#i feel like i need to prove I can do better

[woso-dreamzzz]

Read II

England Lionesses x Child!Reader

Mary Earps x Child!Reader

Summary: There's a reason you don't have sugar

You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.

It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.

They started teaching you how to read very early so you were fairly advanced when you went to school.

You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.

Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.

You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.

They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.

You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.

You don't count but it's definitely a lot.

Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.

You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.

"Er..." You say as you look at the selection," That one."

"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"

You frown. "No. Keep reading, Mary."

"Are you sure? I can take you."

"No, Mary. My book, please."

"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.

You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.

"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."

You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.

"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.

"Jesus, Mary! You scared me there!"

"What did you give my sister?" Mary demands," She's never been like this before."

"Like what?"

"Like that!"

Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.

"She doesn't do that! She's also not wiggly on the bus! What did you give her?"

Tooney winces. "I gave her nothing!"

Mary narrows her eyes. "What did you let Millie and Maya give her?"

Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"

Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."

Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.

It seems most of the sugar rush has disappeared now but then another problem makes itself known.

The bus goes over a series of bumps and you make a little aborted movement forward.

Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."

She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.

This is all their fault, Mary knows it.

It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.

"Juice, please," You say and Mary hands it to you," Sorry, Mary."

"It's okay," She says," It's not your fault. Do you want to continue your book?"

You nod, leaning against your sister, energy drained. "Yes, please."

[buckgasms]

I have filthy idea for trailer park bucky!

You talk to bucky about how one of the naybors you don't like very much is obnoxiously loud when she has her gentlemen friend over and you think anyone whose that loud in bed must be faking it! Bucky intends to prove you wrong by making you scream louder then the other woman

I'm really feeling blessed this evening with nonnies sending me their excellent thoughts 💭

And this is indeed an excellent thought 🩷

So you stumbled out of your trailer feeling very grumpy, your mood not improving when you hear Bucky chuckling at you as he lights a cigarette.

"Bad night sweetheart?"

You growl and take your seat outside with your breakfast and a strong coffee.

"Of course! It's her, again. Every time she has a visitor over she's screaming all night long. It's so over the top, no one screams like that during sex. It's ridiculous..."

You take a long sip of coffee as Bucky puff out a smooth trail of smoke, eyes glittering with mirth. Your phone starts buzzing and you wave at him as you head back in to take a call, getting your day started.

🌝

You are thinking of heading to bed when there is a tap at your door. You groan inwardly, feeling your body ache from tiredness, hoping whoever it is, doesn't stop for long.

You swing the door open and see Bucky standing there, looking divine as ever. White vest sitting low on his chest, jeans tight as always and a soft smile on his face and two beers in his hand.

"Oh, hi Bucky" you say, a genuine smile gracing your face as you step back. You might be tired but when he's looking that good, you think one beer won't hurt.

🌝

As the beer works it's magic you rest your foot on Bucky's lap and nudges his thigh. "So what are you doing here on this fine evening Mr. Barnes?"

He tilts towards you, gripping your leg and lets his hand glide upwards.

"I was thinking about what you said earlier, you know about screaming in bed?"

You giggled at the earnest look on his face, sighing a little as his thumb massages your thigh ever so nicely.

"Well it is insane, she's just showing off at this point...no one is that good..."

He grins wickedly at you.

"I bet I could make you scream sugar... Wanna give her a taste of her own medicine?"

You giggle behind your hand, wondering if he's really serious. But the devious look on his face is going absolutely nowhere.

"Really? You think you can make me scream like that pornstar next door?"

He nods, hands gripping your waist as he leans in and presses a kiss to your lips which you eagerly return.

He stands up and walks over to the window, pushing it open, checking that her window is open too.

"Come over here sugar... Wanna make sure everyone can hear you. Now be a good girl and take off that pretty dress."

You shimmy out of your dress and he sucks in a breath. He beckons you closer and you edge forward, pressing yourself into his chest as his hands grip your waist and squeeze at your soft skin.

"So beautiful sugar... Gonna make you feel so fuckin good..."

He presses kisses on your cheeks, down your neck and along your shoulder. Goosebumps break out all over your skin in the wake of his lips.

You moan and rake your fingers across his chest, whispering little pleas for him to give you more, always needing a little more.

He moves you to sit on the little table by the window. You shiver as he removes your bra, the cooler evening air dancing over your skin. You whine a little but he just chuckles.

"Need you to be a little louder than that... Here lemme help ya..."

He pushes you to lay back, your head right by the window as be leans down and sucks on your pebbled nipple, lavishing attention on you. You shudder and gasp as he nips gently and sucks hard at the sensitive skin.

You back arches and fingers thread through his hair and a long moan slips through your lips.

"Hmm not bad, that's a little louder but I know you can do better for me..."

His lips drift down and you feel him pull your panties down as he goes. More kisses are pressed to your heat and finally his tongue delves into your folds, torturing your clit with gentle licks and sucks.

A finger joins quickly after. He curls it in slow, firms strokes that have you emitting louder cries, a stream of 'ohs' filling the air. His mouth works faster and your feet come to perch on the table, so you can thrust your pussy into his mouth.

His chuckle sends a wave of pleasure through you and you whine when he pulls away, his finger still going strong.

"So greedy sugar. But you taste so sweet, I guess I don't mind." His thumb circles your clit and rubs hard without warning.

"I want you to tell your noisy neighbour who this pretty cunt belongs to. Say it nice and loud and then I'll letcha come."

He stands, pressing a hand to your stomach and adding more fingers and pumping hard and fast.

"Come on sugar, nice and loud...."

You can't really help the scream that leaves your lips and he drags you to your peak. You scream out his name, how you belong to him, over and over until your orgasm subsides and you lie panting on the table, his hands soothing your shivering body.

When you finally stop panting his hands pull you to sitting and he smiles, pressing a kiss to your forehead.

"That was great, good job sugar...."

You think he's done but he pulls his cock free and rubs it along your folds.

"Bucky...it's too sensitive I can't" you moan as he presses in his fat, leaking tip. He tuts and grips your chin, forcing you to look into his devious eyes.

"We ain't done sugar" is all he says before he thrusts, gripping your thigh to hold you open for him. You can only hold on to his big shoulders as he pounds into you, the sensitivity almost took much.

"Buckyyy, it's so big..." You wail, you don't even realise how loud you are, but it spurs him on. He grips your hair and forces you to watch as he spears into you relentlessly.

"Such a messy girl ain't ya, making a messame?" Lookathat sloppy cunt, love it sugar, taking me so well."

You cry out and rub at your clit, spreading your lips to display yourself more to him.

"Jesus sugar, that's a good girl. You gonna scream for me? Or am I gonna have to make ya?"

Words fail you but you can emit a long loud moan as your walls squeeze him tight. He pushes you back down again and his hips snap just that much harder and faster. His growls and grunts are lost under the sound of your cries of pleasure.

He rubs hard at your raw pussy and you slam into your orgasm, a scream dragged from the bottom of your lungs as you grip the table to keep you grounded.

You feel him pulse within you, before leaning down to press kisses to your sweaty cheeks and forehead. You move your arms to wrap around his neck, fingers drifting down the muscles of his back.

You are about to say something when you hear a very loud, pointed cough. You both look through the open window and see your neighbour glaring at you both before she slams her window shut.

"Whoops"

Yes I was thinking about this vest....

[skibasyndrome]

Wilmon + "please I need you inside me"

cw: this is... definitely nsfw, a lil bit angsty... messy exes reunited at a party?

ALSO: the word count on this bad boy got... completely out of hand

"Please, I need you inside me." Simon's whispered confession hits Wille like a freight train. It's not what he expected him to say, not after everything, not after all this time, not after what he said last time. Not as his first full sentence towards Wille, after an awkward "hey" in front of Felice and Sara who are the only reason they even came to Maddie's party in the first place. Not after asking if Wille "has a minute" one and a half hours later.

It's all wrong and Wille is confused, so fucking confused and a little bit too tipsy to really connect the dots (have there been hints all evening? have there been signs he misread?). Instead of asking any of the millions of questions floating around his mind (Why do you want me now? Did you change your mind? What happened to the new guy? Why here?) he just stutters, unsure what to say, unsure what to do about the goosebumps mottling the skin of his neck, even moments after Simon has already pulled away again. "Simon, I don't..." (Why didn't you text? Why didn't you call?) Simon's expression twists painfully and Wille knows, oh god he knows what this sounds like and he needs to fix this. "I...," and the words still don't make their way out, so he reaches out, fingers grazing the inside of Simon's wrist, so soft and so smooth and so reminiscent of the times this was what they did. (Why did you push me away when this is what you want?) "We can't," Wille tries instead, desperate, breathless, feels his chest contract angrily, feels his resolve crumble with every passing second that he's skin to skin with Simon. Fingertips on the wrist are enough to set his skin on fire. Enough to bring him back to two years ago. (Why didn't you want me to fight harder?) "Is it because you don't want to?" Simon asks, voice gentle and careful and so painfully small - Wille hates when Simon feels like he needs to make his voice smaller - that the pang goes right to Wille's heart. (Why would you ever think I don't want you?) He shakes his head fervently, like he can shake off the hurt and the confusion and the incessantly rising heat of want that crawls up the inside of his throat. "No. God, no," he tries, feels and hears his voice break on the first no. (Did I not prove to you that you're all I ever want?) Simon's eyes meet his again, finally. Glistening even in the dim light of this hallway, and Wille wishes he could read him better, wishes there weren't two years of distance lodged in between them. Simon moves his arm and just as Wille is about to gasp at the prospect of losing him again he feels Simon's grip on his upper arm instead, firm and warm even through the thin fabric of his shirt. The breath gets stuck somewhere deep inside of Wille's rib cage. He doesn't dare make a single move while Simon tugs on his arm, places it around himself, takes another step towards Simon. (Why did I ever let you go?) The look in Simon's eyes is dangerous, is gnawing away at every bit of distance, at every wall that Wille has desperately tried to build up over these past years. Simon squeezes Wille's bicep, signaling him he can touch him back and- Fuck. And Wille does. Wille's hand still perfectly fits on top of Simon's hipbone. "If you still in any way want me..." (What the fuck did I do to make you think there'd ever be an 'if'?) "if this is still," and Simon is standing so close to him now that Wille thinks he must be feeling him. Must be feeling that Wille, despite himself and all that work he put into getting over Simon, very much fucking wants him. Now, always, probably for fucking ever. "If this is something you might want..." Simon presses against him now, hips against hips, and Wille wants to moan and cry and wrap him tightly in his arms because he can feel Simon again, too, here, close. Simon leans forward, lips moving towards Wille's ear. "Let me have this, Wille. If you still want this, let me have you."

Wille's moan is barely stifled when he feels the subtle movement of Simon against him, of Simon pressing into him, onto him, of Simon searching for contact and friction and more of Wille. "Not here," Wille tries, but he's already losing the battle and grinding his erection against Simon's, that quietly flickering flame he never quite managed to put out now stoked into a raging fire. "We don't have- and we're just-" And while he stammers away, while he digs his fingertips into Simon's side and relishes in the heady feeling of having him here again, he feels Simon slip something into his palm, a small bottle, familiar enough to make Wille's mind spin. (How did you-?) "I knew you'd be here," Simon confesses, unprompted. "I knew I'd see you." His lips leave burns in their wake as they brush down the side of Wille's jaw. Wille barely has control over his own hands, just barely registers that must be pulling Simon closer. And it seems like this breaks a dam inside of Simon. "Been thinking about you," he gasps out and Wille can feel his hands under his shirt now, digging nails into Wille's skin that remembers. "Been missing you," Simon admits, much more quietly, but before Wille has any chance - But why did you-? - Simon pushes on. "Missed feeling you... missed having you like this." And god, god, Wille is a broken man. He's never had a sense for when to stop, when to turn away from Simon before things become detrimental, and he's not about to now start acting like he has any control over his feelings towards this man. This man that ruined Wille for everyone forever. So of course Wille finds himself perched behind Simon in one of the seemingly countless storage rooms in Maddie's house, of course he's got Simon holding on to a shelf in front of him, with his pants bunched up around his knees, and of course he's back to opening Simon up for him, nice and slow and grabbing one of his ass cheeks, holding him open for a better view while he does it, because simply feeling him is not enough right now. Of course Simon is back to letting out those sounds that Wille has never stood a chance against, quiet hiccup-y moans that he draws out for a moment longer whenever Wille pulls out and gently eases his fingers back in, teasing. Simon feels just like Wille remembers, he moves just like Wille remembers, he lets out that same broken sound when Wille drops to his knees and asks if he can, please, if Simon is okay with it. He arches his back and pushes back against Wille's mouth, moans at every flick of his tongue, just like he's always done. The filthy string of profanities and desperate pleas falling from his mouth is just as enticing and encouraging as it's always been. The way Wille needs to hold Simon's hips in place, thumbs on his ass cheeks to help hold his open, the way Simon tastes, the way he grinds back and lets Wille fuck his tongue into him... It all hasn't changed one bit. Wille feels delirious, feels like he's stuck in one of those dreams that kept haunting him for weeks, months, after. He feels like he could risk waking up to his empty bed again if he pulls away to catch his breath. It still feels like a dream when he lines himself up with Simon's back, when he presses closer, not pushing in, just feeling the heat of Simon's body through his shirt, just relishing in the slick, hot tightness of being between Simon's thighs. It's so much, so fucking much that Wille needs a moment, that he needs to prepare for what he's sure will ruin him, that he needs to wait before entering him again.

"Are you okay?" Simon asks, breathing heavily and grinding back desperately, and it's almost like it used to be, almost as sweet and caring and devastatingly gentle as they used to be. Almost, because there's an edge of fear, of worry, of uncertainty. Wille nods, pressing his forehead against the soft wispy hairs at the back of Simon's neck. He's so okay. He's so much more than okay, feels so much better than he has months and that alone is absolutely fucking breaking him apart. "So okay," Wille gasps out, pulling back slightly to line himself up. He ignores the slight tremor in his hands, that anticipatory shiver of pleasure that courses through him. "So fucking okay," he moans when he slowly pushes in, sinks against Simon, slips back into that old, familiar, breathtaking sensation of connection and closeness, of soft, warm bliss. And Simon does it, too, moans, throws his head back, angles himself so that Wille can slide home, can claim this feeling for the two of them, finally again. Simon's affirmative hum travels through Wille's chest like the heavy bass on the dance floor did earlier, Simon's sweetly assertive command for "more, Wille" pierces him like a knife. But he can, he absolutely wants to give Simon more. He pulls back slightly, only to thrust into him again, giving more and deeper and harder, making Simon's breathing stutter, making the shelf that's bearing more of less all the force groan under the impact. Every bit of desperation, every yearning thought Wille has tried to neatly file away breaks lose in him, every single time he dreamt of this imagined just one more chance at this hits him at once. By the time he pulls back, words of warning on his lips, mumbled apologies for being so gone so quickly, for not making this last any longer falling into the sweat-heavy air around them, his eyes are burning, his throat closing up. It can't be over already, not again, not now, not ever. Simon's arm shoots behind him, grabbing onto Wille's ass, pulling him closer again, urging him back inside to the hilt. Wille's hips stutter and he gasps out another pleading warning, sure that he's going to fall any minute now, but Simon only digs his blunt fingernails into Wille's skin. "Stay," Simon presses out, so quietly that Wille barely hears it. But it's enough to make Wille press his eyes shut, go rigid against Simon's back. "Inside me, please," he adds, words so drawn out and voice so breathy that Wille can't help but moan in response. Simon needs him, is all Wille can think of when Simon grinds back against him, Simon needs to feel him again, he thinks, as he listens to Simon's staccato breaths and the sound of his slickened hand jerking himself off. It's all the way it used to be, it's like he was never gone, it's like they picked up where they left off, like it's them, together, against all odds again. It takes no more than a couple thrusts before Wille is coming, gasping into the sweaty hair in the back of Simon's neck, pressing closer, wrapping his arms tightly around Simon's chest and stomach, like that will keep him from ever leaving again. Wille is still panting, still shaking, when he feels Simon's come hit his arm, feels Simon go pliant in his arms. He doesn't ask why now, why after all this time, when Simon, hands still holding Wille against him, like he, too, is scared Wille will leave, pants out a quiet "thank you". Wille doesn't ask what this means, either. Doesn't ask what Simon now thinks of him, what Simon now wants to do. He doesn't, can't, get out a single question while he holds onto Simon and Simon holds onto him.

OOOF. I......... I guess that was the vibe when I sat down to write this today. Thank you so so much for sending in that prompt, dear anon! I hope you enjoyed it! 💜💜💜

Send me "Wilmon" + a sentence and I will write you 2k apparently another 5(+) sentences

[goodolddumbbanana]

Nexus to Moon: dramatic, mysterious, evil.

He is the monster. He forced me kneel, he hurts me, he makes me relived of all my mistakes. I couldn't fight him and the worst of it..... I. Scared. Of. Him.

Nexus to Sun: Bitch wants me to work for him and gets mad when I say no. Also... Cringe.

I am sorry but, has anyone felt a really drastically shift tones between Moon and Sun when they interact with Nexus?

Like Nexus really wants to hurt Moon, badly. He does not hesitate to cram his hands inside Moon's head, and mocks Moon for everything he did. It was intense, and we can feel it is Nexus the one who is in the control. And that Moon will not do or can try anything.

Also Moon gets kneel down and tortured pretty quick after that. Also he seems very scared of Nexus after each time he interacted with Nexus.

But Sun... I don't know man... I think I had made Nexus cooler in my head.

He is just so cringe. (THE GOD thingy makes me die a little bit whenever I hear him screaming that name)

I couldn't see the monster who hurt Moon with the way he was chasing Sun around and Sun just kept running like it is no ends tomorrow.

(Lmao dude just straight up pulling Naruto run on Nexus, really reminds me back then, of the times when Sun doing something stupid and Nexus just angrily yelling ran after him.)

And even when he had Sun at the corner, he couldn't say anything 'emotional damage' to Sun.

"What ... Are you insane?!"

"Yeah. I thought it was pretty obvious."

And baby girl is so obsessed with the fact he is no longer Moon, he thinks it is him who is still the one Sun calls for help. Which is sad and funny both at the same time.

Like we can feel a tiny small hesitant in Nexus's voice when Sun keeps saying 'Moon', like he thought Sun wants him to stop.

And how the issue gets dragged on the surface. Sun always feels like he couldn't help Nexus and Nexus also feels like he couldn't let Sun help him. (Because the same old story, Sun got hurt and kidnapped whenever he came with Nexus.)

"So now I have value for you?"

"Yeah, for once in your miserable life, you have value."

It is sad when they come back at each other like this. Especially when Nexus always says that he needs Sun back in the day.

"You had friends, you had a family. They love you."

Sun loves him. He still loves Nexus. He didn't want Nexus dead is one thing, but he seems so worried about Nexus (accidentally calling him Moon when seeing him got shot) and tries to make Monty stop shooting. Even after Nexus runway, Sun - the one who gets so infected by Negative Star power, still wants to know if Nexus is okay.

And when he was back at home, he wasn't even scared of Nexus, not like how he used to be terrified of Eclipse or Killcode or even when he interacts with Dark Sun. He seems just pissed and done at himself, and not even with Nexus.

"I didn't have friends. I was a replacement."

Nexus didn't consider Monty his friend. I mean it is totally understandable, especially when they hijacked his head before. But replacement... Really? Sure maybe at first with Sun, but what about Earth? She didn't know jack about you?

"Maybe at first, but I liked you."

Haha... Remember when Nexus said he was very appreciative of how Sun loved him more than Moon? Haha... Good times ...

"oh my..., cuz I was nicer to you."

"because you are nice."

"because I didn't beat you.... Guess what Sunny, you are nothing but a tool for me..."

He throws away any good things he did for Sun. He burned all their memories, and saw himself as a monster. He tried to make himself a monster towards Sun, and when seeing it didn't work, because Sun doesn't care about how horrible he is now, he straight down Sun with the 'I don't care about you' attitude.

"You know what... You are not worse than Moon. Hell you are not even better..."

'You are just exactly like Moon. ' I think it is what Sun wants to say. They are both so stuck in their own minds, never wanting to hear what other people say, what people are trying to prove they are so much better than this.

"I am me! NONE OF YOU COULD REALISE, I AM MY OWN PERSON!!!"

"I tried."

"No you didn't. You USED me. And now I am going to use you."

"I am sorry."

His voice seems so small. He sounds so heartbroken when he says sorry to Nexus, like we can feel the thought process behind Sun. He truly thinks everything happened was his fault, it is Sun's fault leading Nexus to become like this.

"Your apologies don't mean anything to me."

And Nexus sounds so wanting to move one, to get done with his job, to stop talking about the past. It doesn't matter if Sun says sorry or not, because he doesn't care. He doesn't want to care.

And the term he used... Dragging Sun into his lab and plug he into the machine, to let him never do any of his own will ever again....

What does Nexus think Sun will do with his own will? Like what exactly can Sun do? Yapping at his ears until it bleeds? Sun doesn't have any manipulated skills at all, he is so straightforward and honest to actually harm Nexus from behind, like, Nexus just needs to highjack Sun's head like Moon.

From my perspective, I think there are a lot of methods to let Sun do as Nexus plead, but Nexus only wants to stop thinking about Sun. Like if he fully controlled over Sun, he will not have to think about how Sun is disappointed in him anymore, He will not have to think of Sun as a human being, as his ex brother, as someone still cares about him.

And when Sun says he will not do as Nexus says? Nexus sounds didn't surprise at all. They understand each other too well to know even Sun sometimes a coward, he will not give up like that for Nexus.

Also... Why did he not just threaten Moon? Or Dazzle? Or Jack? Just like how he mocks Solar?

Did he not want his older brother to think of him lower?

"...I have you kneel at me, right ? So look at your superior being."

The way Nexus said that, it makes me feel sad. Like, Nexus so wants to cut off Sun, to make Sun think of him as a monster, to hurt Sun not even in the way it matters.

He still couldn't hit Sun at his lowest, I mean, back then, Old Moon even worse with Sun both emotionally and physically back in the days.

Even after so much nonsense craps, Sun still unharmed. He tortured Moon, he mocked Solar, but Sun.... There is no win in this fight.

Their fighting still looks so much more than their so used banter before... I wish Nexus and Sun will be still brothers ;.;

Sidenote: I love that Ruin tries to convince Nexus to think more with his head but just ends up giving up like : oh right, screw you then, asshole.

Very baby girl behaviour of him.

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[wistfulwatcher]

in an era where every show without record-breaking ratings gets axed immediately, i would just like to say how deeply grateful i am that crazy ex-girlfriend managed to air for four whole seasons and tell one of the most beautiful and moving stories of self-acceptance and love i've ever seen.

i just finished rewatching it (yet again) and every time i do i just think what an absolute shame it would have been if it had been cancelled after one or two (or even three) seasons. because, while it was clever and fun from the beginning, rebecca's mental state required the show to be so boy-crazy that it was a little tough to believe that the show would end up seeing the story through to where we eventually end up. the audience certainly got hints as to its final message early on ("love doesn't need to be a person, it can be a passion"). but because rebecca was rejecting those messages, the audience sort of had to, too. and if the show had been cancelled while rebecca was obsessed with josh? certain that her only path to happiness was romantic love and validation from a man? if we had never seen her truly understand and acknowledge ghost!akopian's words? i'm sure there would have been articles speculating on where the series could have ended up, acknowledging with resigned tones that the show had potential, with the seeds that had been planted.

but god, discussion of "the potential" of the show would have paled in comparison to what we got. because hot damn, did cxg end up doing character growth better than the vast majority of other series. (and not just for rebecca! almost every character in the large ensemble got to grow in a very organic, subversive, and meaningful way!) for a show that was consistently in danger because of their extremely low ratings, it was pretty ballsy of cxg not to rush through rebecca's story to prove its intention. for them to let rebecca be as frustrating and unlikable and unhealthy as she was for so many episodes, simply because they knew how necessary it was to show us the depth of rebecca's mistakes and struggles before she finally sought help and began to heal and grow. and the story was so, so much better and poignant for it. rebecca's season four growth feels very earned, and her end of series resolution to pursue her passion (her true love!) is so satisfying because it feels realistic. the audience has spent four years seeing her love for theater (and how it got tangled up in josh/the idea of romantic love) and when rebecca eventually realizes the same it's such a satisfying sense of finally.

it's an experience that has become painfully rare lately; too many series feel as though they're trying to cram as much into the first season as they can for fear of cancellation, and allowing no room for characters or relationships or story to grow naturally. they don't allow for anything other than the bare minimum plot. their characters can't breathe.

cxg didn't do that. they continued to tell the story they were telling, at the pace at which it needed to be told. and the series was truly phenomenal because of that choice. because of that trust in its own story and characters. cxg is a perfect example of what television can be, how powerful it can be, when it's allowed to be treated like the long-form storytelling medium it is. and i am so grateful for that.

[st-el-la-luna]

El's COD Kinktober 2024

I figured this would be a good way to keep my blog alive. Expect short pieces, and missed days. But I will do my best

NSFW Minors DNI

1. Somnophilia: Johnny "Soap" MacTavish

Soap wakes up to you moaning in your sleep. He helps you make your dreams a reality.

2. Sensory Deprivation/Blindfolds: John Price x Reader

Somehow it's better when you don't know it's coming

3. Double Penetration: Alejandro Vargas and Rodolfo Parra x Reader

Your Colonel and Sergeant comfort you the day after a bad date

4. Lingerie: Simon "Ghost" Riley x Reader

You want to surprise Ghost for his birthday. Things go wrong, in perhaps the best way.

5. Mommy Kink: Philip Graves x Reader

After a particularly long mission and several bad months at the company, Graves' spirits are low. He needs someone to take care of him, to tell him he's good

6. Threesome: Kyle "Gaz" Garrick and König x Reader

KorTac has been working alongside Task Force 141 for a while now. Kyle has always had his eye on you, but it becomes clear that the Austrian giant feels the same. Tensions rise between the two until they decide to prove which of them is best once and for all

7. Restraints: Kim "Horangi" Hon-jin x Reader

Horangi is in debt to you and your going to teach him a lesson: either he pays you back monetarily or...

8. Body Worship: Alex Keller x Reader 

Alex thinks every inch of your body is perfect. And he won't stop telling you until he's sure you believe it too.

9. Face Sitting: Kyle "Gaz" Garrick x Reader

Gaz overhears you telling Soap you've never enjoyed receiving oral. He decides to change that

10. Exhibitionism: Nikolai x Reader

Nik likes to show you off whenever he can. The Task Force has been eyeing you too much as of late. He reminds them who you belong to.

11. Thigh Fucking: König x Reader

König is just too big

12. Breeding: Simon "Ghost" Riley x Reader

Mid-fuck, Ghost let's slip that he wants to be a mommy.

13. Overstimulation: Rodolfo Parra x Reader

After everything that happened with the Shadow Company, you're just glad to have him back. Your relief at his wellbeing quickly becomes more and, well, you have a lot of stress to work off. But he can take it.

14. Free Use: Kyle "Gaz" Garrick x Reader 

You and Kyle have an agreement. Whatever either of you want to do, whenever you want to do it. You both enjoy your agreement.

15. Blood Kink: Nikto x Reader

Nikto comes to your door, desperate. You tell him you can't, you're on your period. Blood has never bothered him before, why would it now?

16. Dry Humping: John "Soap" MacTavish x Reader 

You can't, it's a sin... Luckily even God leaves loopholes.

17. Uniform Kink: Philip Graves x Reader

He can't get enough of the way you look, all dressed up for this event. And you can't get enough of him in his dress uniform.

18. Cockwarming: Alejandro Vargas x Reader 

There's nothing Alejandro likes more than coming home to you. And to his second home, between your legs.

19. Pegging: Alex Keller x Reader

One of his friends bought it as a gag gift. You laughed. Alex didn't.

20. Oral Fixation: Kyle "Gaz" Garrick x Reader

Gaz notices how you've always got something in your mouth; a pencil, gum, a lollipop. He can tell it calms you. At a formal event, he senses your stress and gives you something to help ground yourself.

21. Corruption Kink/Loss of Virginity: Johnny "Soap" MacTavish x Reader

After months of dating and never doing more than make out, you ask Soap when you're going to, well, do it. His answer surprises you, and you learn something about yourself that's even more surprising.

22. Spit: König x Reader 

In the heat of an argument you spit at your Colonel's feet.

23. Choking: Simon "Ghost" Riley x Reader

An accidental training misshap leaves Ghost reeling, you help pull him in.

24. Werewolf: Keegan P Russ x Reader

Little Red Riding Hood, you should know better than to wander the woods at night alone. Especially tonight.

25. Spanking: John Price x Reader

John decides to get you back for slapping his ass in front of his men.

26. Predator/Prey: Valeria Garza x Reader

You and Valeria play a game of hide and seek with a twist...

27. Praise: John Price x Reader

Joyn worries he isn't good enough, that he's gone too often. That he's a bad person. You assure him none of its true.

28. Boot Worship: Simon "Ghost" Riley x Reader

You show Simon your new boots. He reacts unexpectedly.

29. Hair Pulling: John "Soap" MacTavish x Reader

You accidentally grab his hair during a spar. He moans like a whore.

30. Cumplay: Poly!141 x Reader

Soap had an idea for a fun game. You're just surprised he was able to rope the others into it too.

31. Wild Card

[gracies-baby]

Henry’s Wedding

(Gracie Abrams x Reader)

——————————————————————————

Y/n sits at the bar at the wedding, sipping on her drink as she feels people's eyes on her. She can feel them judging and gossiping about her while she silently waits for the appropriate time to go home. She takes another sip of her drink before she feels someone sit next to her. She looks to her side only to see Henry Abrams.

"What're you doing here all alone? Go socialize" He teases as he gets a drink.

"Why did you invite me? I mean, me being here is just making everyone uncomfortable" Y/n asks with a sad look on her face.

"It's none of their business. Just because you're not with Gracie anymore, that doesn't mean we can't still be friends. I'm sure it was her fault anyway. I love her but she's never been great with communication" Henry replies with a soft smile.

"She didn't tell you about it?" She asks quietly.

"No, she never really wanted to talk about it. She would just hide in her old room and get mad over every little thing. Weenie slept in Auggies room instead of hers one time and she got so pissed about it. It's weird, I've never seen her like it before" Henry smiles sadly at the girl before he hears someone call for him.

"I gotta go, but please try to have fun. I wouldn't have invited you if I didn't want you here" The two of the smile at each other before he walks towards his wife. Y/n takes another sip of her drink before she feels someone's eyes burning into her. She looks behind her, making eye contact with a familiar brunette. Y/n quickly looks away before quickly walking outside, avoiding contact with anyone else. She sighs when she feels the cool air on her before she takes a seat on the grass in front of the lake. She stares at the moon's reflection on the water before she hears someone's footsteps behind her. She looks behind her once more seeing the same brunette.

"I'm sorry, I shouldn't have come. I'm leaving now" Y/n quickly stammers out before trying to walk past her ex, only for Gracie to grab her wrist.

"Don't go. We don't even have to talk. We can just sit here in silence. Just don't leave me again. Please" Gracie's voice cracks as tears fill her eyes.

"I don't need to be here, Gracie. You've been doing just fine without me" Y/n replies as she takes a step away.

"No, I haven't Y/n! I've been miserable without you! We were together for 7 years and I was happy, and I thought you were happy too but then you just randomly left me, and I didn't even understand why!"

"Because you can do better! You could have anyone in the world, and you spent 7 years of your life on me!"

"I don't want anyone else! You're the only one I could ever want! I need you Y/n! What do I have to do to prove it to you?! Do I need to get a ring? Because I did that! I just never had the chance to give it to you!" Gracie rambles before Y/n's eyes widen at the last sentence as tears stream down her face.

"You can't just say that, Gracie. This hurt me too. Leaving you was the hardest thing I ever had to do" 

"You didn't have to! I didn't want you to! We can still fix this Y/n" Gracie replies as she takes Y/n's hands in her own.

"Gracie-"

"No. I still want you back. You're not leaving me again, Y/n. I need you. And I know you want me too. Please, just give us one more chance" Gracie pleads before Y/n slowly nods causing a huge smile to appear on both their faces. Gracie softly grabs Y/n's face before pressing a deep kiss against her lips. They smile into the kiss before they hear someone clapping behind them.

"Finally! I knew you guys would get back together!" Henry exclaims when they pull away causing Gracie to groan.

"Do you really need to interrupt everything?" 

"I'm just happy you're not gonna be so mad all the time. Most days you didn't even talk to anyone. You were so boring. It was kinda fun when you cut your hair over it though" Henry teases as Y/n laughs while Gracie glares at her brother.

"That was not the reason I cut my hair. You just got married. Why are you here? Shouldn't you be with your wife?"

"I'm the one that got you two back together. You should be thanking me" 

"You didn't do anything! You getting married did not get us back together" Gracie replies before Henry sticks his tongue out at his sister before walking back inside. Gracie and Y/n smile at each other before they share another kiss.

"I'm never letting you go again" Gracie mumbles against her girlfriend's mouth as Y/n smiles, wrapping her arms tighter around the brunettes neck.

[xmimikyuusx]

Breaking my oath to not post myself, because I'm really feeling it lately. But it's frustrating how much of the anti-transmasculinity and anti-transandrophobia arguments hinge on this weird world of exclusivity.

I've been admiring lately how on the positive side of things, the transandrophobia discussion also brings to the table the discussion of other marginalized groups who are often dismissed or actively pushed out of the conversation because it doesn't fit the white cis feminism that people have been clinging to (and reinventing to include Trans women in the most surface level way). Bringing up the issues that cis MOC face, or disabled or intersex men and many others, we are not the pioneers of these conversations whatsoever but the discussion of the marginalization Trans men and mascs face is an open door to these other conversations. (I.e relating across identity lines, seeing other groups and acknowledging their suffering and looking for solidarity)

On the other side of this, denying transndrophobia or even the idea that a Trans man/masc can face marginalization, whether be it even from his masculinity or his transness, is a closed door. No one's suffering matters except their in group. If you're not a woman or woman aligned in some way, you simply cannot be important to the conversation, because you're the bad guy. You're the oppressor. You're too uninformed and stupid to understand what oppression REALLY looks like. You need to shut up, even if it's on your own post, your own blog, words out of your own mouth, because speaking about your experiences, when those experiences don't line up with women being the victim and men being the perpetrators, is just another sign of how evil you are.

Or iterations of this. It hurts me even worse when it comes from another Trans man /masc. I remember a post a while ago in the tag, from a Trans man retelling a story about how a Trans man in his community was brutally murdered, dismembered, and he attended his funeral. And in the same breath, he was telling us how even when this attrocity has happened, we just do not have it as bad as a woman would. We just would not understand.

It boggles my mind. How much worse does it have to be? What does worse look like after sky high rates of murder, sexual assault, abuse, and suicide? And why does it have to be this bad before it's recognized that there's a problem?

Community doesn't come from exclusions. It doesn't put Trans women's oppression in jeopardy if a Trans man is also struggling just as much. Comparing how much one group is struggling, in these abstract ways, to try and prove a point, to try and drive a stake between genders like it'll somehow matter in the end, is pathetic. It's not helpful. Unfortunately, it's some people's outdated, vitriolic version of feminism that is very difficult to distinguish from a terf or a radfem. This unhinged reactionary jump we get from any corner of the community to protect their status as the victim, that someone else's suffering somehow diminishes their own, it's disgusting.

I don't want to rant anymore, but I know the day when we move past this will be amazing. We deserve better than trying to destroy our own community from the inside out.

[friendly-emerald-emily]

with my recent posts about molly, i'd like to make this one a space to share molly-specific head canons! i'll start with my own :3 - molly's desire to be seen as special and important could stem from the history of her class, the GER S46. they started out as the eastern's premier express passenger class, but were being phased out of those duties starting in 1911, being demoted to less important passenger services, to then goods trains until the final 4 of the class were withdrawn in 1960.

- adding on to the previous point, molly also wants to desperately prove her worth because she fears being withdrawn from service, but her shyness prevents her from asking for help when she needs it.

- molly doesn't necessarily mind doing goods work, in fact pulling long heavy goods trains is a better show of her sheer strength (which it's canon that she's very proud of), but her insecurities rear their ugly heads when other engines start making passing remarks about goods work being inherently lesser than passenger trains.

- molly's shy and sensitive nature does make her very emotionally intelligent, and is one of the better engines to turn to on emotional matters, her sensitivity gives her a nasty habit of holding grudges. she is willing to forgive though, if she believes whoever wronged her made up for it - i imagine molly would get along with neville pretty well. i'll try to keep this point as molly centric as i can, but in my personal headcanon molly and neville are the epitome of 'similar, yet different'. while both are large, introverted tender engines, they differ when you look deeper. molly's self esteem is usually good when she's on her own or feeling confident, but it starts to crumble when others tease or, or she feels she has to try harder than usual to prove herself. neville, on the other hand, typically struggles with self-esteem because of how often he experienced bullying based on his looks (his irl basis was nicknamed 'the ugly duckling' poor guy :() and his self-view is usually only raised when he gets a genuine compliment. molly can hold grudges, however neville doesn't; he'll gladly accept anyone who's shown him any kindness...which can lead to him being a fair bit more naive than molly. - molly is a good judge of character. no one can really explain it, but when the usually sunny molly starts getting cranky around someone, you best believe that engine is up to no good. - molly and emily are sort of frenemies. they have more in common than they realize, both are eager to please and are proud of what they're capable of...it's just emily tends be louder about it than molly is. (also, emily doesn't make that comment at the beginning of molly's special special in my world. it's out of character because emily doesn't usually tease anyone without being provoked first). emily and molly may not like each other very much because of their different personalities, however they both have a mutual respect towards one another for being the only large female engines that are willing to get their hands dirty and haul long heavy goods trains - molly is friends with murdoch, but she finds him hard to be around sometimes because of how much of a downer he can be -molly's favorite holiday is easter. she enjoys the warmth of early spring and fun, bright colored eggs. -conflict stresses molly out because on her old line, many of her steam colleagues had plenty of verbal sparring matches with her old controller begging them to be kept in favor of the newer, often diesel, engines. in general, heated arguments dig up ugly memories for her - despite her deep-seated insecurities, molly is actually an optomist and tries to make the best of negative situations. - when it comes to mixed-traffic engines, she's easily one of the most skills when it comes to expertise on both passenger and goods trains, owing to her extensive working past in both fields. she's very capable in both and is one of the engines on sodor that gets herself into the least amount of accidents.

-molly has a good relationship with trucks. her gentle and patient nature actually makes the trucks quite fond of her, the fact that she doesn't bash them around or lose her temper with them alone is more than enough to make them respect her. - molly secretly has a large penchant for gossip. she never partakes in it herself, but she is curious about the happenings of other engines. murdoch is a good source of gossip, because of his quietness he often becomes a fly on the wall, but the trucks are always telling her about frustrated engines blabbing about how much they dislike another. that's why when big news starts spreading, molly usually has very little reaction to it. she already knew.

[lunarifie]

Coloring that sketch since its getting way more likes than I thought it would

[elevenenthusiast]

I HATE how much people do to defend noah on here and on twitter like why are you all forgetting he’s a zionist?

[sweetbunanarchy]

The constant want of wanting to make something great yet still just wanting to have fun with your silly characters is an agonizing constant cycle….

[starlooove]

Call me jaded bitter and black but I’ll never care about the nuances of the police fill in on tv. Like we already have to deal with the ‘my dad is a cop :(‘ or ‘my broke brother joined the military’ irl why the fuck am I wasting my brain power on Caitlyn or vi. Like we know materialistically the authority of being a cop can get u what u want faster and that emotionally u either need strict routine with an outlet for ur violence or ur so used to it that u have to be a cop. I still fucking hate u tho like idc about how sad u are about being privileged and I said cop fill in but it’s really every kind of that character on tv like Zuko esque sorry I genuinely have less empathy for you than I do for other people idc

[raziraphale]

I'm really tired of situations where asexuality is mentioned like, casually in a way that kind of flattens the definition a bit for simplicity's sake (like just implying asexuality = no sexual interest) and someone feels like they have to jump in to remind us all that some asexuals can still have sex. like cool sure that's a true statement but it rarely comes across as adding nuance and instead sounds like you're saying "remember that some of us are normal just like you". well most of us aren't "normal" so maybe let people sit with their discomfort with that fact for five minutes before reassuring them that asexuals can be just like everyone else

[hinamie]

me at any given point in time: i need to get better at art i need to get better at art i need to