#i don't want that to be true! i want to be still capable of coming up with fic concepts!

[yallthemwitches]

Something that annoys me so much. like so much, is that nobody offered Harry to see their memories of his parents when they were happy. Like they had the capability to give Harry the understanding of what his parents were like just as much as any home movie would have been able to. I don't think it would hurt him or stunt his grief, it would've been just one more way he could've connected with his family that he was tragically severed from.

I feel this especially after Harry sees Snape's worst memory. Seeing his parents in such a low point crumbled his interpretation of them. He leaves that experience feeling like his parents maybe didn't actually love each other, that everything everyone ever told him about them was actually not true. It would have been so easy to show him different---there were literally handfuls of people who were around Lily and James at their best who could have assuaged his worries. But again, no one thought to do so?

Of course, he ran to Lupin and Sirius who dispelled his worries with their words---but even in the books you can tell he isn't immediately convinced.

Maybe I'm just pandering to my own wants, but it would've been so nice for Harry to have seen Sirius or Lupin's memory of Lily and James. It's tragic to think that even after he had come to terms with SWM, he still never got to see his parents in love, happy, and living a normal life.

[emeryhiro]

What are your thoughts about the whole bethyl thing? I personally saw it more as Daryl finding hope and light when he was in a place of deep despair - she showed him that there's still good to be seen in the world. And so it was a major loss to him personally when she died. Plus she helped him process part of his past trauma.

But I've seen Norman Reedus and Greg Nicotero say that while romance wasn't scripted, there was a taste of it in the air when it came to acting choices. I hate that idea bc she was a teenager and it makes me feel less good about Daryl. I guess I'd hope that if he started catching some feelings "he didn't understand" (as NR puts it), then he would see that they're too far apart in other ways for it to go beyond a father/daughter big brother/little sister sort of bond. What do you think?

Hey Anon!

Thank you for your questions 😊 I'm sorry it took me some time to respond. I just wanted to be careful with what I say and how I explain my opinion since the last thing I want to do is disregard or disrespect anyone else's opinions on the topic.

I agree with you. I always saw that the reason Daryl grew to care so much for Beth was because she gave him hope and didn't allow him to shut off from the world after he thought he'd lost everything and everyone that mattered to him. This ultimately made him feel like he owed her because she saved him, maybe not in the literal sense, but definitely mentally. Her persistence ultimately leads him to finding everyone again.

Only hours before having to be on the run with Beth, Rick had told Daryl about how he'd sent Carol away for killing Karen and David, and we saw how defeated that made Daryl feel. Realising that Carol had to shoulder that responsibility on her own and that he wasn't able to be there to stand up for her put him in a really bad place mentally.

This guilt was then compounded by the governor returning to the prison and killing Hershel infront of everyone, and the guilt that Daryl felt for giving up his search for Governor, which in his mind was the reason Hershel died and they lost the prison.

So all these things combined meant that Daryl felt responsible for EVERYTHING that had just happened TO EVERYONE. And no one was there to help him sholder that pain and responsibility.

Ultimetly his instincts kick in, all the walls that he'd slowly been breaking down come right back up, and he starts to go cold again just to numb himself from everything he's feeling.

And this is where Beth came in. Firstly, her innocence and optimism was the only thing stopping Daryl from completely shutting off from the world. She kept reminding him that the other's could have made it and that if they got out then odds are others must have as well. And secondly, she kept him busy, she was something that needed his protection and that gave him porpose and a reason to keep going.

After Beth gets taken, Daryl ends up with The Claimers, who he thinks are exactly the type of people he deserves to be around, because (in his mind) he can't seem to be capable of keeping and protecting anything good that comes his away, but by some miracle he's reunited with Rick, Carl and Michonne again, and this is where he realises that Beth was right, and if Rick and co have made it then it probably means others have as well.

I think this moment above was the beginning of Daryl starting to believe that he has value again. Rick's words begin to soften him again, but even after reuniting with almost everyone again, we don't actually see Daryl's guard come down until this moment below.

Every single shield/wall he'd been putting up until now is instantly shattered. He's completely exposed in this moment. His mind and body take a few seconds to register what his eyes are seeing and what his heart is feeling, and he's instantly running to Carol and into her arms without any other thought. This is the moment we can get a true reading of his feelings.

Regarding how he felt for Beth...

Yes, I think there may have been some confusion from Daryl's side about what he was feeling for Beth, just like how Norman has described it previously; he cared for Beth, she was nice to him, and that was so rare in his life that he misread the whole situation and couldn't interpret what he was actually feeling. In my opinion, there was no romantic feeling or intent on either side; they were both just navigating a new form of friendship that they'd never experienced before. And if I had to, I'd compare his relationship with Beth to his relationship with Lydia. To put it very simply, he felt responsible for protecting these young girls who, at the time, had no one else on their side, and ultimately, both girls saved him in return and looked up to him as a role model.

~~~~

Thanks again for the questions 🩵 I really hope I did this justice because my main goal is to keep my blog a positive place for everyone.

I know there are many varying opinions on this topic, but I'm glad I got the chance to share mine, and I just wanted to once again say that this is my opinion and not meant to invalidate anyone else's 🩵

[kanerallels]

There's absolutely nothing worse than when I get a thousand words into a story and decide that I low key hate it

[trashlie]

Thank you for answering my asks! I agree, Alyssa wanting to belong to something bigger to fill in a void of loneliness sounds like a better fit than simply being an attention seeker solely for the sake of validity.

I've been thinking of what will happen after Alyssa's bullying scandal is exposed and I'm starting to wonder if Shinae's bullying accusations will be brought up in tandem. Both girls covered in similar rumors and confronting a shared past, highlighting a key difference between them: true friendship. Which I hope is one of the possible or many catalysts for Alyssa.

No matter what reputation she gains in public, Shinae will be surrounded by her friends who genuinely know and support her. A full on Shinae Defense Squad! Meanwhile, Alyssa will have a fan base turning against her, except for the stans who have a parasocial relationship towards her.

So, what will Alyssa do when she's cornered again? Will she dig her heel in, clinging to all these strangers who only see her as an image, in a desperate attempt to not lose all she has left? Or will she realize all of her former friends are standing together while she has no one and have a wake up call? 1/2

You're totally welcome! I say it all the time but it's true: I get so excited that anyone wants to talk to me about this series and reads my really long, rambling thoughts lol. I'm always happy to answer asks and share my thoughts and ideas!

I'm putting the second half of your ask under the cut. While it's not totally spoilery, it still mentions FP content so we'll be safe and throw it all under the cut!

(This is a bit fast pass spoilery). Then what if the rumors of her sexuality come to light and they step in to protect her. Will she realize it then? What she truly lost was not fame? 2/2

So I, and many others, probably including you, have figured that if Alyssa has a big career-changing scandal, it will likely be about bullying allegations, because that's a big deal in Korea and it can really make or break someone's career, especially if it's true. But I won't lie - ep 196 made pause and wonder if it could be worse. Now, I'm going to straight up say, I really, really, really hope if it turns out Alyssa is, in fact, queer, I really hope she is not outed via a scandal, but also.... it would be one way to ruin her career, wouldn't it? It just doesn't sit well with me - I'd rather she get to embrace that herself one day than have it outed against her will. For that reason, I like to hope that it will be just bullying rumors.

Once upon a time, I had written about how I thought there was a possibility that if Alyssa's past came to light, Nol might see himself in her, but that was long before he finally talked to Shinae, so, lol I think that's all out the window! He's really been giving me whiplash this last year lol. That said, I've never considered if it would wind up involving Shinae. Part of me is inclined to think no, it wouldn't, because she's not the one who is in the limelight, but the more I think about it, the more I think it would at least involve her at the "local" level - whether it's just that someone slips up and says something, that the news reveals enough details to connect to Shinae, whether Alyssa herself actually names her. It certainly wouldn't be Alyssa's finest hour, that's for sure.

As always, I think these scenarios always depend on variable factors - like would Nol still be "dating" Alyssa at the time of the scandal, for instance. I still think there's an opportunity for Nol to see himself in Alyssa, especially because we still don't know what his altercation with Kousuke was like (was he provoked, was he cornered, was he acting out of malice or was it an accident?). I don't think it has to be either or, though, right? He can both see himself in Alyssa and what sympathize with what it's like to be painted as something you aren't, cornered into something you never meant to, while also acknowledging he is trying to be above all that - you know, supposing that's his choice. I still don't know if we are getting the antihero arc that everyone has anticipated for Nol, since I feel like the big emphasis on Shinae revealing to Nol how she mirrors him is meant to imply that he may try to find a way to leave all of that behind, and to be a version of himself that he chooses to be, as opposed to the one he's been painted as. But what I'm getting at is, I think there's yes the potential that while he could sympathize with Alyssa, he could also be part of a support system to Shinae, because humans are complex. But I think that could flip a switch for Alyssa.

Again, there's a lot of factors here, like... she and Nol have discussed the nature of their relationship, so there's no real expectation that he would take her side just because she's his girlfriend or anything, and they already have a lot of contention between them, but I think there's still room for to feel... I don't think betrayed is the right word because that's a little dramatic, but I think there's a lot of complicated emotions that could arise from that, right? Picture it from Alyssa's angle: she wound up wrapped up in something she never intended and was desperate trying to save face even though her choices were not the kindest, they were what she thought was right in the moment, and in the end she wound up hurting someone she (presumably) never intended to hurt, did something she never meant to do. And though she's not in love with Nol, and maybe they aren't even truly friends, wouldn't you feel some kind of complex feelings akin to betrayal for him to support the person directly involved with this? It's an interesting scenario and I DO like to hope it would make her think about true friendship. I can't say I'm confident it could make her reassess her approaches, but that's more because I cannot say I'm confident about anything Alyssa might do lol. In such a scenario, I'd hope she'd finally understand what it means to have a handful of people in your corner, rather than a lot of people who only care about one facet of you, a persona that may not even be real. In fact, I think this would be SUCH an interesting thing to explore, but I don't think we'll really get a chance to without adding 3 more years to the story lol, but isn't there something compelling in that kind of lonely story? Once again, this is a reason I've really come to love Alyssa as a character - there is SO MUCH that can be done with her!

I do think, though, you are right in that it needs to be more than just that fall from grace and finding herself alone - being juxtaposed against someone like Shinae who would have people supporting her, reassuring her. It's one of the best ways for her to really face that void she's trying to fill and finally understand what she really seeks.

Now, trying to tie this back into the sexuality, god, if done right, it could be so tender, couldn't it? I know I said I'm opposed to Alyssa being outed by someone else, because it doesn't sit right with me, and that's such a dangerous thing for someone if they are surrounded by people who don't support her, but also a story is not about the "right" choices because as we've learned lol in general, people do NOT make the right choices. So the idea of Alyssa being outed but defended by people who she doesn't have a good track record with, because they are, at heart, good people who think it's unfair to do that to someone, to reveal something so private before they are ready, makes me want to cry, frankly lol. For Alyssa, she'd be getting another taste of what she lost, of what she has willingly thrown away, and yes, I think that could actually do a good job of making her see that.

Ultimately a thought I have about most characters (and, frankly, people in general) is that often we have to go through something to change, or to finally see and face the ugly in ourselves, to address something we've been avoiding, to take on something we are running from. It is human nature to be so wrapped up in our own experiences that we forget others have experiences and biases of their own. For Nol to change, to be more honest with himself, he essentially had to "lose it all". To be fair, he sort of threw in the towel himself, decided to be exactly what he's been painted as and give up his efforts to try to have a better life - but that's still prompted by two points of "failure". He was a good person at the formal, tried to save a friend, and in the end he couldn't do it and she got hurt, plus the drug and assault charges. He was pushed to the brink and even when being a person who cars, even when being a good friend, it backfired. Likewise, it blew up his option to go away and escape, to attend his father's alma matter and not only prove to everyone he was more than they believed he was, but to find peace for a while. For him, he lost things because he dared to defy this life so he decided to concede, and in conceding he loses his escape, his chance to maybe make his father proud, and he lost his friends, because in his eyes he was not worthy of them and would only endanger them. Only then, after listening to Shinae's desperate attempts to lure him out, when lmao attacked by her cat, the final straw!!! Did he come out - and he had no intention of coming clean to Shinae, she just happened to overhear him!

I think it will be the same for Alyssa and Kousuke - that they cannot simply wake up and decide to change, or see themselves for what they are. They have to reach a point that forces them to contend with that. It's so easy to say "Why can't Alyssa just realize that fame is not the same as friendship", but someone who has conflated friendship with idolization isn't going to see it the same. Someone who has believed that popularity feels more secure cannot see that for themselves. Logically, she knows the love her fans have towards her is conditional. That's the whole point of that incident with the fans that spotted her out with Nol - even though Nol is right to tell them off for bothering her after she politely told them she can't take a picture, she also knows that fans will only give you their support as long as they like you. Refuse their whims and they'll take to the internet to trash you to anyone who will listen. She knows that's not real love, but it's all she has so she's clinging to it. What will prompt her to change, otherwise?

The more I ramble about this lol the more I think you are right: she has to see that hollow popularity foiled against true friendship, and maybe even be reminded of what it feels like, what it's like to be supported unconditionally. Even though I've repeated that I don't want her outed against her will, I cannot deny how much I would love to see at least Nol and Shinae try to protect her. I love the complexity of it - that they are both people she has hurt in some way, that she has used in some way, but could still be allies to her. Shinae has made it clear that her feelings about Alyssa are complex - that though she doesn't seem to hold a grudge, the weight of what transpired between them still weighs heavy on her and what she really wants is clarity, to clear the air and understand. There's something painful and messy about being defended by people you feel guilt and regret towards, especially as people who probably offered some of the truest friendship she's know. (I mean, I say this loosely because, again, Nol lol likely befriended Alyssa for his quest for absolution and while he didn't intend to truly be their friend, he still was a good friend to them?) I guess what I'm getting at is: I love those complex, nuanced kinds of events, where maybe they will never become friends again, but maybe the genuine act of defending her could be the thing that makes her want to be a better person, to form real friendships and be her honest self. I hope Alyssa sometimes thinks about the first friend she made in middle school, who thought everything about her that other kids might find weird was cool, and feels some kind of regret.

lol as always this has gone on a whole tangent that was not intended but also, as always, these kinds of asks get me thinking about a lot of things! Frankly, I do not know what to expect of the second half of ILY. I don't know where we will leave the story in the present, or what we'll be set up for then, but I hope that when we see the characters as adults, we may get to see more of that complexity, of exploring and overcoming the things that have been holding you back. Alyssa is an extremely unlikeable character for good reason, but I just can't help but want to continue to see her involved in a big way, you know? There's just something so COMPELLING about her relationships with everyone!

Now lol with all that said, I will fully acknowledge that I think there IS a good chance that Alyssa could dig her heels in, because as I've said before, it is very likely that not all characters will overcome their pasts. Again, we see it with grown adults every day of life - that we are shaped by experiences and by our willingness to learn and unlearn. Is Alyssa willing to let something go or would she decide to push back and fight it, to find a way to shift blame, which would only get netizens more fired up. I WANT Alyssa to make some non-shitty choices for once, but that doesn't mean that's the arc she's on lol. I would not be surprised in the least if she found a way to try to deflect lol. Just, yknow. A resigned sigh like yup that's her lol. Flawed people can die flawed without making attempts to change, and I don't want that for her but look, sometimes that's life.

Man, this took me so long to answer and I apologize! My brain has been running away all week ;_____; some days I can sit down and bang out a response, other days the words are all jumbled in my head and it feels like I have to make a game of stringing them together since I can't telepathically write my responses. But as always, thank you for this ask and indulging in my love of Not Great Women characters lmao

[river-taxbird]

AI hasn't improved in 18 months. It's likely that this is it. There is currently no evidence the capabilities of ChatGPT will ever improve. It's time for AI companies to put up or shut up.

I'm just re-iterating this excellent post from Ed Zitron, but it's not left my head since I read it and I want to share it. I'm also taking some talking points from Ed's other posts. So basically:

We keep hearing AI is going to get better and better, but these promises seem to be coming from a mix of companies engaging in wild speculation and lying.

Chatgpt, the industry leading large language model, has not materially improved in 18 months. For something that claims to be getting exponentially better, it sure is the same shit.

Hallucinations appear to be an inherent aspect of the technology. Since it's based on statistics and ai doesn't know anything, it can never know what is true. How could I possibly trust it to get any real work done if I can't rely on it's output? If I have to fact check everything it says I might as well do the work myself.

For "real" ai that does know what is true to exist, it would require us to discover new concepts in psychology, math, and computing, which open ai is not working on, and seemingly no other ai companies are either.

Open ai has already seemingly slurped up all the data from the open web already. Chatgpt 5 would take 5x more training data than chatgpt 4 to train. Where is this data coming from, exactly?

Since improvement appears to have ground to a halt, what if this is it? What if Chatgpt 4 is as good as LLMs can ever be? What use is it?

As Jim Covello, a leading semiconductor analyst at Goldman Sachs said (on page 10, and that's big finance so you know they only care about money): if tech companies are spending a trillion dollars to build up the infrastructure to support ai, what trillion dollar problem is it meant to solve? AI companies have a unique talent for burning venture capital and it's unclear if Open AI will be able to survive more than a few years unless everyone suddenly adopts it all at once. (Hey, didn't crypto and the metaverse also require spontaneous mass adoption to make sense?)

There is no problem that current ai is a solution to. Consumer tech is basically solved, normal people don't need more tech than a laptop and a smartphone. Big tech have run out of innovations, and they are desperately looking for the next thing to sell. It happened with the metaverse and it's happening again.

In summary:

Ai hasn't materially improved since the launch of Chatgpt4, which wasn't that big of an upgrade to 3.

There is currently no technological roadmap for ai to become better than it is. (As Jim Covello said on the Goldman Sachs report, the evolution of smartphones was openly planned years ahead of time.) The current problems are inherent to the current technology and nobody has indicated there is any way to solve them in the pipeline. We have likely reached the limits of what LLMs can do, and they still can't do much.

Don't believe AI companies when they say things are going to improve from where they are now before they provide evidence. It's time for the AI shills to put up, or shut up.

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[justporo]

Astarion sees you're almost falling asleep and will drag you to bed now!

I would need this on like a daily basis. And I guess so do many of you - so let the vampire drag you to bed and GO! GET! SOME! SLEEP!

It was so late it could have been called early. Outside you could already hear the birds chirping, cheerfully greeting a new day. Which meant that it was more than high time to crawl into bed. And doubly so because you lived with a vampire who fared even worse with sunlight than you.

But you were still crouched over your desk and the papers there.

Your eyes were tired. You barely saw what you were working on anymore. And you knew you could get this done when you were fully rested and it would only take a matter of minutes. But you were so desperate to finish this.

Unfortunately, you had a tendency to be very determined (someone else usually called it stubborn but you always pretended you had gone deaf all of a sudden when that happened). But this tendency had brought you this far and probably saved your life more than once. And you wouldn't be bested by this piece of work!

But your head was slowly falling, your eyelids growing as heavy as lead.

And you only jumped back up when you heard that certain someone enter the room, being purposefully noisy to make you aware of it. You were grateful for that because if the vampire had snuck up on you, like he was fully capable of, it might have not ended well with you being this exhausted.

“Slacking off on the job, are we?” you heard his familiar teasing voice as he came closer. You felt his presence as he leaned on the table around you - basically caging you with his arms, sleeves rolled up to his elbows as usual. His lips were awfully close to your ear and the hairs on your neck stood on end as you didn't dare rip your eyes from your work.

“Don't you think this can wait, love?” he whispered now directly into your ear causing a hot and cold shiver to run down your spine.

But with this he had pushed the wrong button. Almost involuntarily you felt one of your eyebrows rise up and your lips forming a pout: “No, Astarion, I don't think it can wait.”

You turned your head around to face him and saw him smirk, making you even more annoyed at him. He leaned in closer, causing his chest to brush against your head now, his hands moved to cover yours.

“Do you really think a stack of papers can't wait more than your caring lover craving your calming touch?” he murmured with a pout that mirrored yours while his deft fingers freed your writing quill out of your angrily clenching fingers. You couldn't resist him long. His hands were used to open up more difficult things than your desperate grip on your writing utensils. Also his absolutely instrumentalized big red eyes he looked at you with were absolutely working their usual enchanting magic on you.

Not enough though for you to not make a snide remark about what was happening.

“Well, for starters the stack of papers doesn't talk back.”

“You think I'm funny, my love.”

“It also isn't as full of itself.”

A mockingly offended gasp while Astarion’s hands moved the papers out of your reach.

“My heart, you hurt me.”

“Ah see, it also doesn't guilt trip me.”

The vampire's hands wandered up over your arms to your shoulders. “I can't do right by you tonight, can I?”

“You could just let me keep working on my thing.”

A dramatic sigh and Astarion let his head fall forward and onto your shoulder. Then he let go of you and took a step back.

“Do you really want to keep working, dear?” he sounded sincere now and you suddenly felt true guilt as you looked at him. He stood there, arms crossed over his chest, eyes still awfully wide and shining.

But the urge to not keep business unfinished still had you in its claws.

After a few heartbeats you opened your lips to answer, but-

“Too bad, you're coming with me now, my love.” Astarion exclaimed and with rogue quickness grabbed your chair by the armrests to drag it away from the desk and turn it around to him. “You need your beauty sleep, I can't be seen walking around with a walking corpse!”

You squealed when you felt your body get yanked around so quickly while your tired brain was almost incapable of catching up. Thus you were almost confused when you had ended up on Astarion’s shoulder a moment later.

There was no energy left in your body to resist this infuriating man any longer so you just played the part of dead weight draped over his shoulder - since he had already coined you as such - and couldn't stop yourself from giggling.

“See, darling, I told you: you think I’m funny.”

“It's just sleep deprivation talking.”

“Ah, so you agree with that too.”

You resisted to answer him with something he would only twist around again to fit his agenda. Instead you just slapped his butt you had quite the delectable view of at the moment.

Astarion hissed and just slapped your behind in return. You only giggled more.

“I should have left you at your godsdamned desk, let you fall asleep right there to drool on the papers,” he murmured under his breath and ended it with something about how ungrateful you were while he threw open the bedroom door; your favourite drama queen.

Then he made quick work to get you off his shoulders with an exaggerated groan which you were sure wasn't fully acted.

As soon as your body hit your soft bed the last of your energy decided to evaporate into the aether. You were almost falling over if not for the vampire's quick reflexes catching your wrists.

With quick fingers and more snarky remarks you had no power to reply to anymore he undressed you to your underwear.

And with more overly dramatic groaning and a roll of his eyes since you provided absolutely no help did he turn you to lay down. He carefully placed your head on the pillows which you thanked him for with a dreamy sigh. Your eyes closed on your own. The blanket was thrown over you and more rustling told you that Astarion was quickly undressing as well.

When the mattress shifted under the vampire's weight as he got into bed next to you you barely even noticed it anymore.

With final efforts Astarion dragged you onto his chest. Your arms slung around him and your legs tangled with his automatically - you had done so hundreds if not thousands of times already.

“All this work just to get you where you belong,” Astarion whispered to you and clicked his tongue disapprovingly as he began rubbing lazy circles on your back. You only hummed contentedly as you felt your body relax fully into him and his touch.

Your last half-coherent thought as you drifted off to sleep was that, indeed, you had to agree with him on this one: you were right where you were supposed to be.

Taglist: @spacebarbarianweird @sunfire-ancunin @tragedybunny @dependsonthedream @tallymonster @magazzne @micropoe10 @aoirohi @my-bunny-prince @lumienyx @fayeriess @darlingxdragon @hereliesblackdragon @ayselluna @ajokeformur-ray @i-cant-get-into-my-other-account @rikuyrk06

[dunmeshistash]

Saw someone describe Mithrun as a "Disabled right wing veteran who is convinced hes just as capable as he was in his prime" and also that he would "complain about immigrants" and I'm very confused.

Where did this type of interpretation for Mithrun came from? There's nothing about him that indicates he's "right wing" or any more racist than the average elf and due to his condition he literally isn't able to care about that.

The sentiment of "Mithrun is a racist grandpa" seems to have gone from an absurdist joke based on him saying a "slur" into a real interpretation of the character??

First of all he's 37 in tallman years he is not a grandpa, I know it was a joke based on him being rough and the fact he's an elf (185 years old) but I'm starting to think some people really think he's grandpa age? He isn't, he's about as old as Senshi and Chilchuck, Senshi is actually older than him being 47 in tallman years if he's a grandpa they are too, it's going from funny way to call him into ableist territory pretty fast.

Second he doesn't have the ability to be actively racist anymore, racism implies a sense of superiority compared to someone else from another race, which all the elves have. (althought he still benefits passively from this racism as an elf even if he doesn't actively feel it) Let's go thru his anime appearance and what happens.

Kabru shows up and tries to speak to the elves and convince them to try his way. The elves think the short lived people are all ignorant and treat them condescendingly, even Tansu because they live more than any other race

Then they go from "Short lived people are too stupid to know anything" into "Oh my god this poor baby come on have some cake :)" which is ALSO condescending, nobody is taking Kabru or the governor seriously because they're short lived. These elves are RACIST they're treating Kabru like he's a confused kid "come eat some cake and let the adults talk"

Mithrun is the only authority figure that wants to listen to Kabru

He is a shell of who he used to be, right now he ONLY cares about defeating the demon, if there is a chance this kid (who has had experience with dungeons before) knows another way to get him what he wants he will listen to it, cause he *doesn't* have the capability of being like the other elves.

This doesn't mean he's anti-racist, it means he literally doesn't care, he lets the other elves mistreat Kabru in every other scene unless it has something to do with defeating the dungeon, cause he *doesn't* care. He's not gonna complain about immigrants cause he doesn't care he's not gonna treat short lived people like kids cause he doesn't care, he cannot care, he lost the ability to care.

Past Mithrun was the one that was both racist classicist and a bitch, but that part of him is basically dead.

He said the slur because they asked him not because he thinks is appropriate, the other elves aren't 'casual racists' and him the 'real racist' they are all just as bad he just doesn't have the "desire to be socially acceptable" I guess, they asked, he answered and that was it.

If it would make it easier try to think about it in terms of real life bigotry and how people keep going "you can't even say (...) because of the woke" they aren't any less racist they just worry about being socially acceptable racists.

Anyway, please don't just repeat what other people say as jokes as if they're true especially when you're saying it about a disabled character. Acting like he's worse than his peers because he doesn't have the capability of being socially aware is ableism, calling him a grandpa because he has had a rough life that made him look disheveled is ableism, saying he's past his prime is also ableist considering he learned how to fight *after* he became disabled.

Correct me if anything I said was wrong but I really got peeved after reading several people misinterpreting Mithrun as some sort of bigoted old man who must be taken to a retirement home as if he just causes trouble for people who care for him.

[thebestsetter]

He has never been afraid of dying.

Death doesn't fright him. He sees it as a natural part of the cycle of life. One must be born, live their life, possibly reproduce so their species can keep on existing and then die. All animals, be it a big magnificient whale or a little insignificant ant, have to do this too. This is what they all have in common (and honestly, it's beautiful how all animals have to experience this. It brings humans and animals closer).

Everyone dies, be it the sinner or the saint, the rich or the poor. Death doesn't discriminate people. It just comes and takes everyone (which is kinda funny, since people think that money or looks make them different from the other. They don't. We're all equal. The bullet that kills the powerful is also capable of killing the weak). And frankly, he's okay with that. He knows it'll happen.

Given his work condition, he knows he's more inclined to die than the average person. Everyday, he has to go out there and risk his life, saving hundreds of people he doesn't even know and sometimes not even getting a "thank you" back. It's frustrating, but it's not like he's giving up. Before he dies, he wants to make this world a little bit better. It probably won't be much, but he still wants to feel useful. He wants to feel like he did something good.

"Oh God! You're okay! You're really okay! I was so worried about you!"

He doesn't fear death. Which is why he doesn't understand why he feels like crying when you visit him at the hospital he was staying at after a mission that went wrong. Death doesn't scare him, so he's not quite sure why his hands tremble when they reach to pat your head. He shouldn't react like this. He's never reacted this way before

"Please, don't ever do that again! Never ever!" Your grip in his waist tightens to the point where his lungs are burning for air, but he still doesn't want you to let go.

"You have no idea how scared I was. When the hospital called me saying you were here, I felt like my mind was going a hundred per hour! Please, don't die..."

How can you ask him this? You both know it's impossible. He's going to die one day, it can't be helped. You can't escape death's claws. No one can escape their funeral. You're torturing him. You know he doesn't like to lie to you. He can't just say "I won't die" cause it's simply not true!

"Please don't die" you repeat, and his hands movement comes to a halt "Because I'll be lonely if you die. Don't leave me alone, please."

And suddenly, it all makes sense.

He still isn't afraid of dying. But suddenly, the mention of death leaves an itching feeling at the back of his throat. It makes him sick thinking about you going on with your life, possibly mourning over his death for a long time (he doesn't ever want you to be sad, especially not because of him. Strangely, a sick, twisted part of him wants you to cry when he dies. To be sad. To not move on fastly. He quickly supresses those thoughts though) and then completely forgetting him and starting a new family (this thought makes him sick to the stomach. He feels like a very bad guy when thinking about how he doesn't want you to find another man to replace him. You always said he was irreplaceable after all).

He will forever be someone who was, not someone who is. He'll be lost in time, a name you'll mention once or twice on a conversation while smiling and thinking about the good times you had together.

He'll never hear your laugh and your voice again, will never take you out on extravagant dates and have movie nights watching silly movies and laughing at the special effects. Leaving you alone in this dangerous world feels almost criminal.

Death doesn't make him feel bad. Having you forget him after he dies makes him feel like absolute shit.

And so, even though he can't promise you that he won't die, he can promise one thing. He grabs one of your hands in his, looking at you as serious as he can be.

"You won't ever be alone." He says, and you feel like crying. He then smiles weakly "I promise. I love you. Our love is too strong to be stopped by death." He kisses your hand and then quotes the same sentence he uttered at your wedding day "Remember? 'And if death do us apart, I promise to find you in every other timeline.'"

And just like he did that day, he props up in the hospital bed and kisses you.

MEGUMI FUSHIGURO, ITADORI YUJI, Gojo Satoru, Inumaki Toge (or maybe I'm just a glazer ☹️), Nanami Kento (idk, I just feel like it fits him), TODOROKI SHOTO, Bakugou Katsuki, Kirishima Ejirou, Izuku Midoriya, Aizawa Shota, HAWKS + any character you think fits this!!

~ A/N: this can be read as a sequel of another fic of mine. It also can be read on it's own though (but please, do check the other one if you're interested!!). Also, you can see some Hamilton songs' references here and there (cause I'm a theater kid 😔) AND this was inspired by a line in "Cowboy Beebop"

Masterlist

[kissitbttr]

cake testing with miguel for the wedding!

a/n: featuring a very possessive miguel

continuation from this!

—

it has been one of your favorite wedding plans that you always look forward to. When your best friend got married, she took you with her to help her choose which one was the best. The caterer brought six classic flavors and both of your eyes twinkled with excitement. The same goes for your best friend. You and her almost demolished that one special raspberry lemon cake with her, since both of you have a sweet spot for fresh fruits.

You could guess which one ended up at the wedding reception.

And now, getting to do it with your soon to be husband, Miguel, just seems like a dream come true.

"So, Darla isn't gonna be with us since she's got errands to run, her assistant is going to replace her today." You inform your fiancee as he drives.

He squeezes your thigh with his hand as an answer, focusing his eyes on the road. You look up from your phone to watch him drive. A smile graces upon your lips as you think how good he looks while doing it. Furrowed eyebrows in concentration, a small pout on his lips with one hand on the wheel.

Fuck, he looks absolutely delicious.

Miguel senses your gaze on him, causing him to glance at you for a second before a grin spreads across his handsome face.

"What?"

You shrug. "How do you do that?"

"Do what?"

"Look sexy while driving"

He snorts out a laugh before making a turn. "I don't"

it's your turn to snort as you shake your head. "Humbleness is good. But God you're a liar."

"Ah, si? But you do love me, no?"

"Unfortunately" You answer, causing him to pinch the inside of your thigh making you giggle. "If we're not on our way to the boutique, I would hop on that dick right now"

He groans at that, eyes shutting briefly as the thoughts of you riding him in the car fill his mind. And seeing the seductive smirk on your face and how divine you look in that white sundress, it's already hard enough.

''Just say the word and I'll pull over mami." He's dead serious. You could see his hand gripping tightly around the wheel.

"And be late? No can do. Plus, I dressed really nicely for today and I do not want to ruin that."

"We can be quick" He tries again, smirking at you. "20 minutes top."

"Knowing you, it could never be 20 minutes. An hour and a half maybe." You point out, re-applying the gloss on your lips before smacking it. "And that's why I'm always late to work"

"You're killing me here, Y/N." He sighs loudly, pulling over to where the boutique is. "I never hear you complain about you being late when my cock is buried deep in your pussy, anyway."

You feign an offensive look as you slowly turn your head at him, shooting a soft glare. "Excuse me? What happened to getting rid of the first-name basis?!"

Yes. You made it clear from the start of the relationship that you refuse to be called by your first name anymore. It simply just won't cut it. You made sure to give him hell every time he called you that, even if he had done it by accident. Miguel was silently pulling his hair because you can be quite mean about that. Though he won't admit how you driving him insane is sexy. Like, really, fucking sexy.

it's a turn-on for him at this point.

"Shit, my bad" He parks the car as you both get ready to walk out. "Sorry baby." He leans over to peck your lips with his hand still on your thigh. The action makes you smile.

“That’s better”

Miguel gets out first, not allowing you both to walk out at the same time because he wants to be the one who opens the car door for you. Despite you telling him that you're perfectly capable of doing that by yourself, he argues with the fact that gentlemen always open doors for their women. Your heart does a somersault every time. It never goes away.

"Got everything, mi amor?" He asks as he extends his hand which you take, before shutting the door. You nod at him, and the two of you walk into the boutique hand in hand. "Dios... You look so good right now, I might just have to fuck you out here"

You gasp at that, slapping him in the chest, earning a low chuckle from him. "Easy there, tiger. I'm not going anywhere" You scold him but secretly love it when his filter's off

“How can i take it easy when your… Girls look so inviting?” His eyes glances at your breasts being pushed up by the cups of your dress, gulping at the sight. “They want me to play with them” A pout on his lips making your heart melt.

“Ugh, Miggy! please do not call them girls” You whine, shaking your head. “I thought we agreed on ‘tits’? Just tits.”

“Alright, alright fine… You’re no fun sometimes” He jokes, kissing your cheek. “Now, is this it?”

You nod, pushing your sunglasses up to the top of your head. “Darla said we can just walk right in.”

Miguel opens the door before allowing you to walk in first as he follows from behind. Red orbs scanning over the interior of the shop. It’s pretty. Lots of flowers in each corner, the paint is mostly pink and white.

“So is this where you and Darla had done the cake testing?” He asks, hand snaking around your waist.

“Yes! It’s so beautiful isn’t it? It’s like something coming out of fairytale or that ‘Enchanted’ movie we watched the other day. Darla really did amazing with this one. Though i did advice her to fix up the ceilings a bit and enhance the structure on that specific corner there.” You point with your manicured finger. “I offered to redesign and oversee the construction more. Just to help her a bit.”

He hums, squeezing your waist before planting a kiss on top of your head. “Look at you go… My little architect” He mumbles softly.

There’s no doubt on his mind that he’s proud of you. He loves seeing you work and help your friends who are in need. And that smart little brain of your is one of the things that made him fall in love with you in the first time. Jess had introduced you to him one time when he was scouting for a new architect to remodel the Spider Society’s HQ.

He was definitely entranced by your beauty when he saw you walked into his office with Jess by your side. You looked so sophisticated and elegant with glasses and the dress you had on that time. Long hair fixed into a messy bun as you shot him a smile before saying your name.

From that moment on, he was hooked. And made it his mission to make you his.

“Ms. Y/L/N and Mr. O’Hara?” Both of your ears perk at the sound of someone calling your names. You see a man, who’s probably in his late 20s emerging from the back with a smile. No doubt about it that he is quite handsome.

“Hi there! How are you? My name is Cameron, i’m Darla’s assistant. And my my, Darla didn’t say anything about her client being beautiful.” He chuckles as he lets out the joke. “She said you are stopping by for the cakes?” He flashes his toothy smile at you, and only at you.

Miguel frowns, at that. That doesn’t seem professional now, does it?

You choose to ignore that comment before smiling. “Yes, we are actually! I mean, I’ve done it with Darla about two weeks ago but my fiancé haven’t. So I’m bringing him, so he can taste it for himself.” Your hand squeezing your lover’s arm that is still settled around your waist.

The man nods, smiling as his eyes aren’t leaving yours which makes Miguel even more uneasy. And the way he looks at you from head to toe makes his blood boil.

He knows how men think, and he thinks. No, he knows that this asshole is basically undressing you with his eyes.

But Miguel is not the type create a confrontation. At least not anymore now that he’s with you. So he might’ve to push those feelings aside because he knows how much this means to you.

“Well step right here, I’ve prepared it all just for you, Ms. Y/L/N” He winks, gesturing you to follow him to where the cakes have been displayed.

Is he fucking serious?! Miguel thinks.

“So 6 different flavors, yes? Chocolate Lava, Lemon Raspberry, Strawberry Champagne, Red Velvet, Hazelnut Praline, aaand Hawaiian. That one is vegan” He checks off the last one on the list. “Customer’s favorite always been the Praline or Lemon Raspberry. You look like you deserve the latter. The best reserved only for the prettiest”

Again, you ignore his comment. “Oh well i tasted the Strawberry Champagne and it was amazing. But I’m leaving it to my fiancé here, so he can choose” You look up to him and notice there’s a slight frown on his face. “Baby?”

Miguel regains his composure when you call him, snapping him out of the thoughts of him killing Cameron in his mind. “Oh. Yeah yeah. Sure. You know my taste buds don’t matter just as long my woman is happy”

He makes sure to emphasize the words ‘my woman’ just so the guy can get the picture but he doesn’t seem too bothered by it.

“Well, we’re in this together so your taste does matter, as well.” You’re completely oblivious with the soft glare that Miguel throws at Cameron’s direction. Hands softly picking the forks from the table to cut a piece,

“Here. Let’s try the Chocolate—“

“Why don’t you feed it to me, mi amor?” He asks, looking at you with a smile. “One fork for two.”

If he can’t be violent then he’s got to find a way to make sure that this Cameron fellow understands that you’re fucking off limits.

You raise an eyebrow at the suggestion. “Sure, papi” You mirror his expression before cutting the cake, lifting it to feed him,

He takes a bite. Eyes dead set on the man who stands awkwardly from across, gaze looking anywhere but him.

“Hm” He nods. “That one’s good. Dark chocolate is it?”

“Right?” You ask cheerily. “Darla is amazing, i swear i need them all 6.” As you turn to fees yourself with the chocolate cake.

He shrugs, wiping a bit of the frosting from the corner of his mouth. “You’re the bride baby, you can have all 6 for the wedding, i don’t mind. I got the money for it anyway.”

You smile at him, kissing his jaw. “I love you, but we can’t be too greedy now can we?” A giggle escape your lips.

Oh he knows. He just wanted to make sure that son of a bitch gets it through his thick fucking skull that you’re his.

The two of you continue to feed each other’s cakes— more like you feeding it to him to be honest— rating each and every single one. Making sure to put a mental note on whichever you prefer before coming back next week and pick one.

Miguel glances at Cameron every now and then and watches how he stays quiet for the rest of it, letting you and Miguel do your thing. Probably too scared after seeing the intimidating look on his face.

“Gotta say, Strawberry Champagne and Chocolate one are amazing.” Miguel points, rolling the sleeves of his shirt to his elbows. “You sure have a great taste, cariño. Confío en ti con todo.”

“Gracias, mi corazón” you put down the fork back on the table, smiling up at Cameron. “That’d be all i guess, yeah? But i think we’ll be back next week to pick one for sure. Will Darla be here?”

“She hasn’t said anything about it but uh, i-i’ll make sure” He stutters a bit, smiling nervously and trying to avoid Miguel’s death stare.

“Okay then. Well, thank you, Cameron for assisting us today. We have to get going now, still have a lot to work on” You offer a polite smile to his direction. “Shall we get going?”

Miguel nods, eyes still fixated on Cameron. “Yeah sure. But uh.. Can you wait for me by the car? I just need a few words regarding with the cakes with Cameron”

He’s not letting this off easy.

You watch how his eyes trained to the young employee, scrunching your brows as Miguel turns to look at you with a soft gaze. “It’ll be just a minute, baby.” He presses a reassuring kiss on your temple,

“Okay” You nod, smiling softly. waving a hand at Cameron before walking towards the exit. Soon as you’re out of their sight, Miguel turns his gaze back on Cameron. The young man looks like he’s about to piss in his pants.

The two stands in silence for a while as Miguel looks at him up and down.

“You ever gotten your ass kicked, Cameron?”

The question throws him off guard. Eyes widening while his mouth hangs open.

“S-sir?”

“It’s a question. Yes or no.”

“Well uhm, n-no sir” Cameron shakes his head. “Wha-“

“You do know that me and my girl came as a couple, yes? Or are you fucking blind?” Miguel’s eyebrow raises at him, arms crossed over his chest.

“I see that, Mr. O’Hara. I-i didn’t— I’m sorr-“

“You flirt with every customers? With their soon to be bride? Or is it just my woman you’re after?” He clicks his tongue against his teeth.

“N-no, Mr. O’Hara.”

“No as in what?”

“J-just her, i-i mean your woman.” He nervously confesses,

Miguel lets out a dry chuckle. “Let’s get one fucking thing straight, kid.” He leans forward, balling his fists before resting them on the table

“If you ever flirt with her, look at her or hell, if you even think about her when we come back next week, i will make sure no one remember how you look. And trust me when i say that this is not a threat but it’s a promise. Understood?” His voice laced with venom as he points his finger at Cameron’s chest who gulps,

Nodding quickly, he answers. “Understood.”

“Very well” Miguel retreats, taking a bottle of water from the table. “Stay away from my wife”

With that he walks out of the boutique, breathing out a heavy sigh, unscrewing the bottle cap before taking a gulp.

“How’s the interrogation goes?” You speak up with a playful smirk. “Did you manage to make him piss?”

He looks at you as he walks towards the car, shrugging. “I don’t know what you’re talking about” He replies.

Rolling your eyes, you cross your arms. “I saw you, papi. You almost kill the kid.”

“Again, i don’t know what you’re talking about.” He smiles innocently, both arms snaking around your waist to pull you close. Seems like a good kid. So i didn’t say anything”

A laugh escapes from your lips, one that he loves most—besides your perfect moans— “I know you, O’Hara. Like i said, a bad liar.”

“Alright fine, you caught me” He holds his hands up in defense. “He’s lucky i didn’t punch him.”

“That would be a sight for sore eyes.” You tease. “You know there’s nothing to be afraid of, right? Ain’t any other man could possibly steal my heart like you did three years ago.”

“Yeah well maybe if you stopped looking so fucking beautiful with your big pretty eyes and soft pouty mouth, then maybe men wouldn’t try to chase you off and i wouldn’t have 50+ competitions” He complains. But in reality he doesn’t mind.

“Oh excuse me, Mr? You don’t think i got one too?” You ask him through your lashes since his physique is towering you. “I had to put your ex back in her place at the Gala we attended three months ago, you remember? Slimy bitch.”

He laughs hard at that, head shaking at the memory of you confronting Dana was truly one of the unforgettable moments he has of you. “So, what’s next on the agenda?”

You look back at your phone before replying, “Seating arrangements on 112th street. Now this, we can use that 20 minutes up for something else since they’re running late.”

Miguel’s eyes harden as your finger running up and down his chest. “You mean—“

“Offer still stands. Want me to ride you while we wait?” You chew on your lower lip, gazing up at him and giving him your best doe eyes.

“Baby, if i ever said no to that question… Please feel free to grab my gun under my desk and shoot me in the head” He states, making you laugh as you throw your head back.

-

This feels like shit :/ I’m sorry but i need to clear out a few WIPs in my drafts

Though i still hope you all like it!

[discodeerdiary]

There's a good reason why I try not to argue publicly with anyone under 18, and it's not that I think they're inherently stupid, it's not that I think their brains are "underdeveloped", it's not that I think they can "do no wrong", it's that I never know how much freedom they actually have to think freely, or how many of their opinions are actually their own. Of course, under-18s *can be* capable of thinking for themselves and developing their own opinions, but (here in the US at least) law and culture put a lot of roadblocks on their ability to do so.

Of course parents and teachers cannot actually control the inner thoughts of the children they wield power over, but they can restrict the information that they have access to, can punish them for saying the wrong things, can cut them off from healthy diverse social groups, and can convince the child their thoughts are being monitored through religion, psychology, and other appeals to higher authority.

Thus if a random teenager says some headass shit in my mentions I have no way of knowing if these are opinions they arrived at on their own, or if they are dogmas forced on them by the people holding food and shelter over their head. If it's the latter, there's nothing to be gained from a public confrontation: people are generally unwilling to change their opinions in a direction that threatens their social support system, and they are especially unwilling to do so at the behest of an internet stranger who cannot offer alternative forms of support. If a teen is genuinely curious about my opinion (that is *if they consent* to a discussion of disagreements) and if I have the mental bandwidth for a potentially emotionally loaded conversation, yeah I'll have it, but I'm not gonna maintain any illusions about my ability to change their mind until they can find a way to live independently.

This is also why my leniency toward the not-yet-adult tends to also extend to the recently-adult. Coming up with a system of beliefs that you're actually willing to stand behind? Shit takes time, and I'm not necessarily gonna expect it of a 20-year-old who may, for all I know, have been living under conditions of near-absolute control up until their 18th birthday. Sure they may be opening their mind in college, or college may be their parents way of keeping them too occupied with busywork to develop new opinions, as they continue to hold financial support over their head. It's around their mid-twenties that I'm willing to go full gloves-off antagonistic with strangers, knowing that they've had a few years of legal and social adulthood under their belt, and that even if they're still financially dependent on their parents it's a different sort of dependence, one where they're given default legal permission to run away from home.

A lot of people are deeply uncomfortable with this line of thinking because if you look too far into the factors that influence young people's thoughts, you eventually have to start asking yourself which forces of dependency are influencing your own beliefs and opinions. Yeah, as an independent adult you may have the option to quit your job, divorce your spouse, ditch your friends, move to another country, but realistically how many of these can you accomplish at the same time? How many do you even want to? And how are all of these forces *in aggregate* setting the acceptable limits of what you're allowed to think and feel? It can be upsetting to think of yourself this way, it can be easier to think of yourself as a true free thinker and children as mindless automatons, but I urge you to think of mentally coercive environments as a continuum rather than a binary. The point is not to free yourself from all influence, but to gain the ability to see yourself as an influenced mind, and to have compassion for those dealing with all the bullshit you don't have to anymore.

[stxneflxwers]

off-colored.

⋯⁂ summary. Aventurine woke up sick, now you're full of determination to keep him home – the place where he's allowed to be himself (and so you can take care of him.)

⋯⁂ a/n. barely edited lol. i wrote this in the tumblr post editor... :') anyway. SICK FIC TIME!!!!! I WANNA BABY HIM GRRRR

⋯⁂ characters. aventurine. gn reader.

⋯⁂ w.c. 971.

⋯⁂ cw. fluff/hurt comfort. established relationship. sickness and its side dishes. all lowercase. mentions of nudity. mentions of past trauma. (both are non-descriptive).

aventurine.

🌌 needless to say, he's not exactly thrilled to be sick – if anything, it makes his heart jump into his throat (and subsequently make him cough and choke on his own saliva even more).

🌌 for a split second, he thinks he's dying – but no, all that happened was him rolling off the bed and crashing to the floor with the blanket tangled around him. and then promptly getting thrown into a violent coughing fit.

🌌 you were, for a split moment, considering getting on his case for hogging the blanket again – and then you heard him hacking away for a solid few moments before he releases a very loud, stuffy sigh. uh oh, you think, that last long mission he had must've gotten him sick.

🌌 but then... you realize how you can take advantage of this and force him to stay home for once (definitely not because you want more time with him or anything. totally not.) you grin to yourself, believing it's your turn to win for once – he's hardly a sore loser when it comes to you.

you roll to his side of the bed and peek over the edge, "you sound sick." you blurt out – soft, unimposing.

"huh? uh... nuh uh!" he then sneezes behind his clothed arm after barely managing to detangle himself from the blanket.

"yeah, sure, totally and completely not sick at all. i definitely believe you." you scowl, although it's more playful than genuine.

"but... i've got work today–"

"you say that every day."

"but it's true!" he sniffles and wipes at his nose with the back of his black fabric sleeve.

"yeah, well, too bad!" you say and hop to your feet, already feeling excited over the notion of babying him all day. "you're staying home – coworkers and boss be damned."

he whines your name pathetically, "pleaaaaase..."

"no."

"pretty please?"

"no!"

"...with a cherry on top–"

"oh, shush. and don't you try to sneak out of the house." you cross your arms with an atmosphere of determination – all to make sure he gets better soon, instead of exacerbating any pain and malaise.

"haha..." he chuckles weakly (and dryly from his parched throat), "alright, you win."

"yay!" you cheer and help him sit on the edge of the mattress (that will certainly need to have its sheets changed soon), "good boy." you pat his head with such soft and slow strokes that he can feel the love melt into his bones and heart.

"aw... you just wanted to hear me say that you win, huh?" he teases – despite his ailed state – and smiles up at you, somehow even more charmingly than usual. "sure, sure, take advantage of the sick guy–"

"shush, you! it's not such a bad thing to have you home with me for once, anyway..." you sigh, a soft pout protruding from your bottom lip – your hand stills for a fleeting moment, making his heart lurch right back into his throat again.

"i'm sorry, i'm sorry – don't be mad–" he pleads, something he rarely does, but you've dealt with a sick kakavasha once before, you can do it as many times as you need to.

you smile sadly, your eyes pinching with apology, "don't worry – i'm not upset at all. i've just...missed you more than words can describe." you resume petting his soft hair – he's always taken such good care of his pretty blonde locks.

"i...i missed you too, babe." he sighs in relief, his heart settling back into its rightful place.

🌌 he's surprisingly compliant for the rest of the day – of course, he has his playful and teasing comebacks, but he never truly puts up a fight. even if he felt capable enough, he still wouldn't – not against you.

🌌 you do just about anything for him as he recovers – to drive home the point that you love him dearly and deeply. he barely asks for anything, though, so you end up going above and beyond for him – as a part of some weird, personal gamble with yourself. has he been rubbing off on you? you're not sure.

🌌 one of the worst (read: most difficult) parts of taking care of him is making him eat. he'll complain with a whine or groan and try to hide under a pillow or blanket. you're not sure if it's trauma-related or him just being a big baby over some minor nausea, but no worries, you've got it handled.

🌌 after a bit of half-hearted arguing, he succumbs to your demands and eats at least half of what you made him. he has an arguably small appetite and stomach due to his past, so you let him eat as much as he's comfortable with – as long as he actually eats.

🌌 one of the other worst parts of taking care of him is getting him to bathe with you helping him. he insists he won't fall asleep in the bath, but you don't trust his awkward laugh and blatant lie (or his half-asleep expression). once you've pulled your final straw, you give him a hard, long stare until he finally puts up his white flag and – yet again – succumbs to letting you help him out.

🌌 he's very shy when you're naked around each other – it immediately makes his whole face red, his blush even reaching his neck and upper chest. you giggle a little at him and he pouts, all you do is pinch his burning, red cheek. yet your gentle, loving teasing eases his aversion to any and all vulnerability. he, from thereon, complies with the rest of the bathing process.

🌌 when night falls upon your shared home, he's practically dead asleep. you feel fulfilled. and he's already looking better than he did this morning – the color in his skin slowly returning.

yeah, you definitely won.

[adambja]

✴️THE SUBCONSCIOUS MIND✴️

The Guide - the only post you will ever need to understand how your subconscious mind works!

1. Time isn't real

Let me break it to you! Time isn't real at all cuz think about it all these hours and numbers are made by humans!

But how?!

They just track how the earth moves around the sun and that's all

Yes without time there will be morning and night and still these hours aren't real

As in whole THE UNIVERSE!! TIME DOESN'T EXIST IF YOU AREN'T ON THE EARTH!

which GETS US TO THAT ONE POINT

SUBCONSCIOUS MIND REPROGRAMMING DOESN'T TAKE 21 DAYS OR ANY TIME

Subconscious mind reprogramming is instant

That's why I always add it to my tapes as benefits and that's why I made the benefits! cuz it bypasses the conscious mind and it makes it easier for your subconscious to make it reality!

So basically it all comes down to what you assume!!

2. Languages

I got that question a lot about what if I can't speak English, will the affirmations work?

Yes ofc they will

whatever it's affirmations only or my tapes

Even if you make your own tapes it will work!!

3. Thoughts

Is it really "it is what it is"?

Yes, it is what it is

For ex.

if you think you already got 50k US DOLLARS you already have it it's that simple (like that success story a girl experienced with one of my free tapes she manifested 50k US DOLLARS! - also this one success story - The tape is on YouTube btw)

Again it all comes down to what you assume!

4. Assuming

Assuming hmmm... Do you know that all your thoughts are assumptions?

But there are two things about these thoughts!

Did you assume that they are real and true?

Do you assume that whatever you want is already achieved?

Do you assume that you are always right?

Or did you assume that it can't happen cuz you think you are lying!

Just be honest with yourself

Get a piece of paper and write everything you think about down ABOUT A SPECIFIC MANIFESTATION YOU GOT ON YOUR MIND!

And if you think you are lying why? Ask yourself! Make all that noise go away and clear it for yourself! You deserve better

Now this gets us to another point which is your manifesting self-concept and your self-concept they are very important for ur existence like they are the core of your life! So a little advice work on them then do whatever you want!

Cuz it changes the way you think and what you assume

So like a person with a bad or mid self-concept they will always assume the worst for themselves

Another person with a good self-concept they will be aware of who they are and what they are capable of!

5. Thoughts, Feelings and beliefs!

Again and again

How you feel is created by thought

Subconscious programming → beliefs → feelings → thoughts

So if you keep saying "oh I am sad" multiple times you will be sad it's just that simple

Use it for your own good!

And imagine what... Right now

Your beliefs will reflect in your reality after one thought instantly after reading this post so be careful cuz i already manifested this while typing this!

And listen to in control tape by me on YouTube!

Basically you can always create beliefs instantly cuz you believe that time isn't real... Did you know what we are doing here? Just assuming the best for us but you still have to be constant to get used to it and make it a part of your programming like everyday

Someone like me I enter the void every time I nap and sleep I got used to it and I don't even feel tired anymore when I wake up there and I don't use it that much anymore!

I literally enjoy how easy it is in life to do whatever I want and experience whatever I want!

6. Simple assumptions to have a good relationship with your subconscious mind

I will give you 10 affirmations from my paid subconscious mind tape at the end (I know it won't be the same as the tape itself because of the benefits but still it might help you guys!)

Do you know that your subconscious mind is here for you like a parent it's like your personal assistant - it has everything about you, your memories and it controls ur whole life it accepts every single thought you think about unless you say it it's not something you accept so it gets in your subconscious mind like "oh I don't accept this"

Even the negative statements your subconscious mind knows it negative!! Same thing with the positive statements

Like for ex.

I am not a bad person - negative statement

Your subconscious mind acknowledges it!

Your subconscious mind won't take it in like "I am a bad person" without the "not"

Even the same thing with

I am a good person - positive statement

Your subconscious mind acknowledges it TOO

The subconscious mind ACCEPTS THE NEGATIVE STATEMENTS TOO!

IT IS simply WHAT IT IS!!

It's not the opposite at all as some weird bloggers said! Or even that book about the subconscious mind it's called "the power of the subconscious mind by Joseph Murphy" it's full of bs and limiting beliefs - I genuinely hate it

I literally saw a coach in Saudi Arabia on X (PREVIOUSLY Twitter) selling a whole course for almost 30k USD and sharing all the limiting beliefs in that book and that was months ago!

I mean at least IF YOU ARE MAKING PEOPLE PAY FOR SOMETHING PROVIDE THEM WITH THE BEST THINGS AND INFORMATION

I hated how some people let some crazy stuff like that get to them without doing their own research or just creating their own rules!!

Be a little independent please for your own good

Your subconscious mind can be programmed instantly YOU DON'T NEED ANY TIME all you need to realize and understand is that yes "I always reprogram my subconscious mind instantly" and YOU JUST NEED comfort and just repeating the affs - this is a way

Another way to do it - make your own tapes and it's just repetition

Another way to do it - simply be it be whatever you want to be! Like it's already you!

One last way to do it - my free tapes + paid tapes they are very effective they work from the first listen because they have benefits again what actually made my tapes get that much success stories is the benefits

I am gonna upload 2 new free tapes they are small but very effective! Everyone here will like them!!

🎀10 Affirmations for your subconscious mind🎀

from my paid subconscious mind tape

Affirmations:

Me and my subconscious mind are one.

My subconscious mind already accepts everything I say as true.

My subconscious mind already accepts everything think about as true.

My subconscious mind is already my best friend forever.

My subconscious mind always helps me with everything.

My subconscious mind always loves me.

My subconscious mind always helps me reach my highest potential in this lifetime!

My subconscious mind already believes what I want it to believe easily effortlessly quickly and instantly.

My subconscious mind always manifests everything I want easily effortlessly and instantly.

I have a perfect relationship with my subconscious mind.

Thank you guys for all the support and love and I hope this post helped you!

If you have any questions you can always send an ask I will be happy to answer them whenever I am free! Also you can dm me if you want a paid tape or a custom tape!

One last thing these tapes are with benefits they aren't like any other tapes that are available everywhere these days! 🎀

Enjoy!💗

[natsaffection]

Walking through fire. | N.R

Natasha Romanoff x Firefighter!Reader

Warnings: Dealing with Break up

Word count: 5,7k

A/n: Hello! The request idea started because the person has been looking for a similar fic for a while. So if you know of one that is similar, please let me know! So please don't be surprised, I didn't copy it. 🫶🏼🫶🏼

You stepped out of the fire truck, adrenaline still pulsing through your veins, even as the cool evening air settled over the fire station. The last call had been intense. A warehouse fire that threatened to spread to nearby buildings. But, as always, your team had handled it professionally. A small smile tugged at your lips as you walked back to the station, the gear clinking softly with each step.

You were the only woman on your team, which had initially caused some concern among some of the older men when you joined. But you quickly proved yourself, not only as capable but as one of the best. Over time, you earned their respect, and in many ways, you became the heart of the team. They looked out for you just as you did for them, and their bond was strong, forged in the fires they fought together.

As you entered the locker room, you were greeted by the familiar banter of your colleagues, along with the smell of sweat and smoke. "Hey, are you coming?" called Jake, one of the older firefighters, as he peeled off his gear. "We’re heading to O’Malley’s tonight. Are you in?"

You hesitated for a moment. It had been a long shift, and all you wanted was to go home, shower, and spend some time with Natasha. But it had been a while since you’d gone out with the guys, and it would be good to relax with them. Besides, you could invite Natasha, it might be just what you both needed to reconnect.

"Sure!" you replied with a smile. "I’ll be there. I’ll see if Nat wants to come too." The guys exchanged knowing looks, and Jake gave you a thumbs-up. "Great! I haven’t seen her in a while. It’d be nice to catch up with her."

You nodded, but a small knot of worry twisted in your stomach. It was true..Natasha had been distant lately, and you couldn’t shake the feeling that something was wrong. But you pushed the thought aside, hoping that tonight would be a chance to bridge the growing gap between you.

The atmosphere at O’Malley’s was lively, the local bar filled with laughter and chatter from off-duty firefighters and locals. You arrived with your team, and the group immediately took their usual corner spot. You spotted Natasha near the bar, as stunning as ever, her sharp green eyes scanning the room. Your heart lifted at the sight of her, and you quickly made your way over to her.

"Hey, you made it." you said with a warm smile, leaning in to kiss Natasha on the cheek. Natasha smiled back, but the smile didn’t quite reach her eyes. "Of course. You know I wouldn’t miss a chance to see you and your boys letting loose." You chuckled softly, wrapping an arm around Natasha’s waist and leading her back to the table. As you joined the group, the conversation flowed easily, with stories from the day and jokes making the rounds. But you couldn’t help but notice that Natasha was quieter than usual, her responses brief, her mind seemingly elsewhere.

It wasn’t long before Jake, ever observant, leaned over to you. "Hey, is everything okay between you two?" he asked quietly, his tone gentle but concerned. You sighed, glancing over at Natasha, who was now holding a drink and barely participating in the conversations. "I don’t know.. " you admitted softly. "She’s been..distant lately. I just can’t figure out why."

Jake nodded, his brow furrowed. "You know we all care about you, right? If something’s wrong, don’t just ignore it."

"I know." you replied with a small, grateful smile. "Thanks. I’ll talk to her." But as the evening wore on, your worries deepened. You watched as Natasha grew more withdrawn, her attention drifting further away from the group. Your heart sank as you saw Natasha get up and head to the bar to talk to another woman, a striking woman with a confident smile. A knot formed in your stomach as you watched the interaction from a distance.

Natasha laughed, leaning in closer to the woman, and you couldn’t miss the unmistakable signs of flirting. Your mind raced, trying to rationalize it, convincing yourself that you were overreacting. But the way Natasha touched the woman’s arm, the way she looked at her, was something you couldn’t ignore. Jake’s words echoed in your mind Don’t just ignore it.

Your hands clenched into fists, your heart pounding with a mix of anger and hurt. You couldn’t stay here any longer, couldn’t watch this unfold before your eyes. You stood up abruptly, the movement catching Natasha’s attention. Your eyes met across the room, and for a brief moment, you saw something in Natasha’s gaze, maybe guilt or simply the realization that she’d been caught.

You didn’t wait for Natasha to come to you. You turned and left the bar, the cool night air hitting you like a slap as you stepped outside. The anger that simmered within you was like a raging fire, threatening to consume you. You barely registered the short drive home, your mind a whirlwind of emotions.

Back in your apartment, you paced the living room, your thoughts racing. The minutes dragged on like hours until you finally heard the door behind you open and close. You turned to see Natasha standing in the doorway, her expression unreadable. "I-" Natasha began, but you cut her off.

"Don’t." you interrupted, your voice trembling with the effort to control the storm within you. "Just don’t! I saw you, Natasha. I saw how you were with her." Natasha sighed, running a hand through her hair. "It’s not what you think-"

"Then what is it?" you demanded, your voice rising. "Because from where I stood, it looked like you were flirting with someone else. And this isn’t the first time you’ve been like this, Nat. You’ve been cold, distant, like you don’t even want to be around me anymore.. And now… this?"

"I don’t know what you want me to say!" Natasha replied, her voice growing colder. "You’re always at work, always with your team. Maybe I needed someone to talk to, someone who’s actually there.." You stared at her, her words cutting deep. "Are you serious? I risk my life every day, and you think I’m neglecting you? You knew what my job was when we got together, Natasha. You knew how important it is to me."

"And what about us?" Natasha shot back, her voice rising as well. "What about our relationship? Or is that supposed to come second to everything else?" Your eyes flashed with anger. "I’ve tried, Nat! I’ve tried to be there for you, but you’re the one who pushed me away. You’re the one who shut me out!" Natasha took a step forward, her fists clenched. "Maybe I pushed you away because I felt like you weren’t really there anymore! Maybe I shut you out because I don’t know how to compete with your damn job!"

The room was filled with your heavy breathing, the tension so thick it was almost suffocating. You felt your heart breaking with each passing moment, the reality of what Natasha was saying beginning to sink in. "I never asked you to compete with my job.." you said, your voice trembling. "I just wanted you to be there for me, like I was always there for you." Natasha’s expression softened for a moment, but then it hardened again, her walls going back up. "Maybe we’ve just grown too far apart, Y/n. Maybe this just doesn’t work anymore." You felt like the ground had been pulled out from under you. "Do you really mean that?" you asked, your voice barely a whisper.

"I don’t know what else to say..I can't anymore.." Natasha replied, her tone flat. "I’m tired, Y/n. I’m tired of feeling like I’m always second place in your life." The finality in Natasha’s words hit you like a sledgehammer, and you knew deep down that this was the end. The fight drained out of you, leaving only a hollow emptiness that you couldn’t ignore. "Maybe you’re right." you said quietly, your voice breaking. "Maybe we’ve just grown too different."

Natasha looked at you for a long moment, something unreadable in her eyes, before she finally turned and left, leaving you in the ruins of what had once been your shared life. The door closed with a final, echoing click, and you sank onto the couch, the weight of the night crashing over you. The tears you had been holding back finally broke free, and you cried until there was nothing left, the pain of losing Natasha burning brighter than any fire you had ever faced.

Weeks passed since that night, the night when everything had fallen apart. You had thrown yourself into your work, using the long hours and hard shifts to numb the pain that had settled in your chest. The fire station became more than just a workplace, it became your refuge, a place where you could lose yourself in the routine, the adrenaline, and the camaraderie of your team.

But no matter how hard you tried, you couldn’t fully escape the pain that Natasha’s absence had left behind. The quiet moments when you were alone with your thoughts were the worst. Those were the times when the memories came back. Memories of Natasha’s smile, her laughter, the way she would snuggle up to you after a long day. All of it haunted you, lingering like smoke long after the fire had died.

Your teammates noticed the change in you almost immediately. They were used to you being the strong, confident woman who could take on any challenge, who always had a quick joke or a comforting word at the ready. But lately, you had become quieter, more withdrawn. The usual spark in your eyes had dimmed, replaced by a pained expression that worried them more than you realized.

It didn’t take long for the whispers to start. The guys knew something was wrong, but out of respect, they didn’t push you to talk about it..at least not at first. But one day, after another exhausting shift, Jake, who always seemed to sense when something was off, finally confronted you in the locker room. "Hey, can we talk for a minute?" he asked, his voice gentle but firm as you laced up your boots. You looked up, exhaustion evident in every line of your face. "Sure, What’s up?"

He hesitated for a moment, as if unsure how to begin, before finally coming out with it. "The guys and I..we’ve noticed you’ve changed lately. You’re quieter. We’re worried about you." Your first instinct was to brush it off, to tell him you were fine, but the concern in Jake’s eyes stopped you. You sighed, running a hand through your hair. "I..I’m okay, Jake. I’m just going through some stuff."

Jake nodded, as if he had expected that answer. "We heard that you and Natasha broke up." You flinched at the mention of her name, the wound still fresh despite the weeks that had passed. "Yeah.."

"I’m sorry," Jake said sincerely. "but you don’t have to go through this alone, you know? We’re here for you, you know that, right?" A lump formed in your throat, the kindness in Jake’s words breaking through the wall you had built around yourself. "Thanks, Jake. It’s just..it’s hard, you know? But I’ll get through it, I just need time."

Jake smiled, a small, sad smile. "We know you’re strong. But even the strongest people need their friends sometimes. Don’t shut us out, okay?" You nodded, your heart warming at his words. "Okay. I won’t."

As the days turned into weeks, you slowly began to lean more on your team, letting them in bit by bit. They were there for you in ways you hadn’t expected, they invited you out after shifts, brought you coffee when they saw you needed it, and most importantly, gave you the space you needed to heal without pushing you to talk about it before you were ready. You started to find yourself again, piece by piece. The pain of the breakup was still there, but it no longer dominated every thought. You found comfort in the work you loved and in the support of your team, who were more like brothers to you than anything else. They helped you remember who you were, a determined woman who had overcome so much in her life. This was just another challenge, another fire you had to walk through, and you knew you would come out stronger on the other side.

But there was another change in you. The breakup had forced you to take a hard look at your life, the choices you had made, and the priorities you had set. You realized that you had been using work as a way to escape from certain things like fears, insecurities, the pressure to always be the best. With the help of your teammates, you started to find a better balance. You cut back on your work hours, took time to rest, to connect with yourself, and to think about what you really wanted in life. It wasn’t easy, there were still days when the pain was too much, when the memories were too sharp but slowly, you began to feel more like yourself again.

One evening, after a particularly long but fulfilling day, you were sitting with your team at O’Malley’s, the same bar where everything had started to fall apart weeks ago. But this time, the atmosphere was different. You laughed at one of Jake’s jokes, the sound surprising even yourself. It felt good to laugh again, to feel like you were part of something again, instead of just going through the motions. As the night wore on, Jake leaned over and clinked his glass against yours. "Welcome back.." he said with a broad grin. You smiled back, this time a real smile, one that reached your eyes. And as you looked around, taking in the faces of the people who had stood by you through one of the hardest times of your life, you felt a deep gratitude and a sense of hope. You weren’t fully healed yet, you knew that would take time but you were on your way. You weren’t running from the pain anymore. You were facing it, with the support of those who cared about you. For the first time in a long time, you felt like you were finally coming back to yourself.

The months that had passed since the breakup had brought with them a sense of calm that you hadn’t expected. The wounds that had once been raw and painful had slowly closed, leaving only the faintest of scars behind. You had regained your footing, largely thanks to your work and the unwavering support of your team. The fire station had become your sanctuary, a place where you could focus on the work you loved and the people who mattered to you.

With time, the thoughts of Natasha became less painful and more reflective. You had accepted that your relationship was over, and although you still cared for Natasha, you had made peace with your past. You hadn’t dated anyone new, instead choosing to focus on yourself and your career. Occasionally, you wondered if Natasha had moved on, if she had found someone to fill the void you had left behind. But those thoughts were fleeting, quickly pushed aside by the demands of your work.

One late afternoon, your team received an urgent call, a fire had broken out in a high-end residential complex in a busy part of town. Without hesitation, you geared up and raced to the scene, sirens blaring through the streets. When you arrived at the complex, your focus was solely on the task ahead.

The building was engulfed in flames, thick black smoke billowing from the windows of the upper floors. The fire was intense, but not unlike others you had faced before. Your team worked with practiced precision, setting up hoses and preparing to combat the blaze. You quickly joined them, your thoughts focused only on containing the fire and ensuring everyone’s safety. As you worked to bring the fire under control, you noticed a small commotion at the edge of the crowd that had gathered outside. A woman was arguing with one of the firefighters, her voice rising in desperation. You blinked through the smoke and your heart sank. It was Natasha.

Natasha stood at the edge of the barricade, her face pale and tense, her eyes fixed on the burning building. She was arguing with one of the firefighters, apparently determined to get inside. "I have to go in!" Natasha said, her voice thick with panic. "There are things in there that I can’t lose, please.."

"I’m sorry, ma’am, but it’s too dangerous." the firefighter replied, his voice firm but sympathetic. "We can’t let anyone in until we’re sure the fire is completely out and the building is safe." Natasha looked like she was about to argue further, her frustration and fear palpable. You knew that look all too well..Natasha was stubborn, and when she set her mind to something, she didn’t let go easily. Taking a deep breath, knowing this wouldn’t be easy, you stepped forward and made your way over to them.

"Natasha." you called, drawing both Natasha’s and the firefighter’s attention to you. Natasha’s eyes widened in surprise, and for a moment, she looked like she might crumble. But she quickly composed herself, her expression shifting to one of determination. "Y-Y/n! I have to go in.. There are things..things I can’t lose."

You understood the urgency in Natasha’s voice, but you also knew the dangers that still lurked in the building. You turned to the firefighter, who was visibly struggling to keep Natasha from pushing past him. "It’s okay." you said, stepping forward. "I’ll go in with her. I know the risks, and I can make sure she stays safe." The firefighter hesitated, glancing between you and Natasha before finally nodding. "Alright, but be quick. The structure is still unstable, and we don’t know how long it will hold."

You nodded in understanding before turning to Natasha. "Come on." you said, your voice gentle but firm. "Let’s get what you need." Natasha nodded, her relief evident, though her tension remained, as she followed you toward the building. You moved quickly through the entrance, the smell of smoke and charred wood heavy in the air. The fire was mostly out, but the damage was extensive, and the walls still radiated heat.

You led the way, keeping an eye on Natasha as you navigated through the debris. "Where do we need to go?" you asked, glancing back over your shoulder. "Upstairs.." Natasha replied, her voice tight. "My apartment is on the top floor." You moved carefully, avoiding the more unstable areas as you climbed the stairs to Natasha’s apartment. When you reached the door, it hung on its hinges, the hallway beyond filled with smoke and debris. You pushed the door open, and before you lay the charred remains of what had once been Natasha’s home.

Natasha stepped inside, her movements hesitant as she took in the destruction. You stayed close, your eyes scanning the room for potential hazards. The apartment was almost unrecognizable, blackened walls, burned furniture, and shattered glass littered the floor. But Natasha’s attention was focused on something deeper, something more personal. She moved to a small cabinet at the back of the room, kneeling down and carefully opening it. Inside were a few items that had somehow escaped the fire. An old jewelry box, a small stack of letters, and a photo album that was singed at the edges but otherwise intact.

Natasha carefully lifted the photo album, her hands trembling slightly as she opened it. The first picture showed you and her, taken on a lazy Sunday morning in your old apartment. You were sitting on the couch, your head resting on Natasha’s shoulder, both of you smiling at the camera. It was one of Natasha’s favorite photos, a moment of pure bliss, captured forever.

You held your breath as you saw the picture. "You kept this?" you asked softly, your voice filled with a mix of surprise and emotion. Natasha looked up at you, her eyes glistening with unshed tears. "I couldn’t let it go.." she admitted, her voice breaking. "I tried to move on, but..this was the only thing that made me feel close to you. I never stopped missing you, Y/n. I just didn’t know how to handle it.."

The flames had died down, and the once-raging inferno that had consumed Natasha’s apartment was now reduced to smoldering embers. You stood with Natasha near the entrance of the building, the smell of smoke still heavy in the air. Natasha’s face was etched with worry, her eyes distant as she stared at the charred remains of her home. Back outside, Natasha turned to you, clutching the singed photo album to her chest. "Y/n.." she began, her voice shaky but determined, "I..I know I don’t deserve it, but I’m asking for a second chance. I miss you. I miss us."

Your heart clenched at the plea in Natasha’s voice, but you knew you couldn’t just let yourself be swayed so easily. The pain, the anger, the heartbreak..it was all still there, simmering beneath the surface. You couldn’t just forget how it had ended, how Natasha had pushed you away. You took a deep breath, keeping your voice steady. "Natasha, I..I can’t do this right now. I’ve moved on, or at least I’m trying to. It’s not easy for me to just go back."

Natasha’s eyes filled with tears, but she nodded, her fingers tightening around the photo album. "I understand.." she whispered. "I know I hurt you, Y/n, and I’ll regret that for the rest of my life. But I just wanted…I wanted to try to make things right."

You looked away, your resolve wavering for a moment before you forced yourself to stay strong. "Do you have a place to stay tonight?" you asked, your tone softening slightly. Natasha hesitated, then nodded. "Yes, I’m staying with Steve. I’ll be okay."

"Good.." you replied, your voice a bit softer now. "Take care of yourself, Natasha. I’m..I’m sorry this happened to you." Natasha offered you a sad smile, her eyes a mixture of hope and resignation. "Thank you.." You nodded, your heart heavy as you watched Natasha walk away, disappearing into the darkness. You wanted to reach out, to take away the pain you had seen in Natasha’s eyes, but you knew that would only reopen wounds that had just begun to heal.

Days passed, and you tried to put the encounter with Natasha behind you. You buried yourself in your work, focusing on your team and the job that had always been your anchor. But no matter how hard you tried, thoughts of Natasha kept creeping into your mind. You wondered how she was doing, if she had found a new place to live, if she was okay. But every time the urge to reach out to Natasha became too strong, you forced yourself to remember the pain of your breakup. The loneliness and the feeling of being pushed aside. You weren’t ready to go through that again.

Meanwhile, Natasha wasn’t ready to give up so easily. She knew she had deeply hurt you, but she also knew that you were the best thing that had ever happened to her. She had to find a way to apologize, to show you that she was serious about making things right. But every time she tried to get close, you kept her at a distance, not ready to let her back into your life.

Desperate for a solution, Natasha turned to the one person she knew you trusted completely. Jake. He was your closest friend on the team, someone who had always been there for you through thick and thin. If anyone could help Natasha find a way to reach you, it was him. "Jake, I need your help." Natasha said one evening after tracking him down at the firehouse. She had waited until you were out on a call, not wanting to make the situation even more difficult for you.

Jake studied Natasha carefully, crossing his arms. "What’s this about, Romanoff?" Natasha hesitated, unsure how to explain. "I want to apologize to Y/n. I want to show her that I’m serious about making things right, but she’s not giving me a chance. And I get it, I really do! I hurt her, and I don’t blame her for keeping her distance. But I can’t just let her go without trying."

Jake sighed, rubbing the back of his neck as he considered her words. "Shes been through a lot." he said finally. "She’s tough, but she’s got a big heart, and what happened between you two…it really hit her hard. She’s just starting to get back to herself."

"I know.." Natasha replied, her voice heavy with emotion. "And that’s exactly why I’m asking for your help. I need to show her that I’ve changed, that I understand what I did wrong. I thought maybe..maybe you could help me find something that really matters.."

Jake studied her for a long moment, clearly weighing what he should do. He had seen how much the breakup had affected you, had been there to pick up the pieces. But he also knew that you still cared about Natasha, even if you wouldn’t admit it. "Alright.." Jake said finally. "But if we do this, it has to be something that really shows her you get it, that you understand what’s important to her. You can’t just say ‘I’m sorry’ you’ve got to prove that you get it." Natasha nodded, her heart lifting with a mix of hope and determination. "What do you suggest?"

Jake thought for a moment, then a small smile tugged at the corners of his mouth. "Y/n’s job and her team mean everything to her. She’s proud of the work we do, and she respects anyone who gets that. If you can show her that you appreciate her dedication, that you’re willing to support her even if it means making sacrifices, that might just reach her heart."

Natasha listened intently, and a plan began to take shape in her mind. "I think I know what I can do." she said slowly, her confidence growing. "But I’m going to need everyones help to pull it off." Jake chuckled softly, clapping Natasha on the shoulder. "Alright, Romanoff. Let’s get to it. But remember, in the end, it’s up to Y/n. If she decides she’s not ready, you’ve got to respect that."

"I will." Natasha promised, her eyes filled with determination. "But I have to try."

In the days that followed, Natasha and the Team worked together to bring the plan to life. It wasn’t easy, and there were moments when Natasha doubted herself, but she pushed through, knowing this was her last chance to make things right with you.

Finally, the day came. Jake had convinced you to come to the firehouse after your shift, under the pretense of a small team meeting. You arrived, your curiosity piqued by the unusual request. As you entered the common room, you were greeted by your teammates, all smiling, but there was also a hint of something else in their expressions..perhaps anticipation?

"Jake, what’s going on?" you asked, glancing around the room. Before he could respond, the door to the adjacent room opened, and Natasha stepped out, nervous but resolute. You held your breath as your eyes met, the air suddenly thick with tension. "Natasha.." you said slowly, your voice cautious. "What are you doing here?"

"I’m here to apologize." Natasha said, her voice firm despite the pounding of her heart. "But I’m not just here to say ‘sorry.’ I wanted to show you that I understand..really understand what’s important to you. Your job, your team..I know how much they mean to you, and I want you to know that I respect that. I want to support you, Y/n, in everything you do."

You frowned slightly, unsure where this was going. "What do you mean?" Natasha took a deep breath, then turned to Jake, who nodded and stepped forward, giving something in your hands. It was a framed certificate, one that you immediately recognized. It was an award given to firefighters who had performed exceptionally in their service, an award that you yourself had won years ago. But this wasn’t your award. This was a new one, freshly printed, with Natasha’s name on it.

Your eyes widened as you read the inscription. It was an honorary award, given to someone who had shown extraordinary understanding and support for the firefighting community. It wasn't just a symbol, it was something that had to be earned.

"I talked to Jake.." Natasha explained, her voice gentle but steady. "And with the rest of the team. I wanted to understand what you do, what you go through every day. I spent the last few weeks learning about your work, the risks you take, and the sacrifices you make. I even went through part of the training to get a real sense of what it’s like. This award..it’s not just a piece of paper. It’s my way of showing you that I’m ready to be there for you, in the way you need."

You stared at the certificate, your emotions swirling. You didn’t know what to say, didn’t know how to process the gesture. It was clear that Natasha had gone to great lengths to understand your world, to step into your shoes and appreciate the life you were dedicated to. The weight of Natasha’s efforts, the sincerity in her eyes, all of it hit you deeply.

Natasha continued, her voice growing more emotional as she spoke. "Y/n, I know I messed up. I let my insecurities and fears get in the way, and I pushed you away when I should have held on. But I’m here now, ready to support you in everything you do, no matter what it takes. I’m not asking for everything to go back to the way it was. I know that’s not possible. I just want a chance to be a part of your life again, to do it right this time."

You felt your heart being pulled in multiple directions. On one hand, the pain of your breakup was still fresh, the wounds not fully healed. But on the other hand, Natasha’s gesture was so heartfelt, so genuine, that it was impossible to ignore. You glanced around the room, seeing your team, your family looking at you with hopeful eyes. They had been your support through the hardest times, and now, in this moment, they were silently encouraging you to consider Natasha’s plea.

You turned back to Natasha, who was waiting with bated breath for your response, her vulnerability on full display, but her determination unwavering. It was clear that this wasn’t just an apology, no it was a promise. A promise to be better, to be the partner you had always needed.

You took a deep breath, your emotions swirling as you searched for the right words. "Natasha..What you’ve done means a lot to me. More than I can put into words. But this isn’t something I can decide on the spot. I need time..time to think about everything, to process it all." Natasha nodded immediately, her eyes shining with understanding and relief. "Of course! Take all the time you need. I’ll wait, as long as it takes."

You appreciated Natasha’s willingness to give you space. You could see the sincerity in her eyes, and it softened something inside you. "Thank you, Natasha." you said quietly. "I need to do what’s right for me…and for us, whatever that may be."

The room was thick with emotion as you turned to Jake, who gave you a small, encouraging smile. "You don’t have to decide anything today, you know." he said gently. "Just know that we’re here for you, no matter what you choose." You nodded, the weight of your decision heavy on your shoulders. You knew you needed to take things slowly, to figure out what was best for your heart and your future. But for the first time in a long while, you felt a spark of hope..the possibility that maybe, just maybe, you and Natasha could find a way back to each other.

Natasha took a step forward and looked to the certificate and back to you. "This is yours." she said softly. "It’s not just about me, it’s about you and everything you stand for. And no matter what happens between us, I will always respect that."

You felt a warmth in that sentence, a reminder of what you had once shared. But you didn’t allow yourself to get lost in the past. You knew you had to be careful, to protect yourself from further pain. "Thank you," you said, your voice firm. "I’ll keep this, and I’ll think about everything you’ve said."

Natasha smiled, a gentle, hopeful smile that made your heart skip a beat. With that, you turned and left the room, the certificate clutched in your hand. Your team watched you, giving you the space you needed to process everything. Natasha remained behind, her heart heavy yet lighter, heavy with the knowledge that she still had a long way to go to regain your trust, but lighter with the hope that you might, just might, find your way back to each other.

As you stepped out into the cool evening air, you felt a mixture of relief, confusion, and a small spark of hope. You weren’t ready to fully open the door to Natasha again, but you weren’t ready to close it completely either. The road ahead was long, full of uncertainties and difficult choices, but for the first time in a long while, you felt like you were moving in the right direction. And as you looked down at the certificate in your hand, you knew that whatever happened next, you would face it with the same strength and determination that had carried you through everything else.

(Hi! I tried something new and I'll leave the ending up to you. You can decide how it ends for both of you. :))

[maibeenot]

Last one about TUA season 4, for now.

(I talked about this in the tags of one of my RBs before but I wanted to elaborate)

I don't like how they keep trying to make Five a badass.

I find it especially frustrating as doing this constantly, bogs down any form of character development we could've had from Five.

For whatever reason, the writers seem to be allergic to acknowledging Five's biggest character flaw, his arrogance. Five always has to be right. He always has to be capable of everything and never needs any help. Despite the fact that Diego also has a very similar flaw (and is punished for it consistently), Five's seems to go completely untouched.

(A part of me thinks that the reason why they punish Diego so much more is because he comes off as the hot-headed impulsive one. While that's true, it certainly doesn't negate Five's ability to make mistakes or be incompetent)

Instead, they keep trying to invent a new flaw for Five in that; he is obsessed with the apocalypse. In reality, he's not obsessed with the apocalypse. He's obsessed with keeping his family safe. It just so happens that their most immediate threat (in his eyes) tends to be the apocalypse. (I really don't understand what they're trying to get at with this, especially considering the fact that he already has an extremely apparent flaw)

While this isn't an issue I take with season 4 specifically, it has definitely amplified this issue like crazy. Five's arrogance is vaguely addressed by his siblings in season 1, but it never seems to get him in trouble? Or at least he doesn't seem to have learned from it (except for the time-travelling thing from when he was 13, and when he bled out also in season 1)

Season 1 (and 2) handled it the best out of the four. Five never seems to ask for or accept help unless backed into a corner (telling Viktor about the apocalypse, asking Klaus to help him get the prosthetic eye). Or if he is literally incoherent or unconscious (him passing out from blood loss, him being drunk and telling Diego and Luther about what's happening).

And outside of that, Five's arrogance still had brutal consequences within this season (him not noticing Viktor's declining mental state because he was so sure about the apocalypse (but this was partially because this man tunnel-visions like crazy)).

(there are probably more instances of this with s1 & 2, i just can't think of them off the top of my head so tag them if you'd like)

Season 4 is extra mean with this. From the 'Five getting to work for the CIA at 19' to 'Five randomly figuring out what's causing the end of the world with a bunch of other Five's' while he was off moping.

And when he does make mistakes, it's not because he's actually not capable of everything and anything.

Noooo, Ben really really sneakily stole the marigold and spiked the sake. Five couldn't have possibly noticed. (and none of the other siblings for that matter)

Noooo, it's because Luther is actually super smart in figuring out that Five's boss is a Keeper (no shade to Luther btw, I like him. They just don't treat this moment as Five being a complete dumbass).

Oh no! Five (and Lila) can't figure out a way back from the metro! Never mind, another Five managed it.

Five being a homewrecker? That's him being an asshole, not incompetent so it doesn't count (lighthearted).

Five's arrogance one of his defining flaws, yet it's not really challenged. The fact that he gets away with a lot of bullshit is simply because he can! When he doesn't face failure, he doesn't find growth. He doesn't learn to stop being self-destructive just because he thinks he can do anything. He doesn't learn to reach out.

This stunt in growth is obviously not only present in Five but also everyone else. I just find his to be particularly grating since he's my favorite.

Feel free to add your thoughts to this, not just about Five's fucked up character growth but everyone else's too!

(I'll make long a ass post/video essay going into detail about all of them one of these days)

I'd love to read them :)

[fantazygirl-blog1]

So tired of everyone (or almost everyone) making Misa into a kind, weak little victim, manipulated by Light.

That woman may seem sweet, but she's absolutely ruthless. She's selfish, obsessive, stalkerish and emotionally abusive (perhaps not in the traditional way but I will explain)

Way before she even met Light, she managed to kill law enforcement (which might I add, she probably didn't even know was law enforcement) and news reporters just to prove a point. They were just a means to an end to her. She wanted to thank Kira for killing her parent's murderer, but she didn't even stop to think once if the people she killed had families of their own, children of their own. She only had one goal: what she herself, wanted. More than that, Misa literally offered to immediately off her friend, that helped her with the tapes (and if someone offers to help you with that, they're a very close friend for sure) and it wasn't even Light's suggestion. It was all Misa, who saw killing her friend as a way to get Light to trust her. It's clear that girl is willing to kill anyone and anything if it'll help her achieve her goals.

Also, she's super obsessive. My girl traded half her lifespan with no hesitation on the off chance that she might be able to meet Kira. (Yes, she had a plan but there was no guarantee that her plan would even work)And the instant she saw Light, she started stalking him (even though she herself had problems with stalkers) to the point that she just turned up at his house with no warning. Imagine if a stranger just shows up at your house like that, pretending to be a friend and your mom lets them in. That's fucking horrifying.

Also, Misa barely knew Light for like a few seconds and she decided that he was going to be her boyfriend, and NOTHING was going to stay in her way, not even Light himself. She pressured him into being in a relationship with her, even though it was clearly unwanted, Rem literally threatened to kill him if he refused, and then she had the gall to tell Light she would kill any girl she suspected would go out with Light if she saw her with him. This is where the emotional abuse comes from (even though I dunno if I should call it that but I don't know how else to classify it). Misa doesn't really consider Light a person. For her, Light is more like a doll she can project her feelings on. She attributed him emotions according to her whims and acted like those were the reality regardless of Light's real feelings. She made herself the main character in his story, even after told and shown repeatedly tha she wasn't and got mad when years later she was still neglected and barely paid attention to.

I'm not saying all this to hate on Misa and this in no way a Kira appreciation post (my favorite Light is Yotsuba arc Light, I hate Kira tbh) but I'm just saying, if you're a Misa fan you should be able to accept the reality: she's not a weak, sweet little girl, manipulated by evil Light. She's capable of all the horrible things she does all on her own thank you very much and I'm tired of reading fics where Misa is treated like only a victim and given leniency while Light is treated as the only true monster.

I'm just saying, the girl didn't need a boyfriend, she needed a therapist. Badly.