#i did not edit this i am not about that life

[slaaverin]

Are you sure? Initial thoughts

Ah I've been rereading a post I made before AYS aired about my excitement and hope for the show.

How joyful yet filled with dread I was about what would be on display, what would be uncovered, and people's reaction.

In retrospect, I think AYS gave us everything we hoped for and more.

We saw jikook relaxed and comfortable, enjoying their time together, doing mundane stuff, with quiet and simple moments, or doing fun activities where they felt free and joyful and in the present moment.

My takeway of this show and jikook's relationship is their sense of belonging.

I hoped for a closer look into their dynamic and we really got that.

The way their relationship works is that no matter what they are doing (or not doing), you can see how much pleasure they are taking for simply being in each other's presence. There is a flow and an ease between them that never gets disrupted by anything. They simply adapt to their circumstances and keep being authentic and enjoy the time together.

They showed several times how important these trips were for them.

But in truth it showed it was not (only) about the trips.

What is really obvious is how much they value their relationship, how much care they put in it.

This is not about the trips, this is not about making a show.

This is allowing time to tend and to nurture this relationship they deeply love.

That's what most important.

It matters to them, so much.

Even with Jungkook (we can see it in I am still) crazy schedule. Maybe because of his schedule.

It was needed, it was even indispensable.

Now we have all the information, I cannot see them not making those trips before military. They craved it so much, and they loved it so much, it was for their own mental health and well-being, to keep their internal balance.

When your world turns upside down, when you are faced with the Unknown, your first instinct is to reassure yourself, is to go home, and make yourself a cup of warm tea, and do the things that makes you feel calm and relaxed. As humans we tend to do this, to take cover, to retreat, in the safest place we know, to ease our hearts and to make us think everything will be ok.

That's what Jimin & Jungkook did.

They went home to each other. They took cover into the ease and softness of their relationship, because that's known. Because that's safe. It's where they feel they belong and they can rest.

I understand why.

Such relationship is an oddity in the real world, it's once every blue moon, it doesn't come easily, sometimes people spend their whole life searching for it.

We can see also how much the dynamic is different with other members. Nothing compares to them.

I think jikook are aware of this (because they are smart people) so when you find something so precious, you want to care for it and keep it close to your heart.

It shows in how much tenderness they have for e/o.

Jungkook plays the "baby alpha" yet with Jimin he transforms into the most caring and protective.

Jimin is a selfless guy in general but we see how he truly deeply enjoys seeing Jungkook happy. "All for your happiness".

Damn it makes me tear up just to think about it.

They are SO LOUD. My god.

It is so goddamn beautiful to witness.

At this point I am simply happy for them.

Happy they have each other. Happy they got to show who they are together with no repercussions (because thank god people are still stupid! Blessed be the ignorant)

This show was a rollercoaster of emotions, but now we know, now we see, now we say "Ah yes, that's it. This is what this is about"

Forever grateful to them for trusting us like this with a huge part of themselves.

They really do love us a lot.

(I'm writing this as I should be editing the show, so this post is pure procrastination, let me to back to work 😂)

Thank you for reading 💜

[culbi]

you know even if billford is what brought me into gravity falls, i should have known that fiddauthor is what i will stay for

I mean, yes billford is great and i love it and it's pure angst and pain (both physical and psychological) and manipulations and agony and everything but. but. fiddleauthor is everything i value in a good ship, its a)friends to lovers. they are great friend and they get each other and they are there for each other. b) BELIEVABLE. the homophobic environment, the desperation, the fiddleford's wedding with a woman he doesn't love, the escape to gravity falls to be with the one man who Understands you. AND ford being "different" in one way, nobody suspected he was "different" in another. and wait, not "different". a FREAK. neither of them can let anyone think they are anything more than friends

and c) (optional, really, but greatly appreciated) they are a scientist and an engineer. i just love science in romance, cant help it

but lets get back to how REALISTIC fiddauthor is. and it has variants. both of them in love and dating and keeping their relationship a secret because letting anyone know is dangerous? yes. neither of them realizing what those feelings are and just enjoyind spending time together with occasional lingering touch or look? or even staying late at night, whispering to no one but moon and a man in front of them how lucky they are to have each other? sure. what about one-sided romance? fidds getting the hots for stanford or ford realizing why he had never been interested in a girl in school - you can have anything. and don't get me started on how sorry i am for fiddleford's wife, because she probably genuinely loves him. she just wants her husband to be home with her and their son, and fiddleford just... can't. that life is not for him and hes too afraid to admit it to himself, let alone emma may.

but then, hooo, then comes little billy. billy who plays with their feelings, fiddlefords in particular, definitely knowing what keeps the man up at night. he teases, he teases so much, he wants to tear them both to shreds and keep ford to himself, all broken and alone. god, if there were any gentle kisses or forehead touches between the scientists before, bill does that he posseses fords body and he and fidds have sex. and its awful. and its good. fiddleford doesn't get to say no, and even if he did, he couldnt say no. not when its ford, or his voice or his hands or his lips. and the funniest part? ford wouldn't remember or KNOW about that. fiddleford of course feels awful, feels like he used his friend, abused his trust, ruined everything. bill, manipulative bitch he is, just messes with their relationship, with fidds mind and ford sense of reality. atta boy.

in conclusion: fiddauthor is beautiful, a piece of art, and billfiddlesford is an upgrade version, special pain edition.

[jellyfishcharm]

i dont know how to say this in a nice way but i have have no interest in watching the 1994 version of interview with the vampire for one reason: they aren’t black.

i love iwtv with my whole heart. it is my favorite show (with the exception of arcane) and means so much to me. ive seen s1 literally a million times. i have fanart, fanfics, edits, and headcanons for all the characters i love so much. but i dont not want to watch the 1994 version because they (specifically claudia) are not black.

i’m a biracial girl with a black immigrant mom who has been told so many times that i “act white.” i’m queer,i do a predominantly white sport (ballet), and go to a predominantly white school. on top of that i have a mental illness/mood disorder, which makes me seem, lets be honest, irritating and off putting. (wow what a combo) “weird girl representation” has always made me so uncomfortable because it never feels like it was made with anyone but white girls in mind. and that’s okay, except for the fact that there’s no alternative. i couldn’t find anything that had someone i could see myself in, specifically with a black lead. so i would always just take what i could get, until i watched iwtv and saw claudia for the first time.

claudia as a character represents so many things i have struggled with. her personality, looks, struggles with her family - id count lestat and louis as her parents in this analogy - are things i resonate so much with on such a deep level. seeing claudia, both Delainey Hayles and Bailey Bass in different ways, healed something inside of me that i had been looking for for so so so long. seeing them in that role was life changing for me, and i don’t want to see claudia’s character as anything else but black.

i am in no way saying that the original 1994 version is bad, i’m sure the original cast did an amazing job and brought so much to those roles. but i don’t want to think about claudia as anything but black, or at least black coded. im planning to read the books to understand the source material and Anne Rice’s vision better, but im even hesitant about that because Claudia is so important to me i dont want to think about her any other way.

i love claudia sm she is so special to me🫶🏽

[bloopitynoot]

Reading SVSSS: Chapter 14

For those who don't know, I am reading SVSSS for the first time and sharing my thoughts!

If you have not read it, there will be spoilers! Consider this a warning.

Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag bloopitynoot reads SVSSS. You can also check out the intro post for context on my read.

New book new book! Can you believe I am on book three already? Holy heck, time has flown by.

I thought I would switch up my tea process today with a new cup but also I wanted to show off my collection XD We bought some new and some refill teas from the ren faire yesterday (one of our favourite localish tea blenders) and what a collection my partner and I have amassed. I didn't realize how huge it was until I snapped the pic- it feels very at home apothecary LOL

I went with a lady grey latte and instead of my heart mug I was feeling the spooky vibes and and using my mug by Jaxx b. I have a few other handmade mugs I might start featuring because they are fun as heck!

I've rambled enough about my tea and mug let's get into this chapter!

okay right away bless MXTX for doing such a good job immediately place setting. We are in the demon realms! p9

oof. the energy between Luo BInghe and Shen Qingqiu is so uncomfortable right now. Neither of them saying anything. I am intrigued to see how they sort through this. I know they are end game but like- this is so awkward. p9

oh gosh. Luo Binghe 10000% modeled the room he is basically locking SQQ in after the Bamboo House. Yes SQQ, there most definitely is meaning in it being familiar. p10

So. LOL SQQ's rationale. Instead of "looking too much like a respectable woman kidnapped by a ruffian" p. 10 is to essentially play gay chicken?

RIP well, luo binghe did find out about the blood. so sexually charged though in the way he decided to find out. p11

How is Luo Binghe even surprised that after SQQ being treated this way that he requests that Luo Binghe never see him/see him as little as possible? What did he even expect would happen here?? p12 There is a lot of trust broken between these two.

oh? System feature upgrade? p13

LOL "luxury edition" p14 There must be fanfics about SQQ kept trophy husband

omg what kind of novels was SQQ's sister reading XD those are some wild fantasies. pp14-15

SQQ: "I will not have stockholm syndrome" okay buddy, we will see what happens with your 'luxury edition' p15

oh luo binghe, that sweet baby boy is having them plant bamboo and is cooking SQQ's meals.p16 this would be even cuter if they talked about things instead of having such a weird dynamic.

Jesus Christ. Shang Qinghua enters again. How does this man stealth so well when he is kind of an idiot? I feel like terrible decisions and bad luck follow him everywhere- but he is just slippery enough to get away. p17

LOL SQQ: Your protagonist turned gay. Shang Qinghua: eh, it's fine as long as I'm not the love interest. sucks to be you. p18

okay but I want to know how deep the info of this world goes. Where does it pool the information to generate everything- just published content OR is it everything and anything Airplane thought about or created (ie the lost computer files about Luo Binghe's dad) p19

uuuugh not another interruption- I feel for you SQQ, I too want to know what he was going to say about your tragic backstory in the original edit. p22

Airplane really said 'no homo' "That man of yours is here. Let's do it later- wait, I mean let's chat later" p22

okay okay okay! The boys are talking for real about their mutual deception of one another. Is this the path to them figuring their shit out?? Maybe they will talk about their trust issues. p23

Okay I am with Luo Binghe on this- it did feel as though SQQ completely did a 180 on fundamental life beliefs RE: no one is inherently evil because of their race. p23. So I understand Luo Binghe here- I am glad they are talking.

OMG pp24-25

well. that escalated quickly LOL pp24-25

Luo Binghe probably "hit me harder daddy shizun" p26 +500 satisfaction points.

is Luo binghe going to assault him 😭😭😭😭 this is not it. that was not cool that entire part was so gross "If shizun see's me as no better than a beast either way, I might as well live up to expectations" p27

thank fuck all of that was interrupted, but also now i'm deeply concerned for SQQ!!!! is it the other demon blood? Is it past (young SQQ) trauma?? What's happening?? (no one actually answer this I 1000% know it will be resolved in due time, but I am having a panic about the guy).

Well that's not good at all

this was one rollercoaster of an opening act omg. Not a good time for everyone involved at the end there. I am VERY glad SQQ was not assaulted but I am SRESSED now for other reasons.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[thatswhatsushesaid]

psa that the day there are no jgy stans left on tumblr dot com is the day i am dead

but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[poorly-drawn-mdzs]

Smell Check [Easy: Failure]

MDZS Disco Elysium AU part 1 (part 2 - part 3)

[shmorp-mcdurgen]

First edit i've ever made, all for the most pathetic man in the world

Song used: Frontier Psychiatrist by the Avalanches

(Video credits below the cut)

In order:

HOSTILES | A Half Life Short Film [SFM] (by JoAcoNS)

Literally me Soul Freeman (By Soul Freeman)

Combine Hunter | [S2FM Half-Life] (By BottledWehr)

Frightening Dreams || S2FM Animation (by LE Voux)

[SFM] Gordon has not been hugged since before the Black Mesa Incident (By Komegatze)

[SFM] How we used to see Half-Life lore (By Komegatze)

[SFM] How it feels to hear this track in Half-Life 2 (By Komegazte)

[SFM/HL] Morphine Administered (By Sandwicc)

[S2FM] Tears In Rain (By ExitUnAMitch)

The zombie has woken up (By Soul Freeman)

[S2FM] Based (By ExitUnAMitch)

[SFM] Gordon Posts Cringe (By CoreyLaddo)

[SFM] Gordon Recalls the Events of Half-Life: 2 (By Komegatze)

Please go check these animators out, they make such cool stuff

[keets-writing-corner]

guess who's still thinking about Lucifer >.<

anyways thought it'd be fun, given my previous post about his dissociation with conversations, to try and guess what his takeaways were from his phone call with Charlie based on his reactions

Maybe I'm wrong about what he's catching and what he's missing but either way I had fun

strike through= what he missed bold=what he caught neither bold nor strikethrough= he might've heard it/made it out through the white noise, but not enough to connect the dots RED= only heaven is in red cuz you cannot convince me otherwise that that's not a trigger word for him

Idk thought it’d be fun to try and guess what Lucifer is ACTUALLY hearing with his dissociation filter on let's GO

Lucifer: [insert absolute fail of hello]

Charlie: Hi Dad! Lucifer: Hey! How are ya? Oh! Wh-wh-where are you these days? Charlie: You know where I am, Dad… I’ve told you before…

Lucifer: You hAve? Oh. yeah Uh, erm well I um uh

Charlie: I told you when you called me five months ago! Or did you not listen?

Lucifer: No no no just forgot! I just forgot. I’ve been really busy with you know… um. iMpOrTanT tHiNgS

Charlie: Well I’m actually running a hotel to rehabilitate sinners, maybe you saw our commercial?

Lucifer: No? Sadly I… missed it!  Lucifer: You know I haven’t been watching much TV lately! Scrambles the brain!  Lucifer: but hey! A hotel! Fun!

Charlie: Listen, Dad, I’ve got kinda… a big ask?

Lucifer: -spit take- Yeah?! Of course! Anything in my power is yours for the asking you just name it

Charlie: I need to speak to heaven! Well, whoever’s in charge up there above Adam above anybody, I need to go to the top!

Lucifer: NO Lucifer: no no no no Lucifer: That’s uhahah no…

Charlie: Look! Dad! I don’t ask you for much. I never have, but this-this is really important to me. It’s the most important thing I’ve ever done and I… need… you… I need your help

Lucifer: I-... I don’t know Charlie

Charlie: Please just- Come see what I’m trying to do. You’ll see why it’s a really good idea and heaven is bound to agree if I get the chance to talk to them

Charlie: Please dad

Lucifer: wait… you’re… INVITING ME OVER??? Lucifer: ABSOLUTELY Lucifer: I’LL BE THERE IN AN HOUR

___

so yeah, he can semi follow along but like crucial bits and pieces ARE being left out

[canarydarity]

(haha happy new year! Heres 6K words of DL ranchers fighting 🤩 [ao3]) dull&slow

There was no feeling like a respawn; it was like jumping off of a building with nothing below to catch you, only to discover you had in fact been fastened into a harness when the bungee cord snapped taut. Except, it also wasn’t like that at all, because the mechanics of respawning—regardless of permanence—did nothing to curb the feeling of death, the actual sensation of dying. All it really did was remove the relief that one might experience had death been final, for what is death but a merciful release from pain? 

Jimmy imagined that there were few things that could even begin to feel like what a respawn did—the simultaneous cracking of all your joints at once in a manner akin to a human glow stick; ice cream that had been left out on the counter to melt but was then shoved back into the freezer again after only making it to that indescribably viscous stage between solid and liquid; a jam in a paper shredder—the kind where half of the page is relieved and sticking out of the top, completely intact and fine, while the rest is in ribbons below, still warm to the touch at the recent dismemberment. 

And that was only the physical aspect—the violent draw of your subconscious from the brink of death to perfect health mid-panic was something else entirely. It never got any easier, no matter how many times he did it (and Jimmy did it a lot). 

This was their second respawn, but it was different in the way that it happened unlike it did the first time: together. It was new but not unexpected to shoot up in bed at the ranch, cows mooing to his left and moonlight peaking through the window to his right. Jimmy heaved some breaths in and out; logically, he knew he was fine, but his body remembered the vertigo of falling. 

Tango was next to him, still lying back in their small bed staring at the ceiling. 

For a few beats, they were quiet, they caught their breath. The buzz of the cicadas outside was heavy in a way, droning alongside the cacophony of cows and the muted clucks of chickens from below ground. 

When his eyes began to itch and dry out from staring at nothing and his heaving sounded more like huffing, Jimmy broke the silence first. 

“I was leanin’ over the edge…why was I leaning over the edge?” His words were incredulous and barely there, only formed enough to actually get them out of his mouth but not any further. Had Tango not been right next to him, he probably wouldn’t have heard. 

Tango sat up, “Jim, hey–hey!” One of Tango’s hands reached behind Jimmy and settled on his shoulder, the other moved across himself to settle on Jimmy’s arm. “It’s okay! It’s only our second life, it was bound to happen sooner or la—”

Jimmy blinked out of his daze to realize Tango was soothing him; It was not shocking in the way it hadn’t happened before—it had actually, in fact, happened quite often—but in the way it was happening now. the combination of noises pushing in all around the ranch, having just lived through dying, again, and Tango’s warmth that he would’ve appreciated any other time, made it all immediately too much. Tango was soothing him—Tango misunderstood. 

It was instinct to throw Tango’s arm off of him, to scatter, to stand and create distance, and had Jimmy been in the right state of mind he would’ve explained that and apologized, but Tango’s shocked offense was the last thing he was focusing on. 

“No, you—why was I leaning over the edge?” 

It was the only thought that had run through his head since he’d woken up and stopped feeling like an egg mid-scramble. Not worry about being on red life, not concern about having been the one to return the favor of killing Tango this time, not upset that things were shaping up like they always did. 

Tango wasn’t necessarily wrong to assume that that’s where Jimmy’s thoughts had gone, as that’s usually where they would have. But this was not Jimmy when he was anxious, when he was guilty; This was Jimmy when he was mad.

He was pacing, but he wasn’t aware when it had started. He was just—he couldn’t stop thinking about fish. Or—no, not fish, parasites; there was this parasite he’d heard about that matures in the eye of a fish but reproduces in the belly of a bird. Jimmy had heard this and thought what a stupid, impossible thing—and he’d thought he had shit luck.  

That was until he’d heard the rest. Under control of the parasite, infected fish swim closer and closer to the surface of the water, leading it to be spotted and picked up by a bird; the parasite ends up where it needed to be all along, and that damned stupid fish is what gets it there. It doesn’t know what it’s doing, it’s not choosing to swim near the surface—by that point, the parasite is choosing for it—but it’s still— 

It just—

The fish gets itself eaten, essentially. The scariest part, Jimmy thought, was that he wasn’t sure the fish even knew. Was it aware it had been infected? Or was it swimming up and up and up and thinking what the fuck am I doing? Was it resting precariously below the surface, watching in fear as the birds circle, knowing all it had to do to avoid being eaten was swim the fuck back down, but for some reason, it just couldn’t?

Jimmy just—why was he leaning over the edge? His hands were wrapped around his stomach, griping his sides, hard. His teeth were grinding together, or he was biting his lip, or he was mumbling nonsense that even he didn’t know what meant. 

The floorboards of the ranch creaked and groaned with his pacing, and Tango remained watching from the bed, his face still painted in confusion. 

A noise—something caught between a whine and a grumble—worked its way out of Jimmy's throat, and more words came with it.  

“I saw them with their bows and arrows out—Joel, Etho, Scott—and I—” He shook his head. “We’d have been fine if I just didn’t peak my head over!” 

Jimmy turned back to Tango and pointed at him; Tango blinked, but the accusation delivered wasn’t for him. “And they weren’t even shooting at Grian, at—why weren’t they shooting at anyone else?”

Tango shook his head a little, opened his mouth to reply, but Jimmy wasn’t done. “I don’t understand—I don’t—” he grabbed at his hair and pulled; he bit into his lip again, not stopping when it started to hurt even though he knew Tango must’ve felt the ghost of it too. Jimmy rocked in place, “I even thought it. I thought ‘what are you leaning over the edge for, idiot!’ And then!” 

Jimmy spun, but no form of movement could match the direction of his thoughts, the restlessness of his mind. He felt like he was malfunctioning, every action begun and then subsequently aborted in favor of another; as if he could stop it all if he could just get himself to feel physically how he felt mentally, equilibrium a sort of saving grace. 

Jimmy hit himself in the head once like he could knock things back into place, fix whatever was loose in there–get the paper to start shredding again; in pieces, maybe, things would be okay. There was a call behind him of stop that, hey, none of that! and the bed creaked as Tango finally made the move to stand. 

“I don’t understand,” Jimmy mumbled again. They were inside, but his hair still felt the wind ruffle through it as though he were at high altitude; his hands touched nothing, but he could grip the hardwood of the defense tower all the same, rough and splintering. Joel and Etho had stood so far below, looking up, each with a hand up to their eyes to shield them from the sun. Jimmy remembered every detail about that moment—Grian had been leaning over right next to him. “Stupid parasite and it—why weren’t they shooting at anyone else? All I had to do was not lean over…”

Jimmy startled when Tango spoke again, he’d forgotten for a moment he wasn’t alone. 

“I don’t follow—parasite? What pa—”

Right, he wasn’t alone. 

“Gosh, and I’ve killed you, too, we’re–we’re red!” Jimmy said, facing Tango again. “And we’re back to nothing, we’ve lost everything—the horns, they’d have taken them by now, surely.” The anger from before seeped back into his voice, and Tango kept his space; a part of Jimmy felt bad at that, but he mostly felt validated. The guilt would come later, his chest didn’t house the room to feel so many things at once. 

Though space didn’t mean Tango was willing to stay out of things completely. 

“Jimmy, just hold on, I can’t keep up.” Tango was clearly still thrown by the direction things had gone in—he’d been expecting to reassure, not pacify—but Jimmy didn’t have it in him to stop and explain. His hands out like he was corralling a feral animal, he said, “What are you even…? Slow down, alright.” 

And maybe that was the last straw—his soulmate, known for his rage, asking him to calm, to slow down; the stark contrast between the Tango standing in front of him��hands splayed, face confused but determined—and the Tango who’d needed to be restrained as the ranch smoldered behind them; the fact that it was Jimmy who was being looked at like a time bomb with not even 5 seconds left to spare. 

This time, the accusation was meant for Tango, and Jimmy watched him stumble a little in shock when he received it. He threw his hand out like he’d needed that extra strength to pull the question from him, like his throat wasn’t up for the challenge alone, like he had to prove this was something he wanted to start and start now.  

“Why aren’t you mad?”

Tango’s face wound up with disbelief. “What?” 

Jimmy’s voice wasn’t made to be raised, but he gave it his best effort. It hurt, in a way—his throat not used to the coarse delivery; it hurt more for the fact that he’d made Tango the object of its direction. 

“You’re sitting here, and you’re calm,” he spat. “And—and you’re telling ME to be calm! Me!” Jimmy huffed again at the ridiculousness of the entire situation. “Why aren’t you mad?”

This time as Jimmy spoke, Tango wound down; he visibly CTRL+ALT+DLT-ed, a total system shutdown reboot. His hands dropped back to his sides and he stood up straighter. His face reset until he was just blankly watching Jimmy sputter and steam. He was still in a way Tango rarely was.

Jimmy thought it was the most un-Tango-like thing he’d ever seen, and that just made things worse. 

“Because it was going to happen either way, I could’ve just as eas—” its delivery was flat, like Tango knew he was stepping off of a bear trap but onto a landmine; though he did it anyway, and in most circumstances, his dedication to the idea of if at first you don’t succeed! was something Jimmy found endearing. If it wasn’t clear enough already, this was not most circumstances. 

Jimmy made a noise of dissent. This wasn’t—

“No, not—that’s not what I meant.”

A few beats of silence. They argued with the awkward hesitation of two people who’d never fought before and therefore didn’t know the procedure; neither of them had had time to memorize their lines. Fight was something they didn’t do—partially because they hadn’t been together long enough to garner the need, and partially because they got along with a simplicity they hadn’t expected. There was a question in this lapse between one comment and the next, an are we really going to do this?  

Tango blinked at Jimmy. “You don’t mean why am I not mad at you?” 

It would’ve been an easy out if he had. A way to walk them back to familiar ground—the kind where Jimmy was apologetic and guilty and anxious and Tango was steady and reassuring and kind. 

He couldn’t lie and say that wasn’t part of it; he was a liability, and he would never be over Tango being his collateral damage. 

He looked away from Tango, “Well—”

“Jimmy…” Pity was such an ugly, regretful thing. 

“No! No—yes, that’s not what I mean.” And it really wasn’t—at least, not at first, not completely. That was the undertone that would drive all his decisions and thoughts and feelings, it’s true, but this was different. This was—they’d died, Jimmy killed them, and Tango wasn’t upset about it; moreover, Tango was docile, passive. He was—

“Then I don’t understand what you’re asking me.”

—resigned. 

Jimmy didn’t yet look back, because he knew it would be his turn to talk when he did. All that he had to explain lacked the rationale to be said aloud; simply put, he was mad because Tango wasn’t. 

“You’re gonna have to give me something to go off of here, Jim.”

Eyes still fixed resolutely on the wall, Jimmy repeated the only sentiment he really could express at the time. “You’re not mad…” He let the end trail off, embarrassed it was all he had to offer, knowing it was unfair to Tango, knowing a normal person would’ve been able to voice more; just another way Jimmy fell behind. 

“At?”

“At anything!” He was discovering that when he did yell, his voice got high, and he tended to cut off the ends of his words. They shortened, got sucked up into the emotion until they weren’t letters anymore but sounds. “You’re—I had to restrain you, practically, after Scar burned down the ranch! And I wasn’t there, but I heard about last life and I—”

He felt like his sentences were being recorded in takes; start and stop, start—stop, mark! He would sound so much better edited together. He needed a script, surely he’d be able to say the right words had someone else given them to him. He’d do it right then, he knew. Of course arguing, too, was something he wasn’t good at.

Jimmy gestured at Tango, “You’re not mad, at anything, you’re just standin’ here! We’re going to die and it’s like you don’t even…like you’re not upset.” The final clause came out dejected and unsure; it sounded like it belonged to a completely different conversation. If he were reading lines, he’d likely receive notes about consistency and remaining in character. It was hard to do that when he wasn’t sure who he was or was ever supposed to be.

Tango looked no less confused. “That’s how the game works, Jimmy—we’re all going to die at some point.”

“I know that, Tango, I know.” Jimmy bit his lip. “How are you just okay with it?”

Tango’s eyebrows raised in shock, the kind that spoke to his questioning the audacity of something. “Well, I’m not happy about it, bu—”

“You are, though.” 

Eyes narrow, frustration finally starting to seep in, Tango said: “No, I’m not.”

“You are!” This felt more tantrum than argument; more whining about not getting his way than making a point about having been wronged; he wasn’t really sure he had been wronged. At least, not by Tango. But he didn’t know how to rewind, he didn’t think there was a going back. 

“Damnit, Jimmy, I’m not. You think I want to lose this?” 

No, Jimmy didn’t—and that’s why he was so confused. 

“Then why aren’t you angry that’s what I don’t…” This line of questioning wasn’t going to work—he’d already discovered that again and again. He needed to figure out a different direction to head in. “Even now I’m yellin’ at you and you’re just there.”

“So now you’re mad because I’m not yelling at you?” Annoyance, frustration, irritation—they were close, but none of them were what Jimmy wanted. Or—not what he wanted but what he needed. People were mad at him far too often for him to crave it in this uncommon time when no one was, but he needed to know Tango was with him on this.

“No, Tango!” Jimmy whined.

“Well you’re not explaining anything, what am I supposed to think? That’s what it sounds like you’re saying to me!” His voice finally at an above-normal volume, Jimmy shrunk; reality wasn’t ever quite like expectation, was it? The simultaneous relief mixed with the guilt, and everything got worse; he thought maybe that’d been his goal all along, he could see it now that it had occurred. And yet, it wasn’t right; sure, Tango was mad—but he still didn’t get it. Tango kept rambling.

“You’re mad that I’m not mad, and you say it’s not about you, but then you’re also mad I’m not yelling at you—which I have yet to figure out, by the way, and—” 

Following Tango’s wild hand gestures, Jimmy’s eyes landed on their wall of chests, and he knew what he needed to do. He scooted past Tango, who turned to keep facing him, and started rooting around until he found what he was looking for. 

“Oh, and you’re ignoring me too, now, which is neat,” Tango said to his back.

He’d wrapped it in a bundle of spare wool hoping that bed made they wouldn’t need much else and Tango wouldn’t find it on accident, but he pulled it out now and turned back to face Tango gripping it in his hand.

His soulmate shut up immediately, his gaze first on Jimmy’s hand, and then up at his eyes. 

“Where did you get that.” The anger was finally there, but Jimmy didn’t immediately respond. “Why do you have that?”

The golden apple was cold in his hand, colder than he thought it should have been. It glowed slightly in the darkness of the ranch, a yellow hue that spread out in a dim radius; he had the bizarre thought that it would've made a good nightlight had it not been illegal. Jimmy had always been a bit scared of the dark (he’d been pleased, then, when the game had started and he found that his soulmate glowed just the same). He didn’t need the apple sitting on the lid of their chests to provide light—not so long as he had Tango; how ironic then that he only got both or none, that consuming—and therefore getting rid of—the apple would rid him of Tango, too. 

Jimmy didn’t want to be left alone in the dark, but that was sort of why he looked back at Tango and he said, “I think you should eat it.”

“No.” It was both a response and an expression of disbelief rolled into one; a no, this conversation is not happening, not now, and a no way in hell is that thing getting anywhere near my mouth. The stillness was back, but it was more dangerous this time; less resigned, more preparing to strike.

Jimmy repeated himself, lifting his arm and holding the apple between them as he did. “Tango, you should eat it.”

“No.” Tango shook his head. “Jimmy, I said no.” 

“Why not?”

“Why not?” A sardonic, humorless laugh made its way out of Tango, and Jimmy flinched at the sound; a broken echo of their usual selves. “This is a joke, right? There’s something here that I’m missing that makes this all super-happy-funny and we’ll laugh about it in 5 minutes.”

“I’m serious, Tango.”

His hands on his hips, Tango nodded at Jimmy as he said, “you are.” It was deceptively compliant, mockingly understanding. Jimmy was misled often enough in conversation to recognize when he was being set up, but he hadn’t quite yet learned the skill of letting things go; he walked again and again through a door labeled trap! which was how he knew he was doing it now. 

“Yes...” 

“Serious-serious, you’re seriously asking me why I don’t want to eat a golden apple.” Tango doubling down, Tango continuing to misunderstand, the fact that Jimmy couldn’t blame him for any of it, the feeling of everything at once, and the knowledge that all was out of his control; he felt his eyes well up with tears of frustration. 

“That’s what I just said...” Dejected, a clown waiting for the punchline—waiting for others to laugh at his expense; setting up joke after joke, forgetting what it was like to not provide the entertainment. 

“Well I just wanted to confirm before I informed you that that’s the stupidest question I’ve ever been asked in my entire life.” It was at this point that Jimmy let out a breath, and a tear fell with it. “Like, wow it’s almost an accomplishment how stupid that question is.”

“Tango…” He’d plead but he knew he didn’t have the right—not in this conversation of his own devising. It wouldn’t be a lie to say he didn’t know how they got here, but it wouldn’t be the truth either. 

“Really! I’d make you a ribbon to commemorate and everything if we had literally anything to our name at all.”

Catching the opportunity to jump back in, Jimmy took it. “Okay, that—that’s my point.” 

“That I haven't offered to make you a rib—” 

Jimmy cut Tango off again before he could stuff the conversation with more nonsense in defense. “That we have nothing—have had nothing since we started!” 

It was more than just luck—it was design. There came a point where chance ended, a place coincidence didn’t reach. Jimmy had dwelled long enough in the space between unlucky and doomed to know that one was cyclic, intermittent, while the other was ceaseless, fixed. Luck would come and go, but damnation? That kind of fate had been here since before all of them, and would remain long after. 

The subject was taboo, but there wasn’t a single person on this server who was unaware that Jimmy was ill-fated. They poked and prodded him about it, but any level of seriousness to the conversation was buried under veiled laughter and slightly glassy eyes; the kind of sheen to a stare that said even if they tried, they couldn’t know what it was they talked about. To everyone else, Jimmy’s “curse” was a bit they’d overindulged in; to Jimmy, it was a burden he wasn’t allowed to acknowledge. They didn’t let him. 

He’d thought maybe…Tango was being forced to share it; maybe something would click; maybe they’d let him have this for just a few weeks. 

Jimmy didn’t think he could get any more stupid. 

The sarcasm remained equipped, defenses high. “Well, I’m sorry that you think I’m not doing enough to provide for you, Jimmy, bu—”

Jimmy groaned again. “Tango can you be serious for 2 minutes! 2 minutes, please!” 

“No!” Tango was looking at him in a way he never did; a look that conveyed I cannot believe you, the underlying sentiment of dismissal that hurt more for it coming from the only person who’d ever really listened to him without reservation.“You know what, no, I cannot. If you’re going to start a ridiculous argument you’re going to get ridiculous responses—you don’t like it, too bad.”

Jimmy had been involved in a lot of ridiculous arguments before—it came with being a reactive person; he existed with defenses always already half-raised, on high alert for anything that might make him the center of negative attention. 

But this wasn’t one of them. The ranch, Tango, soulmates—they were easily the most valuable things he’d ever had—and that was why he couldn’t have them. He was going to lose it—he was already losing it; it never hurt so much when he was the only thing he had. “Gosh, dont you get it?! There’s nothing we can do—nothing! I’m gonna kill us, you understand?”

It felt good to say it out loud, to watch Tango blink in the face of such bluntness. Somehow his shock betrayed his lucidity, and proved to Jimmy what he’d feared all along: Tango felt it too. 

And that made him circle all the way back to the beginning of this stupid roundabout conversation. Maybe he didn’t know it in so many words, having less time to experience it than Jimmy did but Tango knew—their time was running out; running out in a way it didn’t for anyone else playing these games; running out in a way Jimmy had—until now—never before been allowed to acknowledge. Tango knew. 

And Tango wasn’t mad. 

“Ugh, this is—this is childish, is what it is! I don’t…I can’t believe this is happening. This is—it’s madness.” What did they bother going in circles for if they were just going to end up right where they’d started?

“You’re the one trying to force feed me a golden apple,” Tango grumbled, eyebrows raised and face mocking as he looked at the cows. A few of them were standing against the fence staring back, mooing insistently; a strange audience for a strange night. 

“Because I’m sick of it, Tango!” He was, once again, not the right recipient of this complaint, but what else was Jimmy to do? Seasons of grief built up in one desperate conversation, it was becoming more a list of grievances than a call to action. “Of all of it! Of the jokes, of losing, of—of not being in control of anything, of dying—and you—”

“Me?” Tango huffed, interrupting. “Wow, tell me how you really feel, Jim.”

Jimmy shook his head and looked down, a dismissal; his answer immediate and unhesitant. “No, that’s not what I—” 

Sick of Tango—it wasn’t possible, but he saw in his hands that he still clutched the golden apple, and he was reminded again of all the ways in which he was dangerous; of the ways in which he was the heavy rock tied around Tango’s ankle, sinking slowly despite all efforts. He closed his eyes, tight, hard enough to hurt, and swallowed the bile in his throat. “You know what, yeah. I am.”

He looked up again to look at Tango, forcing himself to look determined, sure. “Yes, I’m sick of you.”

“Jimmy…” There was a warning there, but following warnings was never Jimmy’s strong suit. 

“I am!” He didn’t think there was much of a chance Tango would believe him, but he loved Tango enough that he owed it to him to try. “I’m sick of you and how calm you’re being. We’re losing everything, again, always and you’re just standin’ around and I’m sick of it, Tango.” 

Tango refused to answer, and Jimmy knew to be any convincing at all, he had to commit. 

“I’m sick of this place,” he gestured around the ranch, rebuilt since the fire but still nowhere near as advanced as the other bases on the server; they could try and try and try but they’d never reach that level; they couldn’t be allowed to have an actual chance. “and—and how we built it from nothing and it still didn’t matter. We weren’t even doing that bad, and we’re still losing, and I’m sick of that, too!” 

Tango standing still, Tango with his hands on his hips, Tango refusing to rise to the bait in Jimmy’s words. “I don’t believe you.”

“You don’t believe me? Fine, I’ll just keep going then.” He shrugged, undeterred, glancing around as if he wasn’t bothered—and his eyes landed on the cows in the corner, still watching them as if simply their being awake meant they’d be getting fed. Jimmy raised the arm with the golden apple, using it to point at them. “These stupid cows mooing all the time—the chickens—might as well just kill ‘em all now, 'cause they’re not going to matter either, are they? I’m over this place, and—and everyone else treating us like a joke.”

He looked back at Tango when he’d finished. “And I know you’re sick of it too, you are.”

“I’m not.” This, finally, was familiar ground—Jimmy projecting, Tango reassuring—but for once, Jimmy wished his anxiety proven right, he wished Tango would give in and admit that this wasn’t what he wanted—that Jimmy wasn’t what he wanted; not if it meant the absence of a fair chance.  

“You are, you have to be.” And it was somewhat like begging. Jimmy’s never begged someone to be sick of him before—he was usually pleading for the opposite; how backward, how wrong, everything in him screaming what are you doing?! No one else had ever treated him like Tango did. 

He sniffed once—as he was still crying—and kept listing things; the sort of fears it would kill him if Tango validated, but he said them anyway. If there was any chance it’d get Tango to eat the apple and be safe. 

“You’re sick of having to cater to me, right? Of having to answer a million questions and reassure.” Tango began to shake his head, but Jimmy ignored it and kept going, stepping closer to his soulmate. 

“And I bet you’re sick of losing, too. You don’t want to lose, Tango, not again, right?” It was a low blow, but Tango didn’t look hurt so much as he looked sad; he accepted Jimmy’s meanness as a product of his fear, and he curbed his offense to make room for the heartbreak. 

Figures that Jimmy starts a needless argument insulting Tango endlessly and was still the most pitied in the room. He didn’t know if it was a product of his selfishness or Tango’s altruism, but the effect remained the same. 

Within arms reach at last, Tango raised a hand but stopped it midway between them, unsure if breaching this distance was yet allowed. When Jimmy didn’t do anything about it, Tango lowered his hand until it rested on the front-facing part of Jimmy’s shoulder, eyebrows furrowed, not trusting that this was over.

Jimmy mirrored Tango with his own hand, feeling the warmth of Tango’s vest and above-average temperature below—the heat that’d been keeping him warm at night when they couldn’t splurge on extra blankets or were sleeping in a half-burned-down building or just because. He only allowed himself to feel it for a second before he pushed—not hard, but enough to make Tango take a step back, more because he wasn’t expecting it than due to force. 

“Come on,” Jimmy pled. “Fight back. Get mad, hit me.”

“I’m not going to hit you, Jimmy.”

Jimmy stepped forward and pushed again, both hands; not harder but more firm. “Fight back, Tango, come on.”

“No.” Tango’s face was scrunched together in the most vehement disagreement he could give, and, out of options—out of energy—Jimmy made another noise somewhere between a whine and a groan and raised his hands again, only for Tango to catch them this time and drag Jimmy closer; dropping his hands the second he was within holding distance, one of Tagno’s arms wrapped around him and the other cradled the back of Jimmy’s head as he pulled it down towards his shoulder. Their height difference made it difficult at first, but they’d been practicing for weeks. 

Jimmy went without protest, arms at Tango’s waist, screwing his eyes shut tight enough that he could almost pretend he didn’t hear the I’ve got you’s that he didn’t deserve but Tango was nonetheless whispering to the side of his head. He wanted to protest—or, no, he wanted to want to protest; to keep trying until Tango understood, until Jimmy screwed up enough that Tango got fed up and left the way anyone else would’ve done weeks ago, possibly just upon finding out they were paired. 

“You’re okay—we’re okay,” Tango said. “I’ve got you. We’re going to be okay,” hand steady on the back of Jimmy’s head, holding fast when he tried to shake it and express his opposition. Jimmy didn’t think that ‘okay’ had a place here, not for them, not anymore. 

They were on their last life now, he could feel the effects of being red thrumming through him, though they weren’t as much to blame for the damage he’d caused as he wished; this disaster, like most, was entirely Jimmy’s own. 

Still murmuring and offering reassurance, fingers of one hand still scratching through Jimmy’s hair, Tango used his other to gently pry the golden apple from Jimmy—no longer putting up a fight—and toss it away without looking until it rolled on the wood flooring through the gate of the cow pen. Jimmy watched, head still on Tango’s shoulder, as the cows shuffled around for the lobbed apple, mooing increasingly louder until, after a crunch or two, it was assumed no longer there. 

He felt more so than heard Tango clear his throat, the motion vibrating through Jimmy like a warning. “I am mad,” Tango whispered, voice only half-formed at the low volume. “I am,” he repeated, “don’t think I’m not.” His tone the kind of calm that only gave way to true anger. “But what can we do?”

Jimmy closed his eyes. He didn’t know. 

~-~-~-~-~-~-~

They’re in bed after, facing each other in the dark; Tango watching Jimmy, Jimmy watching their clasped hands between them. Tango’s thumb ran along the ridges and valleys of his knuckles, waiting for something, though he didn’t know what. In his mind, Jimmy was running through all he had to offer—the things he should say, the things he couldn’t voice—but what he kept getting stuck on was:

“I didn’t mean it.”

“I know,” Tango said; not exasperated, not upset, just matter of fact. 

Jimmy raised his eyes to Tangos, shaking his head as much as he could while lying down, not willing to risk any more miscommunication, “I’m not sick of it here.” 

“I know, Jimmy.”

“I’m sorry.”

“Shhh,” Tango pulled their joined hands until Jimmy scooted forward, head under Tango’s chin, all not forgotten but, at the moment, behind them. They were on their red life, after all—there were other things to worry about. 

Jimmy knew that the fact that Tango loved him shouldn’t be one of them, but when it was more than he wanted to live, it was. There was nothing he could do about it now. They would wake up in bed tomorrow and, maybe if they were lucky, the day after that—but there wouldn't be another respawn. They were out of time, out of options—this was it. 

Tango loved him, Tango wasn’t going anywhere. He didn’t need to press his ear further into Tango’s chest to hear his heartbeat—not when it was an echo of his own—but he did it anyway and tried not to number the beats like a countdown, to assign them values and limitations. 

He squeezed Tango tighter, comfort disregarded; it was an offering where words had previously failed him, though there was no guarantee that his message would translate this way either. Physicality was another language Jimmy had never gained proficiency in—pretty much any method of communication verbal or non-verbal was—but he owed it to Tango to try. The trace of his fingers along Tango’s spine said I’m sorry, his breath on Tango’s chest whispered of how he’d spare Tango’s heart from his if he could; forehead to collarbone asked if things could still be normal tomorrow, since there was now a very real possibility that tomorrow was all they had. 

He didn’t bother interpreting the response, focus lost as Jimmy tried and failed not to drift away on the subliminal messaging of his own; that this was his loss, his failure, his fault. 

If he’d tried, maybe he’d have read the brush of Tango’s fingers through his hair as I don’t mind, the press of lips to the top of his head as reaffirming the deliberate choice being made—the decision to stay, to be a part of this. 

But he didn’t. Jimmy was stuck, and not at all like he had thought. Maybe he wasn’t the fish, maybe he was the parasite; the birds were circling and Jimmy could beg all he wanted, but Tango loved him. Tango wasn’t going to swim down. 

Tango wasn’t going anywhere.

[chickenoptyrx]

I added trunks to that last doodle and uuhhhh.. wasted a buncha time

¯\_(ツ)_/¯

[enhanced-operatives-division]

Prism's concept art has been. Deeply on my mind. They had some killer ideas for her and ummm.....sobs in my hands. I love her?

[allmyandroids]

Raymond Reddington

In Season 4 Episode 2 - Mato

[cringeborg]

1820s to 1840s Evening Wear - 2 suits

Two little edits of that one beloved Vampires suit, with three things in common: Wide hips, a slightly higher collar, and the same swatches.

From the 1820s until the mid-1830s, the fashionable silhouette for men's clothing was wide hips, a slender waist and full shoulders. This look was generally achieved through padding, corseting, and most of all, tailoring.

In the latter half of the 1830s, this silhouette began to change. The shoulders became sloped, and a "pigeon-breasted" look became more fashionable. Hips were still just as wide and the waist just as narrow. The 1840s look was, of course, also usually achieved through unnatural means.

Basically: V1 is this 1820s to mid-1830s look, and V2 is the mid-1830s to 1840s look. V1 has puffy sleeves while V2 has sloped shoulders. V2 also has a slightly fuller chest.

Swatch 1-48: Tie and vest in white, suit in many different colors.

Swatch 49-60: Suit in black, tie in white, vest in various colors.

Swatch 61-65: Suit in black, tie in black, vest in a few different colors. These are intended to be mourning swatches.

Both are BGC!

Both have the same 65 swatches

All LODs (except LOD3 which refused to cooperate with me, so it's the LOD3 of the original vampires suit)

Found in the Sets category

Appropriately tagged and disabled for random

Display index by decade

Download .zip (SFS)

Alt download (Mediafire)

V1 in swatches 1, 12 and 64:

V2 in swatches 38, 59 and 62:

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