#i know i can technically ignore quests and do that regardless. but

[rubys-domain]

after finishing diona's and sayu's, the only hangout i haven't done yet is faruzan's. i already maxed out my story keys so i'll be ready when kaeya's hangout drops. after that... my keys will just be sitting there for a while.

[old-archivist]

RE: the Bull and romance post: i really enjoyed your additions to that post! It's more in line with how I understand him, too. I just like that trope sometimes, you know? Lol. But yeah, with the Kadan title and tooth having potential romantic significance, I'd say there's a less likely possibility that he's completely ignorant of love and romance in the South, and I agree that he probably just doesn't recognize it when directed at himself. Not in a self-loathing way, but genuine bafflement, maybe? Or maybe a sort of detached disinterest at first. Since he's never *experienced* it, I can see him not recognizing it at first until someone actually goes "Hey, I like you for more than a good tumble". (Reminds me of me, kinda.)

Anyway, I'd love to hear more of your thoughts, if you have any! I love Iron Bull!

Yeah, I like the concept a lot. Really any conversation about Iron Bull deeper aspects of his character or romance is something I like to see! I definitely agree that it isn’t a “i can’t have romance because of self loathing” it’s just a thought that never crossed his mind. Especially since this is technically his job and he does maintain a distance with those outside of his inner circle of Chargers. Tumbles are for fun, there is by default no strings attached or he expectation for more or even a repeat after one night for any extended period of time.

As for my thoughts on Bull, they are many and probably I should talk about them more since they’ve gotten more solid the more I dig into lore and things. If you want thoughts on any particular thing feel free to ask!

But for this, I was trying to think of some non-romance tied things but most of my other thoughts on Bull are pretty heavy topics so we’ll stick with romance for this (Which is admittedly still heavy considering one of the possible scenarios of the Inquisitor/Bull relationship). This is ignoring the limitations of the game and the general overall open-ended writing style that allows you to fill in the blanks.

I think an under written part of the Iron Bull romance by people is that he tells you the truth up front from the beginning. He tells you he is a spy, he tells you that he was ordered to get close to those in charge, he tells you his purpose for joining the Inquisition. (More under the cut cause it’s long.)

Which, considering how main game Inquisition lasts only a year, it’s a bit hard to forget that piece of information I think. Especially when the Inquisitor would have constant reminders about his loyalties with his Ben-Hassrath reports up until he potentially becomes tal-vashoth. Regardless of the bond forged from fighting together, his loyalties to the Qun when he has them is not something forgotten even by the other companions.

But, I rarely see either the Inquisitor or their companions question the relationship. In the early stages or when the companion finds out. Especially if he is loyal to the Qun. Which I think can be a missed opportunity of not only showing the evolution of the romance but also how the companions approach it would reflect their relationship with the Inquisitor. Is it more concern over the impact it will have on the Inquisition? The security? Or is it about whether he will break their heart, if they are caught up in their emotions that they’re being reckless?

It’s something I don’t see written about in a lot of fics or even when people talk of their OCs in a relationship with him. But it sits in my mind a lot, after all the first thing Bull does is tell you the truth and exactly what he’s been ordered to do. He then allows you to decide what to do with that information and seemingly it is never really broached again. Not even after the first night or even touched upon again if he stays loyal to the Qun after the personal quest. A missed opportunity really in both fic and the game.

Mostly because I think it would be an interesting dynamic, especially since his relationship comes down to caring, meeting, and providing for the Inquisitor’s needs. But Bull, despite how good he is, he isn’t a mind reader. He won’t know when the Inquisitor is questioning the authenticity of their relationship unless it’s spoken. And while it would be angsty and could lead to some classic tropes and concerns on the Inquisitor’s side. I think from Bull’s side it would also be interesting.

If this relationship starts before Demands of the Qun, he’s struggling deep inside with his loyalties. He’s loyal and it’s easy to be when the Qun is out of sight and out of mind. He’s just writing letters back home, Leliana is monitoring them, things are structured and separate but his feelings are a mess when Demands of the Qun comes around because then they aren’t separate. There could be mutual stresses, anxiety, questions. The topic could be brought up, explored between the two, or be left unasked and unanswered. Inquisition only lasts a year and Bull wasn’t there for the entirety of it. So really, how strong is the trust in under a year? This is personally why I like saying main game takes four years in my personal canon because aside from traveling, healing, and the logistics of how fast news can travel; I’m a bit sketched out with the bared souls in under a year concept with Inquisition romances.

I think it would be great to see it more explored. I love to explore that aspect of the romance in my own writing. Coupled with how it could be a really slow burn or the electrifyingly fast relationship. I think about it a lot. How the Inquisitor’s own trauma, anxieties, or personality can impact how much of an issue him telling them he was ordered to get close to them.

[firelxdykatara]

ppl love to forget that katara: 1. has her own taste, 2. developed around aang, he needed her for his development and vice versa, 3. ZUTARA IS SHIP BETWEEN AN OPPRESOR X OPPRESSED!!! Ignoring all of the development they had with their respective partners and the trauma Zuko caused Katara!!

In the infamous words of one Luke Skywalker: amazing. every word of what you just said was wrong.

It’s actually kind of ironic that you bring up Katara’s taste, since, throughout the show, we have examples of the guys she likes, to greater or lesser extents in canon--Jet (explicit romantic feelings on her part, word of god that jet was her first kiss--a kiss that would have been consensual, incidentally, something you should keep in mind for later) and Haru (she denies the crush, but that could just as easily have been because of the abomination he’d been growing on his lip rather than denying those feelings ever existed), both of whom have much more in common (in terms of both emotional and physical maturity, and physical appearance) with Zuko than either of them has with Aang.

Zuko’s book 3 hairstyle is almost exactly reminiscent of Jet’s, even, if not quite as floofy.

(This is probably in part because of Jet’s function as a foil of Zuko within the narrative, particularly given their book 2 encounters, which I think just further solidifies my point that, were it not for extenuating circumstances [like the fact that Zuko was introduced as an enemy and they had significant obstacles to hurdle before they could be friends], Zuko would have been exactly Katara’s type. Had they met under different circumstances, she could have been the girl he went on a date with in Ba Sing Se. Just something to think about.)

So, yes, we’ve established that Katara has her own taste. Her tastes seem to be boys with great hair who are taller than her, the same age or older, and of a similar maturity level.

Aang falls short (heh, short) on all counts. So it isn’t Katara’s taste in boys that led her to be interested in him. Hm!

Next, you claim that Katara ‘developed around Aang’--that she was necessary for his development, and that he was necessary for hers.

Let’s take a moment to examine that, shall we?

I will absolutely grant you that Katara was necessary for Aang’s development--only to a point, of course, but we’ll get to that later--but was he really necessary for Katara‘s growth? I suppose I could grant you this on a generous technicality--he did, after all, provide her with the means to finally leave the South Pole and find a waterbending master to teach her (although she wound up largely self-taught anyway). But that had nothing to do with his relationship to Katara and everything to do with the structure of the plot--Katara and Sokka find Aang (and he never would have gotten out of that iceberg without Katara’s own righteous anger, so even that leads back to her own power), and then they go on a quest to find teachers for the Chosen One and save the world.

The story could not have begun without first finding Aang and then providing means for the other main characters to travel with him (or, in Zuko’s case, chase him), but this has nothing at all to do with Aang’s relationship to Katara. Aang was not a mover in Katara’s developmental arc--if anything, he acted as an obstacle more often than not, his actions ranging from innocent but obnoxious (playing and flirting with girls rather than helping with chores like picking up vital supplies, leaving Katara to do all of the quite literal heavy lifting and keeping her stuck in the role of caretaker that she’d been thrust into following the death of her mother), to deliberate and harmful (hiding the map to Katara and Sokka’s father, a truly selfish action, regardless of his lack of malicious intent, and one for which he never actually apologized), to somewhere in between (”she didn’t really mean that” he says to the man refusing to train Katara because she’s a girl, when yes, she very much did mean that, and Aang was no help in finally getting the old codger to eat his words--Katara had to shove them down his throat her own damn self).

While Katara’s overall arc wasn’t exactly big and dynamic (like Zuko’s redemption arc), or in-your-face (like Sokka getting force-fed Respect Women Juice and his eventual growth into a tactician and leader), it was very much present and woven into her character--and Aang had almost no part in it. He provided her with the means to get to the North Pole, but left Katara alone to fight the patriarchy herself. He messed around while Katara took it on herself to do the chores and keep the Gaang alive, but he did almost nothing to decrease that burden so she could grow out of the caretaker role. (Contrary to popular shipper claims, Aang didn’t actually teach Katara to have fun. She already knew how to have fun. But she couldn’t indulge, because she had a responsibility to her family and her tribe, and later to her brother and Aang and Toph, and Aang goofing off and trying to get her to do the same only added to her burdens rather than subtracting from them.) He provided Katara with the necessary motive to learn to heal herself, but he certainly didn’t seem to learn from the experience of accidentally burning her, preferring instead to claim he was never going to firebend again, despite already knowing, at that point, that he was going to need to master fire along with the other elements to become a fully realized Avatar and defeat the Firelord.

He didn’t help Katara keep them alive during The Desert. (In fact, he ran off, leaving her to desperately try to keep Sokka and Toph from succumbing to the heat while worrying for his safety.) In The Painted Lady, Katara makes the decision to stall the Gaang and do what she can to help the Fire Nation villagers on her own--Aang agrees to help her when he finds out, but he wasn’t actually instrumental in her making that choice. The Puppetmaster was, again, Katara finding a master of her own, and having to deal with the fallout from that. And in The Southern Raiders, Aang was--perhaps unknowingly, if I’m being generous, because he is a child and could not reasonably be expected to fully understand the implications of what he was asking her to do or why it was impossible--actively impeding Katara’s development! She desperately needed closure, something he could not understand and actively belittled and dismissed. The only reason he relented in the end (but not without a condescending ‘I forgive you! Does that give you any ideas???’ parting shot lmao) was because Katara was planning to take Appa anyway, and letting her go (and hoping she’d just magically wind up doing things his way) was easier than trying to fight her on it.

While Aang’s existence was necessary for Katara to start down her own path, she needed neither his guidance nor his approval to follow it--and absolutely nothing would change about Katara’s arc if you removed their romantic relationship entirely.

Possibly because the only changes needed to do so would be to remove the two times Aang kissed Katara without her consent (which, hopefully, no one would actually miss), and the epilogue kiss (which was awkward and unnecessary to begin with, since ending the entire show on a romantic kiss as the final shot kind of missed the point of the story to begin with, but that’s another discussion). None of these kisses (which are the only moments in which Katara’s feelings for Aang are so much as addressed; do note that addressing them, or hinting that they needed to be, is not the same as saying she exhibited any sign of reciprocating them) altered anything about Katara’s behavior, her personal arc, or (and perhaps most critically) her relationship with Aang.

It’s that last point that is really damning, as far as ‘Katara obviously had feelings for Aang, she kissed him in the finale!’ goes. Because she didn’t ‘obviously’ have feelings for him. And the fact that he kissed her before the invasion and then she forgot about it (she literally had no idea what he was talking about during the play’s intermission until he reminded her that he’d kissed her) is pretty clear evidence that she didn’t actually have feelings for him. Not the kind he had for her.

I’ve been a teenage girl. I know what it’s like to be surprise!kissed by your crush. And I absolutely for a full fact know that I had not completely forgotten about that kiss three months later and had, in fact, spent most of my waking hours thinking about it and remembering it and trying to talk to him about it. Now, granted, I was not in the middle of a war, but even if I had been, I doubt I would have needed reminding about the fact that the boy I’ve supposedly been developing feelings for had kissed me and showed clearly that he had those feelings for me too.

At the very least, if Katara was harboring feelings that she was worried about approaching until after the war, her relationship dynamic with Aang should have shifted. But it didn’t. She acted the exact same way with him after the Day of Black Sun as she did before it--that is, as a mother figure and a caretaker, responsible for his wellbeing. (And it’s clear she never took him down off the pedestal she needed him to occupy, either--let it not be said that the unhealthy aspects of their relationship only went one way.)

And book 3 is, incidentally, where Katara went from being vital to Aang’s development to being detrimental to it--or, rather, Aang’s refusal to let go of his attachment to her (despite ostensibly having done as much at the end of book 2) was. Because despite having been told by, perhaps, the greatest authority left in the world on Air Nomad culture (even more than Aang, who had left his temple with a child’s understanding of his culture that was never able to mature because he got stuck in the ice berg while his people were wiped out) that he had to let go of his possessive attachment to this girl who never even expressed the possibility that she might harbor romantic feelings for him to begin with, after Azula killed him and Katara brought him back, he went right back into the mindset of Katara is mine, it’s just a matter of time.

And the narrative validated him for it.

Notice how, during Ember Island Players, Aang says the following (emphasis mine):

“We kissed at the invasion, and I thought we were gonna be together. But we’re not.”

First of all, if you go back and watch the scene, it’s clear it wasn’t a mutual kiss. Aang sprang a surprise kiss on Katara, which left her shocked and unhappy after he flew off. (The decision to have her looking away and frowning was a deliberate one on the part of Bryke, who wanted Katara’s feelings kept ambiguous. Heaven forbid you allow the animators to make it clear that this fourteen-year-old girl who was just kissed without her consent by someone she’d never once demonstrated romantic feelings toward might actually have some. Heaven forbid she have a little agency in her own romantic narrative. But whatever.)

Second, he says he thought they were gonna be together.

He thought.

He never once even asked Katara what she thought--or even how she felt. He just assumes. He assumes that if he kisses her, she’ll kiss him back and they’ll get together. He assumes that she must have feelings for him, even though her body language is closed off and she told him with her words that she did not want to talk or think about this right now, and kisses her regardless of those signals, upsetting her and leading her to storm off.

And the narrative rewards him, because despite the fact that they don’t have a single significant scene together after that second disastrous kiss, Katara just decides off-screen that she Does Love Him Really and walks onto the balcony to make out with him.

The upshot of all this being that, while Katara was indeed instrumental to a lot of Aang’s early growth and development, Aang was not necessary for her own arc, and their romantic relationship (such as it was) actively hampered Aang’s development in book 3, while removing it would change absolutely nothing for Katara (except saving her from some painfully embarrassing memories).

As far as your third point, I’m simply not going to get baited into explaining how reducing Zutara to an ‘oppressor/oppressed’ relationship is not only insulting to interracial couples irl (not to mention any other couple with a potentially unbalanced dynamic of societal power, since there are many more axis of oppression than just racial), but demeaning to Zuko and Katara, their personal arcs as well as their relationship development together.

However, I will point out that Zuko was not responsible for any of Katara’s trauma. She did not find violence and fighting in bending battles to be traumatic--in fact, she reveled in it. She enjoyed fighting against Zuko at multiple points (especially noticeable in their battle at the end of book 1), because she wanted to fight--she always had--and once she had the ability, she was ready to throw down with anyone who gave her the slightest reason. (Including, by the way, her own potential waterbending master.) Aang’s death at the end of book 2 was Azula’s doing, and while I think that contributed to Katara’s extreme reaction to Zuko joining the gaang, it was not something for which she actively blamed him, and it wasn’t something she believed would be repeated--she let him go off alone on a journey to find the original firebending masters with Aang well before she chose to forgive him. So she already trusted Zuko’s intentions and that Aang would be safe with him.

Finally, because this has gotten long enough already, I hope you now understand that Zuko and Katara getting together would not require ignoring any of their development with their canonical romantic partners. We’ve already established that Katara’s arc wouldn’t change in the slightest if all of Aang’s romantic advances were removed, and I haven’t even gotten into how Mai meant nothing in the grand scheme of Zuko’s development because I’m pretty sure that’s just self-evident. I mean, the video compilation put together by Nick showcasing Zuko’s journey throughout the series doesn’t include a single scene with Mai, though it does include several with Katara, and even Jin makes an appearance--because Katara, and even Jin, played key roles in Zuko’s personal journey, while his relationship with Mai happened entirely off-screen and her only real function was to showcase just how unhealthy trying to force himself back into the role of the Crown Prince was for him.

What development, exactly, is there between them to even ignore?

At any rate, I’ve gone on long enough--I hope you enjoy the fact that you activated my wordvomit trap card right when i was about to go to bed, anon, because I just spent two hours writing this instead. In case you’re interested in the TL;DR: at the end of the day, there was no meaningful, mutual development in Kataang’s romantic relationship, and those romantic feelings that did exist were largely one-sided and ultimately detrimental to Aang’s development in the final third of his overall arc. Meanwhile, Mai meant nothing to Zuko’s journey--rather like Aang’s romantic overtures, she could be removed from the show completely and nothing about his story would change--while Zuko and Katara were both vital to each other’s overall storylines, arcs and development. This, coupled with the fact that Zuko never actually traumatized Katara and, in fact, helped her achieve closure from the biggest source of her own trauma, means that Zuko and Katara have better and more believable build up that could potentially lead to a romantic relationship than either of them have with their canon romantic partners.

So no, anon, I didn’t forget anything--I think you may have, though. Perhaps a rewatch is in order? Make sure not to close your eyes for the back half of book 3 this time.

[sullustangin]

Darth Marr and Satele Shan:  Names and Priorities

I’ve reached the point in my Yavin fic that I’m starting to use Marr’s POV on occasion.  One of the things I’ve been chewing on (likely to the annoyance of others) has been the Marr-Satele-Theron dynamic during the Yavin 4 op.  It’s clear that Satele and Marr have put aside differences and have become friends (as much as a Force ghost and a self-exiled Jedi Master can be friends) by Chapter 12 of KotFE. 

I give credit to @swtorpadawan for posting about Satele on Yavin 4 a few months ago and being willing to have continued discourse about the post -- thank you.  In comments and reblogs, there’s been discussion about how to interpret Satele’s references to Theron during the op and her motivations for why she does this. 

This is a spin-off of that post, since I’ll be focusing more on the dynamic between Marr and the Shans instead of Theron and Satele. 

During the Yavin op, Theron is consistently referred to as Theron, not as Agent Shan or as Shan.  The issue of his last name is avoided.   A few people (including me) have the headcanon that ‘Shan’ is a common name in the galaxy, like Smith or Patel or Garcia would be on our world; two people named Shan does not a family connection make, necessarily.  It would explain why Theron doesn’t have a code name (though he jokingly? complains about it on first meeting). 

And yet, Satele avoids using the name in reference to Theron.  So does Marr.  And Theron doesn’t insist on being referred to by his last name, even though his peer, Lana Beniko, is referred to as ‘Beniko’ by Marr. (Satele never addresses Lana using her name.)

Why the dance? 

Honestly, when I try to reverse-engineer dev!logic, in terms of the game design for Yavin 4, I’d guess it was done to help the player differentiate between Grand Master Shan and Agent Shan.  And maybe that’s all it is: calling Theron “Theron” just keeps the player from getting confused, especially if the player isn’t a Jedi and doesn’t know Satele; and/or skipped the Forged Alliances quests and thus doesn’t know Theron.

Within the universe, however, what’s an explanation a player can come up with?

The Spies in Question

Theron’s name was broadcast across the galaxy as a wanted man for killing Colonel Darok.  He was to be apprehended on sight, but Theron was a spy; spy agencies to this day rarely let any images of their active duty agents be circulated, even if they do go rogue or defect to the other side.  Theron’s image in direct connection to his name and job as SIS agent would be on a need-to-know basis.  This has led me to headcanon that Director Trant was well-aware of Theron going off the grid; in fact, he aided and abetted it.

Lana, on the other hand, was a known member of the Sphere of Military Offense.  She commanded troops on Hoth.  She had a known face, and there was an Imperial bounty contract on her head, per Theron at Manaan.  If anything, Lana was in as much danger as Jakarro; someone could try to claim the bounty on her head, since the bounties weren’t lifted til the end of the Yavin op.

And yet, Theron’s name was the unspeakable one. 

Satele and Theron

As I’ve mentioned elsewhere, I feel that the dynamic between Theron and Satele is not that of son and mother; both of them have gotten past that decision.  Rather, it’s more similar to a child who was given up for adoption looking for some sort of acknowledgement from his birth family -- it’s not love.  It’s not approval.  It’s.... complicated.  Acknowledgement of existence.  Acknowledgement that the decision had impact on Theron well beyond his first year of life.  Acknowledgement that Satele hurt Jace. 

I’ve interpreted Theron’s bristling at the use of the term “my agent” to be more directed at the possessiveness of the word, yet how far apart they still are, despite the biological connections.  Technically, Yavin 4 was the first time they worked on an op together.  This was their first professional collaboration.  They haven’t seen each other socially, they can’t talk about their issues/relationship/whatever.....and they have to save the galaxy together.

Giving up Theron doesn’t mean Satele felt nothing. She privately struggles with what she did and how it turned out -- still does, based on 6.2.   However, she, like Jace and Theron, believe in serving the cause at great personal cost.  Seeing Theron beat to hell after Rishi bothered her -- it would bother anyone with any sense of compassion (which she does have).  Theron got the beatdown he did because he was taken by the Revanites.  Revan attempted to convince Theron to join him on Yavin 4 by invoking the idea that they are flesh and blood -- family.

Pretty sure Revan wasn’t talking about the Malcom side.  Satele knew that.  Was there a sense of protectiveness for Theron because of what happened immediately before Yavin 4?  I think so, yes, but it’s not motherly.

Theron’s experience on Rishi probably made Satele hyperaware that if Theron was of interest to the Revanites, then the Empire would doubly interested in Theron if they knew that he was not only an heir of Revan, but that the Grand Master of the Jedi Order was his biological mother.   Referring to him as “my agent” may be Satele’s way to avoid using any part of his name on Yavin 4.

I’m willing to bet, regardless of any efforts to ignore or conceal Theron’s name, that Marr quickly figured out that the agent who managed to outfox Revan, resist torture, get Marr’s attention, and unravel an intergalactic conspiracy was something special to the Republic.  Odds were that this agent had acted against the Empire.

Marr would be interested.

The History of Darth Marr and Satele Shan

Prior to Yavin 4, Marr and Satele had most recently squabbled over Makeb in the Hutt Cartel expansion through their various operatives.  When Marr saw Satele on the Imp side Battle of Rishi, he bowed.  He respected her and she respected him.  I didn’t get any other impression from their interactions. They saw each other as equals, though on rival sides; that creates tension, since a fight between them would be a draw or mutually assured destruction.  It’s highly likely they fought against each other in the previous Galactic War (which I’ll talk about below). 

Marr was born in 3702 BBY, Satele in 3699 BBY.  They’re about the same age, and they ascended almost equally quickly when the Sith returned in 3681 -- Satele is 18, Marr is 21.  I have spoken about how Satele and Jace (who seems to be somewhere between 16 and 20 in the trailer) were essentially just kids when the conflict started.  So was Marr.

The big difference, in terms of how their characters are constructed, is that we have the end product of Marr.  Period.  We don’t know what his name was before he took on the name ‘Darth Marr.’  We know nothing about his family, his relationships, his struggles.  As Marr said later to the player in KotFE, he wanted to be a symbol to the Empire.  Marr did not let himself be just a man.

Darth Marr is not the singular leader of the Sith.  Marr is the head of the Sphere of Defense of the Empire for decades, and as of the Battle of Corellia and the death of Darth Decimus, he also becomes the head of the Sphere of Military Strategy.  With 2 of Military Spheres in his grasp, Marr was the de facto leader of the armed forces of the Sith Empire.  The Sphere of Military Offense passed from Baras to Arho and then to Arkous after Ilum.  When Arkous is killed by the player’s character, there is no indication as to who was the next head; that Sphere is never spoken of again in-game.  We may assume Marr took hold of that.  Either way, he has become the de facto leader of the Sith Empire.  His voice, his robes and mask -- immediately recognizable to the whole galaxy.

The creators of content for SWTOR took the opposite approach to Satele. We can read about how her mother Tasiele was forced into exile when Satele was still a child.  We meet Satele at 18 in a SWTOR trailer during the first Sith incursion at Korriban.  We see her in comics fighting against the Empire.  We see her at the Battle of Alderaan against Malgus.  In Annihilation,we see bits and pieces of her falling in love with Jace Malcom and hoping she doesn’t get too attached... until a pair of permanent complications occur in 3667 BBY:   Jace was severely maimed in the Battle of Alderaan, and Satele got pregnant.  Jace’s injuries made him a much harder person than the soldier Satele met in 3681 BBY; he scared her with his hatred of the Empire. 

I’ll take a moment here to say that Satele wasn’t dumb or naive when she made the decision about Theron.  Satele was at least 32 years old, possibly 33 by the time Theron was born in 3666 BBY. She wasn’t a teen having a knee-jerk “oh noes, he’s evil” moment.  She had been in a constant state of war for 15 years when she got pregnant.   It’s in that context that Satele was concerned that Jace’s hatred could drag their child to the Dark Side... but also, Satele’s love for her child would make it impossible for her to serve the Republic without a second thought.  She couldn’t fight and die for the Republic if she was always preoccupied with coming home to her baby.

So she let Theron go.  She had other adventures.  She was at the Treaty of Coruscant.  Satele founded Tython.  She became the Grand Master of her order.

We don’t get any of that pathos or glory with Marr.   Marr IS.  Marr is the Empire. He is the best of them.  He has been, is, and will be. 

The odds are pretty good that Marr and Satele met each other in combat, directly or indirectly. The bow on Imp side Rishi is a big thing for me that points to that.  Also, look at their responsibilities during the last war.  Marr was responsible for not only defending Korriban and what would become the Imperial core, but also any gains the Sith made over time against the Republic.  That’s the job of the Sphere of Defense of the Empire; taking planets was somebody else’s rodeo, not Marr’s.  His job was to defend... something the Imperial people living on these planets would love him for.  He was their protector against brutish Republic troops and their systemic corruption. 

Satele was responsible for winning those territories back; we see her on counter-strikes against the Sith.  Satele is cast as the liberator of people imperiled by the spreading Sith Empire, not a conqueror taking new territory.  Marr probably had to defend against Satele at least once in their careers, possibly multiple times.  If she was absent from the front lines for any period of time, Marr would have noticed; he had to anticipate the next move of Republic counterstrikes as part of his job. 

And indeed, Satele was absent for an extended period.  How long Satele was absent from the battlefield due to her pregnancy, we don’t know. Satele did continue her battlefield duties for “months” after she found out.  The only information we have about post-partum Satele is that she stopped visiting Baby Theron at 6 months old, according to Lost Suns.  I don’t think she could just skip off at random while in command, so I think she probably was off the battlefield at least 10 months (last 4 months of her pregnancy, 6 months post-partum), possibly as long as 18 months, since Gnost-Dural reports she was assigned to duty with the Republic Navy at some point in 3665 BBY.  She did give birth on a random planet in a cave, so she didn’t exactly have the best medical care immediately.  Maybe there were complications. Maybe she did show early. We don’t know.

Regardless of the timeline, Marr would have been paying attention.  Marr would have noticed when Satele Shan stopped fighting for the Republic.  Where was she?  What was she doing?  Was this part of a greater plot by the Republic?  What were they planning?  And when Satele did return, he may well have wondered what she had been up to.  But no matter; she had returned.  Marr had to be ready.

There’s no obvious indication in the game as to when Marr figures out Satele and Theron are mother and son.  He makes no comment to indicate that he knew before Rishi.  Based on Marr’s dialogue in game on the Imperial side, he heavily suggests that he knows who Theron is by the time Iven, the former commandant of the Imperial Guard, is taken into custody and it’s time to interrogate him. Satele objects to Marr’s plans to torture Iven.  “And what do you think your agent has done in the Republic’s name?” is Marr’s response. 

The delivery of ‘your agent’ is indicative that Marr knows.

Theron himself stated at the end of the Imp side romance that if he was indeed recruited by the player to join the Empire, people would be suspicious that he’d be working for his mother.  That would have to include Darth Marr. 

Personally, I would guess that the after-action reports from Lana and Theron would have some clues for Marr.  However, once Theron had healed up from the Rishi events, Marr may well have taken one look at Theron standing next to Satele, and then had an epiphany so immense it gave him a headache that Lana felt across the compound.  There’s the answer.  That’s why she disappeared for almost two years, twenty-nine years ago. Theron Shan.

(According to Jace in Annihilation, Theron has some similar features to his mother. He doesn’t specify which ones.)

The Lie of Omission

A lie of omission is permitting an inaccuracy or a falsehood to continue to circulate without correction, even though the person knows the truth. (In contrast, a lie of commission is when you actively make something up or contribute to the lie -- you commit the act lying.)  Marr signals he knows who Theron is by the time Iven is retrieved from the Imperial Guard training facility on Yavin, but he never says the name Theron Shan out loud.   It’s simply “the agent” “your agent” or “Theron.”  But not Agent Shan.

The use of “Theron” in the Pubside story is most eyebrow-raising.  

Marr calls people by their titles. Marr always keeps professional distance.  Underlings are uniformly referred to by their titles.  Lana doesn’t like titles, so Marr doesn’t refer to her as Lord Beniko or Darth whatever;  it’s just Beniko.

Calling someone by their first name is highly irregular.  He does not refer to Satele as such until 6.2 (and that might be the Socratic Problem of Marr in the player’s memory rather than the real Marr).  It’s always Grand Master or Grand Master Shan. In a unique instance in the game, Marr calls Theron by his given name when he finds the Imperial Guard’s buildings in ruins during the Pubside story:  “But given the destruction Theron describes, it’s mostly likely a distress call.”  This is before the Pub operative annoys Marr by going to the Imperial Guard facility by themselves; it’s not said in anger or in irritation.  It’s said under ‘normal’ circumstances (if circumstances on Yavin are normal at all). 

But why?  Why not “Agent Shan”?  That would differentiate him from Grand Master Shan.  Just referring to the pair as Grand Master and Agent would work too; how many Grand Masters and SIS Agents are running around on Yavin 4?  Why is Marr avoiding attention to the man’s last name?

And why doesn’t Marr hop on this and use it to the Empire’s advantage?

Pragmatism and Prioritization

Marr is not a Jedi.  Marr doesn’t do things for the greater good.  He does things for the Sith Empire and for the people of the Sith Empire.  Offing Theron Shan?  Definitely on the agenda.  So is killing Satele, eventually.

But not now.  Not on Yavin 4.

Marr is probably the person closest to knowing what Revan is going to try to do in order to make the Emperor take physical form again so he can kill him.  It’s going to involve a lot of dead people.  That can easily happen; up until this tiny fragile cease fire between Marr and Satele, the Empire and the Republic have been engaged in a hot war. When they first make camp on Yavin, there is a real possibility they’ll frag each other regularly.  This is why players have to do daily quests, in theory -- to build good will between the factions. 

My partner is a military nerd and a Star Wars nerd.  He watched both version of the Battle of Rishi.  His conclusion:  based on the ships we see, Marr had more than twice the number of troops that Satele did (I put the numbers in my Yavin 4 fic).  The Imperial troops, at Marr’s word, probably could wipe out the Republic forces on Yavin 4, pack up, and head back to Dromund Kaas in time for tea.

But they won’t.  Marr wouldn’t permit it.

He knows how dangerous the Emperor is, and if he does let his troops kill the Pubs, they feed him. There also appears to be some sort of weird mystical thing going on with Revan’s bloodline.  Revan knew highly personal information about Theron (and Theron says so when the player opens the temple later on); somehow, Theron was able to use that connection to get Revan to give up Yavin 4 and secure an invite there at the end of the Rishi op.

Marr knows about this.  Marr doesn’t know what Revan would do if Marr did kill Theron or Satele, plus there’s the more predictable possibility that the Republic would respond to the death of Satele Shan thanks to the Jedi feeling it through the Force.  Chancellor Saresh would not let that opportunity pass by, even if it did feed the Emperor; we saw that at Ziost. 

Grand Master Shan is a public figure.  Her name and her power is obvious to everyone in the Yavin camp.  Theron, however, is everything his mother is not.  He is a spy.  His face is not known to the general public.  His work is secret, his exact abilities unknown.

Sure, the last name is common enough....

But Theron and Satele have never worked together before.  They’ve never operated in such close proximity before.  Yavin 4 would be the first time all the pieces could fall into place to someone observant.  Marr is many things, but one of the things he really gets annoyed about in regard to the Sith is their arrogance.  They get such fat heads that they can’t see obvious danger or they overlook aliens and non-Force Sensitives to their own detriment. 

Marr isn’t arrogant.

He doesn’t think he’s the only one who can see a family similarity or sense some connection between them.  Saying someone’s name is a powerful thing; we get upset when someone screws up our name.  It’s how our attention is attracted.  Shared last names of interesting people attract attention.  Attention leads to distraction away from the primary goal of stopping Revan and the Emperor.

That’s something Marr doesn’t want to deal with right now.  Revan and Emperor now.  The Shans later.  He avoids referring to Theron as “Shan” so as to reduce any chance that some young Sith will attempt to make their bones killing Theron, since that would spell doom for the Empire, whether through Revan’s anger or the Republic’s revenge.  It would also help empower the Sith Emperor to retake physical form, which is the last thing Marr wants him to do. 

Exposing the Grand Master as having a secret son would remove an ally from the field for Marr; Marr doesn’t want to destroy his assets before he’s used them to their full ability.  There’s no point in burning Satele Shan on Yavin 4 before Revan is dealt with. 

...And Marr respects her.  It’s a cheap way to win against a rival he knows to be his equal.

Marr wants to end Revan and the Emperor now, in that order, to defend the people of the Empire.  He’ll worry about the Shans later.  Marr will let Theron’s last name be overlooked and unmentioned, if only because it makes his job as Defender of the Empire less complicated for a few months.

**

Thanks again to @swtorpadawan​ and also @inyri​ @shabre-legacy​ @theniveanlegacy​ for discussing the original post about Satele and Theron and making me think about this.  

Headcanon Postface:

This last bit is purely my headcanon ideas about Marr, so you can leave here if you so desire. I’m placing them here rather than making a separate post and having to link back to this one. 

As I’ve described previously, we have the finished product of Darth Marr, with none of the personal insight that was provided for Satele Shan.  Who’s under the mask?  Nobody knows, really.  His first comic book adventure takes place in 3678, when he’s about 24 years old.  There’s nothing about his life beforehand that would let the player wonder how his past life affected his current decisions.  Marr ultimately would do the best he could for the Empire, regardless, but knowing if he ever hesitated, ever had second thought, had a regret -- that would make him mortal. 

And Marr is an icon, not a man, in the grander SWTOR universe, per the writers. That’s the point driven home to the player.  So that leaves it to fan fic to take off the mask or not. 

In “The Planter of Trees and Other Tales from Yavin 4,” Marr comes to this conclusion about the Shans’ relationship after observing two Shan chins.  He then alludes to understanding Satele’s decision to conceal Theron’s existence.

After Marr had gained his seat on the Dark Council (late 3680s, early 3670s), a lot of Sith families wanted him to add to their prestige. The man needed a legacy; he needed heirs.  Marr had already set himself on his path, however; he understood that it was better to be an icon.  If Marr was a normal man, he would be weakened by family connections, love, protectiveness, concern for his personal future.  Instead, Marr’s devotion to the Empire was unmatched and pure.  In the public’s eye, he was the great defender. He was the perfect Sith.

Marr never did have a public wife or a political marriage. His private life -- better secured than Imperial state secrets -- produced a  daughter that did not inherit her talents from her Force-Using parent.  Marr had been relieved that his daughter was not like him.  It meant she would never be pressured to come into public life. It meant she was free of the burden of his legacy. 

Lately, I’ve considered that, regardless of having access to the Force or not, a child of Marr was always in danger of becoming a pawn.  She was something Marr’s enemies could use against him, if they ever found out about her; being Force-Null simply meant that others could not detect her as easily. That may have also have been a concern of Satele in regard to Theron, especially as she rose through the ranks of the Jedi Order.  As soon as Marr could let his daughter fly away from Dromund Kaas, he did.  She was free. 

She died shortly before the Sack of Coruscant.  Marr did not go to her. The Empire had to matter more.  That doesn’t mean he didn’t love her.  He just never could prioritize her over the Empire. 

In my fic universe, Marr understands Satele’s choices.  He can keep his mouth shut.  For now. 

Theron is far more dangerous to the rival faction than Marr’s daughter ever was, however; he is an active player in the war, while she... just got caught in the middle, in the end....

Revan and Emperor now.  Shans later.

**

[lunarreaper-ut]

So this time i wanna know HOW killers and nightys relationship will Form, i mean how they progress? Also how and why they become lovers.. what do they like about the other and what makes them Fall for the other one in the end? I want to know about the Situation to it all happening and developes...

Also who and how do they confess to one another? How do they react to it? And do they get jelous sometimes? If yeah on what occasions? And how do they deal with it?

Another question is do those two any (more privat) activitys together? I mean things like taking strolls around town or going on a ride or going shopping or any Kind of quests outside from the Palace, etc? Are they spending time together other then when guarding sometimes and having fun or going on dates (later)? If yes where and what kind??

Many questions again uwu u can take ur time.

Oohh I sense another long one coming along~!

How does Nightmare and Killer's relationship progress?

It's certainly slow-going. At first the two tolerated each other, since they needed the other to get what they wanted. While it takes time, I would say Killer is the one who actually starts changing how their relationship progresses. Nightmare seems like a jerk because of his attitude, but he does care for his subjects and the people who work for him, even after everything that's happened. Nightmare takes the time to learn Killer's likes and dislikes without Killer even noticing, and even if he irritates Nightmare, he is still one of Nightmare's subjects.

To Nightmare, it's the mindset of "This person will only live for a short amount of time, while I have an eternity. I should take responsibility for that, and try to make things better.". Kind of like how you think of a pet actually XD

Soon enough Killer realizes that Nightmare actually tries his best to cater to others, and his perspective of the grumpy King starts to shift. He takes more time to observe Nightmare's behaviors and choices, and starts to realize that Nightmare, while he has an attitude and can be a jerk, actually gives a damn about his kingdom and his people.

Killer starts to change his behavior towards Nightmare after this realization. He follows orders with little complaint, doesn't poke fun at Nightmare as much, and even starts doing little things to make Nightmare's day better. Killer starts trying to hold conversations with Nightmare when he thinks it won't bother him, and tries to understand him.

Killer begins to realize his feelings just before Dream tells Nightmare he no longer needs to have Killer around. When Nightmare tells Killer that his job is done, he no longer needs to stay and that Nightmare will officially pardon him, Killer becomes very stressed and conflicted.

I won't go into too much detail because honestly it's really cute- but Killer ends up asking Nightmare if he could stay. He makes up an excuse about how he didn't really have anywhere else to go, and the bed in his room is the comfiest bed he has ever and will ever sleep in.

Nightmare, surprisingly (to Killer), allows him to stay.

Nightmare's perspective on things are a bit similar! In taking the time to find out Killer's likes and dislikes, he ends up seeing the more genuine side of Killer. Nightmare likes some of Killer's jokes, enjoys seeing him irritate his brother, and also rather enjoys watching Killer train. what makes Nightmare really take to Killer's company, is how Killer treats Nightmare.

Nightmare, for the vast majority of his life, has been used to being ignored, disliked, or looked over. Everyone has always preferred Dream to Nightmare. Nightmare spent a long time thinking of himself as nothing more than the "backup King". He is never seen as Dream's equal.

But Killer doesn't see it that way. Killer makes it clear that he actually considers Nightmare's opinions, and actually listens to him, (later on at least). Killer's snide remarks at his brother's way of ruling are amusing, but he never makes any remarks about Nightmare in that regard. At one point, Nightmare did ask about this, and Killer shrugged as he answered:

"I just think you're more suited to it, that's all."

Nightmare appreciates how Killer sees him as an actual King.

How do they confess to one another?

HOO boy, that doesn't happen for years

As in, "Killer is already accepted by Dream as a legitimate Royal Guard before that happens" years. This is mainly because of the two's insecurities about themselves. Nightmare is stuck in a cycle of low self-esteem because of his past and how the kingdom sees him, and Killer doesn't even think he deserves to be Nightmares Royal Guard, let alone be romantically involved with him!

The first one to confess, however, would most likely be Killer.

I would say more about how it happens, but I think I'd rather write out the scene later on, than just spoil it >w< Hopefully you don't mind being a bit patient! (๑ゝω╹๑)

I will say, however, the Nightmare probably won't believe him >:3

Do either of them get jealous?

Well, I would say yes, but there's not a lot of opportunities for either of them to get jealous! Killer and Nightmare are both kind of out-casted in that regard. They're both considered dangerous and intimidating, so not a lot of people approach the two.

That being said, even if there's not a lot, there's still moments >:3c

Most notably, Killer would get jealous of Cross. Nightmare, even though he may not like someone, will still acknowledge someone's skills. Cross is a very skilled Guard, and has been for hundreds of years now. He's good at his job, and is practically the golden child of the Guardsmen. Nightmare would say an idle comment here or there, praising Cross' skills.

Killer didn't really get a lot of praise at first, and since he and Cross didn't get along either? Well hearing his King praise someone else definitely rubbed him the wrong way. He didn't want anyone else to be better at his job, especially not Cross.

This resulted in a lot of late night training sessions for Killer. Even back when he hadn't fully realized his feelings towards Nightmare, Killer felt those spikes of jealousy.

There were also times later on, after Killer decided to stay as Nightmare's Guard, where some nobles would try to get on Nightmare's good side. It might not have been flirting per-se, but it was enough for Killer to decide to step in, claiming Nightmare was needed elsewhere.

As for Nightmare? Well, I did say Killer was a bit of a flirt, didn't I?

Nightmare has witnessed Killer act as such at various events hosted by his brother. Whether or not Killer was feared, some people couldn't resist his charms regardless, and if Killer made a move... Well I mean, would you deny his charms? (๑ゝω╹๑)

Nightmare would get irritated at seeing his Guard being so... friendly with others. He wouldn't immediately recognize it as jealousy, and would chalk it up to him being irritated at Killer slacking off. Nightmare is more of the type to ignore Killer when he's jealous, choosing to stew in his own emotions until he gets over it.

If Killer tries to talk to him, Nightmare might be a bit more cold towards him. At first, when Killer doesn't understand what's wrong, he doesn't do much about it and leaves it be. Once Killer gets to know Nighty more, he'll start trying to flirt with Nightmare to get him to warm back up.

It usually works >w<

Do Killer and Nightmare do any activities together?

Yes! Killer and Nightmare will often spend time together when they're not working! (Well, technically Killer is still working at these times, but that's besides the point XD)

When Nightmare and Killer become more friendly with each other, Killer begins to encourage Nightmare to take more breaks from work. Nightmare and Killer will do various things on these little breaks. Nightmare enjoys strolls in the castle gardens. He would tell Killer about how he and his mother planted most of the trees and flowers in the garden together, and how Dream and him used to play hide and seek in the garden once they'd grown.

Sometimes Nightmare will have a table set up out in the garden and have tea with Killer. They either have a chat, or simply enjoy the atmosphere together.

Nightmare isn't very fond of going around town. People will often stare and gossip about him when they see him. If Nightmare ever does need to go shopping, Killer is of course by his side. He tries to take Nightmare's mind off of the people around them, and tries to hold a conversation most of the time.

There are also times, at night, where Nightmare lets Killer relax in his room with him. Nightmare spends a good while before bed reading to relax, and Killer likes to sit with him. Nightmare asked Killer if he was going to read a book as well, and Killer stated he's not a fan of reading, because it gives him headaches if he does it for too long. He said it was because of his eyes.

Nightmare started to read to him after that. (He also began avoiding asking Killer to help him review documents, instead choosing to ask the assistance of his advisor more often.)

[crackinglamb]

You Have Chosen Nydha To Be Your Companion!

Hopping off @little-lightning-lavellan's idea to take a DA:I OC and turn them into a companion, may I present Banal'ras Nydha (from Hope Is a Fragile Thing) and her wiki page.

General

Banal'ras Nydha looks human, although there is something that doesn't seem quite right about her. She has dark hair and skin and startlingly green eyes, and speaks with a low, raspy voice. It is often difficult to find her in a room. Nydha first appears, and is available to recruit, in the Temple of Sacred Ashes before attempting to close the Breach. She offers knowledge and combat tactics against demons. If dismissed, or never spoken to, she will then be spotted in Haven behind Solas's cabin. She will not be available to recruit at that time, although once the Inquisition is relocated to Skyhold, she will make an offer to travel with the Inquisitor. If dismissed again, she will become a non-interactive NPC in the Rotunda, usually found near the mural or atop the scaffolding. If she is never recruited, she will disappear from Skyhold after the final battle with Corypheus.

Nydha is not romanceable by any Inquisitor, but can engage in a relationship with Solas if a female Dalish Inquisitor has not done so. She is friendly and bonds well with most of the other party members, especially Cole, Dorian and, of course, Solas. She prefers diplomacy and tends towards mediation rather than confrontation. If a Dalish Inquisitor has romanced Solas, and has high approval, Nydha will offer comfort and sympathy upon termination of the relationship. If low approval, Nydha has nothing to say.

She has strong opinions on the plight of elves, slaves and mages. She is supportive of any measures that would improve the lives of them. Her early banter with Dorian revolves around debating Tevinter's practices and trying to get him to see a better way. She will also speak with Iron Bull about the shortcomings of the Qun, although never with the same level of disdain as Solas. While she never openly mocks the Chantry or Andrastianism, she isn't a strong supporter or believer and has no opinion on who becomes Divine.

Location

In Haven, Nydha can be found behind Solas's cabin, usually in the darkest corner. Once the Inquisition relocates to Skyhold, she can be found in either the Arcane Library or the Rotunda.

Approval

Nydha's approval level is based upon empathy. An Inquisitor who is helpful, respectful and curious will gain approval. Nydha has no opinion on quests such as Wicked Eyes, Wicked Hearts or the outcome of Here Lies the Abyss, but approves diplomatic resolutions to judgments. She will greatly approve allying with the Free Mages, and only slightly approve conscripting the Templars. Conscription of the Free Mages or allying with the Templars will result in full disapproval. She will greatly approve Iron Bull becoming Tal-Vashoth and keeping Cole as a spirit. Actions that are ruthless or cruel will lose approval.

A high approval Inquisitor will learn that Nydha was born in another world and 'crossed over' through the Veil when the Breach opened. She will tell the Inquisitor that her name was given to her as a gift from someone she met in the Fade. She does not, however, say that it is Solas (see below for unique Trespasser dialogue). She will say that her name means 'Shadow of Night', according to her translation. A Dalish Inquisitor can have special dialogue to recognize the name as being Elvish and can question how a human came to have it. Nydha will answer that it is because the native language of the Fade is Elvish, a remnant from when elves held all of Thedas before human arrival.

A low approval Inquisitor will not learn this part of her history and she will remain an enigma. If approval falls to zero, she will refuse to speak to the Inquisitor, although she does not leave and is still available as a companion.

Quests

Survivor In the Shadows – the quest for meeting Nydha initially at the Temple of Sacred Ashes. It begins upon speaking with her, and ends with either recruitment or dismissal.

From the Ashes – only available after either In Hushed Whispers or Champions of the Just, but before completion of In Your Heart Shall Burn, Nydha will ask the Herald to accompany her back to the Temple of Sacred Ashes to search for her few belongings. The Herald will find a journal, a bundle of unusual clothes and a single unmarked vial. Nydha will approve completing this quest.

A Better Form – Nydha will ask for help in stabilizing her corporeal body if Dagna is brought into the Inquisition. Resolution of this quest will involve having Dagna create a unique amulet that will act as a permanent grounding source, rather like a lightning rod. Components for this amulet are: 1 blank rune stone, 1 wisp essence, and either 5 dawnstone or 5 volcanic aurum (both imbue constitution bonuses). It will act as an Amulet of Power, granting Nydha an extra skill point. This is the only time such an ability will be available to her. This will also allow her to wear other amulets throughout the remainder of the game. She, and Solas, will greatly approve completing this quest.

Twice-Born – available during the Jaws of Hakkon DLC. Nydha, if in the party, will ask to speak with the Augur of Stone-Bear Hold once relations with the hold have been established. If she is not among the Inquisitor's party, she will be found in the main scout camp near Professor Kenric. What the two speak about will be unknown, but at the end of the quest, Nydha will inform the Inquisitor that she has been given the legend-mark Twice-Born from the hold's 'gods'. Cole will greatly approve completing this quest, regardless of whether or not he is in the party.

Note: This quest is not dependent upon approval, but is the only time she will speak with a zeroed out Inquisitor, should that level of low approval be reached.

Ability Tree/Specialization

Nydha is technically a rogue, and can utilize either a bow or double daggers. She has an autolevel preference for the Subterfuge tree, and has an additional, unique starting skill in Fade Cloak. This does not require further leveling to be active. It is the only skill that cannot be deactivated from her skillset.

She can specialize in either Tempest or Rift Mage, due to her nature as a being from the Fade. She is not otherwise a mage. Her decision on specialization can be influenced, as she will ask the Inquisitor's opinion. If no opinion is given, she will default to taking Tempest.

Combat comments

“Come get some!”

“Catch me if you can!”

(If specialized in Tempest) “Burn, baby, burn.”

(If specialized in Rift Mage) “Ooh, the stuff of nightmares.”

Kills an enemy

“Another one bites the dust.”

“Cool story, bro.”

“Then perish.”

Low Health

“This was not on my agenda today.”

“A little help?”

Low Health (Companions)

For all general companions: “I have your back.”

If in a romance with Solas: “Take a breather, fenorain.”

Fallen Companions

For all general companions: “I'll make them pay!”

If in a romance with Solas: “NO!”

Location Comments

Ferelden:

Hinterlands: “Why is it so big? Why is everything so big?”

Fallow Mire: “I have mud in unmentionable places. Can we go now?”

Storm Coast: “I must go down to the sea again, to the lonely sea and sky.”

If companions question her: “It's just from a poem I once read.”

Orlais:

Exalted Plains: “So much death. Can't you feel it?”

Emerald Graves: “This forest is old. Very old.” [laughs] “I always wanted to say that in proper context.”

Emprise du Lion: “Stay away from the bloody lyrium. And wear a hat.”

At Suledin Keep after Imshael, if Solas is in the party: “Ir abelas, lethallin.” (If romanced) Ir abelas, fenorain.”

Solas's reply (only translated if the Inquisitor is Dalish): “Ma serannas. Ea lam'an.” (It is in the past)

At the Pools of the Sun, regarding the trio of dragons: “Can't we just leave them alone? They really won't hurt anyone if we keep our distance.”

Hissing Waste: “You know, if you ignore the endless vista of sand, it's really quite beautiful. In a bleak kind of way.”

Western Approach: “Hot. Hot and blighted. I need a drink.”

Forbidden Oasis, upon reaching the second camp: “That's it, I'm never leaving.”

Arbor Wilds: “Mind your footing. This place is full of secrets.”

In Val Royeaux: “Pretty place.”

Frostback Basin: “I could stay here forever. Even with the varmints.”

The Descent: “Nice and dark, just the way I like it.”

At the Wellspring: “Wow...that's amazing.”

Trespasser: “Now it all ends, my friend.”

If the Inquisitor questions the statement: “You'll see soon enough.”

Companion/Advisor comments

Varric – Gotta watch out for Spooky, there's something about her I can't put my finger on.

Cassandra – She is an able fighter, but I would not trust her out of my sight, which is far too often.

Solas – She is secretive by nature, but I would assure you that she means no harm.

Iron Bull – She's a tricky one. Good fighter, lotta secrets. Good at keeping them too. I don't think I've cracked a single one that she didn't tell me herself.

Dorian – She's fascinating. I am not at liberty to say why, of course, if you don't already know.

Cole – Bright as the sun and scattered as the stars. She wants to help, just like I do.

Vivienne – She seems capable enough, my dear. But I would not dare to trust her. She is an accomplished player of the Game, for all her smiles and good cheer.

Sera – She's as bad as Creepy, although she's better at jokes. She's better at hiding than I am!

Blackwall – She knows something. She knows too many somethings.

Josephine – She keeps to herself and has caused no diplomatic incidents. I wish I could say the same for some of the others gathered here.

Leliana – I find it curious that I cannot find any solid evidence of her existence before the Conclave, but that does not automatically mark her a spy. However, her nature makes me no more inclined to trust her. I would be wary of her.

Cullen – Who? Oh, the...shadowy...person. I hear she can handle herself. I can't say I've spoken with her, so I don't have an opinion.

Trespasser

There is a unique dialogue tree available to the Inquisitor while speaking with Solas if Nydha was recruited as a companion.

“Did you know about Nydha?”

“Yes, I am the one who gave her her name. I found her while I yet slept, and she became corporeal after the Breach.”

(First branch) “Is she one of your agents?”

“No. She has only ever been my friend.”

(Special, if not romanced) “Your friend? It seemed to be more than that.”

“In another world, perhaps.”

(Second branch) “Is she joining you?”

“No, I would not wish her on this path.”

(Third branch) “She knew this whole time. Why didn't she tell me?”

“She had her reasons for not telling you. (If high approval) I hope you will not hold them against her.”

Regardless of approval, Nydha disappears after the Exalted Council. She settles in the Frostback Basin among the Avvar. A high approval Inquisitor will receive correspondence from her from time to time, but she will refuse to come back to the 'civilized' nations of Thedas, preferring privacy and isolation.

Trivia

If in the party during Here Lies the Abyss, the Nightmare demon will speak to her in Elvish. Her reply is a scoff and nothing else.

Nydha can be a third option at the Vir'Abelasan if she is in the party. If she is chosen to drink from the Well, Abelas does not object, although he will still point out that she will be bound as they are. If Nydha drinks, she will summon Flemeth and work with the Inquisitor to tame the dragon for the final confrontation with Corypheus. If she is in the party during Trespasser, she will be able to provide the password to the spirit guards, preventing a fight.

If Morrigan is allowed to attack Abelas, she will attempt to defend him and will argue that the witch is not worthy of the knowledge she seeks if brutality is her only way to get it. If there is a peaceful alliance with the Sentinels and Morrigan is chosen to drink, Nydha will slightly disapprove but hold her tongue on the matter.

If the Inquisitor drank from the Well, and succeeds in finding enough clues to determine that Solas is Fen'Harel, Nydha will appear saddened when the Inquisitor rebuts to the Viddasala that they already know. She will state that this was what she'd been waiting for. The Inquisitor will have the option to accuse her of knowing the whole time. She will answer yes, but she won't explain.

If Nydha is never recruited, and remains an NPC in the Rotunda, one will hear her occasionally speak with Solas. These conversations range in topic from books they are reading to the mural. Never about Inquisition business. There is a slight chance to hear them speaking in Elvish, and their words are not translated, regardless of Inquisitor's race. Solas's replies appear to be noncommittal.

Nydha will remark upon the Inquisitor's romantic choices, usually with something supportive and a hope that they are happy together. She will also comment something generally pleasant about each companion if asked. The exception to this is if Iron Bull remains Ben-Hassrath. Nydha will caution the Inquisitor to be careful of telling him too much since his loyalty is now unknown.

It can be implied from various interactions and from high approval conversation that Nydha was in fact aware of everything that would happen during the course of the game. She never gives a reason for keeping her silence on matters pertaining to what foreknowledge she had, although any input given during the game events is sound and often given in such a way so as not to risk suspicion.

It can also be implied that regardless of what Solas says during Trespasser, Nydha has actually left the Inquisition to join his ranks, or at least does not stand opposed to him. This is not confirmed, however, and according to her epilogue card, she is enjoying a quiet life in the Frostback Basin with no intention of ever interfering with Thedosian politics or events again.

[cassyapper]

OKAY IVE ACTUALLY PLAYED TWO SESSIONS SINCE MY LAST POST SO IM GONNA COMBINE THEM HERE SORRY FOR THE LENGTH BUT,,IVE COME SO FAR I DONT WANNA STOP NOW

this is gonna be very messy cause i WILL be jumping back and forth as things come back to mind so uhh pls enjoy this absolute ramble <3

anyway. i continued playing omori and boy do i have some Thoughts

so first session; i went through the pyre(something i forgot the full name sob) forest/sprout mole village/sweetheart’s castle in one go and let me TELL YOU. DOING THAT WAS FUCKING INSANE I WENT NUTS holy shit.

so anyway.

pyre forest!!!! the lil race against the big spider coming after u for disturbing the smaller spiders mechanic was very fun i had a lot of fun figuring out the best routes to take. i know normally mechanics like that lead to ppl getting frustrated cause u have to keep retrying but i had a lot of fun!!!! sum annoyance but good natured type, th kind that just makes u try harder u know? i just enjoyed it JKFN;FN; candles in the foggy forest....now That is an aesthetic

the rare bear scared the fuckin shit out of me i remember it didn’t attack me straight away so i was like “aw (:” but then when i press x on him it takes me to a BATTLE SCREEN AND SUDDEN THAT MF IS TERRIFYING I WAS LIKE WHWHWHWHWKJDNJ. very funny i honestly wished i recorded my reaction

also omori is afraid of drowning...................................i am breathing heavily. i think whatever happened to mari is related to at least one of the things omori is scared of. so either heights, spiders, or drowning it seems. spiders doesnt seem super likely as a contributor to her death, and while falling from a height is more realistic, such a senseless way of dying doesnt seem to rlly fit ? with the vibe i get from the kiddos in the real world. which makes me think maybe drowning/otherwise suffocating is how she died...but we’ll see. also due to the forgotten library part, we know omori explicitly feared spiders/drowning before mari died so it’s also probable im jus talking out my ass here but still,,,,thoughts

also this motherfucker?

literally fucking terrifying. IT’S BODY IS MADE OF SUCC’D SPROUT MOLES...i still have no idea what exactly it was doing to them but jesus h christ!!!! evil and fucked up. do not feel bad for curbstomping it

sprout mole village!!!! very cute, im v excited to send that one dude his brother’s care package. i like how, when theyre not lost, sprout moles can be real endearing lil guys,,,theyre not my fav lil enemies but (:

also for some reason omori is the first game ive played where i really care about getting achievements ? so i literally did the back and forth on my save file just to get all the season sprout mole achievements JKDJFJ;. i ended up sticking w spring tho before moving on for real cause spring is my fav season irl (:

also i felt SO BAD for cutting down that one sprout mole’s chistmas tree he was just trying to celebrate but i wanted to see that present and coincidentally becoming a christmas ruiner was an achievement so all’s fair in love and war i suppose

ALSO. th fuckin plant monster thing under the scientist sprout mole’s room. major little shop of horror vibes from the design, absolutely adored it!!!!! originally i did  just cut the wire holding the piano over it, ending it in one go, but i was very curious abt it so i reloaded a save file to actually fight it and

i know it only spread that gas to make the kiddos happy cause being happy reduces attack i think ? it decreases attack/defense but seeing the kiddos smile so much was nice (:

however

omori...sunny....son boy.........u good ?

and now. sweetheart

the way the sprout moles completely adore and depend on sweetheart gives me such awful evil vibes and combined with such a luxurious background was fucking incredible

sweetheart herself, speaking of. bitch (sorta affectionately, certainly not derogatory)

i talked to every sprout mole in the audience before taking my seat and i literally dont know why. even when i picked up the pattern of where the unique dialogue could be found (usually the sprout moles farthest right) i still talked to all of them......just in case ? i have no idea. i dont know why i did that. i feel it’s important that i note it tho

LMAO SO WHEN SPROUT MOLE MIKE DID THE MINUTE OF SILENCE FOR YE OLD SPROUT MOLE

I LITERALLY FELT SO FUCKING BAD LMAO I WAS LIKE OH MY GOD NO!!!!!! I DID THAT!!! I KILLED HIM!!! OH MY GOD!!! I WONDER HOW AWKWARD OMORI KEL HERO AND AUBREY FELT IN THE AUDIENCE HOLY SHIT THEY HAD FRONT ROW SEATS TO SPROUT MOLE MIKE’S MOURNING!!! MY GOD FJKFN;;

also sprout mole mike describing 3′7″ inches as ”towering” was the FUNNIEST shit i have ever seen. also i have to wonder, since sweetheart made up the whole show of sweetheart’s quest for hearts in the first place, if she was seriously down to marry a sprout mole if one suited her fancy. jus v funny to me honestly. SPEAKING of sweetheart’s dating patterns I NOTICED THOSE FEM SKELETONS IN THE DUNGEON!!!!! BI SWEETHEART!!!! SHE’S JUST AS DOWN FOR GIRLS AS SHE IS BOYS

i know TECHNICALLY not everyone is in the dungeon for failing to be a good enough suitor but STILL...COME ON. THIS WAS BEFORE WE KNEW THAT. SWEETHEART BI I WILL DIE ON THIS HILL

anyway

when the lights when out and lightning struck the third contestant, i knew Immediately something was gonna go down. and when the mustache sprout mole was like “oh yes!! u!! in the striped pjs!! u absolute beast ur perfect!!!” i KNEW hero had just been selected as the replacement i was goign completely fucking nuts i was like OH MY GODNFNG; HIS HEART IS ALREADY TAKEN BY MARI!!!!!!! STOP

i ended up taking so many screenshots during this part cause i was going feral so here take a glance just cause i love, uh, hero

OUR HERO IN SHINING ARMOR DJLBH;KFJB

also GOD FUCKING DAMMIT IM SHORTER THAN HERO

hero shaking on the stage when he was introduced...oh my HEART....IM SO FOND FOR THIS BOY WTF!!!!! DKJDN;N

this is not really NEWS to me since it’s implied hero is tall but like come ON..... sorry just every time i find out a character is explicitly taller than me i need to huff about it, moving on,

HERO FUCKS

sorry i just have so many screenshorts during this aprt cause i was going fucking crazy but

literally terrifying! sweetheart bathes in that shit!! christ!

is blood good for ur skin? i imagine, so long as like...gore isnt in it and it’s solely blood it cant be BAD necessarily......but good ? regardless very fucked up. besides the fact that well, uh, BLOOD, blood is also sticky as hell. ur telling me sweetheart willinglhy bathed in that shit? disgusting. at least thin it out

anyway I HAD SO MUCH FUN DOING THE PUZZLES AT SWEETHEART’S CASTLE....FROM THE DUNGEONS TO THE KITCHENS TO THE BALLROOM TO THE LIBRARY TO THE GARDENS JUST EVERYTHING!!!! IT WAS SO FUN I ENJOYED FIGURING IT OUT SO MUCH IT WAS LITERALLY DELIGHTFUL...I LOVE THIS GAME SO MUCH THE GAMEPLAY IS SO FUCKING EPIC I LITERALLY HAVE SO MUJCH FUN.......OH MY GOD I JUST. INCREIDBLE!!!! FUCK

also the lil sir maximus bit.........i honestly felt really awful over having to kill them ): i think i even tried running once but it wouldnt let me...it hurt man ): they were just a family....

um but anyway,

i think it was rlly sweet how aubrey protested to the wedding cause she was worried abt sweetheart,,,like i cant rlly explain it idk how to put it into words,,like sweetheart is clearly not mentally well and having an episode, and aubrey being the only one to say “hey what ur doing is self-destructive and isolating” just mmmh. she cares a lot,,,and *i* care aubrey

also sweetheart’s battle theme fucking SLAPPED...SO GODDAMN HARD IM STILL QUAKING OVER IT....FUCKING BANGER YO!!!!!! INCREDIBLE

ah but alas

BASIL........I NOTICED THAT IT WAS HIS GHOST/SHADOW DURING THE EXIT FROM OTHERWORLD AS WELL BUT JUST FUCK

im so worried about basil ):

and it being so obvious that none of the others can see...........them asking omori if he’s okay.....oh my god. i go nuts

and then...the forgotten library part

i literally cried, again, oh my fucking god

these kids loved each other so much they ADORED the time they spent with each other and im QUAKING to know WHAT HAPPENED TO MARI......HOW DID THE FALLOUT GO. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

i know there are multiple endings to this game and on god i am not QUITTING until i get the happiest ending there is for these kids im literally a goddamn fuckign mess oh my god

MARI SHWOING UP IN THE LIBRARY AT ONE POINT AND LEADING OMORI...........IM LTIERALLY GOIGN INSANE OH MY GOD OH MY GOD OH MY GOD HE LOVED HIS SISTER SO MUCH HE’S SO CLEARLY LOST WITHOUT HER I CANT FUCKING DO IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I NEED TO KNOW WHAT HAPPENED. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

GOD

okay sorry i just. ive said ti before but the grief in this game is so real and palpable and it aches, it aches so bad. also the white egret orchids in the library...i see u

but regardless.... session two real world electric boogaloo

LOVE that kel is like “so i need to run errands but u wanna come with me right? of course u do!” like fuck i rlly do. kel is just so delightful i would literally do anything to spend time with him

ALSO i noticed u can just refuse to open the door both times kel’s knocked now and it makes me wonder....if u could choose to ignore kel ? and then venture out urself or just ? i wonder what would even happen if u chose to not open the door. im CERTAINLY not doing it myself at the very least not this playthrough but i am curious...i bet that’s how u get a bad ending, by not talking w kel

but anyway....

aubrey and her gang not saying anything in the pizza parlor........i jus think abt that is all

ALSO!! pet rocks!!!!!!!!! LOVE this lil thing it’s so cute. jus rock paper scissors it babey

speaking of lil bits, love all the mini quests in the real world...it’s just rlly fun and builds up this cute lil town........it also makes me think that whatever happened to mari cant have been anything except an accident, bc no one comments on what a tragedy it was to omori. like if it was murder, there’s no way such a horrific situation wouldnt engulf the town for a bit and sweep over it for weeks at least, but that just doesnt seem to have happened. this is def me reading too into it tho;; point is neighbors nice (: also i got the seashell necklace and i go apeshit

ALSO......THE FUCKING...........CHURCH. I VISITED WITH KEL ON A COMPLETE WHIM CAUSE I WAS CURIOUS IF THE PASTOR WOULD TALK MORE ABT AUBREY BUT NO. INSTEAD HE TALKS ABT THE WEIRD VIBE FORM THE GRAVEYARD HE’S GETTING!!! AND THE DUDE WHO CHILLS IN THE GRAVEYARD SAYS SHIT ABT THE SPIRITS GETTING READY FOR SOMEONE TO JOIN THEM!!!! BITCH WAHT THE FUCK

THERE’S NOF UCKING WAY THIS ISNT ABOUT BASIL. THERE IS NO!!! WAY!!!! I SWEAR ON GOD IF BASIL DIES I WILL LOSE IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ESP CAUSE THERE IS LITERALLY NO OTHER WAY HE COULD DIE EXCEPT SUICIDE THAT’S WHAT IT HAS BEEN IMPLYING OVER AND OVER I GO NUTS I GO APESHIT NO NO NO NO!!!!!!!!!!!!

FUCK

OKAY SORRY I JUST. HHHHHHHHHHH

baby has acquired baby

kel’s family is rlly cute,,,,v heartwarming. i trust them

i do worry abt like...the stark difference between recognizing kel’s accomplishments and hero’s...i just idk. i just keep thinking abt that bit in kel’s story abt hero’s depression when his parents focused on hero and ignored him, and i just. kel’s family is good People but i worry if kel has a good support system...i jus........): i am watching

ahh THE BASIL MISSING PART MADE MY HEART LITERALLY FUCKING DROP..I WAS SO FUCKING PANICKED I WAS LIKE OH MY GOD THIS IS IT BASIL IS DEAD

THANKFULLY HE WASNT BUT HOLY GOD HOW THAT WHOLE SITUATION PANNED OUT MADE ME GO NUTS!!!!!!! BASIL...AUBREY...HER GANG.......FUCK OH M YOGD OH MY GOD OH MY GOD

THANK G O D I SNOOPED AROUND KEL’S HOUSE BEFORE LEAVING I WOULD HAVE H A T E D TO FIGHT THEM ALL AT ONCE IM GLAD I WAS ABLE TO JUST PEPPER SPRAY THEM JESUS CHRIST

oh my god kim like asking for aubrey all concerned before deciding to trust her and leaving.....kim i diagnose u with lesbain

the whole fucking. basil almost drowning scene. i seriously feel like ive changed like as a person over it. i am thinking . i am thinking. i am only evee thinking about mari and how omori just loved her so much and how the thought of her gave him strength. th pic of her ghost holding omori’s hand in the water made me cry

MMMM BUT. HERO!!!

I DIE I DIE I DIE HE’S SO PRETTY FUCK ALSO HIM PICKING UP BASIL WOOOOOOOO THIS IS WHAT IVE BEEN WAITING FOR THAT’S WHAT IT’S ALL ABOUT YEAHHHHHHHH

god i feel so bad about leaving aubrey tho. shes so clearly not okay and she so clearly did not mean to push basil in and oh my GOD I JUST...PLEASE....PLEASE CAN WE JUST TLAK TO HER I NEED TO TLAK TO HER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I NEED TO FUCK

the ghosts of omori and aubrey on the swings made me cry out like i had been physically assaulted

AHH BUT THEN TAKING BASIL HOME AND WHILE HE’S IN HIS BED HE JUST SAYS “oh sunny...there’s not way out of this...is there?” I LITERALLY GO BUCKWILD APESHIT INSANE STUPDI!!!!!! BASIL YOURE PUTTING UP A LOT OF ALARMING FLAGS HERE!!! PLEASE DO NOT FUCKING DIE!!!!!!!!!!!!

FUCK. CHRIST. HELL. SHIT. THIS GAME IS DRIVING ME FUCKING CRAZY

GOD

oh my god but the day ending with hero and kel sleeping over at omori’s house...im kdnd im jkdim im not uhm okay THEY BUILT A BLANKET FORT PLEASE..I LOVE THEM

goddd hero going into the piano room....playing sum........and then asking omori abt the song he and mari used to play on violin...and then THE TITLE SCREEN MUSIC STARTS PLAYING....HI. HI HELLO HI YOU CANT FUCKIGN DO THAT HI!!!!!!!!!!!!!!!!!!! FUCK YOUFBJFGJNGN;EJNE; IM GOIGN NUTS

also the name omori comes from the piano.............interesting...i wonder why sunny likes being called omori in the dreamscape...

god but omori not having a srs hallucination cause he’s w his friends and he feels safe...im gonna sob

However. i did glance into the bathroom mirror. AND INSTEAD OF THE EYE MF IT’S A DISTORTED AS HELL GHOST MARI???IM SO FUCKIGN SCARED. IM SO SCARED. WHAT THE FUCK. WHAT THE FUCK? CREEPY AS HELL!!!

ohh my god this GAME

so finally i ended up in whitespace again. do NOT like that omori is completely alone in the world!!! what the FUCK!!!!!!!! I AM SO SCARED AT ALL TIMES. im literally about to go play sum more tho after dinner so i will see what happens. god i jsut......this game is so fucking good it has me by the balls dude. SO glad i decided to play it bruh

anyway thanks for reading all of this if u did, it’s an absolute monster ik and ur a real one

[nouveauweird]

A Short Essay on Metaphor by Ocean Vuong

The following is a transcription of the instagram stories shared by Ocean Vuong on the subject of metaphor, which I found quite moving, and hope others can take something valuable from it as well. You can find the originals on his instagram highlights.

Each paragraph below is transcribed from one instagram story slide.

[ The first part is Vuong’s answer to the initial question that sparked the discussion, he went on to elaborate some more, but in his longer discussion several days later he reused some of the same examples so I will only be featuring the longer, 25 slide, “mini essay”. ]

QUESTION: How do you make sure your metaphors have real depth?

VUONG: metaphors should have two things: sensory (visual, texture, sound, etc) connector between origin image and the transforming image as well as a clear logical connector between images if you only have one of either, best to forego the metaphor. otherwise it will seem forced or read like “writing” if that makes sense.

[ elaborated discussion ] 

I’ve gotten so many responses from folks the the past few days asking for a deeper dive into my personal theory on metaphor. So I’m taking a moment here to do a more in-depth mini essay since my answer the Q/A the other day was off the cuff (I was typing while walking to my hair cut appointment). What I’m proposing, of course, is merely a THEORY, not a gospel, so please take whatever is useful to you and ignore what isn’t. ...

Before I begin I want to encourage everyone to forge your own theories and praxis for your work, especially if you’re a BIPOC artist. Often we are perceived by established powers as merely “performers” suitable for a (brief) stint on stage-- but not thinkers and creators with our own autonomy, intelligence, and capacity to question the framework in our fields.

It is not lost on me as a yellow body in America, with the false connotations therein, where I’m often seen as diminutive, quiet, accommodating, agreeable, submissive, that I am not expected to think against the grain, to have my own theories on how I practice my art and my life. I became a writer knowing I am entering a field (fine arts) where there are few faces like my own (and with many missing), a field where we are expected to succeed only when we pick up a violin or a cello in order to serve Euro-Centric “masterpieces”. For so long, to be an Asian American “prodigy” in art was to be a fine-tuned instrument for Mozart, Bach, and Beethoven.

It is no surprise, then, that if you, as a BIPOC artist, dare to come up with your own ideas, to say “no” to what they shove/have been shoving down your throat for so long, you will be infantilized, seen as foolish, moronic, stupid, disobedient, uneducated and untamed. Because it means the instrument that was once in service of their “work” has now begun to speak, has decided, despite being inconceivable to them, to sing its own songs. I want you, I need you, to sing with me. I want to hear what you sound like when it’s just us, and you sound so much like yourself that I recognize you even in the darkest rooms, even when I recognize nothing else. And I know your name is “little brother” or “big sister” or “light beam,” or “my-echo-returned-to-me-intact.” And I smile. In the dark I smile.

Art has no rules-- yes-- but it does have methods, which vary for each individual. the following are some of my own methods and how I came to them. I’m very happy y’all are so into figurative language! It’s my favorite literary device because it reveals a second IDEA behind an object or abstraction via comparison. When done well, it creates what I call the “DNA of seeing.” That is, a strong metaphor “Greek for “to carry over”) can enact the autobiography of sight. For example, what does it say about a person who sees the stars in the night sky-- as exit wounds? What does it say about their history, their worldview, their relationship to beauty and violence? All this can be garnered in the metaphor itself-- without context-- when the comparative elements have strong multifaceted bonds. How we see the world reveals who we are. And metaphors explicate that sight.

My personal feeling is that the strongest metaphors do not require context for clarity. However, this does not mean that weaker metaphors that DO require context are useless or wrong. Weak metaphors use context to achieve CLARITY. Strong metaphors use context to SUPPORT what’s already clear. BOTH are viable in ANY literary text. But for the sake of this deeper exploration into metaphors and their gradients, I will attempt to identify the latter.

I feel it is important for a writer to understand the STRENGTS of the devices they use, even when WEAKER versions of said devices can achieve the same goal via different means. Sometimes we want a life raft, sometimes we want a steam boat-- but we should know which is which (for us). My focus then, will be specifically the ornamental or overt metaphor. That is, metaphors that occur inside the line-- as opposed to conceptual, thematic, extended metaphors, or Homeric simile (which is a whole different animal).

My thinking here begins with the (debated) theory that similes reside under metaphors. That is, (non-Homeric) similes, behave cognitively, like metaphors. This DOES NOT mean that similes do not matter (far from it), as we’ll see later on, but that the compared elements, once read, begin to merge in the mind, resulting in a metaphoric OCCURENCE via a simileac vehicle.

This thinking is not entirely my own, but one informed by my interest in Phenomenology. Founded by Edmund Husserl in the early 20th century and later expanded by Heidegger, Phenomenology is, in short, interested in how objects or phenomena are perceived in the mind, which renewed interest in subjectivity across Europe, as opposed to the Enlightenment’s quest for ultimate, finite truths. By the time Husserl “discovered” this, however, Tibetan Buddhists scholars have already been practicing Phenomenology as something called Lojong, or “mind training”, for over half a millennia.

Whereas Husserl believes, in part, that a finite truth does exist but that the myopic nature of human perception hinders us from seeing all of it, Tibetan Lojong purports that no finite “truth” exists at all. In Lojong, the world and its objects are pure perception. That is, a fly looks at a tree and sees, due to its compound eyes, hundreds of trees, while we see only one. For Buddhists, neither fly nor human is “correct” because a fixed truth is not present. Reality is only real according to one’s bodily medium.

I’m keenly interested in Lojong’s approach because it inheritably advocates for an anti-colonial gaze of the world. If objects in the real are not tenable, there is no reason they should be captured, conquered or pillaged. In other words, we are in a “simulation” and because there is no true gain in acquiring something that is only an illusion, it is better to observe and learn from phenomena as guests passing through this world with respect to things-- rather than to possess them.

The reason I bring this up is because Buddhist philosophy is the main influence of 8th century Chinese and 15th-17th century Japanese poetics, which fundamentally inform my understanding of metaphor. While I appreciate Aristotle’s take on metaphor and rhetoric in his Poetics, particularly his thesis that strong metaphors move from species to genus, it is not a robust influence on my thinking. After all, like sex and water, metaphors have been enjoyed by humans across the world long before Aristotle-- and evidently long after. In fact, Buddhist teachings, which widely employ metaphor and analogy, predates Aristotle by roughly 150 years. 

Now, to better see how Buddhist Phenomenology informs the transformation of images into metaphor, let’s look at this poem by Moritake. “The fallen blossom flies back to its branch. No, a butterfly.” When considering (western-dominated) discourse surrounding analogues using “like” or “is”, is this image a metaphor or a simile? It is technically neither. The construction of this poem does not employ metaphor or simile. And yet, to my eye, a metaphor, although not present, does indeed HAPPEN.

What’s more, the poem, which is essentially a single metaphor, is complete. No further context is needed for its clarity. If context is needed for a metaphor, then the metaphor is (IMO) weak-- but that doesn’t mean the writing, as a whole, is bad. Weak metaphors and good context bring us home safe and sound. Okay, so what is happening here? By the time I read “butterfly,” my mind corrects the blossom so that the latter image retroactively changes/informs the former. We see the blossom float up, then re-see it as a butterfly. The metaphoric figuration is complete with or without “like” or “is”.

Buddhism explains this by saying that, although a text IS thought, it does not THINK. We, the readers, must think upon it. The text, then, only curates thinking. Words, in this way, begin on the page but LIVE in the mind which, due to limited and subjective scope of human perception, shift seemingly fixed elements into something entirely new. The key here is proximity. Similes provide buffers to mediate impact between two elements, but they do not rule over how images coincide upon reading. One the page, text is fossil; in the mind, text is life.

Nearly 5000 years after Maritake, Ezra Pound, via Fenolosa, reads Maritake’s poem and writes what becomes the seminal poem on Imagism in 1912, which was subsequently highly influential to early Modernists: “The apparition of these faces in the crowd: Petals on a wet, black bough.” Like Maritake, Pound’s poem technically has no metaphor or simile. However, he adds the vital colon after “crowd,” which arguably works as an “equal sign”, thereby implying metaphor. But the reason why he did not use “are” or “is” is telling.

Pound understood, like Maritake, that the metaphor would occur in the mind, regardless of connecting verbiage due to the images’ close proximity. We would come to know this as “association”. Even if the colon was replaced by the word “like,” the transformation, though a bit slower, would still occur. In fact, when I first studied Pound years ago, I had trouble recalling whether this poem was fashioned as a simile or not-- mainly because the faces change to fully into blossoms each time I try to recall the poem.

Now let’s look at a simile that, to me, metaphorizes in the same way as the examples above, in [a] line ... from Eduardo C. Corral: “Jade moss on the tree intensifies, like applause.” The origin/tenor image (moss) is connected to the transforming element (applause). This metaphor suggests, not an optical relationship, but a BEHAVIORAL one. Both moss and applause are MASSES that accumulate via singularities: grains of moss and pairs of hands clapping to form a larger whole.

By comparing these two, Corral successfully suggests that moss grows at the RATE of applause, creating a masterful time lapse effect. Applause speeds up the moss growth, connoting rejuvenation, joy and refreshment. That something as mundane as moss deserves, even earns, jubilance, also offers a potent statement of alterity, that the smallest flourishing deserves celebration, which in turn suggests a subtle yet powerful political critique of hegemony. The poet, through the metaphor, has recalibrated the traditional modes of value placed on the object (moss). And no other context is needed for that.

You might disagree, but when I read Corral’s line, I don’t SEE an audience clapping BESIDE the moss. I see moss growing quickly to the sound of clapping. Although the simile is employed, the fusion of both elements completes the action in my mind’s eye. Like Maritake and Pound, metaphor has OCCURRED here-- but without “metaphor”. HOWEVER, the simile is still VITAL. Why?

Because the transforming element is abstract (applause) and looks nothing like moss. We don’t want moss to BE applause, we want the nature of applause to inform, imbue, moss. The line, I feel, would be quite poor if it was formed sans simile: “Jade moss is applause on the tree.” The “is” forces transposition, which is here akin to slamming two things together without mediation. We also lose the comparison of behavior, and are asked to see that moss BECOME applause, which doesn’t have the same meaning as the original. So, although the simile fuses into metaphor (via association) in the mind, such a metaphor would NOT have been possible without the simile. Similes matter greatly-- as tools towards metaphor. Why? Because (thank god) our minds are free to roam.

To summarize, one of the central strategies (and, to an extent, purposes) of the Japanese Haiku is to juxtapose two elements to test their synergy. This impulse is grounded in Shinto and Buddhist concepts of impermanence and structural malleability. That is, all things, even ideas and images, are subject to constant change-- and such change is the most pervasive nature of perception. 

The Haiku then becomes the perfect medium to test such changes. This principle is of central importance to me because it is rooted in non-dualistic (or non-binary) thinking. The poem becomes the theatre in which fixed elements can be transformed, their borders subject to being dissolved, shifting towards something entirely new-- to “create”, which is the Greek root to the word “poet”. The metaphor, then, is more like a chemical, whose elements (like hydrogen and oxygen), placed side by side, becomes water. In this way, Buddhism’s influence on my work and, specifically, my use and understanding of metaphor, is a foundational QUEER praxis for alterity. 

The reason why I emphasize the malleability of simile’s impact is that, although syntax and diction can aide a metaphor towards its more luminous embodiment, the ultimate key to its success is you, the observer. YOU have look deeply and find lasting relationships between things in a disparate world. In this sense, the practice of metaphor is also, I believe, the practice of compassion. How do I study a thing so that I might add to its life by introducing it to something else? At its best, the metaphor is what we, as a species, have always done, at OUR best: which is to point at something or someone so different from us, so far from our own origins and say, “Yes, there IS a bond between us. And if I work long enough, hard enough, I can prove it to you-- with this thing called language, this thing that weighs nothing but means everything to me.”

In the end, it is less about how you set up your metaphors (you will eventually find a way that suits it and you) but more about how you recognize your world. THAT is not easy to teach-- it comes with patient practice, with a committed wonder for a world that at times might be too painful to look at. But you must and you should. Good metaphors, in the end, come from writers who are committed to looking beyond what is already there, towards another possibility. This calls that you see your life and your work as inexhaustible sites of discovery, and that you tend to them with care. That’s it. That’s the true secret to a strong metaphor: care.

Lastly, I want to recommend the work of BIPOC poet and theorist, Thylias Moss, who discovered the Limited Fork Theory, a theory which suggests that the mind engages with the world, and especially with ideas, including text and art, the way the tines of a fork engage with a plate of food. That is, only so much can be held on the work/mind with each attempt to consume, and that no “work” can be possessed in its entirety, which I find happily congruent with Lojong. What a wonderful anti-imperialist and forgiving way to engage with our planet and its phenomena. Thank you, Mrs. Moss! 

And thank YOU for sticking around through my little seminar. I hope this has been helpful. Again, this is just my 2(5) cents! Now I’m going to sleep for four days. In the meantime, me-ta-phors be with you. [concludes with a pixel gif of Obiwan Kenobi with a blue light saber]

[ramblings-of-a-mad-cat]

A morbid thought hit me just now, how many romance sidequests do actually hold up? Like thinking on it I only love two of the six, and kinda like one. Over half of the romance sidequests have been duds! O__O

I don’t quite agree that they were all duds, but some of them were pretty bad, and others didn’t quite live up to expectations. Let me take a look-through: 

The Celestial Ball is probably my favorite overall, even to this day. It just holds up really well, and it doesn’t really have any problems that the other quests don’t have as well. (The recycled dialogue, for example.) I think the success of this one comes from the focus on the event, preparing and enjoying it with our friends. This one is the best TLSQ out of all of the others overall, but it’s not necessarily the best Dating TLSQ, if that makes any sense. Because it plays things more ambiguously. It stars Penny, but her inclusion makes sense for the character and the rest of the cast does get adequate screen-time. The only thing is that, once you’re at the Ball, you wind up spending most of the night with Penny except for one scene with your Love Interest. So it winds up feeling like you’re on a Date with Penny regardless of who you pick, but again, the lack of overt romantic themes make that easier to swallow. Andre being the Style Wizard is introduced here, and he comes up with three boss outfits. Not to mention, Rowan gets a bigger role, and their relationship with Ben comes into play. Bill x Rowan gets teasing, too! How could I not love this one?

The First Date TLSQ is much more steeped in romance. Not just in the sweet and wholesome moments, but also in the high school drama, alas. It was the quest to introduce cutting characters and it removed three of them, while only adding one in return. So it’s got that working against it. The whole premise of MC writing the note is just so damn silly. I can laugh at it, but it really doesn’t make sense, especially since half of the options aren’t even in their Potions class. Tonks and Charlie, for as much as I love them, really need to work on their social skills because guys, guys, guys. What were you thinking? Characters expressing sadness that you didn’t choose them is an interesting concept, I’m both relieved and a little disappointed that they never explored this more. The scene in the courtyard at night was nice enough to make everything else worth it, but the whole idea that MC’s love interest might not like them anymore is a bit hard to go along with. One final plus though, is that this quest has the best outfits to choose from, period. I know it’s subjective but damn, Andre really outdid himself this time.

Valentines Day I...oh boy. The culmination of so much I don’t like. This quest started the tradition of having all of the love interests needlessly confess to MC, taking up valuable time for a reveal that doesn’t matter if you don’t choose the character and makes things awkward...and also doesn’t matter if you do choose them because it removes all tension and  honestly? If the character is available, I already know they’re going to say yes. Penny acts like she’s drunk during the entire quest, and not in a charming way either. It really gets to the point of being out of character. And Gilderoy. Fucking. Lockhart. He is so annoying. Jam City got so caught up in featuring any canon character they could, that they never stopped to realize no one wanted to see this guy and watch him consume most of the screen time. He gets away with stealing MC’s story at the end, as well? Like, what? How? The Greenhouse scene is one of the most beautiful to be depicted thus far. It honestly makes the entire quest worth it...but it doesn’t save the quest, and I maintain that it comes out of nowhere. It’s a brilliant standalone scene...but it doesn’t make up for the final sin: Tulip is omitted for absolutely no given reason and as a major fan of hers, I am not happy about this. 

The Festival TLSQ: Better than First Date and Valentines I, but not as good as the Celestial Ball. The story is more fun, especially with the added feature of outside classes. I like the overall carnival feel of the event, but I kind of wish this game didn’t constantly centralize MC, Penny, and Merula. Especially in the dating quests, with the whole concept of the election. Why is MC on the ballot if they didn’t run? Why can they only vote for two of the potential love interests? I know it’s a personal thing and it really kind of started in Valentines, but Andre’s outfits appeal to me less and less as time goes on, and he’s making fewer of them. That being said, I much, much prefer the concept of a “Secret Admirer” to just having everyone confess to MC, and “I think about you gobs” still makes me laugh every time I hear it. Lockhart does show up again and his sequence absolutely frustrates me. Like, he doesn’t stay as long as he did the first time and we do get to kick his ass...but why would he even dare show his face again after the botched memory charm? Why is anyone even listening to him or letting him hog the spotlight? Why is he here? Damn it, just let me and my date play around with painting our faces! I whine, it’s true, but this one is still miles better than it’s predecessor. It adds new characters, quite a few of them, and it also stars Andre. He normally doesn’t get the spotlight, so these things really work to the quest’s favor. 

Valentines Day II: This one is far from being the best TLSQ we’ve ever had, but I actually do think that on the whole? It is the best Dating TLSQ we’ve had. It really captures the theme of falling in love, and the feeling of being a Valentines Day episode. The whole storyline about Pince and Filch? I really like that! The fairytale, storybook motif? It kinda really works! We once again have everyone outright confessing to MC, but I’m just gonna ignore it. The outfits look pretty damn good actually, but I am heartbroken that Luca can’t wear that skirt. Ah well, at least gals can wear the suit. The characters just work together well in this quest, there’s a sense of comradery in putting together the event and melting Pince’s frozen heart, right down to putting Filch in that hilarious outfit and dying Mrs. Norris pink. The whole plot being a reference to a rumor from the books is great. And yeah, MC’s date would have had absolutely no time to set up that whole set-piece in the library but what do I care? It was a really sweet moment. That’s just what works so well about this quest - it’s sweet. Between MC and their Date, between Filch and Pince...it was just a fun story to watch unfold, and at the end of it all, you get to celebrate with your love interest. 

Enchanted Kiss: This one had such a promising start. I love the whole concept of MC auditioning for a play, actually putting on a production, and being cast alongside their love interest to be the romantic leads. It’s not even a “dating” TLSQ technically since you don’t go on a date with your chosen character. But you get to choose them early on and ignore all of that confessing nonsense. You get to work toward putting on a play. You get to work toward saving it...but unfortunately, that’s when it all goes wrong. I’ve said my piece about why it was a terrible idea to make everything about MC, and that kind of infected the rest of the quest. There are no outfits for any of the dating options, nor does MC even get to choose between outfits this time. Little details like that combined with how quickly this one came out after the last one lead me to believe they were perhaps rushing to get it out and I don’t know why. They went to the trouble of coming up with that adorable animation for the enchanted kiss...and they couldn’t have put a lip kiss in it, at the very end? Come on Jam City, you know that’s what everyone really wants! It’s the same as how they tease the idea of MC and their Date saying “I love you” for the first time, but this doesn’t happen either. It just started so well and became very disappointing, but it was still fun overall. 

[varricmancer]

Lost And Found  | 4

Also available on AO3

Pairing: Varric Tethras x OC

Summary: Instead of the nothingness she had craved, Crystal woke up in the world of Thedas. What had once been merely a story that she loved now seemed very real and she was right in the heart of it all. She soon finds a reason to live again and a love in the arms of someone as quietly broken as her.

A/N: Okay, a million years later and here is Varric's POV. It's a bit choppy, but I meant for it to be like that because it's, ya know, from his POV. It's not a retelling of events but simply a glance into his mind. Also, he's a man - and a horny bastard at that - so there's a bit of nsfw thoughts going on in this chapter. Lots of body appreciation. I love writing characters that are already whipped and can't figure out what that means lmao. You poor sod, you had no chance.I'll try to be faster with the next chapter, because I'm just as excited as you guys to see what's happening

A wave of relief spread through the party as the clanging of swords and crinkle of lightning were silenced. As one, they holstered their weapons and strode back to the waiting wagon and the rest of their traveling companions.

Varric spared a glance for one of the bodies lying still as he passed - an unfortunate young apostate sporting one of his arrows in his chest.

Killing never got easier, never mind what kind of bullshit he spouted. No matter that it was his life or theirs - he’d still be seeing the startled green lifeless eyes of a boy barely reaching adulthood in his dreams, along with all of the countless others that already haunted him.

He sighed wearily and climbed back onto his pony, adjusting his saddle sore ass as well as he could while he waited for the party to get back into position. The wagon of supplies and it’s guards were back into place behind him soon enough, with the Seeker and “The Herald” leading in the front.

The group of fighting Templars and Apostates were cleared from the road ahead which lead to their destination of a little hamlet called the Crossroads. By all reports, it was a tiny village barely worthy of even being called that, but due to its position (and that fact that Redcliffe was unreachable at the moment), it had become a sanctuary for refugees and the wounded.

A chantry mother had sent word to Haven asking for help with protection and supplies. Apparently, she’d even asked for the Herald to come himself. They’d all agreed it was an excellent chance to get word out about their newly formed band of do-gooders and let the people get a look at Maxwell Trevalyn, the freshly dubbed Herald of Andraste.

Varric wasn’t too sure if it was true, but he’d also seen too much shit throughout the years to rule it out completely. Regardless of whatever lofty title they were trying to burden him with, Maxwell still looked like a scared kid who just happened to be in the wrong place at the right time. However, the way he worked hard and silently accepted leadership despite being completely out of his element reminded Varric of Hawke in their early days - if he were tamer and had been raised as a pampered nobleman, that is.

The point was, Varric had taken one look at the kid and known he wasn’t going to be going home anytime soon. This Maxwell was going to make a name for himself and spawn a tale for the ages, he was sure - if he had the right kind of people watching out for him. He was getting too old for this shit and wanted to go home, but he felt like this kid was going to need someone in his corner. And this whole situation felt off in so many ways that he’d probably feel guilty if he did try to leave.

So that's how he found himself traveling around the godforsaken Hinterlands -  saddle sore, sunburnt and with a newfound hatred of bears - towards the beginning of their adventure. At first glance, this was simply a goodwill quest - show up and shake some hands, pass out food, kiss a few babies - but that group of apostates and templars that had been blocking the road were troubling. Sadly, he knew who to blame for it.

When the Crossroads came into view, he finally realized how much they were needed here. The chantry mother hadn’t mentioned how dire it really was or he suspected they would have sent help earlier. The people walking around were gaunt and dirty, many of them sporting bruises or missing limbs. They all looked severely malnourished, more so than the usual peasant. The moans and screams from the wounded were near-constant, adding to the practically visible cloud of desperation over the village. Add a bit more sewage stench and some unreasonably large rats and it would be just like good old Darktown.

They were able to spot the bright plumage of the chantry members working with the wounded and quickly made their way over to them. Villagers watched them with dawning hope in their eyes. A few of them started to cry and some of the children had even begun to cheer.

This. This was why Varric kept putting his own ass on the line all the time.

While Maxwell and Cassandra spoke to the chantry mother, Varric and Solas helped pass out the goods to the villagers. Soon enough, the pain in the ass bear that had attacked them earlier was chopped to bits and passed out among everyone to be cooked for the evening meal. Blankets and soaps, grain, and potions were all tearfully accepted by the people he handed them to. He may not be a very good man, but the joy he found in helping these people assured him that at least he wasn’t a bad one.

He was just handing off the last of the goods when Maxwell strides over, the weathered mother walking behind him imperiously.

“Everyone, this is Mother Giselle. She has some interesting news,” Maxwell grins, practically bouncing on his heels.

“Is it that everyone here is standing on death's doorstep? Because we noticed,” Varric drawled.

He was technically Andrastean, but that didn’t mean he let corrupt clergy off easy.

Her only tell that the words hit was a slight tick in her jaw as she nodded once.

“The situation here is deplorable, however, with the status of things we were unsure of where to ask for aid. I took a chance when I heard the hands of the Divine were involved in your “Inquisition.”

“And we are happy to help,” Cassandra stated as she rejoined the party. Her raised eyebrow towards Varric was something he’d long ago interpreted to mean behave .

“Yes, well,” Maxwell cleared his throat. “Mother Giselle says that another fell from a rift. A woman, no visible marks though.”

“An abomination perhaps?” Cassandra muses, standing straighter and placing a light hand on her sword.

“She appears to be a regular woman, free of magic or any signs of corruption. She fell from the rift and beyond a few broken bones and a few odd quirks here and there, nothing seems off about her,” Mother Giselle answers with a weary sigh. The way that she’d said ‘odd quirks’ like just mentioning them gave her a headache made Varric want to meet this woman very much.

The mother waved them away like annoying gnats soon after, with instructions to ask around for information on the area and what they could do to help. He supposed it was too much to expect her to already know that kind of (extremely important) information.

Thankfully, they found a soldier called Corporal Vale that seemed more informed and actually cared about taking care of the people there. Between him and a few others that piped in their opinions, the party discovered that what the people of the crossroads needed most right now was food and protection from the increasingly cold nights. They’d get a nice reprieve with the supplies that they’d brought from Haven, but that still wouldn’t be enough.

“I heard ye’re wanting to be put to work. I reckon I have a thing or two for ya,” a man called out as he strode towards them. They had just been discussing where to go from here, so anything was helpful.

“Of course, good sir. How may we assist you?” Maxwell plastered on his charming court smile, which seemed to have little effect on the man. Not that surprising considering the fellow looked as rugged and of the land as they come, and Maxwell reeked of privilege.

He grunts and looks over their little band as though he found them wanting, but good enough for now. His gaze only showed a sliver of appreciation when they landed on Cassadra (how original), then he seemed to meet Varric’s eyes straight on as though he assumed that he was really in charge.

“The goods that you brought us will help for a few days, but we’ll need more if we’re to recover enough to get back on our feet. Our lass Crystal says there’s a flock of rams over the hill. We’ve been unable to do any hunting what with the fighting all about so we’d appreciate if you brought in a few.”

“Of course,” Maxwell nods. “And you seem to know Crystal well?”

“Aye, I’m the mayor of this little corner. Know all my people. Whatever that daft old mother has been filling your head with needs to be ignored. Crystal is just a sweet and quiet lassie doing her best.”

“Oh, yes of course. We simply wanted to meet her.”

“After the hunting, if you please. She’s one of the ones that's been giving her rations to the little ones and I’ll not have her interrogated on an empty stomach.”

This Crystal must be quite the woman to inspire such loyalty despite her origins, Varric muses.

He can tell Maxwell has more questions, but with a few whispered words (orders) from Cassandra, they head off to hunt.

****

It was dark by the time they made it back and The Crossroads already appeared refreshed. There was a massive bonfire in the middle of the road where numerous pots and spits were working overtime to prepare the food they’d brought earlier. Kids were running around screaming and laughing as their parents watched with obvious relief. A few had even set up some rickety old instruments nearby to liven the place as they celebrated their newfound hope.

Several villagers rushed to greet their wagon and relieve them of the burden. They’d easily hunted down ten whole rams, stopping when it seemed like it would be enough to feed them for a few days and have enough left to preserve.

Varric wished there was more he could do at the moment, but he promised himself he’d write a few letters once they got back to Haven. A few favors called in and a bit of coin spread around and he’d have this little Hamlet healed in no time. And best of all, if he did it using the right channels, no one would know that Varric and his cursed bleeding heart was responsible for it.

Cassandra and Maxwell got pulled into a conversation with the Mother and the mayor (who had finally introduced himself as Giles) that Varric ignored as unimportant while he observed everyone else instead.

They already seemed in awe of Maxwell, sneaking glances his way with eyes shining with admiration. A few whispered words here and there would make today’s rescue seem more romantic than passing out a few slabs of dead sheep. It was always amazing watching the beginning of a legend be born.

His eyes flitted from one person to the next, all of them looking fairly similar as lower class humans tend to do. The sun-burnt skin, hunched backs, callused hands. The men smiling with three teeth left and the women looking haggard and drained after at least fifteen pregnancies.

It wasn’t until a couple of men moved to the side that he noticed the lone figure in the back.

At first glance, she was just as average as the rest. Peasant clothing without a shred of adornment anywhere. Injured somehow, as she had her left arm in a linen sling.  Normal brown hair and eyes, pale skin, thin lips. But something was telling him to take a second look, so he did. And then he began to observe the little things. The way that her skin was free of marks except for a few freckles, no sun-burnt patches, and semi-clean like she at least made an attempt to wash up here in the wilderness.

Her hair was basically average brown and pulled into a no-nonsense braid, but it was so long it reached her waist and when it caught the light of the fire it shone with a fiery copper highlight, as though to hint at hidden depths. Her eyes glinted like amber, big and trained on his party with just as much wonder as the rest of them. He thought they rather reminded him of Halla eyes. He didn’t believe a woman would find that complimentary though, so he’d try to think of something else.

Her lips were thin but appeared soft and kissable (where the fuck did that thought come from?). She smiled a little when she looked at Cassandra, and he noticed she had some of the whitest teeth he’d ever seen, bright and straight. A full set, too. Even he was missing one after a brawl a few years ago.

And that body! Andraste’s ass, he hadn’t seen a body like that on a human female outside of brothels. He’d bet that before she’d been forced to essentially starve she’d been voluptuous , but even now she was a good handful. Peasants never had this much meat on their bones, so that was his first hint that she was not like the rest. She was short, boasting only an inch or two above him, but he thought that maybe added to the appeal.

Those tits looked like they were trying their best to burst out of that ill-fitting dress, and the backside wasn’t faring much better. And the way that her waist curved in before flaring out into hips made for a man to grab onto.

Shit.

He glanced down at his pants, grateful that between the darkness of night and the constriction of the leather, his growing problem shouldn’t be too obvious. He shook his head and went back to studying her.

Her most damning feature, however, was her hands. You could tell a lot about a person by their hands. His were callused and scarred, with ink permanently staining his nails. The average human peasant’s hands were even worse, usually the color of leather from their life working outdoors and short jagged nails were practical.

Hers were so tiny he could easily fit them both in one of his hands and have room to spare. He could tell how soft they were even from here. Pink and not a spot in sight, with nails that were long and rounded, with flecks of pink on them like they’d once been painted (something he’d only seen done in Orlais).

A lady. And despite her small stature, definitely a human. Why was she here?

He crept through the crowd, trying to draw as little attention to himself as possible until he made his way to her side.

“It’s always us short ones that get stuck in the back, huh?”

He patted himself on the back mentally for such a smooth intro. She turned to him and he was struck by the emotion in her eyes. She was excited to see him ? She could be a fan, he supposed, but not many actually knew his face.

Up close, she was even more intriguing. He stood close enough for her breath to touch his cheek, and was amazed to smell clove and peppermint. Third hint that she wasn’t from around here, as human peasants always smelled like mead and rotting teeth.

He let his gaze travel over her, mostly to gauge her reaction and slightly because he couldn’t keep his eyes away from the massive mounds of flesh trying to burst from her borrowed dress. She blushed sweetly, making him feel like a lecher for a moment, but she didn’t seem to mind him looking.

Interesting.

Just as he was about to lay it on thick, Maxwell found them and drew her into a conversation. It turned out that his hunch was right and she wasn’t from around here. In fact, she was the one they’d been told about. The other “Fade Walker.” She didn’t seem to be touched by the experience like Maxwell had been, but the fall from the rift had been what injured her.

Her voice when she talked to Maxwell was quiet and shy like she wasn’t sure they wanted to hear what she had to say. Her body language was like she was primed for flight the moment one of them made a wrong step, even as she practically begged for their help. In fact, she reminded him of the injured dove that Fenris had rescued once. Dog had injured the bird’s wing and Fenris had taken it in and patched it up. It had been a timid little thing, jumping over every sound. But it was sweet and would trill and coo whenever Fenris spoke to it.

Varric frowned as he listened to them talk and stood at her side as Solas healed her fractured wrist, feeling a strange sort of protectiveness well up inside him. The feeling itself wasn’t unfamiliar - he was protective of his friends, of his dumbass brother, of Bia - her . But he barely knew this woman.

Maybe it was just that she seemed so...vulnerable. So soft. Every emotion played out on her face like she just wore her heart out for everyone to see. Anyone with decent skill in observation could tell this was the sort of woman that you protect from the world. That you keep safe behind walls filled with love and laughter, flowers in her hair and children at her feet.

It had been a long time since Varric had ever seen such a woman. Had he ever?

Even with the reveal of her “knowledge,” he could tell that she’d only held the rest back out of fear. Either that or she was literally the best spy in all of Thedas.

When they’d finally left that evening, he’d thrown her the sending crystal on a whim. He’d been holding onto that to give to Maxwell, and they were not cheap or easy to come by. However, he’d noticed her anxious gaze following him as they walked away and had again felt that urge to protect. Anything could happen and they’d be gone for an entire week. He sincerely doubted she knew how to even hold a knife, let alone protect herself with one.

The nightly storytelling was to reassure himself as well as her. He was sure letting Crystal hear them talk would ease any worries she might have about traveling with strangers. And when she silently answered and let him talk, he knew it was still in her possession and everything seemed fine. If something happened, he hoped that she’d be able to figure out how to use it and alert him. He’d have the apostate elf figure some way to get back quickly since he had the look of someone who knew more than he let on.

****

A week flew by and their party was growing increasingly hopeful about Crystal’s “usefulness” to the inquisition. Varric had to grit his teeth and clench his fist to keep from hitting Solas every time he used that word in conjunction with her. “Useful.” Like she was an item instead of one those that they were meant to protect.

Her notes that she’d shared had been really good, however. They’d managed to close down the rebel camps and clear the roads, took down a creepy green demon thing, and gotten a decent amount of horses to tide them over until they completed Master Dennett’s tasks.

Maxwell had declared the night before that they would take Crystal with them when they left for Haven. Varric knew that once they got there he’d have to watch out for the Nightingale, but at least he felt better about leaving her in a place surrounded by people he semi-trusted while he fought the good fight. Why he felt like that was his responsibility to worry about, he still hadn’t quite figured out.

It had become a little clearer, however, when they’d finally reached the Crossroads again and there’d she’d been like a ray of sunshine waiting for him. Maybe this protectiveness over her was 85% his cock’s fault, he thought, his pants tightening as she neared.

She looked a lot healthier since their last visit, obviously having made good use of the rations they’d left. Her eyes were bright and full of genuine happiness, smiling up at him. She’d let her hair free today, and it fell in luscious waves to her waist. Her clothes were once again borrowed and ill-fitting, but obviously the nicest she had. If it was possible, it seemed even tighter than the last dress, her modesty being miraculously saved by a worn strip of leather around the bodice.

It was strange how he felt like he could breathe properly now that she was in his sight. Had he been that stressed before? What was it about this damned woman? There hadn’t been anyone that had stirred him this much since...her .

And she was so easy to talk to. She spoke mostly only after someone else had spoken first, but she took his flirting in stride and offered witty responses. But every reaction to his touch and heated gaze seemed genuine and refreshingly honest. No practiced teasing he was used to.

And much later that evening was when he realized he was in trouble.

With a capital fucking T.

Because he’d been teasing her with the shirtlessness and letting his hair down, he’d admit it. If he was going to share a room with her for the night he wanted to play a little. Her reaction to him was flattering. So no one could blame her if she’d been trying to tease him back.

And that had been his first instinct when he’d turned to face her standing in front of the fire. That she’d finally shown her true colors and was asking for it. Begging for it. He’d been one step away from throwing her onto the bed and making her scream.

Until he’d looked at her face and seen the genuine innocent embarrassment of a lady. It had taken everything in him to calm down and let her run past him towards the bed. The damage had already been done to his mind, though, as everything the chemise had revealed to him was imprinted there like a tattoo. The dusky rose nipples firmed by cold, every inch of unblemished skin begging for his mouth, the strange nakedness of her mound.

He was sure if he played his cards right he could have her. Say a few things that women like to hear, promise a bauble or two, and she would let him fuck her. He wasn’t a saint and he’d done it before.

But there was something about the way she looked at him with such...admiration. Maybe even a little wonder and, yes, even a little attraction. He’s seen it all before, of course. He’s Varric Tethras - famous author, the right hand of the Champion, and heavy player in the underworld. Having people offer themselves for a night was a regular occurrence, and he was silver-tongued enough to get anyone else he might want.

With her, he just couldn’t do that. Couldn’t watch the trust and admiration fade from her eyes. She probably wasn’t as “innocent” as she seemed, but she certainly wasn’t one of his usual types of paramours. She was the type you kept, the kind that could wrap themselves around your heart so tight you couldn’t exist without them. He’d been there before and didn’t think he could survive that again.

****

Varric couldn’t seem to stop his gaze from straying to the newest member of their crew as he spun a (only slightly embellished) tale to entertain them for the evening. He was used to his audiences gasping in shock or staring raptly with excitement. Instead, she was watching him with a smirk that tilted her pretty lips, like she knew he was full of crap and was letting him spew it all anyway. But even more captivating was the look in her eyes - warm and fond, dangerously so. Like all he had to do was say the right words for her to tumble into his arms.

It was a look that he was growing increasingly familiar with over the past few days as they traveled back to Haven. And the idea of talking her into his bed was also becoming a regular thing. No matter how many times he told himself no, how often he argued with his own damn self explaining all the perfectly sensible reasons he shouldn’t, it still floated around in there.

Three days of taking up the rear of the party so she and her giant nug would be protected in the middle were beginning to take its toll. Because back there he had a perfect view of her.

He could see when she was amazed and cooing over some new sight. When she giggled because her stupid nug stopped in the middle of a trail to eat a flower. When she and Maxwell would chat about art, something she seemed educated on. When she tried so hard to fight off her exhaustion, yawning and stretching her arms until he thought her shirt would finally pop open.

And that damned shirt. It was his , and she had no right to look so appealing in it. She hadn’t had enough clothing with her so he’d tossed some spares to her and he’s regretted it ever since. The pants stretched over her legs like a second skin, cupping her ass and luscious thighs. The shirt was made with a purposely low v on the front since that’s how he liked them. On her, it was damn near scandalous. Her cleavage was out there for everyone to see. She looked incredible . And he was suffering .

“I said what do you think, Varric ?”

The louder than necessary yell near his ear jolted him from his thoughts. He turned towards Cassandra, the annoyance on her face comfortingly familiar.

“Pardon, Seeker. I got lost in the story. Did you need something?”

“You finished the story at least ten minutes ago. We were now discussing arming Crystal,” Cassandra scoffed, her disgust with Varric’s apparent lack of awareness evident.

“Arming? What for?” He tried for nonchalance, the thought of sending her into battle raising his hackles.

“Protection, dwarf. I only have so many eyes and if we get ambushed there’s no guarantee we’ll be able to protect her completely. She says she’s never handled a weapon before. What should we start her with? A dagger, perhaps?” Cassandra stares at Crystal in thought.

The woman in question scrunches her nose. “I suppose so. It’s small enough that I could handle it, I guess. But actually stabbing someone?” she shivers.

“A dagger is handy to have on hand, of course. I’d prefer you to be farther away from any combat, though. Take up the rear with me,” he suggests. He'd rather her be somewhere he could keep an eye on her, and right at his side seemed like the best idea.

“Like a bow and arrow? I know for a fact I can’t pick up that monster of a crossbow.”

Varric chuckles, suddenly warming up to the topic. He didn’t want her fighting, true, but it would be good for her to be prepared.

“I have a regular bow I’ve been holding onto. I was going to see if someone back in Haven wanted it since it’s decent. Hold on.”

He grunts and stands up, walking over to his pony to rifle around the packs. He pulls out a medium-sized bundle in leather, unwrapping it as he walks back to her. He pulls out a bow and hands it to her to look at.

“Its a Dalish hunting bow. I think it was made for a kid. Compact enough for you, though. Woods sturdy. I restrung it myself. And I think the carvings are just birds, nothing religious,” Varric explains, hovering by her shoulder as she looks it over.

“You’ll teach me?” she asks softly, the beginnings of a smile tilting her lips.

“Anything you want, little dove.”

The words flew out of his mouth before he could stop them, his eyes meeting her’s as they wore matching shocked expressions.

She stared at him and he felt not for the first time that she could see every inch of his tarred soul...and somehow still felt like smiling at him?

Her grin was tiny and shy, but it was there, making him puff out his chest like a fool for pleasing her.

“You’re the best,” she said softly then turned back to coo more at her new bow.

He wasn’t. He knew he wasn’t the best. He wasn’t even good.

But she made him want to try.

****

Some questions you probably have now:

1. Why do you keep writing Giles like he's from Scotland? - I dunno either, bruh. He writes himself and he decided he liked the word lassie. But notice that he can sometimes string a whole sentance together perfectly normal. It's like that on purpose. He's hiding something, I'm sure of it. Who stands in the middle of the road all day long and just watches people. Suspicious.

2. Why is Varric always talking about tits and ass - he's a dude. 97% of their thought process comes from their dick. Real science numbers. Totally didn't make that up.

3. It doesn't make sense. How can he like her this much already? - You're seeing into Varric's confused brain right now. He doesn't know what's going on either. Sometimes it be like that.

4. I thought you weren't going to make Crystal some bad ass warrior chick? - I'm not. But it's also unrealistic to not be able to arm yourself somewhat in such a wild land. Varric's watching out, don't worry.

5. Why does he keep calling Bianca "Her"? - I think there's a lot of stuff that's going on in Varric's giant noggin. For him, the bow is a safe way to say the name. Keep her in his thoughts without really thinking of her. But thinking of her name when it applies to her the person makes him think of...well, her. Does that make sense? It's a mental health protection thing, because minds are curious and we all have strange quirks up there. Separating the two in his mind helps keep him sane.

ANYWAY, I hope you all enjoyed! PLEASE PLEASE PLEASE comment! Even just a couple words. I need to know how I'm doing so I can improve future chapters. I can't wait to delve more into these two.

[suffering-and-happy-about-it]

Nicole's Rambling: The Avengers Problem (for PS4)

Let's start with the usual chanting: ❗this is my opinion, it's biased as hell (since I grew up with Marvel comic books and movies) and you don't have to agree❗

I was wondering why Avengers game gets so hated... So I took a look and I played it myself. Let’s have a look.

SPOILERS AHEAD

First off: the game isn't in any way horribly bad. It's just a button smasher with a story that has its good and bad beats. It's not memorable at all, but it could've gone way more downhill in my opinion.

At the start of the game, you meet the mighty Avengers through child fan's eyes - it's pure fanservice and let's be honest, it's dope. It was sweet, but pretty dragged, to be honest. I really didn't need to play as all five Avengers (HAWKEYE IS MISSING, AGAIN) in the first hour of the game, but sure, why not?

For the most part, you see the squad through Kamala Khan's eyes. For those who might have not a clue who the hell Kamala is; I am not wondering about why you don't know who the hell she is. She's a Marvel heroine who outed in 2013 and who will have her own spinoff on Disney+.

And again, Ms Marvel is fine, but not memorable at all. I've never, until this day, met anyone who would say that 'Ms Marvel is my favourite superhero'. I was halfway through the game before I even realized it's Ms Marvel - AFTER SHE PULLED HER DAMN COSTUME OUT. That can be due to my utter ignorance or because I heard of her so little that I can count it on my fingers. In all honesty, I loved Kamala as the story progressed, the gal's not bad at all - but as the whole game, she had good and bad beats. There were times where I wished to play as Iron Man and the game forced me to play as her... Whatever.

Let's look at the three problems I have with this game and three positives I found in the game:

0. (Technically zero since it's a personal problem of mine) The soundtrack and the voice actors:

By any means, I am not trying to say they should hire RDJ for the role of Iron Man and Mark Ruffalo for the role of Banner... But it was so hard to distinguish the voice of Nolan North (For example: Nathan Drake x Iron Man) and Troy Baker (Samuel Drake x Bruce Banner). For me, as for a PS4 gamer, it's annoying to hear the same voices again and again in every game I am genuinely excited about (Idk how Xbox players are familiar with them). Of course, there's even Laura Bailey as the Black Widow; I feel like these are the three only people who do voice acting for games these days and sure, I should've seen that coming.

Side note: Nolan North is not a good fit for Iron Man in the slightest in my opinion, but if you like his Iron Man, that's cool as well!

The soundtrack... M A N, the soundtrack. When I heard Marvel gave a green light to the Avengers game, I expected to hear at least the iconic Alan Silvestri's 'The Avengers'. Problem with this is simple: Marvel had spoiled its consumers with good and memorable soundtracks (don't you tell me you don't remember as they all gathered for the first time). Since it was Marvel itself who gave the green light for this project, which was supposed to be based loosely on the movies' and comic book success, I hoped to get all of it.

It's not Iron Man when AC/DC song isn't playing in the background as he flies through a canyon for his life. I mean, Iron Maiden are fine; but come on. COME ON. It's not the same. It's not the Avengers (WITHOUT HAWKEYE) without their significant theme.

1. IT. BUGS. ALL. THE. TIME and the combat is incredibly repetitive:

When I was little, I was a rage gamer. I could barely play Crash Bandicoot or Rayman without losing my cool. Since then, I grew up, skilled and etc. I try not to rage when playing games since it's simply not worth it.

But when you're replaying a boring mission for the tenth part and you're almost over and SUDDENLY, the game bugs out and you lose control over the character (it starts running in circles, etc.) it sucks shit. And don't let me start on the minor bugs. Like when you don't cross the platform by one pixel and the game doesn't let you make combos when you're in the air and bug into a tree when you bug into a wall, a rock, fucking nothing... Bruh. It was released in August, shouldn't these bugs be fixed by now? The game is fucking broken, hoes. It barely feels like a game ready to launch at times.

When you're so lucky that you don't bug out in the middle of doing something, the combat... It isn't bad. It's not terrible, but the Avengers deserved something better. It didn't deserve mediocre combat that repeats itself in every level. Once you find yourself good combo, you're done for. You can use it to finish the game if you will.

2. There's too many missions, too much information and too much things player has to understand if he wants to play the game properly:

Okay, this might seem to be a little confusing; I didn't understand the game system at all when I first ran it on my PS4. There's story missions, HARM training sessions, daily missions for particular heroes, faction missions (SHIELD, Pym, Stark, etc.) and character-side-story missions, and a lot more.

Trust me, it doesn't sound that hard, but once you open the map menu for yourself... Oh boy, that's a different story. And if it only was the map menu. The inventory and such aren't too collected all together either. Before you can safely tell what is what, it will take you at least a whole afternoon. Also, the fact that game just spills it on you just like that, one thing after another, it doesn't help the overall feel.

On top of that, there are MULTIPLE currencies in the game; some even involve microtransaction. It mostly is involving the customization of the Avengers, so it's not THAT big of a deal; you can get one currency by collecting boxes and stuff, but it takes ages before you can buy one single thingy.

Also, if you would like to get stuff (very useful stuff) from factions (SHIELD and Pym mainly), you have to do in-factions daily quests, which usually require to do a certain amount of things as a particular hero (you can do some quests with Ms Marvel only, some with Black Widow, it usually involves the damage dealt while playing as a character etc.). And if you forget to fetch these minies? Well, no faction points for you, bucko.

The system feels overall too complicated in the begging and even after finishing the game, I am not certain by some.

3. The gameplay of the one and only... Natasha Romanov, and the entirety of Steve Rogers:

Right off the bat: IT. SUCKS. SHIT.

This was your shot in opening our mouths and showing why Black Widow BELONGS to the Avengers in the first place. Like, sure, storywise you proved the point, but gameplaywise... That's a different story.

Out of the bunch, Natasha feels the slowest, most clumsy and overall not too pleasant to play as. Mainly is because her attacks do... Nothing. The gun reloading is basically constant when I have to put it simply and it takes about 3-5 seconds for her to even reload; which can be a matter of life and death inside the game. Sure, she can make herself invisible; but that's like... It. It's not that it would be suffering when you are forced to play as Nat... But not a pleasant experience either.

On the other hand, maybe it's just me. I have friends who told me the same about her gameplay, but maybe there's someone who enjoys the Black Widow. It's my personal with the entirety of the gameplay.

Steve, on the other hand, isn't hard to play as. It's just fucking boring. At the start of the game, I couldn't wait to play as Steve's character. He seemed to be awesome - Jesus fuck, how could I be so wrong? As I said, he's incredibly boring and dry, his skills would do the same amount of work if they even weren't there. I think that Rogers is there just for the shock value (as a value that doesn't even work in the slightest) and nothing more.

As you learn to do the tricks and combos with them, it gets slightly better and skill tree and equipment upgrades can help almost unnoticeable... But really, Steve and Natasha are the absolute worst.

Now the reasons why the game convinced me it isn't a hot mess as I initially thought:

1. The characters, dynamics, chemistry and the overall story:

Sure, it is mainly a basic plotline, a cookie-cutter one, full of cliché - Avengers have to regroup after a traumatic event and you're the one who has to find them and bring them together.

Yet it is quite interesting; the game leads you to believe that Steve Rogers is dead after an event called the 'A-Day' (which you won't believe even if the game does the hardest to make you to, constantly remaining you that 'Oh boy, Cap died, did you know that?') and the Avengers had left to exile because they were considered as big bad for the people and the country. They have their emotional baggage and the banter between Banner and Stark (though it ends too soon), is just the thing that makes them human and relatable.

Even the villains are quite compelling; not like ultra super convincing, but the game can turn around when you least expect it to; which is definitely a huge plus.

The characters were done GOOD. The dialogues are full of personality and jokes you'd expect from each one of them; Banner is a wallflower cutie, Tony fishes for compliments all the time, Natasha is the big independent woman she always was and Thor? CHEF'S KISS, I swear. It hits the Shakespearean vibe perfectly and at the same time, he still is charming and quite funny to hang around.

Every time you can listen to a chit-chat between two characters, it is a great pleasure for you as a Marvel fan. Also, I need to say that regardless of my personal issue with the dub (regarding Tony and Bruce; since they're the people you spend most of your time with), the dialogues for these two characters are on point without a doubt. And I kinda grew fond of the in-game Bruce Banner throughout the course of the game, to be honest.

There are references, jokes, inside jokes, one-liners... The dialogue was done amazingly and that's a huge   T H A N K   Y O U  to the developers.

2. The mind-blowing gameplay of... Tony Stark and Thor and AI, while not being too bright, getting stronger as you do:

In what the Natasha gameplay lacks, these two give you exactly what would you expect and way, way more than you'd ask for. Again, it mainly reflects the personal gameplay preferences of the player; let me tell you why I think these gameplays are, in my opinion, the best.

a) Tony's gadgets and weaponry: The suit itself is bloody brilliant. Once you master the ability to attack and fly at the same time, you have the moments when you can not only feel like Iron Man - but really be Iron Man. It's not even that your gameplay would suddenly become 10x easier; it significantly becomes funnier.

b) Thor's heavy fist-to-fist and Mjolnir preferences: the Mjolnir is bloody brilliant as well. Thor's combat is mainly physically based, but when you want to throw the hammer around like the madman you are, you can suit yourself. You can use the lightning if you please and you can fly if this style of combat suits you. It's all in your hands. Thor can take quite a bit of damage, which is significantly supporting you in this style. If you accidentally drop Mjolnir? Well, call it back and smash them!

Also, regarding the AI... As I said, they're certainly not the brightest sparks in the flame; yet thanks to the power getting bigger as you level up and continue with your story and a huge variety of enemies - from turrets to flying men with flamethrowers. It is just button smasher, but a pleasing one in this regard, I must say.

3. The fanservice to comic book fans, movie fans and loyalty to the property:

As one IGN review once said... "This game makes you feel like Batman." And this game more or less accomplished it as well, but diluted and stripped down. Of course, in no way I can compare this to the masterpiece to the Arkham saga; these games are brilliant.

But there are moments when the game can just drag you inside the story and tell you: "You're Iron Man now, boss. It's in your hands." And it's there. I think the only issue was that the team of devs just took too big of a bite. I wouldn't mind stand-alone titles emerging into one and big Avengers game. That would be fun as well and I would spend my time with it gladly.

To end it: it's a mess, but a good mess you might like. If I was to rate it, would be 5.1/10 Wait until it is on sale, don't rush it. I'm overall disappointed and I most likely will forget I have ever played it.

[jesawyer]

It's become a bit of a meme lately that "Obsidian plays it safe", much in the same way that "Bugsidian" was a meme in the past. Obs. was first accused of playing it safe with Dungeon Siege 3, though at the time people thought it was just a blip. But with every game Obs. has put out since then, it's becoming an increasingly mainstream view that the "new" Obs. is different from the "old" Obs. that put out ambitious but flawed games like Alpha Protocol and KotOR2. What are your thoughts on this?

I can understand where feeling comes from, and I think a lot of it has to do with the relative ages of people in leadership positions.  Depending on the specific game we’re talking about, it’s a type of game that some of us have already iterated on 2, 3, or 4 times.  And when it comes to things like dialogue structure and quest design, there’s even more structural commonality between our projects, regardless of the underlying genre or camera perspective.

I’ve been a game developer for 20 years now.  Regardless of my intelligence or creativity compared to a junior designer, I have seen enough quests move from idea to document to alpha implementation to beta to launch to have a pretty good sense about how certain approaches are going to go.  There are some quest concepts or details that are - and I stress that I do not mean this pejoratively - naïve.  The quest designer does not, and could not, understand the technical implications of what they are trying to do.

When it comes to quest design (especially) a little bit of knowledge can be a very dangerous thing, because as with learning any discipline, it’s hard to comprehend how much you don’t know once you get the basics down.

One of my favorite bicycle frame builders is Richard Sachs.  He’s been essentially building the same type of brazed steel frames for over 45 years.  I have one of his 1978 frames and it looks very similar to the frames he builds now.  He’s one of the higher-profile living frame builders and he’s vocal about his opinions.  In an interview, he recounted interacting with a talented young frame builder who had been working for a few years, built several dozen frames, and concluded he had pretty much learned everything there was to it.  Sachs’ reaction was, “You don’t even know how to make the right kind of mistakes,”

This is one thing for a craft like frame building, where it’s often (today) one person working alone as a hobbyist.  It’s another thing in a big team environment like game development where 30-100 people are trying to work together on a big, interconnected project.  More experienced leads tend to be more conservative and critical about design, not necessarily because of some ideological stance, but because we have seen things go very wrong and we want to prevent the kind of collateral damage we have seen play out in the past.

Players remember quests like Beyond the Beef, and rightly so, because it’s a very fun quest with a lot of interesting ways to approach and resolve it.  What players don’t remember, because they weren’t there, is how long Beyond the Beef took to complete, and the impact it had on the designers’ schedule and the project as a whole.  And players don’t remember the cut content, some of it the product of months of a designer’s time, because it was hopelessly broken or inherently not fun to play through.  When I write this, it’s not to put blame at on the quest designers.  It’s my responsibility to review their work and to approve or disapprove it.

On a game like F:NV, which was almost half-my-career-ago, I very often said, “I don’t think you should do that,” or “I wouldn’t do that,” with an explanation of why and some suggestions for alternative approaches.  These days, I am more likely to say, “Don’t do that,” because I have seen 10 out of 12 soft warnings go ignored and yield some really tremendous headaches and heartaches.

In contrast, when I see young teams (and by this I mean inexperienced developers with inexperienced leads) working, I am often pleasantly reminded of what naïveté can produce - as long as you have the time and money to burn through your mistakes.

I talk with and visit a lot of teams at other companies, and there are some high profile developers I’ve visited where their design process is less of a process and more of an ad hoc “fling shit at the wall” experiment that goes on for 3-5 years.  Sometimes the cost of this is just time, which is money.  Sometimes the cost is polish.  Sometimes the cost is burning out half a generation of young developers.  Sometimes it’s all of these things.

If you’ve never been at the helm when your project goes so over-budget that the company is in serious peril, this might not seem like a big deal.  If you’ve never been in charge when the game comes out and gets slammed for being sloppy, buggy, and messy - when a reviewer straight-up says the team that worked massive overtime to get the game out “phoned it in” - this might not seem like a big deal.  And if you haven’t watched the people on your team, people for whom you were responsible, get burned-out or laid off because of crunch, or stress, or a project cancelation, it also might not seem like a big deal.

But if you have been in that position, it’s hard to see the consequences of inaction and not try to mitigate them, consciously or unconsciously, by pushing for more tried-and-true approaches to design.  I’m not saying it’s an objectively good thing, but it is, I think, a natural reaction for leaders who see things go wrong over and over.

Personally, I do hope we take more chances at Obsidian in the future, whether it’s on big projects or small ones.  Some of this will involve putting less experienced people in leadership roles.  Limiting the project scope itself also helps.  Small projects and DLCs are easier to experiment with in good conscience because the impact on the company will probably be low if it fails.  But when it comes to our big projects, our more experienced leads will have to be more open-minded about letting certain things wander a little bit.  There are additional layers of experience and perspective that I will (hopefully) gain if I remain in the industry another 5, 10, 15 years.  Hopefully that will allow me and other people working in leadership positions at the company to let people take more risks in good conscience.

I want to help people make the right kinds of mistakes.

[venusmages]

Cyberpunk 2077 non-spoiler review

Anyways here’s my writeup about my least favorite parts of 2077 for people who are interested in seeing if it’s for them. Both going to talk about content as well as gameplay. This is for PC version, too, because I know last gen consoles are suffering terribly rn and I wouldn’t recommend the game if you’re not going to be playing on PC. At least not until it’s on sale or the issues have been resolved. It really, really shouldn’t have been released on last gen consoles at all in my opinion - or at least should’ve been released on consoles LATER.

If you like Saints Row, GTA, Mass Effect, Shadowrun, or the Cyberpunk genre in general - I definitely think this is something you might want to take a peek at! I wasn’t anticipating the game until about a month or two before release - so maybe that’s why I’m having a blast - but It’s one of my favorite stories from the past decade as far as sci-fi goes. I haven’t been able to stop thinking about it, and It’s really impressed me. I can’t even go into detail about all the things I LOVE because I really want folks to experience it themselves. Just know there’s a very intricately detailed world, all the characters are memorable and insanely well realized and complex, and the story is great fun. Also made me cry like 5 times. It’s become one of my FAVORITE games very quickly.

I’d also recommend Neon Arcade if you want someone who’s been covering the game for quite a while, including the technical and game industry aspect. He does well to go into some detail and even though he’s a fan, I’ve found him to be largely unbiased. I’m not going to go into industry politics here because I feel that’s up for everyone to decide on their own terms.

No spoilers, things to keep in mind, content warnings, etc. below!

CONTENT WARNINGS and issues with plot/story

this setting is dark. very dark. if you struggle stomaching things like dystopian landscapes, body horror, physical, mental and sexual abuse, corporate and gang violence, abuse of children, harsh language, and concepts that mess with the perception of reality - this game might not be for you. It’s a very mature setting, and I don’t mean that in the Adult Swim kind of way. I mean it in the ‘oh shit, it went there’ way. In my opinion I haven’t run across anything in it that was handled distastefully when it dipped into the depressing, but dark and gritty isn’t everyone’s cup of tea and I wanted to give a disclaimer.

The game’s universe in advertising and working for the lower class also exploits sex/sex work quite a bit. This is part of the lore itself because in this universe everyone’s become desensitized to sex and violence to the point that marketing embraces it and makes it ridiculous. I feel it’s very obvious that it doesn’t condone this message and is instead a commentary on consumerism - but people still might be uncomfortable seeing a lot of suggestive stuff all over the place regardless. 

Women in game are naked more often than men - even though there is nudity for both. This is likely a mix of appealing to the Gamer Boy demographic (even though the story does NOT actually), or the fact that media is way more cool with seeing naked women than seeing full frontal nudity on men. They probably had to tone some of it down to avoid going above an M rating. 

The story is amazing, but sometimes it dumps a lot onto you at once. It’s one of those sci-fi stories that you have to really be following the names, faces, and concepts continually to get it all down. There’s a lot of betrayal, background players, etc. I think by the mid-way point I’d mostly had it, but It’s pretty dense. However it’s still amazing. You might just need two playthroughs before every tiny detail clicks - because there’s a LOT of details. 

Honestly I think it would help to read up on the lore first so you’re not going ‘what’ constantly. But people have seemed to manage fine without that also! Neon Arcade has a really nice series of videos (like 2 or 3) that get you up to speed with the universe. It also helps you decide if the tone is right for you. 

I think the main story should’ve been longer, also. I don’t mind a 20 hr story, especially in a massive RPG, but It feels like they really struggled to cram as much into that time frame as possible. It skirts the edge of being nice and concise, snappy, and tight - and needing just a few more moments to take a breath and wait a second. This is helped if you do a lot of side quests.

The straight male romance option, River, is INCREDIBLY well written but he doesn’t tie into the main plot in any way whatsoever. It’s very strange and feels like they either ran out of time with him, or slapped together a romance with him at the last second. All the other romances at least know what’s going on with V’s story - meanwhile River has no idea, and you can never tell him. He’s an amazing guy though and I highly recommend his questline. He appears in ACT 2.

In general I’d say not to bother with the romances. There are only 4 total, and while the romancible characters on their own are really well written, the romances themselves are just kinda meh. One romance you don’t even meet until act 3. I don’t think they should’ve been included in the game at all, because they definitely don’t feel as fleshed out as everything else. 

CDPR also sometimes forget that women players or gay men exist. Panam and Judy have a lot more content than River and Kerry for example. I don’t think this is intentional, they just have a large fanbase of dudebros. It only shows in the romance content and the nudity thing though.

Johnny, Takemura, and Claire should’ve been romances and I will fight to the death on that. 

There are gay and trans characters in the game and their stories don’t revolve around their sexualities. It’s very Fallout: New Vegas in it’s approach to characters: IE. you’re going to love them. All of them. 

V’s gender isn’t locked to their body type or their genitals- but to to their voice. I don’t think it’s the best solution they could’ve used but given how the game is heavily voice acted I assume that was what they had to work with. 

Some of the romances are locked to both cis voices AND body types (not genitals if I recall but body shapes). That’s disappointing but I assume it was because of scripted scene issues and/or ignorance on the dev’s part considering the LGBT NPCS are so AMAZINGLY done. There’s no homophobic or transphobic language in the game - though there are gendered curse words and insults if that bothers you. 

Some characters MAY suffer from ‘bilingual people don’t talk like that’ syndrome. But it can be hard to say for sure given that translators exist in this universe and the way they operate aren’t fully described. It’s only momentarily distracting, not enough to take away from how charming the NPCs are.

The endings are really good don’t get me wrong but I want fix it fic :(. All of the endings out of like 6 (?) in the game are bittersweet. 

Both gender V’s are very good but female V’s voice acting is out of this world. If you don’t know what voice to go with/are neutral I’d highly recommend female V. Male V is charming and good but he feels much more monotone compared to female V. 

V has their own personality. To some this won’t be a detractor - but a lot of people thought they’d be making absolutely everything from the ground up. V is more of a commander shepard or geralt than a skyrim or d&d pc, if that makes sense. You can customize and influence them to a HUGE degree, some aspects of V will always be the same.

Streetkid is the most boring background - at least for it’s introduction/prologue.

GAMEPLAY/TECHNICAL

If you can run your game on ultra, don’t. It actually looks best with a mix of high and medium settings. Unless you have a beast that has ray-tracing - then by all means use ray tracing and see how absolutely insanely good it looks.

There are color blind modes for the UI, but not for some of the AI/Netrunning segments in cutscenes. Idk how much this will effect folks with colorblindness but those segments are thankfully short. 

There was an issue with braindances being an epilepsy trigger because for some reason they decided to mirror the flashing pattern after real epilepsy tests - probably because it ‘looks cool’. I don’t have epilepsy but it even hurt my eyes and gave me a headache. Massive oversight and really goddamn weird. Thankfully this was fixed.

There is no driving AI. Like at all. If you leave your car in the street the traffic is just going to pile up behind it. It’s one of the very few immersion breaking things I’ve encountered.

Sometimes when an NPC is driving with you in the car, they’ll drive on the curb and/or run into people. It’s kind of funny but can occasionally result in something weird. Feels very GTA  - but nothing excruciating. 

The camera angle feels a little too low in first person mode when driving on cars. You get used to it though. 

The police in this game feel slapped on and I hope they improve it. Right now if you commit a crime, you can never tell what will actually trigger it. And if you just run away a few blocks the police forget about it. 

Bikes are just way more fun to ride than the cars are. 

You CANNOT respec your character after you make them. Ever. it sucks. Go in with an idea ahead of time what you wanna do - it’s better than being a jack of all trades.

as of now you also CANNOT change their appearance after you exit the character creator. This, also, sucks. Make sure you REALLY like your V or you’re gonna be replaying the openings over and over like I did. 

Photomode on PC is the N key. Had to look it up. The mode itself is great though

Shooting and Mele fighting feel pretty standard. I don’t have a lot of shooter experience besides Bethesda games so anything feels better than that to me. So far I’ve enjoyed stealth and mele the best, but that’s just my own taste! The combat and driving aren’t groundbreaking by any means, but they’re still very fun. I look forward to running at people with swords or mantis blades, and zipping around the city on a motorcycle to see the sights. The story, lore, and interesting quests and characters are the real draw here.

I haven’t encountered any game breaking bugs in 80-ish hours of play time. One or two T-poses, a few overlays not loading or floating objects - but nothing terrible. Again, my experience is with Bethesda games. This is all usually fixed by either opening your inventory and closing it again, or exiting out and reloading your save. 

The C button is mapped for crouching AND skipping dialogue by default. That’s terrible. Change it in the settings to be HOLDING C skips dialogue and you’ll be gucci.

There’s apparently a crafting system. I have never been inclined to touch it. But I also play on easy like a pleb so IDK how it all scales otherwise.

The mirror reflections can be a little bit weird, at least on my end. They always end up a teeny bit grainy despite my computer being able to run everything on Ultra Max. You can still get good screens out of it though!

So many people text me to sell me cars and I want them to stop. Please. also the texting menu is abysmal. The rest is ok tho

It’s pretty clear when you’re going to go into a ‘cutscene’. all cutscenes are rendered in-engine BUT you often will be talking to other characters at a specific angle or setting. The game locks you into this usually by having you sit down. It works for me - after all we do a lot of sitting- but it IS very obvious that it’s a way for the game to get you in the frame it wants to display.

That’s all I can think of rn! If you’re interested but wanted to get a slightly better idea of whats going on, I hope this helps. I’m really enjoying it and despite my issues it’s exceeding my expectations. I’m going to be thinking about and replaying this game for quite a while. 

[soakinforsif]

Just Let Logan Read 2020 (1865 words)

Quick A/N before the fic, this is set outside of canon in what I call ‘everyone gets along verse’ inside my head, and I have put them in my version of the ‘mindscape’, where they can go into the real world to interact with Thomas, but they can’t interact with anything from the real world that Thomas hasn’t (in the case of this story, that applies to books) Logan uses they/them and Virgil uses ze/zem/zir because I said so and NB sides rule. 

All of the sides and THomas (except Roman, who is referenced) are in it and sympathetic, besides that, TWs for implied nudity and kissing. Please let me know if there are any others I need to tag!

Logan finally set aside the last of their work for the foreseeable future. They’d been working just about nonstop for the past week, trying to catch up with their normal scheduling and editing as well as trying to assuage some of Thomas’s fears about the quarantine. Now that they had some free time, they wanted nothing more than to curl up with a new book and a cup of tea. The problem with that, was that being an actual human’s ‘side’, and thus not having access to the real world past Thomas’s experiences, they could not read any books that Thomas had not, and therefore needed to convince Thomas to read something new, preferably a horror book, their favourite genre. 

Logan did briefly worry that reading a horror book, and by extent Thomas reading a horror book, might worry Virgil even more about the current pandemic, but they had an arsenal of research on escapism to defend himself, and Virgil had a very good support system in place in case of this, having recently reconciled and resumed zir romantic relationship with Janus and Remus. Logan was very glad to hear this, as they cared about the anxious side very much. (This care was, in part, due to Logan being head over heels in love with zem, although you’d have a hard time getting them to admit even a slight romantic attraction.) 

The much more pressing obstacle that Logan expected in his quest to finally get to read was Roman and Patton. Unlike the former ‘dark sides’, the two of them had been together for quite some time. The longevity of their relationship had done nothing to curb their enthusiasm, however, and they spent a great deal of their time together, and in spare time for them all like this tended to engage in rather grandiose displays of their affection. 

Due to this, Logan decided that if they wanted their quiet afternoon of reading, they would have to ask the two lovebirds to tone it down for a while, please and thank you. 

They chose to approach Patton (assuming Roman wasn’t already with him) mainly arbitrarily, but also because Logan was a bit worried that asking Roman to tone down his… romantic tendencies might offend him somewhat (especially in conjunction with their rather blunt phrasing) 

They knocked on Patton’s door, barely having time to bemoan about the peeling stickers covering it to themselves before it opened. 

“Heya, Logan!” Patton greeted, smiling, “Finally taking a break?” Logan smiled back, 

“Yes, Patton, thank you for your concern. I actually came to ask a favor, if that’s alright?” 

“‘Course, Lo! Whatcha need?” Patton looked just as happy, if maybe a little concerned for Logan, and they had to take a second to remind themselves that they weren’t asking for that much really and that they are not a burden before they spoke again 

“Um, I was wondering, if it’s not too much trouble,” Patton was looking increasingly concerned for Logan, 

“If you and Roman could, um, tone it down? With the romance today? As you know, our emotions impact Thomas’s somewhat, and I’d like to finally get to a new book today.” 

“Oh, sure! We actually didn’t have anything planned today, so if anything we’ll just hang out.” 

“Thank you Patton, I appreciate that.”

“No problem Lo, good luck with the reading!” Logan muttered a thanks, and left with a wave. 

Now they just needed to convince Thomas. 

When Logan popped up in the living room, Thomas was reading something on his phone. He seemed remarkably engaged, he hadn’t even noticed Logan pop up. 

“Thomas?” no such luck. They leaned away from the stairs, towards Thomas. 

“Thomas!” 

“AH- oh hey Logan!” Thomas recovered quickly from his startle. 

“Hello, Thomas, I apologize for scaring you.” 

“Nah, you could never scare me Logan, you just startled me, you do it almost as well as Virgil!” he joked. Logan knew it was a joke and an offhand one at that, but he still blushed at the comparison. Thomas cocked an eyebrow at them, but relaxed it quickly, resuming his cheerful expression. 

“So, what’s up? You don’t usually pop up if it’s not for a video or something,” Logan frowned at that, perhaps they should venture to make more social calls? 

‘Well, not this time, in fact I actually have some free time and I came to ask you a favor,” Thomas motioned for them to continue.

“Well, you know about my… penchant for reading, particularly horror novels, and I was hoping that you, er, we might read a new one?” 

“Oh, buddy, you didn’t have to be nervous about that!” Logan bristled a little at how easy they were to see through, and Thomas chuckled a bit.

“How much free time do you have? I’m pretty into this story I’m reading now, maybe we could read IT or something tomorrow?” Logan was disappointed at that, but tried to contain it, nodding at Thomas. They were quite ahead after all. 

“Of course, Thomas, I’ll still be free then,” They tried to smile reassuringly at Thomas, but the answering one was still apologetic. 

“If I may ask, what were you reading just now? Perhaps it might interest me as well.” 

“Oh, well, I don’t know, maybe, it was just some fanfiction for that new anime I’m into, it’s pretty good but I don’t know if ‘found family’ is really your thing?” That caught Logan’s interest, wasn’t that why they asked Patton and Roman to tone it down? But… Patton was anything but a lier, and a found family fic was a little… soft to be influenced by those two. 

Oh shit. If it wasn’t them, then that meant the others, which meant Virgil. Logan was not looking forward to this conversation. 

“Apologies, Thomas, I understand now. I will see you tomorrow.” And with that, they sunk out, cutting off whatever confused utterance Thomas was about to say. 

They rose up near Virgil’s door, dreading another ‘can you please not be horny so I can read’ conversation, especially with their crush. Well, at least they were giving some warning this time, and maybe that warning would help prepare zem for what Logan planned to read tomorrow? 

Logan gave a courtesy knock to Virgil’s door (which had fewer sticker’s than Patton’s, but the artfully distressed and chipped paint irritated Logan no less) Logan and Virgil had been quite close lately, a double edged sword in Logan’s opinion, since it meant Logan was frequently close to zem, but nowhere near as close as they would like, but regardless, due to the close nature of their relationship as of late, they had agreed that they were welcome in Virgil’s room anytime (and vice versa) so long as they knocked, so after doing so, Logan opened the door, a greeting on their lips. 

Oh. Logan froze. In the back of their mind they told themselves that agreement or no agreement they would definitely wait for Virgil to answer next time. Because while the three sides in the room were technically doing little more than kissing, it was still a very… intimate moment, and Remus was wearing very little. 

Finally having processed enough to realize that they should definitely not be standing in the doorway still, Logan moved to back out and close the door, but before they could, a pair of eyes locked onto their own. 

“L! What are you doing?” Virgil was bright red, and while Logan couldn’t be sure, they were pretty sure they were blushing just as much as zem. 

“I- it’s not important, I will leave.” 

Janus looked at ehm, considering, the same time Remus exclaimed, 

“No need to do that!” 

“Remus!” Virgil admonished, turning to Logan, apologetic. Logan wanted nothing more than for the ground to swallow him. They wanted nothing more than to join the three sides, and it was the three of them, they realized, Remus with his earnest curiosity and enthusiasm, Janus with his sly flirting and tendency to bully his loved ones into self care, not to mention Virgil with zir intelligence and fierceness and softness. Shit. 

Logan almost dared to have hope for a second when he looked back up at his three crushes. Remus was smiling a little unnervingly at them, Virgil was still looking at them apologetically with that blush on zir face, and Janus, Janus was smirking at Logan in a way that made them feel just a little bit like prey, but by no means in a bad way.

“Remus is right,” Janus purred, ignoring Logan and Virgil’s shock, 

“After all, you came here to tell V something, didn’t you?” 

“This is not how we agreed to do this,” Virgil grumbled, and Logan couldn’t even begin to wrap their head around what that meant, so they just decided to answer Janus’s question.

“Why I came is… not important. You were busy, I should leave.” Janus hummed, 

“That’s not a lie, but I don’t think it’s quite the truth either… regardless, it’s not an answer.” Logan sighed, stubborn as they were, Janus had them beat in that regard, as well as the fact that (provided he was paying enough attention), he could tell when they were lying. They were going to have to tell them why they were here. 

“I wanted to ask if, tomorrow, you all could tone it down with the… romance, so that Thomas can focus on reading, but as I said, it is not important and I can leave.” Remus laughed, and Janus looked just as amused. 

“And, do you still want us to ‘tone it down’? As ze said,” Janus motioned to Virgil, “This wasn’t exactly our plan, but I have no complaints with you staying.” Remus grinned and nodded enthusiastically at Logan, looking at them hungrily. Logan looked, shocked, at Virgil, and ze met their eyes with a shy smile. 

“Just to make sure I’m not… misinterpreting, what exactly are you offering?” Logan asked quietlyC. Remus got up then, the first of them to leave the bed, and Logan realized that he was wearing even fewer clothes than they had realized. 

Logan very pointedly looked up at Remus’s face, and he took their hand, (if it hadn’t been Remus, Logan might have thought he seemed shy) 

“We were gonna ask tomorrow since Virgey said you’d be free!” Remus started leading them towards the other two, all three of them looking at Logan with different degrees of nerves and affection, 

“We really like you,” Virgil said, and Logan gasped, unbelieving how lucky they were, 

“So, L, would you want to join us? Our relationship?” Virgil finished. 

Logan lunged at Virgil then, kissing zem briefly before switching to Janus. They broke away, looking at Remus. “Yes,” they said, “I’d love to!” Remus moved to kiss them then, but Logan stopped him. 

“I’m not kissing you until you put on some pants.” 

“Lie” Janus said, and Remus’s disappointment melted away as he moved to kiss his new partner. Virgil threw some shorts at Remus, winking at Logan when they turned to look. Logan laughed, the happiest they’d been in a long time. 

Maybe they could settle for a romance, instead of a horror. 

[askmerriauthor]

Skyrim Civil War Quest Alternatives

Because @techmomma and @askdeserteagle made me start thinking about Skyrim again.

I really dislike what we got in the Civil War quest line.  Mind you, I know I’m not saying anything new here - Skyrim’s been out for ages and we’ve all heard the discussions about how little influence your choices have, and that it basically has no impact on the game world either way.  But I’d still like to consider some alternative outcomes that would’ve been fun to explore and would like to invite y’all to give some ideas as well.

So to start with, we of course have the main three:

Join the Stormcloaks Side with Ulfric and give everyone you don’t like the boot, keeping Skyrim for the Nords and ensuring their religious freedom no matter who they have to crush along the way.

Join the Empire Side with the Empire and rejoin the fractured region under a single banner in hopes of standing unified against the Thalmor, despite an uneasy and extremely questionable “truce” with said Thalmor.

Don’t Get Involved Ignore the Civil War questline entirely.  Go fight dragons, eat entire cheese wheels, ignore the sporadic pockets of conflict between warring factions, be awesome.

See, now the trouble with all these is that there isn’t really any in-depth exploration of the ideas, implications, and consequences that come of your choices as a player.  In terms of overall impact you basically just pick whichever side you like/doesn’t suck as much to your tastes and the end result basically equals out the same.  Skyrim as a whole doesn’t feel substantially different at the end of it all.  Not getting involved, on the other hand, is basically just ignoring game content and also doesn’t yield any impact either.  The Civil War is touted as being this major element of the game yet you can basically ignore it for extremely little difference.  I’d love to see there be notable changes to the setting, the behavior of NPCs, and the nature of Skyrim itself when you picked a side or if you chose to keep out of it and let things play out on their own.  That’s sort of a core flaw for the entire game though; even when you do something really major like assassinate the Emperor himself that should logically have sweeping consequences, nothing actually changes.

Other alternatives I’d like to see are as such:

Negotiate Peace It seemed like we were supposed to get something in this vein but that it got cut from the final production.  In the face of the Dragon threat, the Dovahkiin gets the opportunity to call a ceasefire and bring all the various factions literally to the negotiation table on neutral ground.  Along the way some sleuthing reveals Ulfric is an (unwitting?) asset of the Thalmor, but we never get a chance to present this information!  In the end the whole thing basically goes nowhere - even if you keep everyone civil at the table, it all evaporates as soon as Alduin is dealt with.

The idea of Ulfric being influenced by the Thalmor and said Thalmor intentionally driving the civil war in an effort to weaken the Empire further is just so packed with potential.  It could drive Ulfric to change his ways and rejoin the Empire after recognizing the true common foe or send him further into zealous rage, blaming the Empire for allowing the Thalmor to infiltrate in the first place.  The Empire could have a new angle with which to rally the fractured Holds of Skyrim as they’d have clear evidence the Thalmor had already broken the White-Gold Concordat, or even try to use the revealed connection via Ulfric to counter the Thalmor’s efforts.

Ultimately, the “good outcome” of all this would be to present a single unified Skyrim with all factions coming together, driving out the Thalmor, and setting things up for a big looming confrontation as a new war promises to come soon.

Salt the Earth The opposite scenario to the above.  Instead of negotiating peace, the player has the option to go “you all suck, time for mayhem” and just goes ham on everyone.  The Dovahkiin becomes Public Enemy #1 and destroys not only the leadership of either faction, but the Jarls who support either side as well.  Total upheaval of power in Skyrim.  Since the Thalmor themselves have no core presence in the region there’s no directly harming them, but there could always be the option to wipe out their embassies as much as possible.  Since the Thalmor had a vested interest in seeing the civil war go on for as long as possible, it becomes a question of whether putting a violent stop to it all was a good or bad thing for them.  On one hand, the people of Skyrim will inevitably replace their leadership with a new, potentially stronger/unified force or even potentially rally behind the Dovahkiin as its conqueror/savior.  On the other hand, the Dovahkiin striking such a massive blow against the region on their own makes for a delicious opportunity to conquer Skyrim, hindered only by the threat of said Dovahkiin themselves.  After all, if this lone warrior could crush several armies on their own, maybe it’s not such a good idea to cross them...

Join the Thalmor I personally consider the Stormcloaks to be the “bad guy route” in the story choice, but let’s go even further and make a “really, REALLY bad guy route”.  Whether the player character is a High Elf or simply a useful asset of another race, they have the option of joining the Thalmor and furthering the chaos that is already consuming Skyrim.  Instead of overt conflicts and assaulting bases like we see in the standard Stormcloak/Empire route, this would result in a more subtle approach of infiltration, subterfuge, and sabotage.  Basically if you liked the Embassy Party stealth mission, the whole quest chain would be more of that.  You play all sides against one another and watch them tear each other apart, perhaps with some extra bonus options if you’re aligned with any of the various stealth/knowledge-based factions/Daedric princes.

Join the Forsworn You know who the real sons of Skyrim are?  Well, it’s technically the Snow Elves, but that ship has sailed.  In this case it’s the Forsworn who were forced out of their land by the colonization of the invading Nords.  While the Dovahkiin gets to learn about the history of the Forsworn in some considerable detail throughout the game, there’s nothing to be done with that knowledge.  The Forsworn remain a permanently hostile enemy faction just because.  Let’s go with a secondary route of making friends with the Forsworn and getting them some/all of their land back, be it through negotiation or uprising.

The Sudden but Inevitable Betrayal Regardless of what route you choose, there should always be at least one opportunity (if not several, ideally) to go rogue and turn the whole thing on its head.  Usher one faction to the cusp of victory only to suddenly backstab its leader.  Spend all your time undermining one faction for the apparent aid of a second, only to nip off and betray them both to a third party.  You should always have the chance to just upend everything, especially in the most dramatic and potentially self-destructive manner possible, for the chance of being a total mastermind or chaos agent.

[vedj-f-bekuesu]

Change of plan, decided to get season 1 out of the way, so I can really get some groundwork. So technically, this is the first true experience of Ninjago.

-Right off the bat, 13 episodes felt too much. I’m glad that future seasons after S2 go down to maximum 10 for the most part. -Honestly the plot is all over the place. The first six episodes are kinda moral episodes, then apparently someone writing Tick Tock said “Actually, I have this kickass angst idea for Zane and I want to use” and the show decided now would be the time to drop the original approach. -Speaking of which, how many fetch quests can you squeeze in one season where there’s just absolute failure on the protagonists’ part? They couldn’t stop the five tribes getting together, and they did not stop one Fangblade being taken by Pythor. It got ridiculous. -That said, the Serpentine are way better than the Skeleton Army, or at least Pythor and Skales are. Pythor is just so hammy it’s fun, and Skales has some real neat setup in the first episodes to establish his moral root (and his eventual heel-face in later seasons, I’m aware of that one). -Some surprising character debuts. The mailman isn’t, but Mystake is already here which I wasn’t expecting for a few seasons yet. -In terms of main characters, Wu and Garmadon are weird. Wu spends half his time in the same bitchy sensei mode as the pilots, but then he has this side story in the underworld and it becomes a story of him trying to save his nephew and he gets all fatherly and it’s like what. Meanwhile, the story keeps drilling in your head that Garmadon is this evil dude yet his evil acts can be counted on one hand. He eventually steps up his game right at the end so I guess that was all S2 set-up (meaning the OG Garmadon was a central villain for one season. He had more evil time after his SoG resurrection!). The family bonding was nice to see after he was so bland in the pilots though. -Nya is more active in S1 which is nice, but it’s still moonlighting as Samurai X as I mentioned. I did not realise that the mystery lasted for all of one episode, so at least there’s not lengthy periods of time where Nya is pretending to be on the sidelines when out as Samurai X. Still really weird that they chose to do it this way until S5 but hey. -Lloyd is fantastic. He’s amusing as a brat and as the green Ninja, and my heart just sorrows at the pain is about to be put through. Weirdly enough, even ignoring the foreshadowing, Lloyd was always the perfect candidate to be the green Ninja. Think about it; he’s adaptable, cunning, determined, persevering, trusting, reflexive, agile, and this all traits from before he even turned good. He was gifted for a 10-12 year old. -Zane is a sweetheart who only had minor fumbles with the green Ninja thing, but he should still be protected at all costs. -Jay’s character is shaky at times, but overall comes out pretty good. The Jaya moments he has in S1 are sweet, and both Nya and Jay drive it naturally (which is good, because the way it was started in the pilot was really clunky). -Worst characters by far in S1 are Kai and Cole. They spend 90% of the time are meathead bullies, and some of it dips so cruelly I can’t root for them. They try to clear it up once we get to the full potential stuff, but too little too late man. Just let me punt these bitches off a cliff and let their S12 selves take over. -The choreography is still pretty piss poor. I didn’t mention it before but now you know. -The Great Devourer ain’t that great. Giant generic snake, woo.  -That being said;

Ed:  *Trying to start his jalopy* Oh, boy. Oh, gosh. Oh, golly. Oh, gosh. *Meanwhile Harumi’s parents lie dead under a building collapse while the child is scarred for life*

-Worst episode by a country mile is “Home”. What were they thinking, making a whole episode where all the ninja bully Zane for being different, regardless of how much Zane does not deserve that and how little sense it makes for Jay and Cole to do that with their history prior to Kai. And it wasn’t a special episode, it was set-up for a different twist. -Best episode...my heart wants to say “The Royal Blacksmiths” because it comes so out of left field in terms of how Cole and Kai are characterised, plays out like a near-legit coming out story (how did they do it this way by accident??) and has so much homoerotic tension between said Ninja. But the correct answer has to be “Tick Tock”. I know Zane is a robot (it’s a central point in S11 and S12), but I was expecting the reveal in S3. So when I realised where the episode was going it was a gut punch all the same, and Zane getting his memories back is legit heartbreaking. -The season also has one of the better first episodes.  -Also yeah this entire season is pretty good for Lava, although Jay and Zane do get plenty to do this time.

As it’s own thing, S1 is generally decent. However, there are some big lows in this season (mostly near the start), and I think some characters just can’t get through it without mud on their face.

As part of the wider Ninjago story, it’s made something apparent that kinda more depressing; the writers have lots of ideas for where Jay and Zane’s characters can go, even if the direction isn’t always met with enthusiasm. Even Nya and Lloyd have had strong stories to run off from the start. Kai and Cole feel like the writers don’t know what to do with them. They had to throw some drama for Cole, so they shoved in the dance thing, Kai needed more conflict, so they tacked on him being more obsessed with the green Ninja power than anyone else even though this was equal for all four at the start of the season. Outside of S1, they either get no arcs, get shunted into other arcs thus wrecking them (Jaya...:( ), repeat arcs that were done with seasons prior or just the most cliche, uninspired stories you could make. 

With the last two seasons going back to roots, I wonder if they have looked at S1 again and realised that this is something that should be examined again, what with the spoilers for S12 and S13. Only time will tell. 

I won’t review seasons over the weekend, that time is reserved for Prime Empire, and I know I’ll enjoy that more.