#i know i quoted the second bit the other day but it's worth including again

[septembersghost]

reducing Marilyn to a sex object when they're saying the whole point is criticizing the atmosphere that reduced her to a sex object 🤦🏻‍♀️

she definitely had some confliction about the parameters and views of sexuality and how it was presented at the time, and the language wasn't there yet for her to explore it more fully, but she never liked or wanted to be reduced to being a "thing." (the last sentence and the symbols/cymbals pun...her humor is so underrated)

[denimbex1986]

'If you go look at the Patreon-exclusive Discord thread I have for this episode—and yeah, I recognize this is an extremely venal opening sentence—there’s a moment where I note that the second pre-released clip, with the “David Tennant spits out ‘the Toymaker’ in the same voice he did ‘the Macra’” moment, was squarely at the twenty minute mark, and where I bet on another big turn at 40. And yes, I knew my spoilers and was expecting bi-generation, but I still just want to start by pointing out the fucking clockwork of it. In fact there’s another turn at roughly 30–that’s where the “return to 2023” beat happens, neatly bisecting the second act. And I think that’s key, in the face of the sheer, stupid cheek of this episode, to understanding why it works so well.

I mean, it’s worth saying it out loud, just so I can get it quote-posted on Tumblr—a pantsless Ncuti Gatwa emerges like Athena, instantly establishes himself as the faggiest Doctor ever to fag, then hits the TARDIS with a giant mallet because “we won the game, you get a prize honey” to split it in two so that David Tennant can be the Doctor forever. You can’t make it up, not least because Russell T Davies already did. It sounds like a joke, and in many ways is—the clue’s in the title and all. It was essentially spoiler-proofed, because anyone who’s the sort of fan that’s pouring over spoilers reads that and is just left wondering how this could possibly work out. And the answer is that it’s being done by a damn maestro of the form who understands how to structure the mother of all throat clears before you go and reset the show for gen alpha TikTok users.

The central trick is, of course, that third act pivot into doing a multi-Doctor story for the anniversary after all, with David Tennant having turned out to be the past Doctor all along. That is, above all else, simply fabulous television, and Davies understands that all you actually have to do is put it on a platter. Everything around it is just a series of decisions about tone—an almost mechanistic execution of scaffolding to ensure that moment is a thunderous drop that sends the dance floor wild instead of landing with a damp thud of authorial perversity. It’s fitting that he has the Toymaker attack through television because at the end of the day this operates through literally nothing save for the fact that Davies understands how to use the medium to engineer what is at the end of the day its original pleasure—its creation of cultural events. At the end of the day, there are rules, and Davies knows how to play.

Much as with Rose, there’s a real temptation to break it down scene by scene, but this is the fast reaction, so let’s work in outline. Like I said, three act structure. Act one uses a cold open to put two premises on the table: Neil Patrick Harris is a weird evil guy and he’s done something to television. Then, on the other side of the credits, it shows Harris again as an evil clown and has him wave goodbye and exit the story. Davies proceeds to enter the UNIT show—a backdoor pilot for an entirely coherent Kate Stewart show complete with whatever the fuck the V’linx is besides an absolutely gorgeous reveal (one of the rules there—if the Doctor just accepts something so will the viewer). We tarry in its pleasures a bit—reintroduce Shirley, reveal/establish Mel, and give everyone a couple good beats, including for the first time bothering to use the fact that you’ve got Jemma Redgreave in the part (her shattered horror at her own actions and apology to Shirley!). And we have the Doctor and Donna catch up with the cold open, untangling the “evil television” thing so it can be explained more slowly to the viewer. Twenty minutes in, he dutifully brings Harris back, catching the other ball thrown by the cold open and moving into the second act.

As I noted, this one’s bifurcated. We do ten minutes of spooky horror set pieces while we reiterate the emotional beats from Wild Blue Yonder (another rule there—explain something twice to the audience in rapid succession and they’ll both understand it and understand it as important), split the Doctor and Donna up, give them each a scene’s worth of puppet horror, then get them back together so the Doctor can confront the Toymaker. This mostly just means monologue set pieces—Davies rolls out a bit of rhythmic poetry and gives it to a good actor. We gesture at the past, then conspicuously throw a ball for the future to catch, thus reminding the audience there is one. And in a puff of smoke we vanish back to 2023, crashing the Toymaker back into the first premise. Ten more minutes of the UNIT show round out the act, anchored by the musical number because hey, you did hire Harris for the part, and then do a monologue duel before the Toymaker kills the Doctor fifteen minutes early to kick off the third act.

And it is here, of course, that Davies makes his move. At first it looks like we’re just going to do a shock pivot to Gatwa, which is already clever—an unexpected use of the rules right as the narrative collapses, like you do. And then we do a record-scratch moment—literally, as Gold cuts the soundtrack—use the Doctor accepting something to sell it (lol at the shrugged reprise of “feel’s different this time”), swirl the lights a different color, strike up the band a second time, and bigenerate (even bigger lol at splitting the triple what across characters).

From here, everything hinges on one bet—the same bet, ultimately, that everything hinges on in the larger cultural context. Davies has given us two hours and forty minutes of nostalgic greatest hits reprises. Now he needs to give us twenty minutes of Gatwa being phenomenal. There’s scaffolding, of course—it’s the mother of all “use the predecessor’s cast to establish the new guy” new Doctor stories, and an astonishing amount of the heavy lifting is done by Tennant’s no doubt entirely sincere reinvention of his character as “past Doctor fannishly awe-struck by the future.” But at the end of the day it comes down to Gatwa. And what can you say but that you see why Davies gave him the part.

There’s a trick that’s useful sometimes in analyzing horror films where you figure out the theme by just literally stating the premise—It Follows is about how the stigma of sexuality follows women, Us is about how Black people have suppressed second selves, Tetsuo the Iron Man is about the constant agony of living in an industrialized society. And here it seems relevant to note that Gatwa defeats the Toymaker through sheer physicality. In his underwear. Which is to say that his performance is electric and charismatic—an instantly libidinous Doctor so charming the plot stops mattering, collapsing instead into a queer-off between Gatwa and Harris. Gatwa wins, of course—how could he not with all that beach-off experience from Barbie—and Harris is ushered offstage with ten minutes to go.

All that remains is for Tennant to hand over the keys, which he does with grace, dutifully reprising the Time Lord Victorious in all its burnt out horror so that Gatwa can pull him into a hug and say “I’ve got you” before sending him off to heal himself in a queer platonic relationship with Donna. Gatwa’s the Doctor now. It happened, just about five hours ago. It’s majestic. I can’t wait for more.

* So here’s the most criminal act of burying the lede I’ll ever commit. TARDIS Eruditorum Volume 8 is out. Covering the strange and surreal wilderness years of Paul McGann and the show’s triumphant return in the birth of what I suppose is now the RTD1 era. I’m hitting publish on the ebook edition as we speak, so it might be a bit before it’s live on Amazon—here’s the Smashwords link, which is live now if you want to use that—but the paperback is available for order right now and will arrive before Christmas.

* Also, my Patrons have my Wild Blue Yonder podcast with Eruditorum Press’s very own Jack Graham and Christine Kelley. It features Jack learning, live on the air, what the Timeless Child is. I’ll be doing one on The Giggle with Kate Orman and Jon Blum, and I’m delighted to announce that I’ll be joined by Rachel Stott and Penn Wiggins for The Church on Ruby Road in two weeks. Patrons also get all my ebooks automatically, by the way.

* As for Church on Ruby Road, man, that trailer looks fun. Introducing the Doctor in a club is breathtakingly fresh, and the trailer handles the goblins reveal so well. The whole thing looks completely mad. Can’t wait to hear the single on Monday.

* So, um… Tennant and Tate pretty much have to come back some day, right? Like, Davies has season finales to execute, and he’s not going to leave a gun that big just sitting on the mantlepiece, is he?

* A detail I like is that this mirrors the plot of Journey’s End, right down to the spare Doctor going off and living a quasi-normal life with the companion. There’s a lot of quiet parallels to be had here actually—the fact that Rose was also a toymaker, for instance, or the fact that the Toymaker and the Not-Things largely share motivations. All left entirely to subtext, acting as thematic reverb to give the episode more heft and weight.

* For all that it’s funny to read the lack of Chibnall companions in the Toymaker’s monologue as a dig, the real shade is being playfully thrown at Moffat for his tic of fake-killing companions. Once that’s gone three iterations, Davies structurally has to move on and so captures the Chibnall era in a reprise of the Flux angst from Wild Blue Yonder. No, the Chibnall shade is “I made a jigsaw of your history. Did you like it?”

* Speaking of the rule of three, using “Mavic Chen” to round out a list with the Time War and the Pandorica is god tier.

* All right, all right, I’m obliged to give my Toymaker take. Which is that Davies is very clever retconning the Toymaker as a character who just likes doing absurd caricatures of various nationalities. It doesn’t actually make The Celestial Toymaker any better, but it’s enough to salvage the character for a reprise.

* The more interesting reprise to my mind is Mel. We knew she was coming back for Gatwa, so her appearance here is more a moment of fleeting surprise, but it’s yet another example of Davies’s cool-eyed savviness—Bonnie Langford is by an order of magnitude the highest profile actor to serve as a classic series companion, and as with Jemma Redgrave Davies doesn’t have to do much more than actually give her stuff to do. The callback to her nonexistent debut story to establish her as an orphan is such a deft bit of characterization, and an intriguing parallel to Ruby, and for that matter the Timeless Child, whether or not that’s ever picked up on explicity.

* Which, it has to be said, gives at least some setup justification for bigeneration, if only because it justifies a slightly more “eh fuck it” take on regeneration in general. I gather Davies goes further in this direction on the commentary, which I’ll catch before I do the podcast.

* The fact that the Toymaker claims to have killed God is given entertaining credibility by trapping the Guardians in voodoo dolls and the Master in a gold tooth. Which, love the “cultist hand saves the Master” reprise.

* The invocation of the Gods of Ragnarok makes the absence of Fenric conspicuous. Think I’ll place a long shot bet on him as the big bad for Gatwa’s first season.

* By far the best bit of continuity fetishism, however, is the Alex Jones remake of Trinity Wells.

* Also if you complain that I said Gatwa was pantsless because he was properly just trouserless I will fire you into the sun.

* Let’s close this out with a note on Fourteen, even if we’re probably not saying goodbye to him. First of all, I love him accepting regeneration calmly—“it’s time” instead of “I don’t want to go,” and a cavalier “allons-y” to match Whittaker’s “tag you’re it.” But more to the point, I love the Doctor relaxing into found family, building force fields for his beloved moles, happier than he’s ever been in his life. Tennant commented that he and Davies largely decided to approach the task of how to handle the fact that this version of Tennant’s Doctor is older by just assuming that the fact that they were both older would come through. And I think there’s nowhere that’s clearer than Davies having the Doctor find peace in a distinctly queer shape of love.

Rankings

1. The Giggle

2. Wild Blue Yonder

3. The Star Beast'

[dairogo]

Ao3 First Lines Tag Game

Thanks for the tag @klainelynch!

Rules: Share the first lines of ten of your most recent fanfics and tag ten people. If you have written fewer than ten, don’t be shy and share anyway.

Well, I’m going to break the rules and skip some (tumblr posts reposted to Ao3), and I’ll consider the first line to mean the first sentence unless the bit that follows is particularly fun and worth including ... and also not include quotes.

Partiality

In the aftermath of the Promised Day, as everyone was reeling and the dust had yet to settle over Central City, Roy Mustang agreed to two of the most life-changing tasks that he would ever have. 

Wayward Youth

The place Riza Hawkeye grew up was a lively property with neat lawns and consistent discipline, until it wasn’t. 

A Bloodied Queen

The first time Roy Mustang had met with General Grumman in his office, he had been struck by how unusually personalised the room was.

The Stupidest Genius

Riza’s second day in Central was meant to be spent unpacking her boxes, it really was.

The Crush

It happened so slowly that it crept up on her. Riza Hawkeye, of all people, taken completely by surprise, because somewhere between taking on the role as Lieutenant Colonel Mustang’s aide, and meeting those two broken boys at the Rockbell house, she’d grown to trust him again – so explicitly, that when young Winry Rockbell asked her why she was still with the military after being ordered to take lives, all she could think about was him.

Umbrellas and Pineapple

After a month of working with the team Lieutenant Colonel Mustang had gathered, Breda firmly concluded that it was the best posting a recent graduate could get.

The Power to Protect

At the end of the day, after Mustang’s little speech, Breda volunteered to wash out the group’s mugs in the tea room. “Havoc, give me a hand carrying them, will you? There’s probably still some biscuits left if we’re quick enough.”

Desperately Hoping He Didn’t Look Like an Idiot

When Maes texted him to join a pick-up game of basketball after class, Roy had expected other people they knew from uni, like Jean and Alex, maybe a few randos who they’d brought along, but he had not expected the girl who lived next to him through most of high-school. Riza wasn’t bad – if anything, Roy was frustrated she was already on the opposite team, because she knew just how to get under his guard – but the last time he’d seen her was a few years ago, out in Woop Woop, and this was East City.

Self-Inflicted Punishments

The farewell party for the group leaving for Ishval was a barbeque in a park. What a rip-off. The least the military could do for these long-serving vets was give them a send-off at somewhere with decent catering. 

The Next Step

"You know, Hawkeye, I'm not sure I have all that much need for a bodyguard anymore."

Breda's pen stilled with Mustang's tongue-in-cheek tone. It wouldn't be the first time the General had made a comment like this - and maybe it was the repetition of it that made it seem that bit less playful than his tone would imply.

"But who would save you from your three o'clock meeting?" Hawkeye responded like clockwork, not looking up from the Ishvalan Works proposal she was sorting into some kind of order.

Tagging you guys! Do it if you want you - and if you don’t want to, consider this a big friendly kudos because I like your stuff <3

@scienceoftheidiot, @musing-and-music, @goneadrift, @griseldabanks, @fullmetalscullyy, @tsaritsa, @aquietwritingcorner, @villainousmiss, @js589, @lonepiper5758

[ghost-pocky]

[Long, spoilerific theory post]

So, playing through Stardew Valley again I have a weird theory about Sebastian’s ~origins~ that I’d like to entertain for a second.

He’s part void spirit.

I know, but seriously hear me out:

-He’s the only character besides Krobus that likes void eggs

Krobus is, for those unfamiliar, a shadow person aka void spirit. A race of magical beings native to the valley that all but perished in the war against the dwarves years ago. Liking void material isn’t the only similarities these two have, either.

-Krobus can’t go out in the sun. He also likes the solitude and moisture of the sewers. Sebastian loves the rain and often goes out in it, admitting that the cool damp is his favorite weather. Seb also has social anxiety which keeps him in seclusion more often than not. As someone with GAD in real life I know this isn’t an otherworldly trait, but his fear of people is another parallel to Krobus that’s worth noting.

-Sebastian is often associated with other magical things as well— he loves frogs and has a kinship with them (often depicted as “bad luck” / “curses” / witch’s familiars), and Frozen Tears (which supposedly come from Yetis).

But if all that isn’t enough to convince you something funky is happening here, let’s look at character dialogue. Digest the following quotes~

Robin:

Robin built her own house, which means she could have picked from many available locations in the valley, but she chose right in front of the mine entrance, on a mountain that she clearly has reserves about. This is exasperated by Sebastian telling you that Robin ~hates~ stone. Why would she choose this place specifically? There’s quite a bit of forest area that would have been more beneficial to own as part of her carpentry business, it makes no sense unless she had some type of connection with the mountain / mines.

And there is where it gets good. See, Robin does have a connection with the mines:

She ventures into the depths to look for exotic wood. Surely the allure of fantastical building materials is tempting for her, perhaps it’s even what drew her to the valley in the first place. Presumably, she moved to Pelican Town when she was single and Seb was small — too small to leave at home while she wonders through the dark searching for supplies in the local caves. She most likely took him with her and maybe even met Demetrius during her time exploring. He has a canonical interest in the local anomalies, including things found in the mine as evidenced in his field research bundle for the community center which includes materials only obtainable there.

We know that a traumatic event involving the wizard happened some years ago, per the wiki here:

And that the witch is specifically interested in transformation magic involving children as she can curse the player’s children to be doves for eternity.

I submit to you, based on alllll the above, that Robin took Sebastian into the mines with her when he was a child and he got hurt. Not just a scrape, but properly wounded by a monster. The town doctor, Harvey, could do little for him and the thought haunts him to this day, as seen in his line here:

Sebastian died, and was to be buried in this grave:

But, faced with an opportunity to further his research, the wizard offered to preform a ritual on the child’s body, filling it with void essence and bringing him back to life. ~Necromancy in the Wizard’s Tower~. Sound familiar?

It’s the plot of Sebastian’s campaign in the Solarian Chronicles 🥲

Some other random stuff that may support this theory:

This quote from Demetrius shows he’s interested in the next step for humans as the main goal of his career. Perhaps the reason he’s so cold to Seb is because the thinks of him as a specimen, not really a person. Robin hates this and gets him the book on parenting. Sebastian’s favorite food is pumpkin soup, which his mother makes for him. Pumpkins are usually used to create Jack-o-lanterns which are said to ward off evil, perhaps this is a superstitious way Robin chooses to try and protect her son.

Abigail is popularly known to be the wizard’s daughter. If she knows this (she hangs out by his tower quite often), he may have her keeping an eye on him, which is how they became friends.

[clear-as-starlight]

Nathan Hale’s Death vs the Primary Sources

(aka did William Hull actually know anything?)

“The first the Americans heard of Hale’s death was on the evening of the twenty-second [September 1776], when Captain John Montresor…an aide de camp to General Howe, approached an outpost…under flag of truce. His main business…did not concern Hale, but was to transport to Washington a letter from Howe offering an exchange of high-ranking prisoners. Joseph Reed, accompanied by General Israel Putnam and Captain Alexander Hamilton, rode to meet him. After passing over the letter, he casually added that one Nathan Hale, a Captain, had been executed that morning.”

This passage comes from “Washington’s Spies: The Story of America’s First Spy Ring” by Alexander Rose and it, along with the wonderful @queerrevolution1776 inspired me to go on a (brief) primary source deep dive of Hale’s death. A challenge, given the lack of primary sources surrounding Hale’s spy work, and the tall tales that grew up around it.

I started here: Why was Hamilton there? He was not an aide-de-camp at this point, why would he be present? And that question, my friends, led to a whole host of others!

(Info under the cut because there is a lot, and it’s fascinating :))

The (Un)reliability of Recollection 

The idea of Hamilton having been present to hear of Hale’s fate, so far as I can see, is first related in “Revolutionary Services and Civil Life of General William Hull”, a biography based on Hull’s unpublished memoirs, and written by his daughter, Maria Hull Campbell:

“In a few days, an Officer came to our camp, under a flag of truce, and informed Hamilton, then a Captain of the Artillery, but afterwards an aide to General Washington, that Captain Hale had been arrested within the British lines, condemned as a Spy, and executed that morning. I learned the melancholy particulars from this officer, who was present at his execution, and seemed touched by the circumstances attending it.”

William Hull was a friend of Hale’s from Yale, and they were both in the 19th Regiment, before Hale transferred to Knowlton’s Rangers. A lot of what we know of Hale’s death seems to come from Hull’s memoirs, right down to his (possibly incorrect and/or exaggerated) final words: “I only regret, that I have but one life to lose for my country.” Hull was a close friend of Hale’s, so it does make some sense that he’d know something of it. However, the above biography was written in 1848, and related conversations that had taken place a long time earlier. Campbell herself admits she includes conversations not even present in her father’s memoirs.

Though her book is not the only 18th/19th century one about Hale’s death, it quickly became clear that all of them were based on conversations with Hull. The first time the name ‘Nathan Hale’ even entered the public conscious properly after the war was in 1799, in Hannah Adams’ “A Summary History of New England and General Sketch of the American War” where she writes: “The compiler of this History of New England is indebted to Gen. Hull of Newton for this interesting account of Captain Hale.”

Hale isn’t mentioned again until 1824, in a book by Jedediah Morse, who says he got his info from Adams, who in turn got it from Hull. It seems likely, then, that the idea of Hamilton being there (and indeed, that most of what we know) came from Hull’s supposed recollection, 20+ years after the event took place.

Now, this is not to say that Hull was lying. Return records show that he and his Regiment were certainly present at “Camp near to Harlem Heights” with Washington’s forces at the time that Washington would have been given the information about Hale, and we know Hamilton and his Artillery were present also, as it is at Harlem Heights that he apparently first came to Washington’s notice (according to John C. Hamilton). It did seem a bit strange though, to both me and @queerrevolution1776 , for Hull or Hamilton to have met with an official flag of truce, when they were both only Captains, and not on Washington’s staff (he’d only just become aware of Hamilton’s existence, after all).

Washington makes no mention of either of them in his correspondence, instead writing to Jonathan Trumbull Sr. that it was Colonel Joseph Reed whom Howe’s aide, John Montresor, met with. It makes sense that Reed would have met with Montresor, given his position on Washington’s staff. Reed is mentioned in Rose’s book, but not Hull’s account, and I thought that was a discrepancy worth a look. Hull, writing after the fact, mentions only Hamilton, who by then was a well-known, and scandalous, public figure. Reed, on the other hand, was nowhere near as popular, and perhaps did not serve as such an interesting figure in a story about Hull’s friend, one of America’s earliest spies.

Sure, Hamilton could have been nearby, or overheard the discussion, and in turn told Hull what he had heard—which could explain why Hale’s last moments have been exaggerated, or perhaps accidentally falsified, given that a British officer who was present apparently heard: “It the duty of every good officer, to obey any orders given him by his commander in chief” and not what is so often recounted. Even a newspaper (The Essex Journal) publishing an account five months later, quoted Hale as having said: “If I had ten thousand lives I would lay them all down, if called to it, in defence of my injured, bleeding country”—No one seems quite able to agree exactly what he said! Hull may well have also told his children he was there to make the story seem more personal, and exciting.

(And I’m really starting to doubt that Hamilton was at the meeting at all. It’s never mentioned in any of his writing, or in the John C Hamilton biography)

There’s no “official” reports of Hale’s death either (excepting the noting of his death on the 22nd September casualty list) which is why so much has relied heavily on what Hull claimed to have been told. When Washington wrote Trumbull about the flag of truce meeting the next day, he was mostly concerned with the fire that had engulfed New York the day before, and the claims that Continental soldiers and spies had set it. The only possible reference we have from him that concerned the meeting between Reed and Montresor, with perhaps an oblique reference to Hale, is as follows:

“On Friday night about eleven or twelve o’Clock a fire broke out in the City of New York, which burning rapidly till after Sunrise next morning, destroyed a great number of Houses—By what means it happened we do not know; but the Gentleman who brought the letter out last night from General Howe, and who was one of his Aid De Camps informed Colo. Reed that several of our Countrymen had been punished with various deaths on account of it. Some by hanging, others by burning & c. alledging that they were apprehended when committing the fact.”

Howe himself never mentioned Hale explicitly in official correspondence between him and Washington, and Washington never did either. In fact, neither of them mentioned the spies or the fire to one another at all, concerned with prisoner exchanges, and the accusation of ill-treatment of British prisoners (Howe to Washington 21st September 1776 and Washington to Howe 23rd September 1776). Hale, and his fate, was unfortunately left to Montresor’s verbal account, and Hull’s dubious reporting.

Tench Tilghman on Hale’s Death

In terms of other primary correspondence that might reference Hale’s death, even remotely, we have accounts from Washington’s aide-de-camp, Tench Tilghman.

Firstly, Tilghman wrote his father, James Tilghman, on the 25th September 1776, of the events and executions surrounding the fire. He was sent to deliver Washington’s reply to Howe’s camp under another flag of truce the day after Montresor’s, and spoke with some men in Howe’s camp then:

“Reports concerning the setting fire to New York: If it was done designedly, it was without the knowledge or Approbation of any commanding officer in this Army…every man belonging to the Army who remained in or were found near the City were made close prisoners. Many Acts of barbarous cruelty were committed upon poor creatures who were perhaps flying from the flames, the Soldiers and Sailors looked upon all who were not in the military line as guilty, and burnt and cut to pieces many. But this I am sure was not by Order. Some were executed next day upon good Grounds… I went down to the Enemy's lines yesterday with a Flag to settle the Exchange of prisoners…I met a very civil Gentleman with whom I had an Hours conversation…”

In Rose’s book, he mentions Hull & Colonel Samuel B. Webb going with Tilghman to the camp to further question Montresor about Hale. Webb, another aide-de-camp to Washington, may well have gone. But it seems a bit strange for Hull to have done so. And Hull’s account did not mention Webb, or Tilghman, which is also a bit odd. Rose made no note of his source for this, but I’d like to find it! Perhaps it’s mentioned in Webb’s journals, something I’d have to travel to Yale to see :(

Tilghman did, eventually, mention Hale explicitly, though not by name, when he wrote to Egbert Benson on 3rd October 1776:

“I am sorry that your Convention do not think themselves legally authorized to make examples of those villains they have apprehended…The General is determined if he can bring some of them in his hand’s under the denomination of spies, to execute them. General Howe hanged a Captain of ours belonging to Knowlton' s Rangers, who went into New-York to make discoveries. I don’t see why we should not make retaliation.”

So he definitely knew of Hale’s death by then, and it seemed to anger him greatly.

Miscellaneous Reports of Hale’s Death

There were also reports made by various others, that mention explicitly, or might imply, Hale’s death:

“Friday last we discovered a vast cloud of smoke arising from the north part of the city, which continued '‘ill Saturday evening…those that were found on or near the spot were pitched into the conflagration, some hanged by their heals, others by their necks with their throats cut. Inhuman barbarity! One Hale in New York, on suspicion of being a spy, was taken up and dragged without ceremony to the execution post and hung up.” (A Letter from September 28th 1776)

“We hanged up a rebel spy the other day, and some soldiers got, out of a rebel Gentleman’s garden, a painted soldier on a board, and hung it along with the Rebel; and wrote upon it, General Washington, and I saw it yesterday beyond headquarters by the roadside.” (Kentish Gazette, November 1776)

“A spy from the enemy (by his own full confession) apprehended last night, was this day executed at 11 o’clock in front of Artillery Park.” (General Howe’s diary)

“The Enemy charged some stragglers of our people that happened to be in New York with having set the City on Fire designedly and took that occasion as we were told to exercise some inhuman Crueltys on those poor Wretches that were in their power.” (Committee of Secret Correspondence to Silas Deane 1st October 1776)

What does all this mean?

Hamilton probably wasn’t there (but I can’t make a call on that for sure!)

basically, it’s clear that the primary sources on Hale’s death are few, and somewhat contradictory in places. I found it super interesting, and thought y’all might too! Please keep in mind I’m not calling William Hull a liar (and I definitely haven’t done anywhere near enough research to say anything conclusively!)

But I definitely think it’s always worth examining what we think we know from primary sources. And it’s very fun!

[wnnbdarklord]

EDIT: so I started writing this like a week ago, but honestly the finale killed any desire in me to interact with this show in a fannish way. So have these half assed notes. I think it's obvious where I lost steam. These ideas are free for use for anyone who wants them in fic, have at you. As it is, I don't think I'll interact with this show as a fan any further than this.

How I would write a Loki show in bullet points (and a mishmash of short scenes and dialogue, let's be honest) for my sanity!

Presuming some disney exec came down from on high and forced the inclusion of EG!Loki and the TVA (because otherwise it'd be IW!Loki that survived and it'd be all about him finding his best life away from Earth, Asgard, Thor and the whole Thanos/EG situation. Or if I only had to include the TVA, it'd be IW!Loki dealing with the TVA, not EG!Loki):

Fair warning: this will likely be a mess since I'm not entirely motivated to not have it be so. 

[cut for length]

Ep1:

- Loki escapes to Nidavelir and uses the tools there to get rid of the chains and muzzle. A CONTROLLED use of the Tesseract, thankyouverymuch

- the TVA comes for him and Loki is wary and on the alert, exhausted from the whole Avengers thing so he immediately makes a clone to interact with the TVA and observes from afar

- the TVA fall for it when they try to bitchslap him like in the show, but immediately regroup when it goes through the illusion and start a search pattern. Their tech can scan for his temporal aura and they close in on Loki quickly (show the TVA as at least somewhat competent or they're shit antagonists for Loki)

- Loki, who still has hold of the Tesseract, portals out of there

- what follows is a quick chase scene across multiple planets and realms, but the TVA are always on his heels. The longest time they take to find him is during an ongoing apocalypse on a random planet that's enough for Loki to get a quick breather. but you know, disaster's on the horizon, so he has to leave eventually. but this is the first clue both we as an audience and Loki get about potential hiding places.

- when an exhausted Loki finally turns to fight, he manages to take several minutemen out  (justifying B-15's hate on for him) before one of them gets in a lucky shot and freezes him

- "Who are you people?" [short flash of Loki's eyes flashing green and the entire scene getting a strange cast, floating energy swirling around everything. It's beautiful, but the TVA people's energy is out of sync, out of touch and strangely jagged compared to their surroundings]

- they slap the collar on him and march him into the TVA

- Loki immediately tries to pull the same illusion trick but it doesn't work cause no magic in the TVA (maybe some visual indication of what he's trying to do, but it doesn't go past his skin. You know, like Sylvie managed in ep 3 -.-)

- he doesn't wildly panic, but we see his breathing speed up and he immediately looks at his left hand and relaxes when he sees it isn't turning blue. 

- okay so the TVA have caught him, he's on their shit list, no magic, exhausted, no idea what's going on, who these people are or how powerful they are - he chooses to play nice for now and bide his time

- the whole intake process is spent in quiet observation mode, only speaking when spoken to

- discomfort at being out of his clothes, but maybe only a wry joke about them wanting to strip him naked (making him a participant in all the thirst jokes)

- he doesn't ask if a lot of people don't know they're robots like a child wanting validation and he's not visibly afraid. Instead, we see him look at his hand again and try for wry humor when asking. But he steps into the device without much hesitation. It's death vs certainty and we already know he's chosen death once before.

- the propaganda cartoon is much shorter and plays in the background so we can see Loki's incredulous eyebrow raise at it. the ticket thing gets an eyeroll, but ready compliance since it's not worth it to argue

- when he sees the other guy get "pruned", he immediately reaches for the ticket to reassure himself it's there, but doesn't wave it around triumphantly, just sighs in relief

- trial can stay mostly unchanged, just no stupid magic attempt in the middle

"It's not your story, Mr. Laufeyson, it never was" (AND THIS SHALL BE PROVEN FALSE, you know, unlike in the show where it turned out to be their fucking mission statement) also, Loki gives her murder eyes for calling him that

- in fact, instead of trying magic, Loki holds up the controller he stole from  B-15 as she was escorting him to the trial and waves as he disappears through a door backwards

After that scene is the church scene with bodies, establishing Mobius as a hunter of dangerous variants. Someone is killing TVA officers

Mobius gets called back as in canon, but arrives too late to stop our Loki from leaving

Sidenote: Loki still has the tesseract since it was in his pocket dimension during the fight the TVA nabbed him in

Ep 2:

- it's now a few days/weeks later. Loki is back in his own clothes, a simpler outfit not geared for war. He's in the biggest library in the universe, the depository of almost all knowledge, looking for information about the TVA. there is Nothing, suspiciously so

- once again, the TVA shows up and he has to run yet again. maybe he kills this team too, to buy himself more time. he steals a melt stick and more time pads and reset charges

- he needs more information and the only place he'll get it is at the TVA it seems, so he shapeshifts into his female form, dressed as one of the many paperpushers at the TVA and we see her being relieved that the spelled clothing is holding once she passes through the time door

(another aside, but ideally the female form is more like Eva Green or Katie McGrath. AND NOT BLONDE)

- acting like she belongs, Loki effortlessly manages to snoop around the TVA for a few hours

- there's only one close call with C-20, but Loki manages to deflect suspicion by parroting the motto at her, which Loki reads from a nearby propaganda poster (cause Loki is good at lying, manipulation and flying by the seat of their pants)

- eventually, she ends up at the archive area and begins researching. We see that Loki is competent at this and is quick to pick up the filing system. the variant number from the papers she signed the episode before becomes relevant to finding the appropriate files

- before she can dig too deep into her own life story as laid out by these people, just as she finds the Ragnarok Report, Mobius finds her (maybe there was a silent alarm triggered by unauthorized access or something. Slightly more competent TVA)

- there is a scene where Mobius and Loki play a game of chicken and manipulation, wordplay and lying until it becomes clear Mobius knows who Loki is (actually establishing some camaraderie)

- Loki gets a little hoisted by their own petard since they're enjoying the banter so much, the backup Mobius called for catches them a little off guard, collared again

- since info gathering is still the name of the game, Loki doesn't try to get away just yet

(during this entire scene, Mobius is the same offhandedly condescending prick he is in canon, but it's very obviously framed that way)

(also featuring confirmation of the genderfluidity thing because fuck you disney)

M: "Nice disguise. Really had me fooled for a second there."

L: "It's hardly a disguise. I am always myself."

[Loki shifts back to male, though the clothes remain the same (shifting =/= magic)]

M: "Yeah, well, next time you want to go undercover at the TVA, maybe don't choose a face we already have from several other of your variants."

[Loki twitches a little, since that wasn't a form he openly wore a lot (even when he wanted to) cause Asgard is a dick about shifting genders] 

L: "And how does that work exactly?"

M: "Got your entire life on file, buddy. But you know, sometimes Asgard isn't a complete stick in the mud the day you gather enough courage to show up to dinner in a dress. We usually have to prune those timelines quickly."

[Loki's grin is more like a snarl, frozen on his face, since he picks up the implications loud and clear (the implication being that him being too happy is not allowed in the Sacred Timeline)]

M: [picks up the files Loki was looking at] "Come on, I've got something to show you."

-cue time theater scene

-that little scene of looking out at the TVA does not feature Loki being impressed or awed at the TVA's tech. It features him being scared/uneasy because the TVA is completely dead to his senses. Loki's eyes do the same flash as before, but everything is completely dull, no energy anywhere. He can barely see some swirls on his own arms]

-Loki asks why this charade, Mobius tells him the TVA is willing to come to an agreement with Loki for his help

"You're not the only one running around messing up the Sacred Timeline. Come on, job interview time."

(it's really really not)

- Mobius tries the same schtick as before, but it's both less and more effective. Less cause Loki has had a bit more time to collect himself since the invasion, more cause he's more aware of the TVA's power and has been chased by them for a while now

- we see Loki being affected by the Frigga thing BUT he also picks up how edited the reel is

- still, he lets Mobius do the "only thing you're good for" bit until we see him look up with murder in his eyes, even through the tears

- "I am going to burn this place to the ground and I am going to start with you. That is my bargain."

"Yeah, cause your "bargains" [Mobius full on air quotes here] work out so well for you," he says, offering Loki a hand up

-cue alarm and Mobius rushing out

-Loki grabs the files Mobius left behind, and also the tape in the hologram projector and escapes

- no infinity stones scene, cause Loki still has the Tesseract and doesn't go to look for more

- cut to the TVA running around in a panic, multiple branches forming on the displays. It's the same bombing plot as in the show, but now serving as a distraction for Loki to get away

- when they figure this out, Ravonna: "You should have just pruned him when you found him. There's a reason we don't reset Loki variants. Our luck always runs out eventually with them. Fix this, Mobius. Or you'll have to answer to the TimeKeepers."

- back to Loki, he steps out into chaos as something explodes behind him. He's in another apocalypse. During his running from the TVA, he noticed it takes them longer to find him whenever there's a lot of chaos around him, death and destruction. He finds a still intact building, seems high tech. Everyone else has already evacuated

- he takes the Tesseract out and blue and green energy surges around him and engulfs the building. It's suddenly quiet and we see outside the windows are pitch black 

- Loki quickly looks away

"Finally, some peace and quiet."

He slumps down to the floor, files scattered around him, tesseract nearby and curls up, dejected and exhausted 

Side note: Loki doesn't need to worry about recharging tempads since he has the tesseract, which was established in Avengers as able to provide infinite energy

Ep 3:

- he finds out about the variants in this episode, maybe goes looking for other variants before the TVA finds them

-how Loki finds out the TVA are all variants: he'd knocked out B-15 for a bit to interrogate her

-they're found by another team of minutemen, led by B-16, who is wearing B-15's face. Several of the other minutemen we've seen Loki kill in earlier episodes as well. They attack *both* of them cause they assume B-15 is compromised. Loki and B-15 work together and kill the whole lot, staring at each other incredulously

"You're Variants! You're all Variants!"

[B-15 collapses to her knees in shock] 

End episode

EDIT: My basic idea for episodes 4 & 5 were Loki and B-15 working together and travelling through various timelines trying to get to the TimeKeepers, but realizing something was wrong the further they went. Time begins breaking down, paradoxes are all over the place and the TVA keeps pruning some specific place so much that sometimes two teams are on top of each other. Stuff like that. 

I also had a few scenes where Loki meets other variants (that aren't him), but who actually like and even love him. Men, women, variations thereupon, and one or two who would mistake Loki for their Loki. So we get bi confirmation without actually including romance in the show itself, because 6 episodes isn't enough to develop that along with everything else that's going on.

Vaguely outlined here: 

My "how to include the bi thing without the main story being a romance and also indicating that Loki is able to be liked and loved by people who aren't just variants of himself, please and thank you":

(note to self, rewrite this so it makes sense lol EDIT: lol, don't feel like it so this is all you get, folks!) 

a variant significant other, male: kisses Loki

Loki: You are clearly my type, but I'm sorry. I'm not him.

[heartbroken expression on the variant]

from another timeline Loki visits:

woman holding a sword to his head after looking at him suspiciously: Change back!

Loki: Into who?!

woman: Her!

[Loki shapeshifts into his female self]

woman lets go of the sword

"You escaped! When Odin took you away, I thought he would kill you. Why did you never come back to me, my love?"

EDIT: My "twist" ending was that the Time Keepers were dead, not that they never existed. Some sort of mcguffin exists to just break the whole TVA and free the timelines. Idk, maybe the TVA was just a test to see if it'd work, but the system just kept perpetuating itself after the power hungry losers kept it going beyond the bounds of the experiment. Either way: 

villain plot twist: the time keepers are long dead. the TVA is a terrible system that perpetuated itself on its own, only a few judges were aware that the timekeepers had ever died. The entire System Has To Go (lol like disney would ever go there)

The system is literally Killing the Universe, since the universe's natural state of being is a multiverse. But the system don't care, system don't give a shit. System only exists to perpetuate itself, system's survival is the most important, catastrophic universal failure need not apply

(this is way too on the nose for disney, but since this rewrite's motto is Fuck Disney, it shall stay)

EDIT: this was how I imagined the climax of the series.

Mobius or Ravonna (i never decided): "All the chaos, all the possibilities? How can you stand the uncertainty? How can you believe the world will be any better than it is now?"

Loki: "Because it has to be!" [smashy smashy TVA]

series ends with the timeline breaking free

we see various scenes of the variants in their former lives, happy

and AU scenes of the previous movies:

Loki gets pulled up on the bridge

Loki accepts Thor's offer during the Avengers

Loki gets up on Svartalfheim, bleeding heavily, but doesn't go to Asgard but to Thor

Loki tricks Thanos during IW

Loki as an Avenger

Loki as a kid

Loki as a girl

Loki on jotunheim, fully jotun

Loki on Asgard, jotun

faster and faster, all sorts of different AU scenes until the screen goes dark and we see our Loki, smirking

"But...well, those are stories for another time."

and he steps back into the shadows.

[headcans-oneshots-and-stuff]

Private and Public

Fandom: Teen Wolf Pairing: Stiles Stilinski x reader Word count: 1.4k Summary: People don’t usually realize that you’re in a relationship since you weren’t one for PDA with your boyfriend. It wasn’t that you didn’t like to display affection, it was more the Public part that made you nervous. But one night at a party that might change. Warning: None Requested by Anon: malia x reader or stiles x reader. The reader is like a ('baby gay' for malia) (first relationship for stiles) and is shy/a bit nervous about doing things simple things like hugging or holding hands and they find it cute but also comfort the reader say stuff like its okay, we can take it slow, and kinda just doing things like hugging more often to get them use to it. idk sorry feel free to to change it up and do what you want. Anyway have a good day~ 🦊,🐺or🙃. A/N: so I realize I haven’t uploaded anything at all in over a week, but life’s a bitch so I’m not gonna make empty promises of me starting to upload regularly again. I guess thing’s will be uploaded when they’ll be uploaded. I’m really sorry for all those who look forward to scheduele stuff, but I hope you understand. Lot’s of love, Brina

The red plastic cup in your hand was still filled up to the brim, the only change was the temperature that it had taken on during the hour that you had nursed it without even attempting to take a sip of the gross beer inside. Honestly, you weren‘t all too sure why exactly you had agreed to tag along to the party, neither were you sure why you were even asked to. When Scott had heard of the party a bunch of juniors and seniors had planned to have on a clearing in the woods, he knew it was a recipe for disaster. The pack had tried its best to stop the party from happening altogether, but to no avail, so instead they decided that they‘d come along to keep an eye out for potential danger. Every single pack-member in the appropriate age-group - aka still in school - had shown up, even Brett and Theo had joined in, which meant that any potential danger would have to be careful. Still, you couldn‘t quite understand why you‘d been asked to come along since you were quote-on-quote ‘just a human‘ and were usually kept away from any immediate danger the second it seemed to be in your vicinity. Not today though, today you were basically dragged with them to attend the party no matter if you wanted to be there or not and Lydia had forced you to dress in something other than the nice PJ’s that you had been chilling in earlier that day. “Hey, it’s Y/N, right?” a boy asked as he joined your side. You inspected him for a few seconds until the cogs in your head finally clicked and you realized that he was in your english lit. class. “Mhm, you’re-” you bit your lip and squinted your eyes as you tried your best to recall what his name was, “James?” “Close, it’s Jim,” the boy chuckled and smiled at you. You recognized that smile and even though you had to admit that you were a bit naive, you knew that the boy wasn’t talking to you just for the sake of getting to know you as a friend. Not quite sure what you could do about it, you decided to give him the benefit of the doubt. “This party is pretty boring, what?” “Well, it’s a party in the woods in the middle of the week so I doubt there was much possibility for this to be the party of the century,” you shrugged and looked around at all the drunk people who’d definitely regret drinking so much the next morning. “You know,” Jim started and you had a bad feeling you knew where this was going, “We could get out of here, My parents aren’t home, sooo-” he scratched the back of his head and you just couldn’t help but sigh. “Listen Jim, you’re really nice, really, but I’m in a relationship.” “Oh, Ohh, okay, sorry I didn’t mean to...uhm… I just- I never saw you with anyone, I thought you were- I- Uhm- I’ll leave,” he rambled before taking a big sip of the beer he was holding and walking away with his ears tinted red-ish. You gave another sigh and shook your head slightly as you thought his words over. It was true, now that you thought about it, he had no real way of knowing that you weren’t single anymore and even though usually you didn’t mind that thought, suddenly it was somewhat bothering you. You and Stiles had been dating each other for just about a month now, but besides the other pack members and your families no one really knew about it since you weren’t really into PDA. Well, it wasn’t quite that, if you were honest. It was just that this was your first relationship and you were incredibly nervous at everything it included. It wasn’t that you felt uncomfortable with Stiles, it was the exact opposite actually, being with him was the time you felt most at ease, but you were just very anxious that you’d accidentally screw up. Of course, you also feared that your nervousness would annoy him and he’d decide that you were not worth it, but that fear was absolutely rootless since he was the most supportive boyfriend you could imagine. Oftentimes you could see the longing in his eyes when he was looking at you sitting besides him at Lunch and you knew that he just wanted to put his arm around you and give you a kiss, but held himself back for you sake. He also kept on telling you that it was okay and that you didn’t need to do something uncomfortable just to please him, that he was happy with all the cuddles and kisses he got in private and that he was more than ready to take it slow. What he did to help you otherwise was that he tried to get you used to a little bit of physical contact: hand holding in the car, small hugs throughout the day, cute little texts in class and the such. Suddenly, as you were thinking about it, you felt the strong urge to find Stiles and hug him no matter how many people were around and if you didn’t still have the completely full cup in your hand you’d think you could’ve been a little bit tipsy. You looked through the crowd searching for any sign of your boyfriend and the first thing that caught you eyes was the blond locks of a certain scarf-wearing-werewolf glimpsing through a group of junior girls that were giggling about something. With a rush of determination surging through you, you made your way through the masses of teenagers - somehow managing to hand your cup to someone on the way - and ended up only a few feet away from Isaac without having been accidentally punched or stumbling. It was like a scene in a movie when you came closer and recognized a few other pack members standing around Issac and they acted like a curtain that opened up as you got closer and revealed the most incredible boy in the world. If you’d been an outstander and had seen you stop in your tracks with a goofy, love-sick smile on your lips and your eyes almost watering up, you would’ve thought that you were watching a cheap romance movie, but you weren’t an outsider- no, you were you and you were looking at your boyfriend feeling full of love and admiration. Starting to walk again, you were sure to earn a few confused glances as you slid through between Isaac and Allison and more or less launched yourself at Stiles, your arms quickly interlocking around his waist and you face pressed into his chest. Stiles was obviously surprised at the sudden attack as he stumbled a few steps backwards before stabilizing and reciprocating the hug. You were very happy that your pack was so accommodating as they just shared some confused glances before continuing the conversation like nothing happened. “Are you okay?” Stiles leaned down and whispered in your ear, obviously worried by the sudden need for affection. “Mhm,” you nodded and basket in his hug for a few seconds more before looking up at him and smiling, “I just love you a lot and I missed you.” “I drove you here, we saw each other half an hour ago,” Stiles chuckled, but his cheeky smile showed that he was endeared by your sudden clinginess. “That was too long,” you just sighed and wished he would lean down to kiss you, but then your state of adrenalin and bluntness left you and your nervousness returned. Slowly you retracted your arms and went to stand beside him when you saw that the other pack members were looking at you with smiles on their lips. Blood rushed towards your face and your ears and you suddenly felt more embarrassed than you ever thought you would, even though you didn’t regret it. “You want me to bring you home? It’s getting pretty late,” Stiles asked silently but you could read between the lines and thankfully nodded, knowing that you’d probably ask him to come with you inside when you came to your house and cuddle. Because after all, Stiles was the best boyfriend you could ever imagine and if you couldn’t hug him all that much in public, then you’d hug the living health out of him in private.

[chooseyouovereveryone]

10 Years Of Songbird: Brittana Fan Project

Hello my fellow Brittana lovers!

First of all, happy 10 years to the iconic Glee episode that is Rumours and the beautifully moving performance that is Songbird. Such a pivotal part in Brittana's story, and one that will forever be ingrained in my mind. Naya's voice still gives me goosebumps and reduces me to tears on that performance, paired with Heather's genuine tearful reaction.

Second of all, this is up slightly later than planned so apologies for that, but Tumblr glitched on me big time and I had to repost this all again which considering I had a draft built up for days, was rather inconvenient, but we’re here now and hopefully it was worth the wait!

Putting this project together has brought me so much joy in revisiting my favourite ship. I don't think I will ever tire of reading about them, and hearing from others why they love them so much and how this ship resonated with them.

For me, Brittany and Santana were the first positive representation I saw of a WLW relationship. I was shook to the core watching their story unfold, in how much it mirrored what was going on in my own life with my own denial and with my own relationship. I found myself clinging to that storyline like an anchor, as if it was going to give me the answers to my own story. Throughout all the confusion I had in my own coming out and realisation that I was a lesbian, the storyline gave me hope that one day, everything would be okay. Watching them go from confused and conflicted best friends to wives gave me so much hope for the future, and now as a 27 year old out and proud gay woman, I still look at this storyline with the same love-filled eyes.

Even as Glee ended and I stepped away from the fandom, Brittana have always been a huge part of my life, always there in the background, always my comfort storyline to turn to and rewatch a bunch of times. But losing Naya last year really brought me back to the fandom and the community and reminded me why I loved them so much.

I think what I love most of all about this ship is how organic it was. It came from the fans, and from Naya and Heather encouraging the writers to take it seriously. Because of this, I also wanted to add in some little touches of Heya, and include quotes from Naya and Heather talking about their fave scenes.

I'll forever be indebted to this storyline in what felt like a really hard and confusing time in my teenage years.

So thank you Naya

Thank you Heather.

& thank you so much to all of you for taking part.

Also a huge shoutout once again to @hopefulobjectmiracle for letting me use her idea and for providing help along the way. She came up with the concept for this project with Klaine, and I wanted to create a Brittana version, but I'd strongly recommend checking out her Klaine one if you haven't already.

I hope you enjoy reading it, as much as I enjoyed putting it together :)

Brittany & Santana Talk To Holly Holliday About Their Feelings- 2x15, “Sexy”

Choosing a favorite scene is hard so I'll choose one of my favorite lines: in the episode Sexy when Santana and Brittany first talk to Holly about their sexuality, Britt says "I don't know how I feel because Santana refuses to talk about it".

I love this line because most people would play it off as Brittany being a simpleton, but that's not the case. Brittany is saying she doesn't know if she's allowed to like Santana as more than her best friend. She doesn't know if it's right. Because if Santana isn't in to girls then Brittany could be crossing a line, a line where she could possibly be making Santana uncomfortable. Brittany obviously knows how she feels about Santana but she wants to make sure Santana feels for her in the same way before admitting to it, as not to ruin what they already have.

-@neversatisfiedwithlife

Landslide- 2x15, “Sexy”

It was incredibly difficult for me to choose my favorite Brittana scene. There are so many that I love and find important to me...some of these moments were even literally life-altering. Before Brittana, for example, I didn't know that girls could be gay, and I had no idea that what I felt for some of my female friends was anything other than platonic. I'm sure I would have realized I was queer eventually, but this ship and the fandom that I found myself in made the process so much easier for me. But I digress :)

I eventually narrowed it down to four choices—Landslide, Songbird, the Heart Locker Scene in New York, and Cherish/Cherish in Heart, and out of these I've decided to single out Landslide as my numero uno, as it was this very scene that started my decade-long love affair with this ship :)

There are so many things that I love about this scene. Earlier in the show we see Brittany attempt to talk about their relationship knowing that they were more than just best-friends-with-benefits, but Santana would instantly close herself off. Still, Brittany pressed on, determined to understand what they had become, while Santana began to realize that what they had—what they could become—was worth letting herself be vulnerable, worth the risk of getting herself hurt. The fact that Landslide was the product of this early struggle gives it so much meaning ;u;

The scene itself has all these details that make my heart ache in the best way possible...the way they look at each other throughout the song, Santana's eyes a myriad of emotions, full of sadness, confusion, conflict, longing, Britt's eyes filled with concern knowing how much it's taking her best friend to be so vulnerable, then the pride that shines through when she looks at Santana after the performance; the way that Santana's voice breaks singing "and I'm getting older, too"; when she stands afterwards and goes over to Brittany, and Britt opens her arms to hold Santana instantly like it's a reflex; the way that they fit against each other so perfectly, like they were made to be in each other's arms...even the visual composition of the scene was perfect ToT That instant of them hugging each other is a study in contrasts with the way Britt's flaxen hair shines against Santana's night-dark head, and with the way Santana's soft white blouse contrasts against Brittany's deep blue denim top ;u; It's gorgeous.

-@randomcanbian

My fav Brittana scene is when they sing landslide together, because it was one of the first times we got to Santana be so vulnerable

-@snowpickles

What is a landslide? Simply put, it’s defined as a collapse of a mass of earth or rock from a mountain or cliff. That’s the perfect way to describe the rocky relationship between Santana and Brittany in S2, and it‘s exactly why their performance of the infamous Fleetwood Mac song of the same name (Sexy; 2x15) is such a pivotal moment in time in for them.

Santana showed a side of herself to her friends, but most importantly to Brittany, that many would deem her incapable of ever doing. For that moment she allowed that brick wall she always had built up around her for protection to come slowly crumbling down. And the best part? She allowed that — wanted that — to happen. She needed to bare her soul to the person she loved most, but she wasn‘t sure how or when, or if she ever could.

Seeing Santana put her heart on her sleeve and confess her feelings of love and admiration for Brittany through song — finally — is one of the highlights of the entire series for me. We see her trap herself within a new world for a few minutes, one that contains only the two of them through her eyes, and let her emotions do the talking. Brittany understood everything without a single word being spoken to her. Santana hadn’t opened up to anyone at this point about how she felt, not even to herself, but so much was understood between them without saying nothing at all. My favorite spoken line is Brittany‘s, „Is that really how you feel?“

As a viewer, it was such an infamous moment because we now get to cheer for them. We see that they are on the same page with one another, that through it all, their attraction and desire for one another never wavered. They wouldn’t be a a couple for quite a bit more time, but they both now understood what we as viewers saw all along. Santana stopped denying her sexuality; she stopped denying what Brittany meant to herself. She still had a lot to sort out and wasn’t ready to free herself from the constraints of her sexuality, but she made the biggest move: allowing Brittany on the other side of that wall with her.

This performance let to the scene we grew to love known as the Hurt Locker, which is the scene that made the Brittana fandom sing praise to the high heavens. Santana felt like she could finally confess her feelings to Brittany. She was terrified, but she somehow found the courage within herself to stop closing the door on opportunities. So, I‘m thankful for Holly Holiday for being the person that Santana and Brittany felt comfortable enough to go to, and I‘m thankful for her willingness to perform with them, because it gave us much more than a song — it gave us hope. It gave us validation. It gave us Brittana.

-@TheWednesdayProject on Reddit

Hurt Locker-2x15, “Sexy”

"A lot of people have said that scene gave them courage to come out to their parents and their friends and their loved ones, so I think that it's something that's very important, and I hope that we handled it responsibly which I think that we did"- Naya (PaleyFest 2012)

Hurt Locker is my fave scene - just Santana finally coming to feel and admit the truth within. I've probably watched it a thousand times and I'll never get sick of it. The expressions and unspoken acting Naya and Heather put into it give me all the feels!

-@chasingseals

Okay so my favorite Brittana scene is probably the scene where Santana express her feelings for Brittany during “sexy” and says she’s afraid to be with Brittany because of the talks and the way people are gonna stare and that she wasn’t even afraid to what people would say to her face but to what people would say behind her back.

And that’s because I feel the same way. I’m not a lesbian, I’m bisexual, but at the moment I have a girlfriend and I am so afraid to come out to even the rest of my family (apart from my parents and sister) because I always hear them talking about these girls with names such as “dyke” or something, and it was good to see on tv someone with the same fears and it is so good to see that they had a happy ending and got married and that all this started when they decided “not to care” about everybody else’s opinions and be themselves and be happy.

-@wankybjtch

It’s so, so strange to do this without Naya, but here we are, and she and Heather made this all so beautiful. When I tried to answer this question about my favorite scene, I went first to Songbird - Naya has one of my favorite voices in this whole world - and then to Landslide, and then to Me Against the Music, and all those answers seemed really good. Brittany and Santana spoke to each other so much through music - voices and words and touch - and Heather and Naya gave themselves to their characters so much - and Naya to song so much, and Heather to dance - that they would disappear into Brittana, and would just seem like they were love, made visible. Brittana is love always seems like such a true thing to say, to me. But while what occurred to me first were three songs, I realized that my favorite scene - the one that hit me the hardest - will probably always be the Hurt Locker.

Naya was just so shining there, Santana so full of love and this terrible ache and this more terrible hope, all for Brittany, that you could see Heather glowing back, though so much more quietly. It was an absolutely tremendous thing to see a full-on love scene playing out in the middle of a crowded hallway. Naya and Heather were so beautiful together, as friends and as actresses and as onscreen lovers, and after seeing that scene for the first time, I cried every day for a week, always at these quiet, unexpected times. The love and the hurt and the fear and the hope were so raw in Santana - both in Naya’s performance and in the beautiful script - that it brought everything back about the confusion of starting out with that Oh, god. I am never, never going to be like everyone else. I love her way, way too much. But somehow, the scene made my whole world feel safer. I could see myself, and others could see me. There we were on the screen, worthy and beautiful. <3 Tess

-@venuscomb

Songbird- 2x19, “Rumours”

"I really enjoyed watching Naya sing Songbird. That's ingrained in my head, that time where I sat in the choir room and listened to her sing Songbird, because her voice is just of another world. It's always been my favorite. I will never forget that."- Heather (Entertainment Weekly 2021)

My favorite moment is Santana singing Songbird to Brittany because that is an all time classic romantic song, and Santana (Naya) sings it beautifully, and Brittany just sits there mesmerized. Plus I love what they are wearing, and how they look. i think it's signifcant that Santana sang her love for her here in the choir room, and it's where they had many of their big moments - first together, the break-up song, the flowers in 5, the proposal.

-@1908jmd

My fav scene is 100% Songbird. It’s always been my favourite song and to see it applied to a wlw relationship changed my life a lot because it made me realise that it could be me one day. Santana was always my favourite character too, so to see someone that i appreciated a lot come to terms with their sexuality made me really happy

-@illegally-luthor

My first fav scene out of two is Songbird of course because seeing Santana pouring her heart out to Britt is just the most beautiful thing ever. She was scared to accept who she really was and when it comes to her love for Brittany she’s not scared anymore because loving her is the easiest thing to do. Plus, seeing how Britt reacted was so beautiful. She knew Santana was scared and she was proud of how she confessed her love, through a song, because she knew Santana wasn’t good with words.

-@chloesnix2b

Heart Locker- 2x22, “New York”

My favorite Brittana scene is after Nationals in 2x22 by the lockers.

What I love most about this scene is Brittanys tell it how it is attitude. When Santana said that it clearly wasn’t about winning for her, Brittany looked right through her bullshit, knowing that Santana was getting defensive, because Santana knew what this year was really about for Brittany (and herself too of course), she just didn’t want to admit to it.

You can clearly see that Santana is still scared and hiding and that she still feels like she’s is going to lose Brittany any moment. But Brittany reassures her, tells her how much she loves Santana and makes her feel safe.

My favorite Brittany is always when she’s finally allowed to have feelings and say something. Often the writers didn’t give her anything to do or just made her a caricature of a person. But when she was allowed to express herself, it was in her truest, most vulnerable form. Due to writing, Brittana often seemed one sided, but it’s moments like these that show us how much Brittany loves Santana and how much she wants only the best for her.

For me, the scene felt like the real beginning. They have been taking baby steps before, treading the water. But now Brittany dove right in and her boldness made Santana follow her :)

"What about you and I?", "I love you Santana, I love you more than I‘ve ever loved anyone else in this world. All I know about you and I is that, because of that, I think anything is possible."

-@bolintheturtleduck

I absolutely love every scene that they’re in together, but my favorite is the one where Brittany and Santana are standing outside of the lockers, talking about the glee club. i feel like it showed a lot about Santana’s character at the time and it really inspired me.

-@hoodiestring

Officially Dating - 3x04, “Pot O' Gold”

Their first official date at Breadstix!

Santana and Brittany sitting in the warm lighting of their favourite restaurant in the almost comfortable awkwardness of their tender baby relationship melted something in my baby lesbian heart.

They're teenaged best friends who fell in love and this scene is just so fluffy and cozy and perfectly reflects their dynamic - they're so obviously head over heels for each other and everything about their relationship feels new and electric and full of possibility, but they've also been love each other forever. Santana's eyes lighting up at Britt holding her hand and Britt being so purely herself and everything about the scene just screams home to me and is the moment the show really became about them to me.

-@grassberry639

One of my favorite scenes is the Breadstix scene with the holding hand under a napkin because I could completely relate to it when I was dating girls that was still not yet 100% ready to come out.

-@charisadrastea

Rumour Has It/Someone Like You- 3x06, “Mash Off”

My other favorite is the Rumour Has It/Someone Like You scene because the performance was so beautiful and haunting.

-@charisadrastea

For me, it was the Adele Mashup (specifically the longing looks exchanged during it). I watched that scene over and over again when I was a kid because I felt like it did a great job of truly encapsulating what it's like to have feelings that you desperately want to pursue but can't do to your surroundings. The whole thing really stuck with me.

Naya's performance felt so genuine and, throughout that entire song, you could really feel what Santana was going through as a closeted lesbian who was terrified of losing everything. And the fact that Brittany was so close during the whole performance and, yet, instead of her singing one of the lead parts with her, they just exchange looks. I just thought it did a great job of expressing a trapped feeling.

-@aaverageperson

The First Time Ever I Saw Your Face- 3x10, “Yes/No”

My favourite Brittana scene would be the small flashback when the girls are singing The First Time Ever I Saw Your Face.

Santana sees Brittany’s face for the first time and she melts.

Their smiles are so soft and I love the instant connection they both have.

-@mostlygleethoughts​

My favourite Brittana moment happens when Santana is singing, The First Time Ever I Saw Your Face. She sings the line, “I felt your heart so close to mine,” while a flashback of her and Brittany in the locker room plays. I get teary-eyed whenever I watch this scene. The love between them is so beautiful, and it’s so refreshing to see genuine sapphic love portrayed on screen.

-@sapphicbrittana

Cherish/Cherish- 3x13, “Heart”

It took me so long to decide on what my favorite Brittana scene is but i ultimately decided on the scene at the end of Heart. It’s just such a sweet moment for them. They are openly going on a date and even kiss in front of other people without caring about what anyone might say. They have come so far from the beginning of their relationship and it is just lovely to see them be so happy with each other.

-@sugarcarnation

Ok so my second favorite scene is in 3x13 when Santana asked the god squad to sing a song for Britt. So the scene at Breadstick at the end and the kiss they shared after Cherish/Cherish is just beautiful. Seeing Santana being so proud to call Brittany her girlfriend and singing her song for her is everything to me. Also Britt’s reaction was too cute. The love in her eyes when Joe told them the god squad was going to perform for her is the cutest thing ever. The kiss they shared at the end of the song was so passionate and it gives me butterflies every time I see the scene. It was also the first Brittana kiss we saw onscreen.

-@chloesnix2b

I Wanna Dance With Somebody (Who Loves Me)- 3x17, “Dance With Somebody”

"Watching Heather dance is fun in this number, I never get tired of watching her dance."- Naya (BTS Dance With Somebody)

"They put us in twinzies outfits. We've been singing to each other like crazies"- Heather (BTS Dance With Somebody)

My favourite Brittana scene would have to be dance with somebody (the song). I love how happy they both are and how much fun they’re having together!!! The context is romantic, but they’re also having fun as best friends, which is the root of their relationship. I just think it’s really sweet and I’m a sucker for happy pretty ladies dancing around and making each other ridiculously happy. That’s all!!!

-@kurtanaaa

Tongue Tied- 3x21, “Nationals”

Q: What’s your favourite Brittana moment? A: The slow motion celebration smooch when we won Nationals

-Naya (Twitter Q&A 2012)

Mine- 4x04, “The Break Up”

It might seem strange, to choose a breakup scene for a couple's best. It's a scene that broke thousands of hearts and continues to make us cry, even after having seen the whole journey unfold and even after knowing that Brittana will, in the end, be okay. But to me, it's a scene that encapsulates much of what I love about these two and what they mean to each other. "Sophomore year, I used to sit in this back row and secretly watch you. I counted the number of times you'd smile at me, and I'd die on days that you didn't." Half the reason why I chose this scene is this quote. The sheer power of it still shakes me whenever I hear Santana utter these words. The sincerity behind them makes me stop and truly consider what it is she’s saying. It’s a summary of their journey so far. It’s a moment of incredible vulnerability, the confession of a girl who fell in love with her best friend and was terrified of the consequences of that love. Not as much as she was terrified of what it would mean to not be loved back, though. 

But Brittany loves Santana with the same passion, even if it manifests differently. It’s why she holds on as long as she can and why it’s even harder for Santana to face their issues. Because you see, I understand that many dislike the reasoning behind their breakup and that it only happened here because everyone else was doing it. But there’s something so deeply caring about the way they consciously make the decision not to hurt each other by leaving themselves in this in-between state of long-distance relationships. Something so genuine about the way they say they would never cheat on each other but also something so mature in realizing that they can’t be what the other needs right now. That, to me, displays such a pure form of love. As pure as catching glances and counting smiles in the back row. As pure as words of encouragement and saying to someone: I'm yours. 

Even though they were already inseparable in sophomore year, Brittany smiling at Santana during Glee practice is an intimate moment that meant everything to her. And even though it hurts, Santana letting go of Brittany before they can even think of hurting each other is such a deep declaration of love. What makes it bittersweet yet hopeful instead of just being heart-shattering is the way Santana turns the otherwise optimistic and romantic song “Mine” into a sad one, creating one of the show’s most gorgeous solo performances in the process. Because when she sings Brittany is the best thing that’s ever been hers, we all know it was true in sophomore year, it is true now and it will be on the day they exchange vows. Because Santana’s right when she sings they’re gonna make it, even if it takes a while. Even if they are (and we are) crying right now, even if it takes a few more days of dying in the absence of Brittany’s smile lighting up her world. Because even when they’re breaking up, Brittana reaffirm that they’ll always love each other the most.

-@tuiyla

Santana Walks Brittany Out Of The Auditorium One Last Time- 4x22, “All Or Nothing”

“I really liked the moment in the last episode, when we knew that Brittany was going away and it was a really sad vibe and Santana showed up and just took her hand and walked her off, I thought that was sweet.”- Naya (Perez Hilton 2013)

Valerie- 5x12, “100”

My favorite scene by a pretty wide margin is “Valerie” from “100”. It’s got that palpable backstage chemistry that Naya and Heather had that shone through so clearly in season 1, it’s poetically choreographed, and the songs even more lyrically significant than before.

I believe that Santana and Brittany are at their best and most smitten when they’re doing what Naya and Heather love the most: singing and dancing, respectively. This is no exception. Just look at Brittany trying not to smile at the beginning. When the shot is on her after Santana starts to sing, you can see her face change from smiles to grimace as if she had forgotten herself. You can’t tell me Heather didn’t break there for a second.

Every little mannerism throughout the whole sequence is laced with that fun, alarmingly pure energy. It could’ve been just excellent acting, but it felt so real. And why wouldn’t it? Naya had to learn Heather’s dance from “Sectionals”. Watching your best friend pull off some of your most iconic moves and then joining in, that’s gotta be fun.

Yeah, Santana’s dancing the choreography from their sectionals with Mike. Within the capacity of an untrained dancer, of course. She’s trying to get Brittany back into the groove by dancing probably the most involved number that the New Directions have ever done. And one that Brittany probably had the most fun with because she choreographed it with Mike. That’s some good writing. And it works, and it’s cute, but once Brittany joins in, the sequence deviates from the original.

We get this just wonderful moment of Brittany dancing solo centerstage fully embracing her passion. After she gets her moment, she and Santana dance either with each other swing-style or towards each other. You can’t forget about that embrace at the end when Santana sort of dips her. They’re not even back together at this point. Santana doesn’t want to get back together at this point. But I feel like I’m watching them dancing at their wedding 3 hours into the reception.

And I mean what an appropriate song to use given the circumstance. “Valerie” is about missing an ex after coming back to your hometown. When we heard Santana solo it at sectionals, it wasn’t super meaningful. It was an excellent way to show off Santana’s vocals and Brittany and Mike’s choreography somewhat independently. But here? Let’s talk about line distribution.

First verse, Santana sings solo. Notably, Brittany is harmonizing behind her piecemeal. By the chorus, she’s joined with Santana fully. Second verse, she’s soloing, joining the dance and by the end they’re dancing together. They’re singing and dancing about missing each other together.

But the song’s not my favorite part. Not even the dance. Not really. My favorite part is the culmination. Santana and Brittany are participating in each other’s disciplines and passions.

That’s an awesome couple right there. They went from singing and dancing somewhat removed from each other to singing and dancing with each other, and even when they were broken up, they still shared their respective passions with each other effortlessly.

-@leatherzaddy on Reddit

My favorite Brittana scene is Valerie S5. It just feels so significant to me that Santana chose this particular song to get Britt out of her funk. Valerie is special to both of them, it’s the first competition solo Santana ever got and it was the first time we ever got to witness the dance skills of one Brittany S. Pierce.

It was the first time Brittany got to show off how talented she was and how she was so much more than the dumb blonde everyone thought she was. Now, however, no one thinks she’s dumb. Now everyone sees her as just another statistic for MIT.

Santana, however, sees right through that and sees her for who she really is - not dumb, not just a genius, but Brittany, the girl who loves to dance. So Santana picks the same song from the first time Brittany got to show off her dancing to prove to her once again that dancing is what she’s meant to do.

-@hopefulobjectmiracle​

Churros Kiss- 5x12, “100”

The infamous churros scene lives in my head rent free. Why? Because we saw a level of confidence in Brittany that we had never seen before and, in that moment, we were all rooting for her for giving us what we knew was right and what we knew we needed. The fans knew Brittana was endgame, Brittany knew, and we just sat back and waited for Santana to realize it as well. (Let’s give her credit: she knew.) We had waited 1.5 seasons for more and we finally got it, mouthful of churros and all.

I love this scene because we see Santana and Brittany a bit older and a lot wiser; Brittany knows that after all the time they had spent apart, Santana is the only one she really wants and she felt like she needed to tell her, to show her, before it was too late. I feel like everything Brittany did in this scene was very spontaneous and on a whim, and it makes it that much hotter.

The kiss. It’s my favorite kiss between the couple by a mile. Brittany put her heart on her sleeve and risked everything and just went in for the kill. You can see the twinkle in her eye right before she leaned in and she didn’t hesitate to show Santana what she wanted. I do appreciate Santana’s hesitancy because of their storyline at the time, but I don’t doubt for a second that she didn’t want Brittany back, too. She was just incredibly cautious, and no doubt, caught by surprise. They had been through so much and had finally found a place in their friendship/relationship where scars were healing and hearts weren’t as broken as before.

You can see in the way Santana looks at her after being kissed, the way in which she listens to her, that the wheels in her head are already turning. We know she knows what Brittany is saying is true. She just has to process what this means for her, for them, for her life back in New York. She’s just putting the scattered puzzle pieces back together, but she knows what the picture already looks like.

The kiss on the cheek? The delicious cherry on top. Brittany, having already been pushed away, one again doubled down on how she felt and so quickly, and respectfully, reminded Santana of that. You can see Santana’s breath hitch during this moment when their faces are so close together, and it’s obvious that her love for Brittany never wavered. As she always was, smitten is her middle name.

Brittana’s entire relationship from S1-S6 can be summed up, for me, with one infamous line spoken by Brittany during the churros scene, “You can’t recreate what you and I have.”

-@TheWednesdayProject on Reddit

The Lilies Scene- 5x13, “New Directions”

I will always remember being a curious and scared teenager. I was almost in high school when Brittana became official and it suckerpunched me. The fear, the anxiety, the angst, the love, all of it was so relatable. Brittana had so many trials and tribulations and they always came out better and stronger both as individuals as a couple. My favorite Brittana scene is the lily scene because it was the beginning of them consciously choosing each other. The growth <3

-@yesandmusicals

My favorite Brittana scene is when Brittany fills the room with lilies for Santana. It really proves that the connection between them is incredibly strong and they understand each other better than anyone else. Their chemistry is off the charts and you can really feel their love for each other through the screen. The way Santana sinks into Brittany like she’s coming home and the way Britt runs her fingers up and down Santana’s arm <3 Everything about it is perfect.

-@santinacedes

I think my favorite Brittana scene is the one in 5x13, where Brittany fills the choir room with lilies for Santana, because that was the biggest time when I could truly feel their love for one another and their support of each other.

-@allweseeisskyforever

The Bedroom Scene- 6x03, “Jagged Little Tapestry”

It's hard to pick one favorite scene because I just love them all. But I'm gonna go with the scene that made me the happiest and that's the bedroom scene before the proposal because it's such an intimate moment between the two of them. They talk about their future together, about how happy they are and of course "I will love you until infinity". I've wanted a scene like that since I started shipping them in season 2. And watching that scene for the first time was one of the happiest moments in my life. And when I'm feeling down I just watch this scene again and everything gets better.

-@brittanaaresoulmates13

Santana proposes to Brittany- 6x03, “Jagged Little Tapestry

My fav Brittana scene is the proposal bc it means so much to both of them. It takes place where they fell in love and there’s so many parts in the song that remind me so much of their past

-@arf128

My favourite Brittana scene is probably Santana proposing to Brittany because the number they do before is fire🔥 and BRITTANA GETS ENGAGED!!

-@pennywarbler

Hallway Scene- 6x06, “What The World Needs Now”

I LOVE THE ‘did I ever tell you that I love you’ MOMENT. The little kiss and the way Santana nudges her head in Brittany’s neck. I love the whole episode, it’s so powerful and as a lesbian I really felt seen and represented.

I love that Santana reminds Brittany of heaven. I love that Brittany loves Santana so unconditionally, that she would do anything to see her happy. Brittany knows that Santana is super happy right now, but she also knows that she really misses her abuela and that she’s sad she’s not coming to the wedding. Britt’s really doing her best for Santana, and that really shows how much she loves her.

I love that we see Santana’s vulnerable side in this episode and I love to see Brittany’s protective side (especially during and after Alfie). Although abuela said she wasn’t coming, I love how the episode ended because it really shows how much Santana has grown and how much love she has in her life right now.

-@sapphosongbird

Brittany Confronts Santana’s Abuela- 6x06, “What The World Needs Now”

After Santana sings “Alfie” to Abuela López as if her life depended on it in hopes that her Abuela would be a part of her life again, we have my favorite Brittana moment. At first, Abuela is confused and shocked to find out that she’s been tricked into seeing Santana sing. Brittany quickly confessed that she did trick her and informed Abuela, but also informed Abuela not only that she is Santana’s fiancée but that she loves her so much that she would do anything for her. Santana is quick to look at Abuela to gauge her reaction. Santana is hoping she has an opportunity to explain and to try to make her see how much she loves and needs Abuela in her life. Santana brings up how much Abuela means to her and how much being raised by this woman has made her a strong woman.

It’s likely that Abulea immigrated from another country. Like many children from immigrant families, they know the sacrifices their family took to her there. Santana likely heard from father (as i think Alma is her paternal grandmother) about the importance of doing good in school (and her education as she values it) and likely heard stories about the many jobs her grandma took. Likely those that are stereotypical like agricultural work, working in restaurants, or working as a cleaning lady. Jobs that were all she could get because of the limits society places on her (Abuela). ( Santana really admires this woman. She lets her know how much in the coming out scene. )

Santana embraces being Latina and holds no apology for being so, and admits that she is bigger and better than the limits society places on her. Santana wants to continue to be bigger and better. She admits that she can’t (or doesn’t want to) do that without Brittany and Abuela. Santana feels she simply exists without them. Perhaps also saying that they give her the strength she needs to be bigger and better. She is oh so hopeful that reminding her of all that will make her Abuela come along.

Unfortunately, it is not enough for Abuela. She reminds Santana that she loves her, but not enough to attend the stop following her beliefs. She adamantly says that girls marry boys and not other girls. It’s a sin in Abuela’s eyes, and she refuses to attend the wedding. What happens next in this scene makes me so proud of Santana. Before this moment, Santana was this scared little girl who hid behind this HBIC persona. In short, Santana struggled to love and accept herself.  She dated guys for status. She rejected Brittany for so long and told her she was using her and didn’t love her. She had beards and even wrote a song about a boy. She had confessed to Brittany that she was scared about all the talks and looks she would get from others. She hid her feelings and love for Brittany and pushed her away into another person's arms. While doing so, she was more angry and miserable than she had ever been. She had to witness the girl she loved more than anything be with someone else because she was too scared, and it hurt her.  It would take some more time for her to embrace herself fully. Even then, she didn’t have much choice. She was forced into accepting herself because she was outed to everyone in her school, in Lima, and in Ohio (and anyone who stumbled across that campaign ad online). Still, she did eventually get there. It was not easy for her at all, but she got there. She was happy. She surrounded herself with the love of her friends. She grew as a person. She became friendlier, was happier, and she allowed herself to love others (Brittany, Dani). Moving to New York was scary for her, but she did it anyway (with a little shove from Brittany (again, she thinks they helped to make her bigger and better). She helped her friends get a job, auditioned for Broadway, went to auditions, held various jobs, and attended school.

Santana remembered how Abuela taught her to be bigger and better than her school, her city, and her state would ever allow her to be when she was in New York. She was even bigger and better than the limits she had placed on herself, especially when she was in high school. She was determined to make something of herself. Sometimes even doing things that weren’t even her dream.

No matter the years that had passed, Brittany knew that despite Santana saying she was okay and choosing Brittany over everyone, including the woman that meant so much to her, Santana still missed her Abuela.  In this scene, unlike the last time when Santana bravely confessed to Abuela about her feelings and was gay by herself, Brittany was there alongside Santana. Brittany quickly stepped in to protect the woman she loved. Despite being upset that things aren’t going as they had hoped, she puts on a brave face and tells Abuela that it is okay if she doesn’t go. With a smile and some spunk, Brittany tells Abuela they don’t want her there. Santana is surprised that Brittany spoke up at first, too.

Brittany, who usually is kind and sweet, had her claws out. She used her genius mind to give statistical facts she’d read about to tell Abuela off. Usually, Santana would know not to speak to Abuela in such a manner. This is likely because Santana knows better. Her Abuela likely taught her to respect her elders or at least always to respect her. When Brittany finishes talking, Abuela expects Santana to apologize and stick up for her, but to Alma’s surprise, Santana doesn’t. Instead, Santana, the girl who was scared to tell her Abuela she was gay because she feared losing her, stood by Brittany, the woman she loved and who had told her Abuela to go on and love herself in a way Santana likely never has and would never dare to.

Santana doesn’t just defend Brittany or stands by her. Santana refers to her relationship with Brittany as love. She uses their love as an example of what love is. Santana, the girl who told Brittany she didn’t love her and that she was nothing more than just sex because Puck was in the slammer, the girl who refused to talk about feelings, and the girl who panicked when Rachel referred to their duet as sapphic romance, told her Abuela that what she and Brittany share is love. She uses the words “real love” to describe their relationship and what they had.

The choice of Santana words is significant. Likely, Abuela empathized the importance of love when it came to family (even if Santana experienced a lot of tough love from Abuela, her dad, and likely other family members like her mom.) all her life. Santana likely had seen a lot of it.

The choice of the word “real” may indicate just how deeply Santana was hurt when Abuela disowned her. We did see her cry in season 3 when Santana came out to her. Still, the choice of words makes me think that Santana felt deceived about family sticking together and loving each other no matter what (something Abuela mentions in this very same episode in the Queso Por Dos segment) because of how quickly things changed when she came out. All it took was a confession and a few seconds for that love to disappear.

It’s possible she viewed what she knew as love before, as fake love, or love that was not unconditional. Santana choosing to use “real love” to describe her relationship with Brittany is Santana saying, “We stick together and love each other unconditionally, unlike you and I or my own blood.”

Santana then says that Brittany is her family. Again, Santana reminds us that she chooses Brittany over anyone. Again, she’s touching on her previous statement that she and Brittany are an example of “real love” or (as Santana believes with all her heart) a family that sticks together and loves each other no matter what. This is a big deal for Santana.

She is coming full circle because, in the early seasons, Brittany didn’t always come first. She often came second or last to status, beards, prom queen, people’s opinions, etc.

Santana, a girl that misses Abuela, the person she wishes would love her again, has reached a point in her life where she loves herself and Brittany so much that she no longer needs her Abuela or her support, love, and approval. Santana knows she has a lot of that already. A lot, a lot.

The next part in this scene is parallel to Abuela and Santana’s previous scene some years prior from season 3 when Santana comes out to her. In season 3, Abuela told Santana to leave her house with no other word after Santana came out. Despite Santana’s pleas, Abuela had had the final say. In this scene, things are different. Instead of faltering and hiding, Santana puts her foot down and stands her ground. She keeps her head high and has the final say (something that I believe Abuela taught her when teaching her how to be bigger and better than what the world was going to give her permission to be), and Abuela had no choice but to walk away without another word.

To finish this scene, Santana leans into Brittany. Brittany comforts her (like I’m sure Brittany did the first time Santana came into Abuela the moment she could (which I believe was as soon as Santana got into her car where Britt was waiting (just in case Abuela wanted to meet her))). Santana knows she can count on Brittany. She is her family now. They stick together and love each other no matter what, even if it means being disappointed when things don’t go as planned.

Had Abuela and Santana never made up, I would have been completely okay with it because this scene shows a lot of growth in Santana.

It makes me feel so proud of Santana. She cared so much about others' approval. She had been so scared of her feelings for Brittany that she let herself be miserable and made others feel that way, too. Santana ended up being bigger and better than the limits she and society places on her. In doing so, she learned to accept and love herself, Brittany, and their family. Proudly so. While she wanted Abuela in her life, she decided to let Abuela go and instead surround herself with her new family, one that had plenty of “true love.” A lot, a lot.

That is freaking beautiful, and I absolutely love it.

(Also, protective Britt is 😍🥰).

-@lylyluvda916

Pre-Wedding Scene- 6x08

Q: Favourite  Glee scene ever? A: My wedding! -Naya (Twitter Q&A 2015)

“My favourite scene to film was the wedding with me and Naya. It’s just a beautiful memory that I am so thankful I have during this time. It happened at the same time as I was getting married, and it just felt like a double wedding, if you will, because that was the title of the episode. It just kind of summed up our entire relationship on the show and it felt so real, and so magical, to do that with one of my best friends.”- Heather (Cameo 2015)

After too much thinking, I’ve decided that my favorite Brittana scene is the pre wedding when they’re getting ready and Britt freaks out because Santana sees her before the wedding, thinking it’s a bad luck thing. And then Santana says to her that rules don’t apply to them and that they make their own luck. After that they kiss in the most perfect way. It’s my favorite because by saying that to Brittany, Santana made it clear that no matter what traditions say or people believe, everyone can choose how to be happy.

-@awesome-shipper​

My favourite Brittana scene would have to be just the whole wedding episode if i’m being honest aha (i love all the Brittana scenes lol its soo hard to choose haha) because it shows that love is love and that anyone can get married if you love one another doesn’t have to be man and women, it can be women and women or even man and man! Love is love! I love the episode also because they are just soo cute in it lol, like Brittany having all the pre wedding worries and then Santana calming her down, ahhh its just soo cute aha.

-@elmamacca​

It’s so ridiculously hard to pick my favourite Brittana scene, when they all mean so much. Each one means something different for them in terms of their story.  Though they may lack screen time compared to other couples on the show, their scenes are filled with so many firsts. First time Santana admits her feelings, first time they mention their officially dating, first kiss, first I love you in a relationship when they're both happy...so they’re each special for different reasons. Even the break up has Santana admit for the first time that she had feelings for Brittany way back in Sophomore year (S1). Something that was implied but never verbalised before that point.

It's hard to pin it down to just one. I love 2x15 for the obvious reasons of getting to see Santana admit what was already clear to see. That she loved Brittany. Seeing her finally admit that was just really poignant for me. 

Landslide and Songbird hold such special places in my heart. The bravery. The love. Everything. I felt it all.

Heart was the fluff we so sorely craved for 3 seasons, and they finally we got it in the best way, and we got our first on screen kiss (3 times over).

5x12/5x13 had me feeling euphoric because finally after a season of absolute crap they finally got back together. The kiss was amazing, and we got to see Brittany lay it all on the line for Santana and make it clear who her top choice always was deep down.

6x03 was like a treasure trove of pure joy. The softest bed scene ever which I love for, my fav duet from them and ofc the proposal. Seeing Santana so boldly (I felt so proud of her in this moment) declare her love for Brittany in front of everyone (something she once thought she'd never be able to do), and for Brittany to be able to see that after their rocky start of "I'm not making out with you because I'm in love with you and want to sing about making lady babies", was everything! The call backs to Landslide were just ugh, and it really showed how far they had come. Santana’s speech and how nervous she is, plus Britt’s tears and the way she snatches the ring, lives in my head rent free.

6x06 is also like, incredible, and one of my fav ever Brittana episodes. Just the whole damn episode and how domesticated they are, Santana’s bravery, Brittany’s protectiveness, all the soft af dialogue that looks like it’s been plucked straight from a fanfic. The “did I ever tell you that I love you?” “tell me again” scene is one of my all time favourite scenes from them ever, and I can’t with how utterly adorable and playful and in love they are. Essentially, my love for the ship holds no bounds so there are too many “fave scenes” to count. Truthfully, I could write an in-depth analysis about every single one one of their scenes and how it touched me in some way, but I think if I had to pick just one I'd go with 6x08 the pre-wedding scene.

It's their last major "two-shot" scene and I honestly think it captures everything. Not only is it just contextually sweet the way Santana can't wait any longer to see Brittany and the words that she says, and the way Brittany is nervously freaking out, it ties up a lot of their story. Santana says with confidence "you love me, and I love you" after what seems like a lifetime of self-doubt, finally she knows Brittany loves her and no longer has to question that. This is the same girl who begged Brittany to say she loved her back as a scared closeted teenager, and now she's standing in front of her on their wedding day knowing that Brittany loves her without even needing to hear it. But regardless we do get an "I love you so much" from Brittany, unprovoked by Santana, which again is a callback to that heartbreaking 2x15 scene. It was all Santana ever wanted to hear back then, now she gets to hear it so freely on their wedding day. Their wedding day guys!? Nothing can ever top that for me, for them to have that ending to such a imperfectly perfect story, after all the erasure, the angst, the break-up, seeing them with other people, watching Brittany go off to MIT and thinking yep...this ship is done because Heather's never coming back now. 

The way Santana manages to calm Brittany and make her see clearly, is everything, and it really shows that yin/yang dynamic that I love so much about them.

Being someone who felt like I was living vicariously through them and seeing them get the ending of all endings and get married which is such a rarity (or certainly was at the time) for WLW ships was EVERYTHING. There's also the kiss (my fav kiss of there's) and the fact that moments later Abuela comes in and finally makes amends with Santana. It was the perfect, happy, full circle ending to a rollercoaster of a story, and nothing will ever get more satisfying than that.

-@chooseyouovereveryone

Full List Of Scenes & YouTube Links 

Brittany & Santana Talk To Holly Holliday About Their Feelings

Landslide

Hurt Locker

Songbird

Heart Locker

Officially Dating

Rumour Has It/Someone Like You

The First Time Ever I Saw Your Face

Cherish/Cherish

I Wanna Dance With Somebody (Who Loves Me)

Tongue Tied

Mine

Santana Walks Brittany Out Of The Auditorium One Last Time

Valerie

Churros Kiss

The Lilies Scene

The Bedroom Scene

The Proposal

The Hallway Scene

Brittany Confronts Santana’s Abuela

Pre-Wedding Scene

Top 5 Scenes

Each of them had 3 responses each.

Landslide 

Hurt Locker

Songbird

Lilies Scene

Pre-Wedding Scene

Season Breakdown

Season 2, Season 3, Season 6 (5 scenes each)

Season 5 (3 scenes)

Season 4 (1 scene)

Season Popularity By Number Of Responses

Season 2 (12 responses)

Season 3 (9 responses)

Season 6 (8 responses)

Season 5 (6 responses)

Season 4 (1 response)

Thank you all so much for reading, participating, sharing etc. I really hope you’ve enjoyed it!

xx

[justiceraffles]

About the Gosho Boys and literary crime fiction

This is a lengthy text wall in which I ramble about detectives. It started out with me thinking about the Gosho boys and their relationship with classic mystery fiction and literary/fictional detectives and it ended up derailing into a Hakuba rabbit hole in which I overanalyse details pointlessly for hours because I guess that is simply how most of my free time is spent.

(Fair warning that this is probably ridden with mistakes because I am capable of only 1.3 thoughts at a time)

So, when it comes to Shinichi, Heiji and Kaito, they all have a literary character from classic detective fiction that they’re closely associated with. Namely, it’s Sherlock Holmes for Shinichi, Ellery Queen for Heiji, and Arsène Lupin for Kaito. The relationship they hold with each of these figures (and with crime fiction in general) is very different, but it’s quite telling of their personality, character, their relationship with literature, and their respective approach to their profession. I talk about each of them a little bit and then just spend half the time talking about Hakuba. 

Shinichi is born in a household where mystery fiction is extremely important. He is surrounded by this type of story and his parents nurture this interest actively. Detectives and mysteries permeate his life wholly. For Shinichi, Holmes is seen as the maximum exponent of a genre. Holmes is The Great Detective. The archetype, the one that defines what it means to be a detective and the one later writers will seek to emulate one way or another. Detective fiction is what it is today because of Holmes, so it makes complete sense for Shinichi to have him as his idol. Holmes is what he strives to be and it’s what people associate him with. 

Heiji is a lot more subtle than Shinichi is, but he is also very much a lit nerd. Ellery Queen is both a character and a pseudonym for the writers that created him. As a character, Ellery Queen is such a perfect choice for Heiji’s favourite detective. He’s a mystery writer who doubles as a sleuth and helps his father, a police inspector, in solving crimes. Wonder if that sounds familiar, huh. Aside from similarities in the character (I could go on about some passages that have such strong Heiji vibes I’d be here forever) the Queen novels challenge the reader very directly. They tell you to pay attention, that you are presented with the exact same clues as the detective and should therefore be able to solve the mystery as well. The mystery story is a competition and the author issues a challenge by presenting it to the reader. I love this because Heiji has a huge competitive streak, and this is highlighted from his introduction. To find that the stories he’s passionate about also encourage this side of him is just so fitting and appropriate. 

The case where Shinichi and Heiji meet always makes me think of the contrast between reading a Holmes novel and a Queen story. Personally, I feel like the enjoyment of a Holmes story often relies on letting yourself be awed by the deduction. You can follow along with the mystery but a big part of the charm is based on the detective himself and the way he explains the thought process that leads him to his conclusion. You’re meant to sit down and enjoy as Holmes explains himself, and admire his brilliance. There’s a focus on the truth and the way to reach it, which is very, very Shinichi. A Queen novel, on the other hand, invites you to play along as you read. You are on equal standing with the detective, and it’s up to you to reach the same conclusion he does. These are the principles of “fair-play” in mystery fiction. As it implies, it is very much a game! So Heiji challenging Shinichi to a battle of wits and deductions goes perfectly in line with what he’s reading. Holmes is the genius detective you look up to with admiration, Queen is a sleuth that invites you to solve the crime alongside him. These suit the vibes that Shinichi and Heiji give off themselves very well. 

Kaito is much, much different for obvious reasons. He’s not a detective, and he’s not nearly as much of a mystery geek as the others are. The entire KID persona is closely associated with Arséne Lupin because Toichi fashions it accordingly. Even if phantom thieves aren’t quite the same as Leblanc’s original idea for the Gentleman Burglar, they still have a clear origin in Lupin and there’s important similarities to be made between them. Storytelling-wise, KID heists work on the same principles as Lupin stories. You know the criminal is there, hidden amongst the cast presented to you, and you know he will carry out the crime. And, regardless of whether you have an inkling of an idea of how he’s going to pull it off or not, you still allow yourself to be amazed by his methods regardless when the trick is revealed! Even when the schemes are outlandish and border on the fantastical and unbelievable, the stories are best enjoyed when you suspend your disbelief and allow the plots and characters to be over the top. But well, the connection between Lupin and KID is fairly self-explanatory. So, rather than KID, I think it’s more interesting to think about the relationship between Lupin and Kaito himself.  

Kaito doesn’t seek to be seen as a modern day-Lupin in the same way Shinichi wants to be a modern day-Holmes. Unlike Shinichi who becomes a detective in great part because he has Holmes as his idol, Kaito doesn’t become a thief because of his admiration towards a literary character, but because of his love and admiration towards his father. Kaito dons the KID suit with pride because it’s something his father left behind, and he embraces each part of it because it can lead to answers and understanding. But, always cryptic, Lupin doesn’t provide a whole lot of answers and understanding, and neither does Toichi. Lupin admits that he struggles to recognise himself under all the disguises and roles he has played. The truth behind his father’s character seems to become more elusive the more Kaito becomes involved with thievery. The “gentleman thief” persona, despite being charming and theatrical, has consequences on a personal life. 

...And then there’s Hakuba. 

Hakuba is complicated. 

But, Raffles! You say, Saguru is another Sherlock geek!

Well, yes. Of course he is. The deerstalker outfit and him naming his hawk Watson make that clear. Hakuba is an absolute Holmes nerd. 

I’m here to read too deeply into it when it’s most definitely not that deep at all. But, there’s never enough information about Hakuba and I have a blast overthinking stuff. So that’s what we’re gonna do! 

Despite obviously being a big fan, Hakuba’s relationship with Holmes is different from that of Shinichi’s. 

First, we don’t get to see Hakuba nerding out about Holmes novels and stories in the same way Shinichi does. He doesn’t quote Holmes at length or go on about how much he loves the books. Instead, we know Hakuba’s a nerd because he’s apparently passionate enough about this character to include things associated with him into his own personal image and identity.

Second, there’s the way others perceive him. Shinichi and Kaito (as KID) get “Heisei Holmes” and “Reiwa Lupin”. Despite irking a couple officers every now and again, Heiji is held in high regard and considered a great detective by the police force. Hakuba has a considerable amount of fame, but he doesn’t receive the same amount of trust people place on Shinichi and Heiji. It’s easy to forget because Hakuba acts with a lot of confidence and familiarity around crime scenes, but several of his appearances highlight the way his presence is tolerated at heists because of his father’s influence and is generally seen as an outsider. The police take orders from Shinichi and look up to him for advice— it’s not quite the same with Hakuba. More often than not, Nakamori treats Hakuba like a visitor or observer than a consulting detective. All of this rambling to say that even though he presents himself that way, Hakuba isn’t (or, at least, isn’t seen as) the Holmes he admires.  

So, if not Holmes, is there anyone that suits Hakuba better?

I’d say yes and no. 

As far as I can recall, the series never makes any explicit comparisons or references to other detectives when Hakuba is concerned. That said, much like you’d associate the deerstalker and Watson to Holmes, Hakuba has some other quirks and behaviours reminiscent of other detectives. Now, I’m not here to say that Hakuba was made deliberately as a compilation of references to literary detectives. These similarities are admittedly mostly coincidences. That said, deliberate or not, I think an argument can still be made that the connections exist! And well, considering the lack of concrete information about Saguru, thinking about them is fun. So this is what I think: 

One of Hakuba’s most prominent quirks is his fixation with time and exactitude. His pocket watch is a memorable prop and being precise about minutes and seconds is an important part of his character. You can find very similar behaviour in Agatha Christie’s Hercule Poirot, who also carries a pocket watch around and is extremely particular about punctuality and numbers. Another thing interesting about Poirot is that he’s most interested in the psychology behind a crime, in understanding the mindset of the killer. Poirot mysteries have each of the suspects explaining their own version of events, because the detective wants to understand everyone’s version of perceiving the truth. In other words, Poirot mysteries have a focus on the whydunnit. 

You can probably tell that now I’m going to gesture wildly at Hakuba’s “Why did you do it”

Speaking of Hakuba’s signature question, it’s probably also worth mentioning the Father Brown stories by G.K Chesterton. The sleuth is a catholic priest, and after his deduction and identifying the culprit, the stories usually end with the priest spending time with the criminal. Before an arrest is made, Father Brown has a private meeting with the killer (or thief). It’s implied that this is carried out as a personal confession of sins, and expresses a need to seek out an understanding of the motive as perceived by the criminal themselves. 

I say this because the catchphrase does come off as a little strange. It’s curious that Hakuba asks why when we usually expect the detective to be able to sort it out by himself. But, it’s really not that strange to find equivalents to it in stories that focus on the psychological part of the crime and empathy towards them. 

(Also worth mentioning that both Christie and Chesterton were presidents of the Detection Club, a group of writers during the golden age of detective fiction that based their stories around the concept of “fair-play” that I mentioned earlier when I was talking about Heiji.  

Back on track: Hakuba and Poirot share key similarities. 

HOWEVER! There are also differences between them. I’m referring to the fact that Poirot puts the most emphasis on this psychological level of a crime. Poirot says “I am not one to rely upon the expert procedure. It is the psychology I seek, not the fingerprint or the cigarette ash” On the other hand, I’d argue that out of all of the Gosho boys, Hakuba is the most fastidious about procedure. He has some level of knowledge of forensic investigation and places importance upon it.

Sherlock’s methods do draw inspiration from precursors of forensic science, so you could trace it back to that. You could also go to R. Austin Freeman’s Dr. John Thorndyke, who is inspired by Holmes, but places a heavier focus on the scientific method behind deductions. Thorndyke is probably the one to properly kickstart the forensic/medical sleuth subgenre that grows later with the improvement and development of DNA evidence and technology. We have Hakuba being observant enough to find one of KID’s hairs, and then use Hakuba labs to narrow his identity down. It doesn’t resemble Poirot’s methods, it also isn’t quite Sherlockian, but it does resemble other classic british sleuths!

OKAY, COOL. WHERE ARE YOU GOING WITH THIS RAFFLES. 

I’M NOT REALLY SURE! I NEVER KNOW WHAT I’M DOING! I JUST WANTED TO TALK ABOUT HAKUBA AND DETECTIVE STORIES. 

Alright. This is more of a personal interpretation/headcanon than anything else, but unlike the other three Gosho boys, who have one  clear inspiration/basis/model, I like the idea of Hakuba reading a vast array of detective novels and picking up the little habits, methods, that he finds interesting or comforting. The deerstalker, the name for his hawk, his pocketwatch, his signature question, his methods, his knack for competition, all of them handpicked from the things that he enjoys most about detectives. 

It’s also worth mentioning that all of the authors for these stories I’m associating with Hakuba are British. The thought of him being passionate about English authors as a way to understand his English side of the family is a headcanon I quite enjoy. And, technically, the same could apply to his Japanese side as well. I can imagine young Saguru reading Rampo’s Kogoro Akechi stories and also wanting a rival like the Fiend of Twenty Faces and jumping at the chance of chasing KID because how much he resembles the character. Or appreciating Akako’s cryptic clues because Rampo’s fiction also has supernatural edge to it. 

I don’t know. I just like the idea of Saguru learning about the world, his family, and himself through literature? This is pure, unapologetic self-indulgence on my part, I have to admit. 

Though, if I HAD to assign one specific detective to Saguru, I think it would probably be Poe’s C. Auguste Dupin. Poe’s stories with the character as seen as the start of detective fiction, and Dupin serves as the prototype for detectives to come — even Holmes, even if he doesn’t get nearly as much recognition as Conan Doyle’s detective today. Despite the fact that Hakuba is the original teenage detective in the series, and he’s also often forgotten and neglected by both Gosho and a big portion of the fandom. Even so, he paved the way for Shinichi and Heiji, and is very important regardless. 

Anyway! I don’t know why I wrote this and I am now very embarrassed but thanks for reading all the way!

[thebiggestshrimp]

A Special “Souvenir”: part 4

NSFW (finally)

MLQC: Victor X MC (featuring Kiro)

Potential Spoilers!! smut and fluff! The last three parts were world building fluff, yk basically my headcannon. If you like smut that has established characters with relationships, then this is for you!!

Perspective Switches: I like to occasionally switch the perspective to one of the boys, in this case being Victor and Kiro. You’ll notice it when there is a double space break in the flow of the story. All I’m doing is switching to what I think would be a more interesting perspective to read the events from. When the double space ends, we switch back to MC perspective.

Word Count: 3.1k (oh man)

Part 3 link

Part 4

“What would the lovely couple like to order today?” questioned the always smiling Mr. Mills.

Calling you two a couple shocked you, and Kiro too by the way his knee jerked and slammed into the table. You thought you heard a grunt from the kitchen, thinking it was funny even Victor was bothered by that simple statement.

“Ahhh, can we have another minute or so?” Kiro said in a slightly pained voice, attempting to convince you he didn’t just hit his knee on the table. “There are just so many delicious options and I’m having trouble deciding”.

Mr. Mills warm smile never faded as he spoke. “No worries, I’ll come back in a few minutes then.” 

Although you were having the same problem as Kiro, you knew for sure you wanted some of Victor’s pudding. It had been 2 months since you last convinced him to make you a bowl, using the fact that he called your report “Alright” instead of “Not bad” as reason enough to reward you.

You only just now realized you had forgotten to correct Mr. Mills on his incorrect assumption that you and Kiro are dating. It was already too late to say anything, and denying it now would make things awkward. Besides, you knew that you were here to platonically enjoy dinner with your friend, so what others say shouldn’t bother you.

Oh but how it does bother you.

You looked towards the kitchen, wondering what payment Victor had in mind for the two of you. You were thinking he’d make you run to the market to pick him some fresh produce like last time. But then again last time you two had a moment. Or well, you thought you did.

The way that question accidently slipped from your lips. The way his eyes lingered on yours for so long while he inched ever so closer to you. 

“Victor, have you ever been with someone from work?”

You felt your breathing slow a bit; you were nervous. He was your boss, and you had figured he would never consider you since you worked together, and well, because you were pretty sure he didn’t think of you in any way besides a friend.

But that one moment made you feel like maybe, just maybe, he reciprocated your feelings, even if it was just a little.

Coming back from your daydreaming, you realized Mr. Mills had returned. Kiro’s voice was directed to you.

“______, is it okay if I order for us both? I think I have a good idea of what you’d like”.

“Oh, yes, that would be fine, thank you”.

You once again turned your head towards the kitchen, swearing you caught a glimpse of the elusive chef. You were itching to see him, even though you were not excited to hear him complain about how you failed to turn in your report.

“Does that sound good with you, ________?”

You snapped your head back to Kiro, and shook it. What did you just agree to?

The wait for the meal was tedious. It wasn’t like you didn’t have anything to talk to Kiro about, but because you were already so distracted by the semi-lewd thoughts of your boss, your heart wasn’t really in the conversation.

Kiro noticed this, wondering what he was doing wrong to make you this uninterested in him. He quickly decided to change the topic to something he figured you’d like better.

“How was the producing of the last Miracle Finder Show? I watched it while I was in Iceland and knew it had to be a soul crushing production”.

This finally did get your attention, finally able to vent about all the hard work and late (and you mean late) nights spent at the office making sure it was as perfect as it could be. Even though the production was, as Kiro put it, a bit “soul crushing”, it was worth it to see how popular it was with the audience.

“Honestly, that’s my favorite show we’ve ever produced. It took a lot of effort from the whole team, and everyone really pulled through to get this as perfect as possible”

You rambled on and on, barely letting Kiro say anymore then “Mmhmm” and “Oh wow”, but he was ecstatic to get you talking like this, especially since he knew.

He knew you had feelings for your boss. He had realized it when you told him you were busy the Saturday he tried to ask you out “on a date” to the park. He decided to head out to the park anyway (in disguise) and spotted the two of you. The stoic look on the CEO’s face made it hard to judge how he felt, but the fact that he was even out with you was enough to know that he definitely felt something. And God dammnit, why was he so handsome?

But when he saw your face, the way you smiled at him and the subtle touches shared between you. He knew how you felt. So why didn’t you look at him like that? What was the CEO doing right that he wasn’t?

He would find out. And he would change your mind. He wanted you and he would get you.

Mr. Mills was masterfully carrying three trays of food, each holding a delicious meal hand prepared by Victor. He was in the kitchen, cleaning up and preparing to finish up by making his pudding. The creamy yet almost jiggly consistency was enough to melt the tastebuds of anyone who ate it, including Victor. But tonight, he was careful making it (adding in a tad bit more love then normal, although Victor would deny it), adding two cherries on top just for you. He stored it in the fridge, hidden behind a few of his ingredients so that it would surprise you. While sweeping the floor, he overheard some conversation between Kiro and you. It seems he had gotten you talking about work, and now all he could hear was your rambling on how stressed out you were while working the last month.

He was hoping you weren’t openly bad-mouthing him to a stranger, but knew you wouldn’t have anything truly hurtful to say about him.

He smiled thinking about how he would make you pay for your meal. 

“I can’t believe you let me ramble for like, 20 minutes Kiro! It’s embarrassing to just vent in public like this!” You half-whispered jokingly to Kiro.

Kiro smiled that celebrity smile of his. “Mmm, but you it was so cute to listen to you. Besides, isn’t it the job of a friend to always listen to another?” He then playfully kicked your leg under the table.

“Hey!” you said with a giggle. “We’re at a restaurant! Save the childish actions for the park”. Even though you said it a bit of a harsh tone, he smiled mischievously. Then the barrage started.

Playful kick after kick came from Kiro. You finally gave in and played his game, sending your patented “double-kick” his way. The fight ended with the two of you laughing hysterically, just like children.

When you calmed down a bit, you put your head in your hands and looked at Kiro. He was completely caught off guard by how cute you looked right now. He looked to the right for a moment, although all he wanted to do was strip you of all your clothes and turn you around on this table and smother you with kisses and-

“Well, I guess it’s time to pay, you know, figure out what “punishment” the chef has in store for us”.

Coming back from his daydream, Kiro nodded in agreement.

“I’ve gotta go to the bathroom real quick, but go ahead and call Mr. Mills over so we can receive our ‘punishment’”. He enunciated ‘punishment’ with air quotes and a wink.

With an already hard member, Kiro speed walked to the bathroom. He had to get rid of this fast.

Alone with your thoughts, you sat there for a moment, thinking that you had forgotten something. Shaking it off, you called Mr. Mills over and told him you and Kiro had finished your meals.

“I’ll take you and your dates dishes for you then” said Mr. Mills.

With a face full of red, you quickly corrected him. “Oh but we’re just friends! I didn’t get the chance to tell you earlier”.

Mr. Mills only looked at you with a smile, and nodded saying “Of course, sorry for my mistake”. Skillfully holding the dishes in his hands, he turned towards the kitchen and remarked, “The chef will be glad to hear that”.

A bit confused by what he meant, you waited for Kiro to return, or for Mr. Mills to tell you what the chef had in mind as payment. Mr. Mills returned first.

“The chef has decided that you will be coming back to help in the kitchen, Mrs. ______”. He looked around for a second, and added, “I’ll wait here for your friend to return so that I may tell him what his payment will be”.

You felt bad that you had to leave without being able to talk to Kiro more, but your mind quickly switched over to the verbal abuse you might receive from your boss when he reminds you of your missing report.

You walk into the kitchen to a familiar, sexy voice.

“Glad you could make it”.

You met with a pair of gorgeous violet eyes, lingering on them for a moment too long. You blushed and turned your head to the countertop, pretending like he wasn’t the most interesting thing to look at.

You decided to open up with the report, figuring that apologizing while he seemed to be in a good mood was the best move.

“So, uh, I may have forgotten to get the report to you before 5 PM today, but don’t worry I have it now and can get it before I leave or right now if you-”.

Victor waved his hand, cutting you off. “Don’t bother, I wasn’t at the office all day, so you would never have been able to give it to me anyhow. However, I expect that report to be in my hands at 8 o’clock sharp tomorrow morning”.

You unintentionally let out a sigh, glad that he wasn’t angry. You felt that you could finally relax. As tired as you were, you were ready to finish whatever Victor had in mind and head home for the most peaceful sleep you could imagine.

“Open the fridge”. Said a particularly demanding voice.

You open the French door refridgerator, bending over to look inside, realizing you don’t actually know what he wants you to look at.

Little do you know, Victor was admiring the curves of your body, which lead into your rather plump ass. Before you turned around, he handed you a list.

“These are ingredients that I need for making my pudding, make sure I have enough of each”.

Shuffling through some of the products in his fridge, you notice a delicious looking dessert hidden in the back.

“Oh my god, Victor did you make pudding?!” You couldn’t hold back your excitement, reaching for the pudding to take it out.

Seeing your childlike reaction made Victor smile, which you turned around just in time to see. Blushing for the umpteenth time today, you thanked him for making your favorite.

“It’s for you to take home. Remember, you haven’t paid for your meal yet”.

You look up at him expectantly, thinking he would have you clean the dishes or mop the floor. Instead, he steps closer to you, and leans down so that you are both eye level.

You freeze, feeling his breath on your skin, the eye contact between you never breaking. You felt like you could feel the tension in the air. Victor finally broke it.

“I just have a few questions for you. That will be your payment”.

You nodded, still frozen.

“Please be honest with me, right now we are friends, Victor and _______, not boss and coworker.”

You only continued to look at his pretty violet eyes. He seemed a bit anxious. It felt like he wasn’t completely confident in himself, unlike how he always appeared at work.

He let out a sigh. “Dummy”.

He continued. “I like you”.

Your mouth dropped in shock. Did Victor just say he likes me?? Did he seriously say that? What?

You didn’t know how to say what you were thinking, but you knew just how you felt. You were estatic to hear that he felt the same. Oh what a wonderful end to your day.

“Victor I, I feel the same. I just thought that you didn’t feel the same and that if I admitted my feelings you would shut me down for being unprofessional and that it might ruin...”

Victor’s eyes told you to be quiet. A smile crept onto Victor’s face, and a laugh escaped you. You rambled again, how embarrassing.

Victor took a step away from you, allowing you room to breathe. You thought you were finished with your payment, but little did you know what Victor had in mind.

“I guess I should go see if Kiro is finished with whatever task you handed him, he is my ride home after all”.

Victor folded his arms, leaning on the countertop. “Dummy, I don’t remember saying that you had paid for your meal. Come here”.

You turned around, nervously. Did he want a kiss? Was this how he wanted to officially start your relationship? I thought we would talk about it some more privately.

You stepped right in front of him, looking up at him. The height difference forced you to strain your neck to meet his gaze.

Victor’s voice lingered in the air. “Do you want to have some fun before I send you home?”

Unsure of what he meant, you nodded.

With your consent, he picked you up and lightly set you on his countertop, leaning over to place kisses on your lips. He moved to your neck, loosening his tie. He gently pushed your legs a part, nibbling at your panties. You could feel how wet he was making you. Victor reached up your thighs, his big hands gripping them tightly. He wrapped his pinkies around your panties, pulling them down and past your feet.

You heard a low throaty growl come from Victor, and it only turned you on more. He flicked his tongue on your clit. The tingling sensation made your body move erratically. He looked up at you, a smile clearly visible on his handsome face. He continued teasing your slick with his fingers and tongue, occasionally fighting the urge to reach down and grope himself.

“Can I put my fingers in?”

You only moaned in response.

Victor stopped all movement and met your eyes.

“I want a yes from you before I continue”. His tone was demanding, almost hungry sounding.

Flushed red, you opened your mouth to meekly say, “Yes, please Victor”.

He moved his hands back to your slick, slowly positioning his fingers to your entrance. Gently, he pushed his index finger in. The high-pitched moan let Victor know you were having fun.

“Good”, He said through a smile. “I’m glad I can make you feel this good with nothing but my fingers, but next time you’ll repay the favor to me”.

Victor prepared to put in his middle finger, but suddenly you spoke up.

“More, I want more of you...”

Elated to hear your excitement, he put in four fingers, using his middle and ring finger to hit your pleasure spot. Rubbing it slowly, then picking up his pace when your moans quieted down. With his tongue he licked and sucked on your clit, bringing wave after wave of pleasure.

Although you were no stranger to sex, you were pretty sure you had never cum before. You pretended, because you really didn’t want to make your ex’s feel like they were inadequate, but here, right now with Victor, he completely blew everyone else away. You didn’t know what it felt like to be on the edge, usually being too tired after work to commit to your full pleasure. But the erotic feelings deep in your core made it impossible to focus on anything.

You only knew what you wanted right now.

Fighting the “growing” urge to touch himself, Victor focused on making you cum. He wanted you, he wanted to fill you up and refuse to stop until he chased his own release. But right now, he wanted to make you feel so satisfied that you would come back for more immediately.

Besides, Victor felt that truly intimate sex should be saved for the bedroom, especially the first couple of times. But that wasn’t going to stop him from making you cum now.

You were nearly there, unintentionally squeezing your walls around his fingers. You had asked him to stop, not really meaning it, but because you were so unfamiliar with this foreign feeling your brain was begging for the pleasure to end. You only wanted this to end in one way though, and so did Victor. 

“Oh god, oh god, oh myyy, Victor!!!” He only continued with his motions, never ceasing. 

You lost all thought, unaware of how loud you were being. “I’m gonna cum, ohhh!”

Nothing but pleasure ran through your mind, your legs shaking around Victor. You had closed your eyes, breathing heavily, attempting to calm down. Once your breathing slowed, and your made eye contact with Victor, he fully removed his fingers and stood up. He went to grab a towel from the drawer, wiping his face and fingers clean before handing it to you.

Victor was grinning, trying and failing to hide it. “I hope that this experience was satisfactory for you”.

You rolled your eyes at his ridiculous comment. He knew you enjoyed yourself.

“Well, this was quite the start to our relationship, I guess I’ll see you at work tomorrow then?” 

“Mmm, you will. I’m sure your friend is waiting at his car for you”.

A bit sad to leave, you grabbed your purse and started to walk out, wen Victor’s hand met yours.

“Aren’t you forgetting something?”

Confused, you cluelessly blinked at him.

He let out his second sigh of the day (ever since you’d met, you had been keeping track of the number of times he would sigh when talking to you). “Dummy, you’re leaving the pudding I worked so hard to make for you”.

Embarrassed, you took the cute little bag he had put it in and then turned to leave.

Behind you Victor’s voice, as sexy and suave as it was, left you with one last comment. 

“When you eat my pudding later, let it be a reminder to you of what happened here today”. He let out a mischievous laugh. “A souvenir, if you will”.

I seriously have to apologize for leaving yall hanging for like a month! I was very busy and rarely found time to work on this, so thank you for being patient and I hope yall like it ;)

[redgillan]

Under Pastel Skies - 7

Sugar daddy!Bucky Barnes x Reader

Summary: Modern!AU Bucky doesn’t need anyone, especially not a sugar baby. He isn’t that desperate… but she smiles so sweetly and she’s endearingly awkward, and he’s so lonely. She’s an artist, a painter, the type of person who always puts others before herself. Throwing caution to the wind Bucky offers her a place to live, a place where she can finally paint whatever her heart desires. He doesn’t need much in return; a friend, a muse.

Word Count: 6,480

Warnings: none

A/N: This is long overdue, sorry - hopefully it’s worth it. It’s also incredibly long... idek anymore. I want to thank you all for your patience and support. It means a lot to me.

Wannabe sugar daddies, don’t interact with this post.

You grumbled into your pillow when you heard your phone buzz on the bedside table. Cracking one eye open, you lifted your phone and squinted to read the neon numbers showing on the screen.

7:12 a.m.

You had an email notification, nothing important, but it somehow managed to come through the ‘Do Not Disturb’ feature. You knew you wouldn’t be able to go back to sleep so you got up and padded barefoot into the kitchen.  

A smile curled up your lips when you saw the leftovers from your made-up holiday. There were a few cookies and muffins in a plate, a large bowl of cereals, and two dirty milkshake glasses on the counter.

It had been a fun and relaxing couple of days. You ate, talked, played board games, and watched movies in your fanciest loungewear attire. Bucky sought your touch more than usual and it left you a little confused. Every time he touched you, the line between feelings of friendship and feelings of love became blurred.

Bucky was an early riser, always up before you, dressed in his usual khakis and long sleeved Henley shirts with his hair slightly tousled. He looked effortlessly sexy and always had a warm smile for you even though you looked like a hot mess in your mismatched pyjamas, staggering into the kitchen, blindly following the smell of food cooking on the stove.

Today, the kitchen was silent. Bucky was probably still asleep, so you decided to cook breakfast. Maybe, if you were lucky, you’d catch him in his night clothes.

Wasting no time, you made a beeline for the coffee machine. You filled the water tank and measured fresh grounds into the filter, but your task was interrupted when you heard groans coming from somewhere nearby. You soon figured out that the sounds were coming from the living room.

Curious, you silently made your way toward the sound. The shades were up, and you could see the midnight blue sky fading into pastel hues of yellow and pink with the approaching dawn. Under any other circumstances, you would have been completely enraptured by its beauty, but something else caught your attention.

Bucky was standing upside down with his head on a yoga mat. His eyes were closed and his features were set in an expression of serious concentration. You half hid behind the wall and observed him.

You were impressed, his headstand was perfectly vertical and he was doing it without hand support, meaning that he was supporting his entire weight on his neck. He slowly lowered one toe back down, then the other, before he rested his forearm on the mat and lifted his butt toward the ceiling, his body forming a perfect inverted V.

“You’re up already,” he asked, sitting back on his haunches. “I can hear you breathing behind that wall.”

Busted...

You peeked out into the living room and cringed. “Sorry, I didn’t mean to disturb you but that was sooo impressive.” You walked into the room and perched yourself on the arm of the sofa, facing Bucky who was kneeling at your feet. “How do you do that?”

He chuckled, his cheeks red from exertion and bashfulness. “Practice. Yoga’s good for building strength.”

He looked up at you with a boyish smile, his hair damp with perspiration. Beads of sweat dotted his forehead, rolling too close to his eyes and making him squint.

His pants left little to the imagination, the fabric stretched across his powerful thighs, and his sleeveless shirt clung to his drenched chest, outlining his muscles. Your eyes darted to his left shoulder where his stump was visible.

Despite living with him for over two months, you had never seen him in one of those sleeveless shirts before, though you couldn’t blame him since it was the middle of winter and you hadn’t been wearing any either. It was warm inside the apartment but not enough to walk around bare-armed.

“It’s easier to do yoga when the sleeve isn’t slapping me in the face every five seconds,” Bucky said, looking at his stump. “But I can cover it up if you prefer.”

“No! Of course not,” you rushed to say. “I’m sorry. That was really rude.”

“You were just looking, it’s only natural,” he said. “People are curious. Staring... well, staring is different.” His frown smoothed away and he turned to you with a smile. “Are you hungry?”

You smiled down at him. “Starving.”

“I’m gonna hop in the shower real quick, then I’ll start breakfast.”

“Actually, I was about to start cooking before I got distracted.” Bucky looked away, a slight blush covering his cheeks. “But I think we have plenty of food left over from last night.”

“We’re not eating cookies for breakfast,” he said. “We’ll save them for later. Right now we need something healthy.” He grinned as he pushed himself to his feet and ran upstairs. “I’ll be right back.”

You shook your head at his antics and returned to the kitchen to finish making coffee. After all he’d done for you, it was the least you could do. You knew Bucky liked cooking –and he was damn good at it- but sometimes you wondered if this was a fair arrangement.

He had given you a place to stay, money, food to eat, your own artist’s studio, and you had given him... nothing. Admittedly, you knew that your presence calmed him, comforted him. You gave him the emotional support he desperately needed and it was important, but he could also have adopted a pet.

Too tired for coffee or tea, you poured yourself a glass of orange juice, hoping it would wake you up. It worked but your self-deprecating thoughts were still playing havoc in your mind.

You were fixing Bucky’s coffee when he came back downstairs after his shower, and you were pleasantly surprised to find him wearing a clean sleeveless shirt. You met his eyes and found that he was watching you intently. You offered him a smile and leaned back against the kitchen counter.

“Looking good, James.”

He looked down at his feet with a bashful smile as he crossed the room slowly. You observed him in silence while he prepared breakfast for the two of you. It was a simple breakfast bowl with yogurt, granola, fresh fruits and honey but he somehow made it look like a gourmet dish.

“There you go, angel,” he said, setting your bowl in front of you. “What are you going to do today?”

You took a slice of kiwi and dipped in yogurt. “I think I’m going to paint. You?”

Bucky licked his spoon and you stared at it longingly before you quickly averted your eyes. No, you couldn’t be jealous of a goddamn spoon. Catch yourself on.

“I have an idea for a new book,” he said, running his tongue along his teeth to clean them before he spoke again. “I had a meeting with my agent last week. It went well, my old publisher really wants to work with me again. I’m signing my contract this afternoon.”

“Bucky!” you squealed after swallowing your mouthful of yogurt a little too fast. “That’s amazing!”

“Thank you,” he said, staring into nothing with wide eyes. “I’m nervous, scared and excited at the same time. It’s strange, y’know, all these feelings mixed together. It’s a bit overwhelming and I haven’t even started yet.”

“Don’t think too much,” you said. “You’ve done this before, you can do it again.”

“Yeah,” he replied, smiling.

You scraped your spoon around the bowl and licked it clean. “What’s it about? Is it a novel? Can I be in it?”

Bucky chuckled to himself and you figured that every single writer had friends who begged them to appear in their books. You couldn’t help it, the idea of living forever as ink on a page was too tempting.

“It’s not a novel,” he said. “It’s the third instalment of my series. The style is a little hard to explain but this is what I like to say: self-help book meets Bridget Jones’ Diary.”

“I tried to look you up but I couldn’t find anything written by a James Barnes or a Bucky Barnes.” You playfully narrowed your eyes at him. “Are you a fraud? Or are you using a pen name?”

He pretended to think about it. “I’m a fraud.”

“I knew it,” you mock-sighed.

Bucky took your bowl and placed it in the sink along with his. When he started cleaning them, you joined him and took a dish towel.

“I’ll tell you soon,” he spoke after a moment.

“It’s okay, take your time.”

You knew he wasn’t going to tell you what his pen name was, not now at least. His books were a reflection of his struggles, his success, and his fears, and you could understand why he preferred to keep you in the dark for now.

The people who read his books didn’t know him, they were just anonymous faces in a crowd but you were real. You were his friend, his new friend, and your opinion mattered.

“It’s been a couple of years since I’ve published my last book. My agent said that people haven’t forgotten about me but I still have to,” he made air quotes with his fingers, “’show my face’, just to remind everyone that I’m still writing.” He sighed.

“There’s a charity event next month at the museum of Natural History,” he continued. “It’s a huge event, a lot of important people will be there, including some of the most famous gallerists and curators in the country. You’re allowed to say no but,” he paused and turned to look at you, “do you want to come with me?”

You pressed your lips together while you mulled this over. There was no doubt in your mind that it was a great opportunity, one that you would have never had without Bucky, and you knew you had to say yes. But this was your least favourite part of being an artist.

You didn’t know how to sell yourself and you always felt like an arrogant asshat when you spoke about your paintings, even though you had every right to be proud of your work.

You had managed to persuade yourself that this new life would last forever. Eat, laugh, paint, repeat forever. But it wasn’t real. You had to put yourself out there, even if it made you uncomfortable because painting was only half your job.

Something else bothered you. You didn’t want to be the poor, struggling artist who took advantage of a charity event to make herself known. It seemed wrong and hypocritical.

You voiced your concerns to Bucky who looked at you with a pained expression.

“Yes, it’s a fundraiser but I can assure you that everyone at the party will be talking business and exchanging business cards,” he said. “And they’ll compensate with a huge donation to clear their guilty conscience. Is it false philanthropy? Absolutely, and I’m ashamed to say I’m one of them. You’re not taking advantage of a good cause, we are.”

“You’re nothing like them,” you said. “You’re kind and selfless, you’re a good person.”

“I’m not sure that’s true, angel,” he said with a tight smile.

When you opened your mouth to protest, he leaned forward and cupped the back of your head as he pressed a kiss to your forehead, ending the conversation. He had never done that before and you froze, feeling equal parts confused, incredulous and appreciated.

He pulled back and wiped down the sink with the sponge, acting like kissing you so sweetly was something completely normal, like he was unbothered. Meanwhile you just stood there wondering if you would ever be able to breathe normally again.

You pressed your lips together hard and tried to gather your thoughts but your mind was reeling. You were about to leave the room when your eyes landed on a pile of mail on the kitchen counter.

The first letter was a cheesy view of the Tower Bridge, the words ‘Greetings from London’ written in bold cursive letters across the postcard.

You only knew one person who still sent postcards.

Wanda.

“What’s this?” you asked, nodding toward the stack of mail.

Confused, Bucky looked to you then followed your line of sight and saw the mail. “Oh, Natasha dropped these off last night. She wanted to see you but you were already asleep.”

You nodded distractedly while you picked up the postcard. The sight of it filled you with anxiety. Your sister didn’t’ send these postcards often, but every time you received one it reminded you that things were different now. Gone was the happy and supportive family you used to cherish.  

Your breath caught in your throat as you read Wanda’s hastily written words.

I’m coming home.

She was coming home. A wave of nausea ran through you and your breathing came shallow and fast.

“Wow, wow, wow.” You felt Bucky’s hand at our waist, steering you toward a chair, and you realized your legs were giving way under you. “Deep breaths, angel. Look at me. There you go!”

“Sorry,” you said. “See what happens when you don’t let me eat cookies for breakfast?”

Bucky smiled at your poor attempt at humour. “Want to tell me what’s wrong?”

You debated telling him but you weren’t sure how to voice your concerns so you handed him the postcard instead. You had told Bucky about Wanda. She had disappeared after Pietro’s death, sending postcards from time to time as proof that she was still alive and well.

“Your sister is coming home.”

“Yeah,” you sighed. “I haven’t seen her for six years. She doesn’t know our mom has Alzheimer, she doesn’t know I sold our old childhood home. She keeps sending those postcards there. I gave the new owners Natasha’s address in case they still receive our mail. They’re very nice.” You let out a humourless laugh. “I had absolutely no idea what I was doing when I sold our house, and they could have taken advantage of me but they didn’t. I guess it’s not every day you buy a family house from a 24 year old girl. It probably screams tragic backstory, uh?”

“You did this on your own?”

“Yup.”

Bucky put his hand on your knee and gave you a comforting squeeze. “I’m sorry you had to go through this.”

You looked down at his thumb rubbing soothing circles just above your knee. “Yeah, it wasn’t easy.” You paused, then raised your head to look at him. “Living with you makes my life so much easier. I live in my own little bubble where I don’t have to be an adult. I feel like I can finally breathe. And I can’t thank you enough for all you’ve done for me and all you continue to do.”

“You don’t have to thank me,” he replied, shaking his head. “We help each other. We’re good together.”

“Yes, of course,” you said with a smile. “But we both know it’ll have to end one day. It has to, one way or another. I want to be more independent, start my career and support my family. I don’t want to rely on others anymore. I want to rely on myself.”

“But there’s no rush, angel.”

“I know, but nothing’s gonna change if I stay in my little bubble. I have to do things that make me uncomfortable.”

“What are you trying to say exactly?”

“I’ll come with you to the fundraiser.”

Bucky’s eyebrows shot up in surprise but a smile broke across his face. “That’s great! But what about your sister?”

You shrugged. “There’s nothing I can do. She’ll probably go to our old house, realize it’s not ours anymore. If she’s lucky they’ll give her Natasha’s address. I’m sure she’ll have lots of questions but she can’t show up six years later and act like our bond is still intact. I’m not at her beck and call. I’m only responsible for myself and, Bucky, I’m so tired of trying to please everyone. I deserve to live my best life, goddammit.”

“I am so happy to hear you say that,” Bucky said, his smile blinding. “Celebratory cookie?”

“Yes! Two cookies, please,” you replied, out of breath. “I’m slightly freaking out.”

You spent the next couple of weeks planning for the event; painting, taking pictures of your work, posting them on Instagram, searching for gallerists and curators you wanted to work with and cross-checking the attendees.

Despite everything, you couldn’t help but wonder if Wanda was already in New York and if she was looking for you.

“Check this out!” you exclaimed, shoving a business card in Natasha’s face before you pushed past her to get into her apartment. “It’s official, I’m an artist.”

She laughed as she closed the door, her eyes on the card. “Hi, it’s nice to see you, too,” she deadpanned.

“Sorry, hi.”

“Well, looks like you’re all set. When’s the party?”

“Next week,” you replied, taking a seat on you former bed, her sofa. “I’m a little nervous, but also excited. I don’t know, it’s a strange feeling.”

Natasha pinned your business card onto the fridge using a magnet before she opened the refrigerator door and retrieved a bottle of orange juice. She took two glasses from the cupboard and joined you on the sofa.

“But, yeah, I’m ready. I have over two hundred business cards, I know who I want to work with, and I even bought an external battery pack just in case.”

“And what are you going to wear?” Natasha asked before taking a sip of orange juice. You looked at her with wide eyes, panic written all over your face. “You forgot to buy a dress,” she concluded out loud. “Why am I not surprised?”

“With everything going on, I completely forgot I had to... wear clothes.”

“I’m sure James wouldn’t mind seeing you in your birthday suit.” She laughed when you practically shoved her off the sofa. “Come on, I’ll help you look semi-decent.”

You groaned. “I don’t want to go shopping right now. Plus, I blew all my money on business cards.”

“Are you kidding me? It’s freezing outside, I’m not leaving my apartment,” she replied, reaching for her laptop. “You’re going to rent it.”

“Ew,” you made a face.

You remembered the formal wear store where you had rented your prom dress. The place smelled like moth balls and sweat, and the dress had given you a rash. Not a great memory.

“Trust me, I know this is your first but I’m a seasoned veteran. I’ve been to dozens of fundraisers, and I had to wear dozens of designer dresses. Do you even know how much a Saint Laurent evening gown cost? You can’t wear the same dress twice. That’s a big no-no. And it’s not just the dress. You need a clutch, a pair of shoes, jewelry, a coat. You have to rent them.”

“You’re giving me a headache.”

She opened up her web browser and typed in the website address for the dress rental. As she entered your size and budget, it was obvious that she knew her way around the website and you had to admit that it was a lot easier than traditional shopping.

You looked at the collection of dresses, not entirely convinced, when you found it. You instantly knew it was the right one.

You stared longingly at the beautiful wine-red dress, made entirely of velvet. The bodice was cut on the bias, the fabric draping itself elegantly to contour the shape of the model’s upper body. The skirt was long and flowing, and the waist was cinched in with a thin black belt.

You clicked on the second picture and Natasha let out a strangled gasp. The open back was draped at the waist and weighted with a crystal on a golden chain.

The dress gave off 1930s vibes, it was elegant and refined but the back was daring and sexy. It was exactly what you needed. You paired it with a black wool cape, and Natasha offered to let you borrow a pair of shoes, jewellery and a bag.

The dress and coat arrived the next day. The woman who delivered them was kind and polite, she stayed in the kitchen while you tried on the dress. Once you gave the all-clear, she handed you your receipt.

The dress was yours for an entire week.

On the day of the gala, you were a nervous, sweaty mess. Natasha’s clutch was on your nightstand, filled to the brim with business cards. Your hair and makeup were already done. You sat on your bed in your underwear, staring at the dress hanging in your closet.

“I can do this,” you whispered to yourself.

You were adjusting the fabric around your cleavage, making sure everything flowed nicely, when you heard Bucky shouting from the kitchen.

“The car will be there in fifteen minutes.”

You took a deep breath and smoothed your hands down the sides of your dress, the tickling caress of the velvet calming you almost instantly. You reached for the handle, your heart hammering in your chest, and opened the door.

Bucky was standing at the kitchen island, looking down at his phone. He looked up when he heard the sound of your door opening.

“Hey, are you-” The rest of his sentence died on his lips as he froze. He stood there, staring at you, his eyes roaming your body in a manner that could only be called amazement. “You look-” He shook his head as if he couldn’t find the right word.

You looked down at yourself, grinning. After weeks of seeing you in your big woolly jumpers, pyjamas and painting overalls, you could understand why this was a shock. It was one to you as well.

“You look beautiful,” he said, his voice sounding strangled.

“Thank you.” He stood a little straighter when he noticed you were checking him out. He wore a dark blue suit with black lapels, a white shirt and a black velvet bow tie. You matched. “You look like a real heartthrob in that suit.”

He laughed and looked away, embarrassed. It was your favourite look on him; when he couldn’t maintain eye contact and his cheeks were slightly red and his nose crunched up a little.

“You’re wearing your prosthetic,” you said, noticing the stiff arm and fake hand.

“Yeah,” he replied, looking at his left arm. “This thing itches like hell, but I don’t blend well in a crowd when I’m not wearing my prosthetic. These people know me, they’ll be looking for me. Let’s not make it too easy for them.”

He finished his sentence with a wink and your entire body threatened to spontaneously combust. Do people still wink? Apparently. You walked over to him and briefly stroked his arm before you walked past him to the bathroom.

It gave him a great view of your bare back and the little crystal nestled just above the small of your back. You didn’t see his reaction but you heard his sharp intake of breath.

You left the bathroom door open while you rummaged through your makeup bag, relief flowing through you when your fingers brushed against your favourite lipstick.

You straightened up and looked at yourself in the mirror. Bucky was leaning against the bathroom door frame, observing you. You uncapped the lipstick and brought it to your lips, locking eyes with him in the mirror.

“Don’t worry, I’m almost ready.”

“I’m not worried,” Bucky replied with a mischievous smile. “Please, carry on.”

You rolled your eyes at his sudden smug expression, trying to look unbothered, but you could feel his eyes on you and you willed your hands to stop shaking. Today was not the day to look like Miranda Sings.

“What’s it called?” Bucky asked from the threshold, spellbound.

“No idea, the label has faded,” you said, rubbing your lips together to smudge your lipstick. “It has probably expired by now, my mom gave it to me when I was a kid.” You blotted your lips and tossed the balled tissue into the wastebasket. “She called it ‘Carter Red’.”

You dabbed the lipstick on your lips. “When we were kids, we used to watch her apply her lipstick. We thought she was the most sophisticated woman in the world. When she was done, she’d turn to us and ask ‘Who wants red lips?’ Then we’d leave the house in our matching red lips.”

Bucky entered the bathroom and took a seat on the edge of the tub. “Did your brothers wear red lipstick too?” he asked with a grin.

You laughed. “Pietro did. Scott was more into nail polish.”  

“Do you think I can pull it off?”

You turned to him with a wicked grin and waved your lipstick in his direction. He stood when you took a step closer to him. He seemed to enjoy the playful glint dancing in your eyes. You beckoned him closer like some kind of old witch.

“I’m sure you’d look real cute with lipstick all over your face,” you said, taunting him with your tube of lipstick.

Something in his expression changed, darkened, making you feel hot and cold at the same time. His eyes travelled down your face to your lips, then back up to your eyes. “Yeah, I’d really like that,” he spoke so softly you almost missed it.

It was your turn to freeze. You parted your lips to speak but nothing came out, you just blinked hard and stared at him incredulously, waiting for him to explain what that meant. But he never did, and you took a step back.

Did he just...? Did he just try to kiss you? No! No, that’s silly. Why would he want to kiss you? He was just being playful and you simply projected your own desires onto him.

He took a step back too and gave an imperceptible nod. “The car should be here any minute,” he said, smiling. It was a tight smile and you didn’t like it at all. “I’ll let you get ready.”

After he closed the door behind him, you dumped your lipstick back into your makeup bag and took a long look at yourself in the mirror. You looked deflated, miserable. You sighed... the night was off to a great start.

Bucky waited for you while you finished getting ready. You picked up your clutch, slid your feet into a pair of high-heel shoes, and struggled with your cape until Bucky came to your rescue. To your surprise, his smile was genuine again, and it made your heart soar. Maybe you had just misread the situation and he wasn’t upset, offended –or whatever that tight smile was.

The heels were higher than you were used to, but Bucky gave you an arm to hang onto. The sky was already dark when you arrived at the Museum of Natural History. You walked up the stairs and left your coats in the coat-check room before you took a look around the room.

Hundreds of people were milling around the hall, a glass in their hand as they weaved between the jaw-dropping dinosaur skeletons that were on display. You kept your arm linked through Bucky’s and tried not to stare at anyone.  

“Be careful,” Bucky whispered in your ear, making you perk up. “Someone once told me that the exhibits come to life after the sun sets.”

“Remind me to stay away from the Biodiversity Hall,” you chuckled. Then you spotted one of the curators you wanted to work with, you let go of Bucky’s arm and squared your shoulders. “Showtime. Wish me luck.”

“Good luck, angel.”

“God, I’m sweating. Is it noticeable?”

Bucky smiled at you. “No, you look perfect.”

You gave him a grateful smile. “Thanks. I hope I won’t make a fool of myself. I hate small talk.”

As soon as you were gone, someone took your place by Bucky’s side. You grabbed a flute of champagne from a passing waiter and made your way over to the curator. You didn’t drink alcohol but the glass made you look like you were part of their little group.

It went horribly wrong; you stuttered when you said your name and everything went downhill after that. While you were talking, he subtly looked around to see if he could find a more interesting person to talk to, which made you stutter even more. Then as you opened your clutch and fished out a card, several others fell at your feet in slow motion.

Between the dress, the glass and the shoes, it was practically impossible to bend over. The curator left and you stood there alone.

“Let me help you,” one of the waiters said. He gathered up your business cards and handed them to you.

You sheepishly took the cards and shoved them back in your purse. “Thanks. Can you take this? I’m not going to drink it.”

“Would you like something else to drink?” he asked as he took your glass of champagne.

“No, thank you. I... I think I’m going to go find my friend.”

You smiled politely at the young man but he had a strange look on his face. He looked like he wanted to say something but hesitated.

“I saw you with Mr. Thomas,” he finally said. “I’m not supposed to talk to the guests but can you tell him I love his work.”

“I’m sorry I don’t know what you’re talking about.”

“Grant Thomas,” the waiter pressed on. “The writer. I saw you two together.” Then he leaned forward and whispered, “He only has one arm.”

Oh...

Grant Thomas was Bucky’s pen name.  

Your face broke out into a huge smile and you started giggling to yourself. The waiter recoiled a bit, confused and a little freaked out. You scanned the room for Bucky.

“Of course, I’ll tell him,” you told the waiter. “He’ll be very pleased to hear it.”

You went in search of Bucky, wobbling around in your high heels, a permanent smile on your face. After walking around for a few minutes, you felt more stable and in control, even going so far as to power walk from room to room.

You found him in the Hall of Ocean Life, entertaining a small group of people. You walked over to him, your heels clicking like typewriter keys. You heard bits and pieces of their conversation as you approached.

“Oh, it’s absolutely lovely,” a woman cooed, a hand over her heart. “Who was your inspiration for your new book, Grant?”

Bucky’s eyes widened slightly when he saw you. You gave him a small wave and he held out his hand in your direction. He introduced you to the group, and while it was strange to hear him say your name, you kept a straight face.

“I’ve looked everywhere for you, Grant,” you told him, emphasizing his pen name. “I should have known I'd find you in good company.”

“Oh, she’s the painter,” the woman said. “Darling, I hope you don’t mind me saying this but-” she extended her arms in your direction “wow!”

The woman next to her looked half amused, half exasperated. “It means you look beautiful in that dress.”

“Oh, she knows what it means, Sylvia.” The ‘oh’ woman swatted Bucky’s fake arm. “Grant, isn’t she gorgeous?”

Bucky looked at you with a fond smile. “Yes, she is.”

“Oh, my heart is about to explode,” the ‘oh’ woman squealed before enthusiastically waving to someone behind Bucky. “Sylvia, darling, take her contact details. We need new blood at the gallery. Please, excuse me, I haven’t seen Michael in ages,” she said, stretching out the last word.

She was gone before you could comprehend what was happening. Her laughter echoed through the room. Oh, I hadn’t seen the back of that dress! Sweet baby Jesus!

You found her whimsical and quite intense but if you had to work for her, you’d probably end up looking like her assistant, Sylvia, who seemed at her wits’ end.

She sighed and opened her leather-bound notebook. There were several business cards attached to the pages with paperclips. You handed her one of your business cards as her boss shouted, Oh, Michael, isn’t this party deliiightful? It was Sylvia’s cue to leave.

“Thank you. We’ll take a look at your work and get back to you as soon as we can. Enjoy your night.”

Sylvia rushed to her boss who was looking around like a lost puppy. When she saw her assistant, a look of relief crossed her face. It was a little over the top but it made you smile.

“So, Grant Thomas,” you said, planting yourself directly in front of Bucky now that you were alone. “Cute name.”

“Agh, I wanted to tell you before the party but...” He shrugged. “How did you figure it out?”

“One of the waiters saw us together. He’s your biggest fan. Said you were talented, humble and devilishly handsome in that suit.”

“The waiter said that?” Bucky asked with a frown as he led you toward an empty corridor.

“I think he has a crush on you.”

“I seem to have that effect on people,” he said, linking his arm through yours.

“So humble.” You entered the Hall of Biodiversity together. “What’s the meaning behind your pen name?”

There was a small pause before he answered. “Grant is Steve’s middle name, Thomas is Sam’s. I wanted to honor them. Steve literally saved my life, and Sam... well, he stood by my side even when we barely knew each other.”

“I’m sure they were touched.”

“Meh,” Bucky said with a grimace. “Steve said it sounded like a fake name, and Sam tried to make me use ‘Thomas Grant’ instead. I think deep down they like it.” He turned his head to look at you. “How did it go with the curator?”

You cringed. “Just to give you an idea, imagine an amateur magician performing at their first show. I was sweating, I stuttered, and I dropped my cards. It was awful.”

He laughed softly. “I’m sorry.”

“It’s okay, I’m not upset. At least he’ll remember me, right?”

You spent the next couple of hours mingling with a bunch of rich people; most of them were incredibly weird, the others were strangely relatable. You were a lot more cool and collected with Bucky by your side. He always had really nice things to say about you or your paintings, and his words rang true, giving you yet another reason to fall for him.

When you reached the planetarium, Bucky took your hand in his, his eyes sparkling with childlike wonder.

You practically had the place to yourselves, everyone else was either in the Grand Gallery or in the Roosevelt Memorial. Since no one was around, you decided to take your shoes off and walk around barefoot.

You lost track of time, listening to Bucky’s stories about the universe as he guided you along the spiralling walkway.  

“We’re just tiny little specks living on a bigger speck, floating around,” he said, gazing up at a model of Jupiter hanging from the ceiling. “Our time here is so limited, our bodies are so fragile.”

“Umm,” you hummed. “At least we’re not at the bottom of the food chain.”

He chuckled. “Yeah, that would be a bummer.”

“Do you know who’s at the bottom of the food chain?” you asked. “French fries. I’m starving.”

His laughter rang out, loud and clear, in the silence of the planetarium. “C’mon, let’s get out of here.”

You headed for the coat-check room, where Bucky left one of his ridiculously generous tips, and stepped outside, shivering from the cold winter night. You looked up at the stars glistening in the dark sky while you walked the short distance to the fast food restaurant.

You ate your fries in silence as you glanced around the restaurant. It was bright and gave off a friendly vibe. There were several other patrons even though it was almost two in the morning, though you and Bucky were the only ones wearing designer clothes.

Your high heels and clutch rested on the booth next to your hip, and Bucky’s bow tie was tied around your wrist. The top two buttons of his shirt were undone, revealing a tanned, muscular chest and a smattering of dark hair.

Bucky had removed his prosthetic after you’d found a booth. His fake arm rested on the table, scaring the hell out of the waitress when she came to take your order. Bucky apologized profusely, probably mentally adding another twenty to her tip.

You dozed off in the cab, utterly exhausted, your cheek resting against his shoulder. His arm was draped over your shoulders, his thumb sweeping up and down your collarbone. When you remembered that you still had to remove your makeup before going to bed, you let out a whine and nestled closer to him. He rested his head on top of yours, and you closed your eyes, enjoying his closeness.

A few days later, you told Natasha about the party, and she reminded you to be careful, to protect your heart. She wished someone had given her this advice when she’d met Sam.

It had never occurred to you that Natasha might have feelings for Sam, not because he was an awful person. No, it was quite the opposite. He was handsome and funny, always looking for some kind of trouble. She’d mentioned multiple times that he was really good in bed, which honestly didn’t surprise you.

You knew she liked him, but you didn’t know she liked him.

On your way home, you mulled over the things she had told you. About a block away from your apartment, you took your keys out of your pocket and stared at the little angel keychain, wondering if your feelings for Bucky were real. The line between friends and lovers was definitely blurred but you couldn’t cross it. There was too much at stake, you couldn’t risk ruining your friendship.

As you turned the corner into your street, you spotted someone standing outside the building’s front door. You slowed down, dawdled, so you could observe them.

You couldn’t tell if it was a man or a woman, though you suspected a man. They were carrying a traveller’s backpack on their shoulders, blocking your view. Whoever it was, they had a fantastic ass.

They pushed the intercom button, waited a few seconds and pushed it again. When the doors remained closed, they turned around to leave and you came face-to-face with a man with long dirty blond hair, a bushy ginger beard and striking baby blue eyes. You immediately recognized him from the photos you’d seen on Bucky’s laptop.

“Oh my God, Steve!” you exclaimed, startling him.

Part 8

[illfoandillfie]

Out of Context

Request: First of all, congratulations on 1,000!!!! Could you do a a sequel to Interloper where maybe an interviewer is giving her shit for having once been a groupie and Bri Rog and Deaky defend her and have amazing sex after at like their hotel 😂-foursome anon (I’m back)

Interloper / Snapshots From Before (Prequel)

Pairing: Roger Taylor x Brian May x John Deacon x Fem!Reader

Warnings: SMUT (18+), gangbang/foursome, oral sex (m and f receiving), anal sex, tit fucking, light choking, slightly dom reader, cheer up sex, some spanking, double and triple penetration

Words: 6,145

A/N: This was another request from back at my 1000 follower celebration last year. It’s been sitting half written in my drafts since then and I finally felt inspired to finish it lmao. Foursome anon I hope you’re still around and you see this!!

Blurb Advent: Day 10

Taglist:  @vee-ndetta​ @atomic-watermelon @kellypenac @labessieisallama​​​ @deakyclicks​​​ @jennyggggrrr​​​ @drowseoftaylor​​​ @hannafuckingsucks​​​ @i-cant-hangout-im-drumming​​​ @queenmylovely​​​ @ilovequeenmorethanyou​ @johndeaconshands​​​ @borhapbois​​​ @stardust-galaxies​

Doing press wasn’t easy, especially when interviewers insisted on questioning you all separately. You preferred having at least one of the boys to back you up. They’d been dealing with the whole interview process for so long now they knew how to avoid answering things they didn’t want to, knew how to deal with rude reporters. But it was all new to you. Perhaps that was why this particular interview had gone so badly. There was no Freddie to make the right snide comment, no Roger to get pissed off on your behalf, no Brian or John to squeeze your knee comfortingly or take over when you go tongue tied.

Things between you and the rest of the band had been going much better since Freddie had locked you in that room together. It didn’t happen overnight, there were still lingering tensions. But any badmouthing they did of you was out of your hearing which you much preferred. Gradually, as the tour wore on, there were less tensions. They got used to having you around, began including you in their games of scrabble and their not-quite-awake conversations over hotel breakfasts. Until one day, in the final leg of the tour, when Freddie admitted to you quietly that he hadn’t overheard any whispered comments for nearly a week. “And here I was thinking we’d never get there.” “Oh hush, darling, I told you from the beginning they wouldn’t hate you forever. Sure they took a little longer to come around than I had anticipated but it all worked out in the end. And now when you tell them the execs have asked for another full album featuring you, they probably won’t kill you.” They hadn’t, of course, though you’d worried for the safety of everyone involved in making the decision. Roger looked as if he were a second away from punching the first person to talk to him.

They took less time to calm down though, especially after they saw how nervous you got before the first interview. Your agent had decided some preliminary press would help build excitement for the album before the songs were even written. Calls were made, journalists were found, and before you knew it you were facing a crowd of people vying to ask you their questions, cameras flashing the whole time. It was a lot. More than pushing you into the deep end, you’d be thrown to the bloody sharks. Any lingering ill will the boys had for you vanished after that. They’d all thankfully been there too, had drawn the attention to themselves rather than let you struggle to answer everything on your own. After that they’d kept an eye on you during the smaller interviews. Mostly the reporters were happy to talk to you all together and, as long as you said one or two things about how excited you were to be working with Queen again, and how much fun touring with them was, you could get away with letting them take lead. But every now and then you got stuck with some jackass who wanted to quiz you solo. And this interview, this horrid interview, had been one of them.

Roger pushed the magazine away from himself, letting it slide as far down your kitchen table as it would go. “She’s a fucking bitch that reporter.” You looked down at the magazine, still open to your interview, the headline alone making your stomach turn. “No, sorry, that’s an insult to dogs. She’s a fucking cunt.” “Rog,” “No, that’s an insult to vaginas. There is no word strong enough for that poor excuse for a journalist.” “Roger, sit down.” Roger shot Freddie a dirty look but sat down anyway, his knee bouncing with restless energy, “Sorry. I’m just pissed off.” “Yes, we gathered that, thanks Rog,” “She took everything I said out of context, you have to believe me.” “We do, Y/N, we do,” John said softly from beside you, rubbing circles on your back. “It started well, I swear. Just the usual questions y’know, what’s it like working with Queen? How does it feel to be singing next to Freddie Mercury? Were you nervous about touring with them? Can you give us any hints about the new album? All the things that usually come up that Freddie coached me on how to answer, and I was doing fine. I had my prepared answers and there was no stumbling over words or anything like that. I thought I’d finally got the hang of it all and then she asked me to elaborate on what it was like working with you. I’d already told her the usual thing – it was fun and y’know blew my mind and all that. But then she asked how it compare to being your groupie.” “You didn’t answer her did you?” “Christ no, Brian! Jesus what do you take me for?” Brian held his hands up in apology. “I told her that it wasn’t relevant, but she kept asking, one question after another thrown at me and no matter what I said she didn’t stop. All sorts of stuff, like which of you was the best shag, and if I’d only wanted to be your groupie because I hoped it would lead to my own album, and if I was still offering my services,” you made air quotes around the words, “accused me of using you for my own gain and asked if you were the first band I’d tried it with or if you were just the only ones gullible enough to let me. I tried to tell her no and that I wasn’t going to answer those questions but she just kept going and then she told me to get used to the attention and left. I guess she didn’t need my answers to write a whole article about it.” “Which of us is the best shag?” Brian repeated the question though you suspected he wasn’t just checking he’d heard you correctly. The others all fell quiet, waiting to see if you’d answer. “Really Bri? That’s what you got from that?” “Right, right, sorry, not the important part. Look, it’s not as bad as you think it is.” “Bri’s right, love,” Roger said, much calmer than he had been before, “there’s nothing of substance in here. Like this quote, as for the fun Ms Y/L/N mentioned was had on tour, one can’t help but wonder just what she meant. Could the stories about nights spent playing boardgames be covers for debauched, drug-fuelled, orgies the likes of which would make a pornstar blush, I mean, there’s nothing there. It’s all conjecture and anyone worth a damn will see right through it.” “But some people will believe it,” “Maybe, yes,” Freddie said, “but it’ll blow over. We’ve all been in the same place you are at one time or another. If anything this officially makes you one of the band.” “Yeah, Y/N, it’s all just spiteful rubbish.” “Thanks guys, but I think I might just call it a day, go back to bed. Stay if you want, I don’t mind. But if you leave lock the door behind you.” You stood and headed to your bedroom.

The four boys stayed quiet until you were out of your room but you heard their hushed voices and hissed comments through your bedroom door as you pulled off your jeans and unclasped your bra from under the baggy jumper you wore. It took about five minutes before there was a soft knock on your bedroom door. “Y/N, can I come in?” You contemplated feigning sleep. “I know you’re not asleep.” You sighed and sat up, hugging your knees to your chest, “Fine, Roger, come in.” “Freddie’s gone to make some calls,” he said, standing just inside your doorway, hands in his pockets. “Calls about what? It’s out there now, there’s no getting it back.” “No but we need to make it clear to other journalists that those kinds of questions won’t be answered in any future interviews, and hopefully we can make sure that parasite never gets to come anywhere near us again.” “Isn’t that mean to parasites?” Roger chuckled, “getting over it already, see,” he sat on the edge of the bed and placed his hand on your covered knee, “I know this sucks, and I get that you’re ashamed, but I promise it’s not as bad as it feels right now.” “I’m not ashamed.” “What?” “You said I’m ashamed of it but I’m not.” “Oh. I thought-” “I’m a bit embarrassed because obviously I’ve never told my family what it is I got up to when I went to all those concerts and now they’re all going to know, lord knows some of them will believe the worst of it. And I’m pissed off that I didn’t stand up for myself more. I just let her keep cutting me off and talking over me when I should have told her to fuck off or at least called her out for being a prudish arsehole who probably only attacked me because she’s jealous I’ve fucked three quarters of Queen. And I’m annoyed that you’ve all been brought up in the article, and she’s questioning whether your good people just because you sept with me. I mean does she expect you all to be virginal saints or something? It’s just frustrating and yes, upsetting. But I’m definitely not ashamed.” “Huh, okay then.” “What?” “Nothing, just, we assumed you regretted sleeping with us.” “Lord no. It wasn’t planned, like she was insinuating, but seeping with you definitely helped me get my foot in the door with this whole music thing. And even if it hadn’t done that, it was still fun as hell and made me feel good. If I wasn’t fucking you I would have been out having mediocre sex with guys I met in pubs and I don’t care how much of a slut it makes me seem, but I’d rather fuck a whole band every single night and actually get off than have a disappointing drunk lay with a guy who’s never heard of the clitoris. Fuck, I’d still be doing the whole groupie thing now, and be perfectly happy with it, if Freddie hadn’t heard me singing that day. That night at the after party, that was heaps of fun.” “Give me a second would you,” Roger stood and walked to the door, giving you another glance before he turned the corner. You watched the doorway, not quite sure what to make of his behaviour but your questions were answered soon enough when he reappeared with Brian and John following. “So apparently we misread the situation,” Brian said, taking the seat Roger had just vacated. John sat cross legged at the end of your bed while Roger flopped onto the mattress beside you. “I can’t believe you’d think I regretted being your groupie. Have you met me?” “In our defence you seemed very upset, what were we meant to think?” “I had a shitty interview and got called a whore in a very public way, of course I’m upset. Doesn’t mean I regret anything.” “Yeah, that makes sense. Sorry, we should have realised. But we have a proposition for you. We actually thought of a way to cheer you up when we first saw the magazine this morning but then when we got here you seemed so sad and we didn’t want to make you more upset or uncomfortable,” “What Brian is trying to say is that we have an idea we think you might like.” “Jesus will you two stop beating around the bush?” “Shut up Rog, I’m getting there.” “Y/N,” Roger said cutting off the others before they could waffle any longer, “Would you like to fuck us again?” You almost choked. “Zero tact. What he means is, we thought we could cheer you up. All three of us, entirely focused on making you forget that magazine.” “Wait, I’m confused,” you massaged the bridge of your nose as you tried to catch up to them, “you saw an article that called me a whore and thought it would cheer me up to, what, be your shared fucktoy again? Yeah it was fun but-” “No, no, no, that’s not what we mean,” John said, “you’d be in control of how it all happens. It wouldn’t be like last time.” “So, you’d be my whores?” “I guess?” “The point is,” Roger chimed in, “we want to make you feel better. If that means making you cups of tea and buying you a box of chocolates that’s fine. But it could also mean you having three cocks and all the orgasms you can handle.” You looked from Roger to John to Brian and then back again, trying to work out if they were joking or not. But they all seemed sincere enough for you to actually think about their proposition. It wasn’t what you were expecting to hear from them, and it hadn’t crossed your mind until they mentioned it. But now that they had, you had to admit it sounded fun. Last time had been fun and that was when you’d been passed around and used mercilessly, so having them all again, but with a bit more say in how it happened, could only be better. Plus, part of you wanted to prove how unashamed of your groupie history you were and what better way than this? “Okay, I’m in.”

“Do we need to set any ground rules?” Brian asked. “You all know my safeword,” “Saxophone,” You laughed at the chorus of eager voices, “Yes, exactly. Other than that I don’t think there’s anything to worry about. Not like this is new exactly, is it?” “Well, no, I s’pose not.” “Exactly. And if there’s anything I don’t want I’ll tell you. So you’re,” you pointed at Roger, “going to kiss me now, while you two undress,” “Getting right to it, excellent,” Roger laughed, as he pushed himself closer to you. He didn’t waste any time, leaning in to kiss you right away. It started off a little too soft for your liking but as soon as soon as you made it clear how into it you were, kissing him back harder and pressing yourself closer, Roger reciprocated. His hands wandered down to your chest as you felt Brian and John get up, following your orders, their clothes left where they landed on the floor. Roger’s hands were soon replaced by Brian’s as he knelt behind you, and you found your head being pulled around so he could kiss you too. Roger took the opportunity to undress as Brian and John caught you between them. You couldn’t tell who was removing your clothes, only that once your jumper had been pulled over your head John was kissing you. He leaned back, tugging you along so Brian could pull your underwear off, his hands caressing your bare bum. “How do you want us?” John asked, brushing your hair back behind your ear. “Um,” you looked around at the three very naked bandmates waiting for your word, “One of you is going to eat me out. Don’t care who but I am going to cum.” “Yes Ma’am,” John laughed, lazily saluting you before rolling you onto your back and shuffling down between your thighs. You were taken by surprise when you felt his tongue run between your lips, expecting nips on your thighs and the teasing puff of his breath as he hovered just out of your reach. But he was clearly taking the job of cheering you up seriously. Brian and Roger weren’t any different, settling into the spaces on either side of you, their light touches only enhancing the feeling John had set off. You felt their fingertips on your breasts and in the ends of your hair, tugging just enough to send a shiver down your spine but not enough to make you gasp in pain. “So what would you like from us, love? What dirty little fantasies are going through your head right now?” Roger tapped his finger on the middle of your forehead. You opened your mouth but a small oh as John latched onto your clit replaced the words you’d been intending to say. “Think we’re going to need a little more than that, Y/N. C’mon, tell us what you want. Do you want us to just take turns fucking you, filling you up over and over and over.” “Or are you thinking more along the lines of last time? Taking two at a time because one cock isn’t quite enough for you now?” “Try three,” you managed to get out as you slid a hand into John’s hair to hold him in place, “want you all at once.” “Jesus,” Brian swore, dropping his lips to your neck. “I’ve been a piss-poor groupie considering the stories that reporter’s peddling. Everyone’s going to think I’ve been taking all three of you at once constantly, but we’ve never actually done that, have we? Might as well embrace my slut title and change that,” “Let us work up to it, Love” Roger said softly, recapturing your lips as he rolled your nipple between his fingers. You whined, partly from Roger and Brian’s attention and partly because John raised his head, your hips rising slightly at the loss. “Guess I should start stretching you out then,” he said offhandedly as he licked his fingers, the same way you’d seen him do a hundred times before while playing. You couldn’t stop the moan that rose up in your throat, the sound only making John chuckle against you as he lowered his head and resumed his focus on your clit.

It only took a few more minutes to have you swearing through your first orgasm. The two fingers John had inside you enough to send you over the edge as they brushed against every sensitive spot they could reach. Your neck tingled where Brian had marked it and your nipples were stiff peaks, extra sensitive to cool air after he and Roger had delighted in torturing them with teeth and tongue and fingertips. “How was that?” John asked, slowly withdrawing his fingers when he was satisfied you’d finished. “Fuck,” was all you could say, the three boys laughing, John dropping a kiss to the inside of your thigh. “Think you can handle more?” “Actually Bri I think I might be done,” “Oh. Really?” “I’m kidding.” “Thank Christ. I’m so fucking hard there’s no way I could get my pants back on anyway.” You laughed and pushed yourself to sit up, “Poor thing. I suppose you can use my cunt for a bit.” “Classic guitarists always getting first go,” “Shut it drum boy, I was about to offer to blow you but if you’re going to be like that,” “No, no, I didn’t say anything.” “He did Y/N, I heard him, blow me instead,” “Ignore Deaks, he doesn’t know what he’s talking about,” “Like a couple of – oh!” you were cut off as Brian grabbed you round the middle and wrenched you onto your hands and knees, “children. A little warning next time please,” “Sorry,” Brian leaned forward to kiss your back as his fingers trailed up the inside of your thigh, “but if I didn’t move this along we’d be stuck arguing about who gets to blow who forever.” “N-no we wouldn’t,” you stumbled over your words as Brian’s long, talented fingers pressed into you, “I made up my mind, Rog in my throat.” “What about me?” “Don’t worry Deaks, you’ll get your turn. If you want you can spank me though, or bite me or pull my hair or whatever else you can think of. You know my limits. Also we’ll need lube so if you want to go digging through my bathroom draws and find some you can. Might be a reward in it if you do.” “Spankher, please,” Brian nearly whined, “always makes her cunt so tight.” “Think I’d rather claim that reward thanks” “Alright then I’ll spank her,” “Guys! Can you stop arguing. I have holes enough for all of you, that’s kind of the point of this. And, Brian and Roger, if I don’t get both of your cocks deep, deep inside me within the next thirty seconds I will kick you both out and let John have his way with me on repeat.” A moment of silence accompanied your statement. You saw Roger, eyes wide, look over at John and then to Brian, and could only assume they were returning his dumbfounded look. “Twenty-nine, twenty-eight, twenty-seven,” Roger blinked as if waking from a daydream and hurried to kneel in front of you, one hand gliding over the length of his cock as the other reached for your hair. Your mouth fell open in a gasp as Brian suddenly filled you, holding your hips tight as he bottomed out, which gave Roger enough opportunity to push himself towards the back of your throat. There was a shift in the mattress as John got up but you were a little too preoccupied to hear the door open and shut or the sound of him rummaging through your bathroom. You only realised he’d returned when a sudden, loud spank hit you and you knew Brian’s hands were still occupied with your hips. For their parts, Roger and Brian were keeping you busy, skewered between them, not sure whether the noises coming from your own throat were moans or gags or wordless begging. Brian breathlessly laughed as John spanked you again, “So fucking tight. Bit harder?” “Y/N?” You made an assenting humming noise and nodded as much as Roger’s cock would allow which John rightly took as permission and so hit you again, harder than the last.

It was an intoxicating feeling, taking two cocks at once, all the while wanting more and knowing you’d have it before long. Brian fucked you hard and precise, as if his goal was to split you open from the inside out. Had it just been him and you alone you would have found yourself creeping further up the bed. It had happened a few times before, leaving you either hanging off the edge of the bed, or with your hands over your head and pressed against a wall in an effort to keep from banging your head. But all he managed to do was push you further onto Roger’s cock, making you gag and choke more often. Roger didn’t seem to mind that though, giving as good as Brian, firmly gripping your hair so that you couldn’t even attempt to move off him. The added impact from John’s hand just made you shiver and moan. He was the one who sensed you were getting close though, reaching under you to rub your clit and give you the extra push you needed to get over the edge. Brian wasn’t too far behind you, groaning as he tried to keep fucking you, his hips faltering as he twitched inside you and spilled his seed. You felt his hands on your backside as he spread your cheeks, leaning down to spit on your arsehole before he pulled out of you. Once Brian was finished with you, you tapped Roger’s thigh and he pulled back. “You okay?” he asked, stroking your cheek with a knuckle. “Brilliant, just thought that since I can move a bit easier, I’d take over. You look like you were close.” “Fucking yes I was close,” You giggled as you readjusted your position to be more comfortable, once again taking Roger’s cock between your lips. This time you pushed yourself lower, taking him deeper, making Roger swear above you. You pulled back again, hollowing your cheeks until you sank down once more. A strangled moan seemed to catch in Roger’s throat and it spurred you on. You reached out to cups his balls, massaging them in your hand as you took him as deep as you could and hummed. The hum turned into something akin to a squeal (though slightly muffled and choked off at the end) as the sticky cool of John’s lube covered finger teased your arsehole, tracing circles around it before slowly sinking into you. The sight seemed to be enough to finish Roger off, one hand on the back of your head to steady himself as he shot his load down your throat, pulling out towards the end so the last of it dribbled down your chin. “Now me?” John asked, pushing a second finger in with the first as Roger let you go. “Stretch me out a little more and then yes,” “Oh, no, I’m not ready for that yet. I want your tits.” “What?” “Your tits, Y/N. Turn around,” His fingers left you and you were free to move, shuffling on your knees to face him. John pressed down on your shoulder pushing you to sit back on your knees and adjusting your angle so he could slide his lubed up shaft between your breasts. He pushed them together with his palms and slid them up and down his dick as he rutted against you, spreading the sticky lube over your chest. With a slight smile at John, you  dipped your head a little and kissed the tip of his cock as it moved towards your lips. “Fuck, been waiting so long for this,” he groaned, “gon-na make a mmm-ess all over you.” He gave up on speech as he neared his released, communicating exclusively in grunts and increased speed until he finished, covering your chest and sternum in ropes of cum that dripped down your skin.

You laughed as John fell back. The hardest you could remember laughing in a while. “What’s so funny?” Brian asked, reaching out to rub your shoulder. “Just thought what that reporter would say if she could see me now, naked and dripping in spunk,” you managed to get out between giggles, “her face would be fucking priceless.” The boys laughed along with you, glad you could see the funny side of the situation with the article. “Does that mean you’re feeling better?” “Yes Rog, but I’m still not done with you.” “What did you have in mind?” “Well,” you crawled over to where Roger was sitting, leant back on his hands, and placed your hand on his throat, tilting his face away from you a little so you could lick a long stripe from his jaw to his temple, “I meant it when I said I wanted all of you.” “Never doubted it, love,” he sounded a little breathless. “Just let me know when you’re all ready to go again. Not you Rog, I can see you’re ready.” “I’m good too Y/N,” “Yeah, same,” “In that case,” you shifted your position, lining yourself up with Roger and sinking down on him, squeezing his throat a little harder as you adjusted. “John, you still got that lube?” “Yes, uh, yeah here,” there was the sound of a cap flipping open and you leaned forward encouraging Roger to lay back so you could give John better access. “Hey, Rog, can you spread your legs a little wider,” “S’pose so, just don’t kneel on my bollocks or anything,” “God give me a second, the thought of that just made mine try and jump up inside me,” You giggled as John shuffled closer, using his fingers to spread some more of the lube over you and to keep stretching you out. “What about me, Y/N?” “I haven’t forgotten you Bri. I want every inch of your cock shoved so far down my throat I can feel you for a week. Just let me get used to the others first, yeah? Still feels kinda odd having two of you at once since we’ve not done it much.” Brian nodded, contenting himself with running his fingers through your hair as he waited. John, having pulled his fingers from you and slicked up his dick with more lube, sank into you slowly, his hand on your back to keep you bent forward. It suddenly felt hard for you to pull in a new breath as you tried to adjust to the feeling of both of them, especially when John gave an experimental thrust, fucking you slowly to make sure it felt okay for everyone. Brian talked softly, reminding you to breathe and telling you how well you were doing, until you were better in control of your lungs and ready for more. “Are you sure you want me as well?” “Yes. Lets show that parasite just how far I’ll go, huh?” Roger laughed, “that’s the spirit.”

Brian didn’t need more convincing than that, though it did take a little trial and error to find the best way to accommodate all three of them. Brian tried perching his arse on the headboard but Roger whinged about “seeing nothing but Bri’s ballsack flopping about. And I know you see things when you’re gangbanging but that is too much.” In the end Brian stood next to the bed by Roger’s head, enough to the side that Roger’s view wasn’t impeded but still close enough so that the angle wouldn’t strain your neck. He gathered your hair into a messy ponytail as he pulled your mouth onto his cock, letting you work yourself further down his shaft as slowly as you needed, checking in with you every now and again to make sure you could take more. The other two were mostly still as you adjusted to Brian, though once or twice they’d given a small thrust or shifted slightly and made you whine. Once you had Brian buried as deep in your throat as he could go you paused for a few seconds and then pulled back again, strings of saliva breaking on your lips. “How was that?” “Good,” you gasped, “New. Kinda weird but very fucking good.” That didn’t really explain anything but you weren’t sure how to describe the nearly overwhelming fullness, the sudden heat, the tension in your belly which you couldn’t pinpoint as either anticipation or nerves or just because you were stretched open on three cocks. “And that’s without us doing anything,” “I know,” you grinned, “I’m excited. Why didn’t we try this sooner? But now you guys can cut loose. I’m not sure I’ll be much use in like riding you properly or whatever. Just don’t know my brain can focus on keeping both of you in my holes while I’m thinking about blowing Bri well. So, just fuck me however you can and we’ll see how it goes.” “Don’t worry, we’ll make you feel good,” John said, rubbing your back softly. “Yeah, course we will, love. And if ends up being shit then we can just take turns instead,” You nodded and took a deep breath before leaning forward to take Brian again. You controlled the pace once more, bobbing up and down his shaft, sucking on his tip, as the other two figured out their rhythm. It was a strange sensation to start. It felt clumsy and more than a little awkward, especially when John mentioned how he could feel Roger inside you. But that eased as they adjusted and worked out how best to fuck you. John held your hips as he plunged into you, each thrust harder than the last as his confidence rose and he found out what you liked most. Roger’s hands moved over your skin rather than staying in once place, palming your breasts and teasing your nipples between his fingertips before sliding down your side to grasp your waist and then back up to your breasts. You were rocked on his cock with each of John’s pounding thrusts, which only made you moan around Brian’s. You let instinct take over there, one hand stroking from his base up to meet your lips as you swallowed him deeper. His hips jolted when you whined or moaned and before long you dropped your hand away from his shaft, instead grabbing his arse to keep yourself steady. He pulled you off him again and you could feel the spit on your chin. “Forgot what a fucking incredible cocksucker you are.” Brian groaned, “But can I take over? Fuck your throat?” “Yeah, okay,” You had time for another breath and then you were pushed down again, right to the base. “There we go,” he groaned, pulling on your hair, “Gonna make you feel so fucking good.” Your hum was choked off and ended in a gag as Brian ground his hips into your face. That seemed to be the tipping point though. The moment all three of them forgot about awkward views or who was positioned where and became entirely consumed with fucking you deep and hard. You were glad to let them lead, grabbing you, pinching and pulling and squeezing every inch of you they could reach. And all the while spearing you on their dicks, keeping you in a cycle of mounting pleasure as they found all your most responsive spots inside and out. You felt your orgasm building again, the heat rising, getting more urgent as you got closer and closer. The sounds you made were muffled by Brian but that didn’t stop you making them, moaning with every pounding thrust. As you neared the edge Brian pulled you off his cock so they could all hear you properly, their encouragement mixing in your lust addled brain and creating a wall of noise that pushed you over the edge with a loud cry. And yet they didn’t stop. Brian waited until your orgasm was reduced to aftershocks that made you wince and whine and then cut off your air as he entered your throat again, resuming the long, deep strokes that made you gag until he came, holding you down as he emptied himself completely.

As soon as the other two didn’t have to worry about giving Brian access to your mouth they adjusted your position, John pushing on your back until you were bent over. Roger attached his lips to your throat as they simultaneously fucked into you, the change of angle pushing Roger’s cock against you in a way that had you seeing spots. You cried out again as Brian lay a slap on your arse. “Fuck, fuck, fuck,” John grunted as he came too, unable to hold out any longer though he didn’t withdraw from you either. His hips slowed a bit and he whined softly but he kept fucking you. “Rog,” you panted, trying to get him to finish too. “You’ve got another one in you, c’mon love,” You whined but nodded, the familiar sensation already tightening in the pit of your stomach. Again the three of them encouraged you, John wrapping his hand around your waist to find your clit, Brian reaching under you to squeeze your breast as his other hand came down on your arse again. They gave you no option but to cum, shivering between them. Finally Roger let go too, moaning into your ear as he filled you up.

It took a moment to disentangle everyone, John being careful not to go too fast and hurt you, but finally you were able to collapse together, sweaty and panting, spread out over the room. “So, cheered up now?” Brian asked from where he’d lain down on the carpet You peered over the edge of the bed at him, “Think so. Thanks for that, it was fun.” “Any time, love,” Roger chuckled from the end of the bed, patting your knee, “and I mean that.” “I’m not you groupie anymore,” “Never said you were,” “Then what?” “What Rog means,” John cut in from where he’d spread out on you window seat, “is that if you ever need cheering up or to let out some frustrations, we’re here. We’re happy to help,” “Does your help always involve a gangbang?” “Not always,” Brian laughed. “Well, a lot of the time,” Roger added with a wink. “I’ll keep it in mind,” you chuckled, “I’ll have to face my family at some point and there’s a high chance I’ll leave upset and frustrated so, we’ll see. Wonder how Freddie’s getting on with those calls.” “I’ll go give him a ring and find out,” Roger said, half groaning as he stood and stretched. He didn’t bother grabbing any of his discarded clothes before he left. “I’ll take Rog his pants,” John sighed as he got up and replaced his own underwear, exiting the room with an eyeroll, Roger’s underwear pinched between his thumb and pointer. “And I’ll...stay here?” Brian said, “unless you need anything?” “Nah, I’m going to jump in the shower. Let the other two know that’s where I am, would you?” “If you’re doing that, can I have the bed?” “Sure Bri,” you laughed, “as long as you promise to change the sheets when you wake up.”

[chocosvt]

preview | kmg fic.

! read the full fic here !

✧✎ a/n: this is a preview to my summer mingyu fic! this includes the very first portion of the story, which in its entirety 50k+ words rip. so i thought a preview might be a cool idea! ALSO!! i’m thinking of making a taglist so if u r interested pls let me know, whether that’s thru dm’s or my inbox! 

⚬ pairing: mingyu x fem!reader ⚬ word count: 858 ⚬ genres: SLOWBURN, back and forth PINING, angst, summer romance, spice/nsfw mentions and smut, eventual friends to lovers, brief high school!au, fluff, slight love triangle, lots of teasing/flirting.

✧✎ synopsis: when you graduate high school, you realize you’re not really going to miss anyone, apart from a cute boy who doesn’t even remember your name. five years later, after accepting an offer to pass the summer at a friend’s lake house, he’s standing right in front of you. the universe doesn’t give second chances very often. you’re not going to let the honey boy slip away twice. 

It’s graduation day, and you’re standing in the main foyer of your small high school, next to a table that is lined with different platters and refreshments. The line moves slowly as the students fill their paper plates. You keep staring at the gold tassel hanging off the back of Joshua’s cap, how it bobbles from side to side while he balances the plate on his arm and stacks it high with wafer cookies, flavoured in vanilla and strawberry. He grabs the last chocolate milk carton and you sigh quietly. It feels weird. You’re never going to see Joshua again once he relocates for business school.

In fact, you’re never going to see approximately ninety-eight percent of these students again. You look at some people, and you’re fucking relieved. Then you look at others, and there’s a dull disappointment. It’s not that your companionship was anything extraordinary, but there was gleeful memories and conversation and turning around in your seat for the hundredth time to ask for another pencil lead. The line continues to shift forward and you start reaching for a cupcake, but the person behind you darts much quicker, plucking it without a second thought.

You sigh again. It’s not worth it.

By the time you escape the line, your plate is rather sparse: some dry crackers, a couple pieces of cubed mango, and a juice box. The longer you stare at your plate, you come to accept that you’re not even hungry. Thankfully, Soonyoung slips by like a minnow following a shiny lure and you manage to stuff the plate into his arms. He’ll eat anything.

At the opposite side of the foyer, the yearbook committee are making their sales. You buy a yearbook and flip through the laminated pages, scoffing at a few photographs, impatiently skimming by the ones that you could care less about, until you come to the end of the book and there’s some blank pages meant to be inked with signatures. Joshua signs your yearbook, adding a poorly coloured-in heart beside his name. Soonyoung signs too, his handwriting slanted awkwardly across the paper, crumbs falling from the cookie shoved in his mouth which leaves grease on the surface.

A few others write their messages, and you think you could be satisfied. Jane, your chemistry partner for the entire first semester, just finishes signing the book when she spares a quick glance over her shoulder. She scribbles her name down in an indiscernible ribbon, pushes up her thick, foggy glasses, and calls out,

“Mingyu, wait! Let me sign your yearbook!”

Jane doesn’t even lend you a smile before she’s hurrying away. You want to bristle at how little she cares, but the indignance never reaches a boil, not when she had perfectly good reason for treating you like wadded bubblegum stuck in a wrapper.

It is Mingyu after all. He pokes above all his friends, pressing their yearbooks to the wall so he can sign them. When you look at Mingyu, something inside you flutters. At times, you smother the feeling in a crushing grip. And other times, you allow the feeling to bloom, a garden of often misconstrued, adolescent emotion.

You approach Mingyu and wait until the crowd thins. He laughs at an inside joke that Jane had written in his yearbook, to which you see that his braces are now removed, teeth straightened and pearl-white. He licks at his right canine as Jane plays with the end of her side-swept braid and reads the note that he scribbled for her.

She cups a hand to her mouth, “I still can’t believe we did that.”

Mingyu huffs a little too pridefully. “It was mostly you, but whatever.”

“You instigated it!” She laughs, hitting his chest.

Eventually, Jane wanders elsewhere in the foyer. The only two people in the corner are you and Mingyu. He squints at you transiently, then rubs his nose. You feel a bit like a criminal asking him to sign your yearbook, like it’s a grave offence, prompting the enormous lump in your throat as he takes hold of the book and clicks his pen. The point touches the paper, but leaves only a black dot.

“Damn... Uh… Sorry ‘bout this. What’s your name again?”

Oh.

The air becomes dry. It settles like powder. Irritable, chalk-like powder. Mingyu studies you patiently, his gaze gentle, mouth slightly parted while he awaits you to say anything really. The words start piecing together through your stutters.

“T-That’s okay. I-It’s—”

“Mingyu!”

Out of nowhere, Mingyu’s best friend was grabbing at the collar of his black cloak, jerking him away from the corner with a babble about how he was requested at the gymnasium, quote unquote, principal’s orders. Unable to sign your yearbook, Mingyu returns it without so much as an apologetic glance, instead swept away by Seokmin into the sea of mingling graduates. Alone in the corner, you look down at the paper, where there is nothing but a single dot. A spot of ink. The start of an affection and its blunt, unrequited end. You close the yearbook with your third sigh.

Always the bridesmaid, never the bride.

✧✎ a/n: as i mentioned this is just a preview! i’m still combing through the original fic and fixing stuff up :-) lmk if u’re interested in being on the taglist!! i’m not going to do this for every fic, but since this one is sorta like a holiday special  (if that makes any cents) i thought it would b cool!

[sylvielauffeydottir]

Hi I just saw your post about Israel and Palestinian. I don't know if you're the person to ask or if this is a dumb question but I was wondering if anyone has considered starting a second Jewish state? I was wondering because there's a bunch of Christian countries so why not multiple Jewish ones.

Sorry if I'm bothering you and Thanks for your time.

That’s actually a pretty interesting question. I am going to apologize right now, because I essentially can’t give a short answer to save my life.

I’m not a ‘Jewish Scholar,’ so while I can speak with some authority about the history of Zionism, I definitely couldn’t speak about it with as much authority as others. I mentioned in at least one of the posts I have written about the history of plans for a ‘Jewish state’ when Zionism was originally being proposed, and I can kinda of track the history of Zionist thinking for you if you are interested, though essentially it’s just about arguing where to go. But there are better scholars for this than me, so I would recommend Rebecca Kobrin, Deborah Lipstadt, Walter Laqueur … idk. Maybe just read some Theodor Herzl, honestly. With all of that said, I can speak with some authority about the post-war history of this in the Middle East. So let’s go.

In post-war times, there has really only been one serious discussion of an alternative Jewish state, as far as I know. And actually, this is part of why I find it so ironic that people are campaigning so hard to be “anti-Zionist” and to express views like “anti-Zionism” in their activism, because the Jews in Israel who are most anti-Zionist are actually the settlers of Palestinian territories, who want to secede and form a “Gaza-State” called Judeah. There's a great book about this called The Deadly Embrace by Ilana Kass And Bard O'Neill, if anyone is interested. Anyway, most of those people, who are largely Haredim (the Ultra-Orthodox Jews, though some of those settlers are semi Orthodox), have essentially been waging a “culture war” about what it means to have a Jewish state and what the identity of that Jewish state should look like basically since the 1980s.

There is a really good article about this that you can find right here written by Peter Lintl, who is a researcher at the Institution of Political Science for the Friedrich-Alexander Universitat. I’ll summarize it for the lazy people, though, because it’s like 40 pages. Just know that this paragraph won’t be super source heavy, because it is basically the same source. Essentially, the Haredim community has tripled in size from 4% to 12% of the total Israeli population since 1980, and it is probably going to be about 20% by 2040. They only accept the Torah and religious laws as the basis for Jewish life and Jewish identity and they are critical of democratic principles. To them, a societal structure should be hierarchical, patriarchal, and have rabbis at the apex, and they basically believe that Israel isn’t a legitimate state. This is primarily because Israel is (at least technically, so no one come at me in the comments about Palestinian citizens of Israel, so I’ll make a little ** and address this there) a ‘liberal’ democracy. Rights of Israeli citizens include, according to Freedom House, free and fair elections (they rank higher on that criteria here than the United States, by the way), political choice, political rights and electoral opportunities for women, a free and independent media, and academic freedom. It is also, I should add (as a lesbian), the only country in the Middle East that has anything close to LGBT+ rights.

[**to the point about Palestinians and Palestinian citizens of Israel: I have a few things to say. First, I have recommended this book twice now and it is Michael Oren’s Six Days of War, which absolutely fantastically talks about the ways in which the entire structure of the Palestinian ‘citizenship’ movement, Palestinian rights, and who was responsible for governing Palestinians changed after the Six Days War. If you are at all interested in the modern Middle East or modern Middle East politics, I highly recommend you read this, because a huge tenant of this book is that it was 1967, not 1947, that caused huge parts of our current situation (and that, surprisingly, a huge issue that quote-on-quote “started it” was actually water, but that’s sort of the primary secondary issue, not the Actual Issue at play here). Anyway, I’ve talked about the fact that Israel hugely abuses its authority in the West Bank and Gaza and that there are going to be current members of the Israeli Government who face action at the ICC, so please don’t litigate this again with me. I also should add that the 2018 law which said it was only Jews who had the natural-born right to “self-determine” in Israel was passed by the Lekkud Government, and I really hate them anyway. I know they’re bad. It’s not the point I’m making. I’m making a broader point about the Constitution vis-a-vis what the Haredim are proposing, which is way worse].

To get back to the Haredim, basically there is this entire movement of actual settlers in territories that have been determined to belong to the Palestinian people as of, you know, the modern founding of Israel (and not the pre-Israel ‘colonial settler’ narrative you’ll see on instagram in direct conflict with the history of centuries of aliyah) who want to secede and form a separate Jewish state. They aren’t like, the only settlers, but I point this out because they are basically ‘anti-Zionist’ in the sense that they think that modern Zionism isn’t adhering to the laws of Judaism — that the state of Israel is too free, too radical, too open. And scarily enough, these are the sort of the people from whom Netanyahu draws a huge part of his political support. Which is true of the right wing in general. Netanyahu can’t actually govern without a coalition government. Like I have said, the Knesset is huge, often with 11-13 political parties at once, and so to ‘govern’ Netanyahu often needs to recruit increasingly right wing, conservative, basically insane political parties to maintain his coalition. It’s why he has been so supportive of the settlements, particularly in the last five years (since he is, as I have also said, facing corruption charges, and he really can’t leave office). It would really suck for him if a huge chunk of his voters seceded, wouldn’t it?

Anyway, that is the only ‘second Jewish State’ I know about, and I don’t think that is necessarily much of a solution. I really don’t have the solutions to the Middle East crisis. I am just a girl with some history degrees and some time on her hands to devote to tumblr, and I want people to learn more so they can form their own opinions. With that said, I think there are two more things worth saying and then I will close out for the night.

First, Judaism is an ethno-religion. Our ethnicities have become mixed with the places that we have inhabited over the years in diaspora, which is how you have gotten Sephardi, Mizrahi, Ashkenazi, and even Ethiopian Jews. But if you do actual DNA testing on almost all of the Jews in diaspora, the testing shows that we come from the same place: the Levant. No matter how pale or dark, Jews are still fundamentally one people, something we should never forget (and anyone who tries to put racial hierarchy into paleness of Jews: legit, screw you. One people). Anyway, unlike other religious communities, we have an indigenous homeland because we have an ethnic homeland. It’s small, and there are many Jews in diaspora who choose not to return to it, like myself. But that homeland is ours (just as much as it is rightfully Palestinians, because we are both indigenous to the region. For everyone who hasn’t read my other posts on the issue, I’m not explaining this again. Just see: one, two, and three, the post that prompted this ask). This is different from Christians, for example, who basically just conquered all of Europe and whose religion is not dependent on your race or background. You can be a lapsed Christian and you are still white, latinx, black, etc right? I am a lapsed Jew, religiously speaking, and will still never escape that I am ethnically Ashkenazi Jewish.

Second, I think you raise a really good point about other religious states. There are many other religious majority states in the world (all of these countries have an official state religion), and a lot of them are committing a lot of atrocities right now (don't even get me started on Saudi Arabia). I have seen other posts and other authors write about this better than I ever could, but I am going to do my best to articulate why, because of this, criticism of Israel as a state, versus criticism of the Israeli Government, is about ... 9 times out of 10 inherently antisemitic.

We should all be able to criticize governments. That is a healthy part of the democratic process and it is a healthy part of being part of the world community. But there are 140 dictatorships in the world, and the UN Human Rights Council has condemned Israel 45 times since 2013. Since the creation of the UN Human Rights Council, it has has received more resolutions concerning Israel than on the rest of the world combined. This is compared to like … 1 for Myanmar, 1 for South Sudan, and 1 for North Korea.

Israel is the world’s only Jewish majority state. You want to talk about “ethnic cleansing” and “repressive governments”? I can give you about five other governments and world situations right now, off the top of my head, that are very stark, very brutal, very (in some cases) simple examples of either or both. If a person is ‘using their platform’ to Israel-bash, but they are not currently speaking about the atrocities in Myanmar, Kashmir, Azerbaijan, South Sudan, or even, dare I say, the ethnonationalism of the Hindu Nationalist Party in India, then, at the very least, their activism is a little bit performative. They are chasing the most recent ‘hot button’ issue they saw in an instagraphic, and they probably want to be woke and maybe want to do the right thing. And no one come at me and say it is because you don’t “know anything about Myanmar.” Most people know next to nothing about the Middle East crisis as well. At best, people are inconsistent, they may be a hypocrite, and, whether they want to admit it to themselves or not, they are either unintentionally or intentionally buying into antisemitic narratives. They might even be an antisemite.

I like to think (hope, maybe) that most people don’t hate Jews. If anything, they just follow what they’ve been told, and they tend to digest what everyone is taking about. But there is a reason this is the global narrative that has gained traction, and I guarantee it has at least something to do with the star on the Israeli flag.

I know that was a very long answer to your question, but I hope that gave you some insight.

As a sidenote: I keep recommending books, so I am going to just put a master list of every book I have ever recommended at the bottom of anything I do now, because the list keeps growing. So, let’s go in author alphabetical order from now on.

One Country by Ali Abunimah Rise and Kill First: The Secret History of Israel's Targeted Assassinations by Ronen Bergman Kingdom of Olives and Ash: Writers Confront the Occupation, edited by Michael Chabon and Ayelet Waldman The Girl Who Stole My Holocaust: A Memoir by Noam Chayut If a Place Can Make You Cry: Dispatches from an Anxious State by Daniel Gordis Israel: A Concise History of a Nation Reborn by Daniel Gordis The Deadly Embrace by Ilana Kass And Bard O'Neill Like Dreamers: The Story of the Israeli Paratroopers Who Reunited Jerusalem and Divided a Nation by Yossi Klein Halevi Antisemitism by Deborah Lipstadt Six Days of War: June 1967 and the Making of the Modern Middle East by Michael Oren The Yom Kippur War: The Epic Encounter That Transformed the Middle East by Abraham Rabinovich One Palestine, Complete: Jews and Arabs Under the British Mandate by Tom Segev Hollow Land: Israel's Architecture of Occupation by Eyal Weizman

[my-sherlock221b]

Supernatural Rewatch Ramblings: Bloodlust

2020-21 has been a huge transformative time for many of us. Whether we wanted it or not, we have been forced to stop, switch gears, rethink, reflect, let go, make new priorities, discover who we really are and who we want to be in the face of adversity.

One of those transformations for me has been giving up on control and finding a way to surrender to the power of the universe. Another has been to not let perfection be the enemy of good.

You may well wonder---What does all this have to do with the Bloodlust rewatch and review??!

Probably nothing LOL except for the fact that I still have to write up my review on Bloody Mary and have been unable to write for various reasons. And then because the Bloody Mary review was still incomplete I could not write about the next one etc etc etc.

So when we watched Bloodlust two days ago in the continuing re-watch, I decided that I am going to re-start the review, and from exactly where I am right now!

If time and life permits I might fill in the gaps later. If not, well, life is unpredictable and weird and we keep calm as it carries on….Thank you for coming to my Philosophy talk….:)

Read below for the Boodlust  review, Season 2 episode 3 and look out for the post from @soulmates-for-real​ on this rewatch too!! 

The opening scene is the perfect switch and bait because we as an audience have been trained to latch on to types and identities and representations.

Woman in white night gown screaming and running--victim

Person who brutally beheads her—villain.

A few minutes into the episode we realize that we were wrong.

A good few minutes later we realize that we were wrong about being wrong.]

Haha.

We are idjits, swept away on the eddies and currents of this masterfully written and directed episode. Thank you Sera Gamble and Robert Singer!

The acting and the mesmerizing beauty of the two leads is worthy of an entire essay of its own but in order to have a life and finish this review I shall only say this—Oh my goodness HOW gorgeous is Jensen Ackles?!!

It is sometimes impossible to look at him in this episode because my eyes didn’t know where to land! That perfect face? The lips? Those eyes?? The quirk of the eyebrows? Those micro expressions that are constantly weaving across his face? The smile? The way his lips move when he talks?? His hair? The Samulet?

And then the shot pans out and includes his hand and the ring and honestly it’s a miracle I could follow the plot at all.

So the images I am going to include in this review, much as I love Sam Winchester and Jared Padalecki, are all of Dean Winchester. It’s a criminal waste to not do so when the man is just an ode to perfection.

*

Sheila O’Malley’s review of this episode is in itself a work of art and a thing of beauty so I will direct you most enthusiastically towards it and only add here my little pennyworth bits. Do click on this link but be prepared to sink into a one hour read which will make you feel like you were dropped into the episode itself.

https://www.sheilaomalley.com/?p=87187

Here is a quote from her review which is so insightful.

These are the details that a director like Robert Singer never misses, and at this point his relationship with Ackles and Padalecki would be almost telepathic (it’s probably 100% telepathic now). He has said before that he and Kripke were such a good team because Kripke’s primary concern is Plot/Gore/Horror and Singer’s primary concern is Character/Relationship. And they both end up in the same place. It’s a good mix. If Singer were also Plot/Gore/Horror focused, we wouldn’t have the depth of relationship which is the real point of the show, its real hook.

*

For a much briefer and far less technically adept and analytical review, read on here!

*

The opening of this episode shows us the Impala from every possible angle. Gleaming, gorgeous, road -worthy. This is mirrored by Dean. He is also gleaming, gorgeous and roadworthy. He is in a happy mood that not even Sam’s little brother snitty comments can deflate.

Here is the soundtrack of this episode for those who are interested.

https://www.imdb.com/title/tt0835248/soundtrack

Here is some random but fun trivia:

Dean tells Sam in one scene "If it's     Supernatural, we kill it." One of the rare times the title of the     show is actually spoken in the dialogue.

This is the first episode where Sam began parting his     hair down the middle, the hairstyle he'd keep the rest of the series.

( I didn’t like his hair too much in this episode honestly but then again I could barely see anyone beyond Dean :D)

During the filming of this episode Jared injured his     hand when he fell badly during a stunt. He thought it was merely sprained     and went straight into filming the next episode without having it checked.     But it got more and more painful and finally he went to the doctor and     discovered that his hand was, in fact, broken. Because he had already     begun filming, he couldn't bandage the hand until filming for that episode     was finished. The writers ended up writing in an accident for Sam and his     line "I think she broke my hand" to explain the fact that for     the following few episodes he would be wearing a cast.

When Dean kills a vampire, blood is sprayed on his     face, mostly on his right cheek. In the next shot the pattern is     different, and notably the right cheek is almost clean. Furthermore, his     mouth was agape when he made the kill, risking the blood getting into his     mouth and turning him into a vampire. While the brothers didn't yet know     how a vampire is made at that point, Gordon did and should have been     alarmed that Dean might have gotten some of the blood in his mouth.

*

A random behind the scene shot from the episode:

Guess who she is? Apparently this is Jensen’s sister in a super brief role in Bloodlust!

* 

On to the review, or rather some of my thoughts during the re-watch.

The first scene with the Sheriff they are interrogating him about the cattle mutilations is hilarious. The way they bluff their way into the morgue is hilarious. Dean always leading and Sam following.

Random trivia: When Dean enters the morgue with Sam and sees the name tag of "J Manners", it has been thought the name was to honor Jeffrey Dean Morgan and series producer Kim Manners. Dean guesses "John" - Jeffrey's character name - and the intern corrects with "Jeff"

*

It a testament to the way Supernatural has trained its audience that we barely blink when they pull out a decapitated head in the morgue, squabble over who is more chicken, dig into the mouth and eventually discover vampire fangs.

Yes, of course they do.

*

Next scene: Two hot guys walk into a bar…..

…….where the adorable Benny, who is not Benny in this episode but a random dude ( spoilers—later we find out the dude is a vampire), gives them directions/ mis- directions to a possible vampire nest.

We see the first glimpse of Gordon Walker, amazingly played by Sterling K. Brown, and making us worry about and dislike him almost right away. The way he is shown with the light and shade bars on his face from the window blinds is so menacing.

The next few scenes continue to build that sense of unease where the Winchester brothers, apparently telepathically, decide to double back and catch him following them, then he shows them his car and his weapons, where he references their dad and then refuses their offer for help.

The scene where he shows them his car is like a painting. (The car by the way is just as inconspicuous as the Impala –which is to say NOT AT ALL!! How do these people stay below the radar of the regular law enforcement is a mystery….).

The dust highlighting the rays of light, the two brothers on one side of the car and Gordon at the other, it’s all so consciously set up for a few seconds worth of screen time. Impressive!

Next comes a truly brutal kill, at Dean’s hands, which we don’t even see except as a spray of blood on his face. Poetic! But it is Dean’s expression that makes my stomach clench. His eyes are dead and he is somewhere deep that even Sam can’t reach, as we can see from the distress on Sam’s face.

Gordon of course is all chipper and full of bonhomie and offers to buy them drinks.

That following scene is the one which gives Wincest brother-wives vibes like 100%.

*

Sam plays the role of the disgruntled ‘wife’ to perfection. No one but hubby is allowed to use the nickname. He hates the male bonding going on with Gordon and the more Gordon seems to slip into Dean’s inner circle, the more uncomfortable Sam gets, until he finally decides that he just cannot physically be there any more.

Dean’s smug expression when Sam tells Gordon off for calling him Sammy, his instant worry at Sam going back alone, his hand raised in exasperation to convey to Gordon—look what I have to put up with-- the tossing of the keys to his car----it is all a symphony of Dean playing his part in the brother-wives orchestra.

The last line?! ‘Remind me to beat the buzzkill out of you later.’ And Sam’s expression at that? That’s exactly the way a bullying /abusive husband would react to a nagging wife who doesn’t like his toxic friends and wonders how he can be so blind as to not see them for the bad influence they clearly are.

( Bad Dean!!!)

Sam goes back to the motel and does his due diligence by checking with Ellen, gets kidnapped by vampires, released and on his return is disgusted to find Gordon inside their motel room.

*

The next scene is where Dean erupts, having clearly had enough of the shifting power dynamics between them over the evening. Sam has been silently judging him since the kill and Gordon has managed to ‘other’ Sam and make Dean feel validated in his own bloodlust as a hunter.

Dean clocks Sam one.

Wow. I did not see that coming. And what shocked me at this re- watch is that Sam just takes it.

Like an abused wife, he just takes it. Not only that, sometime later in the episode he tells Dean to hit him again if it is going to make him feel better.

NO Sam! NO!!! This is NOT healthy and this is NOT the way to deal….ugh. Sigh.

*

Then the second half of the episode swings in and the moral dilemma they face becomes clear when the victim and villain switch roles and Dean is shook enough to question his dad’s judgement!

Dean is still kind of trying to give Gordon the benefit of the doubt even though he sees him literally torturing the vampire. But of course all bets are off the instant he touches Sam. Dean pulls his gun on him. I was surprised that he didn’t shoot him just on principle later simply because he hurt Sam even if it was a small cut.

That is Dean’s definition of monsters-- Anything that hurts Sam. 😊

*

We don’t know it at this time, and spoilers ahead, but maybe Dean has been so annoyed and violent with Sam at the idea that he is standing up for MONSTERS is because he might also be one….and the way he looks at the end when he realizes that his whole life’s philosophy has been upended.

There are the details about the vampires who drink cattle blood so they don’t harm humans and therefore want to be treated as the good guys. Of course it is all about the inherent struggle between who you are and what you do—something that shows up hugely magnified in the later seasons when Sam is struggling with his own demon blood addiction and the knowledge of the demon blood inside him.

He needs desperately to believe in this as the utmost foundation stone of his life and its purpose—what you DO is more important than what you ARE!

So even if you are a monster, if you don’t behave like one—that is your redemption.

But it’s not just anybody whose faith he wants in his struggle to prove to himself that he is not a monster. He needs it from Dean.

Remember the dialogue from the panic room “Don’t you say that to me. Don’t YOU say that to me.”

And the fake voicemail set up by Zachariah exploits this at the time of the breaking of the last seal.

*

Of course he doesn’t know any of this yet, but that’s Sam fucking Winchester for you –always purer and better than his circumstances allow. Always struggling to do better, be better.😍

*

It is fascinating how the visuals and the roles these two play are of rugged handsome men, badass heroes-- Dean of course super macho role playing all the time. But there are so many layers upon layers and honestly if it wasn’t for Jared and Jensen’s fine nuanced and impeccable acting adding depth to the characters, the show would not have held our interest for this long.

We are shown Sam as the brains with his lore and research, but then in the very next episode (Children Shouldn’t Play with Dead Things), we see Dean connect dots faster than Sherlock Holmes.

Dean is shown as the instinctively violent one with the gun under his pillow, trigger happy, and in this episode even that brutal kill of the vampire on the docks. But then please remember the way Sam kills Gordon finally. Or the insane way he bites himself to get blood for drawing sigils. Or the way he just simply shoots the crossroads demon point blank!

We see Sam as the soft hearted one and he does rescue kids once in a while, but he is never shown to bond with them even a fraction of the way Dean does—so effortlessly. Also the ladies of course, all of whom have a soft spot for Dean. The exceptions being Sarah and Madison, both of whom completely ignored Dean. Oh and that doctor from Sex and Violence.

Dean has had his share of bad dates of course with Cassie, the woman who gave birth to his magical superfast growing daughter ( who was killed by Sam), and the whole Lisa arc, but somehow we are shown Sam as the one who is invested in relationships. Hello?! Sam was planning to marry Jessica without having told her a thing about his life while Dean told Cassie the secret as soon as he thought he was in love and wanted a relationship.

So anyway, just to say that a rewatch is so brilliant because we know more about them at this point than they do and the character arc is such a thing of beauty to see unfolding!

*

That last scene where Dean is in a thoughtful frame of mind, the sun is rising overhead ( as a metaphor for him seeing the light, maybe?)--that insanely gorgeous shot of Dean with the ring of fire and light and his absolutely perfect face in a close up…sigh.

Then he thanks Sam for pushing him to see this grey area and for the first time in that episode Sam finally smiles.

His big brother is back with him.

And then he commits to Dean too. Ah…how it warms my heart to hear this dialogue!

 DEAN I wish we never took this job. It's jacked everything up.

SAM What do you mean?

DEAN Think about all the hunts we went on, Sammy, our whole lives.

SAM Okay.

DEAN What if we killed things that didn't deserve killing? You know? I mean, the way Dad raised us...

SAM Dean, after what happened to Mom, Dad did the best he could.

DEAN I know he did. But the man wasn't perfect. And the way he raised us, to hate those things; and man, I hate 'em. I do. When I killed that vampire at the mill I didn't even think about it; hell, I even enjoyed it.

SAM You didn't kill Lenore.

DEAN No, but every instinct told me to. I was gonna kill her. I was gonna kill 'em all.

SAM Yeah, Dean, but you didn't. And that's what matters.

DEAN Yeah. Well, 'cause you're a pain in my ass.

SAM Guess I might have to stick around to be a pain in the ass, then.

DEAN Thanks.

SAM Don't mention it.

Transcript here http://www.supernaturalwiki.com/index.php?title=2.03_Bloodlust_%28transcript%29

 Guess Sam does stick around for the next 15 years to be a pain in the ass 😊

Some quotes from the writers about this episode: 

·  "The episode was really about what Dean would become if he didn't watch out: that Gordon was Dean in ten years if Sam didn't ask the difficult questions and keep him from getting too militant." - Executive story editor Sera Gamble

· "We set out to create a monster episode where you weren't entirely sure whether these monsters should be killed." - Eric Kripke

· "For me, the show is at its best when the supernatural story reveals something new about the brothers, or forces them to change in some way. Sam and Dean's realization that they've basically been raised as 'monster racists' was really meaty stuff. Exploring these characters' flaws is just as important as showcasing their heroism - these are the things that make them human, that make us invest in them." - Raelle Tucker

Check out this site for more amazing trivia and stuff

http://www.jonescave.com/supernatural/Episode/Episode.php?s=2&e=3#PopCulture

I have already finished watching the next episode ‘Children’s Shouldn’t play with Dead Things’….so let’s hope I get around to writing a review sometime soon !

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!