I love your designs for them so so so much, your art in general is incredibly appealing!!! Your color works so beautiful, breathtaking honestly!!!
I’m super honored to be mutuals :D
SCREAMING CRYING PUKING THROWING UP WHEEZING HOLD ON HOLD ON HOLD ON OK HOLD ON HOLD THE PHONE THEY THEY THEM THEM!! THEM!!!!!
AAAAAAAAAAAAAAH I'm sorry this caught me so off guard but omg they are precious this is so so precious!!!;;;;;; 💖💖💖 I feel like I could look at them forever thank you so much!!;;; their poses are so cute and the colours are so nice and warm and pleasant and the fabrics look so comfy I feel so comfy and full of love I'm;;; it's them I cannot believe it's Them,,,, 💕💕
and what do you mean YOU're honoured, your art is absolutely insane I'm the honoured one !!!!!
all of your works are so incredibly done and you're so full of really cool ideas and concepts and you have Such a nice way of portraying all the characters like everything you post just feels so full of Care !!! ;v; the posing the expressoins the environment and colours and everything is just! a chef's kiss isn't big enough, it's 'blows a massive embarrassing smooch across the earth' kiss !!!! ;v; I'm so excited to see everything you're gonna create !!!!
and omg I am especially in love with your WW designs already I hope you have an absolute blast with the game !!! ;v; 💖💖💖
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rdj the (whitewashed) electric boogaloo
This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.
I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.
This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.
I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.
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✨ weekend wip exposure club ✨
rules: post 7 sentences/a snippet of an unfinished work
@theotherwhybietoldmeso & @killerandhealerqueen
I'm late, I'm late, I'm late. Forgive me. I was fighting demons (imposter syndrome, crippling self doubt, fatigue, and a wild pack of mental illnesses). (◕દ◕) But! I'm finally back after like three ass weeks. <( ̄︶ ̄)> So, here! A v unserious snippy from my we have to stay silly modern kidlaw au (yeah, shocker, it's them bastards again) that I've been doing sometimes on the side just for shits n giggles. 〜(꒪꒳꒪)〜
The call connected and Killer's accent crackled out of the speaker. “Law? What's up?”
“Nothing urgent. I just need to know if Eustass h—”
“Yeah, his phone’s dead again. He's in the shed. You want him?”
“What?”
“Hang on. I'll get him.”
Law pinched the bridge of his nose. Squeezed his eyes shut till he saw pinpricks. “No, I just need to know if—”
"Oi, Kid! Your boyfriend wants to speak ta ya!"
Law snapped his eyes back open and nearly crushed his phone as his hand clenched in a useless attempt to smother the speaker.
Ahead of him in the aisle, hands in his pockets, Cora stopped. His leg held out in front of him as he froze mid-stride.
Dammit.
After a beat, as if he'd been waiting for what he'd heard to start making a little more sense, Cora slowly turned on his heel. His other leg still stuck out in front of him and the hem of his heart-covered button-up twirling with him.
He stared wide-eyed at Law. The embodiment of flabbergasted. His raised boot absently clicking down on the supermarkets’ bland tiling like an accompanying exclamation point.
Dammit!
"He's not my damn boyfriend!" Eustass yelled, taking the words out of Law's mouth.
The heavy rock blasting from the shed’s stereo lowered enough in volume to not blow out Law's phone speaker and Eustass' voice dropped several octaves as he brought Killer's phone up to his ear.
“Miss me, did ya, sweetheart?”
His eyes bulging, Cora took several steps back in bewilderment and tripped over one of the restocking boxes stacked in the aisle.
"Shut up, Eustass!" Law snapped. His face igniting alongside his fury. "You're on speaker!"
There was a pause so pregnant it had reached its third trimester. Then Eustass chuckled. It had a grotesque amount of facetious glee in it.
"Am I now?"
So. That had been a mistake. But Law could only double down now.
"Behave," he said through clenched teeth. "Or I'll—"
"You'll what? Don't go making promises you can't keep, princess."
Cora toppled back over the box trying to get up and landed on his back with his legs sticking straight up.
"I'm going to—!" Catching Cora's eye from down on the floor, Law sighed. "Doesn't matter. I'll deal with you later. Cora-san wants to know if you have any dietary restrictions.”
He scrunched down into his jacket. Tense. Gritting his teeth. Law still wasn't sure how Cora had talked him into letting him come over and cook dinner. But if it had been a bad idea before, it was a horrendous one now.
Eustass Kid was an arsehole. Always had been. Always would be. Always was. There wasn't a chance in hell he could be trusted not to—
"Hold up. Cora's there?"
"Yesss," Law hissed, ready to brain him.
“Put him on then.”
“Don't tell me what to do!”
Cora looked from Law to the phone and then accepted it when Law clicked his tongue on his teeth in irration and offered it down to him.
Tagging @schwazombie (no pressure. You keep working on those kidlawgust prompts if you're still on a roll 😊) and anyone else that wants to give it a whirl ✨✨
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Oof I'm kinda scared to ask... Why do you not want to be an artist professionally?
Its just like, incredibly miserable in my experience.
Everyone wants their dream job of being paid to draw whatever the hell they want but 99% of the time you are hired and tasked to draw things that you don't have a lot of interest in, professionally speaking, and constantly getting your artistic efforts undermined by the rest of the team (this is esp. true in the videogame industry) artists always try to push for better designs and get their takes watered down for the sake of general public pleasing. Also you don't have a security blanket unless you're under long term contract. Most freelancers live gig to gig with the fear of not being able to support themselves if they don't take a job to take a break. Videogame and movie jobs arent stable because companies never keep the art teams, they are laid off and rehired whenever there is a new project
During my major, I drew nonstop for 4 years for class. Not always things I enjoyed, but also not always things I didnt like. In fact I enjoyed my major immensely! It was so fun. But the burnout is very, very real, and the workload was similar (even inferior to) regular art jobs.
What happens if you like to draw in your off time? You spend your days making and pumping out art nonstop for hours, and then on your free time breaks you draw some more? I personally couldn't do it. I just wanted to do other things
And like.... I spent the first three years being told by teachers (people with stable, contract based jobs) how cool of a job it is to do art, and then the last year getting grilled on how insanely hard it is to make it out there. If you don't have connections, money, an audience, a studio, it's actually impossible. You need to be your own lawyer, abide by the very strict self employment rules that take a severe chunk out of your earnings. Do all of your finance/schedule/marketing etc while on top of that constantly producing work (I know there's people who can do it but, personally, I cannot)
I really admire the people who were able to build themselves up as artists from the ground like this (because its definitely possible, just insanely hard)
Also, making something you love into your job ends up being miserable too. I experienced this with patreon, which I posted to as like a chill thing and it just got increasingly hard to make content for it or just post in general, even drawing my own ocs and sharing stuff about them started to feel like a chore.
Maybe it's just me though, this has just been my personal experience but yeah in general I realized I am immensely happier just keeping art as a hobby or its gonna suck my soul out (Since I already experienced it)
I don't mean to discourage anyone, I think the world in general needs more artists. But for that we would need to actually be taken seriously and valued, which sadly we are not, at all. And if there's anyone reading that is considering art as a job: it is absolutely grueling. It's not an easy job. Even if you desperately love art it can suck the life out of you and the joy for what you do
(As an extra sidenote. Artists are usually exploited using this mentality as well. That they are supposed to love their job. So they expect you to work your wrists off "For the passion". Dont fall victim to it)
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