleeting events that would otherwise be hidden from our view.

Watch this video to learn about time-domain astronomy and how time will be a key element in NASA’s Nancy Grace Roman Space Telescope’s galactic bulge survey. Credit: NASA’s Goddard Space Flight Center

This type of science, called time-domain astronomy, is difficult for telescopes that have smaller views of space. Roman’s large field of view will help us see huge swaths of the universe. Instead of always looking at specific things and events astronomers have already identified, Roman will be able to repeatedly observe large areas of the sky to catch phenomena scientists can't predict. Then astronomers can find things no one knew were there!

One of Roman’s main surveys, the Galactic Bulge Time-Domain Survey, will monitor hundreds of millions of stars toward the center of our Milky Way galaxy. Astronomers will see many of the stars appear to flash or flicker over time.

This animation illustrates the concept of gravitational microlensing. When one star in the sky appears to pass nearly in front of another, the light rays of the background source star are bent due to the warped space-time around the foreground star. The closer star is then a virtual magnifying glass, amplifying the brightness of the background source star, so we refer to the foreground star as the lens star. If the lens star harbors a planetary system, then those planets can also act as lenses, each one producing a short change in the brightness of the source. Thus, we discover the presence of each exoplanet, and measure its mass and how far it is from its star. Credit: NASA's Goddard Space Flight Center Conceptual Image Lab 

That can happen when something like a star or planet moves in front of a background star from our point of view. Because anything with mass warps the fabric of space-time, light from the distant star bends around the nearer object as it passes by. That makes the nearer object act as a natural magnifying glass, creating a temporary spike in the brightness of the background star’s light. That signal lets astronomers know there’s an intervening object, even if they can’t see it directly.

This artist’s concept shows the region of the Milky Way NASA’s Nancy Grace Roman Space Telescope’s Galactic Bulge Time-Domain Survey will cover – relatively uncharted territory when it comes to planet-finding. That’s important because the way planets form and evolve may be different depending on where in the galaxy they’re located. Our solar system is situated near the outskirts of the Milky Way, about halfway out on one of the galaxy’s spiral arms. A recent Kepler Space Telescope study showed that stars on the fringes of the Milky Way possess fewer of the most common planet types that have been detected so far. Roman will search in the opposite direction, toward the center of the galaxy, and could find differences in that galactic neighborhood, too.

Using this method, called microlensing, Roman will likely set a new record for the farthest-known exoplanet. That would offer a glimpse of a different galactic neighborhood that could be home to worlds quite unlike the more than 5,500 that are currently known. Roman’s microlensing observations will also find starless planets, black holes, neutron stars, and more!

This animation shows a planet crossing in front of, or transiting, its host star and the corresponding light curve astronomers would see. Using this technique, scientists anticipate NASA’s Nancy Grace Roman Space Telescope could find 100,000 new worlds. Credit: NASA’s Goddard Space Flight Center/Chris Smith (USRA/GESTAR)

Stars Roman sees may also appear to flicker when a planet crosses in front of, or transits, its host star as it orbits. Roman could find 100,000 planets this way! Small icy objects that haunt the outskirts of our own solar system, known as Kuiper belt objects, may occasionally pass in front of faraway stars Roman sees, too. Astronomers will be able to see how much water the Kuiper belt objects have because the ice absorbs specific wavelengths of infrared light, providing a “fingerprint” of its presence. This will give us a window into our solar system’s early days.

This animation visualizes a type Ia supernova.

Roman’s High Latitude Time-Domain Survey will look beyond our galaxy to hunt for type Ia supernovas. These exploding stars originate from some binary star systems that contain at least one white dwarf – the small, hot core remnant of a Sun-like star. In some cases, the dwarf may siphon material from its companion. This triggers a runaway reaction that ultimately detonates the thief once it reaches a specific point where it has gained so much mass that it becomes unstable.

NASA’s upcoming Nancy Grace Roman Space Telescope will see thousands of exploding stars called supernovae across vast stretches of time and space. Using these observations, astronomers aim to shine a light on several cosmic mysteries, providing a window onto the universe’s distant past. Credit: NASA’s Goddard Space Flight Center

Since these rare explosions each peak at a similar, known intrinsic brightness, astronomers can use them to determine how far away they are by simply measuring how bright they appear. Astronomers will use Roman to study the light of these supernovas to find out how quickly they appear to be moving away from us.

By comparing how fast they’re receding at different distances, scientists can trace cosmic expansion over time. This will help us understand whether and how dark energy – the unexplained pressure thought to speed up the universe’s expansion – has changed throughout the history of the universe.

NASA’s Nancy Grace Roman Space Telescope will survey the same areas of the sky every few days. Researchers will mine this data to identify kilonovas – explosions that happen when two neutron stars or a neutron star and a black hole collide and merge. When these collisions happen, a fraction of the resulting debris is ejected as jets, which move near the speed of light. The remaining debris produces hot, glowing, neutron-rich clouds that forge heavy elements, like gold and platinum. Roman’s extensive data will help astronomers better identify how often these events occur, how much energy they give off, and how near or far they are.

And since this survey will repeatedly observe the same large vista of space, scientists will also see sporadic events like neutron stars colliding and stars being swept into black holes. Roman could even find new types of objects and events that astronomers have never seen before!

Learn more about the exciting science Roman will investigate on X and Facebook.

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