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#how to teach child to read
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Robin landed on the roof next to him and Bruce could already feel the headache building. They were looking down on a young blond man with pointed ears and a large halberd on his backriding on a white horse. The guy looked like he had come straight out of a fairytale. He knew that if this was a new rogue Damian would argue about keeping the horse. Actually he would probably want to keep the horse even if he wasn't a rogue.
Deciding the guy had gotten close enough they swooped down to confront him. The man, startled, stopped his horse and pulled the large halberd off his back. He held it in front of him, as if in warning. The man looked wary of them but not afraid. They stared at eachother for a moment before the man spoke in a language neither Batman not his Robin knew.
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Link was having a wierd day. He had literally just saved Princess Zelda a week ago (and for the second time) when he encountered some kind of demon in black and white. The Master Sword glowed in the demons presence which was all Link needed to know before chasing after the being. The thing, looking like a teen in odd clothing that reminded him of links own rubber suit, bolted into a green portal it had created.
Not hesitating he had his horse leap into it. And now he was in a strange place with no sign of the demon. After getting attacked by a man yelling in a language he didn't recognize, he switched out his sword for a halberd for that extra reach on horseback and continued on his way, leaving the unconscious man on the road side behind him.
This place was odd. Parts of some walls would light up, showing images of people and places he didn't know along with a written language he didn't recognize. He came across many people who looked at him oddly...or at least he thought they were people. They looked like Hylians but most of them were taller than the average Hylian and to Links horror they had short rounded ears. How could they hear thier gods with such tiny ears?
He was scared, but he carried on anyway. Eventually he gets confronted by someone dressed as a monster and a child. They manage to settle thier...dispute?...without violence so that was nice. He pulled a few apples and swift carrots out of his tablet-to the curiosity of the duo- and hands them to the child. The kid caught on quickly and raced off to feed his horse her favorite snacks.
Link will have to figure out how to overcome this language barrier
Bruce however, has discovered this was not a man, but a teenager lost in a foreign world and is set on adopting him.
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puppyeared · 3 months
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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boyfridged · 1 year
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grief is the defining force in "batman" as a title, but one thing that has always been utterly engrossing to me is that jay was once an outlier in what place this theme occupied in his narrative. for both bruce and dick, grief was motivational; grief was what pushed them into vigilantism. while they later utilised it in completely different ways; bruce became more stagnant and "frozen" in that moment, and for dick it was an impulse that made him more dynamic; they both viewed grief as a form of resolve (even if constituting a sisyphean task).
this is not the case for post-crisis robin jay.
jay enters the role of robin after standing up for justice that was based completely on his own moral intuitions and distaste for the criminal authority figure (the ma gunn' plotline). and while grief was there, it never served as an inspiration during his first missions.
the first time grief becomes entangled with his role as robin, it's in the two-face storyline ["batman" (1940) #410 – #411], when jay learns that bruce hid the fact that willis was murdered from him. he spends a day in his bed, before they encounter harvey on patrol, and jay tries at revenge. later, he merely cries, accusing bruce of "sparing him" knowledge of his father's demise– in other words, sparing him grief, while allowing him in the field at the same time. this is crucial in so far that jay doesn't seem to make a connection between combat and his grief. however, in response, bruce lectures jason about how grief inspires revenge, and how revenge has to be tempered into justice.
then grief becomes an important theme in the beginning of 'a death in the family,' something that i find to be often overlooked. first of all, jay is grieving after gloria. second of all, from the dialogue that is nowadays ignored because of all the retcons to the todd family story, we learn that jay is also still grieving after his parents. in "batman" (1940) #426 alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents' deaths.” and so bruce realises that the role of robin has not been beneficial for jay in grieving at all.
after years of mourning without closure, jason looks for the solution for his grief in moving on by finding a new family; since he thinks along with the role of robin, bruce is dismissing him as his son, he goes on the journey to find his biological mother instead. in my eyes, this has always been a salient moment. it shows that jay is still searching for relief in mourning in civilian life. this is his first intuition. of course, it does not stop him from turning to his secret identity when he realises sheila is in danger; it does not protect him from his death either.
but the lesson that bruce tried to teach jason in his early robin days was not lost. it was very much learned, and the consequences are tragic; the plot of the utrh is evidence of that. there, the narrative regarding grief aligns with what it has always been in "batman": it becomes a drive to vigilantism. jay is no longer pursuing closure in the civilian dimension. grief becomes something to be "tempered" into justice. and as bruce knows, the line between justice and vengeance is very thin.
so just as bruce is forever frozen in the loop of the memory of his parents' death, jason is now stuck in the moment of his death (and of the loss of his father.) both of their pleads are: no one else, never again. both of them seem to consider themselves exempt from this rule, subjecting themselves to reliving their pain to keep fighting.
still, the defining difference remains; jay's grief not only motivates his vigilantism. vigilantism is also the primary root of this grief. and years ago, he has not seen grief as a matter to be solved by vigilantism at all.
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kingworm · 2 months
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there is a duality that claudia was a forty year old woman, who essentially joined a cult - louis warned her, but what else are you to do? she is not a child, though trapped in the body of one, that is to say that although it would come from a place of pride and claudia being an extension of himself as her maker: lestat would have never allowed her to be so ridiculed and humiliated
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trunklewunjle · 7 months
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I did some twists and turns to the Dreamtale I included in the server me an my friends rp in, and I’ve been kinda hyper fixated so I did a little thing
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I don’t like perspective but im going to have to eventually learn, soul shattering I will never be the same once i dominate it
Yea the fucking tree told him to shoot night because everyone is so mean to him so I just yknow she might as well also be mean to a fucking seven year old who knew no better 
Dreamtale (Dream and Nightmare) Belong to Jokublog
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toobusybeingdelulu · 4 months
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something something about billy teaching little kids how to swim, and being good at it (otherwise their parents would have not let him); something something about his tendency to keep throwing good advice at people even while being a dick about it (max and steve, for example) something something about him apparently having a natural predisposition for helping people out and-
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mothman-can-write · 4 months
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Have a little snippet from my current wip that has accidentally ended up with the working title of 'tractor fic'. its not even about a tractor. the tractor plays a minor roll. there is ten thousand words about the tractor. (its about maria visiting clints farm and being incredibly awkward about it) (she visits to fix the tractor and then ends up staying much longer)
Cooper sits on the other side of the table as he munches on his own sandwich and he stares at Maria with all of the open intensity of an eight year old child. “Is this your boss?” he says to his dad without swallowing. 
Clint laughs as he finishes making Lila’s lunch and Maria takes a sip of the lemonade if only so that she doesn’t have to answer. It’s a little tart, but sweet enough that it goes down easy. She isn’t sure she could make better lemonade herself. 
“I guess she is, yeah,” Clint says eventually, folding ham neatly within the borders of the bread. “She’s sort of everyone’s boss.” 
“Everyone?” Cooper swallows his mouthful at last. “She can’t be everyone’s boss.” 
Natasha places her drink down in front of her, sitting a space away from Maria and directly opposite him. She leans forward ever so slightly, conspirational over the table as she lowers her voice. “Oh, she is. She even tells the president what to do sometimes. If someone has a boss, it’s her. Even your mom.” 
She straightens up again with a glance to Maria, picking her drink back up to hide her smirk around the straw. Maria tries not to roll her eyes as Cooper gawks. She downs the rest of her lemonade, avoiding eye contact as long as possible, and the moment she sets it back down, Laura is there beside her to fill it up again. She’s trying not to laugh along with everyone else and it makes it that much harder for Maria to keep a straight face too. 
“That’s right,” Clint says from the kitchen counter. Maria watches him cut the crusts off of the bread before handing the plate to Lila. “That means you have to listen to everything she says when you’re in the barn.” 
Cooper nods into another bite of his sandwich, his eyes wide, and Maria gives him a tight sort of smile. Natasha is still looking at her too, even as she eats her own lunch, and Maria suddenly feels like a bit of a spectacle. It makes Natasha’s eyes crinkle, just so, and that really doesn’t help.
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morgana-ren · 21 days
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Another reminder, because apparently reading comprehension is utterly failing online:
Do not follow me if you are under the age of 18.
I've had a spattering of minors trying to follow me and all up on my inbox lately, and look, I get it. I get the curiosity. I read inappropriate shit when I was your age too. Here's the thing, though. I'm an adult. This is not Twitter. I'm not your mommy, your babysitter, or your friend. I'm not here to give you sex-ed, and nor will I be responsible for it in any way. You make me uncomfortable, and I'm fairly certain it would make your mommy and daddy real fuckin' uncomfortable to see you here, and that's just not some shit I need right now.
The content of my work is not for you. I do not want you following me, reading my pieces, or interacting with me in any way.
If you won't have some semblance of respect for me, my work, and my rules, you sure as shit are not mature enough to be here in the first place.
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ablednt · 4 months
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Granted I have the overall geographical and cultural knowledge of a 4th grader but from what I can tell the nuclear family model really does seem to be a white colonial invention
Different cultures have different approaches but I mainly hear about either large family units where multiple generations support each other and raise their children and grandchildren together or an "it takes a village" approach where children are raised somewhat communally
And I can't really speak on it much or claim that these families were free of abuse or that children aren't often an oppressed group basically everywhere I know of but the way ownership of your children is so engrained into white society is so bizarre
Like once you notice it you can't unnotice it even the most loving well meaning parents don't know what to do about it because everyone is so isolated from their own families and their own communities so you wind up with 1-2 parents who have full legal ownership of their child and are raised in a culture where you don't have personhood until you're 18 and all attempts at self actualization before them are seen as clueless rebellion. Like our culture is so divorced from the concept that a parent is someone who is helping mentor and care for their child so they can thrive as a fellow human being and it's actually so alarming
And ik this problem isn't unique to white and colonized people but it's honestly really soothing to hear about how other cultures approach and view parenting and community as a whole and to internalize it doesn't have to be this way
#like i was reading a book by Sabaa Tahir who's Pakistani#and the perspective on parenthood portrayed in it so healing#like when Salahuddin mentions that his mom taught him not to thank his parents growing up#''Ama taught me that saying thank you to your own parents is unnecessary. Akin to thanking your lungs for breathing. The times I tried#she looked at me like I’d rejected Saturday-morning paratha.''#and like obviously the idea isn't that your kids should be ungrateful im assuming that it's their behavior and overall respect thats thanks#but as someone who was raised thanking everyone for everything especially my parents no matter what it really stood out bc even little stuff#like that can make a huge difference yk? since I can remember white adults particularly my parents taught me i was a burden#and that their taking care of me was an act of kindness rather than a responsibility and I don't think it's some big conspiracy to make kids#feel horrible but it's not really teaching gratitude it's just teaching guilt#thats just one example tho#I also am at the extreme end of white cultural isolation (neither of my parents are close to their families we've never lived near them and#they specifically isolate us from everyone so the difference is a lot more drastic for me than it probably is a lot of other people#but when i hear ppl being close to their neighbors or anyone that lives near them i go a little insane with longing tbh#like what is that like? to grow up in an environment where your world is more than just your parents approval?#where there's some kind of insulation between you and all of your parents problems bc there is no one else#this was not a ramble with any kind of conclusion tho akehrjdhr#and once again I am absolutely not saying that child abuse is uniquely white bc. el em ey oh thats not how any of this works#it's just that white cultures view on children is sickening
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moki-dokie · 8 months
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how to make 19 year old boy who came of age during the pandemic and never had a real real job before now realize he needs to Chill The Fuck Out and be Less eagar about working for free holy shit he is impossible to wrangle
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rexscanonwife · 8 months
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I'm crying and throwing up and asking where my phone is
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abyssin · 1 year
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i am the last person who wants to make a visualization of the abyss because there is something so cosmic horror about a realm where time is inconsistent and specifically draws in persons of great ambition, only to drastically change who they are simply by existing in there. but because i cannot get it out of my head, i keep thinking back to childe's eyes being lightless as a result of being in the void for three months (arguably more because time in the void just doesn't flow right) and how a realm could be so horrific to change a child to bloodthirsty warrior, hand-in-hand with his introduction to skirk...
and then i got to thinking about this webtoon that i read where you can technically, physically go to the heavens where a god will await adventurers who dare. but the character had to cross an area of this endless blue where neither light nor shadows reach. it also got me to thinking about the final world in kingdom hearts 3 where it's just. the sky itself without end, the ground a reflection of the skies, and how this area acted as a purgatory of lost souls.
& it got me thinking of genshin's abyss in the same vein: an endless blue, depriving its residents of their five senses. there's only blue where the eyes can see, the ground is too perfectly flat, there isnt a breeze to whistle in your ear, it's just... all too perfectly, inhumanely, maddeningly blue. blue like childe's lightless gaze.
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banannabethchase · 27 days
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How do I explain to a parent that, while I understand that their educational experience was that homework was required and multiple hours a night, their disabled son who is exhausted from all the work he does at school (my classroom gives almost zero down time due to the curriculum design) does not need to do homework after school? He needs to rest and play and be a kid.
It's really hard to explain to parents that their child's disability isn't a lack of effort, or a moral failing, or "fixable" by doing extra. They will always be themself. Their disability is part of who they are, and respecting, loving, and supporting them knowing it's part of them is beyond important. Homework will exhaust your child further, and his progress will slow in school because he'll burn out by the middle of third grade. I'll give little activities for basic practice from time to time to my munchkins, especially if they personally ask for it. I encourage reading with their child daily, engaging them in cooking and shopping and basic day to day tasks, but daily homework has never been proven to work. And, for kids who consistently work harder due to learning not coming easily to them, home time needs to be a break from it.
School is their full time job. Let them come home and turn off.
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Troubled teen: (The Raphael Dictionary)
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hopefulqueer · 2 months
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I'm starting to think the reason I'm not as good of a writer as I want to be is because I like writing more than I like reading.
#which isnt to say i dont like to read#but i find it so difficult to get interested in new fiction#why would i bother reading stories other people wrote when i could just write mine?#i don't have this issue reading nonfiction ive been so into nonfiction#and i feel like THAT has helped me write better just by teaching me about more things so i can make worlds make more sense#but one time i told somebody i was writing a story that's kind of a zombie apocalypse but for plants and they said#'oh that's exactly like this other book' (i forget the name) 'you should read that one!'#and it made me unreasonably angry#i don't care abt someone else's story with a vaguely similar concept. i care abt mine.#and i know this makes me seem like an asshole and i probably am for this specific thing#but i read every book i could get my hands on as a child#and then as soon as i was able to write my own stories that stopped being the case#like all that reading was just training me to do what i can do now#and i think if i could just get over my disinterest in other ppl's fiction books and start practicing deconstructing what makes a good stor#i would start improving my writing more#and short stories! fuck. i hate reading other ppl's short stories unless they're written by friends#but as im starting to submit my short stories to publishing magazines n stuff#im realizing i'll have a better chance of getting published if i read the other stuff those mags have posted before#and write what they want to have submitted. but then it's not necessarily what *i* want to write. u know?#i don't know how to fix this fundamental problem of me preferring writing over reading#(and this applies to fanfic too btw. i hardly ever seek out fic to read unless a friend sends it to me. and often i like it when they do!#but not as much as i like writing or reading my own writing.)#just why would i READ when i could be WRITING and writing is so much more FUN
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andromedasummer · 4 months
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sudden flashbacks to childhood as i remember the first book series i ever loved, Roman Mysteries. which in retrospect. has a lot. a lot. a LOT of issues
#i would go back to it like i have deltora quest but uh#i dont think. it will hold up.#theres 4 main characters. of the two girls one is flavia. a rich roman child#and then nubia. who is. a slave girl. and fucking. bought for flavia as a bday present#and it's played it off as ''flavia wants a friend and feels awful for this poor girl her age and so her dad buys her and they#look after/rescue her and teach her latin and then free her once shes situated well'' and it is VERY MUCH a white saviour story#that even had 6 yr old me like ''hm. this is immoral''#the series like. starts with flavia as the main main character and the other 3 characters also have their own storys and they team up#and somve mysteries but as time goes on the problem is that like. the other 3 characters are more interesting than flavia#lupus is a mute greek boy who had his tongue cut out by his abusive uncle and lived on the streets for years#jonathan is a jewish boy who lives next door to flavia and has storylines where hes forced to become a gladiator and at the end#of the series goes on an adventure to egypt to find his kidnapped twin nephews#and nubia goes looking for her brother who was also enslaved and forced to be a gladiator and has to navigate rome as an ex-slave#and black woman who was literally kidnapped and went through hell (also she. turns out to be an african princess later on. ANOTHER big thing#to unpack.)#but yeah from 6 yrs old to 13 as i read the stories i would get mad every time it cut to flavia#I DONT CARE ABOUT SUETONIUS OR GAIUS AND HOW YOU WANT TO DEDICATE YOURSELF TO ARTEMIS#OR WHATEVER BULLSHIT ROMANCE. GO BACK TO JONATHAN SEEING HIS OWN GRAVE AND COMBATING WITH HIS FAMILY THINKING HES DEAD#GO BACK TO THE TRAGEDY OF MIRIAM AND HER BABIES OR NUBIA GETTING HER OWN FUCKING STORYLINE PLEASE
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