#i don't want to have to work anymore

[sunnymainecoonx]

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

[scificrows]

“I was having an emotion, and I hate that. I’d rather have nice safe emotions about shows on the entertainment media; having them about things real-life humans said and did just led to stupid decisions.” ― Martha Wells, Exit Strategy

Title sequence designs inspired by the real-life shows Martha Wells based Murderbot's favorite shows on.

[kugisakiss]

the rite of passage for any sibling relationship is lying to each other

[lambentplume]

Maui Fires & How to Support Relief Efforts

(Posted on 8/10/23) Hi, I'm Jae and my family is from Lāhainā. I watched my hometown burn down this week. The fires caused immeasurable loss in my community so I'd like to spread awareness of the situation as well as provide links to support local organizations directly assisting survivors. I'm pretty sure most of my following is Not local so I'm writing with intent to inform people outside the situation, but if you're reading this and happen to have family in the affected area that isn't accounted for, message me and I can send you the links to the missing persons tracking docs + more localized info!! If you'd like to skip down to how to help and follow community organizations, scroll to the bottom of the post after the image.

Earlier this week, Hurricane Dora passed south of the Hawaiian Islands, bringing strong wind gusts that caused property damage across the islands. On Tuesday August 8, high winds caused sparks to fly in the middle of Lāhainā town, knocking out power lines and immediately igniting drought-ridden grasses. The fire spread quickly and destroyed the entire center of town, the harbor, and multiple neighborhoods including Hawaiian Homes (housing specifically for Native Hawaiians), parts of Lahainaluna, basically all of Front Street, and low-income housing units. There is only one public road in and out of town, and after a very hectic evacuation period that road has been mostly closed off except to emergency responders, thus it is extremely difficult for anyone to leave town to get help. The nearest hospital is 20 miles away in Wailuku, and most grocery stores in town have burnt down.

As of Thursday, August 10, over 1,000 acres have been burned and 271 structures (including homes, schools, and other community gathering places) have been destroyed. Cell service is still extremely spotty, many of the surrounding neighborhoods deemed safe for evacuees are still without utilities. There are currently confirmed 53 deaths but that number is expected to increase as search-and-rescue efforts continue. Countless families have been displaced and many have lost the homes they lived in for generations. Places of deep historical significance have been reduced to ash, including the gravesites of Hawaiian royalty, the old Lāhainā courthouse where items of cultural significance were stored, and Na ‘Aikane o Maui Cultural Center. To add further context: Lāhainā has a population of about 13,000 residents. EVERYONE I know has been impacted in some way--at best forced to evacuate, at worst their house was burnt to the foundation, they cannot find a loved one, etc. I'm still trying to track down family members and it's been over two days. My neighbors down the street had homes last week and now many don't have ANYTHING. The hotels are taking in residents (tourists are also being STRONGLY urged to leave so that locals can recover). Without open access to the rest of the island, Lāhainā residents are now dependent on whatever people had in their homes already as well as disaster relief efforts coming in, but it's been difficult to organize and mobilize due to the location + conditions. People who have made it out are in shelters where no blankets or medicine were provided. Friends and acquaintances from neighbor islands are preparing aid to send over. Community response has been incredible, but the toll on the town has been immeasurable. My parents were desperately walking through town yesterday, my mom sounded absolutely hollow talking about it on the phone with me. It's horrifying. Below is a satellite map with data from the NASA Fire Information for Resource Management System showing the impacted areas from the past week; all of the red blotches were on fire at some point in the last three days.

Here are ways you can help:

If you have the means to donate:

Here are three donation sites verified by Maui Rapid Response, which also lists FAQs for people who are wondering about next steps.

Hawaiʻi Community Foundation - Maui Strong Fund accepts international credit cards. Maui United Way

Maui Mutual Aid Non-monetary ways to support:

If you know anyone who is planning to travel to ANY Hawaiian island, not just Maui, tell them to cancel their trip. Resources are extremely limited as is. Advocate for climate change mitigation efforts locally, wherever that is for you. The fire was exacerbated by drought conditions that have worsened due to climate change.

Lastly, remember that these are people's HOMES that burned, and Native Hawaiian cultural artifacts that have been lost. Stop thinking of Hawaiʻi (or any "tourist destination" location, really) as an "escape" or a "paradise." If that's the only way you recognized my home... I'm glad I got your attention somehow, but I would ask that you challenge that perspective and prioritize local and native voices. For transparency, I don't currently live in Lāhainā, I've been following efforts from Honolulu. My parents and brother have been updating me and I've been following friends and family who are doing immediate response work. I'm doing my best to find reliable and current sources, but if I need to update something, please let me know. If you're going to try to convince me that tourism is necessary for our recovery, news flash ***IT'S NOT***!

Thanks for reading.

[wiisagi-maiingan]

Hi if you struggle with opening containers (jars, bottles, etc) because of poor grip strength or w/e, there's lid opener tools that range from fancy electronic ones to super cheap and basic ones and they can be an absolute game changer. I have one that looks like an angry can opener and now I can actually open bottles on my own without wanting to break down crying from the pain.

[magician-under-the-m00nlight]

aptx!kaito au in which Shinichi doesn't know aptx exists and feels insane that his leading theory is "a six year old is the mastermind behind Kaitou Kid"

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[gay-robot-boyfriends]

CLICK THE KEEP READING

It's a whole ass mini comic about them kissing asdkjashdkjhasjkdh This was supposed to be a cute 5-6 panel comic, but things got out of hand, and it got low-key unhinged along the way.

asdalskjklasdklj This uses the HC that Zero is a warbot who's been built to scan his surroundings for potential threads all the time. Edit: GAAH!!! My french ass wrote threads instead of threats I FIXED IT!! I SWEAR I'M NOT STUPID (not that much) ENGLISH IS MY SECOND LANGUAGE! ASDKJA

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[mercymaker]

i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.

i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.

one thing in this 'apology' that really stood out to me was this:

how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?

how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?

how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?

all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.

and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?

and then this was from your apology back in march:

and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.

at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.

[noyzinerd]

Rec links below the cut:

How to Pass a Take-Home Exam by dancinbutterfly, (note: not what I usually read since it has mpreg, but I gave it a shot and it honestly wasn't half bad, also this is a part 4 of a series)

A Sated City by ColetheWolf, (note: not Sterek, just Derek sleeping around, but he very specifically buys a frozen dinner in this one)

It was just a cupcake by thelittlestwolf

The Weight Of Living by thecomedownchampion

Full On Rainstorm by BarlowGirl

Trust Fall by stoney

Bogarted by HalfFizzbin, (note: sheriff doesn't call Derek son, but Derek admits to seeing the sheriff as a father-figure)

An Iceberg Named Stiles by orphan_account

Gorgeous by Asterekmess (Livinginfictions)

Bravery Is A Loaded Gun by LiviKate DefNotForWork, (note: the author was named LiviKate when I first found the fic, username has since been changed to DefNotForWork)

stuck in reverse by crazyassmurdererwall (smartalli)

First and Last and Always by sffan, (note: not a kiss, but Derek does automatically brace himself for rejection during a conversation, also this is a part 1 of 2)

For You There's No Warning by Zee (orphan_account)

Came Out Of The Woods By Choice by thensepia

will to follow through by owlpostagain

You Have Reached... by isthatbloodonhisshirt, (note: over the phone)

if you want my love you got it by vlieger

Bravery Is A Loaded Gun by LiviKate DefNotForWork, (note: the author was named LiviKate when I first found the fic, username has since been changed to DefNotForWork)

Walk me down your broken line by geordielover

For You There's No Warning by Zee (orphan_account)

Pretty Much a Big Deal by Dira Sudis (dsudis)

Love, Like A Death Sentence by DevilDoll

For You There's No Warning by Zee (orphan_account)

Life Because of It series by FiccinDylan, (note: series, but part 2, Mi Primo Miguel, is what I think embodies this theme the most)

Make You Believe by LittleLynn

Walk me down your broken line by geordielover, (note: these words are very, very close to being said, but they get choked off)

You Always Make A Bloody Mess by Sweetsyren

The More My Prayer (the lesser is my grace) by LadySlytherin

Kintsukuroi by Quixoticity

The Weight Of Living by thecomedownchampion

Kintsugi by artemis69

Trust Fall by stoney

Cuddly Therapy by alisvolatpropiis

Walk me down your broken line by geordielover

We've Written Volumes (in Blood and Scars and Ink) by notthequiettype

Safety In Silence by Survivah

Trust Fall by stoney

Cuddly Therapy by alisvolatpropiis

"Stiles, I was talking about the lasagna" by quackquackcey

will to follow through by owlpostagain, (note: not a small, shy smile, but just a rare, genuine smile that absolutely breaks Stiles' heart)

First and Last and Always by sffan

For You There's No Warning by Zee (orphan_account)

Are You Happy Now? by chasingshadows

For You There's No Warning by Zee (orphan_account)

Convenient by exclamation

Hard-Hitting by all-or-nothing-baby (BundleOfSoy)

Sick Day by dragon_temeraire, (note: last part of the It's Casual, Really series, also it's a friends-with-benefits relationship, that they both only agree on because they think it's the most they can ever get, that evolves)

Have It All by doc_sock, (note: this is the reverse, where Derek thinks they're friends with benefits and is terrified of Stiles being bored with him one day)

Gorgeous by Asterekmess (Livinginfictions)

Bravery Is A Loaded Gun by LiviKate DefNotForWork, (note: the author was named LiviKate when I first found the fic, username has since been changed to DefNotForWork)

Just For Now by linksofmemories_archive

Stepping Off the Razor's Edge by MissAnnThropic

You Saw Me Standing Alone by orphan_account

We've Written Volumes (in Blood and Scars and Ink) by notthequiettype, (note: Derek seems to know their dynamic pretty well, but Stiles is confused as fuck)

I Broke a Rule by isthatbloodonhisshirt

Five Times Derek and Stiles Had Casual Sex and One Time They Realized It Was Something More by 42hrb

Slide on over and forget it's wrong by linaerys

@isthatbloodonhisshirt, @colethewolf, @chasingshhadows, @quackquackcey, @artemis69, @optimismology, @ficcidylan, @devildoll, @dsudis, @sourwolph, @thecomedownchampion, @everything-a-wolf-could-want, @vlieger-fic, @owlpostagain, @crazyassmurdererwall, @asterekmess, @halffizzbin, @stoneyboboney, @all-or-nothing-baby, @exhuastedpigeon

Reply to @antobcq, follow up to this post [X]

[tj-crochets]

So it turns out there's a big craft guild organization thing only a few hours from where I live (I saw an ad for their craft fair), and I got like half my holiday shopping done on their website, and the box arrived today! The thing I was most excited to see in person is fragile, though, and it's really well wrapped in bubble wrap and I don't want it to break when I mail it to the friend it's for, so I am not unwrapping it, but oh man the temptation is there lol I also got myself a little metal bug made of a bottle cap and some wire. It lives on my little corkboard where I put postcards and thank you cards now

[soullessseraphim]

The silly silly doctor

I can see why the design wasn't kept though, it's not very... Doctor like? BUT IT SLAYS STILL. I mean doc can slay anything imo but yeah.

all designs by @thearcanagame ; og post

[justxtalking]

the shooting star

I'm sure this observation was pointed out before, but I can't find it anywhere to quote it. Original post, you take all the credit. I just needed to express my thoughts because I can't stop thinking about it.

I feel like it's been a hot minute since the last time I've made one of these, but here I go.

the scenes

In chapter 64, Gon and Killua promise to stay together under the stars and they have a heart-to-heart. When the scene ends, we see a shooting star in the sky.

English Translation: VIZ Media

In chapter 286, Killua talks about commiting "shinjū" with Gon (translated as "I'll go down with flames with him") to Meleoron, tries to make it seem like a joke and Meleoron's inner monologue makes us understand there's more to the story than what Killua is saying out loud. When the scene ends, we again see a shooting star in the sky (and move to Gon and Pitou's scene.)

English Translation: VIZ Media

side-note

Do I really think that this detail has a bigger meaning than it has? No, Togashi most probably just likes shooting stars and thought this was a good transition between scenes. However, I think it would make a nice analysis if I connect the concept of the shooting star with certain aspects that are present in both scenes and the story in general. I just couldn't help myself, I find it so interesting and beautiful.

my brief and informal analysis

To begin with, what does it mean to see a shooting star? There's three popular and mostly global beliefs I would like to point out.

1) Wishes: Shooting stars have always been associated with dreams, wishes and promises. Many believe that if you make a wish on the shooting star, it will come true.

2) Positive Change: They are typically considered to be signs or messages from the Universe. They tend to symbolize new beginnings, transformations, and spiritual development.

In relation to these two, I believe it would be also connected to the meaning of encouragement. It can serve as encouragement to take risks or make important life decisions.

3) A Sign of Love: Seeing a shooting star can represent the love and connection between two people.

Then, which of these meanings are actually related to these scenes? The three of them, but let me explain a bit more.

In the first scene, Gon and Killua promise to stay together and continue their journey. As shooting stars are often associated with wishes or promises, in this context, it could symbolize the sincerity and earnestness of their promise to each other. By including the shooting star at the end of the scene, it seals their promise and it also marks a new beginning for them. At that moment, they are making an important decision in their lives, it's a new and positive change for them.

For the next meaning, I would like to point out first what scenes with two people under the stars at night usually mean. As we probably know, those type of scenes are ideal for characters to share their feelings and even secrets. The darkness and the soft lighting of the stars allow this space of intimacy to just talk to someone, which is what Gon and Killua do. They are already friends, but it's at that moment that they talk about what they are going to do and speak about topics such as Mito. The shooting star marks a significant bond between Gon and Killua. It represents their connection and love (platonic or not) for each other, as shooting stars can also symbolize a new love. This is related to the hope we have when seeing a shooting star, which is connected to that hope (and excitement) we feel when we start a new relationship. Using the shooting star could work as a narrative device to highlight the importance of this moment and the bond between Gon and Killua.

In the second scene, Killua discusses the possibility of a double suicide if something were to happen. Again, the shooting star appears at the end before transitioning to the next scene.

As I said before, shooting stars commonly symbolize wishes and promises. In this context, it could symbolize Killua's inner turmoil and/or even his determination to protect Gon (and be with him), possibly hinting at a resolution or decision he has made internally. Because of his words, we can guess he made the decision to die with Gon if that's what is needed. What he says can even foreshadow significant events or intense emotions, such as the ones that follow in the story. For example, Killua running to reach Gon and save him. It could even be related to other characters, such as Meruem and Komugi committing double suicide.

Killua's statement about a double suicide is a serious and intense moment, and the shooting star might emphasize the gravity of the situation. In this case, I wouldn't say this is a "positive change," though we could argue that for Killua maybe it would have been because Gon would have included him.

However, it is a moment in which Killua makes a big decision, one that would take to risk practically his life just to stay with Gon or protect him.

In addition to this, it could also bring us back to the first scene, in which they promise to stay together, symbolizing their strong bond. This is emphasized by the fact that the next scene is about Gon and Pitou. However, in this case, both Gon and Killua seem to be in different head-spaces. On one hand, Killua is worried he could lose Gon to the darkness, as he feels their bond is wavering and he can't reach him no matter how much he tries. On the other hand, Gon is too focused on his goal to save Kite. He is in too much pain and despair while trying to control the situation on his own terms.

In both instances, the shooting stars seem to add a layer of emotional depth and narrative emphasis to the scenes. They highlight the sincerity of promises, the intensity of emotions, and the transient nature of crucial moments in Gon and Killua's lives.

side-note

Something that adds to my delusional mind to all of these and I think it's really interesting is the following:

The fourth ending Nagareboshi Kirari seems to mean "sparkling shooting star". The song is an exploration of longing and hope, entrusting wishes to the stars, unanswered thoughts and unspoken feelings. It delves into the theme of connection, particularly the emotional bond between the narrator and a distant loved one. There's a lot to say about this song and its lyrics, but that should be a whole new post.

I think the song speaks perfectly about Gon and Killua's situation in general (not only about what I mention here, of course) and I think it's a good way to finish this post.

Thank you so much for reading! Have a good day or night, whichever the time is when you're seeing this.

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

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