#i just don't know what else to really do if I've done everything i can in my power to get her back

[sysig]

One better (Patreon)

[radmista]

My cat just ran outside while I was taking my dog out to the bathroom, refuses to come back while calling her and shaking food at her. Actively runs in the opposite direction. And ofc someone broke the laser pointer I keep on my keys so I can't trick her back into the apartment. I'm so pissed that shit broke off, all my other crappy keychains are still attached. The laser was how I got her back last time she escaped but she'd only taken a few steps out and I was able to snatch her.

And I'm not supposed to have her so I can't even notify the apartment complex a cat is missing 😐 guess she's an outdoor cat now :/

[criscura]

I wish I wasn't so exhausted and I could make more art.... I even planned out a whole prompt-a-day month for Saigenos/Genosai, TWICE, but the first time no one seemed like they could participate when I asked about it, and the second time I friggin lost the damned plan. I could remake it a third time, but I just....I don't know.

I've been really struggling to get along for a while, and I think if it didn't hit it off--or even if I just got really productive and it seemed like I was reaching crickets--I'd be so incredibly discouraged that it would bring me down even further. It usually takes my stuff a few months to a year to get reach, and that really doesn't do anything for me when I need the support immediately.

It's not that I don't have a billion ideas for so many different things, but my battery has been taking longer and longer to charge up and it's been running out faster and faster, and it's been like this for....a year?? Ish?? Maybe longer, I don't know.

I wish I could just stop needing so much fucking time to bounce back.....

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[zipquips]

.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[joshhhhhhhhhhhhhhh]

I have 100% completed Freedom Planet for the third time

[anaalnathrakhs]

hjgjhggjgjgh forgot i can't even go to the psych ward if there was magically room for my non urgent case. my mom's birthday is this weekend, and my aunt and grandma stay at our house for the following week. i need to be there for the birthday, and then i have to seem normal and present at normal hours. AND THEN IT'S THE HOLIDAYS.

[mako-island-moon-pool]

Ignored again today, going to start maiming the hostages until behavior improves

[a-b-riddle]

Part Five

Can't stop thinking about the attempt of reconciliation and reader ain't having it. Our girl is going to be wilddddd y'all. Also goodnight. See y'all tomorrow (maybe)

You call Meredith when you get home.

You. Are. Fuming. She's not sure she can ever remember a time you using so many swear words at one time.

How fucking dare them? Immature? You're the immature one? You were the one trying your best to salvage four failing relationship meanwhile none of those assholes could be bothered to try and keep one. They had one person to manage: you.

"I wanna go out this weekend." "Wear something tight and borderline risk indecent exposure."

"You know what I always say," Meredith begins. "The best way to get over someone-"

"is to get under someone else." You finish. You weren't exactly keen on the idea of bringing someone to your bed just yet, but a little attention would do you some good. "I don't want to fuck someone just yet." You admitted. "I'm more on the getting drunk and making out."

"I didn't know we resorted back secondary school heavy petting?" She teased.

"University, Dear." You corrected. "I didn't peak until after I graduated."

"No." She argued. "You didn't put your books down long enough to realize that boys actually wanted to fuck you." You were glad she couldn't see you roll your eyes. "Saturday work for you? I have a late night Friday and won't be up for it."

"That works."

"Sorry." She apologized. "I plan on getting you absolutely smashed so I need to be ready to play the nanny. I know how you love to get drunk and run off."

It was true. You had always found it hilarious when you were drunk to just run. Quite literally run away. It got to a point during university where Meredith would handcuff you to her so you didn't stray.

"I won't run." Your sober mind promised.

"Uh huh." Meredith's tone told you that she knew that was a load of shit. "I'll text Tabs. Let her know the plan."

The next day at the shop was pretty uneventful. No more unexpected visitors. You still had them all blocked. Not caring if now they decided to offer up some bullshit apology.

Months. This had been a steady decline for six months. A text or a simply sorry won't fix this. You weren't sure anything could.

But it didn't matter. You were done and they obviously were too.

You had picked up enough take out to feed a family, but you didn't plan on making your lunch before work or cooking when you got home. The rest of the week you planned on just going through the motions until you could go out Saturday and hopefully get everything out.

You weren't paying attention as you walked down the hallway to your flat. Fishing in your purse for keys. You were at almost at your door when you saw him.

Sitting next to your door was a familiar face. A face you felt you haven't seen in forever.

“What are you doing here, Kyle?" Your voice was flat as you continued to blindly try and find your keys with one hand. Fuck. You really need to clean out your purse...

“My key wouldn’t work.” He explained. "So I’m out here.”

"I'm aware why you're not in my apartment since I changed the locks," you said, trying to keep your irritation at bay. "What I am asking is why did you come here?"

"You won't return any of our messages."

"You're all blocked, so technically I didn't really get any messages." "Besides, you don't get to complain to me about not responding to texts, Kyle Garrick." Your fingers finally wraps around them. God bless. "If you're here for your things, it'll have to wait. I have to sort through everyone's shit and I don't know whose is whose."

"We need to talk." He explains as you put the key into the lock, opening the door.

"Nah," you say scrunching your nose in that way he used to adore. "I'm good. But you can swing by tomorrow and pick up your things if you'd like." You say before trying to shut the door on him. You were stupid in thinking you could be faster than him.

Dammit.

"I know things haven't been good and I've definitely could have been better,'' he admits. "But can you at least try and let us apologize? Let us try and work it out."

"No." You answered, trying to close the door. Not caring if you had to resort to kicking his shins to get him out.

"Why not?" He countered.

“Maybe because I've already tried, Kyle?” You gave up on trying to shut him out. You were strong, but he didn't have any issues in besting you. “Because I actually tried with you. With all of you. You didn’t need to come here giving me excuses about your life being hectic because I’ve made the excuses for you.” You didn't miss how he practically flinched. He had always blamed his busy life. Family. Work. You stopped caring about whatever excuse he gave you and realized it was just that. An excuse. “I’ve been telling myself for months that everything you guys didn’t do for me wasn’t because you didn’t care about me. It was because of the stress of your deployments is the reason none of you tell me when you get back from until it’s time to fuck. I tell myself it’s because of the fucked up situation of me being with all of you that makes it awkward to meet your families. Families you all have that I now know I’m not worthy of meeting.” He wanted to correct you. You were. You were worthy. He was an idiot. “It’s not that I need your excuses to make me feel like what you did was justified. No matter what it was, it was apparently to you because you did it.”

He took a step back, processing everything you had said. He had been selfish. You were the reliable constant in his life. Someone he believed he never disappointed. Someone he couldn't disappoint no matter how many times he fucked up.

You took the opportunity to slam the door. Quickly turning the lock before he had a chance to open it back up.

God...

That felt good.

You had spent that evening collecting their thing in case Kyle did show back up tomorrow. You wouldn't make their lives easier by sorting all their shit and organizing it. Everything. One box. Let them figure it out. You almost had a mind to add a shirt that you knew didn't belong to any of them just to have them argue over it. Or least make them think there was someone else...

You were almost tempted if not for the premise that you wanted them to realize this was their fault. Their fuck up. But now that you were officially all broken up, you were free game.

[sonicboomseason3]

a brief recap of what has been going on with the sonic movieverse in the past several months:

paramount has come out in public support of israel

keanu reeves, a man who has publicly rubbed elbows with none other than benjamin netanyahu, reportedly gets cast as shadow for the upcoming third movie

james marsden, the guy who plays tom, got exposed as having written a letter of support for a convicted pedophile

there's fucking??? zionist propaganda in the knuckles series???

kind of connected to the last point but adam pally, the guy who plays wade, is evidently pro-israel too

this is a complete and utter joke.

EDIT AS OF 4/30/24: if people see this version of the post, i'd really appreciate it if you reblog it instead of the other versions, as it's the most updated one with all the information that i want included. thank you :]

you know, it's been a few days since i've made this post, and some of you (not most) are staying determined in defending/justifying/giving the benefit of the doubt to keanu for that photo with netanyahu, whether it's because "it was a decade ago," "him being civil to someone he ran into at a party one time doesn't mean anything," "he's probably just silent because his pr managers won't allow him to speak up," etc. i've made my thoughts on the matter quite clear by directly responding to these people, but at this point, i'm tired of both seeing them in my notes and repeating myself, so take this as my final word on the issue.

i can't help it if you don't think the photo with netanyahu is damning, and i'm done engaging with everyone going out of their way to tell me that. i obviously disagree, especially after finding out that 1. the host of the party, arnon milchan, is a former israeli spy who has a history of developing israel's nuclear program and promoting apartheid in south africa (information that had broken out a few months prior to the party and thus would've been fresh news around the time keanu chose to attend) and 2. keanu has been caught hanging around at least two other weirdos, but if you don't find any of that to be cause for reasonable concern, then there really is nothing else i can say afaik.

with all that said, i'm beginning to realize how strange it is that these people's first instinct when seeing this post is to start debating about keanu's political stances without ever acknowledging any of the other bullet points. you guys realize that this isn't just about him, right? i know tumblr reading comprehension is known for being piss-poor, but like… you realize that i was trying to make a point of how there are MULTIPLE terrible things that have broken out about the people and company involved in the sonic movies, right? and yet, a lot of the people leaping to speak on keanu's behalf in my notes are completely ignoring the parts where i bring up paramount, pally, etc. all in favor of zeroing in on the singular point about keanu and making bad faith assumptions about me for holding him accountable. really makes one wonder where your priorities lie if, in a post that talks about so many other things, me accusing an a-list celebrity with, according to google, a net worth of almost $400 million is where you draw the line and apparently the only thing worth your acknowledgment.

ultimately, what i'm trying to say is that the intention of this post was just to gather up everything that i had been hearing for the past several months and put it all together in one place. there were a bunch of people who didn't know about at least one of the bullet points before seeing this post, and i'm glad that i could help inform them, that was what i was hoping to do! but as for the keanu thing, i've said pretty much all i can say for now, and i don't want to derail the original post even more than i may have already. unless something new comes up, i'm done talking about him.

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[stsgooo]

Look at Him.

✩࿐ summary: your attempts at reentering the dating scene is foiled by your ex-husband.

warning(s): past relationship, clingy!gojo, ex-husband!gojo, co-parenting situation, crack fic. wc; 1.6k

pairing(s): gojo satoru x fem!reader

a/n: this is purely just a goof fic because i've put nothing but angst out there so far sooo have a laugh. hope yall enjoy :3

“So, what do you do for a living?”

"A teacher."

"Oh, wow! What grade, subject?"

"Uh, highschoolers and the subject kinda varies on the day."

"Like a substitute teacher?"

"Um....sure, yeah! Substitute teacher."

"That's awesome. Mad respect, kids can be demons."

You were quickly discovering that the dating field had changed in the five years that you had been married. An endless back and forth about what someone did, what's their favorite color, what's their hobbies. Boring questions that you would ask your students on the first day was used in over the table date conversation. Until, until, they got to that question they so desperately wanted to ask.

Would you want to take this back to my—

There was a vibration against your thigh as your date started to go onto a monologue about how much he disliked kids. In all honesty, you couldn't really remember his name. The introductions had been awkward and a little nerve wracking— you were almost sure he had no idea who you were either.

You tugged your phone out of your pocket and resisted the audible sigh that threatened to leave you when you saw the notification.

Satoru please tell me why my beautiful, radiant, amazing, intelligent daughter just said her mommy is on a date. feeling sick to my stomach, don't tell me this is true.

You rolled your eyes. Your ex-husband had always been so overdramatic. His main focus was always on the bit that could come from a situation. However, this was a quality you do used to admire about him. His ability to make any situation seem like it was a funny happenstance that you'd never encounter again.

Now, it was nothing more than a nuisance.

Satoru oh my god, you left me on read. it's true. it's true. i hope you know i just threw up. i threw up everywhere. i might die. at least, tell me he's ugly. please god let him to be ugly.

A sigh, you typed out the quickest message you could without your date asking what's wrong.

You I hope you're not ignoring said daughter to ask me about some date. I'll be home later, please refrain from texting me.

You were about to set your phone down when another text came through. This one appeared to more distraught than the last.

Satoru o h your tone. it's over. it's really over. i might just kill myself this is the worst night of my life. y/n, i'm genuinely feeling sick. please, is he ugly? he must be boring because you're texting back.

You were almost inclined to remind Satoru you both had been divorced for a year already. That this was bound to happen and you two had, in fact, spoken about it months into the divorce. You had played with some 'what if's and there was a mutual agreement that the other wouldn't get jealous and be dramatic about the other getting in a relationship whenever the time comes. It was a surprisingly adult conversation.

You should've known better when Satoru proudly proclaimed he didn't care who you got involved with.

You Satoru, we talked about this. We're adults and we're divorced. Please bother someone else, like Suguru.

Satoru i don't wanna talk to suguru. i wanna talk to youuu (;﹏;) i can't believe you've done this. ten years. ten years of loyalty. im sick to my stomach.

You You asked for the divorce.

"Is everything okay?"

You eyes snapped up from your phone and towards your date. He had the good grace to be wearing a relatively concerned expression, eyeing you wearily.

You quickly tucked your phone back into your pocket, ignoring the insistent vibrations it gave to smile apologetically. "I'm sorry, my daughter had an accident and I had to, you know, send a quick text to her babysitter." It was easier to explain away a daughter than it was a clingy ex-husband who was well in his dissent into insanity. Really, you were doing this guy a favor keeping him in the dark.

However, his face still paled and he straightened. "You have a kidI'm so, so sorry. I just went on a two minute rant about how much kids are equivalent to demons." He seemed to spiral as he pressed his hands against his face, uttering curses to himself. "I get so nervous with these dates. I truly meant nothing by it."

You smiled in amusement, "It's no problem, really. I'm not exactly disagreeing." He peeked from between his fingers and blinked at you dumbly. "Just because I'm a parent doesn't mean I don't agree. I mean, my kid can be a bit much sometimes. I love her, but she's a lot like her dad in that way."

It always made your chest blossom. The way Saori was a carbon copy of Satoru. From the rambunctious personality, to the piercing blue eyes, and white hair. Your genes hadn't won in the battle, but you were almost grateful. Satoru tried to tell you that she had your smile and your wit, but you weren't entirely convinced. She was Satoru and Satoru was her.

You were extremely lucky that he was a good dad.

"Oh? Do you mind me asking if her dad's still around?" His tone was indication enough: a daughter and an ex of some kind was pushing it for him.

You tensed up, feeling deep regret already. "Uh, yeah." His eyes shifted away and you reached forward, taking his hand. "But, he's not, like, crazy or anything! He's just a good dad."

Your date chuckled nervously. "I-I just don't want to get involved in some, um, some family dynamic."

You thought it was a little presumptuous of him to think this would go that far, or he'd get in the way. But you were too focused on defusing the situation.

"Oh, no, it's not like that! We've got a healthy balance, y'know? He does his piece, I do mine— that's it!"

He scrunched his face. "So... an open relationship?"

"No!" You press your hands against your face with a huff. "No, we're not together anymore. We just co-parent."

He opened his mouth to further question you when your phone vibrated very audibly. His eyebrows raising. "Your daughter?"

You sighed. "Please give me one moment."

With jerky movements, you pull your phone from your pocket. The assortment of messages that came where spread over the ten minutes you decided to ignore him.

Satoru okay, you've got me there. but my big heart is breaking. i hope he's ugly and he smells. okay, i spoke with suguru and he said i'm an idiot who should apologize. in my defense, i'm a little itty bitty drunk. and no, saori is not awake. papa put her to bed before bringing out the whiskey. im so sorry my beautiful deity. that not ugly, not smelly man is so lucky to be in your presence and i hope you have a good date. also i hope he gets hit my a car. (＾▽＾)

You I'm going to kill you with my bare hands. Genuinely, count your days, Gojo Satoru.

Satoru hot, hot, hot!!! (●´□`)♡ did he actually get hit by a car?

You Is there something you want?

Satoru him dead. and you home :((((

You You don't want me home. I swear to god, if you're on my couch, drinking when I get home, I will ruin your life.

Satoru promise??? ╰(✿´⌣`✿)╯♡ but, actually, i wanted to ask your opinion on something

You For real?

Satoru for realsies. [Image Attachment]

Completely blinded by your irritation, you don't even hesitate to open the picture as it loads. Although you regret it the moment it does.

It's a picture of Satoru. He's at what seems to be the beach (must've been the fun activity him and Saori were going to join Suguru for), his sunglasses were on the top of his head, and he was grinning at the picture. One hand was resting against his pectoral and the veins in his hand was prominent. An obvious attempt at being charming and flirtatious. It was working too.

If it weren't for the fact that you knew him and were his ex, you might've just swooned.

"Oh, my god, is that him?" Your date was staring at your phone with wide eyes. His face even more pale than before. He started to shake his head as he stood, snatching his jacket from the back of his chair. "No way. I am not getting involved! I'm sorry, you're a nice woman, but I know when I'm not winning. And I'm definitely not winning against that."

Your eyes widened considerably, "What? No! Please don't leave. He's an idiot, I swear there's nothing—"

"He is... a hunk. I am not. In no shape or form am I at all comparable to that. Look—" He reached forward, grabbing your phone and holding the picture up to be beside his face. "Look at the difference! Model who has won Japan's hottest man at least eight times before he's 30 to me— Look at him!"

"It's not even like that!" You snatched your phone back and stared at him in frustration. "He's my ex, I do not want him!"

He waved his hands in front of your face. "I know how this will go. You think you like me and then your super hot and super sexy ex-whatever makes you realize the familiarity is good. Then I get dumped." He straightened, latching his hands onto the lapels of his jacket. "I just realized I am a side character. In my own life. Goddammit."

He barely glanced at you as he paid for the dinner, then left as quickly as he could. Still, you didn't even know his name.

Satoru oooo taking you awhile to respondddd still in love with me? (人◕ω◕)

[punkshort]

i know who you are | 3. the accident

Pairing: Joel Miller x f!reader

Chapter Summary: You and Joel spend some time getting to know each other, but during dinner with Tommy and Maria, the truth comes out about your accident.

Chapter Warnings: language, angst, pining, sad!Joel, amnesia, slow burn, mild description of head wound/stitches, flirting, clickers, violence and some descriptions of injuries/blood

WC: 10.4K

Series Masterlist

Two Weeks Later

"This place is a lot bigger than I thought. I feel like I see someone new every day."

"Well, your brain did a factory reset, so you kind of are seeing new people every day," Ellie joked at breakfast one morning. Joel had been scheduled on early morning patrol shifts lately, so it was just the two of you before Ellie's classes started. You felt bad, but you grew to enjoy these mornings with just her. She was easy to get along with and she didn't pester you constantly about your memory loss. It was like she just accepted it for what it was and moved on. Joel, on the other hand, was a different story.

"What are you doing today?" she asked, pushing away her bowl of oatmeal.

"I have to go get these stitches removed," you said, your fingers coming up to brush across your injured scalp. "Couldn't come any sooner. They are so itchy."

She hummed and crossed her arms. "Surprised Joel didn't wanna come with you. He's been hovering over you non-stop."

"Yeah, tell me about it," you muttered. When you caught the playful glean in her eye, you backtracked. "Not that I don't appreciate everything he's done for me, it's just..." you trailed off, trying to find the right words.

"It's just a lot?" she offered, and you nodded, relieved that she understood.

"I didn't exactly tell him, either," you said, dropping your gaze to pick at your cuticle in shame. "Every time I go to the clinic, he scares the shit out of that poor doctor."

She laughed softly and stretched her arms out behind her head. "Joel does that to people. He comes off like a pitbull but in reality? He's just a golden retriever."

A slow smile stretched across your face as you absorbed her words, then burst out laughing.

"That is-" you began, cutting yourself off with another laugh, "the most accurate description I could ever possibly think of."

"I've known him for a long time, what can I say?" she said with a grin while throwing her hands up in the air.

Your laughter died down as you stared at the table, lost in thought. Glancing up at Ellie, you decided to see what else she might shed some light on.

"Do you know of a Ben and Lisa?"

She froze and looked at you quizzically for a moment before dropping her hands back down onto the table.

"Yeah, do you remember them?"

"No, no," you said quickly, waving her off. "I kept a journal. Y'know, from before. And I was reading it the other day and I mentioned them. Are they around?"

Ellie glanced around the somewhat crowded room before meeting your eyes again. "No, not today. They don't really come out much," she said, examining you carefully. "They have a small house on the outskirts of town. They are... homebodies, I guess? I think they've been in here, like, twice, since you guys arrived."

"So, they came here with me?" you confirmed, and she nodded.

"Yeah, the three of you arrived together," she said. Her eyes glanced up and saw a few classmates heading out the front door. "I better go, school's starting soon," she said, pushing her chair back and grabbing her backpack.

"Yeah, okay," you said, sitting back in your chair. "Thanks, Ellie," you called after her, and she shot you a quick wave before running to catch up with her friends.

You wished you had more time to ask her about Ben and Lisa. Were they together? Were they siblings? Friends? How did you meet them? What did they know about your past?

The questions were piling up as you let your mind wander. You didn't even realize Maria, Tommy's wife, had approached your table until she said your name for the second time.

"Sorry," you told her, shaking your head.

She smiled and pulled out a chair, joining you at your now empty table. "Don't worry about it. I wanted to check on you. How have you been feeling?"

"Better," you said honestly. "I haven't needed the Tylenol really, so I'm going to bring the rest back to Nick this morning."

"That's fantastic," she said, leaning forward. She regarded you quietly for a moment before speaking again. "Any luck on your memories?"

You sighed and shook your head. It was inevitable - everyone eventually asked you the same question, either morbid curiosity or genuine concern encouraging them. And you tried not to let it bother you, you really did. But you couldn't help but feel like a failure every time when the answer was no.

And then Maria asked the next question everybody always asked.

"How's Joel handling everything?"

You fought the urge to roll your eyes. Of course this was hard for him. It was hard for you, too, just in a different way.

"Alright, I guess."

"Are you two getting along? I know Tommy mentioned you were nervous-"

"Yeah," you said, cutting her off. "It was a little weird at first but it's not so bad now." You glanced around the dining hall, which was mostly empty. "Can you tell me a little bit about him? About us? I would ask Joel, but any time he tells me about some memory, I can see it hurts him. And I just can't stand to see that look in his eye again."

Maria gave you a sympathetic look and squeezed your hand. "I get it. It must be hard, I'm so sorry," she said, and you could feel the tears beginning to prick the corners of your eyes.

"I just feel like I'm always letting him down," you said, swallowing the lump in your throat.

"You're not. Hey, look at me," she said, forcing you to drag your eyes up to meet hers. "You're not letting him down. He loves you. You have no idea how much. That man has been head over heels since the moment you met. He'd do anything for you-"

"I know, and that's what makes this so much worse!" you exclaimed. "I'm sitting around that house all day - our house - waiting for my brain to fucking work and give him the person he's waiting for and I just can't! I can't-" you slammed your palms flat on the table. "I can't fucking-" you buried your face in your hands as you tried to conceal your tears. Maria rubbed soothing circles on your back, giving you time to collect yourself.

"Sounds to me like you're going a little stir-crazy."

You dragged a shaky breath in and nodded, letting your hands fall to your lap.

"What if we got you assigned some work around town? Something light, nothing too strenuous. Would that help?" she asked softly, and your pulse began to return to normal.

"Yeah, I think that would be nice," you said, flashing her a small smile.

"Your choice, then," she said, pulling her hand back, "what are you good at or interested in? I figure stables are probably not a good idea. Tommy said you were having trouble riding. Is there anything you'd like to do?"

You pursed your lips and thought for a moment.

"I'm not sure... can I get back to you?" you asked, realizing once again that you knew very little about yourself.

"Of course," Maria said before standing up from her chair. "You know where to find me whenever you think of something. Or if you just want to talk... I'm here, okay?"

You gave her a watery smile before whispering your thanks, then watched her make her way towards the doors. You sighed and looked around, realizing you were the only one left after the breakfast rush, so you pushed yourself to your feet and followed Maria's footsteps. You had a few more hours before Joel was supposed to come back from patrol, so you decided to walk over to the infirmary and get your stitches removed.

The streets of Jackson were mercifully quiet. Most people were working and the kids were in school, so you didn't run into too many folks on your way towards the other end of town. You wrapped your arms around yourself a little tighter. The chill in the air still lingered from overnight, making you shiver. As you walked, you looked around at the buildings like you normally did, trying your hardest to shake loose a memory, or at this point, even a flicker of a moment, but nothing came.

You trudged up the steps to the infirmary and stepped inside, grateful to be back indoors where it was warm. A little bell rang above your head, announcing your presence, and a moment later you heard Nick's footsteps coming down the hallway. When he lifted his head and saw you, his eyes immediately scanned the room, searching for Joel.

"All alone today?" he asked, then motioned for you to follow him.

"Yeah, Joel's busy," you said, and you swore you could see his shoulders relax.

"I know the feeling," he said, standing next to an empty exam room and holding his arm out to his side, inviting you to enter first, so you did. "I've been trying to get around to doing inventory for weeks, but I'm swamped. Can't seem to find a quiet day," he continued as he opened and closed some cabinets. He pulled on a pair of gloves and opened a drawer for some scissors before placing it on a clean washcloth next to the bed and putting his glasses on.

"Oh, speaking of inventory," you said, leaning to the side so you could fish the pills out of your jeans pocket. You held them out to him with a smile. "Didn't need them all."

"Excellent. Thank you," he said, plucking the baggie from your fingers and setting them down on the counter next to the scissors. "Glad they helped. And again, I'm sorry I couldn't offer anything stronger-"

"Don't be sorry, I understand," you said, then tucked your chin into your chest so he could get a good look at the back of your head. He began to carefully snip away at the irritating thread, taking his time to pull each and every piece out without tugging too much on your skin. You noticed aside from the two of you, the office sounded quiet.

"All alone today, too?" you asked.

"Yes, unfortunately," he said with a sigh. "My aide, Monica, got poached from me. They needed someone on patrol since-" he cut himself off and cleared his throat, and you frowned before you realized what he was about to say.

"Since they had to replace me," you finished for him.

"Yes."

Your lips pressed into a thin line as Nick continued to work away at your stitches. Another casualty in the hurricane that your accident seemed to cause.

"Hey, what if I helped you?" you blurted out, and his hands paused.

"You want to be my aide?"

"Sure. Well, do I need any medical knowledge? I don't know much, but I can help you with inventory or cleaning instruments or... whatever else you might need."

You could sense his hesitation without even having to see his face and you knew in an instant he was thinking about Joel.

"Maria approached me this morning about a job. She said it would be good for me and I agreed. But if I'm not qualified, I understand-"

"No, no, it's not that," he said, and you rolled your eyes. Of course not.

"Joel isn't the boss of me," you said after a moment. He stepped backwards and you lifted your head up to look at him.

"He's an intimidating man," Nick said by way of explanation. He snapped his gloves off and tossing them in the trash. "Why don't you run it by him first? As a favor to me?" he added with a half smile. You sighed and nodded before sliding off the bed.

"Sure, I'll talk to him when he gets back," you agreed, following Nick towards the front door. You thanked him before heading back down the street, your fingers gingerly tracing your closed wound before you shoved your hands into your pockets.

How the hell could one man manage to scare half the town the way Joel Miller did? You thought you were beginning to see a glimmer of the man underneath the hardened exterior, but what on earth drew you to him in the first place? What did your past self see in him that made you so enamored? And why couldn't you see it now? You were afraid the answer didn't so much lie with Joel, but with you.

You desperately needed to discover more of the person you were before your accident. Maybe then you would get some more insight.

When you got back to Joel's house, you decided to take what little quiet time you had left and read some more of your journal. As the sun rose in the sky, the day began to heat up a bit, taking away that frigid chill in the air, so you cracked a window in his living room and curled up on a worn out, but very comfortable, arm chair.

You flipped through the pages, your eyes landing on the last entry you read: Joel lied to me.

You never asked him about it. Either you were too afraid of the answer or you were too afraid he wouldn't tell the truth. At first, you tried to convince yourself that it was nothing. That maybe you had just gotten into a fight on that particular day and you were mad. But seeing how sporadically you had updated the journal, you got the feeling you wouldn't have written it unless it was important.

And why wouldn't you have elaborated? What could it have been? Something that was so serious, you didn't want to risk putting it down in writing?

You hadn't realized how long you were staring at those four words until you heard Joel's heavy footsteps climbing up the stairs of the porch. You snapped the book shut and looked up just as he opened the door. His dark eyes found you immediately and, as usual, you saw what you always saw - relief in seeing you again, the joy one had when they saw their other half, the attraction a man has for the one he loves.

Damn him and his expressive eyes.

"Hey," you said with a small smile, "how was patrol?"

"Not too bad," he replied, kicking off his boots. "Quiet. No infected. Me 'n Alex made short work of our route," he said, strolling over to collapse into the couch next to your chair. He rubbed his eyes with a deep sigh, his head resting on the back of the couch.

"Tired?"

"Yeah," he said, dropping his hand to his lap and rolling his head in your direction. "Glad I got tomorrow off. Maybe we can do somethin' together."

"Yeah, okay," you agreed. Maybe it would be a good opportunity to learn more about him without directly asking. His eyes drifted down to the journal in your lap and he jutted his chin towards it.

"Read anythin' interesting?"

Looking down at it for a brief moment, you thought about asking him what he lied about, but you ultimately decided against it.

"Yeah, actually," you said, flipping a different page open. "I wrote about a Ben and Lisa. Ellie told me we arrived together and they keep to themselves," you continued, looking up at him. His expression was unreadable. "Maybe I should pay them a visit one of these days. Maybe they can tell me a little about myself before-"

"Yeah, maybe," he said suddenly, then stood up to head towards the kitchen. You frowned, your eyes following him as he filled a glass of water. When he turned back to you, you were still looking at him, waiting for him to say something else.

"Why don't you give it a little time before you go seein' them," he suggested after downing his water in one gulp.

"It's been two weeks," you said quietly, "how much more time should I give it?" He shrugged and strolled back into the living room, leaning against the doorframe.

"What'dya wanna know?" he asked, avoiding your question. "I know you better than anyone. I can answer your questions."

"I didn't know you the whole ten years, though," you reminded him, unfolding your legs from the chair. "It sounds like they knew me longer. I just thought they could tell me how I survived-"

"For what?" he snapped, and his tone took a sudden turn. When you met his gaze again, the warmth was gone, and in its place was a face of stone. "What does that matter?" he asked, his voice rising a little. "You're here, you did what you had to do. We all did. What's the point in rehashin' it?"

"What's the point?" you repeated, bewildered. "The point is so I can learn about myself. So I can figure out the person I became, the person you fell in love with!"

Something flickered across his face for a brief moment before his eyes softened and his shoulders relaxed.

"You're right, I'm sorry," he said, the edge to his voice now gone. "I'll take you to see 'em one of these days. We'll go together. I haven't seen 'em in a while myself. It'd be good to catch up," he added.

"Okay," you said slowly, "thank you." He took a deep breath and angled his head towards the stairs.

"I'm gonna take a quick shower," he mumbled, and you nodded, your eyes following him up the steps until he disappeared around the corner.

Joel Miller was an incredibly difficult man to figure out. Just when you thought you knew who he was, he did something like that and it made you second guess yourself. You had determined that aggressive side came out when he was protecting the ones he loved. So who was he protecting this time?

"What'dya wanna do today?" Joel asked you around a mouthful of eggs from across your kitchen table.

"Um, I don't know," you said, pushing your food around on your plate uncomfortably. You thought spending time alone with him was a good idea, but when you woke up that morning, you felt nervous. "Did you have anything in mind?"

He sat back in his chair and wiped his mouth with a napkin. "If you were feelin' up for it, thought I could take you outside the walls a bit. Maybe teach you how to ride again."

You perked up at his suggestion. For some reason, you didn't consider leaving Jackson as an option.

"Yeah, that sounds great," you said with a grin, and his chest warmed at the sight. He missed seeing you smile. Then he remembered something that might make you smile again. He stood up quickly, his chair sliding back across the hardwood floor, and walked over to his backpack, still hanging by the door from yesterday.

"What are you doing?" you called after him, but he didn't reply until he reentered the room with his hands behind his back.

"Forgot I gotcha somethin' when I was out yesterday," he said, trying to bite back his smile. It didn't even occur to him until the last second that you might not like what he was about to give you, that maybe your tastes were different ten years ago, but it was too late now. Nervously, he held out two worn paperback books. You stood up with a curious look on your face and took them in your hands, your eyes running over the covers quickly before turning them over and reading the backs. He shifted his weight as he anxiously waited for your reaction, and when he was rewarded with another huge smile, he couldn't hold his own back.

"These sound great," you told him, glancing at the books again. "I love mysteries, this is..." you met his eyes briefly before shyly looking back down. "This is so thoughtful of you, Joel. Thank you."

He beamed with pride, thrilled that he was able to do something nice for you. "You're welcome, ba- ahem," he coughed, stopping himself from finishing his sentence. You looked back up at him, heat creeping up both of your necks. He cleared his throat and turned around, picking up your plates. "You're welcome," he said again, "thought you might be gettin' bored 'round here."

He rinsed the plates in the sink before heading towards the front door. You put your two books on the counter and trailed after him, the both of you sliding on your boots and jackets. Joel grabbed his backpack before opening the door for you and he followed you down the porch steps.

"Yeah, I'm definitely getting a little bored," you said, eyeing him up as you walked side by side towards the stables. "But speaking of that, I was talking to Maria yesterday and she suggested I get a job." His head swiveled over to you, lips parted in surprise, but before he could speak, you continued. "She said I can pick whatever I want, nothing too strenuous."

He nodded and looked straight ahead again, your words rolling around in his head. "Yeah, suppose that makes sense."

"Good," you said, pleased he was open to the idea. "So when I was at the infirmary yesterday, Nick mentioned-"

"Why were you at the infirmary? Were you in pain? Did you get hurt?"

"Joel, I was fine," you said with a huff. You pointed to the back of your head. "I had my stitches removed."

He stopped in his tracks, which made you skid to a halt. His arms reached out to lift up your hair but at the last second, he held back.

"Can I?" he asked over your shoulder, and you nodded. He gingerly lifted up your hair to take a look at your injury, which felt much better now that the stitches were gone.

"Made showering so much easier," you told him. He hummed and dropped your hair.

"Looks good," he said, and continued walking. "You shoulda waited, I woulda went with you," he added.

"It took ten minutes," you said, waving him off as the stables came into view. "But while I was there, Nick mentioned his aide got reassigned to patrol to fill my old position, so I offered to take her place."

"You wanna work at the infirmary?" he asked, and you shrugged.

"I don't know much, but he said I didn't need to. He just needs help around the office. Cleaning up, taking inventory, maybe help him with some minor procedures. Hand him tools and all that," you said, and Joel nodded slowly.

"Alright," he said, "if that's what you wanna do, sure."

And although you weren't asking for his permission, it felt like you got it, anyway.

As you got closer to the stables, the high pitched whinny of a horse in a nearby paddock caught both your attention. The horse looked smaller - younger - and was attached to a long rope, and in the center of the field holding the other end was a man around Joel's age. Even from a distance, you could see the clench in his jaw and the way his muscles strained to rein in the animal, but he was losing the fight. The horse was too young and too strong and kept pulling away, getting as far away from the man as possible before the lead went taught and the horse was forced to face the man again. Each time it happened, the horse let out a shrill whinny and stomped its hooves in the dirt, expressing its displeasure.

"That's Caleb," Joel said as you both paused to watch. "Must be breakin' in a yearling."

"Breaking in?" you asked, your eyes still glued to the horse, whose head was twisting around angrily, trying to break free.

"It means he's tryin' to tame her so we can ride her," he explained, and you nodded. You both leaned up against the fence and watched the beautiful animal rear up and then dig its hooves deeper into the dirt, dust kicking up into a cloud around them. Caleb was struggling. Sweat was dripping down his face as he tugged on the lead and shouted commands at the horse, but she was having none of it.

The horse's whinnies were becoming louder and more panicked. The whites of her eyes showed when Caleb attempted to get closer, his skin tight over his knuckles from holding onto the rope. Once Caleb got close enough, the horse swung its massive head around in the air then reared back again with all its might, pulling Caleb off his feet unexpectedly with a shout.

"Shit," Joel muttered. He gripped the top rail of the fence and hauled himself over before you could even process what was happening. You watched, eyes wide, as Joel ran into the middle of the field, his arms raised up high over his head to keep the horse from stomping on Caleb.

"Hey! Hey!" you heard Joel's booming voice shout at the animal, drawing her attention off Caleb. The horse charged at Joel, but swerved away at the last second. Joel turned around and gave Caleb a hand, dragging him to his feet before the horse made its way back to where they stood.

"Hey," Joel said, softer this time, but his arms still stretched out in front of him. The horse skidded to a stop a few feet away, snorting and pawing at the dirt, its long tail flicking back and forth. Caleb stood and dusted himself off before taking a few steps backwards to catch his breath, but Joel remained in the same spot. He stared down the animal, the two of them silently sizing the other up. Joel's voice rang out again, just as soft as before. "Hey, shh, girl," he said, relaxing his stance a bit.

You stood cemented to the ground, entranced, as you watched the stand off between man and beast. Joel didn't look scared. He barely even flinched when the horse let out another high pitched squeal. He stood tall and firm, refusing to back down, and patiently waited for the horse to come to him.

He left his arm outstretched as an olive branch, his eyes never leaving the horse. He murmured low, soothing noises until it took a tentative step forward. Joel nodded encouragingly and continued to speak softly, earning him another step.

You felt a stirring low in your stomach as you continued to watch, with your jaw slack and your breaths shallow. Joel finally reached out and grabbed the lead, then ran the flat of his hand slowly up and down the horse's nose, giving it a little scratch between the eyes, and you clenched your thighs together.

After a few minutes of Joel calmingly murmuring to the horse, he handed the rope back to Caleb, who expressed his deepest gratitude before carefully leading the filly back towards the stables. Joel turned back towards you, dusting his hands off as he walked. Your cheeks felt warm by the time he made it to the other side of the fence and climbed over.

"That was..." you trailed off, not sure what to say. He smirked at you as he leaned down to pick his backpack up. "That was really impressive," you finally squeaked out. Unbeknownst to you, he could see right through you. He'd known you for too long and he especially knew what you looked like when you were aroused. He eyed you up and down before nodding towards the stables.

"It's 'bout respect and patience. You get what you give," he explained as he wiped away some sweat that formed on the back of his neck. Your mouth went dry at the sight.

"H-have you done that before?"

"What, break in wild animals?" he asked, quirking an eyebrow at you, and you nodded. If he didn't already clock the way you were reacting, he wouldn't have said what he said next. "No. Only you."

You choked on your laughter and he grinned.

"I hardly think I can compare to a wild horse," you said, your cheeks on fire.

"You're right. Tamin' you was harder."

"I thought I was the one who confronted you about sneaking around? Which is it?" you teased as you followed him into the barn, the scent of hay and leather and the sound of horses gently snorting in their stalls invading your senses.

"Oh, you did. You just didn't like sneakin' 'round. Took a lot longer to make you fall in love and move in with me," he said. He walked up to a list pinned to a clipboard and scribbled his name inside an empty slot.

"Mm, and you really think you can do it again?" you asked, trying to sound doubtful but your smile gave you away. He glanced down at you, leaning against the wall for a moment, his eyes lingering on your lips and cheeks before chuckling.

"Oh, absolutely," he said lowly, and you felt your heart flutter in your chest.

"Alright, Casanova. Let's get a move on," you said, rolling your eyes and turning away, but not before he caught the excited glint in your eye.

Thank god for Joel's backpack.

That was the only thing separating you two as you clung to him from behind as he steered your borrowed horse through the woods. It was peaceful. Serene, even. It was hard to believe so many horrible things happened, and were still happening, in this world when you were surrounded by such beauty. And you might have been able to appreciate it more if you weren't so utterly distracted by your body's reaction to Joel. You couldn't imagine what you would be thinking and feeling if there wasn't a buffer between you. Had you been able to feel each and every strong muscle in his back and shoulders, or the heat rolling off him, or fully commit to memory his very unique and intoxicating scent.

No, luckily you had some distance, and by the time he reached the field he was looking for, you felt like you had regained your senses. You brushed off your earlier reaction to your hormones and nothing more by the time you slid down from the horse and joined Joel on the ground.

"It's so quiet out here," you remarked, looking around and shrugging off your jacket. By now, the sun had risen high enough in the sky to warm everything up around you, the frosty morning air long since melted away. Joel tied the reins of your horse around a tree trunk and took off his own jacket, slinging it over the saddle.

"We used to come out here a lot," was all he said, avoiding your eyes. You looked around again, trying to find something familiar. He could tell what you were doing and he shook his head.

"Don't try to force it, it ain't gonna do any good," he said, and you looked over at him, surprised.

"Sorry. I'm really trying," you said softly, looking down at the dirt. He looked at you sadly, just for a moment when your attention was on your shoes, then forced a smile across his face.

"C'mon, I wanna show you somethin'."

You followed him through the thinning trees towards the open field; the grass waist high as you hiked through it together, cicadas singing all around you as you walked. The sun was growing more powerful, but you weren't uncomfortable.

"This is my favorite time of year," you told him, and he glanced over at you. "It's not too hot, not too cold."

He smiled and looked straight ahead once again. "I know. You like warm days and cold nights."

"That's right," you said, pressing your lips together and wondering if there would ever be anything you could tell him that he didn't already seem to know. "You have a good memory."

"When it comes to you, yeah."

Joel held out an arm to stop you, your face angled towards the ground as you walked so you wouldn't trip. You looked up when you ran into his arm, first at him, and then at the scenery before you.

It was breathtaking. Somehow, without even realizing it, you were on top of a mountain. Or, close to it, anyway. Near the edge, you looked around and saw other hills and valleys surrounding you, green and lush and full of life. A flock of blackbirds swooped by straight ahead, and way down below, between all the jagged rocks, was a little lazy river.

"This is beautiful," you breathed, your eyes glistening. Joel studied your face while you were distracted, his eyes never once looking at the nature surrounding you.

"Yeah, I know," he whispered. You dragged your eyes away from the view and gave him a dazzling smile, one that made his chest ache, before sitting down at the edge of the grass with a sigh.

"Okay. What do you miss most about your life before?" you asked him out of the blue. His stomach lurched, his mind immediately filled with thoughts of a little girl with curly hair and dark brown eyes that once made him finally understand the true meaning of unconditional love.

"Barbeques," he choked out, hoping you didn't pick up on his mood shift.

"Mm, that's a good one," you said dreamily, still staring out over the edge of the cliff. "What was your favorite part?"

He felt himself relax a bit as you forced his mind to shift gears. "The music. The food. Just... lazy weekends, hangin' out with friends or family. Spendin' time with people I cared 'bout."

"What's your favorite barbeque food?" you asked, pulling your knees up to your chest and turning your head towards him.

He thought about it for a moment, his daughter's memory drifting back into the recesses of his mind. "Ribs. Or maybe burgers. Tough call," he said with a chuckle. You slapped the side of your leg and turned your whole body towards him excitedly.

"Oh, my god. Speaking of ribs. My brother - Matty - one time he was in an 'all you can eat' ribs competition," you said, a grin already pulling at the corners of your mouth. "He was like, 22 at the time and he could really pack food away. Like, really eat. It scared the shit outta my mom, she had no idea how he did it and still stayed so trim," you said, and Joel chuckled. "Anyway, he entered this contest and all of the other contestants were these, like, huge guys. I'm talking pushing 300 pounds huge, right?" you said, the excitement evident in your voice now as your eyes shone bright, making Joel smile even more. "So, anyway, one by one these guys are dropping like flies and my brother just kept mowing down all these ribs like it was nothing. It was down to him and one other guy and the other guy looked like he was about to tap out. The prize was like, a thousand bucks, and we were all getting so damn excited. He was gonna win!" you said, your voice getting louder the more excited you became. Seeing you that happy for the first time in weeks made Joel's heart feel like it was going to burst, so he played along and urged you on. "Then, Matty freezes. And I'm staring at him. And he's just staring down at his hands, and we're all like 'what the hell is he doing?' and suddenly - woosh!" you said with a giggle, using your arms for emphasis. "He pukes everywhere! It was so fucking much, Joel! And it was so disgusting, oh my god. People were running from their seats and dry heaving, and me and my parents are fucking dying with laughter," you said, your giggles growing louder the more you remembered. You wiped a stray tear from the corner of your eye as you continued. "Anyway, of course he got disqualified and he never could be in the same room as a rack of ribs ever again," you finished, flashing him a grin. But when you saw his expression, although he was smiling and giving you some obligatory laughs, you could tell it wasn't the first time he had heard that story.

"You knew that already, didn't you?" you asked, narrowing your eyes at him. He smirked and looked down at his hands.

"Yeah," he admitted, and you groaned. "But it's still a real funny story. I love the way you tell it."

"I wonder if there's anything I didn't tell you," you said with a sigh. He inched a little closer when he heard the despair in your voice.

"It doesn't matter. I love hearin' everythin' 'bout you," he said, and you gave him a little smile. "You could tell me a hundred times and I wouldn't care."

He kept saying that word. Love. Over and over, like it was nothing. You looked away, his eye contact too intense all of the sudden, and stared out at the beauty before you. But you could still feel the heat of his gaze on your skin. It sent a shiver down your spine. Your mind raced, trying to think of something else to say when he softly whispered your name. You tilted your head in his direction and the look in his eye caused you to temporarily forget how to breathe. He was staring at you like you were the only other person in the world. Like you were a siren, calling to him on the sea, or Aphrodite, knocking him to his knees in prayer.

No, no, no, you thought as he leaned in a fraction, his eyes flicking down to your lips. Too soon. Not ready.

A blood curdling screech echoed from somewhere behind you. Somewhere far too close for comfort. You froze, eyes wide and scared, but Joel whipped around and reached into his backpack, pulling out his revolver and knife.

Stay here, he mouthed, pressing a finger to his lips, and you couldn't remember if you acknowledged him or not before he crouched and disappeared into the long grass, leaving you all alone on the edge of a very dangerous cliff with some terrifying monster nearby. Slowly, trying very hard not to make a sound, you turned your head, searching for the source of the noise. As you scanned the field, the tall grass hiding Joel somewhere in its depths, you spotted it. It, being the only proper word.

It was hideous. Fucking disgusting. Half its face was overgrown with fungus plates, its mouth wide and wet and dribbling with blood, teeth yellowed and bared. It hunched over as it got closer and closer to you, snapping its jaw like a lion, trying to locate its next meal. You swallowed roughly as it got closer, its torn clothes and bent fingers coming into view. And the smell. The stench of death and rot filled the air, completely ruining the beautiful backdrop you were admiring mere minutes ago. Your heart slammed wildly in your chest, your breathing unsteady and your hands shook violently. You had nothing to defend yourself. You looked to your side, wondering if you could push it over the cliff if necessary. Where was Joel?!

Just as it was about to clear the grass and step into the clearing, Joel leapt up behind the creature and stabbed it in the back of the head with a loud grunt. It collapsed in an instant, blood spilling from its skull as Joel stood over the corpse, shoulders and chest heaving as he fought to catch his breath.

"Oh my god," you whispered, your trembling hands coming up to cover your mouth as you stared at the lifeless body. You hadn't seen an infected alive yet. And they were far more terrifying than you ever imagined. Tears welled up in your eyes that you quickly tried to flick away, but Joel already noticed.

"You okay?" he asked, his eyebrows furrowed with worry as he cleaned his knife off in the grass.

"Yeah," you replied shakily, still staring at the dead infected a few feet away. You slowly forced yourself to your feet and walked around it, only stopping when you were safely in the grass. With a grunt, Joel kicked the body closer and closer to the edge until it tumbled over. You winced as you heard its body faintly thudding and cracking against the rocks and branches below. He glanced over at you, your face screwed up with a mix of distaste and fear, and he sighed.

"Wanna just head back?"

"Yeah," you said, looking at the view once more before following him through the tall grass. "It was nice while it lasted, though."

The two of you trudged through the grass quietly, back towards the woods. He could tell you were shaken up and he inwardly cursed the clicker for ruining what could have ended up being a really nice day with you. A day where he thought he was making some progress. He made you smile and laugh and he definitely recognized that heated look in your eye back at the stables, but all of those memories suddenly seemed so distant. It wasn't until the horse came into view that he even remembered why he brought you out in the first place.

"You still wanna learn to ride?"

You looked up at him, your perfect lips parted ever so slightly. It made him want to grab your chin and press his mouth against yours so he could remember what you felt like again.

"Oh, sure," you said, glancing wearily over at the horse as you approached.

"Why don't you take the reins and I'll sit behind you," he offered as he untied the horse from the tree. "That way I can take over if you're feelin' too nervous."

"Okay..." you agreed slowly, realizing that meant he would be pressed up against you for the entire ride home. And this time, there wouldn't be a buffer.

He laced his fingers together and bent forward, offering you a boost. You got a good grip on the saddle and delicately placed your foot in his hands before he launched you upwards. You swung your leg over and shifted in the saddle a bit, looking down at the back of the horse's head. Its long ears flickered back and forth, trying to shoo away the flies.

You gasped when the saddle shifted slightly and Joel climbed up behind you. Your body stiffened and you stared straight ahead as he got himself comfortable. You tried to block it out, but when his arms wrapped around you from behind and took the reins from your grasp, you realized it would be impossible.

"This is how you wanna hold 'em, see?" he murmured softly in your ear, and you immediately felt goosebumps break out up and down your arms. He hadn't been this close before. Not even when he was examining your head wound. His exhale tickled the side of your neck and you realized his lips were dangerously close to your exposed skin. When it occurred to you that he had asked you a question, you blinked and snapped out of it.

"Yeah," you said, and you hoped he would think your hands were shaking because you were nervous to ride and nothing more.

"Now we're ridin' western, so when you steer, you wanna pull the reins across, like this," he said, demonstrating with his hands over yours, and just like that, the horse turned to the left. "And you just do the opposite if you wanna go the other way."

"Okay, makes sense," you replied, surprised you were actually following along.

"You want the horse to move, you gotta squeeze your legs. Gotta do it hard, though. It's a big animal, they can't feel you if you don't squeeze hard."

"Uh huh," you said, so you gave it a try. You squeezed your legs as hard as you could and the horse slowly lumbered forwards, and you squealed with excitement. "I did it!"

Joel chuckled behind you. You could feel the deep rumble through your back and the little puffs of air from his nose on your neck. It made you shudder, and you tried to pass it off like you were cold. The horse began to slowly walk back the way you came, through the trees and past a little stream, and the longer you walked, the more confident you became.

"This isn't so bad," you admitted, and you weren't sure if you were talking about Joel's embrace or riding the horse. You were growing used to his arms around you now, even though you didn't really need his hands to guide yours, you didn't say anything. It was... nice.

"How do I make it go faster?" you asked.

"Well, you can give her a little kick, or you can click your tongue. You remember how to click your tongue?"

You laughed a little and without thinking, you gave it a try. Clicking your tongue experimentally against your teeth sent the horse rushing forward. Just into a trot, but it still took you off guard. You gasped and leaned back into Joel's chest, looking to steady yourself so you wouldn't fall. You could feel him laughing behind you as he tightened his arms around your waist and gave the reins a gentle tug, slowing the horse back down to a walk.

"Not funny!" you exclaimed, but your smile gave you away.

He missed this. He really missed this. He missed holding you and laughing with you and spending time with you. What he wouldn't give to kiss you again. He ached for the way you tasted, the way you moaned underneath him, the feeling of your smooth skin under his rough palms. Every day that passed he felt like he was forgetting little by little, and the urge to remind himself, the urge to pull you into his arms and kiss you deeply and take you to bed with him was becoming more intense by the day.

But he had to be patient. He could be patient. You'd come around, one day. He was sure of it.

By the time you made it back to Jackson, you were feeling much more at ease. Maybe this is what you needed. Some time away with Joel, just the two of you, so you could learn more about him. You had to admit, you were beginning to see a very soft and sweet side to him that you only caught glimpses of in the past.

Before today, you hadn't been able to understand the attraction. He was good looking, you already knew that, but you also knew that couldn't have just been it. That wasn't enough to share a love for one another that he classified as rare and meant to be. Now, it was starting to become clearer. There was something inherently sexy about the way he handled himself. The confidence he had, which, at first, came off as cocky, you now viewed in a different light. After the way he handled the horse in the pasture and the clicker in the field, you were beginning to understand.

Joel Miller was a protector. He cared deeply and passionately for the ones he loved, and he stopped at nothing to defend them. Sometimes that love was misplaced as anger, and that's where he kept losing you.

He had asked if you felt up to joining Tommy and Maria at the dining hall for dinner, and even though you were a little tired from your outing, you agreed.

As you walked down the street together, he had to fight the impulse to hold your hand. He still noticed the way people looked at you, their curiosity over your now famous injury getting the best of them, but once they caught his eye they quickly averted their gaze. It angered him, he couldn't help it. He didn't want you to feel uncomfortable. You didn't deserve to be gawked at.

You followed Joel through the crowded hall once again, and just like before, the crowd naturally parted for him. He seemed to be making his way towards the back, towards the same table as before, only this time Tommy and Maria were already seated and waiting.

Maria greeted you with a hug and you gave Tommy a quick smile across the table before sitting down between her and Joel.

"Beautiful day out today," Maria said off to the side while Joel and Tommy talked amongst themselves.

"Yeah, it really was. I'm gonna miss it when the snow comes," you said, giving her a face. "Who's watching your daughter?" you asked suddenly, glancing around as if you could have possibly missed a small child running around.

"Oh, Dina offered to babysit, so we jumped at the chance to get out of the house," she said with a laugh. "Did you do anything exciting today?"

"Yeah, actually," you said, glancing at Joel, who was still talking quietly to his brother. "Joel taught me how to ride a horse. Well... re-taught me, I guess," you said with a small laugh.

"Thats fantastic. I'm glad you were feeling well enough to go out," Maria said with a warm smile.

"Oh, that reminds me-" you said, stopping yourself when Seth came over to take your orders. You just asked for what Maria was getting and turned your attention back to her. "I thought of a job."

Her eyes widened in surprise and she clapped her hands together. "Let's hear it!"

"I thought I could help out at the infirmary," you said, and she nodded along thoughtfully. "Nick was telling me his aide had to join patrol and he says he just needs someone to help do things around the office."

"That sounds like a great idea," she said, but you could hear the hesitation in her voice. When she glanced over at Joel, you connected the dots and sighed.

"He's fine with it," you grumbled, your gaze dropping to your hands.

"Fine with what?" Joel's voice asked from beside you.

"She wants to help out at the infirmary," Maria said, and Tommy grinned.

"Great idea, sugar," he said, "Nick could use the help. He's smart, but he's disorganized as all hell."

"I think it'll be good for you," Joel said, his knee knocking against yours under the table. "Help you get to know everyone a little better. Besides, if anythin' were to happen, you're in the right place," he added, leaning back in his chair so Seth could put his plate down in front of him.

"What do you mean?" you asked, picking up your fork and then scrunching your nose when you saw cherry tomatoes on your plate. Without even looking up, Joel speared the tomatoes with his fork and put them on his plate, then the three of you watched as he gathered his squash and gave it to you.

"I mean, if your head ever got to hurtin' again, then you'd be in the right place," he explained, looking up and licking the pad of his thumb. He frowned a bit when he noticed the table staring at him, and Tommy and Maria quickly ducked their heads to focus on their food, hiding their smiles.

"What?"

You dropped your gaze shyly to your plate and poked at the squash with your fork. "You know I hate tomatoes."

Heat crept up his neck a bit but he grinned. "The acid upsets your stomach," he said, and you chuckled to yourself, about to say something else when Jesse happened to walk by your table with some friends.

"Hey, Jesse!" Tommy called out, making him stop. He gave you all a quick wave before looking at Tommy expectantly. "Think you can join in on the 10am patrol tomorrow? Joel was just tellin' me he saw a clicker in that zone. Don't want any surprises like last time."

"Yeah, of course," Jesse said, then Joel frowned.

"Speakin' of last time," Joel said, his eyes drifting back and forth between the two men. "You never did explain how she got hurt on your patrol."

"That's right," you said, setting down your fork, "what happened? How did I fall? Was it the horse?"

Tommy and Jesse exchanged a nervous look. It was quick, but Joel still caught it. His jaw ticked to the side as he patiently waited for an answer.

"Uh, it was all so fast, and so much was happenin'," Tommy said, clearly floundering.

"Yeah, it's kinda hard to remember exactly," Jesse said, scratching the back of his neck.

"Well, try," Joel said, his voice dropping an octave. You turned your head slightly to look at him, not understanding why there was a sudden mood shift.

"We got ambushed by a small hoard," Tommy began, pushing his food around on his plate. "Thought we had it handled til a bunch more came outta nowhere," he continued, looking up to meet your eye now. "You were takin' down a runner, didn't see one comin' up behind you and it pushed you down. Knocked your head on a sharp boulder. Jesse 'n me took down the rest of 'em and that's when we realized you were knocked out cold."

You nodded, the story making sense as you remembered waking up to them yelling your name and their clothes covered in blood. But Joel wasn't satisfied. He knew they were leaving something out.

"That all?" he pressed, eyeing his brother. Tommy looked at Joel, a tense moment passing between the two before Tommy slowly nodded. He was about to open his mouth to speak when Jesse interrupted.

"It was my fault."

The whole table turned to look at him, taken aback. His hands were fidgeting at his sides as he avoided Joel's intense stare, trying to look anywhere but at him.

"I wanted to check out this department store. It was too big, we hadn't cleared the area, b-but we hadn't seen any infected in weeks a-and I thought we were good," he said, glancing up quickly at Joel, who was clenching his jaw and glaring at Jesse.

"What'd you need so bad from this store?" Joel seethed, and you saw Jesse swallow nervously.

"I-it's me and Grace's anniversary soon, wanted to get her something-"

Joel stood up quickly, his chair tumbling backwards, clattering loudly on the ground and silencing the room.

"So you wanted to get your girlfriend a present? That's why she can't remember a goddamn thing?" Joel roared, pointing at you. Tommy stood up and held his hands out.

"Calm down, Joel."

"I ain't calmin' down!" he shouted, and you jumped in your chair, scooting away from him and closer to Maria, who put an arm around you and urged you to stand.

"Let's go to the bar," she murmured, ushering you away as if she knew what was coming.

"I-I'm so sorry, Joel," Jesse stammered, tripping over his feet as he tried to put some distance between them.

"Sorry ain't gonna bring her back," he growled, rounding the table, his shoulders tight and his eyes wild. He reached out and grabbed Jesse by the collar before Tommy could react, and slammed him face first into the table. Food and cutlery went everywhere. People at nearby tables backed away but stayed to watch the fight unfold. Joel lifted Jesse up and smashed his face into the table again with a grunt, and this time you heard Jesse cry out in pain. You covered your mouth in horror as you watched Tommy try to pry Joel's hands off of him. "Wonder how many hits it'll take before you forget Grace. Maybe then we'll be even!" he shouted, pulling him back up by the collar. By now, blood poured from Jesse's mouth and his cheeks, mixing with tears as he tried to pull Joel's hands away. Just as Joel was about to slam his head into the table for a third time, you found your voice.

"Stop!!" you screamed, and by some miracle, he did. He still gripped Jesse's shirt in his hands, but Joel twisted his head around to look at you. Whatever he in your face made his fingers loosen their grip and Jesse stumbled backwards, collapsing into a chair as Tommy kneeled down next to him, trying to wipe away the blood.

Joel turned his whole body toward you, his face red and his chest heaving. His eyes were still crazed with anger but you could see it slowly melting away.

He took a step forward and you took a step back.

His eyes dropped to your feet, regret washing over him in an instant.

"Maria, can you gimme a hand?" Tommy called out, and she rushed over to help Jesse stand. Out of the corner of your eye, you saw them slowly leading Jesse towards the front door, no doubt in search of the doctor to help patch his wounds, but your eyes remained locked on Joel.

"I'm sorry," he murmured, not caring about all the onlookers still frozen in silence. But you did. You opened your mouth, then glanced around and thought better of it.

"Not here," you said under your breath, then stalked towards the exit, pushing your way past people until you felt the cool night air in your lungs.

You hurried down the street, wrapping your arms around yourself as you barreled home. You didn't turn around to see if he was following you. You knew he was. It was almost like you could feel him now. His presence draped around you like a scarf, surrounding you, engulfing you, suffocating you.

Storming up the porch steps, you flung the door open and walked inside, not bothering to close it behind you. You charged into the kitchen and paced around, your anger boiling inside you with nowhere for it to go.

"I'm sorry," he tried again from the doorway, trying to give you space. You stopped in your tracks and looked at him. His eyebrows were pinched together as he quietly waited for you to say something.

"Have you always been like this?"

His breath caught in his throat and he paused for a moment before replying. "Since we met? Yes."

"So you're saying I've caused you to act like a caveman when you hear something you don't like?" you shot back, crossing your arms defiantly.

"No, no, that's not - what I meant was, since you've known me, I've... had a temper," he said, quickly correcting himself.

You let a silent moment pass between you as you thought about what he said.

"It's no wonder it took me so long to fall in love with you," you said, and he winced. He looked away, trying to hide the pain, and you couldn't help but feel a little bad, but you stood your ground.

"It didn't bother you before," he mumbled, looking at the ground.

"Well, it bothers me now," you snapped, and he nodded.

"Okay, then I'll work on it," he conceded, looking up at you. "Happy?"

You snorted and rolled your eyes. "Thrilled."

Brushing past him, you marched up the stairs towards your bedroom and slammed the door shut behind you.

You could hear him moving around downstairs as you washed up and changed into pajamas, still seething at his behavior. How could you possibly fall in love with this man? You could barely figure out who he was - one minute he was soft and sweet, and the next he was bashing people's faces in. Even you could see it wasn't really Jesse's fault. The three of you would have agreed to check out the store together. Joel was just looking for someone to blame. It was immature and brutish and stupid.

Just as you pulled the covers over yourself, you heard a quiet rap on the door. You paused for a moment before rolling your eyes.

"Come in."

The door slowly creaked open and Joel slipped inside your room, glancing around at the bedroom you once shared together before looking at you.

"Can we talk?"

You furrowed your brow for a second before nodding, and he breathed a sigh of relief. He stepped forward and perched on the side of the bed, facing the wall so you could only see his side profile as he sat, deep in thought. You pulled your legs up so your chin rested on your knees and waited.

"I lied to you."

Your eyebrows shot up in surprise and you couldn't help but think of the journal - Joel lied to me - and wondered if this was it. If you were going to get your answer.

"When you asked me what I missed most 'bout... before. I lied."

Okay, so probably not the lie in the journal, but still, your interest was piqued.

"What do you miss most?" you finally asked, and he sucked in a deep breath, his eyes glistening as he stared at the wall.

"My daughter. Sarah."

Your heart clenched in your chest and your gaze dropped to your hands. A daughter?

A long silence passed as you slowly connected the dots. The way he was with Ellie. The anger. The journal entry about Tommy having a daughter. The softness he kept hidden away.

"She died on outbreak day," he began, his throat already constricting. "Died in my arms. She was shot and-" he sniffled and took a deep breath. "And I couldn't save her. I held her and watched the light leave her eyes and I -" he choked back a sob and looked down, still avoiding your gaze. "I've never been the same," he finally managed to get out.

You swallowed back the tears that were forming. How couldn't you see? Of course he was hurting. Of course he lost someone. Just like you lost your family, he lost his. Were you that selfish and blind that you couldn't see it?

"Joel, I'm so sorry," you said shakily, but he shook his head.

"Just wanted to explain why I'm... whatever," he replied, giving up and rubbing his face.

Your chest ached for him. He was in pain and you couldn't stand it. Inching forward, you wrapped your arms around his neck, tentatively resting the side of your head on his shoulder. His hand came up to cup your elbow and he tilted his head so it rested against yours.

"I'm sorry," you repeated softly.

"Me, too."

You stayed like that for a while. Extending small olive branches to each other as you sat with the weight of what the world did to you both, and you finally began to understand what might have brought you together in the first place.

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[poohsources]

🐝  *  ―  𝑴𝑶𝑹𝑬 𝑹𝑨𝑵𝑫𝑶𝑴 𝑨𝑵𝑮𝑺𝑻 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

❛  please don't leave me alone. i cannot do this without you.  ❜ ❛  just fucking leave me alone!  ❜ ❛  i'm done crying about this. i'm done crying about you.  ❜ ❛  why do you even pretend to care?  ❜ ❛  will i ever be good enough?  ❜ ❛  i hate you!  ❜ ❛  i don't ever want to see you again.  ❜ ❛  if you don't go now, i promise i'll make your life a living hell.  ❜ ❛  did you ever really love me? or was it all just a game to you?  ❜ ❛  you're not my friend ... not anymore.  ❜ ❛  i don't love you anymore.  ❜ ❛  how could you do this to me? i trusted you!  ❜ ❛  i gave you my heart, and you just walked away like it meant nothing.  ❜ ❛  it's all my fault, isn't it? i ruin everything i touch.  ❜ ❛  this is goodbye. i hope you find the happiness i couldn't give you.  ❜ ❛  can't you see i'm hurting? or do you just not care enough to notice?  ❜ ❛  i don't even know who i am anymore. it's like i've lost myself along the way.  ❜ ❛  i never thought i'd see you again. why did you come back into my life now?  ❜ ❛  i'm finally happy ... why do you have to try and ruin this?  ❜ ❛  i never meant to hurt you.  ❜ ❛  what happened to us? we used to be so good together.  ❜ ❛  promises are just words, meaningless and easily broken.  ❜ ❛  i pushed you away when all i wanted was for you to stay.  ❜ ❛  why couldn't you love me back? am i not enough?  ❜ ❛  i never meant for you to find out like this. i'm so sorry.  ❜ ❛  i wish we could go back and fix the moment everything went wrong.  ❜ ❛  i feel like we're drifting apart, and no matter how hard i try, i can't stop it.  ❜ ❛  i can't believe you'd say that to me.  ❜ ❛  i thought you knew me, but your words make me question everything.  ❜ ❛  i'm trapped between two impossible choices, and neither one feels right.  ❜ ❛  no matter what i choose, someone i care about is going to get hurt.  ❜ ❛  once trust is broken, can it ever be truly repaired?  ❜ ❛  you don't get it! no one does ...  ❜ ❛  no matter what i do, it's never enough.  ❜ ❛  you said you'd always be there for me. where were you when i needed you the most?  ❜ ❛  why should i have hope when everything around me is falling apart?  ❜ ❛  i can't move forward. i keep reliving this moment over and over again, and i'm stuck.  ❜ ❛  i thought i was doing the right thing ... but i realize now that i was wrong.  ❜ ❛  was it all just a lie?  ❜ ❛  i don't even know who i am anymore. i've lost myself in trying to please everyone else.  ❜