#i just needed to say it because i've been thinking about it for the past few days

[hairmetal666]

Steve has done interviews before. Like, a lot of interviews. YouTube, podcasts, print, TV stuff. Not as a brag, or anything, just. He's been an influencer for a long time, for better or worse, and it's part of the deal.

Usually, he's comfortable in front of the camera. Usually, he's poised and well-spoken. But today, this time, sweat pools under his arms and beads along his hairline, the lights beating down on him in a harsh glare.

"Steve Harrington," Murray Bauman crosses his legs, smiles big for the cameras. "It's been a while."

He smiles too, tries to seem like he's not about to have a panic attack. "I've been a little busy."

Murray laughs and it's then that Steve understands how screwed he really is. Murray's show, it's all glitz and glamour on the surface; mixed drinks and hijinks until the celebrity guests lose their inhibitions, admitting things they probably wanted to keep secret.

It's just that, before, Steve didn't have any salacious rumors to worry about, and now--

"You've had a rough year, Steve, yeah?"

"Not my best, for sure." He leans back, tries to seem calm, unbothered.

"I was sorry to hear about your divorce. I think that announcement really took a lot of people by surprise."

His hands clench, but he manages not to shift or bounce his leg. "Thanks for, uh. Yeah. We were also sorry it didn't work out."

Murray nods, face full of sympathy. "You and Nancy, you'd been together since high school? That's almost--what? 15 years?"

"It's--" he clears his throat. "About that long." Steve takes a sip of the drink next to him, an apple martini that's both too sweet and too strong.

"Am I right to assume that you didn't see it coming?"

And isn't that a question? Sure, now in hindsight, he can see the fractures that lead to the end, but six months ago did he--it's all so--what if all along--

"All marriages have rough patches," is what he says. "We just couldn't come out of ours as a couple."

"Do you know what I've found really remarkable about this phase of your life? The content and tone of your videos in the midst of the maelstrom of rumors and gossip didn't change at all. 'Your kids' as you call them, are still as bright and vibrant as ever. You're laughing, dancing, cooking, having a great time."

"I needed that--that normalcy you know? And the kids, they're such an important part of my life, having them around helped."

"Including Nancy's brother, Mike?"

Steve laughs and it's not fake. "Totally including Mike. My relationship with Nancy has nothing to do with my relationship with him."

"He's kind of an antagonist--would you say?--in your videos, though."

"We have conflict sometimes, but it's never serious. We know how to play it up for laughs."

"So, nothing's changed between you?"

"Not at all."

"The cheating rumors." Murray's smile is soft, but all the air still leaves the room.

"What about them?" It's more combative than he means, but--

"Did Nancy cheat on you with Jonathan Byers?"

He swallows and it hurts. She did cheat, is the thing. It's not public information, still only speculation, but--

"You can't believe everything you read, Murray."

"So, she didn't cheat?" There's a glow to Murray's eyes that tells Steve he already knows the answer.

"Like, I said before, marriages are hard. We spent a lot of time apart because of our jobs. It took a toll."

"And she was traveling with Jonathan, yes? He's been her photographer for the past decade, from what I understand."

"They were co-workers, but we're all close. And those rumors didn't help our relationship, for sure. It's--not easy to hear that a bunch of people think your wife and close friend may be having an affair, that people 'ship' them. Even when it's not true, it creates--"

"Tension? Distrust?"

"Both, probably." He takes another drink as he nods. "After a while you do start to wonder if there's truth to it, and you're too ignorant or too--too trusting to see it."

"And it eroded the relationship."

"It certainly didn't help." He takes another drink.

"And how about your relationship with Jonathan's brother, Will. Has that been impacted?"

"Of course not. Never. Whatever happens between Nancy, Jonathan, and I, it has nothing to do with the kids. They know that.

"You talked about it."

"Yes. Extensively."

"I know there's often speculation on the relationship you have with them; if you're really close or it's all for the cameras."

"Murray." He leans forward. "We've talked about this before. I met Dustin through Mike, and the whole group followed. I've known them all since they were 8 years old. They're--I mean, not to be cliche, but they're my family." He sips the last bit of martini.

"And where does Eddie Munson fit into that family?"

The question shouldn't be a surprise, but he almost does a spit take, has to fight to keep it together.

"Eddie?"

"Yes." Murray's smile is chilling. "Your close friend Eddie Munson. Musician. Plays Dungeons and Dragons on YouTube. You made out with him in a music video. Ringing any bells?"

"I'm familiar with Eddie," his grin is rigid. "I don't know what that has to do with my marriage ending."

"Well, the rumors weren't all about Nancy, were they?"

"Eddie and I have--we became mutuals online years and years ago. I used one of his songs in a video and the kids are obsessed with his dnd stuff, so. We've become close."

"Friends?"

"Isn't that implied?"

"After that music video, I don't think so."

Steve rolls his eyes, lets the irritation show for the first time. "He asked me to be in his video. There's nothing scandalous about it."

"What's your relationship with Eddie right now?"

"Like I said, friends."

"Do you want it to be more than that?"

"Eddie's really important to me."

"Is that all?"

"Not really sure what you want me to say here, Murray."

"You were married to a woman for years, but now there are questions about your sexuality."

He grits his teeth. "My sexuality isn't anyone's business aside my own. People can say shit on Twitter all they want, that doesn't mean they know me. But--the end of my marriage--it definitely gave me the space for self-discovery, I guess? In a way I hadn't had before."

"And is Eddie a part of that self-discovery?"

"Yeah, as one of my closest friends, he is."

"Do you have feelings for him?"

"That's--that's not--I'm going through a divorce. My focus isn't on starting another relationship right now."

"You, famously, tattooed your initials on the inside of his thigh during an Instagram live. That's pretty intimate."

"We were just having a little fun."

"Huh. That seems like more than 'a little fun' to me. So, how's Eddie doing with the increased attention?"

It takes Steve a second to track the change of subject, mind still stuck on the tattoo, on how the ink had looked on Eddie's pale skin.

"It's hard." Steve eventually answers. "Of course he enjoys bringing his music and dnd to a wider audience, but the focus on his personal life is--it's a lot."

"Well, he should have thought about before letting you tattoo him for your 850,000 followers. Does he want a relationship with you?"

His throat is dry, burning, he wishes he had more martini. He wishes he'd never taken a sip. "You'd have to ask him. I'm just taking it day by day, you know? That's what I need right now."

"We're getting to the end of our time, but you know I have to ask. Your best friend, Robin Buckley, she very famously unfollowed both Nancy and Jonathan on all social media when news broke about your divorce. Can you tell us why she unfollowed them?"

"I have no control over Robin's accounts. I didn't even know she followed Jonathan ever, and she and Nancy have a relationship outside of me, you know? I can't say what happened between them."

"She's been in your videos with Eddie. She like him?"

"Very much. It's kind of annoying actually. They keep ganging up on me."

"Much to everyone's delight, I'm sure. So, what can we expect from the newly single Steve Harrington?"

"There are a couple things in the works, but only time will tell."

---

He walks through his front door an hour later, and Eddie's sitting on the couch, playing a soft melody on an acoustic guitar. He stops when he sees Steve, setting the guitar aside, and standing.

"How'd it go, baby?" He asks. His soft smile is so beautiful, Steve gets a lump in his throat.

"As expected." He crosses the space between them, lets Eddie pull him close.

"He ask about us?" Eddie's breath tickles his ear.

"Of course."

"And you--"

"I want--it should be just for us. We should be able to announce when we're ready. Not when Murray-fucking-Bauman asks."

Eddie kisses him, then, sweet and slow, making him lose his breath.

"Whenever you're ready, I'll be right by your side."

"You sure? All my mess--"

"Is mine too. Afraid you're stuck with me for the long haul, Steve Harrington."

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[jetii]

Hello! I was wondering if I could 36 NSFW with Tech x fem!reader? Maybe where he said that nobody really gave him a challenge at the game, and readers ego is too high to back down from that offer even though she loses horribly. Established relationship perhaps? Also, I love your writing it’s amazing! You deserve all the love and followers

Hiii I'm so happy you requested this!!! I've been addicted to playing Kessel Sabacc in SW Outlaws for the past few weeks, and I was just waiting for the opportunity to work my knowledge into a fic. Literally wrote this as soon as I saw it in my inbox.

I consider this reader the same as the one from On Impulse if anyone cares!

Strategy

Pairing: Tech x fem!Reader

Words: 5,069

Tags/Warnings: 18+ only! fluff, smut, established relationship, oral (f receiving), fingering, unprotected sex, light dom Tech, rough (but affectionate) sex

Prompt: 36. “I don’t know why you’re complaining, you’re the one that wanted to play strip Sabacc.”

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"Pure sabacc," you announce, throwing down your cards and leaning back in your chair. A relieved grin spreads across your face at Tech's expression. His mouth is a thin line and his eyes are squinted, but there's an exasperated glint in them.

"Yes, I know," he grumbles, dropping his own cards on the table. Tech isn't a sore loser, but he is a competitive one. And the fact that this is the second hand you've won in a row is definitely irking him.

You snatch up his discarded cards and start to shuffle. "What was that about me never winning a round?"

"It is an anomaly," Tech states emotionlessly.

"And you've done the calculations to prove it, haven't you?"

He doesn't answer.

"Well, maybe I'm just lucky tonight." You cross your arms, reveling in his annoyance. "You know, I was beginning to think you were cheating with all the times you've been winning."

Tech rolls his eyes, but you can tell he's fighting off a smirk.

"I wouldn't cheat. Besides, I don't need to. My superior memory allows me to calculate the chances of each outcome with ease, making me naturally skilled at the game. Whereas you," he continues, leaning across the table and resting his elbows on it, "must rely on luck, because your memory is abysmal. It's no surprise you've been losing so often."

"Hey!" you protest, tossing a card at him. It flutters through the air, but he catches it before it hits his goggles.

Tech leans forward, the card trapped between his index and middle finger. "I am merely pointing out the facts, darling."

You snatch the card from him and return it to the deck, refusing to meet his smug gaze. He's trying to distract you, and he knows it's working.

"You can't always rely on the facts," you say, dealing the cards out once again.

"I don't. I also use strategy. Which you should try, seeing as it would certainly help you win."

"Strategy?"

"Yes, like—"

"Like how you're trying to distract me by insulting my memory?"

Tech huffs a breathy laugh and tilts his chin down. "Is it working?"

"Absolutely not." You glance down at your cards, trying your best not to smirk at your hand. Another sylop. The deck is stacked in your favor this round, and you have a perfect chance of beating Tech.

"What do you say we make this more interesting?" you propose, watching Tech's head tilt in curiosity.

He places a chip down and draws a card before his eyes dart back to yours. "I'm listening."

"Strip sabacc."

Tech's eyebrows shoot up to his hairline, and he almost drops the cards he's holding. "I'm sorry, what?"

"You heard me," you tease, setting your cards down. "Whoever loses a round has to remove an item of clothing. If you lose all your clothes before I do, I win. If I lose mine first, you win. Deal?"

He takes a moment to contemplate the suggestion, a faint blush coloring his cheeks, and his eyes narrow, calculating the possibilities. When his lips curve into a smirk, you know he's made up his mind.

"Deal," he agrees, nodding once and adjusting his goggles. He lays down his cards face up—pair of ones. You frown at your own hand and drop them onto the table.

"Oh, come on! Again?"

Tech chuckles, leaning back in his seat. "I believe you're the one who suggested this game. Now, please, take off an item of clothing."

The cockiness in his tone sends a shiver down your spine, and you fight the urge to roll your eyes. Tech may be a terrible flirt, but his confidence in himself is incredibly sexy.

You slip your boots off and kick them under the table, then lean back in your chair and cross your arms. Tech's eyes are locked on you, a devious smile playing at his lips.

"Now who's distracted?" you taunt, winking at him.

"Hardly," he answers. But you can see the flush on his face and the way his chest is rising and falling just a little bit faster than usual. He's excited, and he's trying to hide it.

“You know, you’re wearing a lot more clothes than I am," you argue, leaning forward on the table and batting your eyelashes innocently. “You should take off an item, too, for fairness' sake."

"Fine." He pulls his boots off and drops them onto the floor. "Happy now?"

"Very."

Tech picks up the deck and shuffles the cards, the corners of his lips turning up.

"This was your plan, wasn't it?" he asks.

"My plan was to finally win a game of sabacc against you. And maybe see you with less clothes on, but that's an added bonus."

Tech chuckles and slides the cards toward you, his eyes burning into yours. "You are very devious. Now, deal the cards, darling."

You quickly learn that the stakes have made the game a lot more fun. Your heart races as the tension between the two of you rises, each of you sneaking glances at the other while pretending not to. And it doesn't take long for Tech to get the upper hand, much to your dismay.

"I told you," he teases, smirking at you over his cards, "my superior memory allows me to calculate the probability—"

"Yeah, yeah, you don't need to brag," you interrupt, rolling your eyes. You draw another card, cursing when it doesn't help you in the slightest.

“I don’t know why you’re complaining, you’re the one that wanted to play strip Sabacc," he says. You look up at Tech to see he's staring at his own cards, but the slight smile playing on his lips tells you he's aware of your annoyance.

You can't argue with that. You're the one that proposed the idea, and you're the one that can’t seem to stop losing, so now you're the one sitting on the ship with no shoes, socks, or a shirt, leaving only your pants and undergarments. Meanwhile, Tech has only removed his gloves and belt.

He places his cards face-up on the table, revealing another pure sabacc.

"Dammit," you sigh, throwing your own cards onto the table. "Again."

"Strip," Tech commands, and there's a huskiness to his voice that wasn't there before. His eyes are dark and intense as they follow your every move, and his mouth is curved in a devilish smile.

"Are you enjoying this?" you ask, unbuttoning your pants and standing from the chair.

"Immensely," he admits, his eyes not straying from you.

Heat spreads throughout your body at the intensity of his gaze. He watches with bated breath as you push the fabric down your legs, revealing the soft skin of your thighs, and he licks his lips subconsciously. The pants pool around your feet, and you kick them under the table before returning to your seat.

"Now who's the distracted one?"

"Not distracted," Tech replies, his eyes meeting yours. "Appreciating."

His words are heavy and sultry, and you can't stop the flush that colors your cheeks.

"You can appreciate me better if you lose another round," you tell him, shuffling the cards once again.

Tech's eyes narrow. "I think I'd prefer to watch you lose a few more."

The cockiness in his voice goes straight to your core, and a heat pools in your abdomen. Tech doesn't break eye contact, his stare intense and challenging, and a thrill shoots through you at the thought of what he could be thinking.

"I guess we'll see," you tell him, smirking.

You deal the cards, and Tech immediately throws a chip down, drawing his next card. A satisfied smile curves his lips. He's not even trying to hide his glee at your frustration, and it's infuriating.

You throw a chip onto your pile, drawing a card and praying that the Force will be on your side this round. You peek at the numbers and symbols on the card, and the disappointment is instant. It's the worst possible combination—a six and one. And you're out of chips.

When Tech sets his cards down, he does so slowly, drawing out the moment and relishing in your scowl.

You sigh, dropping your useless cards, and Tech's eyes brighten at the sight.

"Well, would you look at that?" he says, his voice filled with fake innocence. "I believe that's five in a row for me."

"No shit, really?" you mutter, rolling your eyes. "I had no idea."

He leans forward and rests his elbows on the table, his hands folded together and his chin resting on top. "Strip."

It's the way he says it, like a command. His voice is low and gravelly, and you feel yourself getting wetter at the tone. He's so sure of himself, so cocky, and it's driving you wild.

"Do I have to?" you ask, batting your eyelashes at him.

Tech's eyes narrow in on you. "Yes."

You stand and unclasp your bra, letting the straps fall down your shoulders and slipping it off your arms. The cold air makes your nipples harden instantly, and his eyes widen when he sees them. He stares for a moment, taking in the view, and then his tongue darts out and licks his lips.

"I must admit, I'm finding this game more enjoyable than I originally thought," he says, his voice thick.

"Only because you're winning."

He hums in agreement and deals the next hand, a sly smirk playing on his lips. Throughout the round, Tech's eyes keep flicking back and forth between the cards and your chest, and you have to bite back a smile. He's trying so hard to concentrate, and his obvious struggle is adorable.

Tech's confidence fades as the round progresses, and by the time he sets his cards down, he isn't wearing his usual cocky smile. His mouth is pressed into a thin line and his eyebrows are knitted together when he shows you his hand.

"What's wrong, Tech?" you tease, leaning back in your seat. "Disappointed that you lost?"

"Of course not," he scoffs. "I've already calculated the possibilities and I know how this will end. I have no doubt that I will win."

"Then why are you pouting?"

"I am not pouting."

"Uh-huh. Well, whatever the reason, it's time for you to remove some clothes."

Tech sighs and slips off his goggles. His warm eyes meet yours, and you notice that they're slightly glazed over.

"There," he grumbles, pushing the goggles across the table toward you. "Happy?"

"Ecstatic," you reply, a wide smile on your face.

Your eyes rake over him, taking in his appearance. It’s rare that you get to see him this way, and you savor the moment. Tech has always been handsome, but the way he looks right now, with his hair mussed and a blush coloring his cheeks, is absolutely enticing.

You pick up the deck and shuffle it, and the sound of the cards sliding together is the only noise in the room. Tech's eyes are fixed on your bare chest, and his throat bobs when he swallows.

"Like what you see?" you ask, raising a brow.

"Always."

Your cheeks flush, and you deal the cards. The anticipation is killing you, and the smugness that Tech was showing before is long gone. He seems eager to get the game over with, and the impatience in his demeanor is refreshing.

His eyes flick back and forth between the cards and the pile, and his face gives nothing away. You're desperate to know what his hand is, and it's taking every ounce of willpower not to peek.

He reaches across the table and throws a chip down, his brow furrowing. It's such a subtle change in his expression, and most people would miss it. But you know Tech well enough to understand his emotions, and right now he's frustrated.

Your heartbeat quickens as you draw a card. Another three to match the one already in your hand. Not great, but it's enough to win if Tech doesn't have a better sabacc.

"What are you thinking about?" you ask him, watching as his eyes move from his cards to yours and back again.

"Strategy," he mutters.

"What kind of strategy?"

"The type of strategy that will guarantee my victory,” he says. His eyes are determined and his jaw is clenched. He glances up from his cards to meet your gaze, and the fire in his eyes sends a shiver down your spine.

"Show me your cards," he demands.

You do as he asks, laying the two twos face-up on the table. The look he gives you is nothing short of prideful, and your heart drops.

"You've got to be kidding me," you groan.

Tech reveals his own cards—a sylop and a one. You let out an exasperated huff, and he chuckles.

"Well," he starts, placing his cards on the table and leaning back in his chair. His gaze travels over your body, and his smirk widens. "Go on."

Your cheeks heat up under his scrutinizing stare, and a part of you wants to rebel and refuse to comply. But Tech looks so damn good right now, his eyes filled with mischief, and the excitement coursing through you is too much.

"You're having too much fun," you say, your voice low.

"I'd have more fun if you'd hurry up and finish this little game of ours," Tech retorts.

 You're about to give him a smart retort, but then you notice the way he shifts in his seat. It's subtle, and you doubt he even realizes it, but it's there. The tightening of his thighs, the slight twitch of his hands. He's just as turned on as you are.

And you decide to play into it.

"I'm in no rush." You stand, slowly, and let your hands travel down the expanse of your chest, cupping your breasts and running your thumbs over your nipples.

Tech's breath catches, and his eyes are dark as they watch your every move. You can see his fingers twitching, aching to touch you, but he's refraining. You run a hand down your stomach, over the hem of your panties, and he licks his lips again.

Then, without warning, you turn away from him, exposing your backside. Tech makes a sound of protest, but his objection quickly dies down when he sees you hook your thumbs into the waistband and slide your underwear down. You bend forward to push them down your legs, and you can hear the sharp intake of breath from Tech.

The moment you turn around, a mischievous glint in your eye, you're met with a new expression on Tech's face.

He looks hungry.

His pupils are blown wide and his lips are parted, and you can tell it's taking all his strength not to jump across the table and take you right then and there.

"Well?" you tease, raising an eyebrow at him. "What are you waiting for?"

He doesn't waste a second. With one swift motion, he tosses the cards aside, his eyes never leaving yours, and stands. Then, he's on the other side of the table and grabbing your waist, pulling you towards him until your chest is pressed against his.

"I win," he announces, his hands roaming over your body.

"Then take your prize."

He pulls you into a searing kiss, his lips pressing insistently against yours. His hands travel the expanse of your skin, squeezing and caressing. One settles at the base of your neck while the other moves lower, down the curve of your back and to your ass. He grabs it, hard, and pulls your hips towards his, pressing his already-hard erection into you. You moan into his mouth, and he swallows it up, his tongue delving deeper and dancing with yours.

You wrap your arms around his neck, bringing him closer and pressing your bare chest against him. You can feel the heat radiating off his body, and his arousal is evident as he rocks his hips into yours, his hand squeezing and kneading your flesh.

When the two of you break away for air, his mouth moves lower, peppering kisses along your jaw and neck, sucking the sensitive skin at your pulse point. You tilt your head back, allowing him more access, and he takes full advantage. His tongue laves over the area, teeth nipping at the skin, and a breathy moan escapes your lips.

Tech's lips travel lower, across your collarbone and down your chest, stopping at the valley between your breasts. His breath fans over your skin, and his tongue darts out, licking a stripe along the underside of one breast. His fingers move up, brushing over the bud of your nipple, and you let out a whimper at the sensation.

He looks up at you, a satisfied smile playing at his lips, before bending and taking the other nipple into his mouth. His tongue swirls around it, his lips sucking the sensitive flesh, and his hand pinches the other one. The feeling sends shockwaves of pleasure through your body, and your hands find their way into his hair, tangling themselves in the strands.

You gasp as his teeth gently graze over the hardened peak, and your knees nearly buckle beneath you. His other hand comes up and holds your hip, steadying you, and his mouth moves to the other side.

"Tech..." you breathe, your head falling back and your eyes fluttering shut. He's barely touched you, and already, you're a panting mess.

Tech's lips travel further down, past your navel and to your thighs. He drops to his knees in front of you, his hands trailing along the curves of your hips, and his lips press kisses into your skin.

"I've been wanting to taste you all day," he says, his voice a low rumble.

"You should've told me earlier," you breathe, looking down at him through hooded eyes. "We could've skipped the sabacc." 

"This was far more entertaining." He presses a kiss to your mound, and you shudder. His eyes are dark with lust, and the sight of him on his knees before you makes your core clench with anticipation.

Tech kisses your thigh, his tongue darting out to taste the skin. Your hands tighten in his hair, tugging and guiding him to where you need him most. He chuckles, and the warm breath fans over your sensitive flesh. 

His fingers dance across your skin, teasing the crease of your thighs, before one presses against your heat. A moan escapes your lips, and he presses harder, dragging his finger through your folds.

"You're already so wet," he murmurs, his eyes watching the way his finger moves. "Were you thinking about this while we were playing? About what would happen if you lost?"

"Yes," you answer truthfully, and the admission has him groaning.

He rubs circles into your clit, his touch sending sparks of pleasure throughout your body. Your legs begin to shake, and you place a hand on his shoulder to steady yourself. He glances up at you, the corner of his mouth turning up in a devilish smirk, and he presses a finger against your entrance. You whimper at the contact, and Tech lets out a quiet moan, the sight of you falling apart before him clearly affecting him.

"Tech, please," you beg, rocking your hips into his hand.

"Patience, darling," he coos.

He pushes the digit into you, slowly, letting you adjust to the stretch, and then curls it upwards. You gasp, your hand gripping his shoulder tighter, and he begins to pump his finger in and out of you. His arm nudges your thigh, spreading your legs wider, and he leans in and presses his mouth to your clit. He licks a broad stripe up the sensitive bundle of nerves, his tongue swirling around it, and you cry out in pleasure.

His free hand grips your thigh, holding you steady, while the other continues its slow movements, pushing in and out of you. You feel the tension coiling inside of you, and you know it won't take long for him to push you over the edge. His tongue is skilled and insistent, and he knows you better than anyone.

Tech's eyes are locked on yours, watching every reaction, and you can see the pure delight written on his face. He loves knowing he's the one doing this to you, making you fall apart.

"Tech... I'm..." You can't finish the sentence. The tension is building inside you, threatening to snap at any moment, and your breathing is labored. Tech adds a second finger, pumping faster and curling them against the spongy spot within you. You whimper, your grip on his shoulder tightening, and he knows you're close.

"Come for me," he says, his words vibrating against your sensitive flesh. His palm slaps against your clit, his fingers curling deeper, and the coil inside you snaps.

"Fuck!" you gasp, your legs shaking as the orgasm crashes through you. Tech's arm wraps around your thigh, keeping you upright as your knees buckle. He continues pumping his fingers, drawing out the pleasure, his tongue flicking and swirling around your clit.

When the sensations become too much, you place a hand on his forehead and push him away, your body going slack. Tech pulls his fingers from you and places a gentle kiss on your inner thigh before standing, his eyes searching yours.

"Are you alright?" he asks, his voice husky.

"Mhmm," you hum, a blissful smile tugging at your lips.

Tech's hand moves to the back of your head, pulling you into a bruising kiss. He takes a step forward, guiding you backwards, and the backs of your legs hit the bunk.

"Tech, please," you beg, breaking the kiss and staring into his eyes. They're black with desire, and he's already reaching down, fumbling with the zipper of his pants.

He pushes them down his legs, kicking them away, and his cock springs free, already leaking. Your hand reaches for him, stroking him from base to tip, and he groans, his hips bucking into your touch.

You continue the slow movements, dragging your hand along his length and rubbing your thumb over the tip. Tech's breathing is heavy, and his head falls to your shoulder, his face buried in the crook of your neck.

"Stop," he mutters, grabbing your wrist and halting the movement. "I want to last more than five seconds."

You chuckle and press a kiss to his jaw. "Well, let's go, then."

His eyes meet yours, and he nods. Then, in a swift motion, he spins you around and pushes you forward, bending you over the side of the bed.

He presses his body against yours, his cock grinding against your ass, and a soft moan escapes your lips. He's close, his breathing hot and heavy against your neck, and his hands are gripping your hips, pulling you towards him.

You feel the tip of his cock press against your entrance, and a shiver runs down your spine. You lean forward, resting your arms on the mattress and tilting your ass higher, and Tech lets out a deep moan at the sight.

"You're so beautiful," he whispers as one hand slides along the curve of your back.

“Hurry up," you urge, wiggling your hips against him.

His hand moves down your hip, across your ass, taking a moment to squeeze the flesh, and lower to the back of your thigh. His fingers dance along the skin, sending shivers down your spine, before coming to a stop at the back of your knee. He lifts it, propping it on the edge of the bunk, spreading your legs wider, and then his cock is lining up with your entrance.

He pushes in, slowly, letting you adjust to the stretch. You whimper as he fills you, and his hand comes up, rubbing soothing circles into your lower back.

Tech pauses when he's fully sheathed inside you, his hips flush with yours, and his hand comes around to rest on your lower stomach. The light pressure on the spot is just enough to have you squirming, and you push back into him, silently begging for more.

"Please, Tech," you whimper, and he huffs a laugh.

"Begging already?" he teases, his breath fanning over the shell of your ear. "I haven't even started yet."

He pulls out of you, and the drag of his cock has you whining, already missing the sensation. He pushes back in, slow and deep, and you let out a shaky breath.

"Fuck, Tech," you pant, and he groans, his nose brushing against the nape of your neck.

His pace is slow and methodical, and you can't help but admire the restraint he's showing. Usually, he's a mess by this point, but now, his fingers are digging into your hips, holding you steady, and his breathing is slow and controlled.

You turn your head, pressing your cheek against the sheets, and glance up at him. His eyes are shut tight, and his brow is furrowed in concentration. You're not sure what's gotten into him, but he seems determined not to lose control.

"Harder, Tech," you urge, pushing your hips back to meet his. He grunts and snaps his hips, the slap of skin on skin filling the room. You let out a moan, and Tech's pace quickens, his thrusts growing more forceful.

Your fingers dig into the sheets, trying to find purchase as he pounds into you. It's intoxicating, the feeling of his cock filling you, stretching you. And the sounds coming from his lips—the soft grunts and moans—are driving you wild. He's always quiet during sex, but the sounds he's making now are anything but.

Tech's grip on your hip tightens, and his hand on your stomach presses harder, holding you in place as his hips move faster. His thrusts are sharp and deep, and he hits that sweet spot inside you, sending tingling waves of pleasure through your body.

"Yes," you cry out, and you push back against him, meeting each thrust. "More, Tech."

"I don't want to hurt you," he says, his voice strained.

"You won't."

He lets out a strangled moan and slams his hips into yours, the movement nearly knocking the breath from your lungs. He continues his relentless pace, his fingers digging into the flesh of your hip, and your head falls forward, resting against the sheets.

Your legs are shaking, and the tension inside you is threatening to snap at any moment. You can feel the fire burning in your abdomen, the pressure coiling tighter and tighter, and the way Tech is panting against your neck isn't helping.

"That's it," he growls, his voice low and husky. "You're close, aren't you?"

"Yes," you breathe.

"I can feel you tightening around me." He groans, his pace never faltering. "You're going to come for me."

It's a demand, not a question. And you have no intention of disobeying him.

Tech's hand slides from your hip to your ass, squeezing the plump flesh. The possessiveness of the gesture has you keening, and you arch your back, presenting yourself to him. He growls at the sight, his hips slamming into yours.

"Stars, you're so fucking beautiful," he pants, his hand moving to your thigh and hiking your leg higher. The new angle allows him to slide deeper inside you, and you can feel the pressure building within you, the tears beginning to prick at your eyes.

"Tech, please," you beg, pushing your hips back to meet his.

"What do you need, darling?" he asks, his voice strained. "Tell me."

"Make me come, please," you whine, and his hips jerk forward.

His hand is quick, sliding between your legs and finding your clit. He presses two fingers against the swollen bud, rubbing slow circles, and the tension snaps. Your body goes rigid, and your vision blurs as the orgasm rips through you. You cry out, Tech's name falling from your lips, and your knees buckle, the only thing keeping you upright is his firm grip on your hips.

You bury your face in the sheets, muffling the sound of your moans, and Tech keeps pumping into you, his thrusts rocking you forward and sending your orgasm even higher.

He fucks you through the high, his pace never faltering, each thrust punching another gasp from you. Your hands grip the sheets, knuckles white and jaw clenched, and the pleasure is so intense that tears begin to roll down your cheeks. His cock twitches inside you, and you clench around him, desperate to push him over the edge.

"Fuck," he hisses, his thrusts becoming sloppy. He's babbling now, his voice hoarse and broken, and you can tell he's close. "You're perfect, darling. You're— fuck, I love you, I love you, I love—"

His words are cut off by a deep groan, and his hips stutter. He slams into you one final time before he spills into you, hot and thick, and the feeling is enough to make you see stars. His hands are gripping your waist, bruising the flesh, and he pulls you into his lap as he turns and collapses onto the bed.

You both sit there, panting, his chest pressed against your back. His forehead is resting against your shoulder, his breath hot and ragged against your skin. The two of you are covered in a sheen of sweat, and his hands are roaming your body, tracing gentle patterns across your skin.

"That was..." Tech trails off, unable to form the words.

"Yeah," you agree, leaning back against him. You take in a shaky breath and sigh. "I love you too, by the way."

"I know." He nuzzles his face into the crook of your neck, his lips pressing a gentle kiss against the sensitive skin. "I can't believe you suggested strip sabacc."

"And I can't believe you agreed."

"Well, I wasn't about to pass up an opportunity to see you naked," he chuckles, his fingers tracing lazy circles across your abdomen.

You laugh, and the sound is bright and clear. You shift in his lap, turning around and straddling his hips. His eyes are soft as he stares up at you, a faint smile tugging at his lips.

"Maybe we should play it more often then," you joke, leaning down and capturing his lips in a tender kiss.

"We will, if this is how you plan to reward me every time I win."

"Deal."

Taglist: @baddest-batchers @covert1ntrovert @stellarbit @bruh-myguy-what @qvnthesia

@spicy-clones @kindalonleystars @cw80831 @totallyunidentified @heidnspeak

@lovelytech9902 @frozenreptile @chocolatewastelandtriumph @etod @puppetscenario

@umekohiganbana @resistantecho @dindjarins1ut @tech-aficionado @aynavaano

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@marchingviolist @deerspringdreams @chaicilatte @somewhere-on-kamino @silly-starfish

[diazwake]

okay so i have to just ramble about why i think buck and tommy have been doomed to fail from the jump.

i've been thinking about the discussion tommy and buck had right before their first kiss. tommy telling buck to stop being jealous. that he could never take the place buck has in eddie's life. that buck is not replaceable to eddie. tommy talking about how christopher would riot without buck in his life and buck going 'really?' with the brightest happiest goofiest smile on his face just thinking about how much christopher and eddie want him and need him and love him.

these are all things eddie has told buck before, but buck has so much guilt from hurting eddie in his jealousy, that the thought he might have caused the end of his most valuable friendship makes buck's past trauma rear its ugly head. in that moment buck needed someone to tell him he didn't fuck it all up and that he didn't lose his best friend.

this is where i start getting delulu. but i think it’s here, right after tommy reassures buck, that buck starts processing his feelings on what eddie means to him, what they mean to each other, and what they ultimately are. but buck, in an avoidance to fully take in and accept the reality of his feelings for eddie, performs an exercise in subconsciously pivoting those feelings onto tommy.

buck does this because he has nothing to lose with tommy, but he has everything to lose with eddie. he was just reminded of that. "trying to get your attention has been kind of exhausting" is an insane thing to say to tommy, and even tommy knows it. those words were meant for eddie.

it's buck's luck that tommy can see the gay of it all and is also a little greedy, so tommy makes the choice to fill in some of the gaps for buck with the kiss. in exchange buck takes this opportunity to use tommy as a blank canvas for what a relationship with someone like eddie could be like, without any of the risk. tommy knows buck is only going to be with him for as long as it takes for him to figure himself out, but tommy's not leaving that exchange empty handed. tommy gets to not feel alone, because he admitted he's jealous of the found family the 118 have built since he's left.

tommy knows it's temporary. i think that's part of the reason why tommy's character is so polarizing in the context of his relationship with buck, and why their relationship so far seems to superficial despite them dating the entirety of 7b. because why would tommy get invested in a relationship built on misguided feelings, fully knowing it's doomed?

[curioscurio]

Why we have to start being nicer to eachother:

I know it sucks and is hard, but I think we really do need to start treating techbros and incels and our fellow humans with a bit more compassion, empathy, and understanding before we jump to bad faith interpretation. Especially when seeing a bad take online used as bait for arguments. We have to give other people the opportunity and knowledge to think for themselves, and make the choice to become a better person on their own.

"Hold on! Why should I be nice to people like that? THEY'RE the ones who are being bigoted to US!"

Well, I'll try and answer that question below! I ended up writing a lot, so check out the "read more" if you're curious. At the end of the day, I'm not an expert or a professional on human behavior, so keep that in mind. This is just something I've been thinking about based on my own past experiences.

Conspiracy theorists, the far right, gun enthusiasts, and even MAGA's all operate on the belief that modern society hates them for who they are. They think the entire world is against them.

And, looking at the kind of hate rhetoric and harmful ideologies they talk about; the cruel acts of casual and extremist violence that stem from that community, it easy to see why the world has turned its back on them. Right?

It makes you wonder: "Why are they like this?"

The easy way out is to simply hold on to the belief that they are behaving this way because they are bad people. Bad people do bad things, after all.

But when the world turns its back on a group of people, those people turn their backs on the world. They will naturally gravitate towards whichever group of accepting humans they come across first. Whoever validates their feelings and makes them feel accepted and safe instead of rejected and fearful.

The far right preys on young men who don't know know any better because they are never treated any better. They have influencers, exactly like Donald Trump, that make you feel safe. They also are lying to these people and using their fear of rejection to control them.

It's very similar to how the Church will help you out and feed you if you're homelss... as long as you join the church and donate 10% of your earnings to "God." (The churchs bank account. )

That is to say, people don't usually pop out of the womb with these prejudices and fears programed into their heads. It's something that has to be taught to them by somebody else. Their parents, the church, their school, their friends, youtubers, etc.

"So, what do we do? How do we save future and current generations from being sucked into this hateful spiral of far right bigotry?"

"How do we help our conservative parents, who we know love us but are absolutely convinced that they need guns to keep their families safe? How do we help our Trump Train family members who used to be loving, compassionate, people?"

Well, you're not gonna like the answer. We have to start being nicer to everyone. We have to be nicer to incels, dude bros, techbros, Karen's, and yes, even your average Republican voters. We have to show them compassion and empathy when they're expressing their fears, without immediately attacking them for it. We have got to prove to them that there's a place for them to come back to.

Their fears are being taken advantage of by a system that benefits from pitting the general population against each other. If we're too busy fighting eachother, we can never join forces and fight the system.

And so it turns into a self-sustaining system of fear and reactive lashing out. They start believing that everybody is against them, except the few people who understand. Until the only safe place left for them is the Q Anon message boards. Quite literally an orobourous of hate.

"But Curio! They literally want us dead! These people are violent and irredeemable!"

Many of them are. So many of these people are groomed into believing that the only way they can keep themselves safe is by killing anything they think has caused them harm. It's an intentional system maintained by those in power to control those who are not.

Some of them, however, are just normal people who got in with the wrong crowd or are too young to know better. Some people were never given the chance to be better.

"So, what SHOULD we do? Be nice to our oppressors? Let them get away with hate crimes and bigotry?"

No. But we DO need to stop thinking of "them" as this massive malevolent demographic who have no souls and are inherently evil. The majority of these people were lied to and manipulated and groomed into these beliefs.

We have to try harder to stop ourselves before we start calling them names and attack them, regardless of if they deserve it or not. We have to engage with them on good faith. Learn about WHY they believe conspiracy theories and why it stems from fear.

"Why? What will this help?"

Because you're quite literally showing them that there's another option available for them to take. You're showing them that, if they do change their minds and want to change their behavior, that you are a safe person to approach with these thoughts. You have the power to create a space for them where they're allowed to think for themselves without punishing them for it.

Once you create that connection, it's like you're showing them another road in life they can explore. They now can see a new future for themselves. A future where their kids start talking to them again. A future where they're not terrified of being humiliated for being soft. A future where they feel listened to.

And that's all. You just have to give them that chance. It's not your job to change their mind, or to tell them that they're wrong for thinking thoughts. In fact, trying to do just that will usually encourage them to double down.

But what you CAN do is build an environment where they have the OPPORTUNITY to change their mind. You can be kind, empathetic, and educational. Be patient and listen and have a respectful conversation with them.

It is especially important for people with privilege to step up and be those kinds of diplomats. People who are able and willing to look past the surface bigotry to address the scared humans underneath. People who can do this without endangering themselves or their community. This may be other cis straight white people who can get away with bringing these topics up gently, without triggering reflexive defensiveness. Who then have the patience to gently educate them and steer them towards a better path.

"But Curio, I can't do this. I've been hurt too many times by these people, and doing this would cause me significant mental distress."

Then don't. You're not obligated to be the better person for every situation and circumstance. Nuance must be taken into account. You don't have to be nice to every troll or ragebait Twitter post. I certainly don't want you to put yourself in a situation that causes you emotional, physical, or mental harm. Hell, you don't even have to give them the time of day. It's your own responsibility to make the judgment call regarding your health.

But people simply won't change if there's no room for them to change. And some people have the power to make that room for them little by little.

"I've tried everything. I've begged, cried, been nice, and shown them that we won't reject them. They won't change their minds no matter what."

And that's also ok! It can happen. When you give people the opportunity to make choices for themselves, there will always be people who still choose to believe the system they were groomed on. They can do that because thats free will, baby. There will still be people who will not change their minds and who will actively choose to become more radicalized.

And it's sad to see. But you also have to respect that sometimes people aren't ready to change at the same time that you're ready to help them change.

But you should try to do it for all the young men and children who are being taught by their parents that White Genocide is real. You should do it for the parents who love their kid so much, but are so terrified when they say they're transgender because they don't know what to do. Because they know the world will not treat them fairly or are afraid of ruining everything.

You should do it for your 10 year old nephew who watches Andrew Tate because their mother doesn't give a damn enough to check what kind of YouTube videos their kid is watching. You should do it for the depressed and hurting teenager who thinks they have no option left but to buy a gun and shoot up their school, because no ones listening to them. You should do it for the tradwife who's alone and hurting after her conservative husband cheated on her and left her with nothing; because she thought she would be the exception.

"...How do you know this will work? What if you're wrong, and nothing changes?"

I don't! I'm just a random person on the internet. I dont know who might read this. It's just my opinion.

But at least, at the end of the day, you tried your best to be a good person to another human being, and I don't think that's such very a bad thing. For me, I'm going to try because I don't want to lose my father to that kind of environment. I want to be able to have a normal conversation with him again.

There's some good in this world, Mr. Frodo, and it's worth fighting for.

[slasher-jaxshitposts]

TW: vent

I hate not having any control over my own life. I hate not being allowed to choose what I wear, what I do, and what I control. I hate being told to do the dishes everytime the sink is full, I hate being the family therapist, I hate not being allowed to relax without being shamed for it.

I tell my sisters no to something that will make a mess if I don't watch them closely, then being forced to give it to them anyways by THEIR father and still have to clean up THEIR mess.

I hate having to do the dishes when their are other people in the house who can do it, then being told the way I do it is wrong.

I hate being threatened to have my hair ripped out of my skull if I don't do what I'm told.

I hate being told I look TOO good in something by my mother and then those pants or that shirt get taken from me and put in my moms drawer.

I hate being told that only skanks wear cropped tops and not to walk around in only a bra and some shorts when I'm hot because my dad (step-dad) is in the house, or he has friends over that he could bring them in, but my mom wears crop tops, and she walks around in the store, at other peoples houses and other PUBLIC places in just a bra.

^But when I walk around OUR house, I'm asking for it

I hate wanting my hair cut, and eventually getting to the point where I want to cut it myself, but I can't. Wanna know why? Cause I'll get my ass beat for doing something I've been BEGGING my mom to do for the past year or so.

i hate being told the hair cut I want is too short, or too boy like, or it doesn't match my face, that it'll make me look ugly.

I hate being expected to let my mother rant to me, but get scolded if I try talking about my feeling with her.

I hate telling my mom things I wanna do, then her tell me no and that I have to do something because she had to.

I hate being told not to let people see me cry, not to let people see me weak, not to let them think I'm weak, then being told I should cry more, and let my feelings out when my dog gets killed.

I hate having to fake my tears so that my mom thinks I'm alright.

I hate that every time I sit down I'm automatically not doing anything, that I'm always so lazy, that I don't do anything.

I hate being the one who has to talk myself out of panic attacks, then when I tell my mom, she just tells me not to let myself.

"Why are you putting yourself the panic attack? Why are you letting it beat you?" She says

But god forbid if one of my sisters start having a panic attack. And I get it, their 5 and 7, yes worry about them, but I'm 15, I want my mom to about me like that.

I hate feeling like I have to fight my feelings.

I hate wanting to be a man just so I can feel some kind of control, and I still don't feel like I can control anything.

I hate the way my step-father has made me hate men, but I still want their love.

I hate feeling like I need to fight for love.

I hate the empty "I love you"'s that come out of my mom, and stepdads mouths.

I hate the fact that I still love my mom, despite the things she's put me through.

I hate feeling like I'm never enough, like if I'm of no use to anyone, then why should they love or care about me?

I hate feeling like everyone expects so highly of me, and then are significantly disappointed when they actually get to know me.

I hate not feeling much of anything besides anxiety, fear, and anger.

I hate feeling smaller than everyone else.

I hate having to create different personas for every person I meet, just so I can be liked.

I hate not being allowed to be myself.

I hate feeling like crap everytime I'm not comfortable with doing something, because if I'm of no use to you, why should you care for/about me?

I hate not being able to focus on one project, and then feeling terrible because I never finished something.

I hate feeling sorry for others more than I do myself.

I hate not knowing when my next meal will be.

I hate being shamed for not eating because "we have plenty of food."

I hate having issues with certain textures of food, and having to go hungry because I don't like what my mom fixed.

I hate not liking certain tastes, then being forced to eat it, because I'm tired of starving myself.

I hate feeling like I'm bothering everyone else because of my feelings.

I hate feeling bad for snapping at my sisters, when they didn't even do anything wrong.

I hate being shamed for how little I eat, and how much I sleep.

I hate how I never get a break.

I hate getting shamed for taking a break.

I hate how my mom and step dad don't care about my hobbies unless it makes money that they can emotionally manipulate me into giving them.

I hate feeling like I can't trust anyone.

I hate losing weight, but still looking fat.

I hate wishing I had more things wrong with me, just so I feel like I have a reason to complain.

But most importantly...

I hate myself

And I'm sorry if you actually read all of this. You shouldn't have to listen to some stranger that you don't even truly know on the internet. Because you don't know me, no one knows me. They know a carefully designed version of me that was made just for them.

@puppet200 @purpleeggyboi @th3-r4t-48 @zeroisreallygood @im-a-simp898 @luciluck2046 @evry1h8s-me @aflairforthemelodramaticc @caretaleandotherstuff

[sequinsmile-x]

Chasing Shadows

“Besides, you’ll be there with me. I can just pretend we’re on a date,” she smiles wryly when she finally looks up at him, “But with all of our friends watching us thinking we’re faking being together whilst we’re trying to lure out an unsub.” 

He smiles and reaches out to tuck some of her hair behind her ear, “It is getting a little hard to keep track of isn’t it?” 

AKA the one where Aaron and Emily are in a secret relationship, and have to 'fake' being in a relationship for a case...whilst pretending they are not actually in a relationship.

-x-

Hi friends,

This is one of the prompts from the I Knew You'd Linger Like a Tattoo Kiss series, but it got away from me so it is its own stand-alone one-shot!

I've made this a series on Ao3 for ease (and to be honest mostly so I can keep track haha). The prompt for this one is 'kisses for a cover'

Anyway, this is really silly in parts and my attempt at being funny.

As always, please let me know what you think <3

-x-

Warnings: Canon typical themes, smatterings of plot/case fic,

Words: 4.3k

Read over on Ao3, or below the cut

“I could have done that.” 

Emily turns to look at her boyfriend over her shoulder. She smiles widely at him before she turns back to the task at hand, her focus on the eggs she was pushing around the pan in front of her instead of how good he looked standing half naked in her kitchen, his chest bare and his hair askew. She loved seeing Aaron like this, without the harsh lines and straight edges of his suits. There was something about seeing him rumpled like this, half asleep and deliciously hers, that she loved. 

They had the whole weekend stretched out ahead of them. Jack was with Roy, a weekend away that had been planned for months and Emily had jumped at the opportunity to spend some time alone with her boyfriend. She had felt selfish at first for how excited she was for it, but Aaron had assured her he was excited too, that it didn’t diminish the love either of them had for his son. 

She’d woken up before Aaron this morning, which was rare in itself. He was usually up before the alarm, waking her with gentle kisses and his hand trailing up and down her back or arm as he pulled her from sleep. She’d spent some time watching him, enjoying the chance to see him completely relaxed. He’d looked almost boyish as he lay next to her, his face half buried in her pillow, his arm heavy over her waist. She’d eventually snuck out from his embrace, leaving him with a kiss against his forehead before she grabbed his shirt from her bedroom floor, fastening a few buttons as she walked to the kitchen to make them breakfast. 

“You needed your beauty sleep,” she says, humming contentedly as he wraps his arms around her, tugging her back against his chest as he kisses her cheek, “Plus, it’s only bacon and eggs,” she says, turning her head to kiss him, smiling when he beams at her, “It’s not exactly a gourmet meal.” 

He hums as he buries his face in the crook of her neck, seeking out the scent of her that he’d never tire of. She always smelt sweet, like vanilla, with a hint of spice to it. Something that he’d catch in the air when they were working and she would walk past him, a soft smile on her face when their eyes would meet across the room because she knew exactly what effect she had on him. He could smell himself on her too, a touch of his cologne lingering on her skin from where they’d slept pressed against each other and on the shirt she was wearing. It was mixed in with the smell of her, and it makes him hold her even tighter, his lips against her neck as he kisses up towards her jaw, chasing the giggle she lets out as she continues to cook for them. 

“What do you want to do today?” He asks, kissing her cheek, wanting to have as much of this, of her, as he could over the next couple of days. 

She hums as if she has to think about it before she turns to look at him, their faces so close their noses bump against each other, “Eat breakfast,” she says, kissing him softly, “Go back to bed, have sex,” she laughs when he does, kissing him again, “Shower together. Have sex in there too,” she smiles so widely their next kiss is lost to a laugh, “Snuggle on the couch and watch a movie, have se-”

“I get the idea, sweetheart,” he chuckles, resting his chin on her shoulder as she turns her focus back on the food, “Sounds like an excellent plan to…” he drifts off as his phone rings in the pocket of his sweatpants and they both groan. 

“Please don’t say it’s work,” she grumbles, not even trying to stop the way she pouts as he digs his phone out of his pocket and turns it to show her Penelope’s name on the screen, “Damn it.” 

“Sorry, Em,” he says, as if it’s his fault, a hangover from his marriage and the ever-present feeling he was letting Emily down. 

“It’s not your fault,” she replies, stamping her lips against his, “You should answer before she leaves you a colourful voicemail about how it’s her weekend too.” 

He smiles and nods, “Hotchner,” he says as he answers, stepping away, leaving cool air in his place as he paces around her kitchen. She only half listens, her disappointment cold and heavy in her gut as she plates up their breakfast, her hopes of a lazy day with her boyfriend disappearing with each question Aaron asks Penelope and each long silence that follows as she answers. By the time he hangs up, she’s sitting at her breakfast bar, one of her elbows on the counter as she eats. He kisses her forehead as he sits next to her, his right hand heavy on her bare thigh as he starts to eat with his left, “You’re pouting.” 

She scoffs, “Of course I am,” she says, smiling he raises his eyebrows in surprise at her admittance to something she’d usually deny, “We were meant to have a weekend off and now we’re going on a case. Unless Pen was calling to tell you about her plans for the weekend.” 

He squeezes her thigh, “No such luck. We’re going to Idaho, she’ll call you soon.” 

“See,” she grumbles, fighting a smile when he offers her a bite of his breakfast even though hers is the same. She leans forward and eats the food from his fork and then shakes her head after she swallows, “Our weekend of sex and food is all gone,” she sighs, “And now I’m going to have to pretend you’re just my boss and not my very handsome and sexy boyfriend.” 

At first, the secrecy had been practical. A tool she and Aaron used as they navigated the shift in their relationship from friends to more that allowed them to do it with no outside influence. No staring or comments, both well-meaning and meddling, from their friends as they settled into new roles in each other's lives. Then she’d started to enjoy it. She loved that their relationship was something just for them, untouched by the opinions of the others that she cared about more than she could admit even to herself. It’s how they found themselves ten months down the line, both aware that this was it for them - that they wanted everything with each other - with only Jack and Jessica knowing. 

It was getting harder to keep it a secret, the shine taken off of it now because she knew if they wanted to take the next step, to live together in one of the houses they’d circled in the paper on her living room table, they had to let their friends in. She knew they’d made it harder on themselves, that the secrecy in itself would garner opinions from their friends and that not all of them would be what she’d want to hear, but she couldn’t bring herself to regret it. Not when she’d had so much time to make Aaron hers. 

“We’ll tell them next weekend at Dave’s,” he assures her, “Just like we planned.” 

She smiles, “I know,” she says, “Although I’d still have to pretend you aren’t my handsome and sexy boyfriend when we are on cases,” she winks at him, “I will settle for holding your hand on the jet though,” she leans forward and kisses him, “You have some of your suits here, right?” She asks, and he nods, “Excellent. That means you’ll have time to shower here,” she smiles as she pulls back, “And that means we can keep at least part of our original plan,” she sighs when her phone rings on the counter and she picks it up, blowing out a breath at the sight of Penelope’s name as she answers, “Hi Pen, please tell me you’re just calling to hear my voice?” 

Aaron smiles at her fake ignorance and kisses her forehead, taking advantage of as many moments as he can as Aaron and Emily before they have to slip back into Hotch and Prentiss. 

___

It takes four days for them to make any kind of progress. 

Four long days with very little sleep at the motel they’d been booked into. Aaron had snuck into her room each night, slipping into her bed and wrapping himself around her so they could both get better sleep. He woke her up each morning before he left, his lips against her forehead or cheek as he said he’d see her in an hour or so when the team would meet for breakfast. When they first started this they said they’d never sleep in the same room on cases, but it was a rule that had barely lasted the very first case they’d been together for. She slept better next to him, and she knew he slept better next to her, and any attempt to pretend otherwise had disappeared months ago.

She huffs out a breath as she looks at the boards they’d set up in the conference room, looking over the information again and again in the hope she’d see something they hadn’t seen before. All the victims were middle-aged women who had been found in an alley behind the only high-end restaurant in town. All of them beaten beyond recognition and left there like they were nothing more than the trash they were found lying in. The local cops had dismissed the initial couple of victims as escorts, women who they saw as putting themselves in a situation that could have been avoided. The third victim, a well thought of married woman with no links to that life, is what caused the step change in their attitude to the case, finally calling the BAU when they realised just how in over their heads they were. 

“I don’t think we have any choice but to send someone to the restaurant undercover,” Derek says, his arms crossed over his chest, “The owner’s lack of cooperation is making this more difficult than it needs to be.” 

“He’s worried about his business,” Dave chimes in, his brow furrowed, “More than he is about the bodies getting dumped behind it.” 

JJ hums, “Capitalism at its finest,” she murmurs, “So we send someone in who fits the profile of the victims, make sure that they draw attention to themselves and what? Hope the unsub makes himself known?” 

Emily sighs, her lips pressed together because she knows where this is going. She looks at Aaron and their eyes meet, and she knows he’s figured it out too, his jaw tight as he opens his mouth to refute the plan, something she knows he wouldn’t do for any of the others. The ability to just be her boss, and not her boyfriend, blurred by his love for her and his hatred of putting her in this situation. 

“I can do it,” she says before anyone else can suggest it, before Aaron can say it’s not a good idea, and her smile is tight when they all look over at her, “I’m the only one who fits the profile of the victims,” she forces a smirk when she looks at JJ, “You’re catching up though.”

“No,” Aaron says, shaking his head, “We don’t know enough.” 

“It’s the best chance we’ve got,” she says as she turns to look at him, “Plus, it’s not like I’ll be alone. You’ll all be nearby, Plus…I have something I can wear.” 

He feels a flash of sorrow in his gut at the knowledge that she’d come prepared, that she always came prepared just in case the team needed her to play whatever role was required. He hates that he’s guilty of it too, that more than once he’s asked her to allow them to use her beauty and the way other people look at her to their advantage. 

“Fine,” he says eventually, “But you’re definitely not going alone. I’ll come with you.” 

She has to stop herself from rolling her eyes, her instinct to say his first name squashed in an instant as she remembers where they are, that the team are watching this back and forth, “Hotch-”

“It may work,” Spencer says, “If you were acting like a couple and the unsub saw you he might be intrigued. One of the victims was there with her boyfriend before he had to leave for work. She finished her meal and left out the back and was found the next day.” 

Derek smirks as he looks at Aaron and Emily, “Do you two think you could be a convincing couple?” He tilts his head as he looks back and forth between them, “I’m not sure I see it.” 

Emily narrows her eyes at him, “I’m sure we can manage,” she deadpans before she turns back to Aaron, “Are you sure you want to do this?” 

He nods, hearing the question she doesn’t ask - are you sure this is a good idea - and clears his throat before he answers, “I’m sure.” 

She blows out a long breath and nods, “Then I guess we’re going on a date.” 

JJ smirks at her from across the room, “Will your boyfriend mind when he finds out you’ve had to be all over Hotch for an evening?” 

She’s proud of herself for not smiling at JJ’s question, or for not immediately looking over at Aaron and giving the game away. JJ and Penelope found out she was seeing someone a couple of months ago after they saw a man’s shirt in her pile of freshly washed laundry. She hadn’t been able to come up with a lie fast enough, Aaron’s ability to fluster her even when he wasn’t present second to none, and she admitted she was seeing someone. She’d refused then and ever since to give any more details but they teased her relentlessly whenever they got together for girls night, her love for her boyfriend clear to her friends even though she’d barely told them anything about him. 

“He’ll be fine,” she says her gaze flicking over to the man in question, “He’s a grown-up,” she smiles, unable to resist teasing Aaron when he was clearly already a little uncomfortable, “Plus, Hotch is a gentleman. He’ll keep his hands to himself. Right, Sir?” 

He stares at her, and it’s strange to think that a year ago she wouldn’t see the spark in his eyes. That she wouldn’t have seen past the glare he wore as a mask and see the mix of adoration and fake irritation lying beneath. It makes her grateful that he’s hers, that she had the privilege of being allowed to see what he hid from everyone else, and she knows she wants to see it for the rest of her life. 

“Of course, I will, Prentiss,” he says, giving as good as he gets in the way he says her name, an inflexion in it that makes her press her lips together to stop herself from smiling. The dangerous line of giving themselves away that they had walked like a tightrope for months getting thinner by the day.

They go back to the hotel to get ready after they’ve figured out the plan for the evening. Emily looks at herself in the mirror, her chest tight as she feels herself slipping into a role she’d played countless times before. She’s still messing with her hair and plucking at the material of her dress when there is a light knock on the door before Aaron uses his card key to let himself in. She smiles when she sees he’s followed her instructions to remove his tie and undo a couple of the buttons on his shirt. 

“You look handsome,” she says, smiling softly before she looks at her reflection again, blowing out a slow breath as he steps towards her, his arms tight around her middle. It’s a reminder of the moment they’d had together in her kitchen before they were pulled onto this case. She leans into it, into him, seeking the comfort she never quite found the words to ask for. 

“You look beautiful,” he says, kissing her cheek before he turns her in his arms, his hands on her hips before they slide to her back. He watches her carefully, sees the tightness to her smile that usually only the memories of the things she’d endured, or her mother, could bring out of her. “Are you sure you’re okay with this? We’ll come up with another plan.” 

She shakes her head as she links her arms around his neck. She runs her fingers through the short hairs at the back of his head, “I’m okay,” she says automatically, shrugging before she continues, “We both know I’ve done worse, honey.”

He presses her closer, his palms wide and firm on her back as she tries to laugh it off, a coping mechanism she’d had for as long as he’d known her, “Em, sweetheart, you don’t have to do that with me.” 

It disarms her, her shoulders slumping with it, but she nods, her lips pressed together as she shifts closer to him, “Someone needs to do it, I’ll be fine,” she smiles softly, her focus on the lapel of his jacket as she picks off a piece of lint, sure if she let her eyes meet his she’d lose her bravado entirely, “Besides, you’ll be there with me. I can just pretend we’re on a date,” she smiles wryly when she finally looks up at him, “But with all of our friends watching us thinking we’re faking being together whilst we’re trying to lure out an unsub.” 

He smiles and reaches out to tuck some of her hair behind her ear, “It is getting a little hard to keep track of isn’t it?” 

She chuckles and nods, stamping her lips against his, “It is,” she says, kissing him once more before she pulls back, “But, if we catch the unsub tonight we can go home and everything will be simpler again.” 

He kisses her forehead and then reaches for her hand, linking their fingers together and squeezing, “In that case, we’d better get going Agent Prentiss.” 

She shakes her head at him, her lips pressed together to try to contain her smile, “Lead the way, Agent Hotchner.”

___

She can almost pretend they are on a normal date. That it’s just the two of them focused only on each other and that they aren’t there to try and lure a killer out of his nest. 

She makes a point of holding Aaron’s hand over the table, of leaning in and whispering things to him and laughing at his responses, acting the part of the loved-up couple that they actually were in full sight of their co-workers. JJ and Derek were sitting at the bar keeping watch, and Spencer and Dave were sitting in a van outside with the lead detective. Every now and again she’d look up and see Derek smirking from behind his alcohol-free beer, his amusement clear as he exchanged comments she couldn’t hear with JJ. Emily avoids the gaze of her best friend, the curiosity in her eyes that looked a little too close to realisation for her liking, and continues to focus on Aaron, on the feel of his hand heavy on her thigh. 

As the evening drags on she starts to feel someone watching them, the familiar prickling on the back of her neck that had been almost permanent when Ian was hunting her down. She casts a glance at a man a few tables over. He looks away, but not before she can see how he’s looking at her, a way she’s been looked at since long before she understood its meaning, and she turns back to Aaron. She leans in close, her lips against his ear, “I’ve spotted someone who might be our guy.” 

Aaron looks over too, his grip on her tightening when he spots the man looking at her like she’s a piece of meat, like she’s there just for him to look at. “I see him.”

She places her hand on his cheek and makes him look at her, her eyes firm but tender as they meet his, a subtle shaking of her head that lets him know she has all but read his mind. That she knows exactly what he wants to do to the man they’d come here to find for even just looking at her. She loves him for it, for wanting to protect her from something that was truly nothing in comparison to everything else, and she can’t help but wonder when the idea of him protecting her stopped annoying her, when she started to want him to do it.

“This is what we came here for, honey,” she says, the gaze of the man in question burning the back of her neck whilst Derek’s and JJ’s burn into her cheek. She lets her hand drop to his shoulder, “We should go outside. See if he follows.” 

He nods, squeezing her hand once more before he gets the waiter's attention and asks for the bill. Aaron catches Derek’s eye on the way out, his hand on Emily’s back as they nod at each other, a silent agreement he and JJ would only be a few minutes behind them. When the cool air wraps around them Emily shivers, leaning into Aaron’s side on instinct, chasing the warmth he always had an abundance of. She wraps her hand around his and tugs him into the opening of the alley, smiling as she pulls him close. She boxes herself in between him and the wall, the brick rough and cold against her back contrasting the warm softness of him against her front. 

“What are we doing?” He asks, unable to stop himself from smiling, something about her presence that always brought it out of him. A balm to his soul that he thinks he must have always been looking for. She shrugs, wrapping her arms around his shoulders as she pulls him closer, smiling when he instinctively puts his hands on her waist. She nods towards the other end of the alley, at the man who’d followed them out and looped around the restaurant to try to cut them off. 

“Putting on a show,” she whispers just before her lips touch his, sighing at the familiarity of it, the comfort it brought despite the reason they were doing it. They lose themselves in it, his grip on her waist tightening as she sighs, her nails scratching at his scalp as she pulls him impossibly closer. They’d shared all kinds of kisses in the last ten months. Passionate. Soft. All consuming. Gentle and comforting and everything in between, but she thinks this might be her favourite type. Familiar. Loving. The kind of kiss she can see herself sharing with him every day for the rest of her life.  

She’s pulled from it at the sound of Derek shouting, announcing himself and JJ as FBI as they pull their guns on the man in the alley with them, still far enough away that they were never in any danger, his own gun dropped to the floor.

Aaron steps away from her as Derek handles the arrest, clearing his throat as he tries to act as if they hadn’t just been caught making out by the team, even though it was part of the plan. Emily reaches out and wipes her lipstick from his lips without thinking about it, a habit she only realises she’s doing until she’s pulling her hand back. They both look towards the end of the alley when they hear someone clearing their throat, and Emily sighs as her eyes meet Dave’s, knowing they are caught simply by the look on their friend's faces. The varying degrees of confusion and knowing smirks painted across them. 

“Looks like our couple here has a little explaining to do,” Dave says, his smirk only getting wider as Emily glares at him. 

“I don’t know what you’re talking about,” Emily says, running her hands down her dress to smooth it down, the material creased at her hips where Aaron had been manhandling her. 

“Come on, Princess,” Derek says, his eyebrow raised as he puts the unsubs cuffs on a little tighter than necessary, “Even Reid could tell that wasn’t a first kiss.”

“Hey,” Spencer says, his arms crossed, “I’ve kissed people before.” 

Dave turns to JJ, “I think we solved the mystery of who Emily’s boyfriend is.” 

JJ hums, pulling her phone out of her pocket, “Pen will be delighted.” 

“Can I please remind everyone we are still on a case,” Aaron says, finally snapping back into Unit Chief mode, clearing his throat to try and distract himself from the embarrassment burning in his cheeks, “We still have work to do.” 

“Fine,” Derek says, cutting over the conversation, smiling as he hands off the unsub to the local cops, “But if you think we’re staying quiet on the jet home you’ve got another thing coming.” 

Emily sighs, her arms tight over her chest as she watches the rest of them leave, grateful they at least had the decency to give them a few seconds alone, “It just had to be Idaho,” she grumbles, “Couldn’t have been somewhere closer to home just an hour flight away,” she looks up at Aaron, smiling softly at the slightly shellshocked expression on his face, “This is going to be a long flight home. Think you can scare them into not asking any questions?” 

“Sorry, sweetheart,” he laughs and shakes his head, wrapping his arm around her to pull her close to stamp a kiss against her forehead, “But I don’t think I’d be able to stop them even if I threatened to fire them.” 

[riansdiary]

IT'S NOT MANIFESTING, IT'S HAVING AND BEING NOW!

Hello my dearest gentle readers! 💎

Did you miss me? I am back with another epiphany! I had it last few weeks ago and it was when I realized that we f*cking over complicated the law of assumption too much. When I started manifesting with the help of Hyler's videos, there was no stress or worrying or over complication about it at least for me. That is because I knew that all I needed to do was assume that I have it now, there was not too much focus on the 3d because why would we identify with the old story?

Let me give you a simple analogy for this. It's just like changing batteries or having a new phone or erasing the board for a new lesson. When you need to change the batteries of your remote, you just put in the new ones (new story) and that's it. You forget and toss the old ones (old story) in the trash! That's how simple it is. There's no "why is it still not working?" or "what if it doesn't work?" when manifesting because that is being in the middle!

You're hanging in the balance and your subconscious is gonna be confused so go straight to the end. Manifesting is that simple. You either have it or you don't but you're not just pretending you have it either. You know you have it. I don't even like calling it manifesting that much because that implies a process or waiting time. It's just having it or being it now and not looking or identifying with the 3d or the old story.

You just choose a story and stick to it. Heck, I didn't even affirm that much before to manifest things. I wanted to make the two vaccines I'm getting to be completely painless, what did I do? I relaxed and affirmed only a few times and lived in the end. I didn't worry because I knew it was done. I wanted a specific food I'm craving? I affirmed a few times in the state of the wish fulfilled and forgot about it. Later on, I get the very thing I affirmed for. We must remember that the 3d follows us. Okay so what do you think will happen if you're saying stuff like "Where is it? I've been affirming for x amount of time!" or "I've been listening for so long to subliminals but there's no results!"

You are now reacting and you're pulling yourself back to the old story. There's no problem if you rant or cry it all out. We're human and we can do that but we keep staying in the new story. The problem is if we give up. The only thing that is stopping you from having it is exactly those thoughts about the 3d. That is keeping you in the old story. If you're really living in the end then why oh why do you spiral and think thoughts like that? If this ever happened to you, you can just go back to the new story. Reject and cancel your reaction. I reject negative thoughts or anything I don't want. Yes, you can do that. Do not forget that you are the operant power.

Let me tell you how to really do it in the easiest and simplest way possible. This is how I used to manifest effortlessly when I started learning about the law. Now I over consumed and yeah you know, took too much info when I already knew what worked for me even before. Now, I'm not saying that this is the only way or the best way to manifest. I'm just recommending this. What works for me might not work for you but that's okay. We all have our own special way.

Now without further ado, let me tell you how to do it. Try it for two weeks or however long or short you want. Just trust me and try this out.

1. Think of what you want to manifest. Anything you want. Go crazy.

2. Either pick an affirmation or multiple ones to say in your mind when you think of it. That's option A.

Option B: Rampage a.k.a just say whatever you think if you have that already. It's just naturally whatever comes to your mind about it that is in the past, present or future tense. You pick what you want but personally I like the present tense the best. Let me give you an example and yes, this is what I used to affirm for the things I mentioned above. Let me link the video I got this from!

Example 1: For my painless vaccines, these are the thoughts I had. All in the wish fulfilled state.

"Oh goodie the line's moving so fast now! The vaccines I'm getting are gonna be painless. Yup it was painless, it felt like an ant bit me. That was nothing! I literally finished so fast and I'm ready to go home with Mom!"

This is what I thought to make the lines go faster which honestly helped so much because the line was so long but it started moving faster and faster after I affirmed. I also thought in my favor about making the vaccine painless. I made sure to affirm that I won't have the side effects that people are talking about. I did it like that, very naturally but I also repeated each sentence at least just three or five times. It changes a bit as I think but it's just the same sentence simplified or just another form of it. Let me show you what I mean.

"I got the vaccine and it was painless. It didn't even hurt. I got the vaccine so fast and we can go home now. Oh the line's going faster. Why is the line suddenly moving so fast? Oh that was fast!"

Something like that! It's just like my natural way of thinking!

Option C: Just decide you have it and keep deciding whenever you think of it and know that your words are law. That means that when you decide, it is instantly done.

3. Always replace the old story with the new story. Take the old story and chuck it in the trash. It's in the past. You now have whatever it is that you want. That means whether you see it or not, think that it is done and it is here now. Yes, full on delulu mode but not really delulu because it's just being in that mindset of having it. That also means that you don't need to find it in the 3d. Why would you? That's the old story and it's trash. Do not even think about it. Aha, do not even try. You accept that it is here now and it is done. Remember that what you focus on stays in your reality. It is that easy. You don't want to be broke? Okay forget about that. It's in the past and it's not true anymore. Accept that you're rich now whether you see it or not. Have faith in the law of assumption. Acknowledge your desire to be in your reality now. Acknowledge that money you now have in your bank account. I acknowledged that croissant that I wanted. Yup I know the croissant is right in front of me now. Instead of finding your desire in the 3d, SPAWN THAT SH*T! MAGICALLY MANIFEST IT OUT OF THIN AIR. Um, excuse my french 🤭

4. All you need to do now is to know that it's done. RELAX. Why would you worry about it when you have it now? Be in the reality where you have it now. What would you think now that you have it? How would you feel? You'd feel relaxed and you can kick back and watch movies! Know that it is truly done. Would you count how many times you affirmed if you had it already? No. Would you worry about it if it's already here? No. That is still being stuck in the middle and making it a process! What would you do if it's already here? Do that. Do what makes you happy. Watch some Disney or Ghibli movies and just chill because you have it now whatever it is you desire. Let go of the 3d and the old story because it's in the past. Please. Manifesting doesn't really include the 3d. It's just a mere reflection of your thoughts or state. That's all it is. And please do not wait for it. There's no waiting. You just need to know and acknowledge that your desire is here, you have it now and it's done.

Here's a little summary of that:

1. What do you want? Okay you have it now. Congrats! 🎉

2. Affirm in whatever way you want for a few times or whenever you think of it.

3. Live in the end/state of the wish fulfilled. The old story is in the past. Focus on the new story. What you focus on sticks/stays in your reality.

4. Know it's done now. Do what makes you happy. Acknowledge your desire being here now.

Before I end this post, let's do a little fun exercise. Shall we proceed? Just a little extra thing!

Okay this is the situation: You were rich all your life. You've always lived a lavish life and you are spoiled with gifts on the daily. You literally can always afford and get the latest Iphone or whatever else you wanted. You have always gotten whatever the heck you want.

For the first two, it's gonna be an acting exercise. More like try being this character and embodying them.

First is improv acting. Be this character and rampage or naturally say lines that you think they would always be saying. Think Audrey Hope, Blair Waldorf, Nate Archibald or any rich spoiled characters you know!

Fun fact: Audrey is my fave character in the Gossip Girl reboot! She's so cute! My inspo when it comes to being classy and demure! Idk I also really like her personality! That's why I used her gifs!

Something like: "Oh I really want those compact mirror cameras! It's small so it's easy to put in my bag and it looks like makeup! It gives Totally Spies vibes so you know what... I'm gonna place my order now! I always have money anyway and it's so cheap so why not?"

The next thing is a line that you can say. I asked Chatgpt to make me a random rich character monologue. It's like a vaunt basically! Imagine it's Blair Waldorf's opening narration line. Be it, Embody it and say it in your mind like it's just normal for you. You can read it everyday if you want to!

"I always get what I want. That’s just how it works for me. I don’t even have to think about it—if I want something, it’s mine. No questions, no doubts. It’s like the world bends a little to make sure I have exactly what I need, when I need it. And why wouldn’t it? That’s just how my life goes.

I walk into any room, and I know I belong there. I don’t have to prove myself or explain why I deserve it. I just do. Everything I touch turns into something special. When I want something—whether it’s an invitation to the most exclusive event or a last-minute trip halfway around the world—I make a call, and it’s done. Effortless.

People think money changes things, but it’s not really about that. It’s about knowing that everything is always within reach. I don’t chase after things—I attract them. Opportunities, people, experiences—they all come to me naturally. It’s just how my life flows.

And the best part? I don’t even have to try. It’s just who I am. I live on my own terms, and the world just fits itself around that. Everything always works out for me."

Here's the next exercise. This is something more specific. This is inspired by one of Hyler's videos that I will link here.

Think of a thing you're manifesting right now and imagine it right in front of you. For people who can't visualize, find a picture of the thing (if possible) in Pinterest or Google and look at it as if it's in front of you.

If it was right here in front of you, what would you think, how would you feel and how would you act? This has helped me immensely after I watched Hyler's video. I realized that I would feel relaxed now that it's here and my thoughts would align with it being here now. I would take a deep breath and feel relieved.

Now I want you to do this for your desire. I want you to always ask yourself these questions to remind yourself that it's here now and it's done. Whatever is in the 3d is old news. What you focus on sticks so focus on only what you want. The 3d is not included in manifesting. It's just the effect while the 4d a.k.a your mind is the cause. Live in the reality where you have it now, live in the 4d and embody the version of you who already has it. Don't do things to manifest or get things. That will happen naturally but that should not be our focus. The basics are to assume/decide/know you have it now. If you have it now then why would you identify with the old story? Do not identify with the old story. You're not there anymore. It will just stay in your reality if you pay attention to it and give it power.

That's all I have for you in today's post but I know or at least I am now assuming that this will help everyone and make it easier for you! I hope you're having a good day or night!

Yours Truly,

Lady Rian Whistledown 💋

[cordsycords]

been thinking more about the info about the backgrounds that we've seen, regarding Rook's past, and I really hope we get some reactivity with our companions, especially ones that are in the same faction as us:

shadow dragons - okay, from the single line we get in the prologue from Neve, it doesn't seem like she's specifically heard of/worked with Rook before. This kind of makes me wonder if the Shadow Dragons are a much more decentralized faction than something like the Wardens or the Crows, with multiple cells that are all working together towards the same goal, but keep minimal communication with one another due to secrecy. Might be cool if we have a mission that's like "find the leader of the Shadow Dragons" because no one knows who it is*. The background info from the CC kind of supports this idea, Rook is specifically said to have been "brought to the attentions of the Venatori" and put in time out because of that.

As for reactivity, I guess it would be nice if you could mention that specific mission, and Neve could "oh right I heard of that. You did the right/wrong thing." and just give her opinion on it. I can actually imagine Neve not being really keen on it, as a private investigator she needs a certain amount of discretion to be able to do her job properly, and might not appreciate Rook's brashness if it endangers the wider goal of the shadow dragons.

mournwatch - the mournwatch background is still driving me a little Insane, because what do you mean Rook was found as a baby in the Grand Necropolis. Anyways I kind of assume the Mournwatch is a much smaller faction, because they have a very specific focus, and they only operate in a specific part of Thedas. Since the info specifically says Rook was "raised by necromancers" it would be super cool to see if Rook and Emmrich had a Mentor/Student relationship at one point. Would also be interesting if Emmrich specifically was the one to tell Rook to travel after the incident with the War of the Banners. It would be great to see his response to Rook coming back and suddenly being in charge of this little rebellion, they just can't stop themselves from getting into trouble.

Also Mournwatch!Rook taught Manfred to play rock-paper-scissors. That's my headcanon and you can't take it away from me.

antivan crows - So it seems like Rook is a relatively new antivan crow, and from the little I've gleaned about Lucanis' recruitment mission, it looks like he might have been thought to be dead for the last year or so? Would be cool if Rook has heard a bunch of stories about Lucanis and has some hero worship going on. Would also be funny if we told him all that we had heard, only for him to shoot all the more fantastical elements of those tales down.

grey wardens - This one is also a little up in the air regarding whether Davrin and Rook knew each other before the events of Veilguard. Rook's faction backstory mentions them being in a group along with other Grey Wardens, so it would be nice if Davrin was also on the mission. I would also be really interested to see how Davrin got Assan, and maybe Rook played a hand in that somehow as well. Did Davrin literally find Assan in the middle of nowhere, and maybe Rook was there? Or were the eggs all found and then distributed among the Grey Wardens that were in high favour? Was Rook passed over for a griffon? I do remember one of Davrin's missions from an IGN previwe being specifically about saving the griffons, so it's probably the case that Assan is the only one actively around right now.

Either way, it would be cute to see an encounter where Rook remarks on how much Assan has grown/changed since they've seen them last, if they even know about Assan at all pre-Veilguard

lords of fortune - I think the relationship between taash and a LoF!Rook would be a good case for a slightly more antagonistic relationship. As an organisation of treasure hunters, probably focused more on profit and glory than anything else, it would be cool if Rook got in the way of taash's scores or jobs. Maybe Taash has moved up in the faction since Rook was forced to peace out, and wants to lord her achievements over Rook in an attempt to make them jealous. It could be pretty fun.

veil jumpers - I imagine Bellara and a jumper!Rook would probably be pretty aligned with one another. Reading the background info on Rook in the Veil Jumpers, i can imagine Bellara would probably approve of what Rook had done, while also being just a tiny bit disappointed that the map was lost. It would be cool to see a scene where they traded notes with one another, recounting all the weird things that they've seen in Arlathan, and then maybe trying to figure out why certain anomalies occur, or how they work. Just a bunch of co-nerding out with one another

anyways, I am definitely thinking way too much about this, but there's still 6 weeks to go, so it's not like there's much else for me to do :shrugs:

* it would be equally cool if that leader is a previous char from inquisition. I'm kind of banking on Dorian, or the inquisitor themselves considering the clothing we see them wear in that single shot of them in the CC is shadow dragons casual wear (i believe)

[bialy-lis]

And they said, "Speak now"

Rise of the TMNT Leonardo/Yuichi Usagi One-shot THIS IS PART OF THE SERIES - might be confusing to read without context

Ao3

---

If Leo had known whose wedding they were going to, he would have dressed a bit better. He would have gone a bit wilder with accessories, chosen a shirt whose collar better accentuated the line of his chin, maybe even, who knows, he would have reached deeper into his roots and decided on a few more Japanese accents. And he would have definitely put on better socks.

Not that he looked bad the way he was, 'cause he didn't. He might not have worn clothes every day, but he had always known fashion and how to present himself in a way that would catch the eye and be the center of attention. It just always could have been better. And it would have been if Big Mama had been a little more specific about what kind of party she was inviting them to, instead of giving them the date, time, and a quick note that they should dress elegantly because someone was planning to say the sacramental "I do." Although maybe not "sacramental"; Leo still had no idea if yokai had any religion, and he kept forgetting to ask.

Anyway, he was dressed well, very well compared to his brothers, and more than ready for his first real, big party. Because he didn't think Big Mama liked small, modest ceremonies. So he was excited, slightly impatient, and ready to open the portal and go through it himself at any moment, since his family had decided to dawdle so much - when it suddenly hit him that in the heat of the moment he had completely forgotten to check that everyone was taking it as seriously as he was.

The reason, to be specific, had just appeared in the doorway, dressed in a blue tracksuit with arms filled with a giant pumpkin tied with a pink bow. And had the nerve to still call himself his boyfriend in such an outfit.

Leo looked him up and down, twice, just to be sure, trying to convince himself that this wasn't so bad, but even he wasn't that good at lying to himself. And he'd had a lot of practice at it.

"You're going dressed like this?" he made sure, still with a faint hope.

With a sigh of relief, Usagi set the pumpkin on the floor and waved his numb hands, frowning.

"Do I look bad?" he asked, glancing down as if he wasn't sure what exactly he was wearing and was looking for a clue. He apparently didn't find any, because when he looked back at his boyfriend, he seemed confused and maybe even slightly offended.

Leo opened his mouth and then closed it, deciding that honesty might not be the best option.

"Nooo..." he finally denied, very convincingly. "Not that it's bad. But it's so..." He twirled his hand in the air. "Normal. Too casual for a wedding."

Usagi looked down again, this time checking the back of his pants just to be sure. He spun around, adjusting his sleeves, and finally rocked back on his heels as if to make sure he hadn't forgotten his prosthetic.

"I don't understand what you're talking about," he finally said. "I've been to loads of weddings, and never had a suit on."

Leo raised an eyebrow.

"Where the hell did you go to weddings?" he asked, but Usagi just shrugged.

"I had a large family."

Leo immediately decided he'd rather not pursue the subject further.

"That explains it, sure. And you need that thing because...?" He pointed to the pumpkin lying between them.

Given his boyfriend's past, he half expected to be slapped in the face with another very funny, not at all traumatic story, but, thankfully, in a small miracle, Usagi just smiled broadly, clearly proud of himself.

"It's a gift. For the happpy couple." He leaned down to pat the vegetable with the utmost tenderness. "Very practical - you can eat it. Best kind of gift."

Leo concluded that it could have been worse. And that he should probably have thought about a gift himself, but it had completely slipped his mind.

"Okay. You know what? Whatever. I look great for both of us, you'll blend in somehow." He flipped the ends of his mask like hair. "Can you go find Mikey? I'll take care of Donnie."

It took a good ten minutes to gather everyone in the living room. They wasted another fifteen minutes on Splinter, who had completely forgotten they were going anywhere, despite being reminded of it every chance he got for the past week, had fallen asleep in his armchair, and when he woke up from his nap he was extremely grumpy and dawdling. Leo suspected he would have less trouble getting a five-year-old ready, and he seriously considered leaving his father at home, but something told him he was in the minority on that score.

On the positive side, he noted with relief that at least his family knew how to dress. Mikey, in his long, colorful tunic, looked far too related to Draxum than anyone should be, but it was clear that he felt as comfortable in it as possible. Donnie, in his white shirt and unbuttoned jacket, looked more elegant and traditional, and even Splinter, when he finally managed to pull himself together, didn't stand out too much. Leo didn't get a chance to see Raph, because his older brother had sneaked out of the house first thing in the morning, but considering that he was going to pick up Mona, it was safe to assume that he had squeezed into his best suit and spilled a bottle of perfume on himself. And eaten the other one. The fact that only his invitation included a companion was very rude in Leo's opinion. The fact that Mona was mentioned by name in it, when absolutely no one had bothered to mention her to Big Mama yet - damn worrying.

"Okay, does everyone but me have a present?" Leo looked from the box Donnie held under his arm to the ribbon-tied painting, behind which he could just see the top of his little brother’s head. "Really?"

Mikey leaned out from behind the canvas to make a face at him.

"Everyone but you knows not to go to a party empty-handed," he huffed, not without a grain of truth. Leo wasn't going to admit it, but he wasn't going to argue either, which he saw as a compromise.

"Can I sign in under one of yours?"

"Absolutely not." Mikey circled his painting, shielding it with his own body. "Don't even try."

Donnie just looked at him sideways.

"Nardo, touch that package and I'll break your fingers."

Usagi, meanwhile, eagerly picked up his pumpkin, moving it a little closer.

"You can add your name to mine," he offered, not having his hands free and pointing with his knee to the place where his own, slightly crooked signature appeared.

Leo considered for a moment how much he valued his dignity, but in the end decided it had never been worth much.

"Ugh, fine," he decided, reaching for a marker. "If anyone ask, I just really respect your village culture."

"Hey!" Usagi spun around, moving the pumpkin out of his reach. "What the hell is wrong with my 'village culture'?"

Leo gave himself a few seconds to digest a completely honest answer, to make sure none of the words actually passed his throat.

"Absolutely nothing, cotton tail." He assured, putting all of his heart and acting skills into it. "Your culture is just so... interesting." Usagi glared at him once more. "And it suits you very well."

Usagi narrowed his eyes, but then seemed to decide to trust him after all and brightened up visibly.

"Fine, I believe you.”

Leo took the opportunity, before he changed his mind, to quickly sign the pumpkin, and then put his arm around Usagi's waist, kissing him on the cheek. And again, on the temple. He would have kissed him a third time, but Mikey had booed them and there was a very real threat that he would throw something, too. He couldn't seem to break this new habit.

(...)

[lostbetweenvampiresandmusic]

Changes chapter 24

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It had been three days since Star had run from her home, taking her little brother along with her. She'd left in a rush, not wanting to alarm the people inside. No bags were packed, and no things were taken - they just left with the clothes on their back. Star sighed as she looked at her reflection in the broken mirror of the motelroom she'd broken into. Laddie was fast asleep, snoring loudly.

She tucked him in, making sure he was comfortable before quietly leaving the room. She had to go back. She had to go and get her mom and get answers. How could her grandfather be doing something so horrible that his own daughter was terrified of what he could do to his own grandchildren?

Star quickly walked across the parking lot towards the busy road. Even now, in the middle of the night, cars sped past. She stuck her hand out, standing underneath a streetlight, hoping someone would see her.

She stood there for a while. Cars rushed past her, no one bothering to stop. Only when it began to rain, and she was completely soaked, did an old rusty red car stop. A woman in her late thirties sat behind the steering wheel.

"Are you alright?"

"I need to get to my mom!" Star called out over the heavy rumbling of rain.

"Get in!" The woman popped the door open. "She must be worried sick! What are you doing out here in this weather?"

Star got in and shut the door, shivering slightly. "I got lost on my way home, I lost my wallet, and I've been trying to hitch a ride with someone for the past three hours, but no one stopped."

"Oh dear," the woman looked shocked, not noticing the lies Star just told her. "Well, I am glad I stopped for you, dear. I'm Lucy, by the way. Where do you need to go?"

"Star, and thank you, really." She smiled, directing the woman down the road, leading her all the way to COL.

As the car came to a halt, Star quickly stepped out, thanking Lucy as she did so. Before the kind woman could say anything in return, Star had taken off, running into the woods. She just hoped no one would see her. No guard would spot her and drag her back inside. She needed to get in and out unnoticed, making sure she could take her mom with her and-

She fell backwards as she ran into someone, a large man with angry yellow eyes glaring at her.

"Shit, who are you?!"

"Who am I? What are you doing here? This place is bad news."

"As if I don't know that," Star got up, wiping the dirt from her skirt. "My mom's in there. I need to get her out."

"You know a way in?"

The girl nodded. Max grinned. Ever since the boys had left to go inside, he hadn't been able to contact any of them. David and Dwayne were God knows where, Max really had no clue, and Marko and Paul nad disappeared into the building. Ever since that happened, he had lost the feeling of being controlled by someone - which, on one hand, caused him to feel a little more at ease, but on the other hand worried him. The lack of control on him meant - most likely - that that control was exercised on someone else.

"I'm Max. They got my daughter in there and my sons. I'll make you a deal," he looked at the girl, glad to see she was open to his proposal. "I'll help you get your mom out if you help me find my kids."

Star thought about it for a moment, looking at him. "Why would I do that?"

"Because, dear," Max' face changed shape, becoming more batlike, "I am the muscle you need to get past the guards."

Star nodded, thinking to herself, not allowing herself to get freaked out by the man in front of her. She needed to fix this, and she could freak out later, when it was more convenient. "Alright. But we get my mom out first."

"We get them all out in order of who we come across first." Max said, a finality in his tone making it clear to Star that there was no point in arguing.

Lucien sighed disappointedly as he saw Julie. Her dazed expression, her lack of fear or emotional recoil - it saddened him. He enjoyed his games, and when a participant didn't want to play anymore, it was simply time to clear the playing field.

"Juliebug, " he crouched down in front of her, forcing her to look at him, "I really don't get why you're so afraid. After all, I never hurt you. Doctor Gregory did. Not me."

Julie glared at him, trying to look away, but his hold on her chin got only stronger. She winced in pain as she felt the bone protest against the force practiced upon it.

"No, I only ever brought you sweet release. I brought you life," he grinned, showing his fangs, "I brought you a family."

Julie pushed him away. No. He did not give her life. He did not give her a family. He fed her lies, he messed with her minds and memories, and he ruined what was supposed to be a wonderful human life. She got up, taking in a deep breath as she tried to steady herself. This was it. She needed to concentrate.

"Ah!" Lucien laughed, getting up himself as well. "I hoped you'd be willing to fight more."

Julie didn't bother to listen to him, instead attacking the second he moved up from the ground. It was easy to get him off balance, to pin him on the ground. She pinned him down. He trashed against her, hands pushing against her chest, her throat, her face - but Julie didn't let go. She pushed back. When a hand wrapped around her neck, she gasped for air. She snarled at him. She lashed out, her long, sharp vampire nails digging deep into his eyesocket. Lucien screamed, clutching his eye. Julie slashed again, opening up his wrist. Again. Opening up his chest. Once, twice.

She was covered in blood, covered in sweat and tears, but Lucien didn't give up. He didn't back down. When she looked away for a mere second, distracted by a loud thump above her, she was thrown across the room. Before she crashed against the wall, she redirected herself. Flying up into the air, she tried to jump Lucien, but he was on to her. He grabbed her foot, dragging her down and slamming her into the ground.

A silent scream escaped her as she felt her arm being ripped out of its socket as he lifted her up and slammed her down again. She gasped for air. Lucien grinned as he stood over her, lifting her up and slamming her against the wall.

Cracks formed in the concrete where she'd collided, pieces of rock falling down. Julie laid there between the ruble, struggling to get up. She leaned on her arms, one of them giving out the second she put any force on it.

"Are you done yet? You can't win from me, fledgling. I am your sire, I control -"

Lucien flew backwards. Julie landed on top of him, a large red brick in her hands as she pinned him down to the ground. Lucien laughed loudly, noticing how desperate the girl seemed. But then the brick hit his face, his damaged eye officially popping out. Then she hit again, his nose breaking. Again.

Again.

Again.

And again.

David silently cursed to himself as he realised he had lost sight of the van. He and Dwayne had promised her that they'd be there for her every step of the way, but now? As quickly as they could, they drove through the streets, making their way down the highway. They sped past cars, moving left and right to avoid crashing into them.

"We'll get there in time!" Dwayne called out. He was a couple of feet behind David.

"We better!" David sped up even more, moving off the freeway as he saw a sign stating Berkeley was close by. Dwayne quickly followed. They dropped their bikes in the woods near the main street, deciding to fly the rest of the way. It would be faster, and the chances of them being seen would be minimalized.

Quickly, they flew through the night, seeing a building rise at the horizon. It was the same building Max had described to them hours before, the same building Julie was held at.

Dwayne was the first to land, landing on the edge of the roof. "She's here," he said, sighing with worry. "Max is still outside, but the others are inside as well."

"Max was supposed to go in," David hissed, annoyance lacing his voice. "Motherfucker."

"Let's make sure we find Julie first. Afterwards we can deal with Max."

They walked across the roof, David easily ripping the metal door of the roof entrance of its hinges. Quietly, the two men stepped inside, swiftly walking down the stairs, making sure they didn't make a single sound. They opened the door at the end of the stairs, ending up in a dark, carpeted hallway.

David was about to say something when they heard a man's laughter. They looked at each other without saying another word.

They flew down the hallway, crashing into the room where they'd heard the man. David and Dwayne looked up, seeing the same man whose head they'd seen in that box days before. Seeing him laugh as his face was being smashed to pieces by Julie, who was crying tears of anger as she smashed the brick in her hands down and down again on his face. Pieces of blood, skin, eye and brain stuck to it, creating a sickening noise as she pulled the rock away only to bring it down again with such force that the remainders of the skull scattered to pieces.

Next chapter > available on September 29th

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[justskyla-art]

a couple of og homestuck doodles cuz i didn't know what else to draw ! lol !

[aceredshirt13]

gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)

I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.

he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"

[jankwritten]

yall wanna know how fucked up my anxiety is about some shit

i scroll past a post that's about a topic i don't like. whatever, it's fine. i scroll past a video that's a topic i don't care about. that's normal.

i scroll past a video that's a topic i don't like or care about but the person presenting it is a person of color? i IMMEDIATELY feel immensely guilty and need to "compensate" by "proving" it wasn't because of race by also skipping other random posts, JUST IN CASE someone thinks I'm racist because I didn't want to watch a video on a topic I didn't like or care about, that happened to be presented by a person of color.

this just in on: the police in my brain are loud and i'm scared of them

[wandixx]

I made a prompt some time ago and my brain couldn't let it go so I want to write an actual fic about it. But I need your help to do it.

You can find the prompt I'm talking about here. To summarize it quickly because I know it ended up kind of long. Dani was traveling around the USA and met/befriended some people, heroes and villains include. And then she left to see another place. It wouldn't be a problem if before she left, she said goodbye. She didn't so now they she got kidnapped and are panicing.

I have some ideas, some serious chaos I mentioned (about 2500 words and counting) or super serious chaos if things'll go properly, who knows, some Dani hangs out with Duke during his patrols and is low key his sidekick (5500 words and counting, everything on paper because why not?), both in much different places on a timeline, untouched but thought about idea for Dani and Conner clone budding AND one bit for when she met Flashfam and one when she asked Harley Quinn and Poison Ivy for autographs for Jazz and Sam.

But here is a thing. All I know about DC is from dpxdc tag and some fics on AO3. Also from dpxdc of course. So it means I don't know a jack shit about people outside of Batfam.

So, what I'm asking for is, if you have ideas who else Dani could mess with or/and links to fanfics with your favorite characterizations or character analysis here or on AO3, any way of communication you are comfortable with is open, please send it (maybe not in actual mail that would be both creepy and unreasonably expensive)

I can't exactly watch movies/cartoons because I fear my computer wouldn't survive that (I had a moment of black screen two times in the last twenty minutes and three more temporary freezes, how is this thing still running, and how it became my most reliable internet connection device?)

Anyway, send the links I beg you