#i don't want them to go

[my-rose-tinted-glasses]

[chezlucifan]

Wild blue yonder this week

Was it utterly bonkers YES

Did I like it also YES

I'm not gonna write too much about it cos I don't wanna spoil anything, but it was ridiculous and creepy and silly in places and in my opinion David and Catherine pull it off wonderfully.

I'm really looking forward to next week also not cos I love these two together and I could honestly watch several more seasons of them being utterly bonkers together.

[thatweirdspanishgirl]

Already missing you guys, it's going to be different without you

[beedreamscape]

My prediction for next episode is that Matt will have the Dawnfather send Deanna on some specific mission but oh the Hells have to wait for their friends and do [insert important thing] so they can't come. But oh she can't go on her own so FRIDA has to go with her. Kisses farewells see you later.

There matt got the player number back to its original count.

[supersaiyanjedi14]

Ok, I caved.

I bought a Pikachu plushie before it was too late. Before the era of The Very Best came to an end.

I'm gonna miss my boys so much.

[uncanny-tranny]

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[shivunin]

Because I have just seen this specific thing for the second time, I would like to say:

If I reblog your art, I do not expect you to reblog (or share!) my fic in return

If I comment on your fic, I do not expect you to comment on (or read!) mine in return

My enjoyment of anyone's work does not come with strings or expectations

My friendship is not a bill that you will have to pay later

That's it!

[linterteatime]

Redraw of the most epic undertale sticker

[wyn-n-tonic]

so long, old friends.

[mwagneto]

i'm sorry but i cannot stop thinking about it for reallll imagine you're richer than god and never had to face consequences for anything and you have so much money you don't even know what to do with it so you toss a quarter million at the stupidest tourism option on earth. and you see that the paper you have to sign tells you you could die and you look at the flimsy metal tube you're going to be plummeting into the ocean in and it doesn't even phase you because bad things don't happen to people like you. imagine some hours into the journey you realise something is wrong. maybe not you but somehow the knowledge that there was a fuckup becomes known to the 5 of you trapped in there. and you know you can't get out from the inside and you know you have no food and no bathroom and not even the room to ever stand up again. when does the realisation that your wealth cannot protect you from your inevitable mortality set in. how does someone like that reconcile with both death and the fact that it's 100% their own doing? can someone like this even come to terms with that or will they be fighting to find someone to blame until the last second? when does it reach you that all 5 of you are going to die one by one and there's nothing you can do? does the fact that 5 of you have enough air until thursday but one of you could have enough air until at least next week ever cross anyone's mind.

[mayasaura]

It really dawned on me watching episode 17, just how important this sequence of events is to Kabru and Laios' relationship, and how. Well. That's for a different post. I want to keep this one free of spoilers. (Certified Safe For Anime Only™)(There are spoilers for episode 17, tho. Obviously.)

Kabru's main concern has been, at least in part, revealed. He wants to figure out if Laios is capable of defeating the dungeon, and, if so, if Laios can be trusted with the power that might confer. The answer to his first question is simple. Yes. If anyone can defeat the dungeon, it's Laios.

The second question is where things get interesting. Can Laios be trusted with power?

In the aftermath of Laios' first fight with Toshiro, Kabru learns that while Laios has no particular respect for the law or conventional wisdom, he does have the humility to consider that his judgment might be flawed if he encounters conflict with someone he respects.

That is the face of a man taking notes, and I think he's making a cautious mark in Laios' favor. Laios doesn't really understand Toshiro's opinion, but he's listening.

Then, in the fight with the Falin-Dragon chimera, Kabru voices dissent—disgust, even—with Laios and Marcille's priorities.

You can practically see the Dragon Age style approval rating drop. Kabru disapproves. Minus fifteen hearts. If it had ended like this, I think Kabru would have lost all interest in Laios. Someone who would sacrifice a dozen lives out of sentiment can't be trusted.

Laios' response, and the way it builds on Kabru's earlier observation, is crucial.

He listened. And even better, he didn't listen blindly. He applied critical thought to Kabru's argument. What Kabru hears from him isn't just "I'm sorry, you were right," but also, "I understand and respect your position and priorities, and here's a very good argument for why killing what I still consider to be my sister is not in our best interest."

He processed Kabru's criticism and came to his own conclusions, and he did it fast. Not only that, but he's right. Kabru hadn't considered the potential consequences of killing the chimera.

Laios proved in this one exchange that he 1) isn't blinded by either his pride or his prejudice, 2) has the strength of character to not just fall back and surrender to someone else's judgment when he's uncertain, and 3) is smart enough to tactically outhink Kabru.

This is why Kabru is so invested in Laios liking him that he forces himself to eat the harpy omlette. This is why Kabru takes Laios' hand and makes sure he knows he wants to see him again. He doesn't understand Laios, and he still has strong reservations about him. Laios' interest in monsters scares him. But Laios has proved to Kabru that he might be capable of being the person Kabru needs him to be.

Top Ten Pictures Of The Moment He Won You Over (Taken Just Before Disaster).

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)

[kettlefire]

Justice League & The Observants

The first time The Observants appeared before the Justice League, they were met with resistance. The JL was more than apprehensive when it came to working with the beings.

A new side of their world was exposed to them. Since the day those things showed up at the watchtower, everywhere the JL turned, there was a new spooky thing to learn about.

The strange beings didn't say much. Appearing in the room through a swirling portal, took a look at the heroes and gave them a mission.

A mission. Like suddenly the Justice League works for them. Something that rubbed all the heroes the wrong way.

Yet, they had to take it. They couldn't let a town get absolutely destroyed and leveled just because they disliked the creatures that told them about it.

It kept happening.

Batman pulls out all the stops to learn more about these so called "Observants". Everything he could find.

It takes him down a rabbit hole. Finding out more and more about the world those beings came from. The Zone.

No one could really complain. The visits from the Observants were always short and to the point. A new problem has arise in the time line and they needed to fix it.

That was until the first time it wasn't one of those things stepping out of the portal.

This time it was a kid. Or something that looked like a kid, and this kid looked pissed.

He demands to know everything that the Observants had asked the league to do. Demands to be filled in.

The anger isn't directed at the JL. No, no. It's directed at the Observants. It seems the league aren't the only ones that despise those all-seeing beings.

He's a king. The kid is a King.

Not what anyone had expected, and it seemed the complication only grew more. The king, Phantom, informs them not to trust the Observants.

The Justice League takes it all in surprising strides. Confirms that they have done nothing wrong, and they haven't. It was simply that the Observants cared more of their own opinions than the betterment of the world.

However, it gets a little harder to keep a straight face when they are introduced to the God of Time.

Made even worse when the God, Clockwork, is a child. If they thought Phantom was a kid, this was a baby.

Except in almost a blink of an eye, Clockwork was an old man.

Things just kept getting more complicating and intriguing.

Before the Justice League knows it. They are essentially thrusted into the Zone's own problems. An inner war was brewing, and Phantom wanted to do everything he could to stop it.

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[starcurtain]

2.1 Penacony Spoilers!

I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.

We know:

1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)

2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.

I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).

But this doesn't make much sense to me because:

1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?

2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?

3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.

Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:

1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.

2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!

3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!

But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.

The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.

He had to check in and make sure the situation was still under Aventurine's control.

(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)

Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.

He needed to deliver his note demanding Aventurine stay alive.

He needed to tell Aventurine to come to him if the situation got too painful to bear.

In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.

You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.

But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.

tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)