#hyper growth companies

[billa-billa007]

EP339: Stuck in a Rut? Proven Strategies To Break Through Your Business Plateau

A business plateau refers to a situation in which a company's growth and performance reach a point of stagnation or slow progress. It's a stage in a company's life cycle where it struggles to increase its revenue, expand its market share, or innovate its products or services. Business plateaus can be challenging for organizations because they often signify a need for change, adaptation, or a new strategic approach to overcome the obstacles preventing further growth.

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[mostlysignssomeportents]

Google reneged on the monopolistic bargain

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SALT LAKE CITY (Feb 21, Weller Book Works) and TOMORROW in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!

A funny thing happened on the way to the enshittocene: Google – which astonished the world when it reinvented search, blowing Altavista and Yahoo out of the water with a search tool that seemed magic – suddenly turned into a pile of shit.

Google's search results are terrible. The top of the page is dominated by spam, scams, and ads. A surprising number of those ads are scams. Sometimes, these are high-stakes scams played out by well-resourced adversaries who stand to make a fortune by tricking Google:

https://www.nbcnews.com/tech/tech-news/phone-numbers-airlines-listed-google-directed-scammers-rcna94766

But often these scams are perpetrated by petty grifters who are making a couple bucks at this. These aren't hyper-resourced, sophisticated attackers. They're the SEO equivalent of script kiddies, and they're running circles around Google:

https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security

Google search is empirically worsening. The SEO industry spends every hour that god sends trying to figure out how to sleaze their way to the top of the search results, and even if Google defeats 99% of these attempts, the 1% that squeak through end up dominating the results page for any consequential query:

https://downloads.webis.de/publications/papers/bevendorff_2024a.pdf

Google insists that this isn't true, and if it is true, it's not their fault because the bad guys out there are so numerous, dedicated and inventive that Google can't help but be overwhelmed by them:

https://searchengineland.com/is-google-search-getting-worse-389658

It wasn't supposed to be this way. Google has long maintained that its scale is the only thing that keeps us safe from the scammers and spammers who would otherwise overwhelm any lesser-resourced defender. That's why it was so imperative that they pursue such aggressive growth, buying up hundreds of companies and integrating their products with search so that every mobile device, every ad, every video, every website, had one of Google's tendrils in it.

This is the argument that Google's defenders have put forward in their messaging on the long-overdue antitrust case against Google, where we learned that Google is spending $26b/year to make sure you never try another search engine:

https://www.bloomberg.com/news/articles/2023-10-27/google-paid-26-3-billion-to-be-default-search-engine-in-2021

Google, we were told, had achieved such intense scale that the normal laws of commercial and technological physics no longer applied. Take security: it's an iron law that "there is no security in obscurity." A system that is only secure when its adversaries don't understand how it works is not a secure system. As Bruce Schneier says, "anyone can design a security system that they themselves can't break. That doesn't mean it works – just that it works for people stupider than them."

And yet, Google operates one of the world's most consequential security system – The Algorithm (TM) – in total secrecy. We're not allowed to know how Google's ranking system works, what its criteria are, or even when it changes: "If we told you that, the spammers would win."

Well, they kept it a secret, and the spammers won anyway.

A viral post by Housefresh – who review air purifiers – describes how Google's algorithmic failures, which send the worst sites to the top of the heap, have made it impossible for high-quality review sites to compete:

https://housefresh.com/david-vs-digital-goliaths/

You've doubtless encountered these bad review sites. Search for "Best ______ 2024" and the results are a series of near-identical lists, strewn with Amazon affiliate links. Google has endlessly tinkered with its guidelines and algorithmic weights for review sites, and none of it has made a difference. For example, when Google instituted a policy that reviewers should "discuss the benefits and drawbacks of something, based on your own original research," sites that had previously regurgitated the same lists of the same top ten Amazon bestsellers "peppered their pages with references to a ‘rigorous testing process,’ their ‘lab team,’ subject matter experts ‘they collaborated with,’ and complicated methodologies that seem impressive at a cursory look."

But these grandiose claims – like the 67 air purifiers supposedly tested in Better Homes and Gardens's Des Moines lab – result in zero in-depth reviews and no published data. Moreover, these claims to rigorous testing materialized within a few days of Google changing its search ranking and said that high rankings would be reserved for sites that did testing.

Most damning of all is how the Better Homes and Gardens top air purifiers perform in comparison to the – extensively documented – tests performed by Housefresh: "plagued by high-priced and underperforming units, Amazon bestsellers with dubious origins (that also underperform), and even subpar devices from companies that market their products with phrases like ‘the Tesla of air purifiers.’"

One of the top ranked items on BH&G comes from Molekule, a company that filed for bankruptcy after being sued for false advertising. The model BH&G chose was ranked "the worst air purifier tested" by Wirecutter and "not living up to the hype" by Consumer Reports. Either BH&G's rigorous testing process is a fiction that they infused their site with in response to a Google policy change, or BH&G absolutely sucks at rigorous testing.

BH&G's competitors commit the same sins – literally, the exact same sins. Real Simple's reviews list the same photographer and the photos seem to have been taken in the same place. They also list the same person as their "expert." Real Simple has the same corporate parent as BH&G: Dotdash Meredith. As Housefresh shows, there's a lot of Dotdash Meredith review photos that seem to have been taken in the same place, by the same person.

But the competitors of these magazines are no better. Buzzfeed lists 22 air purifiers, including that crapgadget from Molekule. Their "methodology" is to include screenshots of Amazon reviews.

A lot of the top ranked sites for air purifiers are once-great magazines that have been bought and enshittified by private equity giants, like Popular Science, which began as a magazine in 1872 and became a shambling zombie in 2023, after its PE owners North Equity LLC decided its googlejuice was worth more than its integrity and turned it into a metastatic chumbox of shitty affiliate-link SEO-bait. As Housefresh points out, the marketing team that runs PopSci makes a lot of hay out of the 150 years of trust that went into the magazine, but the actual reviews are thin anaecdotes, unbacked by even the pretense of empiricism (oh, and they loooove Molekule).

Some of the biggest, most powerful, most trusted publications in the world have a side-hustle in quietly producing SEO-friendly "10 Best ___________ of 2024" lists: Rolling Stone, Forbes, US News and Report, CNN, New York Magazine, CNN, CNET, Tom's Guide, and more.

Google literally has one job: to detect this kind of thing and crush it. The deal we made with Google was, "You monopolize search and use your monopoly rents to ensure that we never, ever try another search engine. In return, you will somehow distinguish between low-effort, useless nonsense and good information. You promised us that if you got to be the unelected, permanent overlord of all information access, you would 'organize the world's information and make it universally accessible and useful.'"

They broke the deal.

Companies like CNET used to do real, rigorous product reviews. As Housefresh points out, CNET once bought an entire smart home and used it to test products. Then Red Ventures bought CNET and bet that they could sell the house, switch to vibes-based reviewing, and that Google wouldn't even notice. They were right.

https://www.cnet.com/home/smart-home/welcome-to-the-cnet-smart-home/

Google downranks sites that spend money and time on reviews like Housefresh and GearLab, and crams botshittened content mills like BH&G into our eyeballs instead.

In 1558, Thomas Gresham coined (ahem) Gresham's Law: "Bad money drives out good." When counterfeit money circulates in the economy, anyone who gets a dodgy coin spends it as quickly as they can, because the longer you hold it, the greater the likelihood that someone will detect the fraud and the coin will become worthless. Run this system long enough and all the money in circulation is funny money.

An internet run by Google has its own Gresham's Law: bad sites drive out good. It's not just that BH&G can "test" products at a fraction of the cost of Housefresh – through the simple expedient of doing inadequate tests or no tests at all – so they can put a lot more content up that Housefresh. But that alone wouldn't let them drive Housefresh off the front page of Google's search results. For that, BH&G has to mobilize some of their savings from the no test/bad test lab to do real rigorous science: science in defeating Google's security-through-obscurity system, which lets them command the front page despite publishing worse-than-useless nonsense.

Google has lost the spam wars. In response to the plague of botshit clogging Google search results, the company has invested in…making more botshit:

https://pluralistic.net/2023/02/16/tweedledumber/#easily-spooked

Last year, Google did a $70b stock buyback. They also laid off 12,000 staffers (whose salaries could have been funded for 27 years by that stock buyback). They just laid off thousands more employees.

That wasn't the deal. The deal was that Google would get a monopoly, and they would spend their monopoly rents to be so good that you could just click "I'm feeling lucky" and be teleported to the very best response to your query. A company that can't figure out the difference between a scam like Better Homes and Gardens and a rigorous review site like Housefresh should be pouring every spare dime it brings in into fixing this problem. Not buying default search status on every platform so that we never try another search engine: they should be fixing their shit.

When Google admits that it's losing the war to these kack-handed spam-farmers, that's frustrating. When they light $26b/year on fire making sure you don't ever get to try anything else, that's very frustrating. When they vaporize seventy billion dollars on financial engineering and shoot one in ten engineers, that's outrageous.

Google's scale has transcended the laws of business physics: they can sell an ever-degrading product and command an ever-greater share of our economy, even as their incompetence dooms any decent, honest venture to obscurity while providing fertile ground – and endless temptation – for scammers.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

[meo-eiru]

Silas has got me feeling brain rot so bad, He's got me psychoanalysing him.

I don't know if it's just me putting my own experiences of growing up neurodiverse but he does show some parallels.

You said in one of your posts that elves find silas "off" (just like a lot of neurotypical children do with neruodiverse children) which means that he most likely had no friends growing up as well as the fact that his parents didn't really give him love either leaving him isolated which could of stunted certain aspects of his cognitive growth i.e emotional intelligence (in cases such as not understanding the reasoning for the reader rebelling against him or how to successfully stop it in a proper way),

All this meant that the only thing to keep him company was his hyperfixation on humans. He probably spent most of his life imagining living among humans and maybe even imagining his own human friends/family.

Which is why Silas gets so transfixed on the reader when he first sees them. They are a physical manifestation of what he's hyper fixated on for hundreds of years, the concept of them being the only thing that has kept him company for all that time.

I don't even know if this makes any sense, I'm sleep deprived and its 5am where I'm at.

Aaaaaaa thank you for the analyses this was so fun to read!

I definitely agree with your points, Silas being so neurodiverse coded wasn’t intentional on my part but I’m happy if he ended up being relatable to you guys :D

I’m not neurodiverse myself so I wouldn’t want to deny or confirm anything but it’s definitely a very fun and fitting headcanon I can get behind!

[ccuunnttbbooyyss]

The Resort (Part 1)

THIS IS AN URGENT ANNOUNCEMENT TO ALL THOSE IN THE [REDACTED] & [REDACTED] AREAS

Hello,

It has come to our attention that an unfortunate accident at one of our chemical treatment plans has occurred on the [REDACTED]st of [REDACTED] 2023, resulting in the contamination of the water supply in the above mentioned areas for a period of approximately 3 hours and 10 minutes.

A statement has been issued to water providers by The Company™️ and a number of anti-transformative chemicals have been released to counteract the imbalance.

However, the damage has been done and we wish to report on it as such.

As you may know, some of the affected water infiltrated the [REDACTED] Beach Resort where it unwittingly transformed multiple male patrons into what is colloquially referred to as "Cuntboys". IE- Men with a fully functional vagina, uterus, ovaries, etc. Others not as diligently exposed to the chemicals did not experience full "Cuntboy-ification" as it has been deemed.

This transformation is reported to have first occurred with a sudden and dramatic increase in the size of the lower extremities, glutes, lower back muscles and an initial reduction in penis and testicle size.

This reportedly occurred throughout the premises, including the pool's filtration system, the resort's water system (showers, baths, commercial water taps), and available on-tap drinking water.

The following changes consisted of what we are dubbing a "hyper-fertile cycle" where the excess chemical exposure was processed into a mixture of testosterone, dopamine and oxytocin. This resulted in a dramatically increased libido.

Fortunately the spread of the affected was contained within the resort and secondary exposure (either through sexual fluids or otherwise) was rendered ineffectual as the transformative chemicals were able to penetrate the skin barrier in less than 0.2 microseconds). This resulted in numerous impregnations or otherwise sexual encounters in and around the location, of which have been documented.

We encourage all those affected either through direct exposure or through coupling and secondary exposure to report to one of our branches to undergo a full physical exam and analysis.

We also encourage all currently, or presumed to be, pregnant to not terminate the pregnancy as we wish to ascertain valuable research data on the growth of the foetus within this timeframe.

We hope to reveal more information to the public as it becomes known.

Regards,

The Company.

~~~

You smirk as the commercial comes to an end, the broadcaster for the local news station thanking The Company for their transparency regarding the situation and continuing with more news on the recent baby boom caused through the accident.

You couldn't pay attention for long though, not as the hot little cuntboy you picked up from the resort was busy swallowing every inch of your enhanced cock down his throat.

You fisted his hair, shoving him down to push his nose in your pubes, loving how his throat spasmed around your dick and the gurgling sound that came out of his tight throat.

"You hear that baby, they wanna give you a checkup."

A soft whimper comes out as the only response. He looks up at you, tear-filled baby blues staring into yours. He's been working your cock for hours, thoroughly content with kneeling between your spread thighs and swallowing every enhanced load you can give.

"Yeah I know you're pregnant. They just wanna make sure you can give me a while lot more."

A more pleased sound comes out as he resumes his enthusiastic sucking. You're sure that's his fifth load in as many hours.

You sigh as the hot cum shoots up your rock hard dick. You might as well put off that appointment till tomorrow...

Story in collaboration with @maleagetransformation , Part 2 over on his account!

[beatrixstonehill2]

Stephanie walked through the store, her belly pushing outward, only five months with sextuplets, her fly wide open to accommodate its growth. She was struggling her hardest just to shop, to do any normal task. Her doctor just had to put her on these new fertility drugs. She was a college professor, teaching history. She could barely focus on her job, so many handsome studs and gorgeous girls in her classes. The males were all muscular, horny as hell, the girls rolled their eyes at the constant advances and lewd remarks, their fingers drumming on their own pregnant bellies as they tried to listen. Every guy had a big erection fighting to escape their jeans or shorts. Every girl's breasts were bloated and growing, staining their tops with milk. There were even as few trans girls in her classes, beautiful and fattening, shifting in place constantly, fighting their own erections, their fat bellies bulging out, their own breasts swollen and leaking milk, dealing with both problems. Distracted as can be.

Stephanie was never so obscene or horny, but the insurance company the university gave the students always pumped them full of hormones. Dick growth pills. Fertility drugs. Steroids. Breast growth pills. All of her students were hyper sexualized. She was grateful she escaped this new trend of prescriptions.... Until it finally happened to her. She wanted to throw out her script and be her normal self, but gave into temptation. Only five months in and she was hardly functional anymore, in the grocery store, sweating through her clothes. She fucked four different guys on the way up. They were so handsome, in her defense. Two were shirtless joggers, another was a well-dressed business man, the other was a married guy out with his nineteen-year-old pregnant daughter, who was wearing a frilly sundress. ..... Stephanie ate the girl out as the dad fucked her. Then the daughter ate her out as the girl's father fucked his own pregnant daughter, quite harshly in the ass.

Stephanie was delirious from the constant sex and masturbation. Everyone was staring. But she had to have enough willpower just to get her shopping done! It was so simple.... her brain wasn't this broken, was it? She started picking out produce, when she spotted a tall, handsome Latino guy with his buddies, all wearing basketball shorts and tank tops. Her heart raced. She looked them up and down. They looked at her. Fifteen minutes later she sighed, picking up her clothes off the men's room floor in the supermarket. The men pissed on her clothes before leaving her, naked, even sweatier, covered in cum, and a bit bruised up. She bit her lip, sniffing her clothes. She loved the odor...... She put her filthy clothes back on, swearing this time she'd grab her groceries and get out. Heading to the restroom exit, a man entered. He was barrel-chested, muscular, covered in tattoos. The man took one look at her big sweaty belly. She felt weak in the knees.

"Oh fuck," she whispered, knowing exactly what would happen next.

[probablyasocialecologist]

Fashion waste manifests at three stages in the value chain: during the production process where surplus raw materials accumulate; in warehouses where excess buffer stocks settle; and in landfills where post-consumer waste mounts. While the instant fashion model does likely reduce buffer stocks (although the companies don’t share these data to validate their claims), it’s hyper-dependence on fossil fuel-based polyester summed with the short half-life of its cheap clothing causes consequential environmental damage at the other stages of the process. Instant fashion’s popularity overlaps with the surge in plastic as a fashion input. Prior to 2000, natural fibers (such as cotton and wool) were the primary inputs to clothing. However, as fossil fuel producers have come under pressure from the growth of renewables, growth in plastic supply has proved a welcome offset with the fashion industry serving as a reliable customer. Cheaper, more readily available, and with some preferred properties (e.g. quick-drying, wrinkle-proof, durable, ability to “take” color, and more), synthetics have powered the growth of activewear and instant fashion. While consumers have benefited from lower prices, the negative impacts of synthetics are an environmental scourge. Energy used to produce plastics is often fossil fuel-intensive leading to increases in carbon emissions. During a plastic garment’s useful life, it sheds microplastics into waterways that end up in the food supply, as do excess concentrations of hazardous chemicals. A recent Greenpeace investigation found that 15% of Shein’s products contain concentrations of hazardous chemicals that breach E.U. regulatory limits. Finally, it takes hundreds of years for cheap synthetic shoes and shirts to decompose, all the while emitting methane and further contributing to climate change. (It’s important to note that even producing clothing with natural, untreated fabrics impacts the environment; the most sustainable option is to produce and consume less.)

[blackblooms]

irredeamable development retrospective. Part 1.5: capitalism IN SPACE This one part will tackles an alternate setting for the Specter game we spoke of last time. It may even have come first in the development timeline, through it can be a bit difficult to determine exactly how and when ideas shifted so lets not worry about what actually came first. Much like shadow and light, this game was about a specter, possessing people, but just as the title says, the setting was more of a space-faring adventure where you would visit multiple planets.

It features much of the same races as shadows and light, though their exact appearance has shifted a bit, as everything would in a different setting.

Depicted here, we have Mars, a frozen desert planet with large scale mining operations and a bit of a western vibe. Humans and mitons are the main races here and were given stout figures and thick coat to fit the cold yet dry weather. Venus is now overgrown with a rich, volcanic jungle where countless comic plant are being grown and harvested. This planet is mainly occupied by goblin employees who take the place of the succubus from last game. Mercury was hollowed out and turned into a giant energy powerplant, with a massive solar panel attached to one side. Earth ...well i dont think i ever did figure out what to do with it. Its kind of just another mining planet. and finally we have the alien mothership. The home base of a group of invading alien corporations from the Alpha Centauri system. ....yes i know what it looks like, but its actually supposed to be based on their system having 3 stars (2 large and 1 small)

Aniway, the Centaurian species consists of long-lived and hyper-intelligent giant squid. Their technology is very advanced, especially in domains of communication, space travel and artificial life. Many of their servants (which i think included the goblins) are bioweapons that were specifically crafted to integrate into local populations and perform whichever jobs were needed for the growth of the company. There was never much of an actual story, so all i really got left are some blueprints of the solar system, now converted into some kind of space construct for the Centaurians to exploit.

Aniway, thats it for today, but next time we`ll be leaving all those specters behind and move into yet another setting. One that is not quite so cosmic, but instead rather....toweresque... To be continued in part 2: Ascending the Godlands

[love-for-burgundy-blog]

So, here is my take on Ash's relationships with his traveling companions.

Misty: I don't ship them, but I do think that they have a really strong bond!! I actually headcanon that Ash didn't really enjoy Misty's company untill they parted ways, and that's when he started to miss her. It could go the other way around too. Unfortunately, this relationship is faltered by the fact that Misty and Ash clearly didn't like each other in the beginning and said some pretty nasty things to each other. To end on a positive note, pokeshipping is not my favorite, but I think Ash and Misty will always have a strong relationship with each other!!

Brock: I think Brock and Ash have a pretty good relationship, kinda like Brotp except for the fact that I don't ship them romantically. I think Brock was necessary for Ash's growth and I think Ash's company softened Brock up, he became nicer in other words. They are close friends and nothing more or less. Brock is an excellent older brother figure to Ash and he has been with Ash the longest out of his traveling companions so that also earns their relationship points.

Tracey: Yeah, this might be controversial but I think Tracey was the third wheel in Orange Islands. He practically invited himself into the group and Ash and Misty could both be pretty rude to him at times. Tracey and Ash are friends no doubt, but I wouldn't say that they are super close or anything.

May: So I think May and Ash helped each other out a lot but I don't think Ash is the closest to May because if I remember correctly, he was rude to her a lot of the time, they also don't have much in common, Ash is into battling and May likes shopping and contests. So yeah, I obviously don't ship them, Contestshipping is clearly superior!! I think Ash and May are good friends, especially after Ash mellowed out, but I think Ash has a closer connection with some of his other companions.

Max: I am not going to say that these two have a super strong bond or anything but I do think they bonded somewhat over the fact that they aren't into the the girly things that May is lol. Also, Max is a few years younger than Ash so the age gap kinda prevents a close bond from happening. Still, I think Ash and Max are friends regardless and always will be.

Dawn: She and Ash are besties!! There, I said it. I don't ship them since I'm more of a Dawn x Zoey person but I love these two as friends. Who could forget their iconic high-five and these two serve as great protagonists for DP. I love how much these two work off one another, they give sibling energy for real.

Iris: Speaking of sibling energy, Iris is like the twin sister Ash never had!! Iris is also the only female traveling companion that I ship Ash with romantically. I will argue that Iris is one of Ash's closest friends. They also work so well because they are exactly alike in terms of personality. They are both hyper, stubborn, love food, and care for their friends and pokemon deeply. And who could forget that one episode where they went sightseeing in Nimbasa city together. I love the duo of Ash and Iris and I wish people would stop undermining their relationship.

Cilan: So, Cilan tended to act like a father figure to both Ash and Iris. Sometimes, I tend to get the impression that Cilan was like the "Tracey" of the BW Trio, However to a MUCH lesser extent. Since Cilan at least had a lot of nice and heartwarming moments with Ash and Iris both individually and together. It's pretty obvious how much Cilan cares for Ash and Iris since he is always super sweet and patient with them. Ash along with Iris looks up to him for advice and guidance and he also admires Cilan's cooking. The only thing holding Ash and Cilan back from being super close is that Ash and Iris seem closer to each other, both in age and personality. Regardless, Cilan and Ash are still good friends and I think they always will be.

Clemont: If there was a male companion that I would ship Ash with romantically, it would have to be Clemont. Diodeshipping for life!! Ash and Clemont have been spotted touching each other several times, like putting their arms around each other while walking. It's also no surprise that Ash admires Clemonts inventions and Gadgets more than anyone else hence "Science is so amazing!!" Clemont and Ash also have never argued, at least to my knowledge. To conclude, I think Clemont is the closest to Ash out of the male traveling companions, Probably tied with Goh.

Bonnie: Unfortunately unlike her brother, I think Ash and Bonnie have the least amount of connection out of his traveling companions. (Besides maybe Chloe, but I don't count her as a companion and I haven't seen JN) I say this because I don't remember any significant interactions between Ash and Bonnie. But on the bright side, it's not like Bonnie and Ash truly need each other since Bonnie has both her older brother and Serena (who she has a much stronger bond with) to look out for her.

Serena: Alright.... These two are friends and nothing more. Yes, Serena has a crush on Ash, but Ash clearly doesn't feel the same way about her. If these two ever got together, their relationship would probably only last a few years max since they both have entirely separate interests and goals. I would even go and say that Serena and Ash have the least amount in common out of the traveling companions. Ash and Serena did help each other out a lot, but I think at most, they are good friends. Sorry Amourshippers.

So I am not fully done with my binge watch of Sun and Moon, but when I am done, I will make a separate post like this for the SuMo companions.

[avissapiens]

How to be a Bull Ch 7: Work

((FINALLY got to this one. Sorry yall.)) (Model is Elton Mota)

A prejudiced view might find it strange to see a Bull at such lofty heights in the corporate ladder. The uninitiated would see their size and assume that they have nothing to offer but eye-candy.

But our market research has shown that a large percentage of bulls actually thrive in high-achieving positions. Advertising, PR, R&D. Skilled professionals from doctors and lawyers to esteemed academics often get bit by the bull bug.

There is a clear set of transferable skills acquired when you spend your non-working hours totally gym obsessed. Discipline, Patience, Self-direction. Being able to work yourself, withstand the strain of constant progressive overload and always come back the next day ready for more.

Couple that with the bull lifestyle being more expensive than one would expect; with tons of protein, supplements and something’s extra. With specially tailored apparel because normal stores can’t contain your bulk any longer. With hyper-exclusive gym memberships and competition fee’s because that unending lust for growth requires constant improvement of facilities and community who shares your addiction.

The end result for the company is a driven, growth obsessed highly skilled worker who excels in handling large, well defined projects well ahead of the deadline because they know their muscle is at stake if they don’t.

*insert abyssal chanting*

Elton is the go-to guy for those big accounts at the Avis Athletics Agency. The look of absolute focus and fire in his eyes is sometimes frightening. Total dedication given to both sides of his life. They synthesize so naturally for him. It's like he puts every muscle and sinew into his work, and lets his work fuel every inch of growth. 

The gym at Agency HQ is state of the art, an obvious requirement given our team. But for Elton it basically functions as a secondary office space. On the phone talking with clients while he reps out a new PB on company time. He says his mind works best and is clearest when pumping iron. That pure euphoria of the mind-muscle connection truly boosting his performance through the roof. It’s such a potent addiction that when the gym was closed for maintenance for a month, the CFO offered to let Elton use his private suite just to keep his numbers high.

Company meetings with Elton are likewise a key to his productivity. The tight business attire straining around his form does end up distracting and reducing the overall work done by anyone else in the room, yes. But something about the attention drives our highest earning bull into a frenzy. Like his own personal audience. Intimately aware of how he outsizes every single man in the room. Going through the plan for an acquisition or a partnership deal that’ll PUMP PUMP PUMP the stock prices through the roof. Unconsciously flexing every time he gestures for a prop, veins visible beneath the sheer fabric of his dress shirt. Excitement palpable in the air as sweat trickles down that massive back, the fabric of his slacks starting to tighten even more. The rest of the boardroom doesn’t even need to speak. They know he’s got it.

In one wild 9-5 he gets the project that was slated to take 2 weeks on the CEO’s desk. Without a word he packed up and headed straight to the gym to unleash all that pent up energy. The CEO made a mental note to schedule more board meetings with Elton, and to make sure that his Holiday bonus was more than enough to ensure he came back from vacation 20lbs of pure muscle heavier 

To find resources to help embody your Bull Journey you can check out the Bull Archetype guide on my Patreon for free .If you’d like to support the creation of files like the one in this story, or you’d like access to exclusive files and files earlier than the rest of the world, then please, Support me on Patreon, And go and follow me on Youtube for more files. Also, be sure to join me and my community on Discord. 

[scorpius-major]

#get in the car bro we’re goin to Starbucks!

Ft: various genshin characters

Modern au!

What their Starbucks order is and other various headcannons!

Who has the same order?

This person loves stability, the same size, drink and customizations every time they order. “Switching it up” is not in their vocabulary and no matter how hard you try, you will not get them to try another drink.

-ningguang, alhaitham, zhongli, diluc, mona, albedo, xingqiu, raiden, ayato, tighnari

Who gets something new each time?

Stability? They don’t know her. it’s a wild card each visit. It’s like they pick a random number and order it like that. Sometimes you think that they pick blindly, because the drink is different each time. You swear they never get the same drink twice

-venti, xiangling, childe, Hu tao, Yoimiya, ei, itto, nilou,

Who orders strictly coffee?

they sure love their coffee first thing in the morning. But for the most part it’s only coffee. You try and suggest anything other than their beloved bean water you’re immediately shut down.

-Diluc, alhaitham, Rosaria, shenhe, Yun Jin, raiden

Who orders special drinks?

who doesn’t love a nice latte? Their fav drinks involve the ones that are intricately crafted and have 13 pounds of sugar in them. Holiday drinks are what they look forward to each winter, and expect to see them in Starbucks when they roll around.

-Lisa, nilou, Layla, Barbara, venti, Fischl, Hu Tao, Yoimiya, Kokomi, ayato,

bonus!

tighnari doesn’t let collei get anything with caffeine because he says it’ll “stunt her growth”

don’t ever let klee have coffee she will become 10 times more hyper

zhongli orders exclusively tea

xiao denounces Starbucks until you made him try it, now you see him secretly in there from time to time

the barista can never seem to get alhaitham’s name right

diluc refuses to let you pay when he takes you out for coffee

kaeya has a custom cup with Swarovski crystals and refuses to use the plastic ones

you expressed a great affinity for Starbucks and Childe offered to buy the entire company for you

albedo orders in bulk and drinks 5 cups of coffee a day

[natsuki-bakery]

⁎˚ ఎ Jotaro cg headcanons ໒ ˚⁎

Jotaro Kujo cg headcanons please please please and thank you ◠ ̫◠

•Despite his typically serious demeanor, Jotaro would exhibit immense patience, understanding the needs and vulnerabilities

•Jotaro might adjust his routines and plans according to your preferences or needs, allowing for a flexible caregiving style

•Would call you : Kid, Champ, Buddy, Pal, Partner and kiddo

•Would love being called Papa or Buba jojo

•Offers guidance in a way that's both direct and reassuring, he'd gently encourage growth while respecting your age regression

•Jotaro's protective instincts would likely intensify, becoming a staunch guardian, fiercely shielding you from any harm or distress

•Despite his reserved nature, he'd offer quiet but unwavering emotional support, being a steadfast presence during moments of vulnerability

•Gradually, he'd encourage you to regain your independence, instilling confidence in their abilities while still being there for guidance and protection

•Jotaro becomes hyper-vigilant when it comes to your health

•He organizes medications and treatments meticulously, ensuring everything is in place for a smooth recovery

•Buba Jojo stays close, offering quiet company and support, prioritizing your well-being above all else

[meartemesia]

Hollywood's Modern Sensorship.

(My opinion as a young, queer, white person from South Africa who is aware of my own privilage as well as being discriminated against as a gay Afrikaans person who grew up in a church ruled, largely white Afrikaans community .)

As many fans mourne the loss of yet another show with queer and poc representation, it has become more evident that there is a pattern in Netflix's recent shows.

The graveyard of shows inclusive of positive queer representation wherin the queerness is not made out to be hyper sexual, destructive of friendship or lets the character have a happy ending, grows with another show. Dead Boy Detectives.

Sensorship is defined as: the suppression or prohibition of any parts of books, films, news, etc. that are considered obscene, politically unacceptable, or a threat to security.

"the regulation imposes censorship on all media"

While Hollywood has made trives in recent years to abolish its former Haze code, it has managed to find a legal loophole in the inherent capitalism of showbusiness.

Shows with a dedicated fanbase and essence are being cancelled for not meeting a specific quota of income. While that might sound reasonable regarding the unbelievable amounts studios spend on media, this quota isnt just about the financial aspect. Studios rely on a show's fanbase and potential growth or popularity concerning future fans and a growing audience.

This means any shows that might be co troversial in the future stand less of a chance to be invested in.

2024 was a wildly restless political year globally and while every country had its own worries, all eyes have been targeted on the shitshow that is the powerhoise of the Unitedd States as the media hub of western culture.

America'a influence on the world is no small feat and while it can be argued that that might not be a good thing, it is a fact as true as South Africa's concerning history of corrupt governance.

The uptick in sexism, homophobia and especially transphobia that has become rampant in recent hears has become reflective in the media we consume. From the cancellation of First Kill to now, we are seeing the effects of homophobia as a meand of income.

The movement against rainbow capitalism and other movements exposing the exploitation of human right campaigns by companies seeking money from "trends" has lead to more and more companies dropping their former "support" as the views of the clientele shift with recent political unrest.

It is not onlt shows that are being cancelled.

Companies have removed pride month lines, stopped funding lgbtqia+ charities, have started supporting conversion charities, anti lgbtqia+ charities and have begun pandering to a wider and more sensorred audience.

This is a blatant disregard for human rights in the sense of spreading awareness, representation and watering down human lives to trends that can bolster an income.

These executives don't care about the audience. They do not care about "the sanctity of morals". They dont care about us or the conservative side of any government.

They care about money.

We need to start seperating corporations from government. No one is immune to propaganda. Not even you.

Sensorship isnt about moral rights or wrongs. Its about money. So wherever you lean on the political spectrum, anywhere in the world. The media you consume isn't made for representation, moral righteousness, serving a higher power, nor is it about the appreciation of art and film and writing.

This is an attack on art as a means of expression. It is the sensorship of what art is fundamentally about: The Expression of Ideas weather people like them or not.

Art has been turned into a money grab. A means of corporate propaganda and somehow, even in their attempt to overtly sensor art, they are exposing their true intentions and reflecting the larger issues happening in the world around us.

Queer people, wen, people of colour, trans people, disabled people and anyone who doesnt fit into the rigid framework of humanity's "perfection", we are being silenced by having our art silenced.

This is your sign to start supporting local artists. Lgbt owned foundations and other minority foundations. The lgbtqia+ community has shown a large support for Palestine in the past year and as we are aware, Hollywood doesnt agree with supporting the end of a genocide. So we, as well as anyone who politically aligns themselves with this humanitarian view of sacrid human life, are silenced. Why?

Because you can't profit off fair means. No empire has ever been built fairly. Capitalism has its pros and cons. So does any other form of politics.

But we must not let the future generations wonder why we couldnt stop the downfall of our communities. We must act now so that future generations will not have to be burdened with another Stone wall, Apartheid, Suffragette movement.

We are provilaged enough now by having rights thanks to the martyrs who fought for human life.

Religious or not, we can all agree that the chances of us existing is miraculous. Human life is sacred. Do not let the 1% fool you.

The only dangerous minority, are the rich.

[moxiebrown]

I’m a bit reticent to post a Reddit link because it can be a quagmire of the worst of the Internet, but here’s a dedicated viewer’s analysis of the post-buyback programming and inferred success of Smosh. I think it speaks more to the author over-estimating view count as the key metric of success for an online entertainment company. As the algorithm continues to change, channels are increasingly looking for consistency over hyper-growth and to retain a core viewership over appealing to the casual viewer.

[the-gordianknot117]

About Acquaintances and Human Bonds.

In this post I want to take a look at the “I’m just an acquaintance” moment and examine what significance this line holds in the context of the Esper Sisters arc, its themes and all the characters involved.

This post only takes into account the webcomic version of the arc.

Disclaimer: this is my interpretation of the scene, the characters and the series in general given the current released material. Future updates can always change the meaning behind this moment and add further context to it, thus proving me completely wrong. By the way, I do not ship anyone in the series (more power to those who do, however) and none of what follows implies romance in any way.

First of all, before examining the scene, we have to take into account the arc it takes place in and what was revealed prior to Sataima’s line.

The “Esper Sisters” is an arc entirely centered on the characters of Fubuki and Tatsumaki, whose relationship, already soured by a lifetime of trauma, estrangement and abuse, reaches its dramatic nadir in the confrontation that follows the events of the MA arc. For these reasons, the arc explores the backstories of both characters by featuring flashbacks set in the years of their childhood. In Fubuki’s case, this section of the story contains a crucial and essential episode from Fubuki’s troubled childhood days (Chapter 99: 1, 2, 3 and 4), where it’s explained why Fubuki grew up the way she did, what relationships (or lack thereof) Fubuki had during her growth, and what role her sister and the outside world played in her life (e.g., ”If they bully you, you need to bully them back”, mirrored by Blast’s advice to Tatsumaki). It's not an exaggeration to say that without this fundamental flashback, Fubuki’s character would utterly fall apart and cease to make sense - even the reason why Saitama’s line cuts deep would also fall flat without all the information provided beforehand by the story, as we will see: this memory from Fubuki’s past and everything surrounding it is the keystone holding together the entire narrative of the character and one of the two pillars of the Esper Sisters arc (the other being the Tatsumaki one).

If the flashback alone wasn’t clear enough, in the page that immediately follows, Fubuki explicitly states, with a smug Tatsumaki complementing her words, how she grew up with the only, terrifying company of an oppressive older sibling because no one else dared to approach her with Tatsumaki looming around. This image of Fubuki’s childhood, coupled with the high school flashback from the MA arc (I covered this topic in much more detail here, among other things), paints a rather lonely and gloomy picture of Fubuki’s backstory, a past characterized by a complete lack of significant relationships or personal bonds, aside from her sister Tatsumaki, who controlled Fubuki for most of her life (as stated by the S-Class psychic herself; Chapter 100) and whose shackles are still in place in the present, only slightly loosened but ready to tighten at any given moment (the Esper Sisters arc is a demonstration of this, I wrote a post about it). This isolated and sheltered background made Fubuki long for what was totally absent in her life, human contact, but, given the lack of social experiences and the isolation she suffered from the outside world, she grew up ignoring how to form relationships and with no idea of what a normal relationship looks like, something worsened tenfold by the fact that her only parental figure, the one responsible for her isolation, was also a traumatized and unstable person who rejected human connections and actively encouraged Fubuki to embrace her powers and use strength against others; additionally, in the few interactions Fubuki had with the outside world, reality was presented to her as nothing more than a hyper-competitive landscape dominated by violence and discrimination, where people used force as a way to interact with others and idolatred power as the only indicator of individual worth. Therefore, having been raised by someone who values power above anything else and having experienced firsthand how the outside world only understands strength and preys on the weak (i.e., the bullies who emarginated and harassed her, and Tatsumaki always resorting to violence and resolving any conflict with brutal displays of her telekinesis) warped Fubuki’s perception of reality and taught her that she had to embrace her powers and resort to violence at the first sign of a threat if she wanted to survive. A lesson that Fubuki learned and took to heart. And Fubuki was rewarded by doing so, seeing how people in high school started respecting her specifically and solely for her superior telekinesis, but not for Fubuki herself as a person. This conditioned her to view relationships only through a hierarchical lens and as an expression of the difference in powers between individuals, and that, in order to effectively interact with people, aside from employing force, she had to don a façade of haughty superiority, instead of being simply herself; at the same time, her psychological need for friendship never vanished and remained unfulfilled. This background shaped a damaged human being who, in an attempt to adhere to her “education” while, at the same time, trying to fill the void left by the lack of human bonds, resorted to establishing hierarchical dynamics that act as a replacement for real human bonds, where the role the members play in the organization codifies in terms of hierarchy the disparity in power between them, a template that is very reminiscent of Fubuki’s own relationship with Tatsumaki in a way. For most of her life, in fact, Fubuki was either powerlessly submitted to her sister, who dictated the terms of their relationship and held the power in it, or, later in her life and as a reaction to this, a leader with subordinates; beyond these templates, where it was either being subservient or superior to someone, Fubuki never met an “equal”, someone who, by existing outside of a hierarchically organized relationship/dynamic, didn’t fall under either of the aforementioned labels but stood on the same ground as her. As her experiences show, Fubuki only met an oppressive and tyrannic sister, bullies, followers, rivals and subordinates and for her, that was all there was in the world. People never formed connections outside of hierarchical structures, “power” was what attracted people and closer human connections, like even friendship, were totally out of the picture.

That’s where Saitama’s “group” comes into play. Its existence proves how Fubuki’s past experiences are only a partial representation of the world, that people can coexist on equal ground (so beyond the follower/subordinate templates Fubuki was aware of) and that there are alternatives to the toxic and unhealthy way of living Fubuki was following. The people at Saitama’s apartment do not obtain any immediate or foreseeable benefits from their gatherings; there are no rules or “hierarchies” and there is no grand goal that the group is carrying on following a particular agenda: they hang out simply because they want to spend time together. And Saitama himself is far different from any person Fubuki has ever encountered before: he doesn’t use others for his own gain, he doesn’t judge/value other people on the basis of their strength and he doesn’t take advantage of his incomprehensible power to impose his will or to submit and exploit others. As pointed out by Genos at the end of Fubuki’s introduction arc (Chapter 50), Saitama doesn’t antagonize or oppose anyone, but leaves them be, minding his own business without bothering anyone (unless they pick up a fight or represent a danger). Surprisingly enough, even with this particular attitude and his complete disregard for factions/rank/status, Saitama seems to naturally attract people. And yet he isn’t a “leader”, a “boss” or the “president” of a club. Instead of the usual boss/subordinate roles so ingrained in Fubuki’s mind to the point she can’t conceive of any other way to interact with others, Saitama is simply on friendly and equal terms with those who hang out with him, world-renown S-Class Heroes at that, despite him being only a B-Class rank-wise. Among those connections, what surprises Fubuki in particular are Saitama’s peculiar dynamic with Genos, which completely turns upside down anything Fubuki learned about status/ranking and the way these supposedly affect relationships (“D-disciple? An S-Class under a B-Class...”; Chapter 48), insomuch that later Fubuki asks about this “bizarre” dynamic directly to Genos himself in order to learn more about it (“Demon Cyborg, Genos... are you truly satisfied under that man?” Chapter 57), and Saitama’s friendship with the Strongest Man in the World, King (“How... is someone from S-Class so friendly with a B-Class...”; Chapter 50), that similarly ignores status as a factor that determines human interactions, much to Fubuki disbelief - there is also this little reaction upon learning about Saitama’s connection to Fang (“Bang? As in the S-Class Silver Fang?”; Chapter 51). But what’s more is that the unique rules of this group are applied to Fubuki as well: in this place, Fubuki spends her time and interacts with people outside of any social construct and logic previously known to the character and no one looks down on her with contempt nor up to her with reverence due to rank, status and/or telekinesis because these factors do not matter here, where she is neither a leader nor a subordinate, but “simply” a person; and despite the façade the character still resorts to, it’s always in this place that later we will see an extremely rare, if not unique, example of a relaxed and carefree Fubuki spending time in a casual and normal scenario like having a hot pot with other people to whom, beside working for the same organization, she has no actual affiliation (Chapter 57). All of this is completely unheard of and unprecedented for the esper. What the “group” ultimately represents for Fubuki is the importance of positive and healthy human bonds, of people being people, hanging out with no other goal than to stay together - all things that were completely missing in her life. Undescoring the utmost importance of this and establishing the core theme of Fubuki’s character arc (the importance of human bonds), Fubuki’s introduction arc ends precisely with Fubuki wondering if Saitama will allow her to join them (”Would he also let me...”; Chapter 50; in the official manga translation: “Maybe I could join them?”) - definitely not a casual or random choice from a writing standpoint.

So when Saitama says that he “is just an acquaintance” (Chapter 102: 1 and 2), in Fubuki’s mind, he is basically answering the question she was asking herself back in Chapter 50 (“would he also let me/maybe I could [join his group?]”) and she interprets it as “no”, that the only “group” of “normal” people she bumped into has the doors closed to her and won’t allow her to join this haven of “ordinarity”, even though that is not what Saitama meant there. After growing up in a toxic and sheltered environment, for the first time in her entire life Fubuki finally found a group that represents a healthy and positive alternative to all the deleterious experiences she had - an environment where power and hierarchies mean nothing at all, where people are simply themselves - and this made her desire to join this gathering, only to be reminded by the person who exposed Fubuki to this uncharted and fabled reality that she didn’t belong to the place nor, in the end, was she accepted in it - again, this is how Fubuki is perceiving Saitama’s words - due to being only an “acquaintance”. If Chapter 50 sparked in Fubuki the desire to join a group that represents everything that was always denied to her, Chapter 101 seems to put a roadblock in front of Fubuki that prevents the character from fulfilling (yet) what she has always deeply yearned for.

There is no better way to put Fubuki in front of the fact that her façade - the only way she believes it is possible to interact with others - and her mindset are actually keeping her distant from other people and affecting her life for the worse, sabotaging her chances at bonding with others and forming personal relationships. If we look back at her interactions with Saitama and co., in fact, Fubuki’s behavior there never actually manifested nor made apparent her genuine desire to spend time with the group and befriend them, despite the importance the place holds for the psychic and her actual intentions; if anything, whenever she (comically) opted for the defensive mechanism of the façade, which she used in order to fit in as the “new kid on the block” (more on this later), instead of being more genuine, it was something the members of the group didn’t find particularly endearing (Chapter 57; Chapter 98). It all goes to show how lacking Fubuki’s social skills are and how ineffective and inadeguate her way to interact with people also is (besides work, maybe), especially when it comes to ordinary and informal social settings such as this one; it also highlights to what degree Fubuki’s upbringing warped her ability to socialize with other human beings. While the Esper Sisters arc seemingly resolved the outside issue that threatened Fubuki’s freedom, Tatsumaki, Fubuki’s inner demons, spawned by that nefarious influence, are, by the end of the arc, something Fubuki will still have to face in the future. And if it’s true that, ultimately, the connection Fubuki forged as a leader will prove to be a strong and resilient bond once put to the test, Fubuki’s need for friendships, as in a non-hierarchical, not work/duty-related but informal and equal personal relationship, is still left completely unfulfilled, with a journey far from being completed yet. And, honestly, given how we are still in the middle of the story (?), it would be weird if such an important matter for the character was already solved.

For what specifically matters Fubuki’s reaction, in the past I have seen many write what essentially boils down to “what did she expect? Did she think they were friends or something?”. It’s frankly surprising how this confuses so many people because, once we look at the bigger picture and remember Fubuki’s characterization, the reasons behind her reaction become quite obvious since they are all ingrained into the very identity of the character. Again, Fubuki’s expression is symptomatic of the “fear” of having lost her chance at becoming part of something she always longed for - this also fits Fubuki’s insecurity and self-loathing issues, by the way. Sure, it could come off as an overreaction, especially as it is directed toward someone Fubuki met very recently and doesn’t have a strong connection with, but that is precisely the direct result of a sheltered backstory polluted only by unpleasant memories and isolation, to whom Saitama and his group represent an inedited and positive counterpoint; if Fubuki didn’t lack meaningful relationships (both in the past and her present) and her backstory wasn’t one of abuse and alienation, I very much doubt she would have reacted this way to Saitama’s comment or cared at all about about their relationship in general, but if that were the case, we would be discussing a very different character, and this moment would have no place in that story. Therefore, hearing from Saitama words that seem to lock away this dreamed oasis of normality and friendship is a major source of dejection for a person with her specific history, issues and hopes. Having no idea or knowledge of what a friend actually is and what a friendship/close relationship resembles made Fubuki think (or, better, hope) that the time spent at Saitama’s apartment was enough to forge a bond of that kind, a “mistake” that is quite reflective of how inexperienced Fubuki is in regard to people and how utterly ignorant she is about relationships and the way they actually flourish between human beings. 

By the way, thinking that Fubuki is only interested in Saitama's strength or that she is still trying to recruit him past her introduction arc would completely disregard Fubuki’s entire characterization and ignore several fundamental moments starring the character, like, for example, the one I linked from Chapter 50, one of the most important and character-defining pages featuring Fubuki in the entire series. Sure, given Fubuki’s background and the values the world projected into her, power is a main factor in what originally caught her attention in regard to this new, mysterious B-Class hero and surely affected how Fubuki’s perception of Saitama has changed over the course of the story. But Saitama as his own person and the precedent he sets is actually way more important to Fubuki than the physical strength he possesses, as he is the first source of positive influence Fubuki was ever exposed to: he is unlike any “strong” being Fubuki has ever met before (for the reasons stated above), and his mindset couldn’t be more different from her only parental figure/role model, Tatsumaki. During their fight (Chapter 48), Saitama didn’t fight back and retaliate, but was more concerned about reprehending Fubuki and reminding her what a hero is and what they stand for: he criticized her obsession with ranking and factions in a world where monsters run amok and few individuals stand against them, warning the esper against her egoistical mindset and predicting a scenario that Fubuki will later experience firsthand (the encounter with Garou; Chapter 78) - all things that will be proven correct and true as Fubuki can attest; even though Fubuki tried to recruit him into her group and then “lost” to him, Saitama never considered her someone he had “to bully back” or a rival/enemy who “must be destroyed”; in the interections following the fight, Saitama never demanded anything from her, he didn’t force her to join his “group”, he didn’t coerce her into following his goals nor did he try to dispose of this “rival”, but treated Fubuki as a human being and even admitted her into his apartment - where Fubuki stayed, or kept coming back behind the scenes, from Chapter 50 to Chapter 64, meaning that Saitama allowed her stay as much as she wanted. From this we can observe how Saitama is the one who finally snaps Fubuki out of her harmful way of living and warns her about the dangers of her conduct, leading the esper into a journey of maturation and improvement, whereas anyone else that Fubuki met before him directed Fubuki onto this very nefarious path, enabled her worst traits and encouraged the psychic to embrace the dangerous mindset that Saitama is criticizing and rebuking. More importantly, there is also the aforementioned existence of the Saitama’s group, which represents a gathering of people completely different from the ones Fubuki has ever experienced. As a testament to the peculiar role Saitama plays in her character arc and what sets him apart from those Fubuki met before, the dialogue in the elevator (Chapter 98) highlights (to me) how much of a high opinion Fubuki has of Saitama as a person, to the point that she lowers her façade and talks frankly, without resorting to the act she aways employs while dealing with others: in this scene, Fubuki is overtly praising Saitama while openly recognizing her own limits/shortcomings, right after he surpassed her in rank and Fubuki’s encounter with Garou proved Saitama right about her issues. None of this is something Fubuki would have ever done with someone she considers a “subordinate” or a “follower” (once again, I’m not implying anything romantic) - for a more in-depth look into the scene, the last section of my post about Fubuki in the MA arc contains an analysis of this conversation and what it means in the context of Fubuki’s character arc. This important dialogue makes all the more clear how much respect and admiration Fubuki holds for Saitama, hence why his comment has such a profound impact on her. Furthermore, when Tatsumaki seemingly killed Saitama, this was Fubuki’s reaction (Chapter 105) - ONE truly has a talent at portraying characters' expressions.

So, personally, I don’t think the subordinate angle matters at all in her reaction about being called an “acquaintance”: after all, Fubuki’s recruitment attempt failed and Saitama made abundantly clear to her that he wasn’t interested in her group (for example, this exchange, Chapter 50: 1 and 2; Saitama even remarked it at the start of the Esper Sisters arc), so, unless we want to believe that Fubuki is a dumbass with short-term memory, something not supported by the story in any way, I think there are other factors at play here and the character has other reasons to care for this person by the point the statement is made. It is important to note that, leading to Fubuki’s reacting to Saitama’s acquaintance comment, ONE specifically decided to depict Fubuki’s reactions growing more and more dejected at being called “not a friend” (“友達” [tomodachi]) and “not a companion” (“仲間” [nakama]) - both indicating a close and/or equal relationships between two persons that share a bond - which, for Fubuki, sounds like he was denying her the “right” (for the lack of a better word) to join; meanwhile, ONE didn’t include any reaction panel to Saitama stating he doesn’t work for her/isn’t part of her group because, since she is not delusional or stupid, Fubuki already knew that and recruiting Saitama is a non-thing by this point in the story. By the way, the recruitment stuff doesn’t even qualify as a recurring gag in the webcomic (at least so far) and the “Fubuki’s group” shtick is barely a thing in the webcomic, consisting of a couple of lines at most, which prevents the character from coming off as a stale and obnoxious parody of herself (unless in the future she gets turned into a rather sad and disappointing comic relief background entity). As mentioned before, the only time in the webcomic Fubuki has tried to recruit Saitama for real (up until now, at least) happened back in her introduction arc; past that point, the leader’s antics are a psychological denfensive mechanism she employs in order to hide her doubts and insecurities, to navigate unknown new dynamics and fit in a “foreign” environment, to compensate for her inability to deal with people in “normal” social settings (the hot pot and the Saitama group in general) or her way to ask for help while putting up appearances (the start of the Esper Sisters arc), instead of actual attempts to get him or others into her group. What draws Fubuki to Saitama and his group is not the egoistical aim to have these powerful beings under her tumb, but a desire that stems from personal reasons deeply rooted in her past. Once again, the fundamental page I linked above (Chapter 50) couldn’t be more explicit and unambiguous in its meaning: on it, Fubuki is expressing her true, sincere desire to join this group of people, wondering if Saitama and co. will permit her to do so; she is not, instead, secretly plotting to make them join her group and use them for her own ends. Surprisingly enough, Fang trying to have Saitama join his dojo is just as much a recurring joke as Fubuki's leader stuff (and way more one-note too, lacking all the subtext present in Fubuki’s case), let alone Flashy Flash’s attempts at becoming Saitama’s teacher in the post MA chapters. Once again, believing that Fubuki is only after recruiting others would completely ignore a core aspect of Fubuki’s character - her subconscious desire to form real human connections with people, compromised by the education that was imparted to her, by her traumas, and by the psychological defense mechanisms she employs in order to not appear “weak” - for the sake of boring flanderization that erases what makes the esper interesting and complex. 

Therefore, considering how character-related the topics tackled in this story-beat are for Fubuki, for the reasons stated above, it’s quite reductive, I believe, to label Saitama’s statement as a throwaway gag. Again, ONE made sure to reveal Fubuki’s entire backstory - a backstory specifically centered on a dramatic lack of positive and meaningful relationships and also isolation - before this scene, where, from Fubuki’s point of view, she is denied the right to join a social circle that she is drawn to. This statement ties perfectly into themes that have been linked to Fubuki from the very start (Chapter 50), but also plays into what constitutes the Esper Sisters arc narrative: the “acquaintance” line serves in fact as a lead-up to what Saitama states to Tatsumaki soon afterward, which is emblematic of the core message of this arc and its thematic backbone (again, all things I will elaborate on soon enough). If this was a simple comedic moment unrelated to Fubuki’s personal history, like, for example, how the door gag (Chapter 111) is a joke independent from Flashy Flash’s character and the story of the Ninja arc, then I wouldn’t stress over the importance of this page, but that clearly isn’t the case. Moreover, comedy serving a greater purpose and contributing to the narrative is a trademark of OPM and ONE’s style in general, and while not every single gag in the series accomplishes that, like the aforementioned Flashy Flash joke for example (and nonetheless, it serves to kickstart the Ninja arc and fits the characters), the scene in question between Fubuki and Saitama arc is clearly representative of that principle since it respects everyone’s characterization, takes into consideration their background, has a greater narrative purpose and develops the story accordingly. Beside, I don’t think this statement represents an end point but, rather, a source for future developments for the character(s). Now, I obviously don’t know if there will be a follow-up to it or not, but considering how this scene leaves things open and unresolved, it’s fair to expect progressions regarding this matter. In fact, I don’t see how leaving this relationship in its current state without ever bothering to advance it would make any sense narrative-wise, especially in the context of Fubuki’s character arc.

Before getting to Saitama’s side of things, there is another thing I want to point out in regard to Fubuki because I think it is paramount in order to understand the character and the scene in question.

I don’t keep up with the fan discourse anymore, so I don’t know if this is still a common interpretation of the character or not, but in the past I often saw a few readers describing Fubuki as a sociable and extroverted character. I find it very strange, because every single thing shown about her in the webcomic, from her general demeanor to her backstory, remarks how profound Fubuki’s psychological issues are and how distant and estranged from others she is as a result of her past: Fubuki is shown to have no close connections and to be unaware of how to be socially competent, hence her reliance on a removed and cold façade and the default template of hierarchies as substitutes for real human connections. In the sole instance where Fubuki interacts with people outside of work and under “normal” circumstances (already significant by and in itself), the hot pot with the Saitama’s group (probably the closest thing she ever got to spending time at a friend’s house or a sleepover), she comes off as incredibly ankward and naive, almost socially inept, due to her lack of experiences/social knowledge. I believe that the aforementioned confusion stems from the manga adaptation and, in particular, from its bonus/side art material, but this isn’t the right post to elaborate on the matter. In any case, even the presence of a group of subordinates doesn’t take away from what I stated above; if anything, it somehow accentuates it. Nowhere in the webcomic is it ever implied that Fubuki and the group spend time together outside of missions or work-related matters; their bond is strictly and consistently portrayed only as a boss-subordinate kind of relationship, albeit a positive and ultimately healthy one, in the light of the Esper Sisters arc. The only moment where their relationship progresses past the boundary of a boss-subordinates/work dynamic into a more “personal” territory occurs only at the very end of the Esper Sisters arc, when the Fubuki’s group members show their unwavering loyalty and profound gratitude toward Fubuki, going as far as to be ready to die against Tatsumaki for their leader’s sake (Chapter 105): from what we can see from Fubuki’s reaction, it’s evident how deeply touched she is from hearing their words of resolve and affection, to the point of shedding tears, because nothing of the sort - like someone genuinely complimenting her as a person - has ever happened to her before. If that moment sticks out, it’s because this exchange constitutes the poignant resolution of the Esper Sisters arc, driving home its message while at the same time refuting Tatsumaki’s distrust for others and her nihilistic outlook on humanity. But even then, that lasts only for a brief moment and Fubuki immediately speaks to her subordinates only as a leader, not as a “friend”; furthermore, she turns around and gives them her shoulders, thus hiding her tears and concealing her genuine emotional response to their words, because, as much as deeply she cares about them, she can’t afford to expose her true self and what she perceives is her most vulnerable side. As for the rest, thanks to Tatsumaki, Fubuki was socially isolated, and her only exposure to others as a child were the bullies who tormented her because of her psychic powers (a gift that Fubuki refused to use offensively at the time, before embracing the lesson the world taught her). Meanwhile, in regard to her high school years, ONE outright stated that Fubuki was a dark and unpopular girl (from “Other ONE-Bukuro 3″) - on the same page, Murata then comments that it was very important for him to depict Fubuki with lingering traces of her past emerging from the leader façade, since, after all, the manga was still following quite closely, at the time of the chapters covered by this behind-the-scenes self-published book, the general footsteps of the webcomic, where Fubuki retains the overall vibe she had in high school, and so he had to be very careful at making sure this element of her characterization was preserved in the remake and matched the source material, despite the differences between the two versions of the character (the leader façade being a detail much more prounounced in the manga version, well, in the early manga at this point); and speaking of that time period, the MA arc flashback underlines, through clever visual and narrative choices, how detached Fubuki was from the other members of the “Society of the Study for Supernatural” school club and, by extension, from anybody else: for the entirety of the flashback, which takes place exclusively in a school setting and in its immediate surroundings, Fubuki is consistently shown to be alone and on her own (more on this topic always here), she is never seen befriending anyone or even talking to people at all (obviously, she must have talked to them off-screen, nonetheless, this narrative omission is very deliberate, I believe), but, instead, she is constantly immersed in her solitude, an element the panels perfectly convey by having Fubuki always out of frame, far from others and/or visually separated from anyone else (a few examples) - I think it is worthy to compare how disinterested and annoyed Fubuki is toward the members of the club, an environment she was founder of and frequented for at least some time, compared to Saitama and his connections, people she is drawn to already by the end of her arc despite knowing them for a very limited timeframe. As for the reason people followed her, it wasn’t due to popularity (as a matter of fact, she wasn’t popular, as per ONE’s statement), “looks” or anything like that, but due to her superior telekinesis (as one of the panel I linked above showcases), which further convinced Fubuki that the sole value the world sees in a person is their power and that human connections are born and hierarchically organized only under this aegis (again, I talked about these fundamental topics in the post linked above). And while it is certanly a much more healthy relationship, this applies also to the Fubuki group: they follow Fubuki because she is their vastly more powerful superior who takes care of them and leads them. Power is still a major factor in their dynamic, whereas in regard to Saitama and his group it doesn’t matter at all. [EDIT 23/03/2024] I might as well include Fubuki’s relationship with Tatsumaki on top of what has already been mentioned. The Esper Sisters arc as a whole is centered around the lifelong issues and traumas of two estranged sisters. Dialogue between them is made impossible due to Tatsumaki’s total reliance on force as a way to resolve any dispute or personal problem. Any reasoning with Tatsumaki is therefore impossible, since, after all, the only language she seems to understand is force and Fubuki never dared to defy Tatsumaki before the Esper Sisters arc precisely due to this (Chapter 99).  Furthermore, Tatsumaki has no consideration for Fubuki’s personal feelings or understanding of her sister in general; it becomes apparent when we remember how the two sisters have polar opposite recollections of their past. The detachment from reality is so severe that Tatsumaki has no idea how compromised their relationship actually is, which reveals how Tatsumaki lives in a world of her own, unable to even perceive the fear she evokes in Fubuki, whom she considers a little helpless kid she can forcefully impose her will on. This demeaning attitude toward Fubuki exposes another detail. The utter disbelief in Fubuki’s repeatition of her sister words upon being (apparently) acknowledged by Tatsumaki (Chapter 101; soon afterward, the true meaning of Tatsumaki’s statements will dispel any sense of relief this moment gave to the B-Class) proves that Fubuki was never praised or complimented by the most important person in her life and how starved of recognition she is; the esper is flabbergasted of simply hearing a positive comment coming from the older sibling. But approval from Tatsumaki isn’t simply a matter of self-esteem for Fubuki, it also means that Tatsumaki will stop interfering and looming over Fubuki’s life and freedom, finally liberating Fubuki from that nefarious presence and influence. Regarding their life together, the webcomic depicts a very depressing family dynamic: besides what has already been discussed, in the flashback Tatsumaki’s presence frightened and concerned Fubuki more than the bullies themselves and, in the present, even the mere prospect of Tatsumaki taking once again complete control over her life leaves Fubuki utterly terrified (Chapter 100) - this reaction implies so much in such a coincise way, like why would Fubuki be this traumatized and afraid of Tatsumaki if she was actually a lovely sister and the time spent together pleasing? So, overall, not a very edificating picture of a sibling dynamic, and this in addition to Tatsumaki being an unstable, violent person whose common rage outburst and psychotic temper make her a nightmare to have around (as Fubuki can attest in Chapter 102), especially for a person like Fubuki, who, growing up under her threat and being the object of her obsession, had no means to defend herself against Tatsumaki. But, more importantly, Tatsumaki is the most important person in Fubuki's life, the one who raised the B-Class, isolating her from the outside world, and the source of several lessons Fubuki learned long the course of her life, like how to always rely on violence instead of dialogue, disregard human bonds, retaliate to any opposition, and never show any weakness, among other stuff [End of the EDIT]. 

So, considering what has been shown so far, the story depicts Fubuki as a socially stunted adult incapable (at the moment) of living a normal life, and pretty much anything about the esper evokes her friendless, isolated background and communicates Fubuki’s unfulfilled longing for human bonds.

This facet of the character directly ties to the topics of the Esper Sisters arc, where isolation and a lack of human relationships are explored through all the main characters’s experiences and how they deal with them:

for Fubuki, the point has been made abundantly clear already, and it comes down, essentially, to a sheltered and friendless background, paired with a harmful upbringing that cemented and reinforced warped worldviews, and being exposed solely to extremely negative experiences and power-obsessed-people perpetuating a distorted imagine of reality, all of which resulted in the development of what is a very damaged individual, whose traumas hinder her ability to open up to others and form bonds, among other things;

Tatsumaki, who, scarred from her past at the lab and misguided by a poor-timed advice, keeps anyone at a distance and disregards the value of human relationships by following an insane way of life that damages others (her sister in particular) and even herself, to the point that this has created a desert around the esper;

and finally Saitama himself, who, even prior to acquiring infinite strength, lived an unfulfilling and detached existence as a young salaryman in search of employment, completely alone and estranged from anyone else. The result of his training, after the fight against Crablante, only further heightened his alienation and led him to an almost jaded state, incapable of finding any fulfillment or satisfaction in life. Meeting Genos and all the other people who gather around him started to mitigate his condition, but Saitama has yet to understand the value these relationships have and find meaning in other aspects of his life.

Isolation and estrangement from other human beings are recurring elements in all three characters’ backstories and lives (with differences due to their individual histories and personalities). Similarly, everyone of them gets called out or receives a wake-up call by the end of the arc, which highlights how this situation is hindering their lives and puts them in front of their inability/unwillingness to open up to others: for Fubuki, it is the acquaintance moment; for Saitama and Tatsumaki, it occurs in their final conversation, Chapter 106. 

End of the digression.

As for Saitama, he is simply stating the truth. He first met Fubuki at her worst, and, in the interactions they had following it, Fubuki employed her façade the majority of the time - with that being said, while he doesn’t enjoy her company, Saitama in the webcomic actually pays attention to what Fubuki has to say (despite seemingly busy reading a manga, Saitama actually listens to Fubuki’s talk in his apartment and responds to her remaining on topic, unlike, for example, in Flashy Flash’s case, where Saitama only caught on to a single word out of the ninja’s entire monologue, which wasn’t even relevant to Flashy’s recount of his past; Chapter 115), admits her into his apartment and is even willing to follow Fubuki instead of outright avoiding her, which is not exactly negligible stuff if we compare it to how he treats several other characters (he remembers her name and who she is, for starters). Anyway. Only in the Esper Sisters arc did Saitama see a more admirable side of the esper, learning a bit more about her past and her situation with Tatsumaki (Chapter 99 and the followings); besides that, the first time Fubuki was actually genuine and direct with him only happened right at the start of this arc, in the elevator. Therefore, it’s obvious why Fubuki doesn’t represent anything more than an acquaintance to him, and, to be fair, it would be strange if this wasn’t the case. At the same time, I don’t think Saitama is saying this line with the ulterior motive of hurting or insulting Fubuki; if anything, it’s yet another case of Saitama’s trademark blunt honesty and his statement represents a fatual observation more than anything else. As I previously mentioned, in Chapter 99, Saitama is repeatedly shown listening to the sisters’s conversation, and he later acknowledges Fubuki’s efforts after all she went through during the fight (Chapter 102). So, I believe that the real narrative meaning of the “acquaintance” comment and its relation to the core message of the arc become apparent only in the light of the follow-up lines. Soon afterward, in fact, Saitama tells the older esper, who arbitrarily decided that Fubuki didn’t need any human connection in her life and thus was forcefully imposing her own decision against her sister will (Chapter 102), how nobody should dictate the life choices of someone else, that the value of human relationships shouldn’t be underestimated, and then he adds: “This is the power of Fubuki’s acquaintance! You better remember that, you shitfaced brat”. After hearing the reason behind the sisters’ conflict and having witnessed it unfold, Saitama decided to step in and take Fubuki’s side, assisting the B-Class esper fight an overwhelming and unfair battle against a toxic person who looms menacingly over her life and freedom, right when the S-Class psychic was about to re-take control over Fubuki’s life and cut any ties she has with the rest of the world (Chapter 101). Instead of a motivation unrelated to the core message of the arc and its characters, what actually brings Saitama to “fight” against the S-Class is his willingness to help Fubuki against her abuser (Chapter 103; Chapter 104), after the B-Class hero proved her growth as a person. Saitama’s actions, in fact, follow Fubuki’s bravest moment in the entire series (so far) and grant her the deserved assistence she is worthy of after giving her all for the sake of others, the human connections she feels responsible for as a leader. Now, make no mistake: Saitama would have helped anyone else in Fubuki’s place, but I think it is very important that Saitama witnessed Fubuki’s heroic side, understood what she was going through and personally ensured that she could confront her sister without an unfair gap of power on the side of the older sibling, making his involvement in the arc totally earned and organic.

Therefore, Saitama stepping in only as a mere acquaintance emphasizes the central theme of the arc - one of the most recurring themes in ONE’s works in general - which is the importance of human bonds and the unhealthiness of cutting ties with the rest of humanity. In this arc, Saitama is intervening not as a friend, not as her “nakama” nor as any other kind of more personal relationship, but simply as an acquaintance of Fubuki, and nonetheless, he is trying to help her against a toxic person who had (and keeps having) an extremely negative role in Fubuki’s life.  As an acquaintance, Saitama is showing Tatsumaki that no matter the degree of intimacy in a relationship, even a not-so-close connection between two human beings can make the difference in a time of need. Sometimes (like in this case), people who have no personal interest or involvement in a conflict might decide to help others without expecting anything in return or without having anything to gain. This nice subversion of the “power of friendship” is a major slap in the face of Tatsumaki’s toxic ideology and her twisted interpretation of Blast’s original advice, because it proves that not all people are egoistical and that not always human contact ends in exploitation, betrayal and mistreatment. The finale, when, in deliberate contrast to how people used to avoid Fubuki out of fear of Tatsumaki (I mentioned this already), the members of the Fubuki group courageously choose to stay at Fubuki’s side despite being up against a psychotic and immensely powerful S-Class esper (this and the following pages, Chapter 105), and then, when the latter wounds from the MA arc opened again, refused to fight Tatsumaki even though they had the perfect opportunity to finish off the person who wanted to maim them (or worse) up until that point, voicing instead their resolve to get stronger for the sake of their leader, further demolishes Tatsumaki’s biases, her idea of relationships as merely parassitic in nature and her complete distrust for people. The fact this showcase of humanity comes from an extension of Fubuki’s character, her group, makes it all the more poignant in the context of this arc and the sisters’ conflict, where the driving force that leads Fubuki, the heart and soul of the arc, to confront and fight Tatsumaki are, specifically, her human connections: in order to protect them, Fubuki finds the resolve and the courage necessary to face her own fears and traumas, in what represents the culmination of her character arc up until that point. It all goes to illustrate the healthy and positive role human bonds can play in our lives, and the profound impact they might have on our process of growth and maturation. And while the arc does acknowledge that relationships can be harmful and damaging as well (as Fubuki and Tatsumaki’s backstories and conflict demonstrate), it also proves how that is far from being the only case, that human connections are a fundamental part of what makes us humans and that no one, not even all mighty heroes, can live, or should live, on their own, isolated from anyone else.

Concluding the post, I believe the “acquaintance” moment has way more meaning to it than what it might appear at a first glance, because it’s actually deeply tied to the core message of the arc and the storylines of these characters. Removed from its context and without that specific lead-up, it can make for a boring and shallow “meme”, but its significance changes drastically when considered within the narrative framework provided by the arc.

[compacflt]

I have an anecdote about when I worked for a company and a co-worker left to work in a different state on military aircraft. He had to get a TS clearance and because we had worked for several years together he asked if I would be okay with being interviewed for his clearance. I said sure and an interviewer w the gov, arranged to come to my place of work and conduct the interview there. I was asked questions about him like how well did I know him, and whatever answer I gave led to more specific questions like if I answered a question about knowing his wife, they would ask if I thought his marriage sounded secure etc.

This memory of that experience was on my mind while I read your story and I wondered who Iceman would choose for his TS clearance interviews (and who the gov would choose for him) and what would they say? I feel like their "secret" would be uncovered in even a low level clearance (years later I had to submit names for a low level Public Trust clearance for my job) It was so embarrassing because I did not have many friends I was comfortable submitting for that as I kept my work and home life very separate.

Anyway, that is my "cool story, bro"

Thank you for such a great and well researched story!

this is indeed a cool story bro and touches on what is literally my story’s fatal flaw, which is: Yeah, a shitload of people would’ve known about it. I am going to hijack your question to talk about that, so my apologies, though i will get around to your question by the end. This is gonna be a really long post. I have a lot to say and a lot of ground to cover.

So I wanna start out by talking about the structure of this story and its core conflict, because while I’d like to say this story is rooted in an accurate depiction of the US military, obviously that’s not true; it’s rooted in the dynamic of the story that i wanted to tell, which is the story of a guy coming to realize the truth behind a Big Lie—him passing as straight. And that’s a pretty universal story, but it’s made more specific by the fact that a) the guy canonically wants to be the best in an institution that enforces the Big Lie and b) the guy canonically is so successful because he follows the rules/orders of that institution. So, for character growth, to put it simply, the guy (Ice) has to come to the conclusion that the Big Lie is a lie by himself. He can’t be told/ordered that the Big Lie is a lie, otherwise he hasn’t grown out of “just following orders.” (I’ll get to the Big Lie in a second. I made charts and story structure graphs below.)

The only other story about a Big Lie I can think of off the top of my head right now is Passing (1929) by Nella Larsen, which is about a Black woman in Chicago trying to pass as both white and straight. It’s a great book and I’ll try not to spoil it, you should really read it for yourself, but the terminology I’m going to use in this post comes from an analysis of it, so just to bring you up to speed—Clare, the woman trying to pass as white, is recognized by a friend, another Black-but-passing woman, Irene, who is shocked that Clare has abandoned her heritage (the truth of her, that is) and married a hyper-racist white man who doesn’t even know that she’s Black. So the book sets up a dynamic of the Big Lie that I’ve outlined here (hopefully it makes sense):

I built on this dynamic for my fic. Ice is both a “dupe” and a “passing figure,” in that he believes the lie that he is straight and also passes for straight—but it’s also more complicated than that because he’s not actually straight (getting to that). Mav is an “in-group clairvoyant” and can recognize Ice as passing because he is also straight-passing. The Navy are a bunch of “dupes.” But…what is Slider, for instance, or your question’s hypothetical government official who, yes, will 100% find out because people always find out?

In comes my ginormous-and-overly-wordy WWGATTAI Plot and Character Dynamic Summary Graph. You don’t really have to read it all, the only important bits for this discussion are the leftmost column (“plot”) and the green quadrant (“out-group clairvoyants”).

To summarize—people who know the truth can’t actually act on it, because for Ice’s character growth to make sense, he has to come to the truth himself. This forecloses the possibility of any outwardly homophobic action (by which I mean someone like a govt official or one of my lame OCs actually challenging him on his illegal relationship) in the plot, because for 90% of the story Ice is so fragile that he would probably just cave immediately and double down on the internalized homophobia. So, for plot purposes, everyone—including Mav, as it happens—has to sort of tiptoe around Ice’s obvious not-straightness and give him an unreasonable amount of grace so he can figure it out for himself. 

And therein lies the fatal flaw of this story. It is, like, not conceptually viable. Of course people would find out, of course the government would interrogate him about it, of course he’d have to confront the truth much sooner than TWENTY-FIVE years after he first starts messing around with Mav.  Which literally breaks my heart because I didn’t realize it was a fundamentally busted story until long after I had finished writing the base plot & couldn’t fix the overarching problems 😭 The thing is, it had to be this way, because there is at least a thirty-year gap between TG86 and TGM22, and TGM is obviously the emotional climax of the series and my story had to match that. So—fanfic and its canon constraints, everyone. 

But also… I can explain away these logical inconsistencies with story structure & character dynamic graphs to make the story make sense, sure, but it doesn’t change the truth of the matter, which is that… I hadn’t ever really thought about things like security clearances, and therefore wrote around them because I didn’t even know to consider them. And I know there are a bunch of other details in this story that betray my immaturity (anytime I talk about alcohol, for instance—I still am not legal to drink in this stupid country & have only cheap bad experiences to draw on; THE HOUSE—if i could rewrite this story from the beginning they would not have bought a fucking house together, what was I thinking???) and the lack of thought about the real-life logistics and consequences of secrecy is one of them. 

And it’s exactly what I mean when I say “I look at this story and all I see are its flaws,” which is why I wanted to write this post & get it on record. I have just enough life experience to read my own writing and know that it’s fundamentally unconvincing, and not enough life experience to know how to fix it. :(

But, to answer your original question, you’ve got me brainstorming a scene where Ice is asking Slider to be his character witness & Slider’s like “Look bro do you want me to lie to the federal government under oath for you because I will” and Ice has to be like “Legally I cannot ask that of you but”