#i love the style of don's movies so much.. and honestly him making a film of the hobbit would of been amazing honestly

[dejjablu]

the hobbit movies but its a don bluth film

[thealmightyemprex]

Top 10 Non American Animated Villains

@ariel-seagull-wings @the-blue-fairie @themousefromfantasyland @storytellergirl @amalthea9 @princesssarisa @metropolitan-mutant-of-ark if you wanna do a list like this feel free to or just discuss these awesome baddies

My favorite Non Disney animated villains

Disclaimer for all these films not made in English , it was the English dub I saw (SAve for number 1 where I have seen it both dubbed and in its original language )

Also I am going to spoil a few movies,especially number 1 but

1.It is legit the only way I can discuss said villain

2.Its a movie that is devisive due to its subject matter ,so if you arent gonna see it anything I say wont sway you and if your on the fence maybe you will find this interesting

10.The Face from Phantom Boy

A criminal mastermind who seeks to ransom New York by causing a black out using a computer virus ,known only as the Face due to the fact his face i resembles a Picasso painting ,and everytime he tries to explain his tragic backstory,he is interrupted.He's a fun over the top villain (Wonderfully played in the English dub by Vincent D'Onofrio )

9.Mr Jones from Animal Farm

Jones is the cruel alcoholic farmer who is taken out of power when his animals rise against him.Now those familiar with the book might be calling foul,after all the leader of the Pigs is the main villain ,Jones is out of the picture pretty early....And while thats true ,and Napoleon is still the villain....I gave this spot to Jones cause.....His shadow LOOMS over this adaptation ,as the animals actions are all in rightious anger against ghis tyrany,defiance of his methods,fear of his return and even realizing Napoleon has basically beco9me a second Jones .He is also very menacing and he is animated brillaintly

8. Lucifer from the Wonderful World of Puss n Boots

An ogre sorcerer who wants to wed the princess.....And the more she says no the less nice he becomes .So while Shelley Duvall's Faerie Tale Theatre has my favorite take on the ogre from Puss n Boots ,I think this might be the best take .Here the ogre is an entitled suitor who while intitially having a nice guy facade ,becomesw meaner and nastier the more he do9esnt get what he wants

7.General Woundwort from Watership Down

A chief rabbit who rules his warren with an iron paw .So gonna be honest here,I much prefer him in the book ,as the film cuts out his backstory and the more complicated aspects of his characters.In the film he is just a brutal monster.....But hot damn thats what makes him scary .He is a incredibly savage killer who values strength above all ,assuming that tough guy Bigwig is the chief of the heroes and dismissing the real chief Hazel cause he is smaller and has a limp .Also Harry Andrews harsh delivery adds to the intimadation factor .I also his final act is bad ass

6.Mok from Rock and Rule

Mok is an aging rock star whose past his prime,coasting on his sucess , who has decided to raise a demon because ...I have no idea.His motivation is vague and honestly kind of dumb.....But damn does this guy have style ,I love his various costume changes and wigs .His animation gives him this sort of swagger about him and I adore Don Francks vocal delivery .He is very style over substance,which is oddly fitting for the character

5.Count Cagliostro from Lupin III:The Castle of Cagliostro

An evil count who is in charge of a massive counterfitting opperation that has infiltrated multiple countries that made him arrest proof who seeks to use two mcguffins to find an ancient treasure and marry a princess against her will .When I first saw this film,I didnt like this guy ,I thought he was a generic bad guy......But upon rewatch thats kind of what I like about him.This is a guy who knows he is the bad guy and enjoys it .He is going by the classic bad guy textbook and I love that .Heck I dont even think he has any reason at all to marry the princess other then thats what villains do .He's also one of the few Lupin villains who feels like a threat .I do like more nuanced villains(The top three are examples of that ) but I do have a soft spot for uncomplacted very evil dudes and miss the days of classical mustache twirly villainy

4.Colonel Muska from Castle in the Sky

A government agent who is an expert on Laputa (Titular flying castle) ,he intitally seems to be just a "suit",a face to give the faceless government ....Cept while he seems like one type of villain he actually is another ....Cause Muska is actually a descendent of Laputa and seeks to use its destructive cpabilities for conquest ,and is a power mad monster killing all the soldiers he had been working with through out the movie (Also when watching the English dub once he shifts to crazy mode that is the exact moment you go "Oh so thats why they cast Mark Hamill " ).I think the shift is very well handled .He's easilly a favorite of mine

3. Tetsuo from Akira

So Tetsuo is a troubled kid who ends up awkening psychic powers.....Then everything goes wrong .Tetsuo is kind of tragic .Oh he's still certainly a villain ,but when you break him down....He's just a kid.A kid with a inferiority complex,jealousy of his best friend and rage issues ,which are all inhanced and made worse due to his powers .Break him down,he's just a kid lashing out

2.Karaba from Kirikou and the Sorceress

A evil sorceress known for hating and eating all men .At first she seems like a classic fairy tale villain ,an evil sorceress who our young hero must defeat....Until we find out....She's a victim. Her hatred of men comes from being wronged by them ,and her power comes from a poisionus thorn,that while great power comes from it so does great pain . Her pain has isolated her ,made her cruel and hate filled,not entirely a monster (She actually does not eat people ) but definately living up to the villain image people see her as .I like her style and I find her sympathetic

1.Pascal from Felidae

Are number one villain is also the darkest villain . Our hero Francis has stumbled upon a series of cat killings in his new neighborhood and gains a few alies to solve the case.One being Pascal who becomes Francis mentor .Pascal is a likable old cat with high inteligence(Able to use a computer ).....Who also turns out to be a killer with a 400 cat bodycount .Pascals real name is Claudandus ,experimented on by humans ,he killed the scientist responsible and has vowed to breed a race of "Supperior cats" and eventually take down man kind ,while killing those cats he views as "Undesireable" .However Claudandus has cancer and is dying and wishes for Francis to continue his work .Now I wont say Pascal is the best twist villain ,but I like that even after he turns out to be a monster his demeanor doesnt shift,he stays as a pleasent gentlecat until he goes fully murdery during the final fight .I also like that he is a pure monster....But ya know how he became that ,and he has become as monstrus if not more so then those he despises .I think the reason he is my number 1 is his final line where he admits he is pure evil and laments it "You look at me now and all you see, Francis...is evil...yet once I was...good."

[melis-writes]

I think it's interesting to compare the characterization of Michael in the book vs the movie. To my impression at least, the book doesn't transform Michael so much as it reveals his true nature and the type of person he was always ready to be. He may have wanted to do his own thing, but deep down he was always the more controlling and violent person he is by the end of the story. Just like how Sonny outlines in the scene where he proposes killing Solozzo, he was "always a Corleone"

But in the movie, I do feel like Michael was genuinely a sweet and well-meaning person who wanted to do his own thing until he was more directly involved. The movie version of Michael does, in my opinion, undergo a sense of transformation. I think Coppola really narrowed in on that through visual symbols (such as the way Michael's hair was styled) and Al's performance of pre-Don Michael makes him seem way less conniving and cocky than the pre-Don Michael of the book. One textual example of this for me is when Michael is sitting in with Sonny and everyone while they are making a hit list after Vito has been shot. In the book, Michael lashes out at Sonny for treating him like a kid and insists on helping out somehow. In the movie, Michael asks "Are you really gonna kill all those guys?" and seems much more shy and cautious. I think Al's performance plays to his transformation really well. For me, it's just like how the Apollonia storyline is played very differently in the book and movie. That's a whole other can of worms but suffice it to say, it does change the way Michael's arc is shown, at least for me. And after reading more about Coppola's intentions for the character of Michael, it really dawned on me that while Puzo showed Michael's true nature, Coppola intended him to be a transformative character. I also think that Michael never had a chance at the end of the day. I think that the cycle of violence was inevitable for him.

One song lyric that reminds me of Michael is from Mitski's "A Burning Hill" when she says "I am a forest fire. And I am the fire and I am the forest and I am a witness watching it." In my mind, this captures movie Michael very well. Anyways sorry for this long paragraph I just wanted to share it with someone and the Godfather is my special interest and Michael is my favorite character so I figured I might as well share it here. Also, idk why tumblr is trying put in these big ass spaces between my paragraphs lmao.

Omg first off, never EVER apologize to me for sending long Godfather analyses because I ADORE THEM!!! ❤️❤️❤️ Honestly, they're my favourite things. Please, this is perfect. 🥰❤️

I absolutely agree with you, especially on how Mario Puzo portrayed Michael in the books versus how Francis Ford Coppola wanted Michael on film. It makes sense, honestly, especially considering the tension when the film was being produced, the book rights bought to make the film, etc. It had to be big and perfect and thus, the characters needed to be phenomenal on screen. I think Francis made it perfect. I really can't imagine it being 100% cut and paste from the book because it's just so wildly... different lol.

I don't mean different in a bad way either. ❤️ I love the book as much as I love the film but they are SOOO DIFFERENT! Michael is like literally another person. I think I still would have been stunned if I read the book first, THEN watched the film because I'm still trying to wrap my head around the fact that THE Michael Corleone laughed and called himself "the sissy of the family" (or something along those lines, I just know 'sissy' was used lol) when you can't even expect a small, genuine smile for a moment from film Michael. He's VERY different. I also like how you mentioned Michael lashing out. I noticed he does this a few times in the book to his family/brothers. Film Michael very much does not give a shit and is calm and collected, even if others doubt him.

Book Michael is a lot more vibrant, brash (in some ways), energetic, lively... Definitely more on the romantic side (with Kay), and honest too. The major difference that lies at hand is that Michael and Kay's book marriage/relationship is perfect and they have a happily ever after, Michael has 2 sons only 2 years apart from one another instead of a daughter, and Michael absolutely doesn't want his kids involved in the "family business" ever just to name a few.

You're definitely right, though. Michael's dark fate was inevitable. Book or film, he still did it to himself although in different ways. There's no happy ending for a man like him.

Thank you sooooo much for sharing this with me!! ❤️❤️❤️

[1kook]

commercial break; SEVEN

this is part of my netflix & chill series ! happens a few months before part 7 

summary; And lastly, Jungkook will bring it full circle by indulging you two in some good old fashion spooky sex where he nuts inside you because the only thing scarier than a scary movie is a pregnancy scare. It’s a perfect plan.  warnings; horny jk, jk wants to roleplay... everyone point n laugh, mentions of his impreg kink lol, making out, tits, honestly jk is just very horny n in love lol, jk in a vampire costume w fangs O_o rating; mature (18+) wc; 2k

notes; if u don’t know who lindsay is first of all ur sick, second of all here’s my queen’s top moments. also i just gotta say, this was originally gonna be a larger fic (a halloween special) for my ncouple, but i got a lil busy with school n ultimately didn't have time to invest in this as a whole installment so..... enjoy this commercial break instead!!

Jungkook loves Halloween.

He loves the pumpkin carving and the decorating. Loves the spooky music and the abundance of candy. He loves it, absolutely adores it, and for the second year in a row, he gets to spend it with you! Yet another person he loves very much.

He doesn’t remember ever being this excited for Halloween. Last year, you had roped him into going to some frat party with him, had egged him on, begged so cutely that it was your last year in college, baby until he caved. The two of you had spent the night drinking until you blacked out, Ubering home with your costumes half on, and then unceremoniously fucking in his living room with the blinds wide open.

(The next neighborhood meeting had been very awkward for Jungkook.)

It was his first time ever drinking with you like that, and he vaguely remembers, through his own drunken gaze, how cool you had been. Had absolutely owned a bunch of greasy football players at beer pong in your little sexy nurse costume. And when the crowd cheered your name, shrieked in awe, it had been him that you turned to for praise. “Did you see me, baby,” you had giggled, crowded him against the wall of this random house until Jungkook was sweating profusely. In lieu of a costume, he had worn a silly jogger set with a skeleton design that was supposed to glow in the dark, according to Amazon. You had told him he looked adorable, had kissed and squeezed his cheeks until Jungkook was a flustered mess.

It was still early into your relationship— if Jungkook did the math, you were only about five months in at that point —so he didn’t know how else to cope with the rapid thundering of his heart, the confession sitting on his tongue, the then scary L-word begging to be heard. So, he took you home and fucked you until your little nurse cap slid off your head and you were begging for him to let you cum, thus earning him his first ever offense for violating the neighborhood rules (i.e., traumatizing a group of middle schoolers by fucking in plain sight).

Long story short, Jungkook loves Halloween, and he loves it even more when he gets to spend it with you.

(He’ll never admit it, but he’s a hard romantic. He wants to do cheesy things with you, like cuddle you into his arms when you get scared, pat your head until you can look at whatever is happening on screen again. He wants you to feel safe in his arms, wants to be your refuge when things become too much. He likes to think he’s done a pretty good job so far.)

Jungkook’s plan goes like this:

First, welcome you with that Halloween basket you’ve been sending him tweet links about all month. The cute little Jack-O-lantern candy bucket stuffed with candy and hair ties and a soft Halloween themed blanket. It’s so cheesy, makes him blush when he catches sight of it in his closet, but Jungkook will do anything to please you.

Next, after presenting you with your Halloween gift and having you coo and tell him he’s a good boy, he’ll invite you to break your new soft blanket in. The living room will be prepared with an assortment of your favorite foods, the flat screen ready to play whatever horror movie the two of you settle on.

And lastly, Jungkook will bring it full circle by indulging you two in some good old fashion spooky sex where he nuts inside you because the only thing scarier than a scary movie is a pregnancy scare.

It’s a perfect plan.

It’s the best way to spend his favorite holiday, with his favorite girl by his side and some of his favorite horror films on the big screen. Jungkook spends all of October geeked up for it, even considers hanging up lights around the living room to really set the mood. He’s so excited, can’t wait to spend another wonderful holiday at home with you, that he doesn’t fully realize why you haven’t brought up the long awaited topic of costumes.

“You like?” you ask, standing at the door of his bathroom with a sultry look in your eye, tits practically pouring out of the tight top you’ve wiggled into, skin oiled up scandalously. He fumbles with the fake vampire fang prosthetics he’d been trying to glue in for the better half of an hour.

He had heard the door open downstairs when you got here, had called out his mandatory greeting as he heard you come up the stairs. But none of that had prepared him for the sight of you in… whatever this was.

Jungkook doesn’t really understand exactly what you’re supposed to be dressed up as until the two of you are back downstairs—blinds drawn, full moon slipping in through the cracks—with some random horror movie pulled up on the TV. “I’m Lindsey,” you whine, brand new fluffy blanket wrapped around your shoulders. It shields your boobs from view, but he’s not sure if that’s a win or a loss. “From Total Drama Island!”

He settles in beside you, doesn’t get too comfortable because it’s nearing sundown now and he knows the herds of children are bound to start flowing in. “Uh huh,” he says mindlessly. His collar feels itchy, the overly-detailed vampire costume he meticulously scoured the internet for being one size too small. You snuggle into his side anyway.

“You don’t know anything about cinematic masterpieces,” you frown, avidly tuned into The Texas Chainsaw Massacre: The Beginning, because apparently you love horror movies all of a sudden, a fact that genuinely throws Jungkook off. He’s not sure what it is about you that had deluded him into thinking you would be a scaredy cat, but he doesn’t take the new bit of information too hard.

The doorbell rings right as the first gorey scene ends and you make a big show of huffing and whining as he rushes to answer it. But it’s only the beginning of the long night that awaits, and, as Jungkook comes to find, running back and forth from the door to the couch is harder than it seems.

Anyway, Jungkook’s neighborhood is a little posh, or ‘bougie’ as you like to claim, and trick-or-treating hours end a little before eleven pm. By then he’s tired, having refused your offer to switch places in fear that your boob might fall out of that scrap of fabric you call a top and earn him his second neighborly offense.

However, that doesn’t mean he’s opposed to your boobs falling out in private.

“Stupid,” you giggle when he gets caught in his long cape, the sound slowly melting into a whimper as he slips his hands beneath your top, fighting with the ridiculous push-up bra you’ve donned tonight. Hands tangle in his hair, mess up the careful side part he’d styled up for tonight, and legs lock around his waist. “Your curtains closed?” you tease.

He huffs, catches your chatty lips with his roughly, presses and presses until your mouth must bruise. He belatedly remembers about those sharp fangs he’d glued on—hey, if he was going to dress up as some gaudy monster it might as well be realistic—and doesn’t realize until he tries to bite your neck and you let out a little yelp. Truthfully, he feels bad right away, but then you’re practically dissolving in his arms so he plays along. “Shh,” he hisses.

The roar of a chainsaw and terrified screams fill the living room, almost drowning out the soft sounds you release by his ear. “O- Or what?” you pant, flinch when he pushes your sad excuse of a skirt up over your waist. “Gonna b- bite me?”

And so Jungkook does.

You shriek. “That hurts, you idiot!” you scold with a tiny whine in your voice, but Jungkook’s cock is so hard. Your tiny, tight outfit does you no favors. Tits in his face, tiny thong against his bulge. He wants to make you sob, litter bites and marks all over your skin until his love makes you ache. You must see the crazed look in his eyes, because you drop the scowl. “Hey,” you say slowly, hand on his chest. “You look like you’re gonna eat me.”

He lets go of a breath he hadn’t known he was holding. He wonders if you can feel his thundering heart beneath your palm. “Fuck,” he sighs, leaning away to regain his senses. Was it something in the air? Was it the fatigue? The full moon? Why did he want to fold you in half and fuck his cock into you until you were a crying, shivering mess? Something about you tonight, laid out for him to take, makes him feel absolutely insane. Starved and psycho; he just wants to take and take until you don’t have anything more to give. He purses his lips, tries to ignore the hot feeling in his lower abdomen when your hardened nipples register to his eyes. “I think I’m becoming evil.”

Of all the idiotic things his brain can come up with, this one is definitely top five. His cheeks flush right after, fueled by the boisterous laughter that escapes your lips at his statement. “Oh my god,” you gasp in glee, hands falling down beside your head. “You’re becoming evil?’

Jungkook frowns, flopping down on top of you to hide the embarrassment that paints his face. “Shut up,” he mumbles against your neck, warm and safe.

A hand cards through the back of his hair, nails dig lightly into his scalp. “Aren’t you the cutest little vampire,” you coo, seemingly ignoring the rock hard cock Jungkook presses against your thigh. He’s still so horny, has this sick thought that he could just pin you down right here, tear that silly costume to shreds and swallow you up in his lust. But your voice is so sweet, has his eyes fluttering shut as you gather him in his arms. “Silly vampire,” you hum, one leg thrown around his hip, a subtle roll of you hips up into him.

Jungkook huffs, licks a flat strip along the base of your neck. It draws a shaky exhale from you, has your hands digging into his back when he begins to slowly lap against the skin, nibble and tug until your back is deliciously arching up into him. “Wanna push you down,” he confesses quietly, hands securing themselves against your hips as he leans back. You're all dazed, eyes trained on his fanged mouth when he hesitantly adds, “l- little human.”

You could laugh, tease him for his sudden weird need to role play with you, but you don’t. A look of understanding crosses your face, sly smirk slowly following. “Oh?” you grin, hand coming around to cup his cheek. “The little vampire wants to use my body?” Jungkook tightens his jaw at your jab, but nods nonetheless.

You’re a feast before his eyes. Boobs in his face, pussy begging to be filled. You’re his, just like Jungkook is yours. And when you indulge him and his stupid whims—kinks, he should say, occasional interests that sometimes make him question himself—his heart feels warm and full. Proud and unashamed, like the truest version of himself when you look at him with those eyes. And your words only confirm it.

Your hands reach down for your top, pull the flimsy material over your head in one swoop that has your bra coming off with it. It drops to the floor. If it makes a sound, Jungkook doesn’t hear it over the shrieks of terror on screen. the blood deaths, the suspenseful music. All he hears is he hammering of his heart. 

It’s two of your sneaky fingers that come up to play, pinch one nipple tenderly as you meet his eyes. “It’s all yours,” you purr. “I’m all yours.”

And the thirst he feels, well. It’s a little vampiric, to say the least. 

—

Copyright © 2020, 1kook on tumblr. absolutely NO reposts allowed.

[simpz-art-stash]

Late beginnings

Summary: Mac goes out for a drink, and happens upon some advice he takes into consideration about his skewered relationship with Wukong. Before finally taking some action to mend the long burnt bridge. (Author’s note: I barely did any beta reading for this so if it’s worded strangely that’s just how I write without the normal filter on. I’m country so HOWDY) Next Page ----------------------------------------------------------------------------- The night was late, but he didn’t care, he might as well have been nocturnal with the way his whole life revolved around the whole stereotype of shadows and shit. He’d walked into a bar he’d passed through a few times before, donning his human disguise of course beforehand, and walked in without sparing anyone else a glance. Before planting his rear in one of the stools seated at the front bar, ordering a drink to get the night started. “I’m really looking forward to seeing that new Monkey King movie with the trailer they just released. You saw it too right?? The whole style of the film is on par with their most recent game- OH, you think they’re gonna make a game of it?? I bet you they wiiiill!~” Ugh, great, just what he’d come here to avoid.

Mac’s eyes glanced to the blabbermouth boasting about whatever new movie was being made about his ex, to see two girls residing a ways down near the other end of the bar a few seats away from him. Both looking to have had a fair night themselves already if any of the cups and plates hanging around their spot was anything to go by. “Probably. I hope it’s better than last game that came out on the Brick 360, the bugs in that thing were gross to deal with.” Their friend commented back. Before looking down at their phone and claiming that it was getting late and that they had to go. “Yeah I’ll see ya Monday!” The chick waved their friend off a lazy farewell after they’d paid their bill before going back to their drink, now taking less tedious sips as the mood seemed to smooth out from their conversation prior. “I see someone’s a pretty big fan of that ol’ man.” Macaque piped up from where he sat, earning the attention of the stranger he’d directed his comment towards. “The Monkey King yeah?” Sparks danced in the chick’s eyes at the recognition of the name, before the stranger perked up and beamed a smile back at him, “You betcha! I’m a total nerd for that legend.” ‘A legend, hah.’ “S’the whole reason I moved to China in the first place.” She jabbed a thumb at her chest, “All the way from America!” Mac whistled, “That’s a pretty far leap to take, even for a legend. What, you hopin’ you’ll get the chance to see em’ or somethin’?” He sneered, taking his glass and lazily swirling it in his hand. “I wish!” She laughed, “Nah I mostly just moved here for work. If anything though it’s cuz a them for where I am now. I’d never even heard of him till about five years ago!” Mac blinked, lowering his drink from his lips, “You’re joking…”

“Not at all! No one hardly knows the story back home. Only reason I found out was cuz I just started gettin’ into anything monkey-related as a hobby.” She pointed at him, “Don’t laugh either, it’s a wildly popular standpoint to have these days online.” Mac quirked a brow at that, he’d hardly touched the internet these days save for whenever he needed some quick info on something he couldn’t find elsewhere. He held his hands up, “Hey I ain’t judging…” He smirked a little to betray the look that he totally was though. It was kinda funny how ironic it was him being there right then. She squinted at him, “Anyways...Yeah, I’d seen stuff of him online, but I’d never paid much attention to it up until recently.” “What made you change your mind?” Mac boredly probed, taking a sip. She simply shrugged, “I was in a dark headspace, guy made me laugh.” He paused, “Wait, seriously??” “I mean have you HEARD half the crazy shit he’s done??” ‘Babe I’ve LIVED through half the shit he’s done.’ “Like, literally, the guy is HILARIOUS. My favorite story out of them all being one where he literally tricked THREE taoist immortals into drinking his own piss!!” She burst out laughing while Mac choked on his drink a little, not having expected to hear that of all things. Sure he’d heard a few of the shenanigan’s his peaches had gotten up to throughout his journey to the west but he’d never heard that one before. Nor had he the patience to read through all that mess of context that had been published either. “Ahhh man, it still gets me…” The chick sighed with a few leftover laughs as she wiped a tear from her eye. “What about you? What’s your favorite story?” She asked. And suddenly Mac felt like he’d been put on the spot as he stared back at her. “Come ooon, surely there’s one that’s gotten your gut rolling.” She pried. ‘Plenty, but there ain’t no way in hell I’d tell a soul.’ “Bahh...there ain’t the first one that comes to mind that I’d like. Honestly I’m not even much of a fan.” He waved his hand dismissively. “Whaaat?? Aw come on! There’s tons of cool n’ funny stories!” “Heh..can’t imagine what you find so charming about a guy who’s too good for his own friends.” Mac spitefully twacked himself mentally for spewing something so personal like that out. Ugh, and he hadn’t even finished half his drink yet… The chick sitting to his left seemed to tilt her head a little before she squinted at him. Her silence being what brought his attention from his drink to her as he blinked back with a quirked brow. “What?” “Your eyes, they’re like raging storm clouds.” She pointed out. He blinked, not really sure how to feel about that. The only one who’d ever really pointed that out to him before was… “...So?” “Nothing!...” She shrugged, turning back away towards her own drink as if no conversation at all had happened between them. Whatever...he had his fill of shit to drink to either way. The night might’ve been late but he was just getting started. “He makes me laugh though.” She pointed out, earning her a glance. “All his stories n’ stuff. If there was ever a man I’d want, it’d be one who could always make me laugh.” “Hmph, not one for strength?” He took a long sip. Ignoring the bitterness of others fawning over someone he’d come to love before he’d gotten so popular. “Strength is fine n’ all, but it can only take a relationship so far..you gotta have more pieces to put in that crockpot of a relationship if you wanna make it taste good. Stuff like patience, honesty, a little bit of everything to help it all come together to make it juuuuust right.” “Hm…” “It can’t be all just you putting the stuff in there either, it’s gotta be a contribution from both gardens. Otherwise you’ll just barren your lands and be left with nothing to spare yourself or others in your life with.” She glanced at Mac, “Relationships are tricky like that, but they should always be a 50/50 split~” She winked. That...actually sounded like pretty sound advice. Something he’d heard a little here and there before but never so simply laid out. Though it made sense from his standpoint, fairness n’ all that. But he’d been that way with Wukong before and it had never worked out, all the bickering and such, so what had gone wrong? “Can I...ask you something?” Mac inquired. “Shoot.” “What’re your thoughts on..a relationship that seemed fine, but then the other changed so much that everything about it fell apart?” “Mmm...care to sprinkle in a lil more context?” The chick eyed him. Mac’s face scrunched up a little, no idea why he was asking some random mortal for relationship advice of all things. “Hey man. We’re both probably never gonna meet again after tonight, so if you’ve got skeletons in your closet, your best place to let em’ out is here. Bartenders are known for being the most well kept secret keepers in all the world after all~” She winked at the bartender in question who simply looked the other way with a look that might’ve suggested such a fact as truth. “Hm…” Ah screw it, “Alright alright…” He sighed and put his drink down, “There’s..someone. We used to be real close, we were strong together but then uh..shit got real and he had to go deal with it. But when he came back he uh, wasn’t the same as before, an I might’ve sorta assumed he was cheating on me so…so we kinda fell out.” The chick nodded, “Ahh..the classic misunderstanding of change and cheating, a tale as old as time.” She seemed to hum a moment before she turned from where she was seated, if not to hop down off her stool and plop down on the one right up next to him. “Uh-” “Shhh, lemme see those eyes.” She squinted, leaning in and staring deep into his. It’d would’ve been really unnerving if she hadn’t said anything about them before, now he was a lil put off that he might’ve been asking a witch of all things for advice… “Right. Well, at least you feel bad about it. So there’s that.” He blinked and his brows furrowed, “Wh- of course I feel bad about it, it was his fault-” He suddenly had a finger pressed to his lips. “Nope! Nooononono, you do not get to throw all the blame elsewhere like that sweetheart. There ain’t no way in hell you’re gettin’ a second chance with them if you keep that up.” She pulled her hands back. His face scrunched up and he found himself crossing his arms, if he had his tail out it would’ve been irritably swaying behind him right then at just how annoyed he was getting at this weird lady and her words. “Oh yeah? An what do you think’s best then huh?” “I dunno if you’d be up for that kinda challenge…” She idly fiddled with an imaginative piece of lint off her sleeve, which only seemed to irritate Mac further at the thought of him not being able to handle Wukong of all people. Like sure he’d gotten his ass handed to him before but he could still hold his own! “Try me.” The chick glanced back at him with a smirk, which caught him off guard for a second before he shot her a glare back. “Alright, but it’s definitely not gonna be as quick or easygoing of a recovery as you might hope it’ll be. Nor is there even a chance of you recovering it in the first place. But, you at least got that spark enough to try so who am I to deny?” ‘Hmpt, dam right I got a spark.’

“First of all, no more blaming, if you’re gonna tackle this properly, you gotta do yourselves a favor an quit it with the blame placing. Sure it’s easy, but it ain’t gonna get you nowhere but back to square one. It’s all in the past, the now is now. So push forward to fix it and put it behind you two so you can focus on the more important things.” “Easier said than done…” “Hey man, even if they don’t follow the same ruleset at first you could always work things out to make it one later on. I’m just tellin’ ya right now so you won’t just go diggin’ yourself a deeper hole.” Honestly at this point he was pretty much six feet down under, death to him would’ve been a mercy right then. “Fine…” He rolled his eyes. “Next up, apologizing…” -----------~----------- “I thought I told you to stay off my island.” Mac didn’t really glance back from where he stood high up on one of the breathtaking ledges that which Flower Fruit Mountain bolstered. His arms crossed, eyes sternly held against the leftover warmth of the late afternoon sun as it shifted the skies hues from blue to blood red. Hopefully that would be the only tinge of red the Mountain would see after today. “I know.” “What, no witty remark? Give me one good reason-” “I just wanted to talk.” Mac stated plainly. “Why the hell should I give you the chance?” “...” Mac wasn’t sure if he could come up with a good enough reason after the shitshow he’d caused him the last few centuries, most recent being his spat with him between MK. “I’m sorry.” That seemed to catch the king off guard, as he paused in his vicious glare to stare at the other. “Excuse me??” “I’m.Sorry.” Mac turned finally to Wukong, that look of fiery malice having softened immensely upon meeting their eyes. “I was wrong for what I did and I’m sorry.” Wukong’s face looked like it had had a stroke with how frozen in place it was, almost like he couldn’t believe what he was hearing. “Hurting everyone around you just to get back at you, I was wrong for doing that. And I just wanted to apologize.” Mac’s face twisted a little, the words coming out a little rougher than he’d liked, but he’d managed to get three steps in so far… “If you think a few sorry’s are gonna be enough to make up for all that crap then you gotta nother’ thing comin Mac.” Wukong finally shook off the surprise and crossed his arms with a steely gaze. “Nah I know they ain’t worth shit with as long as it's been...which it’s been..a really, really long time come to think of it..nearly 3000 years…” Fucking yikes. “What’s your point?...” Wukong raised a brow at him. “My point is...my point..” What was his point? To make amends and hope they’d get back together? To go back to the way things were? That couldn’t be done with the way things were now. Wukong had a successor, a moral compass, a lotta shit that Mac didn’t. A lotta shit that he wanted but never could figure out how to get his own. His face scrunched up a little and he sighed, “I..just wanted to make things right.” “Oh-hoh? After so long you finally decided to admit you were at fault? Sorry Mac, but it’s waaaay too late for that.” Wukong huffed, “Honestly, this is probably just another one of your stupid tricks if anything. The old Macaque would never throw himself down like that.” “Well maybe I’ve changed!” Mac exclaimed suddenly, his temper flaring a bit as his eyes flashed lightning. “3000 years later? As if…” Wukong rolled his eyes and turned away, “You’ve still got that same look in your eyes you always do whenever we fight. Do me a favor and just keep away from the hot springs this time yeah? The last time you were here you sent a whole dam boulder over there and smashed half the pools.” He waved his hand dismissively. “And I happen to take my once a month bath’s very seriously.” Mac’s nostrils flared a little at just how flamboyant Wukong was acting towards him and his attempt to make amends. How he just saw his attempt as a joke and nothing more, it pissed him off. Wukong had changed and everyone had accepted him, well not everyone, but still, why couldn’t the same be for him? Had he really fooled himself into believing that there was a chance he and Wukong could be together again? His shoulders slumped a little. Of course, who was he kidding. A 3000 year old pit of grudges wasn’t about to just up and disappear at the wave of a white flag. This was Wukong, the same guy who still playfully pestered the gods and demons around him for past conflicts that had happened between them. -----------~----------- “But you can’t just go, ‘ooo I’m so sorry for what I did.’ Nah, you gotta follow the five steps.” The chick claimed. “Yeesh, this a learning course now?” Mac tilted his head to the side. “It is if you wanna make things right.” She claimed matter a factly. “The five steps have never failed me before and have worked wonders for any an all my relationships. Might not quite have the same range of effect you’re going for but it’ll at least be a good start.” “Heh, you got the guts to back up that case?” Mac sneered. “I will if you don’t manage to screw it up.” The chick pointed out. “The five steps go as follows.” - express sorrow (I’m sorry) - own guilt (I was wrong) - name specific wrongs (I did X) - name impact (I hurt you) “And finally...” -----------~----------- “What can I do to prove myself to you?” Macaque asked finally. “What can I do to at least make it to where we can..not fight anymore..and just talk?...” Wukong stood there for a long moment, his features unreadable as their silence was muffled by the wind bellowing between them both from being so high up. “You really are serious about this aren’t you?...” Wukong’s head shifted ever so slightly, but not enough to where Mac could get a reading on his emotions. “I’m tired of fighting and waiting and thinking that if enough time passes things’ll go back to the way they were...when they never will. Trying to hurt you isn’t gonna make the old you come back, no matter how many times you beat me down...It’ll never be the same.” Mac admitted finally. A quiet gust settled down between them, before Wukong seemed to let out a dry chuckle and shook his head. “Can’t believe it took me 3000 years to beat the sense into you.” He turned and looked back at the other, where he no longer held a look of seething hate, but more akin to that of the same tired look just as the one Mac wore. Mac felt a sliver of guilt wriggle its way into one of the cracks of his heart and he glanced away, pulling a hand back and scratching his head. “Yeah well...your kid hit me pretty hard last time, enough to knock it in place.” A small smile crept a little onto his face. “Hm~ He’s gettin’ pretty good at hittin’ stuff with that old stick.” Wukong’s eyes glinted a little at the appeal of how proud he was for MK having taken Mac out the way he did. A little over the top and flashy, just like him.” “He’s got a pretty strong master to thank for that…” Mac found himself yearning a little for that same glint to be reflected on his memory the same way as MK’s. Not that he couldn’t see himself holding the same appeal for MK the way Wukong did, kid was strong, just a lil desperate in some of the cracks that shaped his outline. Something Macaque found that was easy enough to take advantage of, and something Wukong held a blind eye to. “Hm.” Wukong’s reply pushed him out of those thoughts for the moment as they shared a brief look between one another. A glimmer of reconsideration flashing between the two before Wukong finally turned his head away to drink in the sunset before them. “One chance.” Mac felt his heart nearly stop at that answer. “I’ll give you one chance, but if you screw this up, don’t even think about showing your face to me again.” Wukong replied, “I mean it this time…” Mac swallowed a little and nodded. Anything, he’d be willing to do anything to gain back what little trust he could from Wukong. “Good...you can start making up for it by apologizing to MK.” Mac blinked and sputtered a little as Wukong turned away and began to make his way back down the mountain. A smile playing on his lips while Macaque groaned to the heavens about his next trial.

[albino-whumpee]

Love

I´ve been so self indulgent during this week, thanks for your patience. I went overboard with this @whumpmasinjuly ´s prompt for day 3, “Love”. (2020)

Taglist: @castielamigos-whump-side-blog @giggly-evil-puppy @cowboysrappin @haro-whumps @burtlederp @neuro-whump @comfortforthepain @whumps-the-word @whole-and-apart-and-between @broken-horn @ashintheairlikesnow @rosesareviolentlyread @starnight-whump @just-a-whumping-racoon-with-wifi @as-a-matter-of-whump  @whumpasaurus101 @grizzlie70 @twistedcaretaker @boxboysandotherwhump @unicornscotty

CW// Slavery, ´pet whumphuman trafficking, referenced conditioning and past dubcon/noncon, trauma survivors navigating relationships and recovery. Slightly Stockholm syndrome affected whumpees.

It was snowing slightly outside the supermarket. Sann had waited outside the house with his brown coat and muted blue sweater, when they came back home from work. Pushed Albus towards the snowy street to buy ingredients for dinner.

It was odd, because they had enough food for Christmas, which would be next week, but he couldn´t say no to Sann. Much less when he looked so happy going outside whenever he could. Stopping a few times to play with the snow. One of those Sann slipped and fell on his butt, making Albus jump to see if he was alright, right after he snorted and broke into laughter. 

“I’ll get you some cream for it later yeah?” The freckled boy´s jeans were still a bit wet when they went inside the store. Sann patting it with a pained frown on his face. 

“Hey Sann, look” Albus called when they were passing by the clothes isle. The other boy’s hand passing over the clothes like always before he turned. Sann´s face went from interested to a pout, noticing the other was holding anti-slip snow shoes with a shit eating grin. “Could´ve come handy earlier, maybe we should buy them” Sann hit his shoulder as the other snickered. 

A few steps away Sann took something from the book isle and trotted back to hand him it with that bratty smile he had. 

“Merry Christmas then” Sann signed when Albus pulled his eyes up, away from the “comedy for dummies” book on his hands. 

“Ha, you think you´re so funny don´t you?” he said pulling him closer from his coat. “I know how to shush my favorite comedian though” he quickly inhaled before he kissed the corner of his mouth, just a little peck on the lips that left Sann looking for more as he pulled away. Just staring into each other´s eyes for a moment. 

Sann gave him another quick kiss before he smiled and grabbed softly Albus´ chin. Shaking it a bit before he stepped away. “You should shush me more often” Sann signed, walking backwards to the cash registers extending his hand. Albus took it without thinking. Bringing it to his lips to give it a swift kiss. 

-

On the way back home, it was Sann who laughed at him when he slipped on the icy floor. The little groceries they had bought, flying in the air to land on the snow. Even though, as they were holding hands, Sann fell too. 

“We should have bought them!” Albus shouted as the other helped him pick up the things, giggling at the way he patted his own butt.

Walking in a bit of pain, they saw the lights flicker inside the house. Just before Albus turned to Sann shrugging, acting as if he hadn’t gone to the supermarket just to make time. Hiding his smirk from the boy as he opened the door with reddened fingers. Watching how his eyes turned from suspiciousness and wariness to shock. 

It was certainly a surprise to give him a party. 

He stared in awe at the “1 year” sign hanging from the ceiling with small triangular papers as Sann pushed him inside. Passed his eyes around the faces that had become his world, not a single trace of lies, of hidden intentions behind their smiles. Just genuinely happy about having him there. 

Tony and Sasha bathed him in hugs and Jeremy pulled him to sit on the table with delicious food on it. None of it spicy, which he knew was even a bigger gift. As he was the only one there who didn’t love spicy food.

“Hey, I´m the mute one here, say something!” Sann signed next to him. 

“I…Just don´t know what to say…Thank you is too plain” his cheeks went red, pulling his eyes back to Zarai. In a silent question, pleading for instructions. 

“Don´t look at me, it was Sann´s and Sasha´s idea” The albino looked at the two with not-so-guilty grins on their faces. He suddenly felt a need to jump and hug Sasha and shower Sann in affection. Proud of him for making a party, even if it was small, it had been hard to make him feel comfortable in that setting.

“Well a thank you is more than enough” Claude said putting a cup with mulled wine on his hands, like everyone had in front of their plates. They lifted their cups, waiting for him to join. He pulled it up with just the biggest smile anyone had seen on him “Cheers!”

-

They stayed playing something called “guess” until very late into the night. A simple game where a player had to think of a movie, series or famous person and the others had to ask things like “is it an action movie?” “Animated?” “Are they gay or European?” to get to the answer. Obviously, Sann, Sasha and Albus weren’t really good at it, but it was a fun way to learn about the world they had forgotten. The pain of remembering, kind of soothed by the wine.

To which by the end of the party, Albus couldn’t carry himself to the room and had fell on the sofa telling Tony he was just fine, didn’t understand why he was so worried if he felt so good! Jeremy and Sann bonded over animated films (which were Sann’s favorites) and some math thing used in economics Sann always tried to explain to him but never could quite understand. But whatever concept he could wrap his head around had helped him to land a project with a great commission all by himself. He was really happy Sann had a friend outside of their circle now. How he seemed to enjoy it too leaked on to his own mood.

“Having fun?” Sasha tucked some of his hair behind his ear. He gave her a few nods with shut eyes. A wide smile had been there since the very beginning.

“I don’t think I’ve ever been this happy. Maybe even before” he told her in a daze. “Thank you Sasha”

He couldn´t believe it sometimes. How different his life had become since a year ago. If it hadn’t gone this way, he would still be in training, maybe just waking up from an endurance test, or maybe on a cold isolated cage. Hungry, alone, but safely away from other handlers. His body aching, but just desperate enough to be obedient and stay quiet behind the bars.

This honestly felt like a dream he didn’t want to wake up from.

“Your welcome, Al” she smiled at him before pulling him up “You will get used to this after a while. Trust me. It was difficult for me at the beginning too”

“Parties?”

“Freedom” the boy hummed as reply “Alex wasn’t a bad person. Just in need of some help, until they didn’t” she stayed quiet for a second, rubbing her wrist “It was scary to hide it, that someone would call and I would go back even with my papers in order and all, but. I guess, people also helped with that” she said looking at Tony. “Made it easier to trust” Albus knew for a fact they would marry someday. Maybe sometime on May, if Tony finally showed her the ring, so he smiled at the love-struck look on her eyes. “And maybe not forget, but keep going despite everything”

“I hope Sann feels like that someday too”

“And you too, Al. Someday” she said pointing to his neck, where the collar still stood. He let out some air. A heavy sigh, one he didn’t show the real weight of. Putting a vague smile instead.

“If you need help with that, give me a call. I will help you find them”

Albus frowned “Who?”

“The people who helped me. You called me once to ask me about them, but you never brought it up…You don´t remember?” she asked him when he only ket looking at her with a tighter frown.

“When did I do that?” Albus asked, but he never got his answer as his attention quickly sled to the boy walking their way with a large shy smile.

Sann walked to them with a guitar on his hand before he sat in front of him. Other people taking out their phones to catch the moment Sann signed this was his present for him. That he would find a way to get him what they saw at the store, making the albino chuckle, lifting himself up to be sit upright when Sann inhaled deeply and put his hand over the strings.

It was a soft tune, wrapping him in the warm feeling of a rhythm that carried you like a butterfly on the wind. Playfully doing tricks as it went higher. Having a rustic touch to it that made Albus imagine a valley of wheat swaying with a soft breeze. At the middle of it Sann’s fingers moved slower, low tones in quick succession that gained speed, Sann’s fingers moved swiftly down the strings. Squinting his eyes to try smoother down the migraine trying to come for him. Slightly pulling him out of the roll before he finished in a twist, a combination of the butterfly and the low tones that made him think of stone alleys and high windows.

When Sann lifted his eyes to see his reaction, He had to be quick to put the guitar away to receive him on his arms. Clapping and cheering, slightly drowning the messy praise the boy gave him. Mixed with a few curses followed of I love you. Low enough only Sann could hear them.

After a while, he was clinging to Sann on the sofa. His legs over his lap and his arms around his shoulders. Foreheads touching each other. Whispering little things as Sasha and Tony said their goodbyes from the door. Jeremy long gone after a friendly hug and congratulations were given.

Sann wasn’t a light drinker. He was perfectly fine while listening to a drunk and affectionate Albus, with a grin on his face. Nodding whenever the other asked a question. However nonsensical it was.

“You’re so nice, Sann” he said. Face warm and flushed. Eyes glassy like he was about to cry “You with me when you’re so great….” he pressed his forehead against the other. Slightly nuzzling. “I don’t know what I did to have you in my life, but whatever it was, it must have been very good” it became Sann’s turn to get flushed red. He suddenly pulled away and with a very serious face he stared into Sann’s gray eyes. “I love you”

Sann was frozen on his place. But he pulled up his hand, keeping his middle and annular down. Albus didn’t took long to imitate the sign.

It was a bet, but he leaned on. Sann closed his eyes, checking if there wasn’t a voice telling him if it was the right thing to do, and pressing a bit with a little smile when he found none. Soft lips meeting his and pulling apart in a quick inhale. He was surprised, however, when he tried the tip and was met with a bold reply. A hand on his hair and a twist in his mouth. Even then, careful to not let slip his hands to his bare neck. Delicious and at the same time amazing as he knew the person it was coming from. Despite that, it didn’t feel forced, or practiced until mastery. It was messy but engaging, it felt genuine. So when they pulled away with a pop, Sann was wide eyed at the albino.

“Is that a good shush?” He smirked, red eyes glittering under the moonlight.

“Dunno” Sann’s dimples showed on his cheeks “I need a second try” he signed before putting away his glasses. Feeling the boy’s hands pass to his back and pull him closer.

“Sann…” he suddenly went in the middle of the twist. Pulling away “thank you”

“…For what?”

“For everything. For…this” he said putting the same sign he did before. Pulling it down and sinking on the other’s chest “I hope you’re happy forever, however it may be” he said before Sann’s face pulled into a slightly confused frown and lulled him to sleep. Carrying him back to bed after a while.

-

In their room, Zarai slept soundly on his chest. But Claude was troubled. Ever since he had shifted jobs, he couldn’t fall asleep easily. Tonight, it was the celebration stuck on his mind. He remembered the boy’s bloody papers. So he knew the day he had arrived, was the same as his birthday.

That’s why they had made him the surprise party.

But even when Zarai had widened her eyes, even when she had found herself angry she was even more shocked to not tell him. And Claude couldn’t know if it was the right decision or not.

As he woke up with a migraine and looking overall destroyed, letting Sann prepare breakfast for all of them and feeling slightly guilty for taking a pill, but exuding a joy that couldn’t really fit on the doctor’s head. As he saw him thank Zarai for letting him rest, Claude tried to think, to believe it was for the best.

I actually based Sann´s guitar thing on this thing my dad did. You can hear it here.

[popculturebuffet]

Sparkshortstravaganza! (Commissioned by WeirdKev27)

Well this was a needed kick in the pants. When I first heard of the Sparkshorts program I was excited. As a kid I loved PIxar, as an adult I love pixar and as an old man dealing with the loss of his partner floating away in my balloon house, i’ll still love pixar. So the idea of a program focused on giving new fresh talent the room to do whatever they wanted and make content that would be on Disney Plus, a platform BADLY bereft of original animation? It was a dream come true and the first one I saw Kitbull is easily a masterpiece and something that I can vividly recall every part of to this day, which for my terrible short term memory recalling EVERYTHING is a rare feat few works have achived.  But given I have a REALLY bad habit of letting things I want to watch sit there if I don’t jump on them immediately.. I let it sit there and didn’t touch any of the shorts and mostly forgot about the program until now. Until Kev, my patron and the only person paying for reviews at the moment, though others are more than welcome wink wonk, just decided what the heck and to test out comissioning shorts picked these ones because why not. And given I had been dragging my feet and reading the descriptions found creative and suprisingly heavy premises... I was fully on board And better late than never because along with Soul this program has EASILY restored my faith in the company after Onward really disapointed. Granted they’ve done worse, while there are pixar films I haven’t seen I need to like Coco or Cars 3, I’ve vowed NEVER to watch Cars 2 unless I have to and that vow has served me well so far. The shorts here are as a whole beautifully animated, have a ton of wonderful concepts and even the two weaker ones are still gorgeous to look at and a decent watch regardless and both come from a very well meaning place with a very well meant message. So yeah i’m thankful for this comission and to show you why let’s go through every Sparkshorts so far and see why their so awesome.. after some background of course. 

Sparkshorts, for the uniniated, is a program by pixar where animators are given six months and a limited budget to create a film based on personal experince. The program was designed to test out new ways of animating, directing and creating and to find a creative “spark” in it’s employees. Thus each film feels unique, has it’s own style.. and is utterly charming. I’ll be looking at them chronologically as while this wasn’t my watch order, I feel it’s a bit neater that way. I’ve already taken long enough to get to watching these, let’s open these films up and see what makes them tick shall we?

Purl: An Adorable Yarn Ball Vs Toxic Masculinity  Purl.. was better the more I thought about it. The first short released, it DOES have a good message and killer animation. The film takes place at B.R.O., a dude broey brockerage firm that’s painfully relasitic both in how broey it is and in how it looks. That’s to contrast our heroine: Purl, an adorable ball of yarn who just wants to be accepted but is instead ignored by the rest of the company till she changes herself up, donning a suit like her co workers she badly wants to fit in with and adopting their wolf of wallstreet esque douchebaggery. She finally gets accepted.. but ends up shedding her new self to help another Yarn Ball starting up.  Director Kristen Lester drew from personal experince, starting work at animation in a mostly male dominated workplace and thus having to adapt and only letting the femine side she’d repressed out when she moved to working at pixar, which had more female employees. The film DOES have a good message about toxic workplaces and toxic masulinty and learning the personal story did raise it a few notches as it made it clear to me that what SEEMED like an over exageration.. was probably just a light exageration given the kind of bro antics we’ve heard about at companies like Ubisoft. So while I didn’t like the film much at first honestly.. it’s over the top because it NEEDS to be because even though it’s 2021.. some idiots STILL don’t get it and kids are better off learning it now so it’ll hopefully stick when their entering the workforce. So we’ll get more people like perl willing to make a change and stick up for those like her and less dude bros. Still a decent and clever short with Perl’s bro form looking really neat and the animation on her in general is really fucking gorgeous. All in all not the best of these but still pretty good and while a bit thick on the message.. it kinda has to be. 

Smash And Grab: A Jaunty Ride to Freedom

This was a really fun one. Directed by Brian Larson and inspried by his need for a break from routine this follows two robots, the titular smash and grab who are designed to well.. smash and grab coal-like energy things for a train and have for years and years. The two long to high five, but can’t because their hooked to tubes so they can’t escape. But one day Smash looks out the window and not only sees fellow robots living a better life.. but a way to power him and his buddy/love intrest? I mean bromance or romance, either way it works. Point is our heroes escape, and have to fight security.  It’s just a really damn fun and creative movie. While robots wanting a better life isn’t new, the crisp art deco animation, breakneck pace, fun gags and heartwearming relationship between the two bots is just charming as hell. It’s just a fun ride the whole way through with a lot of heart and creativity with the two’s way they throw coal to one another used to take out the guards, and all together just some really good set pieces. Easily one of my faviorites here and that’s a high water mark to pass. 

Kitbull: Tiny Orphan Kitty + Big Abused Doggo = Best Friends

As I said this is the only one of these I saw before today and as I said it’s stuck with me. I love dogs. I have one of my own named Yoshi whose just a sweet boy. So i’ve always loved ALL DOGS.. and was thus horrified years ago when I learned about the stigma Bulldogs get. Seen as “agressive’ and “Mean’ and victious.. when really a lot of them, including my grandpa’s own pitbull when I was little, are just loveable as any other dogs. And having also known a former fighting dog my friend owned, if a much smaller min pin rather than a pitbull, who by the time I met him had become the sweetest dog you’d ever meet.. yeah.. don’t mistreat a dog just because some assholes force it to fight to the death because their sick, horrible, ghastly human beings.. if they can even be CALLED human beings after doing that to these poor animals.  My point is it’s nice to have a short about such a needed subject. Director Rosana Sullivan actually had the idea for the short for years and intended to do it as a side project, but when the program cropped up she moved it to pixar and the result is one of the most popular and easily one of the best of an already bright bunch, brought on by her love of animals and working in a shelter. It’s also one of Pixar’s first 2d animated projects and proves their just as good at that as cgi.  It’s the touching story of a kitty whose alone in the world and initally mistrustful and hissy at a big dog she finds and is naturally scared of.. until she grows to bond with the dog, realizing much like a LOT of fucking people need to that pitbulls.. are just dogs and often victims of circumstance and the poor, sweet pooch who just wants his owner to love him.. is instead thrown into a fighting pit, nearly killed and forced to make a daring escape with their new forever friends help. It’s through this wonderful, heartrending friendship that the dog finds freedom and the cat.. finds them both a home, no longer running from people but instead making sure they both get a person. It’s often brutal at times, with the scene of the dog being forced to fight being one of the most striking: while we thankfully don’t see the action, we HEAR IT, as does the poor kitty, and we see the aftermath: a friendly harmless dog thrown out into the cold just because it dosen’t WANT to fight. It’s just really heartrending stuff that makes the happy ending all the better. It’s also gorgeiously animated which I mentioned but i’ll say it again; the animation here is GOREGOUS, unqiue and stunning. Go watch this if you haven’t. 

Float: This is Why Krakoa Exists

This.. has easily been the hardest to review of the bunch. While ALL of these stories are very personal, very inclusive and very intresting, this one.. is a bit rougher than most of them and hits REALLY close to home. See this one was built out of director Bobby Rubio’s experinces raising his son who has autisim. 

It’s about a dad who discovers his infant son can float... and thus gets stares of fear or judgment from eveyrone around him slowly getting broken down by this. So he makes a HORRIBLE judgment call and rather than just accept some people are assholes, weighs his son’s backpack down with stones despite him hating it then drags him away when he ends up floating off, before screaming at the poor kid WHY CAN’T YOU BE DIFFRENT.. He DOES instantly regret this and the ending is genuinely touching as the father finally accepts his son is different and throws him into the air while on a swing, letting his son soar as he always should’ve. It is a beautifully animated and well meant film and the filipino representation is truly great: Rubio originally was going to have the characters as white but his fellow animators convinced him to go for represntation and be true to himself and honestly in a time when disney itself has had to be fought to get queer representation most of the time, it’s nice that pixar at least is a part of it that throughly encourages representation and will gladly put diversity and representation over any bullshit “risk factors”.  That being said.. while this was a decent short with a very well intentioned message and it clearly connected with a lot of people.. it wasn’t for me and I say this as someone who has autisim. As someone who has worn down people’s patince and been starred at by a freak for something I was way too young to properly deal with.  I’ve been in this Kid’s shoes. 

And that’s the problem: The metaphor dosen’t really work for me. While auitism CAN have some benifits and I wouldn’t be any other way i’d be lying if I said it was easy having trouble commuincating, constnatly misreading people, constnatly worrying if someone’s going to like you, and hyperfocusing on a problem instead of being able to set it and forget it for a bit to my own detriment. There’s other problems and not ALL of my issues come from anxiety disorder: I also have anxiety and depression. They just bleed badly INTO said autisim sometimes, as it’s hard to effectively combat anxiety sometimes when your mind won’t let you. 

What i’m saying is... there aren’t any FAULTS in his powers. See i’m a fan of x-men, so I can only see this boy as a mutant, and yes I know they usually manfifest at puberty but there have been exceptions so don’t at me.. and one of them who has no real downsides other than the unfair stigma of being a mutant. He’s more like storm, who can control the elements and whose power only enhances her life nad lesss like say Rogue, who looks normal.. but can’t touch anyone without knocking them out at best or horribly abosrbing them into her head at worst. There’s no downside other than the fact people judge him and his dad is a dick about it.  And the dad part is hard because I get what Rubio is going for: parents make mistakes, parents mess up and their only human even if they should embrace their kids anyway. That’s a good message and one I support.. I just think Rubio was way TOO hard on himself and thus made his stand in into an unlikeable asshole, one whose more concerned with how everyone ELSE thinks and does the horribly abusive action of basically tying his son’s wings down so he can’t fly. He mans well, it’s so his son dosen’t float off.. but instead of finding a way to help him and work with him on it.. he just stuffs rocks in his back and forces the kid to be miserable so other people can be happy. It just goes way too far in the other direction to work. As I said I think it’s the guy being too hard on himself, manifesting his worst moments with his kids and his biggest regrets and making himself into a very hard to like character because he has trouble forgviing himself for how he acted. So I want to say if you ever read this bobby while I wasn’t hte biggest fan of your film.. I do wholly support you and your son.. and the fact you made an entire FILM just to show your sturggle and show people there not alone was a beautiful act. You are not a bad person , we all make mistakes and we’re all just human. You are a good man Bobby Rubio. I may of not liked your metaphor... but your message is beautiful. 

Wind: Immigration by Way of Rocket Science

Thankfully moving on.. this one is tied with Kitbull for my faviorite. It has a truly intriguing premise, a great metaphor, stunning animation, and is just really moving, gripping and fun to watch. This one was by Edwin Chang, and as is usualy by now, it was built on personal experince.. but not his. It was built on the fact his father was an immigrant who had to leave his mother, Chang’s grandmother, behind to a better life. She rejoined them eventually but it left an impact on his father and thus serves as the core of this story. And honestly knowing that only STRENGTHENS an already impresssive sci fi short.  It’s the story of a boy, apparently named Ellis so i’ll use that, and his grandmother who live in a bizzare, hauntingly beautifuly stygian sinkhole that has floating rocks and debris. The two spend their day farming potatoes and grabbing whatever they can to hopefully make their way out. But it becomes clear to young Ellis after they find a plane his grandmother wants HIM to go alone and escape and is willing to sacrifice herself.. and ends up having to trick the boy into thinking sh’es going along in order to get him to do what he needs to surivive and thrive. It’s a truly gut wrenching story as even when she seems to have found a way for them both to leave.. it’s very clear she’s simply training him with all the welding tools and what not so he has skills to make it out there on his own in the unknown. So he can live without her.. but more importantly.. so he CAN LIVE. Away from the darkness, not having to scrape and to surivive and hopefully find something better out there. While the old parental figure sacrifciing thsmelves so the youngun can start hteir journey isn’t new.. it’s the unique, beautiful and haunting setting and the emotoin, conveyed only through the utterly beautiful animation that make this story feel fresh, along with it’s great metaphor. This short is just haunting, beauitful and really damn sad, and I only dont’ have all that much to say because it’s all in the visuals. The only thing I have left is like all of these really, watch it. But especailly this one. 

Loop: Enough Said

This is part of the reason I didn’t like Float all that much. Loop is just.. way better at conveying the experinces of having auitism. While Renee is a more severe case than me I can relate to what kicks off the film: Renee, usually paired with an adult at the camp she at, is forcibley paired with a chatty boy named Marcus. While Marcus is eager to go home and has no idea how to interact with the two the two genuinely bond, with Marcus slowly getting into Renee’s world. The key scene for this and the one that clinches the film is Renee waving her hands over the reeeds in the water, throughly enjoying it with marcus not getting it.. till he tries himself. Director Erica Milsom, whose worked with autistic children and picked this medium entriely because i’ts perfect for a non verbal character and is one that can tackle heavy issues like this in a way to help people understan, really wanted to counter most depections of severe autisim, paticuarlly sensory issues. While we see the good in them instead of JUST her freaking out or being overwhelemed: how her sounds and the things she feels truly relax her and how she really DOES enjoy nature and is perfectly at home there. It’s just a beautiful way to show this disablility is not ALL bad, as many works tend to focus soley on the drawbacks. While I had my issues with Float part of it was it had too much good.. but Loop is superior at this simply because it shows both with unflinching honesty: The beauty of something that calms and relaxes your brain or a touch or sensation that just FEEELS really good, things that while again i’m not on the same level as Renee.. I can still fully relate to.  But what puts it over float besides not having a messy metaphor is it DOES show the issues that come with it.. but does so WELL and with nuance. It shows how isolating autisim can be, especially for someone like Renee who can’t talk, how people are sometimes freaked out by you and don’t know how to interact with you and how adults can MEAN WELL, and the counsler setting them off was a good idea in the end... but can also be misguided and not fully know how to handle you without overwhelming you. It shows just how bad a panic attack can be, how you can just.. shut down and drive away. It was easily the sequence that hit the hartest and resonated the most as I’ve had those, and i’ve just shut down with no one able to reach me.. and it makes it all the more touching as Marcus eventually realizes how to handle things, and gives her space despite the setting son and the peril of being stranded.. because he realizes she needs it and offers to simply be there when she’s ready. It’s a touching, wonderful gesture, capped by him giving her a reed.. and the two heading home finally udnerstanding one another.This one is very close to wind in my heart and I think I found even more love for it writing this review and realizing just how much it hit me. And that ain’t bad. 

Out: Be Proud of Who You Are.. with the help of a gay cosmic space cat 

Speaking of hitting close to home and really resonating with me, we have Pixar’s first short with a gay main character, with his sexuality being the center of this. And as a bi person who had struggle accepting his sexuality let alone telling anyone, even when you know someoen will likely accept you.. this naturally hit hard. I took some time to realize I was bi, and when I did I was terrified of telling my mom, despite her being loving, supportive and just wonderful, same with my brother. Both fully accepted me as I figured and had no issue with it, esepcially sine my romantic history is nearly non existant anyways, but I related to our hero Greg’s fears of coming out to his parents despite them being utterly wonderful, well meaning people. It’s hard to come out, it’s hard to admit that about yourself, and it’s hard knowing you may not be accepted or things may change. I had an even harder time coming out to my dad, who I fully expected being a trump supporter and having said “if gay marriage is leagal I should be able to marry my cat”, to not support me and to loose him.. and was proud and suprised when nope, he was utterly supportive and happy for me.. if a bit awkward with the “be careful with sex” advice.. to someone whose had none and may never will due to being awkward as shit. But he meant well and the point is I really related to this, and it’s easily one of the best coming out stories of this kind, tied handily with Schitt’s Creek’s episode about Patrick coming out to his parents that dealt with the same theme.  And naturally given the nature of these shorts it was a story close to Stephen Clay Hunter’s heart, as he group up a gay nerd in the 80′s a time when homophobia was even worse and representation was near non-existent. So when given the shot he wanted to make something for a young him, something they can look at and point to and tha’ts me. And the behind the scenes short for this one sold just how... big this felt for him. To draw two men in love and embrcing, to see guys mo capping that. To see someone LIKE him on screen. It shows just how important representation is and how dumb it is it took 20 goddamn years at pixar for them to get gay. 

The short itsel is delightful as we open with a gay space cat and dog appearing in a rainbow. The Cat and Dog are watching Greg, a nice young man whose moving out of his small town with his boyfriend Manuel.. only to panic when his parents who he hasn’t come out to show up to help move and try and hide the one photo he has of them. And despite Manuel seeing it as a very easy thing to do to come out.. it’s not for Greg. He knows it’s hard and a scene of him practicing shows the poor guy breaking down at the thought of telling them despite getting every indicatio their nice people.  It’s then the whole Space Cat thing comes in as the cat enchanted Greg’s dog’s collar, so when greg puts it on as  a jest, it’s a body swap! So naturally we get tons of REALLY well animated shenanigans as Greg has to get his body back. Seriously the animation here is gorgeous with director Hunter choosing the painted on , impercet style to give it a storybook feel which fits the story perfectly.. seriously if Disney hasn’t made a story book of this do so.. and if they won’t someone on etsy do it because Etsy is apparently where the merch companies should be making happens.

The point is it’s fun, furious and leads to some great gags.. and then we get the emotional punch to the godnand as Greg bites his mom’s hand in order to prevent her finding a photo of him and his boyfriend. He instnatly regrets it, and breaking the photo in the process and goes to comfort her.. and we get easily the most emotinal, most beautiful part of it as Greg finds out his mom is hurt as she can clearly tell he’s keeping her at arms length and dosen’t want to loose him.. and she’s known all along he was gay.. just like the Schitts Creek example it’s clear she’s hurt a bit her son is scared to tell her but just wants him to be happy. So with a brilliant use of a squeaky toy greg switches back.. and comes out, with his dad warmly hugging miguel when he introduces himn and the space dog crying. Just a beautiful, charming, fun, and gorgeously animated short with some badly needed representation.

Also... one last note. This isn’t related to the short.. but Disney, who once again proves they can’t be progressive without stabbing themselves in the foot and no I will not stop giving out about this. This time’s especailly bad as while Out was heavily promoted.. the descripton DOSEN’T mention it having Pixar’s first gay lead and goes out of it’s way to hide Greg being gay despite the fact the short dosen’t and his being in the closet is the whole conflict of the short. And the not mnentiong the first gay lead thing is noticable because Loop DID rightly point out it was their first non verbal proganist. You can’t.. brag about being progressive about one thing and then try to hide your being progressive about another you idiots. Plus the “pleasing the bible belt” ship has sailed and left port. Ducktales is gay as hell with Penny being gay, even if Disney won’t let her just come out and say it, the crew still had her say it as much as they could, Violet’s dad’s being gay, Della being bi and Webby and Lena being as close to a couple you can get without disney screaming at them no. Andi Mack is fully avaliable on D+ as well.. well okay not fully because the dad turned out to be a pedophile, but still a series with a fully gay character is out there. And finally Owl House got TONS of press for having a bi progatanist and having her love intrest be a girl. Even if Dana Terrance had to FIGHT for that, and rightly so good on her, the point is you have queer characters already. The groups that hate you for that aren’t going to magically stop hating you because you hide the fact a short anyone can see from minute one is very , beautifully gay, I mean it starts with a very swishy space cat emerging from a rainbow atop a pink dog. COME ON. I only have a few words left for disney..

Okay whew, one more and we’re out of here. 

Burrow: It’s Okay to Ask for Help and To Bang a Willing Salamander This was the first one I watched today. In hindsight had I properly researched the shorts and realized how heavy they were I probably would’ve saved this one for later to help balance out the deep feels of some of these. While Burrow is VERY VERY good, as all these shorts have been even Float, it’s subject matter is a lot lighter. I mean so far we’ve had stories about toxic masculinity, animal abuse, issues accepting your child is diffrent, sacrficing yourself so your loved one can have a better life, autisim and coming out of the closet. Even Smash and Grab which is light and breezy.. still has a disney death, and is still about a heroic rush to freedom from slavery whenyou think about it. This one.. is about an insecure bunny whose afraid to ask for help and ends up learning to get it while ending up plumiting through a bunch of comedic set pieces. It’s basically if Winnie the Pooh and Bugs Bunny had a baby comedy wise, it has the warm feeling of pooh art wise, a storybook quality tha’ts utterly adoring.. but director Madeline Sharafan specifccally wanted the animators to take after chuck jones, using lots of great expressions and reactions. It has a real classic theatrical screwball comedy vibe and given The Looney Tunes, Droopy, and Tom and Jerry mean the world to me and i’m glad nto reocnnect with 2/3 thanks to HBO Max.. I fucking loved it. 

Burrow is still a personal story and is based on Sharifan’s experinces having trouble colaberating, wanting something to be fully baked before showing it off, something I agian relate to. She often hid from the others and refused to show her work until it was done while everyone else was happy to help. And as the previously used to slam disney hard with something they own Hickman Era of X-men has shown.. colaboration is just better and more freeing. By having friends and colleuge s to bounce off of you refine ideas, see how people react to them and grow a bit and that’s what the shorts about. 

The plot is easily the simpliest of these: A young bunny wants to build her dream burrow but gets self concious when she runs into a friendly mole and rat living next door to where she wants to build and keeps digging to find both privacy and her own place.. and instead ends up digging into various shenangians and other burrows from frogs, to hedgehogs to most memorably some Salmanders taking a sauna.. and in the best and most ‘how the fuck did they get away with this bit of it”, one of the salamanders ends up .. gladly removing his town and being liike “You wanna do this? I mean I got an hour free” And i’m just saying while now wasn’t the time and the offer was a little awkward i’d go for it if I was her. I mean at least ask him out for coffee later. He seems nice enough if low on boundries. Then ride him until the morning light girl, ride it. She also finds the Demon Bear from New Mutants at one point.. so that’s where he retried to after danny kicked his ass again. Neat. 

But eventually our heroione digs herself too deep and ends up hitting water before finding a 

Who sees her crumpled plans and then does the stygian call of the badger to call all the other animals to help and after they escape the flood, the bunny finally realizes their good people and lets them see the plans. So we end on our heroine and her new friends and possible salamander lover helping her settle in as she finallyg ets the home she wanted, complete with disco. I mean every home should have a disco. If I didn’t have a ceeling fan i’d have a disco ball.. and I still want one just to set somewhere or hang away from the fan . Let me dream dammit. Overally a fun, hilarious, mad dash short with a good message and a good note to go out on.

Final Thoughts: Overall.. the Sparkshorts program is fucking spectacular, a great way to let some of Pixar’s staff get into the directors chair and really shine, and a way to tackle issues that they may not be able to get greenlit into a full film. Lushily animated, well produced, Pixar has announced MORE are coming and I cannot wait. Thank you kev for comissioning this, and thank you all for reading. If your new and liked this review, follow this blog as I talk disney all the time: when they come back i’ll be doing regular coverage of Amphibia, Ducktales and the Owl House as new episodes come out every week, and i’m currently doing a retropsective on the three cablleros kev also paid for, with the finale of it, an episode by episode look at the legend of the three cablleros, starting this week. I’m also covering LIfe and times of scrooge mcduck (though infrequently for a bit), and finishing up a look at darkwing duck’s just us justice ducks, started with looks at all the players involved and finshing next week with the episode itself.  So if any of that sounds good to you, check out the archives, but goodbye, goodbye, goodbye for now. 

[365days365movies]

March 1, 2021: The Hobbit (Review)

Is “quaint” a good word here?

Maybe its the beautiful backgrounds, maybe it’s the stylized designs that make me think of Christmas specials, maybe it’s the faithful take on a classic story that I loved as a kid, but...I dunno. Quaint’s the first thing that comes to mind here for me, for whatever reason.

All I know is that I did enjoy this movie well-enough...even if it’s not my favorite. Don’t get me wrong, this is still a great story, and I do love the original Tolkien tale very much...but I don’t know if I can say this was my favorite adaptation or not.

Now, it got some things right that the Jackson movies didn’t, at last as far as I’m concerned. Thorin’s pretty good in this film, Gollum is great (as always), and it accurately sums up the story in a single movie without too much omitted (I do miss Beorn, though). But here’s the thing: the things that I think Jackson’s movies did wrong outnumber what this film did right.

You know, the weird addition of Tauriel and Legolas, the added Lake Town plot with fuckin’ Alfrid, the entire Azog thing, the fucking NECROMANCER thing, Rada...well, actually, I like Radagast. He was fun.

And that’s not to say that Jackson’s movies did nothing right. Quite the contrary! I mean, Martin Freeman is a PERFECT��Bilbo Baggins, and basically everybody is perfectly cast, to be honest. And that includes what I think is the best part of the films: Smaug, as portrayed by Benedict Cumberbatch. And yeah, that motion capture footage is hilarious, but it pays the fuck OFF, what can I tell ya? I mean...come on.

Smaug in these movies is fucking AMAZING, and I genuinely love him. And...well, you know what, let’s actually get into the Review. Enough navel-gazing here. Here’s the Recap (Parts 1, 2, and 3), if you’d like to read that first! OK, let’s get this done and Reviewed!

Review

Cast and Acting: 7/10

Given that this is an animated film, this is an interesting category to grade. I’ll be doing so based on their vocal performances, and...eh. For a Rankin-Bass movie, the vocal performances are a little standard. However, that doesn’t mean there aren’t some standouts. Orson Bean plays a kind and contemplative Bilbo, and while I don’t know that I like him quite as much as Martin Freeman, I do still like his performance. John Huston is likewise good as Gandalf, although Ian McKellen is...well, Ian McKellen, even in The Hobbit films. And then...there’s Brother Theodore. And, boy oh boy, do I love his Gollum a lot! I think he’s legitimately fantastic as this version of the character, and specifically as this version of the character. Andy Serkis is still the better Gollum, I think, but I do think that Theodore handles Gollum’s last line in this film better than Serkis did. However, I can see Serkis becoming the devious little monster he eventually becomes a lot more.

Also, Hans Conried plays Thorin, and all I could hear was Captain Hook, like, the entire time. There are actually a lot of voice actors from the time period in here, like Don Messick, Paul Frees, and Thurl Ravenscroft, and they’re all fine. There’s also Richard Boone as Smaug, and...he’s OK. Not saying he’s great, but...he’s all right. His deep booming voice does work well for the role, and some of his line deliveries are pretty goddamn solid, but...I dunno, he just doesn’t bring the same gravelly gravitas that I expect of, well, a goddamn dragon, let’s be frank here.

Plot and Writing: 9/10

What can I say? It’s Tolkien! And they’re pretty exact with their adaptation of the original work, as adapted and written by Romeo Muller. And yeah, Muller does a good job...but he also writes this similar to how he wrote all of the other Rank Bass specials. If there’s any problem, it’s that. But even then...I don’t know if I can call that a real problem. Still, I’ll take a point off for it, even though it’s really closer to half a point. If anything, I’m upset that Beorn was completely absent. You coulda worked him in, Romeo!

Directing and Cinematography: 7/10

This is essentially judging the storyboarding, and how shots were positioned in the artistic process. And yeah, it’s...mostly good. Unfortunately, true to form for Rankin-Bass production, it often feels just a little too stiff in places. Makes sense since Arthur Rankin Jr. and Jules Bass are the directors. Not as bad as some of their other productions, but still definitely a notable quality of the film. So, points off for that, but the rest of it is honestly fine, especially for animation of the era. What came out from Disney that year?

Oh, damn, the Rescuers? Yeah...shit, yeah, that looked WAY better, and that wasn’t even one of Disney’s best looking film up to that point. Although, different budgets should probably be taken into account. OK, moving on.

Production and Art Design: 8/10

I like the backgrounds in this film a LOT, lemme tell you. They were done by Minoru Nishida, who’s done a hell of a lot of animation stuff, but was also the art director for Kill Bill Vol 1! Neat! But yeah, the backgrounds are absolutely gorgeous here. How about the rest of the art design? Characters were designed by Lester Abrams, then redesigned a bit by the Topcraft guys (specifically  Tsuguyuki Kubo), giving it the very stereotypical Rankin-Bass style that the movie is known for. And does it work? I mean...kinda. The good news is that the different races of Middle Earth are pretty goddamn distinguishable from each other, and creatively designed at that. The bad news...sorry, I never did get used to Smaug, I genuinely don’t like his design in this. Like...why the dog head? By all accounts, Smaug was a stereotypical wyrm-style dragon, with the reptilian features and I. I just...I don’t get it. Sorry, but Jackson’s Smaug wins here, hands down. But that said...I do like Gollum. It’s different, yeah, but I think his design works pretty well. After all, according to Tolkien, we’re not really supposed to know what Gollum is. And I think it works pretty goddamn well!

Music and Editing: 7/10

Glenn Yarbrough. I love ya. I SWEAR, I do actually like you and your main contribution to this movie, The Greatest Adventure. But if I have to hear that song ONE MORE GODDAMN TIME in this movie, I swear...because they chop up the song and use it in EVERY AVAILABLE INSTANCE with Bilbo. And I guess it’s his leitmotif, but they use that song...A LOT. And not instrumentally, I mean with the goddamn lyrics. Just...tone it down a little, OK? But OK, what about the other music, by Maury Laws? I like it! There are some songs in here that are very catchy, and I might actually get “Down, Down, to Goblin Town” on my playlist. Not that it’s all great, but it works for the setting and for the tone of the movie. And what about the editing? Eh. Visual editing is pretty good, bu7t the sound editing is...it’s 1970s animation editing. Hell, even the Rescuers sound editing wasn’t amazing, when I think about it. It’s fine, but it isn’t great most of the time.

Y’know...I think I can gel with a 76% here.

Yeah, I know, it’s low, but that’s because this movie was...good, but OK. I’m not necessarily saying that it was better or worse than the Jackson movies, because I think they compliment each other in some weird ways. I like Thorin as a character more here, but Smaug MUCH more in the Jackson films. While there definitely don’t need to be three Jackson movies...I’ll admit that I think this one is too short, coming in at only an hour and 18 minutes. And I gotta say, I love the fact that it’s animated...but the live-action films also look fantastic, I can never fault them for how they look (except for Dain...ugh). I think they’re similar, but different, at least for me.

But OK, here’s a question: is it just because it’s a property that I really like, and I have my own internal vision of it, which might be influenced by the live-action films? Entirely a possibility. Watch this movie yourself, make your own score! See what you think. Meanwhile, I’m going to try an experiment.

Fantasy movie, same production company, same directors, same animators, also based off of a fantasy book. And, uh...I dunno, a unicorn, maybe?

March 2, 2021: The Last Unicorn (1982)

[slamsams-blog]

Goldeneye - #24WeeksofBond

24 Weeks of Bond continues this week with Goldeneye.  Ask anybody who grew up with an N64 what their favorite Bond movie is.  I’d be willing to bet 9 out of 10 of those people will tell you this film.  I grew up with an N64, I knew the Goldeneye video game before I even knew it was a Bond Movie.  The Goldeneye N64 game was my introduction to James Bond.  Today, i feel like shouting from the mountain tops...I can now confidently say, that Goldeneye is my favorite Bond movie.  

Besides the incredible amount of nostalgia playing multi-player Goldeneye in the basement of my best friends house almost every day after school - this movie is gritty, dark, witty, complex, and full of “punch you in the gut intensity”.  Sean Bean plays 006, and it is the ultimate villain.  Who would be a bigger adversary to Bond, then Bond himself?  That’s how close 006 compares to 007.  This film is as close to Bond vs. Bond that we will ever see.  We also have the overtly sexual psychopath in Xenia Onotopp (Famke Janssen) and Boris Grishenko (Alan Cumming) a high level computer programmer and overall sleazy creep who uses “boobs” as his passwords.

It’s hard to top this cast of characters.  It doesn’t end with the bad guys either, we have our seductive Natalya Simonova, who isn’t the obvious “sex appeal” pick, which is nice.  When we first see her, she has a wool sweater on,  a “Karen” hair cut, and a voice lower than mine - but she gets her shit done and nobody is going to tell her no.  I love seeing Natalya boss Bond around, one of my favorite Bond girls for sure.  We also are introduced to the new M, Judi Dench.  Of course, with any new boss, there is chatter within the work force and M finds herself over hearing some of it.  I do wish we had some moment where M proves her trust, but it’s all well and good in the end because she’s Judi Dench, the best M ever...with all due respect to Bernard Lee of course.

This movie starts hot, with Bond bungee jumping off a giant dam in Russia.  He then infiltrates their military base where he meets up with his pal, 006 Alec Trevelyan.  We see them tackling this mission together, but Alec finds himself in trouble.  Bond decides to improv, and adjusts the timers to 3 minutes instead of 6 - but Alec gets killed despite following orders.  Bond is now pissed.  He manages to escape by driving off a cliff to catch a falling airplane.  

This is probably the most eye-rolling part of this movie.  I can suspend my disbelief more than most (I’m a pro wrestling fan), but this is just non-sense.  He manages to catch up to the nose diving airplane, get in, buckle up, adjust the rear view mirror, throw on some AC/DC for the road, and escape.  We see the bombs going off, Bond has completed this mystery mission. We never really find out what the mission was for.  I guess just to introduce us to Oromov and Trevelyan who will become key figures later on.

We come back from an intoxicating rendition of “Goldeneye” sung by Tina Turner, and we are now 9 years into the future.  Think of all the potential movies we missed out on in those 9 years!  We see Bond in Monaco being evaluated  where he meets a crazy speed demon who turns out to be Xenia.  Bond later goes to a casino where he find Xenia there and starts to realize that something troubling is brewing.  After further digging, he finds out she has a connection to the Janus Group - a crime syndicate who has an unknown leader.  Not really sure what Bond is doing in Monaco. Was he on holiday? Was he sent there for something in particular?

ANYWAY (thanks mom), Xenia ends up killing an admiral with her apparent titanium alloy thighs during a hot night and steals a “Tiger” helicopter that can withstand any sort of electro magnetic blast.  Bond doesn’t get to it in time, and the helicopter takes off.  Now Bond is really curious...and pissed. General Oromov from the opening and Xenia set off one of the Goldeneye satellites which trigger an electro magnetic pulse, destroying every type of computer generated device.  They then enlist the help of Boris, who had just hacked into the FBI security system all nonchalantly before having a cig.

The Goldeneye destroys the area and Oromov tries to cover it up by blaming it on British separatists.  But doesn’t realize that Natalya had survived the blast.  Bond now wants to meet thee Janus, and goes to see a russian mafia don who Bond has had history with and gets a meeting set up.  This is when we find out that Janus is actually Bond’s ole mate, Alec Trevelyan.  Bond is stunned and shaken.  9 years after he saw his death, here he is. Trevelyan notes that he didn’t account Bond improving and setting the timers for 3 minutes which burned half his face, and broke his heart. “007s loyalty is always to the mission...never to his friends”. Tear.

The plan is to set off another Goldeneye in London, creating a financial meltdown, putting England back into the stone age.  But now Bond has entered the fray, and is keen on throwing a wrench into the plans.  He does so...with a tank.  In one of the more entertaining chase scenes in Bond history, we see Bond chasing down Oromov with a bloody tank.  Destroying everything in his path, and finding time to adjust his tie in the process.  Man I love this scene.  Oromov is also another great character. Played by Gottfried John, Oromov is a desperate, corrupt General - trying to put on a front as head of Russia’s space division, but also keep Janus’ plans in tact.  With flask in hand, and sweating profusely, he has to tell Janus that Bond escaped.

(Seinfeld reference alert)

Bond saves Natalya from the bad guys, yadda yadda yadda, SATELLITE FIGHT SCENE!!  Bond comes to blows with 006 on the second base where another Goldeneye detonator is being held.  This fight is so brutal and hard hitting that it really feels like Bond is fighting Bond.  These two, once friends, now bitter enemies.  Just watching this fight hurts.  And just when we think Bond is at a dead end, he kicks a lever for the ladder and drops all the way down to the tiniest platform on the bottom of the satellite, leaving himself with no room for error.  The fight continues on this tiny platform where we eventually see Bond kick Trevelyan off and grab his foot for a final farewell.

I don’t necessarily have a fear of heights, but I do have a fear of falling.  What happens next always leaves me with the feeling of my stomach being sucked up into my throat.  Bond has Trevelyan by the foot as he dangles thousands of feet in the air.  Alec finally looks up and says “For England, James”, then Bond says “STFU” and lets him go.  I get shivers just thinking about it.

Oh, did I mention this score??? The music that plays throughout this scene is heart pounding and really gets me going. There’s nothing like incredibly written fight music and Goldeneye has the cream of the crop.

There is just so much to love with “Goldeneye”.  But unfortunately for Pierce Brosnan, this movie will be his first and his best.  Goldeneye was such a tremendous success coming off a 6 year hiatus after “Licence To Kill”, that all Brosnan’s next films suffered because of it.  This film was so good because it was dark, had an unforgettable cast, and had a TOUCH of humor.  That scene where Bond goes to see Valentine is really all the humor you need - how about that Minnie Driver cameo? After this, I guess the writers went all in on the humor bit of it because the rest of the Brosnan catalog can be little more cartoony and goofy.  While I did enjoy “Tomorrow Never Dies” - it just does not compare to “Goldeneye”.

Pierce Brosnan is the perfect Bond for this era and this film in particular.  I just cannot imagine and older Timothy Dalton doing this film justice.  Goldeneye ushered in a new style of James Bond.  This film would be a taste of what was to come with the future Daniel Craig movies, and it provided an opportunity for a new generation of young, teenage movie goers to hop on board the Bond Band Wagon with the N64 video game.  It got me, that’s for sure.  This was the first Bond film I ever saw, and I’m proud to say that it is my favorite Bond movie ever.

That’s it for me this week, let me know what you thought and why it was your favorite Bond movie ever!

Reviews from Friends:

My Mom:

I watched with your dad and two of your brothers. It was a very intense and exciting film. Brosnan is so good. But it was pretty complicated and as is typical, I have a hard time keeping up with it all. That is why I loved the simplicity of last weeks choice. Lol. Because I’m old. The characters were great and I loved the feisty females

Jeremy Tillema:

Greatest bond movie produces greatest first person shooter on the greatest gaming console of all time. I said it.

Jake Benrud:

Great review Sam, and I’m with you on this one. This is a fantastic Bond movie and one of my favorites, if not my favorite. I think I have seen this movie more times than any other (I think Casino Royale might be second). I’m pretty sure I had the VHS, and I think you and I watched it numerous times. (I think Joanna was getting sick of me quoting the movie when we were watching it since I knew all the lines.) This is the movie that really got me into Bond movies. The action, the plot, the twists all made this an excellent and entertaining installment in the Bond series. Makes me want to fire back up that ‘64 and get the rumble packs out!

Tyler Dahlgren

I have been following along to these and have been giving them the Facebook like, but haven’t been commenting or watching along because honestly I could probably recite every Bond moving verbatim from start to finish. My earliest childhood memories (way, way earlier than any kid has a business being exposed to Bond) are of sitting with my Grandpa in his recliner while he munched popcorn and watched Bond. For better or for worse they are like a comfort food for me.

I say all of that to say this. Goldeneye is my favorite. I still remember watching it for the first time with Mark Kulig. We played the game and watched the movie more times than you’d think possible. The double cross, resurrection storyline. The characters. The cast is stacked. It all adds up so well and revived the franchise from some abysmal showings. I love this movie.

24 Weeks of Bond will return next Monday with - 

On Her Majesty’s Secret Service

[miscellanasaurus]

MHA 227

Sorry about the delay chapter with exam`s coming up I`ve not had enough time to actually get any draft`s finished which is kinda annoying as last post I promised I`d try uploading more frequently i`ve been working on a schedule that should allow me enough time to get my course work done and upload more frequently and I`ll post that when I make one. but never mind that let`s get into this chapter.

oh FYI I love the opening for this chapter it highlights the contrast between toga`s two conflicting personality traits of this adorable bubbly high school girl and her `passions`

We continue where the last chapter left off as we see toga`s hidden herself away in a garden shed , the dark, shaded art style honestly give this panel a horror movie vibe which is rather fitting as she lays on the floor slowly dying from blood loss a irony not lost on her, as were left on a cliff hanger with a mysterious air as we see Horikoshi hasn't fully pulled back the curtain on Toga`s past.

Cutting back to Re-Destro  as he voices and honestly makes a convincing argument about the ridiculousness off ostracizing those who are different when everyone is.

Honestly the antagonist being the morally correct revolutionary  while Shigaraki is just chaotic evil is clever as it creates ,at least in my mind, a conflict of interest in wanting to see all of Shigaraki`s hard work pay off from this build up vs the goals of a revolutionary group who`s ideals you can get behind. 

We even see that Destro`s not some cruel callous manipulater like all for one    he geniunly care`s about his disciple`s as he shed`s a tear for Kizuki and those who have lost there live`s as he recite`s the message he passed to kizuki as we a clever call back as he passed on that very message by believing in it. 

we also get a character introduction to Murdok aka Tomoyasu Chikazoku

This panal alone tells us plenty about him but braking it down into simple tropes the best way to describe him would be a insufferable genius as he flips his shit at Giran but can`t` help show off his own genius as he reveals why the MLA has been filming this war between the two of them.

cutting back to the fight below we get a pretty cool panel that shows the conflict of spinner`s morality and how it conflicts with the leagues ease in killing. after all there`s a difference between killing hero`s and those following the philosophy of someone they look up too much like him.

However the MLA don`t take kindly to the death of curios as Hanabata ride`s in on the politically correct mystery machine

I find it rather funny that Kizuki become a martyr after she went out of her way to force toga to become one though the this panal ,at least in my eye`s, lends credence to my head cannon that Hanabata has a emotion amplifying quirk considering how over the top they react to the news.

While people seem to think this panel is proof that the doctor or all for one i`d like to point out this is, if perhaps not factually correct, is a trope used in fiction for amnesiac characters.

This flashback makes me believe we`ll have separate flashbacks for each of shigaraki`s family as we get some insight on his relationship with his sister and for the most part seem`s to be healthy though the phrase “even though dad said that” seem`s rather ominous but my favorite part of this flashback is by having shigaraki`s insight as  he can only remember the emotions connected with each of those family member`s as well as conveying the frustration of feeling these emotions without understanding the context as Shigaraki seemingly now knows that his grandmother was a superhero i don`t know what horikoshi plan`s to do with this new plot point but i believe in his writing skill.

We then see Shigaraki get a  power up that`s pretty bad-ass  as his quirk can now cause a chain reaction as he disintegrate`s through this huge ass crowd surprisingly enough no one seem`s to have a problem with this power up as opposed to toga probably due to the direction, after all shigaraki`s shown tearing through this group with confidence while toga seemed to be going in blind without a clue, both are equally acceptable as power ups it`s simply one was handled better.

This chapter ends off as we see a stand-off between this mysterious Ice Quirk user and Dabi, something he comments on, the obvious connection being to his mother.though honestly i doubt there in any way related. Dabi`s been shown too repress memories specifically of his fight with snatch so it`s easy to say that this fight will drag up some repressed memories  and delve deeper into his back story.

[burnouts3s3]

Joker (2019), a review

(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously. I enjoyed all 5 Michael Bay Transformers films, for crying out loud.) Just the facts 'Cause you're in a Hurry! Ticket Price: Will Vary Theater to Theater How much I paid: 10.95 USD Rated: R for Strong Bloody violence, Disturbing Behavior, Language and Brief Sexual Images Running time: 122 minutes (2 Hours and 2 Minutes) 3-D: No Post-Credits Sequences: None. My Personal Biases: I like Superheroes. I like superhero movies. I like the DCEU and I have a disposable amount of income that means going to see an overpriced movie means nothing to me. Sorry if you were looking for someone harsher. I liked the first Hangover film but not Hangover 2 and Hangover 3. I have not seen Old School, the King of Comedy or Taxi Driver. The Controversy: A lot of critics are worried that the Joker will incite a mass shooting because it portrays a lonely white guy who becomes a killer in a sympathetic light. Security: When I went to my local theater, the showings had a strict “no handbags, no backpacks and no costumes or helmets or facepaint” rule. When I left the showing, there was a police car outside waiting “in case something happened”. My Verdict: For all the hype and controversy, Joker doesn’t feel like a cohesive whole (maybe on purpose?). Its interesting scenes and a character study about a guy losing his way that feels like an homage to Taxi Driver without actually accomplishing it. Still, Joaquin Phoenix is great at the role and his performance is worth the price of admission alone.  Honestly, Director Todd Phillips had more to say (problematic or not) about arrested development, medication, reckless behavior and daddy issues with the Hangover’s Alan. I recommend a viewing, but if you’re squeamish or don’t feel like going outside for whatever reason, you can always wait for Video on Demand. Warning: SPOILERS! Joker (2019), a review

You know, I was already sick and tired of the conversation the Joker started before I even watched the movie. There’s been a lot of talk about how problematic the movie was and whether or not releasing the film now with all these mass shootings and political tension in the air was a good idea. Pitched as Taxi Driver but with the Joker, the new film is said to be the launch of DC’s Black Label, stand alone films that are not connected to the rest of the DC Extended Universe. As such, Warner Bros. is taking a new approach and casting Joaquin Phoenix as a Joker not in any way related to Jared Leto’s version found in Suicide Squad. It also shoots for a much different style of film not seen in the Marvel movies (or for the matter, even DC’s own Aquaman and Shazam). I always hate it when people are concerned about problematic content or giving people the wrong ideas because there’s not a direct correlation that such works of art that has those ideas will be accepted. I reject this notion because I see plenty of good or positive content being promoted that people just don’t seem to take. To use an example, I don’t think Captain Marvel is going to convince a bunch of white women to join the military or vote for the democratic party in 2020. As such, even if this new Joker film didn’t exist, the next mass shooter is probably going to find inspiration from another source. Problematic or not, I was simply eager to find out whether the film was any good. As such, here’s a review of the controversial “Joker”. In 1981, Arthur Fleck lives with his mother Penny in Gotham City working as a clown-for-hire. He suffers from a neurological disorder that causes him to laugh at inopportune times, and regularly visits a social services worker to get medication. After a group of street kids steal Arthur's sign and beat him in an alley, one of his coworkers loans him a gun for protection. Arthur also meets Sophie, a single mother who lives in a neighboring apartment, and invites her to his stand-up comedy routine. If I were to tell you that I thought the Joker film was ambitious but flawed, do you wish me to send you my email address so you can write me a nasty letter or should I bring out the rotten vegetables so you can throw them at me? During a visit to a children's hospital, Arthur's gun falls out of his pocket, which results in his firing. Arthur also learns that the social service program is shutting down, leaving him with no way to get his medication. During a subway ride home, Arthur is harassed by a group of three Wayne Enterprises businessmen, and he kills them when they start to beat him. This unintentionally starts a protest movement against Gotham City's rich, with protesters donning clown masks in his image. Let’s get one thing out of the way; whatever my feelings on the film are, Joaquin Phoenix owns the role. His Joker is simply magnificent to behold and it’s very visible both from the weight transformation to this mannerisms that he was ready for this role. The sympathetic moments you feel are solely because of him. Well done. Sadly, the rest of the film doesn’t live up to the hype or controversy (in my opinion). It feels like interchangeable beats with little to no progression. It’s not so much a plot driven film as it is a character study of Arthur’s descent into madness. We see portraits of his life and see how he just can’t catch a break and it does show him in a sympathetic light. I will give credit that the film eventually revealing that Arthur ISN’T a special person that is misunderstood but is just a guy who’s just like everyone else who thinks he should have more than he has right now. See, in a series of reveals, it shows us that Arthur is an unreliable narrator. His love interest was something he imagined because she was nice to him one time. His belief that he is the illegitimate son of Thomas Wayne (an idea planted into him by his mother) is nothing more than wishful thinking. The movie goes out of its way to paint that while Arthur may have a sympathetic situation, he’s taking actions that are not. It’s only when things start attempting to world build that everything gets confusing. Apparently, Arthur becomes some sort of symbol for the poorer class of the city (#OccupyClownStreet ?) and people start dressing up like him. And there’s a reveal with Thomas Wayne which I just rolled my eyes at. It’s just weird that Arthur ‘coincidentally’ kills 3 Wayne Enterprise employees and people take it as a political statement even though Arthur reiterates he’s not political. It’s unclear what the film is trying to say about any of the subject matters it brings up. Director and screenwriter Todd Phillips said more about medication, unresolved parental issues, arrested development and entitlement with the Hangover’s Alan. This isn’t even “screw all sides, shut up and get off my lawn” libertarian fratboyism as patented by South Park (a position, I would argue, that Matt Stone and Trey Parker, have since back peddled on). It doesn’t really say anything during it’s runtime other than “rich people suck and society made me this way”. (Again, in my personal, subjective, biased opinion). CAVEAT: It’s clear that the Joker controversy has eclipsed even the film itself. Beyond all the punditry, the fans and critics debating, the moral panic and the extra security, the film itself is just another Joaquin Phoenix show case. It’s not even ‘that’ violent apart from one stabbing. Maybe that’s the joke? That the controversy surrounding the film is more important than said film? Director Todd Phillips said he wanted to make a ‘real movie’ and pass it off as a superhero movie. Aside from the weird swipe against other superhero movies, Todd Phillips seems to be trying so hard to get prestige when I’d say the Hangover films had sharper teeth than this. I understand a lot of people are unsure whether or not to go see the movie given the current political climate and safety concerns. I won’t judge them, but I’m of the opinion that if you let fear get to you, the people propagating the fear usually win.  However, if you’re unsure, I don’t see a problem with just waiting for the film to come out on VOD. It’s rare for a film to get this much attention, regardless of whether Warner Brothers and Todd Phillips planned for it. I just wish it had more to say given the opportunity. Rating: Matinee

[ljones41]

"MARY POPPINS" (1964) Review

"MARY POPPINS" (1964) Review Looking at the 1964 movie about a magical nanny, one would be amazed that it took nearly 20 years to make it. I suspect that many did not predict it would become critically acclaimed. But if one is ever interested in the behind-the-scenes production of the film, one would have to read about it . . . or watch the 2013 movie, "SAVING MR. BANKS". I am here to discuss the actual movie, "MARY POPPINS". 

Based upon a selection of short stories written by P.L. Travers, "MARY POPPINS" tells the story of how two Edwardian Age children named Jane and Michael Banks, who request a particular kind of nanny after their latest one quits her job after enduring one too many pranks from the two siblings. Their father, a banker named George Banks, is too busy with his career and projecting the image of an ideal Englishman in order to pay attention to them. Their mother, although slightly more concerned about their welfare, is either caught up in the Suffregette Movement or too busy adhering to their father's demands. After the departure of their latest nanny, Katie Nanna, Jane and Michael write a letter describing what they want in a new nanny. But Mr. Banks has different ideas - a nanny who is an effective disciplinarian - and tears up their letter. However, the children's letter magically reaches a woman named Mary Poppins. She appears at the Banks' home the following morning to apply (or appoint herself) as Jane and Michael's new nanny. Despite his initial reservation, Mr. Banks is impressed by Mary Poppins' firm manner and hires her. With the help of friend named Bert, Mary Poppins introduces the Banks children to a new magical world. In doing so, she also manages to shake up Mr. Banks, his household and his livelihood. I first saw "MARY POPPINS" as a child and immediately fell in love with it. For years, I have regarded the movie as one of the highlights of my childhood and one of the best films to be released from the Disney Studios. But recent criticism of Mary Poppins as a sugar-coated character of no substance, and of the film as an infantilization of P.L. Travers' work and vision has led me to wonder if my childhood opinion of "MARY POPPINS" may have been overrated. After all, I had spent years judging the movie from the viewpoint of a child. How would I judge this movie from an adult who has spent the last ten to twenty years viewing movies with a critical eye? As many have recently pointed out, the Disney Studios made a good number of changes to Travers' stories. They also left out a great deal. To point out "all" of the changes and deletions would require an essay. And I am not interested in writing such an essay. Were there any aspects of "MARY POPPINS" that I disliked? Honestly? No. But there are aspects of the movie's production that I wish could have been handled in a slightly different manner. For quite some time, I never understood why "MARY POPPINS" was shot at the studio's Burbank lot, instead of at England's Pinewood Studios, where 1963's "DR. SYN, ALIAS THE SCARECROW" and "THE THREE LIVES OF THOMASINA" were filmed. Like the two 1963 films, "MARY POPPINS" mainly featured a cast of British actors. Only four cast members were American born - Dick Van Dyke, Ed Wynn, Jane Darwell and Reta Shaw. I feel that if the movie had been shot in Great Britain, its exterior shots of the Banks and Uncle Albert's neighborhoods and the City of London would have featured a bit more details - add more oomph to the movie's visual British style. As for Tony Walton's costume designs, I must admit that I found them rather charming, if not particularly mind blowing. However . . . I could not help but wonder why Mary Poppins' skirts seemed a tad short for 1909-10 fashions. And I also end up wondering why Winifred Banks' wardrobe seemed so limited. Unless I am mistaken, actress Glynis Johns wore only three costumes in "MARY POPPINS". In fact, I suspect she wore one particular costume twice. And Walton designed her costumes either in yellow, powder blue or a combination of both colors. Although I found Johns' costumes rather charming, they also struck me as a bit limited. Although the film's production designs struck me as a bit limited, I cannot help but admire the film's cinematography and visual style. Edward Colman earned a much deserved nomination for his colorful and sharp photography for the film. Colman's photography also enhanced Tony Walton's pthe matte paintings created by Peter Ellenshaw. Since "MARY POPPINS" was filmed on the Disney Studios backlot in Burbank, Walt Disney and director Robert Stevenson not only had to depend upon Carroll Clark and William H. Tuntke's art direction, but also the visual effects and special effects teams. But "MARY POPPINS" was set in Edwardian London. And since Disney, Stevenson and the film's crew could not film in Great Britain, the production team had to rely on Ellenshaw's beautiful and colorful matte paintings to add to the film's visual look for its setting, as shown in the following images:

"MARY POPPINS" may not have been free of any flaws, but it still remains one of my favorite movies of all time. I had earlier pointed out that some critics have pointed out the movie's failure to be completely faithful to Travers' stories. Honestly? I do not care. It would have been near impossible for any screenwriter to be completely faithful. Travers did not write a single novel. She wrote a series of short stories and novellas. And since it is impossible for a screenplay to be completely faithful to a novel or stage play, what on earth made these critics believe Bill Walsh and Don DaGradi could have been completely faithful to Travers' stories and still fashion a single narrative for the film? Ridiculous! Personally, I am amazed that Walsh and DaGradi managed to wring a single narrative out of so many short stories in the first place. That must have not been an easy task. As the 2013 movie, "SAVING MR. BANKS", had pointed out, Mary Poppins' purpose within the Banks' household was to save George Banks and his relationship with his children. And she did this in the most interesting way. Mary Poppins used her role as the children's nanny to indirectly affect the family's patriarch. Instead of utilizing traditional means to care for the children, Mary Poppins exposed Jane and Michael to her world - using magic to clean the nursery, an excursion into a sidewalk chalk drawing of the English countryside, and an afternoon tea party on the ceiling with Mary Poppins' Uncle Albert. The children's revelations of their activities naturally shook up Mr. Banks, along with the magical nanny's subversive and cheerful impact upon the Banks' household. Unable to accept Mary Poppins' impact upon his family and servants, Mr. Banks threatened to fire her. And this is where Mary Poppins, as the film's trickster, pulled off a pièce de résistance. Before Mr. Banks could fire her, Mary Poppins managed to manipulate him into agreeing to take the children on an outing to his bank. However, the night before this outing, she decides to sing a song to the children about an old beggar woman who sits on the steps of St Paul's Cathedral, selling bags of breadcrumbs to passers-by for twopence a bag,so that they can feed the many pigeons that surround her. Between the song and the children spotting the Bird Woman on their way to their father's bank set in motion the chaos that followed and Mary Poppins' plan to save Mr. Banks' relationship with his family. Brilliant. If the narrative that Walsh and DaGradi had created from Travers' short stories had struck me as brilliant, the songs written by Robert and Richard Sherman seemed even more so. Aside from the performances, the Sherman Brothers' songs seemed to be the heart and soul of the film. If someone was to ask me which song was my favorite, I honestly could not answer that question. Aside from two of them, I found most of their songs very memorable . . . even to this day. One of their songs - "Chim Chim Cher-ee" - was nominated for the Best Song Oscar and won. However, I must admit to being surprised that the beautiful and rather haunting "Feed the Birds" failed to garner any kind of nomination or award. Perhaps it was not as fully appreciated back in 1964-65 as it is today. Both "Jolly Holiday" and </i>"Step in Time"</i> were not only entertaining songs, but they also provided the background for some very entertaining dance numbers. The first featured the very agile Dick Van Dyke and a quartet of animated pigeons. I found this dance sequence both funny and a joy to watch. You have to see it to believe it. As for the second song, it was featured in a show stopping dance routine that involved Van Dyke, Julie Andrews . . . and chimney sweeps. Between the song, the dance routines choreographed by the husband-and-wife team of Marc Breaux and Dee Dee Wood, and the London rooftops background, the entire sequence is one of the film's highlights. Another addition to the magic of "MARY POPPINS" proved to be its cast. The movie featured excellent voice performances in the chalk picture sequence from the likes of J. Pat O'Malley, Marni Nixon, Dallas McKinnon, and Alan Napier. Even Julie Andrews and David Tomlinson also provided voice performances. The supporting and cameo performances featured in this film were marvelous. The movie included excellent performances from Reginald Owen as the cankerous Admiral Boom; Elsa Lancaster as the disgruntled Katie Nanny; Arthur Treacher as the kindly Constable Jones; Arthur Malet as Mr. Dawes Jr., one of the board members of the bank that employed Mr. Banks; Hermione Baddeley and Reta Shaw as Ellen and Mrs. Brill, the Banks' gregarious maid and cook; and a poignant cameo by Jane Darwell, who was convinced by Disney to make a brief appearance as the Bird Lady. "MARY POPPINS" marked the second teaming of Karen Dotrice and Matthew Garber, who portrayed the magical nanny's charges, Jane and Michael Banks. It seemed pretty simple to me why Disney had used this pair in three movies. Not only were they were first-rate actors who more than kept up with the likes of Julie Andrews, Dick Van Dyke and David Tomlinson; they also had a great screen chemistry. In P.L. Travers' books, Mrs. Banks was an easily intimidated woman who could barely maintain control of her household. In this movie, Mrs. Banks was a woman more occupied by her suffragette activities than her children. And she was portrayed by actress Glynis Johns. The latter gave a marvelous performance as a woman who seemed to hid her inability to protect her children from their father's neglect with a few sympathetic words and her own brand of neglect. If I had to select the most complex character in this movie, it would have to be Mr. George Banks of 17 Cherry Tree Lane and the Dawes Tomes Mousley Grubbs Fidelity Fiduciary Bank. Thanks to actor David Tomlinson in his first appearance in a Disney film, movie audiences were treated to a superb performance. Tomlinson skillfully transformed George Banks from a highly driven and disciplined man who was obsessed with order to an affectionate family man who had found a new lease on life. It almost seems criminal that the actor never received any kind of acting nomination for his performance. Unlike Tomlinson, Dick Van Dyke did receive a Golden Globe nomination for Best Actor, thanks to his performance as Bert, Mary Poppins' closest friend and jack-of-all-trades. Whenever Van Dyke's performance in "MARY POPPINS" is mentioned, people seemed to comment on his Cockney accent. Granted, it was not perfect. But I have never considered it to be a travesty. I have noticed that whenever he spoke words with a long vowell, his Cockney accent seemed exaggerated. Otherwise, I had no problems. And if someone like Sean Connery can win an Oscar for portraying an Irish immigrant with a Scots accent, I see no reason why Van Dyke's portrayal of Bert should only be condemned for a questionable Cockney accent. Besides . . . accent aside, Van Dyke gave a superb performance in so many other ways. He captured Bert's charm, wit and a slight talent for manipulation with such perfection. Van Dyke was also given the opportunity to portray another character in the film - namely Mr. Banks' elderly boss, Mr. Dawes Senior of the Dawes Tomes Mousley Grubbs Fidelity Fiduciary Bank. How often does one find an actor in his late 30s effectively portraying a 90-something year-old man? In my personal experience, very rarely. And to put the cherry on the icing, Van Dyke was never criticized for his British accent, while portraying Mr. Dawes . . . for good reason. Although there have been hints of his talent as a song-and-dance man in his first television series, "THE DICK VAN DYKE SHOW", this movie really provided an opportunity to convey how truly talented he could be. Julie Andrews managed to capture the big prize for her portrayal of the film's leading character, Mary Poppins. She won the Academy Award for Best Actress. Whereas many were distracted from Van Dyke's performance because of his accent, others have lamented on how Andrews' portrayal of the magical nanny seemed a far cry from her literary version. Granted, the latter was a plain-looking woman, somewhat more pompous and strict. Although Andrews' Mary Poppins was more beautiful looking and somewhat warmer, she could still be quite sharp-tongued - especially when disciplining Jane and Michael. Andrews also did a great job in conveying Mary Poppins' no nonsense behavior and massive talent for emotional manipulation. That one scene in which the magical nanny manipulated Mr. Banks into taking his children on an outing to his bank was just a joy to watch. Thanks to her skillful and award winning performance, Andrews managed to convey the reason why Mary Poppins is regarded as a trickster. What else can I say about "MARY POPPINS"? Over fifty years have passed since the movie's initial release and it is still - at least to me - a magical movie to watch. Yes, it had a few flaws. What movie did not? But thanks to P.L. Travers' stories, Robert Stevenson's marvelous direction, Robert and Richard Sherman's music, the movie's visual effects teams and the superb cast led by Julie Andrews and Dick Van Dyke; "MARY POPPINS" remained timeless and magical as ever.

[nomxsicmiguel]

- Task 001 :  -

BASIC INFORMATION.

- What is your character’s full name ?: Miguel Rivera - How is it pronounced ?: mee-GHEL  ri-vair-uh - Is there a meaning behind it ?: Spanish and Portuguese form of MICHAEL. A notable bearer of this name was Miguel de Cervantes Saavedra (1547-1616), the Spanish novelist and poet who wrote 'Don Quixote'. - Does your character have any nicknames ?: Chamaco, De la Cruzito and Julio - When and where were they born ?: April 24th, 1997 What’s their zodiac sign and what traits do they most relate to ? Taurus, and the traits he relates to the most is being dependable, stubbornness and practical. - What’s their nationality ?: Mexican - What’s their occupation ?: Shoe maker, delivery boy, shoe shiner, etc. Anything that involves his familia’s shoe making business is part of his occupation. - What gender do they identify themselves as ?: Male

PHYSICAL APPEARANCE.

- What’s their eye color ?: Brown - Do they wear glasses or contacts ?: Nope, he has 20/20 eye sight. - Hair color ?: Black (although in the sunlight it looks dark brown) - Have they ever dyed their hair or wanted to ?: Miguel never saw the interest in dying hair, and even if he did his familia would probably have a heart attack if he tried. - Height ?: 5′8″ - Body build ?: Lean and a bit tall but not exactly to the point of looking lanky. More along the lines of a runner’s body type.  - Do they have any birthmarks ?: He has a mole right above his mouth on the right side of his face.  - Do they have any piercings or tattoos ?: None. - If not, do they want to get some ?: Maybe?!!!  - Do they have a healthy life style ?: With the type of food his abuilita cooks? And how much she makes him eat?! No, not really. But Miguel is constantly running off to places, so that helps him burn all of the fat he get’s from eating so much. - How easy do they get sick ?: Not very often. Only get’s sick every four or five months, and that is usually if Miguel over exhaust himself with little to no sleep. When that happens, it’s hard to ward any member of his familia away, but honestly Miguel would just want to rest in bed with the sheets all over him the entire time he his stick. - Any marks on their body ( injuries, … ) ?: A few faded scars can be noticed on both sides of his hands he received mainly from years of making shoes.  - What’s their personal style/how do they like to dress ?: T-Shirt, hoodie, and jeans. On other occasions, it would be: t-shirt, flannel (cotton), and jeans. - What is their favorite and least favorite feature about themselves ?: Favorite: He only has one dimple that appears when he smiles, which Miguel thinks is cool. Least Favorite: He sometimes thinks that he would look better without the mole on his face, as it’s just there.

PERSONALITY.

- Positive traits ?: Creative, Hardworking, Well-meaning, Passionate, & Protective - Negative traits ?: Defiant, Selfish, Rumbustious, Stubborn, & A bit Hot-Headed - What do they consider to be the best and the worst part of their personality ?: The best part of his personality is that Miguel will always try and do anything to make others smile. but the worst part is that once he has his mind set on something, he would also try and do anything for it, even if it may unintentionally hurt others in the process.  - Are they more extroverted or introverted ?: Extroverted - Any talents ?: Musically incline, especially vocally (self-taught) and with a guitar (also self-taught). Miguel is also a craftsman, as he built his own guitar from scratch and has the habit of creating little knick-knacks here and there. Also, he had to learn how to built shoes thanks to his familia’s business. - What are their fears ?: Having his familia discover his secret passion for music and reject him for it.  - Do they have any phobias ?: Thanatophobia – The fear of death - What is their soft spot ?: Miguel’s prima and best friend, Coco. He would literally do just about anything for her. - List 3 pet-peeves they can’t stand ?: 1.) “No music” 2.) Anyone insulting his familia 3.) Not being able to play music whenever he wants 

EDUCATION.

- How far did they go in school ? Are they still studying ?: Currently in college as a junior. - Do they like school ?: Yes, but mainly because going to school is one of the only few chances Miguel has to play music openly without his familia knowing (unless Abel or Rosa is around, then Miguel would have to continue to stay quite). - What type of student are they ?: Average. Tends to get B’s and C’s the majority of the time, with the occasional A- here and there. Only had 1 F, and that was in Chemistry back in his senior year of High School (had to re-take it during his freshman year in college).  - What is their favorite subject ?: Music Appreciation Communication - And their least favorite ?: Chemistry, and anything science in general to be honest. - What were they voted as “most likely to…” in the yearbook ?: “Most likely to stay and work in the family business.”

FAMILY.

- Who are your character’s parents ?: Enrique Rivera (Papá) and Luisa Rivera (Mamá) - How would your character describe them ?: Well-meaning, Supportive, kind-hearted, always trying to do what they think is best for the entire familia and overall loving.  - Do they have any siblings ?: In two months, Miguel will be the proud big brother of Socorro Rivera aka his baby sister. - Are they close with their family ?: Pfft, THE CLOSES ANY FAMILIA COULD BE!!!  

ROMANCE & SEXUALITY.

- What’s their romantic and sexual orientation ?: Open-minded, as Miguel has never had the time to focus on romance, so he doesn’t completely have a sense of what his orientation is. He is possibly demisexual? Panromantic-Demisexual?? Maybe?! - Are they seeing anyone right now ?: No, not romantically anyways. - Have they ever been in an relationship ?: Never, too busy working in the familia business and sneaking off to learn music to ever try and be in one. - Have they ever been in love ?: No. - How easy do they fall for someone ?: It depends? Miguel doesn’t often fall for looks, but if he is attracted to someone because of it, it is only the matter of finding something in common with them before he starts crushing. It needs to be a deep and personal kind of thing too, because otherwise Miguel may have a small crush or likeness to someone for a moment, but could then transfer it into a platonic feeling in the end. - In their view, why didn’t any past relationships work out ?: Lies and turning your back on the familia. - What do they look for in someone ?: Needs to like music. No offense to his familia, but Miguel does not think that he could date someone who hates music as much as his familia does. Doesn’t think he could handle it if that happens. It would be nice if the person also has a deep passion for something like he does, like it doesn’t have to be music but to know that someone can understand him and his passion and love for music would help him easily connect with that person. Not minding his familia is another bonus too, as at the end of the day Miguel cares about them all and would not be with someone who hates them. A good personality doesn’t hurt too, and some cute quirks maybe? - Do they believe in love at first sight ? or fate?: He would say neither, but if he had to choose then he would go with fate. He would rather believe that there was a reason behind why he fell in love with someone, than fall for someone over their looks. What’s their views on romance ? Do they go after it or avoid it ? He use to find it gross, but now Miguel thinks it’s kind of sweet. If two people are meant to be together, he would support it but romance is also a cautious thing for him thanks to what happened to his tía Imelda. - Did they have their first time already ? How was it in their point of view ?: Nope. Once again, Miguel does not have the time for romance, much less being intimate with someone. - What is their view on sex ?: It is okay? He has never experienced it, so he doesn’t exactly have an opinion on it? If he had to, it should be good for both partners, and not one over the other????? - What are their turn ons and turn offs ?: Passion! Just someone being passionate in general. Singing, I mean who wouldn’t want to see a lovely duet with their loved one? Singing in Spanish especially.  Hand touches, like once Miguel finds someone he will want to be affectionate with them even if he is a little awkward about it. As for turn offs, insulting his familia is the biggest one of all because once again, anyone who dislikes his familia is no future Rivera. - Were they ever cheated on or have they cheated on someone ?: Nope. - Do they want to get married in the future ?: Possibly. If he finds the right person. - Have kids ?: Nuh-uh.

QUIRKS.

- Are they right or left handed ?: Left, but trying to learn to be ambidextrous. - What’s a word that’s always on their lips ?: “Oi” - Is there a saying they keep on repeating ?: “Mi familia *insert*” , “-sigh- No music” and “I want to be a musician” - Do they curse ?: Sometimes - What’s their worst habit ?: Sneaking off late until the night, only to arrive back home to get two to three hours of sleep (almost daily). - Do they drink or smoke ? How frequently ?: Miguel would be smacked by a chancleta if he smoked, but he does drink. Normally on special occasions does he drink, or when he is just not in the mood to deal with anyone or anything. - Are they an early bird or a night owl ?: Both???!!! Generally, he is a night owl but his familia has a thing for waking up extra early in the day, so.... - How tidy is their room ?: It’s a mess, let’s leave it at that. - How long to they usually take getting ready in the morning ?: About ten to fifteen minutes flat. Thirty if he chose to shower, but he normally leaves that for the night since his days are always productive. 

FAVORITES.

- What’s their favorite color ?: Can never go wrong with red. - Favorite movie ?: Literally, just about any film that Ernesto de la Cruz had starred in. He is also a fan of The Pirates of the Caribbean franchise as well. - Music Genre ?: Latin and Country - Food ?: Tamales - Book ?: The Road by Cormac McCarthy - Favorite non-alcoholic drink ?: Piña Colada - Ice Cream Flavor ?: Horchata - Indoors or outdoors ?: Outdoors (only indoors when he is playing music, but even then he would rather much prefer to do so outdoors if he is allowed to)

[fibula-rasa]

As Noirvember Ends...

Before I begin, I’m going to clarify that, unlike the first list, the following films are personal favorites of mine that can be categorized as Noir. So, they may not be the best illustrations of the style/genre nor necessarily the best films that happen to be Noir. Honestly, the first list is better for that, though it has less detail.

In a way, you can view this list as “further viewing.” I will also be pairing this list with where you can find the movies at Movie Madness.

Here are my personal go-to Films Noir as Noirvember careens away down an abandoned highway on some rainy midnight. All films are profiled in detail BELOW THE JUMP. Happy viewing!

Ministry of Fear (1944)

87 min. | Director: Fritz Lang

Screenwriter: Seton I. Miller (Novel by Graham Greene)

Stars: Ray Milland, Marjorie Reynolds

What’s the story?

Stephen Neale (Ray Milland) is making his way to London after his release from a countryside asylum. Neale happens upon a village fair run by the Mothers of Free Nations and wins a cake in a guess-the-weight contest he wasn’t meant to win. After boarding a train to London, Neale is accosted over the cake but manages to escape unscathed. With the backdrop of London in the midst of the Blitz, Neale and a private investigator try to get to know what the Mothers of Free Nations is all about. Carla (Marjorie Reynolds) and Wili (Carl Esmond) are refugee siblings who run the charity and they begin to lead Neale down a serpentine path of espionage.

Why should I watch it?

Like The Third Man (1949), Ministry of Fear is an adaptation of a Graham Greene novel. Greene did not collaborate on the screenplay for this film though, and it shows. But, other aspects of the filmmaking more than make up for it. Much credit is due to some shared talent with Double Indemnity, which came out the same year: Art Directors Hans Dreier and Hal Pereira, Costume Designer Edith Head, and Music by Miklos Rozsa. While Ministry is a bit of a tonal shift from The Third Man, it’s a compelling and suspenseful Noir. The pacing is perfectly matched to the whirlpool Neale’s fallen into in the film. I personally think this is one of Lang’s best, particularly among his American films.

What really puts the film over the top for me is Ray Milland. While Milland never considered himself a very good actor, thankfully many great directors disagreed with him. Milland has the unique talent of injecting a touch of levity through his reactions, movements, and expressions at just the right moments. He can make characters that, on paper, might be unlikeable, unsympathetic, or just plain bland into very real people. In Alias Nick Beale (1949), Nick Beale is a seedy underworld operator. Not too much is explained about him but you feel so much about his past and his character through the small (or large) falters in the Beale facade that Milland portrays. In The Lost Weekend (1945), Milland finds a balance with Don Birnam by evoking in the viewer similar feelings to what you may feel when someone you love is suffering from mental illness. You continue to feel deeply for him despite his stream of self-destructive actions. You understand exactly why his loved ones would stay or go. In Ministry of Fear, Milland channels the feelings of being in the midst of a nightmare while also having pitch-perfect reactions to the film’s absurdities that border on the surreal. I should stop now before I go into my spiel on how he “plays English” versus how he “plays American.”

Where can I find it?

At Movie Madness under Classic Directors - Fritz Lang

The Lady from Shanghai (1947)

87 min. | Director: Orson Welles

Screenwriter: Orson Welles

Stars: Rita Hayworth, Orson Welles

What’s the story?

Sailor Michael O’Hara (Orson Welles) saves the beautiful and married Elsa Bannister (Rita Hayworth) from some robbers in Central Park. Elsa and her lawyer husband, Arthur (Everett Sloane) are on their way via the Panama Canal to San Francisco and Michael is hired to work on their yacht. Michael starts to fall for Elsa. Arthur’s business partner, Grigsby, sees his opening and convinces Michael to collaborate on a plan to fake his own death. As it turns out, there are scams on top of scams, and Michael ends up framed for murder and he must now rely on Arthur and Else to defend him.

Why should I watch it?

The Lady from Shanghai is a very unique film for the time, in ways that made it unpopular with many contemporary American viewers, but also in ways that make it well suited for modern viewers. Distaste for Rita Hayworth playing against type is not much of an issue for a viewer in 2017. The on-location shooting adds naturalism despite the film’s stylized lighting and cinematography. To a 1948 viewer, this could be too much of a departure from form, but it’s fully normal to a 2017 viewer. One of the most spectacular elements of the film is a shootout climax in a hall of mirrors, which a 2017 viewer has seen replicated a few times since (most recently in John Wick 2). While Lady from Shanghai should hold a lot of familiarity to an audience in 2017, it still feels novel and imaginative. It’s also a film that doesn’t narratively hold your hand. You’re along for the ride and you best keep up.

Where can I find it?

At Movie Madness under Classic Directors - Orson Welles

Leave Her to Heaven (1945)

110 min. | Director: John M. Stahl

Screenwriter: Jo Swerling (Novel by Ben Ames Williams)

Stars: Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

What’s the story?

After a chance encounter on a train, the well-to-do Ellen Berent (Gene Tierney) and novelist Richard Harland (Cornel Wilde) fall in love a little too quickly. Ellen falls because of Richard’s notable resemblance to her late father. Richard falls because of Ellen’s mysterious nature and brooding beauty. Ellen jilts her more socially-acceptable fiance Russell Quinton (Vincent Price) for Richard and they move to his remote home in Maine. Ellen’s obsessive and possessive tendencies get deeper and more dangerous after Richard’s disabled baby brother comes to live with them and it all goes to hell from there.

Why should I watch it?

Leave Her to Heaven has no shortage of selling points. Gene Tierney gives one of her best performances in this film. She has such subtlety early on, hinting at the storms to come, and Ellen’s neuroses-driven cruelty is rendered so effectively. Tierney was absolutely ahead of her time.

Leave Her to Heaven is strikingly beautiful. The locations in Maine and New Mexico are exquisite and made more interesting by the contrast to the twisted psychology and cruelty of the characters. This one might need content warnings though. I don’t want to give away too much to a general readership, so if you have any concerns, let me know!

Where can I find it?

At Movie Madness under General Classics A to Z

The Strange Love of Martha Ivers (1946)

116 min. | Directors: Lewis Milestone and Byron Haskin

Screenwriter: Robert Rossen (Novel by John Patrick)

Stars: Barbara Stanwyck, Van Heflin, Lizabeth Scott, Kirk Douglas

What’s the story?

Young Martha Ivers tries to run away from her strict and antagonistic aunt with the help of a poor boy called Sam Masterson. The attempt fails and when returned home, Martha and her very wealthy aunt have a blowout and Martha knocks her aunt down the stairs, killing her. The scene is witnessed by another boy, Walter O’Neil. With the help of Walter’s father, they manage to cover up the crime, blaming the murder on an intruder. Years later, Martha (Barbara Stanwyck) has built up a very successful business with her inheritance and is a staple of the Iverstown community. She is also in a strained marriage with Walter (Kirk Douglas), now the District Attorney. When Sam (Van Helfin), now a detective, chances his way back to town, Walter and Martha’s paranoia over the cover up reaches a boiling point.

Why should I watch it?

As someone who has spent a lot of time in Pennsylvania, I must say that Iverstown is a perfectly captured factory town. That might be a too specific draw for a movie, but that’s okay, there’s lots more to love about this film. The structure of the plot is almost flawless. The Strange Love of Martha Ivers is a master class in how to build conflict and tension around dramatic irony in a modern setting. That’s all I’ll say on that to avoid giving too much away. Barbara Stanwyck puts in one of her best performances in this film and Kirk Douglas holds his own in Stany’s wake despite it being his first film. It’s no wonder he became one of the biggest movie stars of the last century.

Where can I find it?

At Movie Madness under Classics - Film Noir

Diabolique / Les Diaboliques (1955)

107 / 114 min. | Director: Henri-Georges Clouzot

Screenwriters: Henri-Georges Clouzot, Jérôme Géronimi (Novel By by Pierre Boileau and Thomas Narcejac)

Stars: Simone Signoret, Véra Clouzot, Paul Meurisse

What’s the story?

There’s an awful lot going on at a rundown boarding school just outside Paris. The headmaster, Michel (Paul Meurisse), lives there with his ailing wife Christina (Véra Clouzot) but is carrying on a relationship with English-teacher Nicole (Simone Signoret), who also lives at the school. Michel is abusive to both of them, but the women seem to have a cooperative and caring relationship with one another. Eventually, Nicole can no longer abide the abuse and cooks up a plan with Christina to murder Michel. After they put their plan in action, the aftermath isn’t quite what they anticipated.

Why should I watch it?

Diabolique is one of the greatest suspense films ever made. If you’re a Hitchcock fan, this is a must-see movie. Hitchcock praised the film often and its influence can be seen strongly in his work in the late-1950s into the 1960s. (The novel Diabolique is based on was written By Boileau and Narcejac who wrote the source novel for Vertigo (1958).) In my estimation, it creatively revived Hitchcock as a director.

The locations are hauntingly shabby and mirror Christina’s internal strife, both her physical ailment and psychological stress. In all honesty, I’m struggling a little bit to discuss the high points of the film without giving too much away. That shouldn’t be too surprising though, given that this is one of the first films to carry a spoiler warning.

“Do not be evil! Do not destroy the interest your friends might have in this movie. Do not tell them what you saw. Thanks for them.”

Where can I find it?

At Movie Madness under French Film - French Directors - Henri-Georges Clouzot

Mildred Pierce (1945)

111 min. | Director: Michael Curtiz

Screenwriters: Ranald MacDougall, Catherine Turney (Novel by James M. Cain)

Stars: Joan Crawford, Jack Carson, Zachary Scott, Ann Blyth, Eve Arden

What’s the story?

Monte Beragon (Zachary Scott) is murdered, shot dead in his beach house. His wife, Mildred Pierce Beragon (Joan Crawford) flees the house. When Mildred is brought in by the police, she finds out that her first husband, Bert, is going down for the murder. In an effort to protect him, for she knows him to be innocent, Mildred begins telling the detective the story of the past few years of her life that led her to that beach house with her ex-husband’s gun. However, the story may be a little more complicated than she lets on.

Why should I watch it?

Mildred Pierce was adapted from a novel of the same name by James M. Cain, whose work was also adapted for Double Indemnity (1944) (which I mentioned in my last Noirvember post) and The Postman Always Rings Twice (1946). If you like those films, there is a very good chance you’ll also like Mildred Pierce, but this film is a little less hard-boiled than the others. Mildred Pierce is a skillful intertwining of noir with “weepies,” the melodrama sub-genre. How far the love of a wife and mother can reach is not a common Noir story, but how twisted that love can be is actually perfect Noir fodder.

Joan Crawford rightfully won an Academy Award for her portrayal of the title character, but she’s girded by rich performances from the supporting cast. Eve Arden and Butterfly McQueen always stand out to me in this film, both infusing a whole lot of character into their rather small roles.

Mildred Pierce is also shot beautifully. It’s a perfect Noir image of rainy mid-century Los Angeles.

Where can I find it?

At Movie Madness under Classics - Classic Actors - Joan Crawford

[cinesaver]

Earths Mightiest Heroes: The Marvel Cinematic Universe Power Ranking Part 1

            In 2008 Marvel Studious took a big chance on the first Iron Man film. At this point in time the term cinematic universe was an idea that seemed impossible on the big screen. Since then we have seen 18 more films. Audiences can’t seem to get enough of the super hero genre. This Friday marks the release of Avengers: Infinity War, which makes many binge watch all 18 previous films in preparation.

             Each film grows a bigger fan base that will live and die for anything that the studio produces. I am here to tell you that no, I don’t think every Marvel movie is phenomenal. In fact, I would say far from it. It seems fitting that I would now give my ultimate ranking of every film in the Marvel franchise from worst to best. Just to state this is a ranking of my favorites, which could be drastically different from yours. So sit back and get ready to hear some hot takes on some fan favorites.

18. Thor: The Dark World   

               You are going to find out rather quickly that I am not a Thor fan. This is especially true for the god of thunders second solo outing. For some time Marvel studios struggled to make Thor interesting and it is evidently clear in this film. Marvel isn’t known for their villains, but Malekith is the most expendable out of all of their rouges. All you need to know is that he is a dark elf who wants to destroy the world. That’s about it. This film, much like its villain, is unbelievably forgettable.

17. Thor: Ragnorak

               Thor: Ragnorak may not be last on my list, but this movie is probably one of the most frustrating movies in the lineup. This film reached positive reviews from critics and audiences alike, but all of these fans seem to look past its obvious flaws. This is common amongst Marvel fan boys. The first issue with this film is that it doesn’t understand the character that was established in the first two Thor movies. The character presented is now a bumbling frat boy and not the god of thunder. It’s as if the studio didn’t know how to make Thor interesting so they just made him funny. The plot of this film is a jumbled mess with complete with its very own underdeveloped villain. It really just needed to focus itself. There are two story lines when it should only be focused on one.

16. The Incredible Hulk

               The Incredible Hulk has always been the forgotten Marvel film, with many not even realizing that it is part of the universe. Mostly because Edward Norton played the role of Bruce Banner rather than Mark Ruffalo. This film is a step up from the 2003 adaptation, which doesn’t say much, but it does give some interesting moments when you see the precautions taken by Banner to stop his green counterpart. Where this movie falls is the forced villain. Hulk films have always seemed troublesome because he isn’t quite a hero or a villain. Film makers always seem to think there needs to be a villain that the Hulk can punch in the face rather than him taking on the military. This is why you will never see the Hulk star in another solo film.

15. Avengers: Age of Ultron

               Avengers: Age of Ultron has the same problems as Thor: Ragnorak in the sense that it is overly funny to the point that it actually takes away from the movie. The first sequence alone is filled to the brim with quips that come from just about every character, which can be frustrating because not every character is the funny one. Looking past the gripes about the humor, this movie is plagued with the sheer amount of things it needed to do. It had to establish new characters while still giving each member a good amount of screen time, it needed to set up nearly a dozen more movies, it needed to develop a villain, and further develop its characters. Marvel was more worried about what was to come rather than making this movie memorable.

14. Thor

               The first outing for the god of thunder does a pretty good job presenting an idea and world that was considered a tough sell. This movie looks pretty, and shows that Chris Hemsworth is worthy to play the role of Thor. It does introduce the best villain in the Marvel Universe, Thor’s brother Loki, which is played brilliantly by Tom Hiddleston. The reason this is lower on the list than to be expected is because Thor as a character just isn’t that interesting. That being said the love story here is charming, and the sequences where Thor plays a fish out of water on Earth can be very entertaining.  

13. Iron Man 2

               Iron Man 2 needed to fill the big shoes left by the first installment, but doesn’t quite meet the mark. The film does boast some impressive action scenes involving new and interesting Iron Man suits, and the addition of Don Cheadal in the role of War Machine is an upgrade from the original. Unfortunately the villainous Whiplash, played by Mickey Rourke, is kind of underwhelming due to the fact that it’s another fight with an Iron Man look alike. This can be forgiven because the film dives deeper into Tony Starks past and family.

12. Iron Man 3

               Iron Man 3 was criticized by many comic book fans who think it did an injustice to one of Iron Mans greatest villians. This film receives more hate than it truly deserves. Though it’s not the star of the franchise, it does give a deeper look into how the events of Avengers truly affects these characters. The action here is as good as ever, while having a plot with many twists and turns that will leave you guessing. And honestly I will just say it. I thought the idea behind the villain here was more interesting than most.

11. Ant-Man               

                Ant-Man was a film that man fan boys dreaded, not because of its premise but due to the fact that there was a significant director change in the film. The original director, Edgar Wright, couldn’t see eye to eye with Marvels overall plan. This struggle for creative control resulted in the hiring of Peyton Reed to finish the film. Ant-Man does come off as formulaic in its structure and villain but what it lacks in these categories it gains in originality. This film fuses the superhero genre with that of a heist film to create something we haven’t seen before. Ant-Man’s powers can seem a tad bit ridiculous, but at the same time it creates action sequences that come off as truly original. This is where Marvel had every right to fail, but somehow still pulled it off.

10. Captain America: The First Avenger

               Our introduction to the star spangled man is one that is drastically different in its style and story structure when compared to the rest of the Marvel movies. This is a pulp style origin story that succeeds at what it is trying to do. Chris Evans shows that he is perfect in the role, though his dialogue and appearance early on can make him seem like too much of a loser. It also would have been nice to see more out of Red Skull, but those are minor complaints to an overall enjoyable film.

9. Spider-Man: Homecoming    

                The web head makes his fifth big screen appearance and yet the first time in a solo film made by Marvel Studious. Spider-Man: Homecoming gives us a slightly different Peter Parker and Spider-Man, which is good because otherwise the film could have felt stale. It also provides a more John Hughes and high school feel that fits the tone perfectly. This allows this adventure to feel different amongst so many films. Michael Keaton’s character, the Vulture, does provide more fun than you would think. That being said this film is a really safe bet and, at times, feels very formulaic.

           Will your favorite Marvel movie reign supreme? Which film will take the coveted number one spot? Tune in next time for part two of the power ranking! And look for CineSavers review for Avengers: Infinity War later this week. Do you agree with the list so far? Let me know in the comments below. 

[popculturebuffet]

The Three Caballeros Ride Again Review!: And Ladies (Ride of the Three Caballeros)

Saludos Amigos! I’m back with yet another comics review! And we’re back on The Ride of the Three Cablleros! Thanks again to WeirdKev27 for commissioning this retrospective. It’s going to get pricey and I greatly appreciate it.  PREVIOUSLY ON RIDE OF THE THREE CABLLEROS 

In short.. a bunch of short segments of varying quality, a very thirsty Donald hitting on ladies, the first appearance of Panchito and some very good music. A fun time was had by all. Along with a LOT OF drugs by the Disney Animators. The film wasn’t a huge success, but out of the 6 package films, it was a fan faviorite alongside the Mr. Toad and Ichabod movie, and thus was rereleased quite a bit, as well as being one of the first of this era to end up on VHS due to it’s cult popularity.  As for Panchito and Jose they’d get plenty of success overseas, with both getting solo series in their respective home countries, Jose himself having just resumed having comics again this year, and being rightfully massive characters. But despite being a hit with fans across the world.. in the US... they were pretty much shoved in the Disney Vault for a few decades. Jose would show up on the Wonderful World of Disney, in it’s various forms, three times after the Three Caballeros while Panchito just vanished aside from reuses of the Three Caballeros footage. Their careers in the US just sorta vanished for a few decades. But as suddenly as they vanished, our boys returned triumphantly. Naturally being the most used out of the duo, Jose would show up for the first time in decades during Mickey Mouseworks, a show full of new late 90′s produced Mickey Mouse shorts, all but two of which would end up being recycled for the much more popular and well loved House of Mouse, which would feature the triumphant return of the Cabs to animation after so long away. We’ll get to that next time, as just a year before the Cabs had already reunited in the pages of Walt Disney’s Comics and Stories in one of Don Rosa’s best loved tales. The Ride of The Three Caballeros was something Don Rosa had wanted to do since he got the job writing Duck Comics in the first place. As he explained in the back of the complete library edition named after this tale, Uncle Keno isn’t the biggest fan of the Donald Theatrical shorts. Having experienced the Carl Barks comics first, and having built his career around them later, he just wasn’t a fan of the goofier, angrier, less nuanced theatrical short Donald, often feeling like he was an entirely different character from the one he loved. And.. honestly he’s not wrong. Both were built for entirely different kinds of comedy: While both did slapstick, Slapstick, along with standard comedy shenanigans, was the main weapon in Shorts Donald’s comedic arsenal. Barksian Donald, while not immune to slapstick, was more like a well built sitcom character: Multi layered, sympathetic when he needs to be, but still having tons of faults to be exploited for laughs and to play off other characters. As a result while I like Donald in the shorts I do prefer Barks version of him, and the shorts Barks did are usually the best of both worlds, combining Donald’s everyman schtick with his slapstick schtick. Of course later cartoons would pick one or the other or combine both, but I do get his point and at the time he wrote this story the only cartoon show starring Donald was.. Quack Pack.. which I can only imagine his reaction to seeing that train wreck. 

But as you can probably guess there was one exception and it was The Three Caballeros. Don genuinely enjoys the beautiful music and the wonderful chemistry the three have. So after a trip to Mexico gave him the perfect setting and the fire in his belly to finally do it, he finally wrote the story. And since they weren’t Barksian characters and hadn’t had any other apperances in decade, Don also took a dive into their comics. Since Jose was more of a fancifial freeloader in his comics, Don decided to ignore this characterization and go with his own based on the film: A latin playboy and lounge singer. And i’m okay with him doing that, as unlike say with Marvel and DC when they destroy a character, Disney characters are both more fluid continuity wise and his is still rooted in a version of the character, and he’s fully accepting and apologetic that some fans hate him for this. Also for some damn reason they redesigned Jose at some point in his Brazil to look like this:

This is far from the dumbest comic book costume change i’ve seen, but it’s certainly one of the most lame, as his original outfit is dapper, stylish and fits the Brazilian version of him well. And it’s not like you CAN’T update the classic Disney characters with modern appearances. Quack Pack, which has somehow come up twice in this review, did so great with Donald and Daisy, giving them new clothes and a haircut in Daisy’s case but both still look great. Same with Goofy for Goof Troop who just wore a dad sweater and bow tie, which puts him in the small but significant club of “Bow Tie Wearing Characters who have defined my life” with Opus the Penguin and the 11th Doctor. You can update a classic character’s’s appearance without coming off like...

Which given Jose’s outfit there is horrifyingly similar, says something. Anyways, Rosa had more use for Panchito’s stories, which had him as a cowboy protecting small towns with the help of his trusty steed Senor Martinez. Rosa loved both aspects and thus used them here, with Martinez getting a makeover to fit Rosa’s style better. Rosa is also the one to popularize Panchito’s last name, having found it on a scrap of research, not realizing the character’s last name was not at all widespread and thus giving him a canon one that has stuck to this day, and sighing in relief when he finally got conformation from another fan this name was indeed something Disney had used after loosing his research scrap.  So with the two boys characters set, a plot set up and a whole sequence planned we’ll talk about on the way “The Three Caballeros Ride Again!” was born. How good is it? Well join me under the cut and i’ll tell you. 

We open in Mexico, specifically near the Barranca Del Cobre, aka The “Copper Canyon” of the Sierra Madre, a natural land formation simlar to the Grand Canyon that Don Rosa saw during his trip and thought would make a great setting. While larger than the Grand Canyon, Rosa figures in his notes it simply isn’t as popular because it’s more isolated than the Grand Canyon and that, combined with it having trees inside distracting from it’s rugged beauty, makes it much harder to build a tourist industry around. The four are headed to El Divisadero, because this comic is determined to kill me with it’s difficult to spell names apparently, where Huey, Dewey or Louie spouts off for no particular reason about the currently being built Chihuahua El Pacifico Railway. Seriously the boys might as well be the security guard from Wayne’s World in this comic, their role for most of their brief page time is just to set up stuff for later. I mean i’m fine with setting up your setting but there are better ways than just spouting off tons of exposition apropos of nothing. 

Donald has driven the boys here for a Woodchuck Jamboree. I did actually look into Jamborees, as before this it only had ever come up in one of my favorite movies of all time, Moonrise Kingdom, and mentioned occasionally in the Ducktales Reboot. Jamboree was first used for a worldwide scouting Jamboree but has gone on to mean a huge gathering of scouts, with the Boy Scouts of America having one every four years, so odds are it’s just a big yearly or quarter yearly thing for the woodchucks. Still it would be nice to see a big gathering like this in the series, especially since several of our cast are involved in them, including the possible power trio of Huey, Violet and Boyd, and Della and Launchpad could easily be slotted into the plot as seen in this season’s premiere.. as could Dewey and Louie if they really want to since according to Frank their members.. they just aren’t nearly as invested as their brother, and thus  don’t do Woodchuck stuff unless he drags them into it, as seen with “Day of the Only Child” in the series itself. It does make sense: Dewey doesn’t have the survival instinct or patience for camping, and Louie hates effort, the out doors, and doing things for anything but profit. Scouting is all of that.  So the boys have driven all this way for the Mexican Jamboree, as they’ve been carefully raising their tarantula Tara, and the Tarantula Breeding Badge is only given out in Mexico, which is plausible: Different branches of a worldwide organization would have different awards and what not in different countries. And Tarantula’s are also native to mexico so that makes sense.. and I want you to apricate that I’m afraid of spiders, not cartoony ones, for instance, this is adorable. 

Galvantula4Life. But real life ones or realistic looking ones? Yeah no fuck that. So I had to go to the Wikipedia entry and see several horrifying looking sizeable spiders for this one tiny fact. Your welcome. Tara ends up on Donald’s face with the boys assuming Donald is sad to see her go instead of you know FUCKING TERRIFIED A GIANT SPIDER IS ON HIS FACE. This gag does not work.. but probably because as I said i’m afraid of spiders and this is my nightmare, you little sociopaths. 

The boys however worry about what Donald will do for the weekend as they prepare to board the bus to the Jamboree... why it’s meeting in an out of the way town like this I have no idea, but i’d guess plot convince. They realize he has no friends, which Donald shrugs off, and they REALLY shouldn’t say to his face, but ruminate on it once he leaves to do whatever after vaguely talking about friends he had in the past. 

I like this scene even though it annoys me a bit: Ilike it because it does set up how Donald really DOSEN’T have any friends in the comics. It’s part of WHY Rosa was drawn to the Cabs: Their one of the few equal relationships donald’s ever had, people who treat him as a partner, in both sense probably, a friend, a true amigo. As the boys point out Scrooge is a monster to him in the comics, paying him 30 cents an hour which I actually put into an inflation calculator to get an accurate read on how little that was by 2020 standards.. and it’s 3 dollars an hour. Hence why I call him a monster, why that bit hasn’t aged well, and why Rosa REALLY, REALLY should’ve retired it. It dosen’t help reading that knowing Disney largely treated Rosa the same way is cringe inducing at best, if not for any fault of his own. It being cringe inducing for an employer horribly mistreating and underpaying his employees though is his fault, he’s a grown ass man, even in the 90′s this had to be a problem, be better. 

And yes i’m being hard on Don Rosa but just like with the comics thing, I simply expect better from the man given just how much respect I have for the guy. His art is gorgeous, his research is immaculate, his knowledge of old films is wonderful and his love for them so infectious i’m tempted to seek the ones he’s mentioned in notes out. He’s a truly wonderful guy and one of my faviorite comic writers.. but I have to treat him fairly like I do ANY of my idols. Just to prove that, I love Grant Morrison, especially his run on New X-Men, but a lot of it hasn’t aged well including some of the language and the entire subplot with Emma manipulating Scott into having an affair when he wasn’t in the best mental place and she knew that and was acting as his therapist, and treating that as a regular affair REALLY doesn’t play well nor should it have. I love Al Ewing, with all my heart and soul, but his run on Ultimates, while having some great worldbuilding and a spectacular cast, ultimately wasn’t very good after the first arc. Not terrible but not good. John Aliison, of Scary Go Round and Giant Days fame, while impressive has had plenty of stories I just didn’t like for various reasons and will probably get into some day and some parts of his stories haven’t aged well. It’s the hard but necessary part of being a critic: You have to be objective and see all the parts of a creator’s creation, not just the ones you like and call them out when they screw up. To me being a fan isn’t about just blindly loving something, it’s about knowing WHY you love it and being willing to call out faults while still thoroughly enjoying the work. There’s a fine line between being blindly loyal to someone, which has created Zach Snyder's awful cult of personality that I hate so much, and being an overly critical shithead and I hope I’m straddling that line. 

Back on the scene after that filibuster they point out Gladstone, who himself is a monster to me for how he doesn’t lift a finger to help his nephews or cousin, and constnatly flaunts his luck to Donald, and is a bit more than teasing especially since he tried to, you know, steal your house once boys. That’s canon.. that’s a barks story so it’s canon here. You.. You remember that right? He tried to steal your house. And we will be getting to that one next month, just you wait.  Finally the Daisy part that annoys me slightly. The boys being sexist.. was sadly the style at the time this story is set, the 1950′s, and thus plays better for me than it does in Ducktales, as their just little boys and don’t know better. Them assuming Girlfriends aren’t like having friends, while accurate though does bother me a bit, but only because the way this story treats Donald’s relationship is PRETTTTTYYYY bad and this sets that up. But we’ll get to that.  Thankfully this foreshadowing of terrors to come is quickly forgotten as we get a GENUINELY great two panels of Donald lamenting his lack of friends. It just works really well, selling his loneliness and how isolated he truly feels without any, which while I have friends I can relate to as I only really hang out with on regularly. 

This is what I was talking about. While I will point out Rosa’s flaws.. their truly outweighed but his artistic mastery. In just three panels he really has a truly emotional and heartrending scene, and just that one close up among them is all we need to get the true depths of Donald’s loneliness. I can be hard on the guy, but it’s because he’s one of the best there is, best there was, and best there ever will be and thus I hold him to a high standard.  But with that we transition to...

Or rather first his boss at the hotel, whose pissed his headliner has skipped out on him again to woo a lady, and while he plans to fire the guy, only isn’t throttling him because he figures one of his “Senorita’s” boyfriends will do that for him. And while I do like Jose as a playboy i’m not really fond of him trying to have sex with someone in a relationship, as it puts both him and the person he’s having an affair with in a really bad light. It does fit the character, I just don’t have to like it. As for this particular Senorita, it turns out her boyfriend is a notorious Bandito and is thankfully out of town. So yes, Jose is essentially acting out Come A Little Bit Closer by Jay and the Americans. 

Naturally just like the song, said Bad Man returns, Alfonso “Gold Hat” Bedoya, a machete wielding baddie who while understandably pissed about another man making time with his girlfriend, is less understandably about to murder Jose. Though unlike the song, Alfonso’s Lady, rather than help Jose, encourages her boyfriend to murder him and clearly has a fetish for cheating on her boyfriend with various men and watching as he kills him which.. Jesus. This is why while I don’t LIKE the idea of Jose hitting on women in a relationship it does work here, as he’s still not nearly as bad as either of these two, so it evens out. Jose escapes with his umbrella but crashes.. right into the back of Donald’s car. Rosa, Alfonso’s lady, encourages him to murder both of them for funsies, and being a brutal thug, Alfonso obliges and shoots at the car. And since, to quote the duck himself, Donald doesn’t like being killed “Even a little”, he books it out of there. 

Alfonso doesn’t peruse them though. He’s on the trail of a treasure hunter who has a map to the lost town of Tayopa, which contains untold silver, but before he can do that he has important buisness to get to. 

I fucking love that gag and that Rosa snuck more adult gags in there knowing plenty of Duck Fans, such as myself, are grown men, women and others who can handle this sort of thing, while still slippnig it past the kids. 

Donald, once the fear’s worn off a bit, starts to wonder WHY he’s running when he’s not the one who pissed off the guy, and ignores Jose’s good point about the fact Alfonso really dosen’t seem like a guy who sees nuance.. until Donald sees a wanted poster for Alphonoso and keeps driving. He eventually gets far enough away to feel safe.. and confront the guy who got him into this mess. 

Now kiss. While sadly, they do not, we do get a lovely warm reunion between old pals. Rosa keeps their past vauge as, correctly, he pointed out in his authors notes that the Cabs movie really had no plot, accurate, so instead just vaguely alluded to Donald having known the two in his pre-daisy and boys past and likely had similar adventures to the movie, but adapted more for Rosa’s barksian universe. Jose explains he often finds himself cash poor and thus hits the road to drum up some money, and Mexico is a great place for that as it has plenty of tourist money. 

Though as Jose talks about their past we get the most uncomfortable running gag of the story. 

While Donald’s paranoia here is played for laughs.. it just.. isn’t all that funny that Donald’s relationship with Daisy in the Rosa canon is apparently sooooo deeply unhealthy that just HEARING about him having a romantic past before him, as Rosa confirmed this was pre-daisy in his notes, causes Donald to panic and worry she actually somehow heard this. It just isn’t funny.. it speaks of MASSIVE relationship issues and some form of domestic abuse on Rosa!Daisy’s part. It’s stuff like this why there’s only a handful of Donsy relationships I like: Her treating him like shit is reduced to a punchline, instead of being used for character growth. It’s also why I’m deeply dreading covering “Legend of the Three Cablleros” at the end of this retrospective. I just don’t like when Disney media treats Daisy expecting too much of Donald or being hyper jealous of him as hilarious and while I take this more as the story not ageing well rather than barks fault, as since then Domestic Abuse against Males has become a more widely known and talked about issue, it still doesn’t’t make it plesant. It just makes this not entirely his fault. Just like it’s not Stan Lee’s fault this panel is both deeply hilarious and uses a now kinda racist term. 

I named an entire youtube channel after that.. we all have our regrets. I also bring it up since currently Harry’s become terrifying villain Kindred... and thus the current big bad of an entire Spider-Man run and the being hopefully bringing one more day into the light and hopefully leading to it’s undoing.. once had a goofy mustache he genuinely referred to a “Fu Manchu Face Fuzz” that for all we know he regrew under the mask. 

Donald fondly remembers the old days of being a badass adventuring team and decides, screw it, let’s go show that Gold Hatted Paloka whose boss.. but being Donald ends up driving them into The Copper Canyon instead. Our heroes end up lost in the canyon and , fitting for Donald get shot at. I can only imagine his thoughts right now. 

Their mysterious attacker threatens them.. before revealing himself to be Panchito, whose glad to see his friends having mistook them for Alfonso. Turns out HE’S the mysterious treasure hunter Alfonoso was after, to no one’s surprise. We get another deeply unfunny “Daisy’s only a thousand miles away gag” as the boys reminisce and get introduced to Panchito’s horse, Senior Martniez. He also tells the boy about his map.. but how he’s hit a snag as the lost town where the silver, from a silver mine.. is now buried under pounds of volcanic rock, a volcano having erupted. This is artistic license as Don Rosa admits there aren’t any known volcano’s in Mexico, but that they also still haven’t found that missing town, so this was his explanation.  All is not lost as Donald’s globetrotting with Scrooge meant he knows his history.. and thus spots an old mission which, at the time, were used by preists as cover for secret mines. Donald naturally bungles his way in and we get the much better running gag of the Cabs thinking Donald did something amazing when he really just wondered into slapstick. They end up down the shaft, with Jose deciding Donald can’t do all the work, and finding a secret entrance under a sanctum sanctorum.. a religious thing I have no idea what it ii s but is clearly where Dr. Strange got the name. Regardless they find some old kegs filled with pure silver. As Panchito puts it: 

And he did ideed. In a nice moment that shows off his character, Panchito has no hesitation for sharing the wealth: He wouldn’t of got this far without his friends, and he wont get the Silver cashed in without their help. He also fires off his guns in celebration.. forgetting their in a cave, a gag I genuinely like. 

After some off screen loading and hoisting, the boys are slowly on their way out of the canyon, with Donald’s Car and Senor Martinez pulling the cart with the silver together. With some downtime the three talk about what they’ll spend the money on. 

About what you’d expect. A big beautiful music venue

For Jose, and a nice ranch to retire at for Panchito. Both despite being wondering souls would love a simple place to call home, in their own personal styles. While they are BIG goals, their also likeable and understandable ones: Jose just wants to stop having to do all these tours and carouse and party and perform at home. Be his own boss, and live his own dreams instead of working for whoever will put up for him. Panchito just wants to retire from being a wondering hero to a peaceful life of farming, an honest reward he well earned. And Donald? 

This is easily one of my faviorite moment’s of Rosa’s, one that really cuts to comic donald’s character: Sure he can be lazy, a trickster, hot tempered, and overconfident.. it’s why we love him.. but at the end of the day he genuinely loves those boys and their his first prority and I can see why the reboot took that trait and made it his defining one. They may annoy and frustrate them and he may pull a switch on them, 50′s after all.. but he loves his boys and knows they’ll do great one day and despite his spendthrift ways when given big money.. their all he can think about. Sure Donald probably has his own personal dreams, but instead of going big and retiring he’d probably just take only a small sliver of that money to open a humble hot dog stand or something, so he could have something of his own to provide them, while still giving most of the money to their college. Scrooge is who we all want to be.. Donald is who we are at our core: Flawed people who just want to do our best. It’s why I love the guy so much.  The boys rest in the small town of El Divisadero, which like the town we started in is a real place, though both are much smaller, even as of 2000 when Rosa made his visit, so he had to embelish slightly. THey stop at a local watering hole only to find Alphonso. While Jose is naturally worried, Gold Hat has moved on to Panchito and wants to know why he’s here. However Donald thinking quickly says he’s part of their nightclub act, and we get a rousing version of the three cablleros, which when reading this I synched up to the song. I won’t put it here, as it’s too big for tumblr and it really works more as a whole, but needless to say, it’s the highlight of the comic. While Rosa did have doubts about putting a musical number in a comic, and it’s often trickey, he makes it work with the energy, vibrance and number of gags, that compensate for the music not being there. There’s tons of great gags, from Donald getting thrown out  window, to the stone faced crowd who only cheers when Alphonso ends the number by whacking the three with one of their own guitars.  Alphonso quickly realizes what’s goin on, finds the silver, and then hyjacks the train. The boys take off after him in the car, as Donald triumphantly states “The Three Cablleros Ride Again!”. The three head after Alphonzo, who finds them when trying to release the other cars to increase speed, and then shoots at them. It seems hopeless... until donald gets launched into the air, into a cactus then back into Alphonzo knocking his guns out in a great bit of slapstick. The Conductor, likely not knowing about the others or not carring, detaches the cars though, so our heroes and villian are now sent rocketing through the world’s most dangerous railway. Which, as you’d probably already figured out, is very real and what inspirited rosa to use this setting and thus indeed wind through dangerous mountainsides and over thin cliffs like a real life Donkey Kong Country level.  Eduardo still has his machete though and easily beats Jose’s umbrella, but some more Donald slapstick and him apologizing to daisy about the senioritis as he wishes her goodbye seriously GET SOME COUPLE’S COUNSELING IF THAT EXISTS IN THE 50′S. It puls his sombrero down over his head, and with jose’s umbrella top landing on it, carries him off where he ends up in a lazy asshole sheirff’s jail for a gag. The boys however continue going back.. and the railway is unfinished at this time in history and while they save the silver, their fucked. But Donald has a plan, running to the back of the cars to get his car, and while it has trouble starting, Panchito throws some chilie’s in the tank to get it moving again.  The boys find the silver.. but when one barrel spills they find out it’s not actual liquid silver.. but quicksilver, which was used for silver refinment. So while i’ts shiny, and toxic so of course Jose sticks his hand in before knowing what it is, it’s worthless. Probably. The boys.. all have a nice laugh over it. I love this moment. Sure the boys lost their dreams.. but like Scrooge, the three belivie theirs always another rainbow. What matters is the journey they had and the reunion that restored their friendship. Donald also muses the boys are smart enough to get their own scholarships anyway, so it’s no big loss.. but he does have to get back to Disvadero as the jamboree ends tonight and Jose agrees as he now needs a job again. The owner balks, understandably since Jose missed a performance to get laid and then disappeared overnight.. but the Hotel Owner is visiting so as long as he can provide a big act he’s good, and while Jose is worried as he already gave them his best, the boys naturally pitch in to be the cablleros once more. After all

So we close on Huey, Dewey and Louie returning, still worrying about donald, when they find him on stage. We then end on a truly heartwarming and great last few panels. 

Final Thoughts: What else can I say? This story is beautifully drawn, as usual for Rosa, well paced, fun and really fleshes the Cabs out from the movie. It has a warm, fun adventurous tone and it’s nice to see Donald in the lead since Rosa usually did Scrooge stories and thus Donald was the justifiably surly sidekick instead of the main man> here he’s in the spotlight and gets to show just what he’s made of, while still being the hilarious mess we all know and love. The story honors the original film well, while forging it’s own path and is beautifully built into history. My only real complaints are the nephews being annoying, Alphonso’s somewhat overwrought accent, and of course the daisy gags.. but it’s all HEAVILY outweighed by one of Rosa’s finest hours and easy enough to ignore. Check this out if you can. It’s a classic for a reason. 

If you liked this review, you can commission your own by messaging me on here or at my discord technicolormuk#655 for five dollars a comic story or animation episode. Whenever the ride resumes next, we’ll coming on down to the house of mouse to see the boys return to the screen. In the meantime keep an eye on this space for regular Ducktales reviews every Monday, including once this run ends as I intend to start playing catchup, loud house reviews whenever, my tom retrospective that’s returning soon, and my retrospective on the Life and Times of Scrooge McDuck, with chapter 2 of that also coming soon. Until then, there’s always another rainbow.