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#i made them too big and therefore he's too big and interferes with himself on the side of the chart; but they're to height with eachother
lani-heart · 2 months
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|| series masterlist || next // previously ||
genre(s) -> angst, fluff, smut, non-idol, hybrid au, poly au p aring(s) -> ( eventually ) ATEEZ x reader warning(s) -> abuse, mention of sex / pregnancies, etc. words -> 2.3K
abstract -> Never owe people favors it could one day cost you your life...
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y/n’s perspective
“Taeyong, you can’t be serious,” I said as I was now in the office of the devil himself. And he's called to get his end in a favor. “You owe me,” he said and I scoffed. 
“You’re literally chasing in a favor from when I was in college,” I said and he only grinned. “You still owe me. Besides, it shouldn't be dangerous” and I scoffed at his reassurance. 
“It's just an interview. You’ll wear a wire, and all I need is evidence” he asked and I sighed. “Fine. But I won't risk my life for this, Taeyong” I said and he nodded. 
“I would never put you in a dangerous situation. This won’t hurt you”
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“Do you have to do this? Or at least take one of us with you?” Yeosang asked and I shook my head. “I have to repay him. He helped me a lot in college… besides he's trying to do a good thing” I explained and they sighed. “You’ll be okay right?” Wooyoung asked as he hugged me tightly. 
“Of course, he explained that I'll be going in for an interview and he’ll be listening in case. He will only interfere once he's gotten information though, so I won't be in danger. This won't affect us” I assured them and they nodded. 
“Be careful, circus hybrids are some of the most deprived and abused hybrids” San warned and I nodded. Over the years people stopped performing with animals and advanced to hybrids because of their ability to be trained and have a human way of thinking
Even though many people thought it was better it's not too well known that it's abusive to them just repeating history. “Be careful” they said as I was now on the elevator waving bye to the boys. 
They've really grown. 
I’ve officially had San and Wooyoung for five months. Whilst Yeosang joined us two months ago. It's actually been seven months since I originally adopted Son. I couldn’t be happier to have them by my side. 
Now I had to pay my debt to the devil named Taeyong. He truly does hold grudges… 
I walked into the VIP line where I showed my journalist ticket. I would be able to take pictures, and even conduct an interview. As I walked in I noticed the hybrids on display. 
There were two specifically at the entrance. They had bold big letters ‘MATZ’. They were meant to sit there in a glass box… it didn’t even have enough room to walk one step. In a smaller print were their names. 
Seinghwa was the one smiling and bowing, whilst Hongjoong only stared. He would be too far down, he could probably be dangerous. The ones around me started flashing lights at them… it clearly bothered them. I made sure to ask Taeyong to give me a camera without a flash. I took a photo of the surroundings. Another reason why he had me do this job and not Mark was because I have a hybrid specialist license to see and even handle red-coded hybrids with supervision. 
I knew how to analyze their behaviors. So when I saw Hongjoong, he had the potential to be a black code hybrid. 
“Hello! Welcome, it's an honor to see such esteemed guests !! I hope you may enjoy the show !--” as he spoke I saw his ringmaster look. He had jesters and clown costumed people handle hybrids. A few were assigned to cuff and ensure ‘MATZ’ did not act out.
They were tigers and therefore dangerous. 
“-- Of course, if you need help please ask one of my staff. I look forward to the interviews I’m scheduled for” he said as he left. As the staff looked at our tickets I was led to the back. I was given a pre / post-interview. 
“Hello, I’m going to be conducting an interview?” I said as I now saw the ringleader with the two tigers. They had chains connecting to their collar which looked like ones that were for black code hybrids. 
“Ah yes, may I ask which firm it is under?” he asked and I nodded. “It would be under the N.E.O. Firm” I stated and he nodded. 
“I see. How is Moon Taeil?” he asked and I smiled. “He’s actually on vacation at the moment. Last I heard he was in China visiting a few friends. '' I answered and he chuckled. 
“I know, your firm isn’t too keen on me,” he said and I noticed the curious eyes of the tigers. “Well, the firm has hybrid rights associated. It has been for years now” I answered and he nodded with calculating eyes. 
“That it is. Though I can assure you, our hybrids are treated like family” he said and I smiled softly as I wrote down notes of the two hybrids behind him. They were clearly agitated by his words, almost like he was lying.
“Well then. What are your questions?” he asked politely. “How many hybrids currently do you have registered?” I asked and he nodded. “Around fifty dear,” he said and I nodded. “And all are vaccinated with the current hybrid regulations, health up-to-date, VISA’s registered?” I asked and he answered yes. 
So he denied hybrid trafficking, and hybrid health neglect.
“May I ask you to talk about MATZ?'' I asked and he nodded. “These two were born into the circus. Their parents are a mix from our circus and a breeder which I know personally” he explained and I saw how Seonghwa kept on staring at my coat. His ears were twitching and I noticed Hongjoong’s glare at me….
“These two are such close friends we thought that a show would be most beneficial and fun for them,” he said while lifting his hands to pet their heads making them both clearly uncomfortable. Seonghwa stared wearily whilst Hongjoong looked like he could bite any minute.
“May I ask if I own hybrids?” He asked and I contemplated. “Decline anything in your personal life” I heard on the headpiece Taeyong gave me.
“No, I do not,” I said and he nodded. “Are you against the ownership?” He asked and I shook my head. “Not necessarily… it would take a lot of circumstances for me to adopt a hybrid,” I said and the ringmaster only nodded. 
“I can assure you every hybrid here is taken care of, and we’ll look after it, '' he said and I noticed Seonghwa's gaze. It wasn’t like Hongjoong’s glare; it was almost like he was pleading for help. 
“What’s the situation with heats?” I asked and he chuckled… “I don’t believe in heat suppressants. I let them go on with it with the other gender hybrid” he explained. 
Meaning it's how he has so many hybrids… he’s illegally breeding them. “Are you not worried about pregnancies?” I asked.
“No… some of our female hybrids are sterile so they can’t reproduce either way” he explained.
It wasn’t abuse per se to sterilize a hybrid… but it was being argued for hybrid rights.
“How long have you had this duo?” I asked curious. “Hmm, these two rascals? Well, they were born in 1998 and they’ve been with me since then.” He said and I nodded.
Would they speak out against their master? They would’ve seen everything… been through… everything.
“Sir?” I heard a clown asking for the attention of his boss. “Ah give me a moment my dear, why not have an exclusive interview with a MATZ performer. Hongjoong needs some touching up so Seonghwa treats her nicely '' be said and I knew the reason why they took the orange tiger away was because of his behavior.
“Be careful, an abuse hybrid can be triggered at any mention of abuse. Ask simple questions.” Taeyong said and before I could start I looked at him.
He stared at me with soft eyes and a smile... it shocked me how gentle his expression looked.
“I’m not fragile for you not to ask me,” he said and I felt my eyes widen. “The moment you walked in I heard that radio of yours… it kinda hurt at first” he confessed.
“I’m sorry,” I said but I couldn’t turn it off for my safety.
“It’s alright… you're not the first person to come here to infiltrate this place,” he said with his ears flattening on his head. He was losing hope for himself.
“How many hybrids are there?” I asked and he sighed. “I’ve lost count… it is over a hundred by now and more to come” he explained. “Oh, and he doesn’t register hybrids in case they die. It’s a miracle to even survive birth here… let alone survive being a baby here. We aren’t checked for until we’re cubs… after that, we’re never looked after again. The only thing he’ll ask to do is hygiene for his top performers” he explained.
“I’ve heard of your firm from the clowns… they hate you,” he said and I chuckled. “They said something about a girl writing about hybrid rights. Since then they’ve shut down several enterprises” he said and I smiled.
My reputation follows me.
“They might know who you are, be careful,” Taeyong said and Seonghwa only stared at me with twitching ears.
“You must have really good hearing to catch it,” I said and he smiled softly with his tail swishing behind him.
“Thanks… but it comes in handy with the staff,” he said and I sighed. 
“Do you have anything you want to tell me?” I asked and he swallowed down saliva showing how nervous he was.
“I’ll tell you everything if you manage to burn this place down,” he said and I sighed. “How about we make a promise?” I asked and he looked at me confused.
“I’ll shut this place down… but that’ll be the easy part. I’ll still need some more evidence after to concrete it” I asked and he nodded.
“Good luck”
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The show was like any other hybrid show. 
You could see the fear in hybrid's eyes when they made a mistake and had to cover it. Clowns and performers have the upper hand. 
MATZ had the opening… they did dangerous stunts. There were a few times they stumbled but otherwise did the best they could. The crowd loved them… I saw the contrast of the two… fear and anger.
Once the show was over I did a closing statement with the ringmaster and some staff who showed me around.
“And our opening act. Did you enjoy it?” they asked and I smiled when I saw Seonghwa and Hongjoong in a tiny cage. It had enough room for the both of them but it must've made them feel trapped.
The staff were talking to other reporters when I noticed the heavy glare Hingjoong was giving me.
Seonghwa got his attention and looked to be scolding him only for him to scoff. He looked over at me and bowed in an apology in which I shook my head. 
“I hope you enjoyed the show” 
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seonghwa’s pov
As the reporters left with the staff, Hongjoong glared at me. “Quit acting that way” I scolded and he scoffed
“She’s not the first person to come here asking for questions with a wire,” he said and I sighed.
“You heard what they said about that firm though—“ “She also said how she didn’t own any hybrids but owned three,” he said and I was confused. 
“She has hybrid scents reading out of her. You shouldn’t trust humans so easily… one day it’ll be you they’re disposing of” he said and I looked down.
“I… sorry. I didn’t mean for that to come out that way. I’m just sick of this Seonghwa but this is our life and it’ll never change” he said and I chose not to believe that. 
I had hoped that she’d complete her promise.
“Hongjoong…. Sometimes you just have to have faith that people are still good. We don’t know how it is outside… maybe it’s different” I said and he sighed.
“But is it any better?” He asked and before I could respond I heard yelling.
“Woah!? What are you doing?!” I heard as I saw the ringmaster following… policemen? 
“This place is being temporarily shut down for inspection and so are the hybrids in this vicinity. If we find anyone trying to smuggle or hide evidence you’ll be under arrest for tampering with a crime scene” he said and I also noticed people with white lab coats. 
“Start arresting staff members and performers. Contain all the hybrids as well” he ordered and the last thing I saw was Hongjoong defying them whilst I felt a sharp pain in my neck.
Everything could only get better… right?
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Waking up in a white and cold room was not what I expected…
“White tiger hybrid seems to be malnourished, untreated second-degree burns, underweight, untreated cuts, and dehydrated. Seems to be approximately 25 years old and unclassified code due to tranquilizer” I heard… Was that a doctor?
I tried sitting up but my wrists were bound. 
“You’re awake? Are you going to comply?” he asked me and I noticed how close he was. He seemed to purposely try to annoy me… “Classified as yellow. He’s one of the tame ones” he said into the radio. Classifications? I knew very little of that… but yellow wasn’t bad?
“The orange tiger is awake, and is showing a lot of aggression” I heard on his radio… Hongjoong? “Tranquilize him,” the doctor said and I struggled against the constraints. “He’s your partner, right? They won’t hurt him, but he will hurt us… he’s in good hands'' he said and I scoffed. Like I’d trust humans now after… 
“What happened to the reporter?” I asked and he looked at me confused. “She promised to help me… what did she do?” I asked and he hummed. “She’ll be conducting interviews this following week. So be on your best behavior or you’ll end up in a higher code” he said as he left the room. 
She actually… helped us?
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flooftyfizzlebeans · 11 months
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Theory on why we headcanon specific characters as trans more often than others, using the Fizzlebeans as evidence.
Identity based character arcs vs... other stuff based character arcs.
Warning this is EXTREMELY LONG
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Starting by analyzing Floofty, as they are my expertise.
Floofty is a scientist with no help, no funding, and ambitious plans. They come across as cold and uncaring, when in reality much of their shortsightedness comes from caring too much. Not for those closest to them directly, of course. But the greater good, and grumpuskind as a whole.
Their previous line of work suggests that when they had more resources, they spent more time helping individuals. Making prosthetics is a HIGHLY variable process, each individual limb that needs one being EXTREMELY different, even on the same person. Therefore they would need to be attentive towards individuals by necessity, even when making scientific breakthroughs. I don't think they'd have amazing bedside manner but I only bring this up to stress that Floofty is capable and willing to care for others should the situation call for it. However, they probably don't feel like they can afford to care after the events that cost them.... everything.
I assume they got their awesome career position through work during school, proving themself academically in a way that their.... abrasive characteristics wouldn't interfere with. Now that they have nothing, they're trying to get it back the same way they got it, by proving themself through actions.... but who they are and how people perceive them is directly responsible for their lack of help on Snaktooth. Actually, who they are likely made it near impossible to rebuild their reputation when inevitably grumps will think they are either chopping test subjects up to make murder machines or a confidentiality liability. They think their work should speak for itself, and who they are shouldn't matter. (They might even believe that they don't matter. It's already clear that their work is worth more to them than their own life.)
Realizing what they mean to others, who they could be to them when they let go of the big picture importance, and how they can help like they so desperately want to is integral to saving them. Let them forget that they are in fact, a grumpus, the very thing they want to save, and they might as well become what they study. Bugsnax.
...
Snorpy, however, as I've stated, is pretty much the opposite. Where Floofty rejects themself, Snorpy protects himself.... prepare for a staggeringly less complete analysis thanks to Not Literally Being Snorpy. Snorpies and Snorpy experts in the notes please contribute.
Snorpy is an engineer whose inventions are held in great esteem in Snaxburg, and yet he believes the world is out to get him. (By the world I mean... the grumpinati) The grumpinati is, in fact, not out to get him, and it takes incredible amounts of jumping to conclusions fueled by intense fear for anyone to shrink their world that small.
It's implied by his previous work that he was previously much more capable of... interacting with the public? being seen? than he is now. Like I mentioned, constructing prosthetics requires a lot of individual time and care, and a lot of interacting with many different grumpuses. But now? He is driven by fear. I can't even blame him, he's clearly deeply traumatized. How would you feel if your life's work was taken and warped for something you found cruel and evil all while you still depended on them for your livelihood? And you already probably had some sort of anxiety disorder?
Moving on, he is actually able to work perfectly fine. In fact, nearly every grumpus is seen using something he invented at least once? Despite inventions like The Knife Shot and flammable tripwire moments he's well liked by the town and everyone trusts his work to... work. But he's so absorbed by his own perceptions that it's impossible for him to take praise or even socialize without suspicion.
Even the relationship he holds most dear, and integral to what we call "Snorpy" is up in the air for him. I can only imagine he didn't ask for clarification or confess to his romantic feelings towards Chandlo out of fear. Fear of what exactly I can't say, as it's probably every possible factor that that course of action would change.
And... well. His main problem is never solved. Shelda is right, he needs therapy. Extensive therapy. But... he still improves. Part of why he does all of this is to protect Chandlo, and hide all of this from him... but after fighting Daddy Cakelegs it becomes a lot more clear to Snorpy that Chandlo is trying to protect him and knows a lot more than he gives him credit for. He's a lot closer to and more equal to Snorpy. Snorpy doesn't have to spend and sacrifice every fiber of his being to the bugsnax to protect who he loves.
That being said, who he is has nothing to do with his character arc. He's Snorpy, he's a nerd, he is an engineer. None of this is brought into question. Floofty's very status of "grumpus" is called into question through their experiments. (on an esoteric level. kinda. bugsnax are weird.)
What they share is their interactions with other grumpuses and how important actually letting themselves connect with others is... but that's something Everyone shares at least a little.
How does this relate to transgender headcanons? Floofty's arc features their identity very heavily, and calling the identity of the self into question is extremely transgender. Sometimes the definition of transgender. At the very least, a part of the process. (everyone is different)
That's why I think Shelda, Chandlo, and Wiggle are so popular for trans headcanons despite not necessarily doing anything outside their gender's norms. Their arcs heavily have to do with who they are and how their actions reflect that. Gramble and Triffany have a little bit of this but I can't rule out their gender non-comformity as the reason.
Of course, everyone is transgender to at least one person in the fandom because there's nothing proving anyone is cis and this fandom is very very queer.
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popatochisssp · 8 months
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Could you possibly do a more in depth post about ascendswap?? I love all the swap aus and this one has me Intrigued!!
I sure can!
Ascendswap
There’s a human running loose in the Underground.
They’ve been there quite awhile.
Monsters are having…a very strange day…or maybe, a strange few days… or…no, it feels like so much longer, but it couldn’t be.
Things are just a little odd lately, is all.
In reality, monsterkind has been living the same handful of days over and over again, stuck in a loop of RESETs—at the mercy of a human who seems to be perfecting their ability to show no mercy.
The repeatedly looping timeline is beginning to take its toll.
Monsters are starting to realize that something is happening.
At first, it’s only a bit of déjà vu, feeling familiarity in their actions and conversations like they’ve been here before, done this before, said this before…
Then it’s a lot of déjà vu, being able to guess what someone else will say before they say it, what they do before they do it.
Monsters are starting to talk about it, starting to suspect that something may be happening around here.
But that’s as far as they’ve gotten before a human emerges from the Ruins, and they have far more immediate problems to deal with.
One monster is a bit further ahead of the curve, though—Sans.
Though he lacks full awareness of what goes on between RESETs, more of his memories seem to be sticking than others’ and between a gut feeling, the temporal anomaly data pulled from a machine his father left behind, and the first glimpse he gets at the human’s expressions every time he ‘meets’ them, he knows.
They’ve done this before, they’ll do it again, and they’re not stopping.
Not until someone makes them stop.
Unlike other monsters (or even unlike other Sanses, in other universes), this Sans is driven, determined—arguably to the point of self-detriment—to prove himself and to solve the problem himself.
He has knowledge the others don’t, therefore it’s his responsibility to act.
Sans tries a few things to put an end to it.
He ambushes the human earlier in their dusting spree. He tries to warn other monsters to get them out of the path of the massacre. Once, quite memorably, he tried taking all the human souls they’d gathered, absorbing them to make himself a formidable, hopefully final foe at the end of the line.
That was a grueling and nightmarish handful of runs…but of course, the human persisted.
They would not be halted, an unstoppable force.
But Sans aspires to be their immovable object.
There’s one avenue he hasn’t explored yet, in searching for a way to stop the cycle of RESETs, something he’s never explored before, too daunted by the deep and unknowable source that once granted him an arcane office that not even Queen Toriel could explain beyond that it has Been as long as monsters have been imprisoned.
In desperation, Sans calls upon the thing that made him The Judge.
It’s not easy, of course.
It takes him many attempts, more effort and concentration and force of will than anything he’s ever done, but eventually he reaches back, far back across that faint thread of connection within himself and makes contact.
With…something.
It’s old.
It’s big.
It’s strong.
It feels like something that always has been and always will be.
It feels like Justice.
Communing with such a thing—an entity, a concept—is strange, nearly impossible.
Later, Sans might describe it as trying to have a conversation with Cthulhu in its native R'lyehian, screaming it across fathoms of deep ocean trying to swallow the sound.
But he manages to get something through, or at least enough of something.
It seems to understand that Sans is trying to solve an injustice but is unable, and that assistance is being sought.
Naturally, such a vast abstract entity can’t interfere directly in the affairs of mortal creatures, but through its envoy—through Sans—it may tip the scales back to even.
Firstly, it will remove the hidden stars scattered throughout this universe’s version of the Underground. The human will not be able to SAVE their timeline, and will only be able to use their Determination to start their journey over from the very beginning.
And secondly, it will grant The Judge a greater measure of its power.
This will, of course, change him.
He will have access to much older, deeper, stronger magic than he’s ever known, and he will see and feel his world in spectrums and frequencies that will be entirely new to him.
However, he will also have the ability to share that magic with others, if he chooses. At cost to himself, but nothing can be given without taking from somewhere else.
This is the bargain that Sans is offered, in the face of repeated and unending slaughter of monsterkind.
It seems fair.
If what he’s reached out to truly is Justice, then of course, it would be fair.
Sans agrees to accept the gift.
………
Papyrus is very worried about his brother.
Sans has been comatose, unable to be woken by any means, stuck in what seem to be fitful dreams and seizing movements for…days? Weeks?
It feels like longer, it can’t only have been one day, time is so wrong lately and this isn’t helping…
But eventually, Sans does wake.
There are flecks of gold in his eye-lights and the first thing he does, without a word, is to grab Papyrus by the arm.
His touch burns, hotter than any fire ever could, branding a golden handprint in the bone.
A streak of yellow slices across Papyrus’ neck, and suddenly…
He remembers everything.
Every single RESET up to that point is perfectly, chronologically clear to him. Every day restarted, all progress made and lost, every single time that he died when the human—the source of this, the one who’s doing this—slashed at him with their blade and took off his head, no matter how many times they heard him say with his final breath that he thought they could be better, if they just tried.
Clearly, they didn’t want to.
Buzzing with power and new, horrible knowledge, he asks what Sans did.
“I’M MAKING IT FAIR. WE CAN FIX IT.”
Even in so few words, it’s obvious that Sans seems a little…different.
But Papyrus is feeling different himself, and knowing what he knows, how long it’s been going on, how bad this is…
That’s on the back-burner, for now.
They need to do something, they need to tell someone—and not just that, they need to be believed.
“what you did to me, to make me remember… could you do it again?”
“YES.”
Of course.
They go straight to the top, Queen Toriel.
Though bemused, Toriel allows her Judge to take her hand—and he burns his own into it, a golden starburst appearing on her breast where she was so many times run through by…the human! She remembers now!
And she also remembers that her ex-husband is alive and hiding out in the Ruins.
Despite his soft heart, he’s as much a boss monster as she is, and by his positioning, the first real line of defense that her people have against this vicious threat, though surely he doesn’t realize it.
Obviously he needs to know what’s at stake, his full and conscious awareness is needed to stop this repeated, savage decimation of their kind.
“Sans… What you have done for me…can—”
“I CAN DO IT AGAIN.”
They seek the former king, locked away in the Ruins.
Asgore is not best pleased that his ex-wife has come to call—especially when a human child has only just fallen down and he’s left them alone to gather ingredients for snail pie—but the trio pushes their way inside and the shorter skeleton puts his hand on his chest, and Asgore’s arms are adorned with bright yellow scars, remnants of the times he’d held them up before his face to block or just maybe not have to see the final blow, landed by…
Oh, no…
Asgore runs off, back to wherever he’d left the human, and he must put up something of a fight, because the timeline RESETs again before the rest can catch up to him.
They wait, for awhile.
No one emerges from the Ruins for quite some time, through several RESETs.
Perhaps…the newly strengthened Asgore is enough…?
…Well. No.
The human breaks through, eventually.
Papyrus resolves to hold them in Snowdin for as long as he can, while Sans goes off to recruit one more for their group—Alphys, the Captain of the Royal Guard.
“ONE MORE. I CAN DO ONE MORE…”
A handprint on her shoulder later—and a slash across her waist from hip-to-leg, a brighter yellow than her scales ever were—Alphys is in the know and furious, chomping at the bit to take the fight to the rotten little human making a game out of their lives.
The tide starts to turn.
The human is wearing down, getting frustrated in the face of stronger enemies, no SAVEs, and…other things that are just odd.
Nothing stays the same across RESETs anymore, fights that used to be quick take ages, and the terrain itself seems to be changing. No one is where they’re supposed to be and taking a turn they’ve taken a million times will now suddenly put them halfway across the Underground!
And every time they die, they now have to start all the way back at the beginning.
It’s annoying and it’s surely only a matter of time before they give up on their quest of destruction altogether.
But in the meantime, while the war is being waged…
Alphys asks Sans for a favor.
To do what he did for her, and the others, for Undyne too.
It’s not a need. Undyne isn’t a powerful fighter, she wouldn’t be able to combat the human that way, but she’s smart, and dedicated, and she can help somehow, probably…
And it’s…it’s so hard having to explain everything to her, over and over again, whenever there’s another RESET and she forgets but Alphys remembers…
And…
Well, the part she doesn’t say is that she’s afraid.
Whatever Sans did, whatever power he found that he’s sharing with them, they’re so much stronger now, the kind of strong that comes with a price tag.
Alphys is a Boss Monster now.
Effectively, immortal—at least in terms of aging and natural causes.
Does she really want to be that… alone?
Without Undyne…?
So…she asks.
What’s the harm in asking?
Sans seems oddly hesitant to share the gift again…but he agrees.
He takes Undyne by the wrist and the iris of her right eye turns yellow, brighter than her sclera.
Simultaneously…
Sans’ right eye-socket locks open, the eye-light and even the blackness around it bursting into a shimmering yellow cloud of formless, intangible magic.
Sans isn’t surprised, of course.
This was exactly the price that Justice—or whatever it was that felt like it—had warned of, the price he had been paying all along.
To share his power with others, to give them back their memories of previous RESETs, they would also have to experience again all the damage they took in those timelines.
Damage that killed them, many times over, and would again.
Unless Sans took it instead.
Bits and pieces of himself would be lost in the process, but pieces are only pieces in light of what—who he’s saving, replacing the lost parts of his closest friends and loved ones with his physical matter.
Many parts of him have become only loose stardust clouds of magic by now, but he’s strong enough to survive without them, bolstered as he is by his connection to the entity who gave him the gift.
There’s…a bit of agitation that goes around at this revelation, the eye-socket too noticeable to be overlooked like the other bits and pieces…
But what’s done is done.
And there’s still very much a war on, a task at hand that needs all of their focus and no squabbling.
In the end—between the six of them—they force the human to quit.
Apparently, for good.
When next the human begins their quest through the Underground, they say their name is Chara and that it feels like they’ve just woken from a very strange dream…or maybe a nightmare?
Between their Determination, the power of the other humans souls, and the deep, old magic of a few very powerful monsters, the Barrier is broken and monsterkind goes free.
It’s…a happy ending.
Xanth (Ascendswap Sans)
Never quite the same after his communion with Justice… He experienced a severe ego-death and was simultaneously opened up to several new perceptions of the people and the world around him, leading to a very divided focus that’s almost exclusively outward-facing. Missing as much of his body as he is, he doesn’t feel especially present within himself, more just…tethered, utterly fearless when it comes to himself and his safety, which—combined with his wandering attention and strange perspective—tends to make him seem a bit…dotty
Has a greatly heightened soul-sense and is much more aware of (and vulnerable to) the emotions of others, highly empathic and very attuned to the atmosphere around him. His eye-socket—the one mostly replaced by loose magic—amplifies his extrasensory perception significantly, so he tends to keep it covered to maintain what focus he can
Unfortunately lost a few friends in the aftermath of everything that happened Underground after it came out (or at least, rumor spread) that he was the source of some monsters’ cool new powers, but he only picked a few people to share it with… They don’t know the full story, but it’s a sore spot for him whenever it comes up…
Spiritual, very interested in matters of the soul and the universe and the cosmos, and all the ideas had and perceptions felt of it by people all around the world—he can and will talk mysticism with anyone who’s interested for hours
Cheerful, talkative, and generous, he can be a bit odd but perfectly warm and go-with-the-flow after some getting used to
Piper (Ascendswap Papyrus)
Considerably more confident than he ever was, the power boost of becoming a Boss Monster certainly didn’t hurt but mostly what changed him was the existential realization that nothing matters—or at least, not so much as to be afraid of what people think of you. (The memories of a few thousand RESETs where you did the exact same thing every single time because you were too nervous to step out of your comfort zone and be who you wanted to be work wonders for shaking off some of the rust and getting you started on making some changes to your life)
Has a new magical ability, courtesy of his rebirth as a Boss Monster, to push intent into his words as his speaks them, making him significantly more convincing. It has its limitations, as a Justice-born power—he can’t use his words to force people to go against themselves or do anything abhorrent to them—but he can influence a bit, making his words felt and persuading people to want to work with him rather than against him
A little protective of his brother…maybe more than necessary… He blames himself some for how much his brother ended up sacrificing, for being the first one to encourage him to do it, for not noticing sooner what it was doing to him—and it’s not only his imagination that there’s still plenty of people coming around looking to take advantage of Sans’ giving nature or apparent ‘naiveté’… Not when he’s around, that’s for sure
Aesthetic-conscious—spent a long time too self-conscious and insecure to present the self-image he wanted and making up for lost time now by dressing well, buying nice things that look good, and trying out hobbies he thought were ‘too cool’ for him… He's a cooler guy than he gave himself credit for, it all suits him wonderfully
Grounded, chivalrous, and charming, he might take a bit to really warm up but an unwavering pillar of support once he has  
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rimbaud-fan-page · 9 months
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Read the Fifteen Light Novel and also I hate you Bones
Studio Bones looooooves screwing BSD over, and nothing is more indicative of this than the anime adaptation of Fifteen (except maybe Dazai's entrance exam because what the fuck was that).
To be fair, they did an okay job. It's nowhere near as good as the light novel but there were some changes that I did like; the soukoku hand-hold was one of them, Rimbaud's ability changing from red to gold was good, and like....very little else.
But contrasting the pros with the cons gives an OVERWHELMINGLY negative outcome, because dear lord???? The sheer amount of things they managed to mess up is borderline impressive. And it all leads back to their bastardisation of Rimbaud.
For those who haven't read the Light Novel (but assuredly will after this), Rimbaud's motivation is to kill Chuuya and absorb his memories. Why? To find his partner.
What partner you ask???
Why, were the few lines where Rimbaud offhandedly mentions his partner in passing not enough?
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No???
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Not ringing any bells????
See that would be because Bones REMOVED HIS ENTIRE FUCKING MOTIVATION????
Meaning all his lines about his partner? Gone. All his reasoning and character and personality? Aufwiedersen.
But why does this matter? Rimbaud is a fairly minor character as BSD goes, and whilst I love and adore him with all my heart, what damage does a couple cut lines do?
More than you could know.
Rimbaud is the main antagonist of this arc, therefore when he is misconstrued, the arc itself falls apart, his impact on Soukoku is gone, the stakes are gone, everything SUCKS (maybe I'm being petty but shush).
The gall Bones had to do this is beyond me, because tell me how they removed the antagonists ENTIRE GOAL and expected it to turn out well???? The thing that sets Rimbaud (and all BSD antagonists) apart from an average run-of-the-mill-villain is that he has a goal, and it's personal. He doesn't want to take over the mafia, although he has the clear means to, he doesn't want to blackmail Mori or betray him or gain any kind of power, he just wants his partner back.
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Not only that, Rimbaud's relationship with his partner is a fantastic parallel to the relationship within Soukoku, Rimbaud himself has many aspects to his character that connect back to Dazai and Chuuya, which is why that last fight is SO IMPORTANT for them as both individuals and a duo.
Rimbaud and Dazai have a similar disconnect from the world around them and their internal emotions. Dazai is encouraged by Mori to view others as pawns, and has trouble connecting with his emotions, whereas Rimbaud deliberately does not acknowledge his emotions, as he believes they will interfere with his work. On the other hand, Chuuya is exceedingly loyal to his friends, and is able to understand Rimbaud's reasoning, as he would also do anything for his friends, just as Rimbaud is sacrificing everything to find out what happened to his partner.
Also, Rimbaud is a transcendent, one of the most powerful ability users in Europe, and yet two Fifteen year olds were able to beat him??? Either he's weak, or those are some insane fifteen year olds, and the light novel makes it clear it is not the former. Rimbaud is incredibly strong and clever, he often predicts Dazai's plans, and is able to counteract them. But he still lost, because he was up against Soukoku.
Their first victory and it's a BIG one.
And back on the topic of Rimbaud's partner, he isn't even named in the anime, why does he matter???
Paul Verlaine matters to me <3333
And in the main plot and lore of BSD too but whatever ig, I mean it's not like he's an inciting character that creates a situation that is vital to both Dazai and Chuuya's development and also changes what we understand about abilities or anything.
Not to mention Bones cut out so much of what makes Rimbaud entertaining?? I love him, but he's so boring in the anime, because they took out everything and made a cardboad cutout of a man.
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He's so stupid I love him so much <33
In conclusion; Light novel good, read light novel, please please pretty please
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HIII THABK U FOR THE TRIVIA AND ASHE SONG before i take forever 2 answer those or forget here is a blank ticket to please please talk about prime defenders and their AWFUL emotional literacy and processing skills i would literally love to read that essay so much ive also been thinking about it incessantly. big eyes staring up at u.png. ok ok peace out GOODNIGHT !!!! <33
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i lied actually im not going to bed im judt thinking about this ans listening to St. John on a loop now. hello catkiss.gif i forgot how youve filled me with so much joy. that cat is so fuckign cute
anyway. hi :) prime defenders huh. this is gonna be less of an essay and more of a sleepy ramble but ohhh i have so many thoughts. they all process things so differently and none of them are good at it they all need therapy so bad. ms.g where is the hero therapy why didnt you build that into w.a.t.c.h ma'am
vyncent is probably the best at actually processing things out of all of them, he just internalizes everything to the point where he wont talk about it unless hes pushed past the breaking point. vyncent is actually very.. emotionally intelligent? i want to say mature but that feels like im singling him out because hes the oldest. i just feel like because he grew up on Fauna and had to be in basically survival mode in a world full of monsters trying to kill you.. that makes a person grow up quicker than they should. i think vyncent had a good childhood and for the most part his parents took good care of him but just.. living in that world doesnt seem like it leaves room for a whole lot of expressing emotions. vyncent is good at quick analysis of a situation, but unless a problem directly interferes with the current goal he doesnt externalize it to everyone else. but bottling up his feelings and emotions just builds up pressure over time until something like the lich makes him blow up and let it all out at once, usually in a dramatic monologue format bc condi is really good at those god damn it. also they played off the fact that vyncent said all of that to the lich and then missed his attack as a funny thing but i like to think of it as. he got too overwhelmed w his emotions and lashed out too soon it made his fighting messy. vyncent is so angry and honestly after what hes been through he deserves to be !!!!
william wisp. my boy. god hes just like me fr so much so that it physically hurts sometimes. anyway. i always think back to the scene where theyre all in the cabin talking about themselves/sharing backstories and william keeps desperately trying not to talk about himself. the fact that hes so ashamed of his powers he hides wisp form every time. two of his powers are LITERALLY a) turning invisible and b) turning intangible, usually as an excuse to leave whatever situation hes in ("accidentally" falling through the floor at opportune moments in season 1) . theres. a thing that happens at the end of episode 13/beginning of epidode 14 that youre really close to and i wont spoil yet but god it has to do with this so extremely much please come back to my inbox when you get there. youll know what it is trust me. um. yeah. so anyway. i think a lot of this comes from a place of. he doesnt want anyone to be scared of him. williams not stupid hes incredibly smart and insightful he knows his powers are objectively SCARY. hes scared of himself constantly, he doesnt want anyone else to feel that way about him, so he shifts focus whenever those aspects of himself are brought up because if someone were to think about it for any amount of time theyd realize the truth that hes scary and dangerous to be around (<< william logic. hey remember how one of the reasons he originally left deadwood was because the monsters there were attracted to the wisps and therefore Him so he left to keep his friends/family out of danger)
i think a lot about williams death and the immediate aftermath, i dont know how much you actually know and how much of this comes later but . how does he go home after waking up from that. his parents know about his powers, so they MUST know what happened. what do you think he told them when he god home muddy and dirty and broken and probably bloody after being missing for. god knows how long. how does he look his mother in the eyes and tell her her little boy is dead. but hes also not because hes standing right in front of her. how the fuck do you think he felt the first time he went into wisp form and saw his body laying there !!! of course he wouldnt want to talk about that!!!! youre gonna have to pry william wisps emotions from his cold dead hands !!!!!!!
dakota's response to the ashe situation was to run away in the woods and do nothing but train for 10 months. he didnt think about it for 10 months. i dont even have a whole lot to say about dakota other than like. stunned silence whenever his inability to process trauma is brought up because grizzly does such an incredible job at being like "you ask dakota how hes doing and his face is just blank" << paraphrased actual quote from an episode i cannot remember which one. either 11 or 12 ?
also because im thinking about him im including ashe in this. we didnt get to see a whole lot of his canon reactions to extreme emotional situations so a lot of this is just coming from My Mind but ashe seems like hed be the type to repress a lot of his emotions too. being alone in your house/in your room for extended periods of time will do that to a guy. i think he feels a lot of things and will probably very openly cry/scream/get angry when hes alone but as soon as he knows another person is there he can immediately flip the switch to turn it all off like nothing happened. very much a deadpan "im fine." if someone asks how hes doing, even if hes got like. the remainder of tear tracks down his face. cannot physically express his emotions in the presence of someone else
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stylistiquements · 3 years
Text
The Sorcerer pt. 1
Corpse Husband x gn!reader
Reincarnation AU | Summary :
The same candle lights up on Corpse’s desk every time you are reborn and turn 23. He has been looking for you during centuries but this time you might be closer than anticipated.  {Playlist}
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𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝟏 : 𝐓𝐡𝐞 𝐧𝐮𝐦𝐛𝐞𝐫 𝐟𝐢𝐯𝐞
You’re about to blow your 23rd candles and Corpse is about to experience the consequences of it. Somehow, something about your rebirth is different this time.
☾ Words : 6009.
☾ Warnings : angst, mention of death (only suggested and not specific), grieving, swearing 
Masterlist | Next 
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What does it mean to be a sorcerer in 2021? Corpse wonders as he chooses an outfit for his black bean character, lightly tapping his fingers in a crafted rhythm against his dark wooden desk. Nothing, really. The modern days turned his kind into a groundless concept, legendary creatures at best and it’s truly a shame when you think about it.
“Alright, are you ready?” Corpse asks as he moves his mouse above the “start” button and projects everyone into a new round.
“I won’t forgive you like I did last round,” Karl warns Corpse, dash of amusement in his tone.
“Sure,” he scoffs and the devious ghost of a smile shines on his lips when the bloody word “imposter” appears above his virtual pink cat hat.
Sorcerers used to be the rulers of this world and the most famous of well-hidden secrets; no one talked about it yet everyone knew. You just had to be here, respect and adoration followed their every move. People from all horizons went out of their way to meet them in hope of witnessing a miracle.
Oh, how the tables have turned now. They didn’t have to hide their face back then and it all went the harmonious way until a certain day when their fate met a tragic outcome. The day when life took a turn for the hidden.
Corpse is somehow retired now. Maybe that’s why he started doing youtube in the first place; because the craving of being needed had to be fulfilled one way or another. Or maybe because the thrill of life has been gone for so long he had to try everything to fill the void in hope of feeling a drip of something again. The weariness of a mere life stiffened in his rib cage from time to time, preventing a proper breathing.
He could have still been able to practice his magic facelessly -he wouldn’t be the first one to do so after all- but it seems crazy, surreal even, for him to picture being so public about such a heavy little secret nowadays. He found comfort in the concealed, in the invisible so long ago.
See, that’s the most important reason why Corpse is who he is today but stopping the explanations there would be neglecting the truth. Corpse would, but I'm more honest than he is.
Somehow, he believes a little too seriously that a kid’s app was designed to ruin his life. He feels this rotting taste that burns his tongue every time he thinks about it, he always talks about it with great passion; as if one minute videos could compete against the thundering energy that travels from his veins to the tip of his fingers. Witchcraft tiktok got the last bit of his ancestral pride and that’s a damn shame.
His character ambles around the hostile corridors dipped in yellow light, looking for a prey to slice in half. He doesn’t have a plan yet but he sure knows how to improvise by now. Corpse deems that he’s rather good at it. He meets Tina in O2. She’s wandering around, running like a headless chicken. What if he took that expression a little too seriously? Alas, he can’t wrap his mind around the idea of the unforgivable and she escapes his reach. Corpse’s nose wrinkles, better luck next time.
His fictional blood thirst gets stronger when he hops inside a vent and observes Rae’s red character doing her tasks. Corpse knows what comes next, it’s inevitable. A hint of excitement and nervousness hatch on his chest.
At the same time on the other side of the country, the ones you love are carrying a big cake to your table. It seems so silly and it leaves you slightly embarrassed that people are celebrating the fact that you were born but, somehow, you can’t forbid that smile to reach your ears.
When you look at the cake, a snort escapes your control. Your friends drew a glazed picture of you but you find yourself hoping that there isn’t much resemblance between that Picasso-ish designed cake and your actual face. I mean, except for that particularity your face displays; eyes that don’t match in colors, one green and one hazel, it really just looks like a kid's doodle.
23, what a weird number. It doesn’t sit quite right with you for some reason. 22 is fine, same goes for 24 but 23 … Somehow, it feels like something is either missing or too much. You’re not too sure which one it could be.
The warmth that emanates from the candles is sweet and tickles your chin softly and everyone is singing along the most disastrous birthday wishes. You’re preparing for your wish. What could you need more? You’re a faceless horror narrator on youtube and life is just about good. I mean, there really isn’t much to complain about and that should be enough.
Your mind drifts off for a second, contemplating what the dream life could be about while one of your friends is already complaining about wax getting all over your glazed face. You could wish for material things but they come and go and their meaning is only ephemeral, maybe 23 is about getting more than that.
Ah, found it. You close your eyes. May I find the place where I truly belong. 23 candles are blown in one breath, not a bad performance.
That’s when the candle on Corpse’s desk starts shining a delicate and orange shade.
Corpse doesn’t notice it at first, too impregnated by his hunt, but when the unusual warmth finally informs him of the merry event, he wrestles to keep his mind into the game. His virtual character stands motionless for a second as he mutes his mic and takes his headphones off.
Fuck, not now please.
Somewhere, a new version of the love of his life turned 23. His mind drifts off, wandering near this idea as his eyes meet the flame.
It’s been hundreds of years and that fucking candle kept you hostage of his mind. Because Corpse couldn’t forget about you, he built those walls to provide you from slipping away, from invading too much of his busy mind. It was a compromise he made with himself so he couldn’t reach you entirely and, therefore, miss you completely. Yet, your rebirth leaks through the pores of his brain and past the fences no matter how hard he tries.
Corpse battles to breathe, he tries to get his mind back on the game but somehow his throat is already filling with a dangerously acidic concoction. Maybe that’s why he doesn’t notice immediately the way his fingers start shaking at a painstaking rhythm.
He moves his character around. Left and right. It’s mechanical and meaningless, nothing but a lost cause. Corpse clenches his grip around the mouse, hoping that the unsteadiness would pity him. How much longer can he carry that feeling? It sits on his shoulders and his chest. It tests out his patience, his own resistance to pain.
“Corpse!” Rae shouts wholeheartedly, rooting him out of his spiral. “Where are you?!”
Fuck; he has no ounce of idea of what is happening in real life, too busy going down this familiar and intimate loop once more. He swallows it all, praying that you would spare him some earned mercy. You’re always so cruel, unabashedly sneaking in and taking over his space despite all his efforts.
“I-huh- I’m in medbay, I have scan," he bluffs, hoping that no one would notice the way his voice cracks at the end.
Because if anyone did, he would have to admit that he’s not okay, that he never was and doubts that he ever will be. Just as if conceding the facts would’ve allowed him to feel how flourishing his despair was. There’s this knot inside his throat. It’s painful and he’s so tired. How many times was he left crawling on his bathroom’s floor when his heart fractured a little deeper? He misses you every fucking day but each rebirth brings back more and more longing.
He would love to abandon himself to the aching pleasure of this unsolicited reminiscence but he knows that if he did, you would possess him wholly and never give him back. You plague his mind like a mist that grows thicker and thicker on his lungs. It diffuses everywhere and intoxicates what’s left of him.
“Sure sleepy but that’s bullshit,” Tina whines. “We know it’s Corpse. He’s been sus’ the entire round!”
“He said he had scan, right?” Sean interferes, believing that Corpse is the jester. “Why don’t you give him the benefit of the doubt?”
They’re all waiting for Corpse to step in, to defend himself but he’s no longer here, too busy trying to swallow the emotions that are leaking all over the place. It gnaws him alive, piece by piece and it hurts so fucking much. Will it ever stop?
Silence is convenient, “I voted” badges get pinned on everyone’s chest. His black character falls into the lava, what an ironic metaphor.
“Sorry guys, something came up and I gotta go.” He finally says, hurry in his voice. He doesn’t try to hide it. In fact, he can’t.
“Are you s…” Rae’s voice gets cut abruptly when Corpse quits the call without further notice.
Corpse knows what’s next, when his head gets overcrowded by feelings and his heart too empty. It’s ugly, it’s messy and oh how he wishes it would be different this time.
The room is spinning from the crumbs of your sweet face and the trickle of your voice that drips through his ears as if you were still here. He clings onto that distorted and stained picture as if it was the ultimate proof that you were real. Were you even real once ? Remembering feels like repeating a word over and over again: with time, it loses its meaning. It wasn’t you he remembered, Corpse figured it out a long time ago. You weren’t there anymore.
The thought of it drives him crazy. He wishes he could get rid of that fucking candle, constant reminder of your rebirth away from him, constant reminder of the defeat he has to endure every time you turn 23 and you’re still not by his side. He has been looking for you everywhere for hundreds of years, from the biggest capitals to the most secluded parts of this world, without a single hint of your existence. You’re his greatest failure and he can’t, he won’t stand that.
Corpse grabs the candle and it collides with the floor with a thud that tangles with his raw voice. His chest moves heavily. It's scattered and in discord and there is this distorted gaze on his face when he remembers that the candle cannot be shattered. It’s this unsolicited spark of self-awareness that brings him closer to reality. Fuck. What the fuck is he doing? Corpse finally lost his damn mind. His hands wander uncontrollably in his hair and he looks around frantically for a second, trying to remember how to survive.
Corpse’s head is pressuring him, rushing him to turn off his computer and spill the words that are stuck on the back of his tongue on a piece of paper. That grip is unforgivable and unclear but he starts writing as if it was the only thing left to do, maybe it is. It feels like survival instinct at this point, it feels like the last attempt to collect the pieces of himself you left behind.
Dear you,
Happy birthday, wherever you are in this world. Another letter is about to join the pile. How many are there already? I wouldn’t know. I stopped counting since it made me sick.
As every time, I hope it’s the best birthday you have ever had. I remember the twenty-third birthday we spent together as if it were yesterday. I can no longer recall the way your eyes wrinkled under your bright smile or the sound of your echoing laughter but I do remember that warm feeling inside my chest, the pain in my cheeks from laughing with all my heart. How pleasant was it to be able to live it all with you? To be able to embrace you, to breathe you, to see you. Forgive me, my love, for I am no longer capable of picturing anything of you. I wish I could. I wish I could be haunted by a proper ghost, at least, and not just a glimpse of the range of emotions that animated me when you were by my side. All I can remember now is that you felt like a firework and that my eyes never met a prettier human. It’s so truly unfair to think about the fact that no one matters as much as you still do.
I am drifting off, am I? I always tend to do that in those letters. I hope you’re doing well, I really do. Did you spend your birthday with the ones who love you? I hope you’re happy and healthy. It’s the only important thing, or at least that’s what I have learned so far.
I hate those letters, they make me realize how lonely I am. Somehow, it feels like I’m expecting an answer that is never going to arrive.
Fuck. My skin aches from the lack of your touch. I miss you so fucking much. Just tell me what to do. I tried everything and you’re still stuck inside my brain. I’m a sorcerer for fuck’s sake, one of the most powerful beings to have ever existed and yet the concept of one single human defeats me day after day, rebirth after rebirth. I’m a fucking shame for my kind. I hate you. I love you so very much. Happy birthday.
Yours truly, Corpse Husband
The paper is stained by the storm that has been building up in Corpse's mind for hours. The letters are deformed now. Look at the mess you just made. He throws the letters away, where he can no longer see it and brings his knees to his chest, resting his head between his legs. He feels like screaming one more time but he’s choking. Sweet and sore agony grips his throat as his veins are burning with thick poison.
Don’t be fooled, Corpse would have been able to cast a spell or two to forget about your existence and spare himself a bit. Yet, it would only erase the last proof he had of you, not his feelings. He would have to bear the burden of a quest he could no longer figure out. He would be left longing for something that no longer existed. As if it wasn’t the case already. He wishes he could sleep, life would be so fucking easier if he could just fall asleep.
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A few days have passed since your birthday. The thread between days and nights is thin and confusing and the candle on Corpse’s desk is still radiating with as much energy as the first day.
Corpse’s head is heavy, aching, he wonders if he could still carry it on his shoulders if he wasn’t lying on his bed. That sore body feels like it has been drained from an eagerness that has been growing for too long. Corpse groans, trying to figure out what’s sheets and blankets and what’s limbs, living up to the name he chose for himself.
Every ray of the sun is burning his skin. It leaves his body smelling like heat, he doesn't like that smell. Now, he could just get up and draw the curtains but that laziness is as weary as infiltrated. If only it could rain, maybe it would soothe his nerves and his growing migraine.
After a few minutes of silent fulminations, Corpse finally unlocks his phone and opens his texts one by one just to ignore them. He’s curled up on himself, as if a compressed version of his darkness could help in order to block the light. Sorcerers are supposed to be tied with nature, with every ray of the moon and the sun. His bond with the sun is molded, if not completely doomed to grow untie. Corpse is a sorcerer like no others and that goes without saying.
One text captures his breath and his attention, bringing back some interest into the numbness. It’s coming from you, y/n. Or at least, the “you” from this present life. The “you” who isn’t aware of the past and the “you” Corpse doesn’t know is the one he has been looking for during eternity.
In this life, the two of you aren’t close enough to be friends -and he would never let you take that role- but, by the time of your first Twitter interaction -which consisted of you tweeting emo Sykkuno with tattoo pictures and Corpse replying with a meme that said "If life is a simulation please turn it off", Corpse knew you should be near him at all time. Not too close for you to actually be able to touch him but definitely not too far. It’s peculiar but something that has to be felt, not explained; a primitive hunch so loud it couldn’t be unheard.
His mind is awake again. The plan for today, which consisted of him rotting in his bed, seems compromised right now. Corpse turns to lay on the left side of the bed, where the sheets are cooler. His brows furrow and he sighs heavily as he rubs his eyes with his thumbs.
Corpse really doesn’t know why he’d feel that way in the first place for someone like you. You always seem so organic, radiating, so free in the way you choose to exist. He envies you for being so authentic when all he can afford to do is remain hidden, where no light can really reach him if not to draw a faint shape of his being. No harsh feelings though, it’s just the way he feels about anyone who doesn’t sound fake. There is still a bit of remaining endearment in the way Corpse’s words are thrown at you, you just have to know what to look for.
Now, Corpse trades his horror narrator's advices against some social media help. Those things are bigger than him, he’s too old for that anyway. You think the way he still uses symbols as emojis is charming -no one does that anymore- but Corpse just can’t keep up with today’s slang and way of showing emotions via texts. Kids these days are just too creative with the way they express themselves.
[Hello, Mr Sorcerer, hope you’re doing good. I need your help on something.]
Huh.
He meets your words and his mind gets coated in sweat, frozen blood preventing the next heartbeat from happening. Who told you?
Corpse can’t wrap his mind around the fact that his most precious secret is being exposed with that much negligence. He can count on his fingers the number of people who are aware of his true nature, half of them are actually other magical beings of some sort. It couldn’t be a coincidence.
His head is hammered by thoughts. He thinks he’s screwed, that everyone will know. He can already foresee what is about to come. That’s why there is a bit of fear in the way his eyebrows are arching. His alerted mind screams for him to just throw his phone across the room but his fingers, covered in panic, are faster. The first text he sends is not directed to you, but to Sykkuno, his familiar.
Familiars are to sorcerers what assistants are to magicians. In short -but not limited to- a massive help.
Corpse’s link with Sykkuno transcends the law of words and thoughts. They just understand each other and the way they do, without even having to see each other, is just something that has to be witnessed once in a lifetime. It’s a sort of energy that travels through space, a special connection. It's light and invisible but leaves a warm trail on its way.
However, what doesn’t transcend their bond is the concept of time zone -which Corpse forgot about for a second. Sykkuno is probably asleep right now. Corpse’s panic takes back its race once he realizes he’s on his own and he types:
[Haha, very funny. You know, if you wanted to talk, you just had to say hi :)]
Denial, that will do the trick, right? You can’t be that persistent. Or at least that’s what Corpse hopes when he leaves his phone on an unstable balance on his forehead, waiting for an answer he hopes would spare his mind from yet another issue he has to take care of.
[I knew you’d say that but don’t worry, I promise I won’t snitch,] you reply, lips twitching under a sly smile. [I’m way too afraid of you cursing me or something.]
[Who told you shit like that anyway?]
[I just know someone.]
His expression hardens, that head keeps throbbing harder and harder by the minute. You’re so impetuous and it turns him into an impatient and choleric fog. The topic is too important, crucial and it shows how you truly have no idea what you’re talking about when you act as recklessly as you do.
[Some crazy folk told you about magic and you believed them, huh? Thought you were smarter than that.]
[Dream would be pretty upset if he knew you called him “some crazy folk”.]
Corpse stares numbly at his screen before sitting back on his bed, pulling away from his vision the curly strands that fell down. He throws a bunch of silent curses at the sun which is still attacking him, if not even more now. He types a few words but erases them in a snap, repeating the process once or twice more. Now he has to send another text, this one is for Dream : “we need to talk.”
What a weird day.
Questions, Corpse has so many of them but he can’t stop shaking his head with confusion. He had no idea you knew Dream. Why would Dream reveal something so critical as Corpse’s identity? Why would another sorcerer send you his way? That’s not how things are done unless it’s something they deem they wouldn’t be able to handle and there’s really a few things Dream wouldn’t be able to do. Corpse hesitates for second, fingers fidgeting in the air. He doubts that he would ever be capable of doing something Dream can’t do but does it really matter when, right now, you’re holding information you should never be holding in the first place?
[Feeling like trading secrets under the full moon?] You outbid. It’s always so tempting to tease Corpse when he sounds like a grumpy old man.
[A sincere fuck you.]
[That’s very rude, Mr Sorcerer.]
The way you avoid providing any sort of explanation grows in his mind like weeds that need to be ripped off. Really, from all the good timing in the world, you had to choose the worst one. But there’s the faintest hint of a smile on his lips when he does the math and realizes that, if you wanted to use that secret to your advantage, you would have done it by now. A slow relief that softens his headache. Also, Corpse is well aware that, as annoying as you can get, he can’t refuse you a thing.
[Fine, tell me what you need.]
[So I keep seeing the same number again and again and your name keeps appearing in my head at random times. Still don’t get the correlation but I know there is one. I wanna know the number’s meaning and how I can get rid of you.]
Corpse huffs, he’d like to know that himself. He’s about to laugh it off when he reads the text one more time. Something about it is mysterious enough to pique his curiosity. You mentioned his name, it bothers him. Not that he doesn’t appreciate you thinking about him but because it sounds odd enough to be something related to magic in one way or another. There’s this mix of excitement and apprehension that fills the pit of his stomach and now half of a smile is embellishing his lips. This buzzing sound in his brain, maybe it’s the final signal that he should start practicing magic again, the final signal his life will feel thrilling again.
[Call you in 5. This is a consultation by the way, I’m not doing this for free.]
[Fine, you rat.] You answer with a victorious smile.
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Corpse’s words linger in the air. It’s smooth like velvet -you could almost touch it if you pictured it hard enough- and it’s soothing in some way. It’s deep mumbles and bits of light chuckles and a little magic. You’re spinning slowly on your chair, playing with strands of your hair. There’s a different tone in Corpse’s voice. He sounds tired and it’s mixed with something else you can’t really pinpoint. For the best or the worst, that, has yet to be determined.
“So.” Corpse says, bringing you back to reality. “What’s that number you were talking about?”
“Right. So, I keep seeing the number 5 everywhere. I wake up at 5:55 every morning. When my eyes are looking at the clock, it’s 5:55PM and it extends to absolutely everything.” You faintly slap your palm against your thighs in exasperation.
Corpse is silent for a moment as he tries to collect the bits of knowledge that are still hanging here and there inside his mind. As he expected, the pressure below his left eyebrow makes it hard to think. He really doesn’t get why Dream wouldn’t be able to take care of a matter that sounds so frivolous. It feels like the most important piece of the puzzle is missing , the one that makes the whole picture makes sense.
“Okay, this is not really my specialty but the number 5 is an interesting angel number.” Corpse hums. The word “specialty” echoes. Dream talked about that once and somehow, that’s how you finally realized that Corpse was, indeed, a sorcerer. Not that you wouldn’t believe the information in the first place but there’s a remarkable difference between learning and experiencing. What would be his specialty then?
Dream introduced you to this new veil a couple of months ago and you never fully believed in it before getting involved. Maybe that’s why you never talked about it to anyone. Even now, your skeptical nature always finds its way back to you. He said all sorcerers had specialties and that his was clairvoyance. You don’t really know what that means but you wouldn’t ask too much. Knowledge seems like a curse in that field, or at least that’s what you have learned from Dream’s distressed tone when he talked about the past. He always sounded like a broken record, a little out of tune, as if his soul was still partially stuck back there and maybe that’s why Corpse always sounded that way too.
“Do you believe in guardian angels?” You raise an eyebrow, high voice brimming with confusion.
“Do you?” Corpse pauses, you’re silent for a couple of seconds and he realizes that he won’t get an answer to that. “The number 5 is your guardian angel trying to tell you that things are about to change in your life. In fact, it means that the process already started.”
“You’re kinda scaring me though,” you say as you readjust your sit, nose wrinkling under an almost grimace. You don’t like it, you don’t like their world. It’s not yours, you’re only a human with a mere life and an almost mere job. Sometimes, you hate Dream for letting you on this secret you were now forced to keep. It always felt so two faced.
“You don’t have to be scared, the change is only gonna benefit you.” Corpse’s voice is soft and the way you can tell he believes in the words he is speaking is almost as surprising as reassuring. You can’t help it, you don’t like change. The unknown is called that way for a reason and maybe this reason is the explanation for why it needs to remain that way.
“Sure,” you coy. “What do I do about you? That’s what really interests me.”
He scoffs. Trust me, that’s what interests him the most as well. Yet Corpse knows no answer to that. He hesitates for a second and his eyes wander into the void. Should he let you know that he doesn’t have a clue, that it somehow scares him as much as it intrigues you? It feels like his broken sorcerer ego would crack even more if he did. Maybe he just had to find out before letting you know.
“Are you obsessed with me, y/n?” Corpse winces. Why would he have to travel through sarcasmland(™) to escape the question? His eyes go wide for a second, flickering on corners of his empty room. It’s only fair that he would tease you like you tease him, right?
“You’re just being annoying now,” you mumble, cheeks flushing in a vivid tint of pink and Corpse snorts.
Corpse almost forgot about himself for a second, about that damn candle, but it hits him once the conversation fades away and the static silence is the only thing left. So he gets up, grunts in complaint rooted out by sore muscles, turns his computer on and plays some rain sounds. The melody of droplets hitting the ground is reminding him how to breathe.
“Rain sounds, huh,” you whisper. “You like those.”
Corpse hums and the two of you are left listening to the rain. It tickles your ears pleasantly, so you close your eyes and relax in the back of your chair for a moment. It’s a beautiful disharmony if you really pay attention, just like Corpse is. You feel like the conversation is about to end, you don’t want him to hang up just yet.
“Corpse?” Your voice trails for a second and Corpse hums again. “Why did you decide to be faceless?”
“What did Dream answer to that question?” His tone is interesting, a bit higher than it probably should have been. What came up as conversation modalities turns into a piqued interest.
“He never answered me," you mumble.
“So people like you can’t take advantage of our nature in real life too,” he lies and you can tell by the half chuckle that travels with the answer.
You know you won’t get more from him, way less than you wish you did. Those faceless sorcerers always leave you hanging. They let you in on their little Hannah Montana life but never bear the consequence that is this endless and flowing well of questions. The rain rings heavily through your ears. It’s time for the call to end.
"Goodbye, Mr Sorcerer,” you sing before hanging up.
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When the darkness finally surrounds Corpse, he slips into a strange place that greets him with a familiar smell; vanilla and freshly cut grass. The birds are singing. He takes a long inspiration, his body knows before he does. Corpse looks around, trying to let the image of the surrounding setting sink in.
That place seems oddly familiar, yet totally new; a kitchen made of golden wooden walls. It's decorated with an old and distinguished taste. The wooden table is dressed with a pretty blue and red tablecloth. Vases of fresh flowers displayed on parts of the kitchen, dried herbs hanging above the sink in front of the window. It’s dipped in sunlight, too bright to be real. The rays of light are swaying with the shadows of branches which are dancing outside with the wind. Corpse doesn’t mind the light for once, he even closes his eyes for a second to let every pore of his body get soaked in it. God, did he miss that place.
“Honey, I was waiting for you.”
Corpse’s heart jumps a little before clutching harder. He knows who’s here, he knows it’s his unforgettable love and the idea makes him almost want to never open his eyes again. He can feel it, the profound kindness and sweet smiles that are surrounding you like it always have and it makes his eyes burn with tears that are ready to trail down his cheek, sobs jostling inside his throat. Corpse wishes he could just cover you in embraces and kisses but he can’t, he can never do that in those dreams.
Corpse tries his hardest not to let the frustration immerse him in bitterness by controlling his breathing which could get carried away at any moment now. He finally swallows it all to look at you. There’s a significant disappointment on his face when he realizes yours is as blurry as always. He wishes he could just witness this beauty one more time. He doesn’t remember what your face looks like, you’re not real. It’s nothing but a dream and you’re not here.
“I made some cookies for you.” The ghost of you says as it points out a chair that seems to have appeared out of nowhere, inviting him to take a seat as it does the same. “Those are your favorite, remember?”
With a voice sweeter than honey, so bewitching, Corpse’s body works on its own and mimics your gestures. His eyes are frozen on your silhouette. He tries to remember the shades and colors that were once painted on your face. If only he could remember.
“Did you redecorate our kitchen?” Corpse asks as he takes a bite of the cookie.
“Did I?” Your past self wonders out loud. “It’s been so long, I can’t tell.”
The treat tastes as good as it always has, Corpse takes another bite. The silence in the kitchen is delicate, contemplative. Outside, the weather is lovely; white clouds floating above the endless and bright green meadows. Corpse tries to take everything he can from that dream, from the peacefulness he feels now deep inside, and the perfume of your skin, to the sweet voice that caresses his ears. If Corpse could stay here forever, he would.
“Why are you here, my love?” You suddenly ask, forcing Corpse’s attention which he refuses by looking away.
“I wonder if the wind is warm or cool outside, maybe I should check.”
Corpse knows what happens every time you visit his dreams : you end up asking this question, he answers and suddenly he’s alone and you vanished into thin air. The response is always the same; because I miss you. It leaves him feeling lonelier than ever, craving a presence he can no longer be blessed with. Just a little bit longer, please. He blinks rapidly to expel the few tears that are forming in his eyes, so the knot inside his throat wouldn’t become more unbearable than it already is. Corpse is left feeling so desperate and helpless.
In a precipitation he almost can't control, he gets up and walks towards the door. He just wants to feel the wind on his skin. Please, just a bit longer. Corpse is almost at the door when his eyes deform with stupor under the pressure of a hand that grabs his sleeve. His heart stops, he was never able to touch you in a dream before. What changed? There’s a moment of hesitation before his eyes travel from your hand, to your arm, to your neck, to your face and he can no longer swallow his emotions when he dives into your eyes. Your eyes, he can see them.
When Corpse wakes up, wiped out of his dream, his breath is short and sweat pearls down his forehead. He’s in a rush, he remembers something about your face, something important. He knows what to look for now; your eyes, your irises. They don’t match in color. The left is green, the right has a pretty hazel color.
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☾ A/N : Welcome on this new AU my friends I’m so excited to have you here with me on this new journey! I hope you liked the first chapter. A big thank you to @moontwinkles for beta reading the chapter and being a big help 💗 How are we feeling about this? Faceless leo men being sorcerers and familiar Sykkuno??? Idk I’m a little too passionate about it. Don’t worry the next chapter won’t be as angsty as this one but I needed to express my thrist for angst lmao anyway let me know what you think! Until next time (ɔˆ ³(ˆ⌣ˆc)
☾ 𝑻𝑨𝑮𝑳𝑰𝑺𝑻 *OPEN* : @open-minded-chip-101​ ; @lochness-butmakeitsexy​ ; @bizarrebibitch​ ; @bellomi-clarke​ ; @ladybismuth​ ; @katyasrussianaccent​ ; @satanhauntedourcats​ ; @owl-llie​ ; @teenloves​ ; @notannis​ ; @mcntsee​ ; @rottenroyalebooks​​ ; @peachdoppi​ ; @mirahg​ ; @foxxtrot-116​ ; @koi-soi​ ; @lupinpetersclearwaterodairparker ; @butterfly-skinnylegend ; @fanworrior ; @stickystrawberrysyrup ;
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lunastwilightblog · 3 years
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The Volturi are the good guys and Bella is the up-and-coming villain
I’m on my computer for this as I know it might be long, but bear with me (insert Emmett pun here) 🐻
So wait - the Volturi are the good guys? But didn’t SM write them as the bad guys? 
Well, yes, SM did write Aro and co in as the antagonists of the series, but bear in mind that originally she didn’t write most of New Moon to happen, or the entirety of Eclipse. There was Twilight and Forever Dawn, which we’ll sadly never read. Her vision of the Volturi and their role as the evil villains who wanted to separate Edward and Bella became distorted as she had to flesh them out more and show their role as the governing body.
Then she wrote the Illustrated Guide and revealed their history and the horrors of the world without their authority; with the Romanians being as brutal as they were, the constant terror humans lived with and the fracturing of the world into many unstable and violent vampire-ruled empires (plus with way more children of the moon running about, probably as far west as - at least - central Europe). 
When the Volturi were coming to power they were laughed at with the idea of their law, a significant reason the Romanians didn’t take them seriously. But now they are extremely popular.
This isn’t just because Aro created vampires to go out and sing his praises. Volturi rule has been a blessing for both humans and vampires.
For humans it’s the obvious: they are not living their lives in fear, they are not subject to massacres (except if caught in newborn warzones), their population has been able to grow and expand, modern medicine and technology have been able to flourish, society is much more stable, people need to flee areas much less (if ever) so they can stay put and complete research/live to meet their grandkids/etc, and not have to serve a vampire in the local castle. 
For vampires it’s actually quite similar: with the human population growing to as large as it is today when at the time the Volturi came to power it was (estimated to be) only 210 million globally, vampires have been able to grow to even greater numbers also, and feed more often than before. If a vampire 2000 years ago killed 5 people in a town it would be an outrage the humans would certainly have noticed, however kill 5 people in a place as big as London, LA, Paris, Singapore, Bucharest... it would likely not be noticed very much, if at all (depending on who you kill).  
Humans like to measure things in percentages. Those 5 people is a huge number to a town of 2000 - that’s 0.25% of the whole town’s population. It would be talked about, and relatives of the dead/missing would all know each other. Yet kill those 5 in a city of 12 million (as is London), that’s only 0.00004167% of the population. And chances are, the dead humans’ families don’t even live in the area (or could be in another country entirely) never mind know each other to realise there was a mass murder.
So vampires, as long as they hide from humans, as is the only law (besides no immortal children or consorting with werewolves), they have a lot more freedom nowadays than they did before the times of the Volturi. There are so many people that they can easily get lost in a crowd, move internationally, and not be pressured for allegiance by a local vampire warlord (before meeting Aro, Caius ran afoul of the Romanians, and he barely escaped with his life).
With there only being one authority, and one that does not interfere with your day-to-day life, is a dream come true. As long as they don’t break this law that is very easy to abide by, they can do whatever the f*** they want.
Carlisle would have never been able to get a job as a doctor if he was known to be a vampire, nor could any of the Cullens have entered education of any form. They’d be stuck sneaking into libraries after closing, and googling. Edward would have never met Bella (neither would Edward’s ancestors have immigrated to America - in fact, Europeans may have never discovered America in the first place. The whole Cullen coven aside from Carlisle might never have been born).
So what the Volturi have done (despite many of them having not-so-savoury personalities corrupted by hunger for power or violence) is bring peace to the world, get rid of tyrants, increase the food supply, allow a greater amount of freedom, and the first kind of trials and justice ever seen in their world. Sure, Aro uses trials to find new talent, but it’s still a world away from before.
Which leads me on to the events of Breaking Dawn, and Bella.
So. Maybe controversial, but: the Volturi did absolutely nothing wrong in Breaking Dawn.
They turned up thinking a serious crime had been committed. They stopped to talk (which Vladimir certainly never would have done!), considered the evidence and processed new discoveries and discussed their legality, decided there was no crime to punish, and left with only the informant dead. Yes, Irina had been innocent in the way that she strongly had believed she had been telling the truth and her memories must have presented good enough evidence to Aro initially, but their witnesses had come to see justice being served, and in the vampire world that is execution. Aro could have continued with prosecuting the Cullens for something he now knew was false, or execute Irina instead.
(Side note: she did kind of deserve it too. She didn’t bother to check her evidence, she wanted revenge for Laurent’s death so her accusation wasn’t coming from a place of good intentions but instead she was willing to have her friends and family killed for Laurent. She was also forcing Aro into a position where he had to prepare himself to kill Carlisle, whom we know he cherishes. Remember also that Aro turned down Laurent’s application to the Guard because he’d followed the Romanians for a while, so he won’t have been entirely trusting of Irina anyway, her having been Laurent’s mate).
Anyway. Onto Bella.
So Aro’s impression of Bella after New Moon seems to be positive. Why? Well, through Edward’s thoughts he saw that Bella was able to keep The Secret. He had heard how much she wanted to be a vampire. In addition, Marcus showed him how strong Edward and Bella’s bond is. Both of them knew, that if E & B’s love was almost as strong as Marcus and Didyme’s, that no matter what Edward currently said or thought about Bella being turned it was invalid. If Bella were dying, he would turn her for sure, which happened. Then the obvious, that Edward had already proven he could not live without her.
Bella was trustworthy and probably going to be turned. Alice showing proof was just a formality so Aro could say he had evidence rather than admit he’d just made assumptions (and Alice having had that vision may act as proof that his assumption was correct).
Therefore, from Aro’s perspective, Bella was a human who wanted to become immortal so much that she would rather die than not, and she was already following his law. She was no issue. 
Yet.
Bella, knowing the law, should have been very grateful that she was left alive. Edward not being executed and she not being killed or forcibly turned on the spot... Aro had been very nice to them.
And again, in BD, he was very nice to them. Some people will inevitably say that he was weak in not killing them all. I mean, they stood beside Vladimir and Stefan! They have an army of wolves fundamentally opposed to vampires! Aro has lost Good Reputation Points by sparing the Cullens. He held as close to a trial as vampire society has ever had, and rightfully pronounced the Cullens innocent.
So shouldn’t Bella like him? He has spared her life and the lives of her loved ones more than one, and proven that he can be spoken to and conversed with properly and is willing to admit he was wrong. With Aro, we know it’s important to look more at what he does than what he says, and what he has done is be very kind to the Cullens (though who knows about the future?).
Yet Bella was creeped out by him when they met and interpreted him as a threat to Edward’s life. As she loves Edward, she’s always going to be of this mind, and first impressions are important.
Vampires are stuck with the mindsets they had when turned. An example of this is Esme, who was turned after her baby died and she tried to die too. She is permanently feeling maternal. She was turned only days after giving birth. Before knowing this, Bella even describes her as maternal and the mother of the family. Huilen also has a lot of care for Nahuel, being his aunt, because of her love for Pire, and while she was dying, Pire begged Huilen to raise him. Joham does not seem to have this parental love for his son and daughters; he never really knew Pire and was never affected by her love for Nahuel, and did not meet him until years after he was born. He’s only genetically a parent. He doesn’t have the protective mindset. When he was turned, he was a curious scientist (in fact, it was even why his creator turned him). He sees the world and people as things to study.
Anyway.
When Bella was turned, all she was thinking about was Renesmee. She begged Edward to get the baby out and didn’t care for her own life.
And she will be forever stuck in this high alert, must-protect-my-baby mode. Then for weeks as a newborn vampire, she was thinking of Aro as a threat and preparing to fight him. Compounding that, he was a threat to her daughter.
Both of these things will have had a significant effect on who she will have become after her newborn phase ended. It is impossible for Bella to ever like Aro now, even if she tried.
Her dislike of him, and willingness to fight against him, will be forever engrained in her brain.
This is dangerous.
Bella found the Romanians weird, but she didn’t dislike them per se. She would probably be willing to stand with them against the Volturi again.
We can take an educated guess and assume that sometime they will rise up again - and Bella might stand with them (though I highly doubt any of the other Cullens would).
Bella was not a problem for Aro until she stood beside Vladimir and Stefan. 
Here is this vampire who can block most of his coven’s gifts, stuck with an intense dislike of him, who he has seen with his own eyes stand with his enemies. He has every right to be nervous now. Her love for her mate is almost as strong as Marcus’s bond to Didyme - how strong is her bond to Renesmee? Likely more. Aro knows the threat in that. He knows that Bella may be viewing him in the way Marcus feels when he thinks of taking revenge on whoever killed Didyme.
Nobody wants the Romanians back in power. Those who lived under their reign and those who have heard first hand stories told to them all know very well that life under Vladimir would be horrible, brutal, awful for all beside his close coven members (though considering he had a very large coven that was often squabbling amongst itself, it was probably miserable for a lot of them too).
But Bella is young. She has no memory of the world before the Volturi, and knows no one with first hand experience of that world other than the Volturi. She will have heard that it was horrible, but she has no emotional or personal connection to the near-ancient past, and vampires who lived during that time are disappearing. No one lives forever.
Then, she is American. Like Garrett, she values freedom, and the Volturi are the only oppressive vampire force either of them has ever known. Despite them being the least oppressive in vampire history, Bella and Garrett haven’t experienced the alternative. They are a government that is at times harsh, is corrupt, and executes people. They go to war and they obliterate their enemies. Bella doesn’t see that the Volturi is the least bad government her world is ever going to get, and that they’ve granted her so much freedom. She is unable to see that because, in her youth, she has nothing to compare them against.
By standing against the Volturi, Bella isn’t just standing against Aro, Caius, and Marcus. She is standing against the peace they have brought between vampires, against humans living without fear, against modern civilisation itself. She stands a representative of the next world order, and Aro can sense it.
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twistedtranslations · 4 years
Text
Cater Diamond - Full of Lies
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You can unlock this story by getting Cater’s SSR Scary dress
Big thanks to Rym and Apollo for proofreading!
Translation under the cut
Chapter 1
Main street
/Notification
Cater: Oh? A message on MagiCam? Who would've thought it was that girl! How nostalgic~ The picture those ghosts took at Ramshackle dorm made our college's Halloween event trend -> Jumping onto the bandwagon and posting a lot -> Huge success for Cay's follower-catching strat! So far it's been going well but… Mixed within the comments and DMs of my new followers are a lot of old aquaintances. Even some classmates from middle and elementary school are here.
Cater: "Hey! It's been a while! Oh, would you like to come to our college? Cay welcomes every single one of you! You can always come over to hang at NRC's Halloween event!"
Cater: And now some emoji full of feelings!  (^○^)♪ (ゝω・)☆ d(’v`*)b
Cater: Everyone is really so casual and easygoing~ Well, it's easier on me, so I'm not complaining.
???: HEY!
Cater: Where did that loud and rowdy voice come from? I've got a bad feeling about this…
Front Gate
Sebek: Humans, don't crowd around the young master! Get out! Leave!
Boy A: Hey, what are you doing, sweptback bro! Don't interfere with our Draconia Challenge.
Boy B: We're putting our lives on the line to show our bravery by uploading a picture of us touching The Malleus!
Boy A: Huh, since when did Malleus disappear?! It's that sweptback bro's fault.
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Boy B: Don't be so angry. After all the effort of having a sweptback, let's show the world a huge smile on that face!
Sebek: For humans of your social standing to use the name of the Lord of the esteemed Valley of Thorns in vain…Besides, my hair is swept back like this so I have an unobstructed view to find those like you who behave rudely towards my young master! You shall receive punishment for insulting the Draconia… no, for insulting the young master. My thunder shall shock you all to bits! HAAAAA...
Cater: Okay, stop! I'm part of the Halloween Committee. It's forbidden to fight. Why don't you try talking to this lad if something's up?
Sebek: Don't interrupt me, you frolicking human! I will shock you to bits as well!
Cater: Won't you create a scandal for the Draconia family if you were to harm an ordinary human with magic?
Sebek: W-Well… You're right. Besides, didn't you just say you were part of the Halloween committee? Both the young master and master Lilia are both performing the same duties… They ordered me to listen to the orders of the other committee members. Ok, I shall talk this out.
Cater: Even though you are crossing your arms and puffing your chest out, you are being apologetic right? Anyway, these are our college's precious guests. They have no intention to harm Malleus.
Sebek: These magic-less weaklings were making a spectacle bothering Young Master with a toy. I cannot forgive that!
Cater: Malleus is like super famous, and he's an admirable being, right? So just for this festival, it should be fine to interact with our guests as a little fanservice right?
Sebek: Stop messing around. The young master is a dreadful being who makes everyone kneel and bow down to him. AND THAT'S WHY I WILL NEVER LEAVE HIS SIDE AND PROTECT HIM ALL MY LIFE!
Cater: You're just obsessed!
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Boy A: Hey, interfering our Draconia Challenge aside, what are you two squabbling about?
Sebek: Hm? You humans are still here? I told you to leave.
Boy B: Huh? You've got some nerve, talking rudely to us like that!
Cater: Come on guys. Why don't we take some pictures together since it's finally Halloween! We, Heartslabyul are those who rise from the soil in the darkness, the underlings of the night~
Boy A: Wow! Now that you mention it, you do look real good for the camera!
Cater: Cheer up everyone and gather! Let's decide on a pose~~~ Happy Halloween~
¨*shutter noise*
Cater: (Ugh… This is exhausting)
Chapter 2
Classroom
Kalim/Cater/Lilia: *Sigh*… I'm tired….
Cater: This year's Halloween was exhausting. Mainly due to our guests being rowdy..
Kalim: It was fun entertaining the guests, but I was really troubled because Jamil got in a foul mood.
Lilia: Even we, three most gentle boys, have been worn down. The other students must be at the limits of their patience.
Everyone: *Sigh*…
Cater: Now that you say it, by chance all the members of the light music club are also part of the Halloween Committee. Let's have our usual relaxing tea time while also discussing some countermeasures.
Kalim/Lilia: Agreed~
Cater: I got this! Trey's home-made pumpkin pie! It's moderately sweet, so it's my favorite!
Kalim: I have kunafa. It's a cheesecake from the Scalding Sands. It's delicious when it's hot!
Lilia: Oho, these are all sweets befitting of Halloween. As the last one, I have prepared this. Licorice!
Cater: You're always bringing the same thing! You know me and Kalim don't like that.
Kalim: The smell makes my nose shrivel up~
Cater: But you know, since it's black, it does feel like Halloween. Oh, right, let's take a picture together. It's super charming to be in costume and have themed food.
*shutter noise*
Cater: #TheBestHalloween #SelfmadeCostume #HomemadeTreat #LightMusicClub #NRCHalloween
Kalim: The best? Didn't you say you were exhausted earlier, Cater?
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Cater: I never said it wasn't exciting and for things like SNS, isn't it better to exaggerate a bit?
Lilia: As expected of you. We live in a period where everyone is connected all around the world. It is most wonderful to spread happiness instead of complaints.
Cater: Oh. The picture I just uploaded got an amazing response! 
*notification*
Cater: Another message from that girl. Was she the kind to keep track of people's activities?
*ringing noise*
Cater: This time it's a call. (How persistent…)
Kalim: Cater, is it from one of your friends? You can pick up if you want.
Cater: Hm~… More like an acquaintance from the past? But it's alright? We're at a very important meeting, after all.
Lilia: We are only eating sweets, taking pictures and uploading them to MagiCam though…
Cater: It's the age of social media where everyone can keep in contact at their own pace, you don't have to go through the pains of having to response in real time to a phone call.
Kalim: Do you have that many people who want to get in touch with you? You're so well connected Cater~
Cater: Well, if you look the amount of aquaintances I have, that might be true? My dad's a banker. The bank he works at has branches all over the world. Therefore, whenever he transferred to a different branch, our entire family would move with him. We moved once every two years, so I kind of feel like a pro at quickly packing things?
Lilia: Commonly said, you are a family who moved a lot for the sake of the breadwinner.
Kalim: So the reason why you have so many friends is because you have travelled around the world since young.
Cater: Yeah, the girl just now said we are friends as well. Having to change schools frequently, I got to meet more people compared to someone staying at one place. From the best to the worst… a lot of people. However, they all had something in common.
Kalim/Lilia: …?
Cater: If I left there, they remained there. That's why I'd rather have a casual and happy time with everyone than to deepen a friendship. It’s like a circus troupe, you know, having fun hanging with people all over the world and then leaving. That's why MagiCam is the best! People from my school from three years ago contacted me out of the blue. My social circle is expanding as well. Cay is getting popular!
Kalim: Even if they're far away, you don't have to hold back you know? I got it! I'll lend you my magic carpet, so you can visit your friends whenever you want.
Cater:… I expected no less of you, Kalim. I'll take you up on that offer next time.
Lilia: I feel like I understand you.
Cater: Hm?
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Lilia: The relations between humans are eternal. They are things that cannot be severed. In a new place with no trace of your existence, new relations will continue to be forged. That in itself is nature. However, I think the more precious a relation is, the more lonely it becomes. Why does it feel that way? I have lived a long life but the reason is still unknown to me. But just as Cater said, there may be a perfectly logical explanation for not getting too attached to one person in particular.
Cater: Lilia, what got into you suddenly? What I wanted to say was-
*ringing noise*
Lilia: Hello, this is Lilia speaking? What business do you have?
Cater: He just casually picked up the phone during our conversation.
Lilia: Oh, Sebek. What is it? You are so loud. Right now, I am in a meeting with Cater and Kalim. WHAT?! MALLEUS?!
Kalim/Cater: ?!
Chapter 3
Hall of Mirrors
Silver: Stop pushing. It's forbidden to enter the Hall of Mirrors.
Man A: Huh, really! I came all the way to the Isle of Sages to see Malleus Draconia.
Man B: We are doing the Draconia challenge now! Why can't we enter~
Girl C: He’s inside right! An actual Draconia, the Actual Malleus!
Everyone: MALLEUS! MALLEUS! MALLEUS!
*Lightning and thunder*
Silver: It's a rare event that Master Malleus is participating in. He also agreed to interact with the guests... For it to come to this... Everyone, it’s better if you leave. You have angered master Malleus.
Man A: I paid a lot of travel expenses, did you know that? This is the price of fame.
Everyone: MALLEUS! MALLEUS! MALLEUS!
Exterior Hallway
Cater: Did the visitors who wanted that  MagiCam glory end up angering even Malleus himself?
Sebek: Yes. At first he was gentle and calmed me down when I got angry… but a fool grabbed Malleus by the horns and made fun of him by saying "Look! It's a bicycle from the olden days!"
Lilia/Cater: Gh!
Cater: I don't know if they're brave or just reckless. Were the dark clouds and thunder rampaging in the sky above the Hall of Mirrors due to Malleus' anger? You don't think he overblotted, right…?!
Lilia: Do not worry. Using that amount of magic power shall not make him overblot. He is simply irritated. Back when he was young, mountains would be destroyed by his lightning whenever he threw a tantrum.
Cater: Hahaha… that's on a totally different level. I guess it was a good idea to have Kalim fetch the professors.
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Sebek: Upperclassman Vil noticed something was up and isolated the young master. He also casted a defensive spell so the tourists wouldn't be harmed. And it seemed that Upperclassman Jade is persuading the angry young master with some unique methods... Even so, those humans who can't seem to understand the gravity of the situation keep stirring up the young master, they're uncontrollable.
Lilia: This means we must use our last resort. We must put in effort to suppress the onlookers and avoid the worst situation.
Cater: Wait a second, Lilia. I thought of something. It's not like people there dislike Malleus or anything. Despite that, it doesn't mean that they like Malleus as well... They're just interested in trends. Just like my old acquaintances.
Lilia: ?
Cater: First, I'll take a picture of Lilia, who's wearing the same clothes as Malleus!
*shutter noise*
Cater: Next we use something catered to influencers. We'll elongate Lilia's picture with a photo editing app!
*swiping on phone*
Cater: Now we just add some text to finish it up. And then upload a cropped version to MagiCam!!
*Phone SFX*
Cater: #AWildMalleusAppeared #DraconiaChallenge #UnexpectedlyAtSportsGround #NRCHalloween
*Phone SFX*
Hall of Mirrors
Man A: H-Hey. Look at the Draconia challenge tag.
Man B: It seems he's at the Sports Ground now. As expected of Malleus. He's much faster than we are!
Girl C: Okay. Everyone, let's move!
Everyone: YEAH!
Silver: What happened? Master Malleus should still be in the Hall of Mirrors.
Cater: Fu. With this, I hope the storm has passed…?
Vil: Good grief. Accidents are an unavoidable part of stage plays. Letting yourself get influenced by the guests is so amateurish. My work here is done. I will return to the dorm to straighten up my appearance.
Jade: My, that was a close call. Malleus is extremely powerful. I persuaded him to the best of my abilites, trying to get him to understand. But there was no one to turn to if it had failed. Well then, I will also return to my station. I wish everyone a wonderful Halloween.
Malleus: I caused many disturbances between different racial groups during a mere school event. I should restrain myself more…
Sebek: The young master has done nothing wrong! It was the fault of those inferior humans!
Silver: The young master told us to avoid hostility between fae and humans. Why are you getting more hostile?
Sebek: WHAT DID YOU SAY SILVER!
Lilia: Malleus. Did you forget our promise from long ago? Call for us when the tranquility in your mind is disturbed.  Even if we are not related by blood, we are still a family. Got it?
Malleus: Lilia… My apologies. To everyone.
Everyone: …
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Cater: ….Family…huh.
Flashback
Lilia: But just as Cater said, there may be a perfectly logical explanation for not getting too attached to one person in particular.
Flashback ends
Cater: (That was full of lies. For a guy who grew up and lived in the same place, he never had to deal with rebuilding relations over and over…He would never understand my worthless and meaningless feelings.)
*ringing*
Cater: Hello, Trey. What's up? Huh? Are we doing our rehearsal for our night show at the stamp rally now? And Deuce, who is also part of the Halloween Committee, was at his wit's end due to the lack of manpower. So Ace is helping him out? Darn, Ace is definitely going to extort me for a favor later!
Cater: Argh! And is Riddle on the verge of a rampage? I'll be back soon, Trey. Please calm him down! I am currently at the site of the biggest crisis yet of this Halloween Week! No, for real! I'm not lying. That's why you don't have to be so cold to me, 'kay? URGH, TREY, YOU'RE SO CRUEL!
Cater: Now that Diasomnia's turmoil has settled, let's change the mood and continue on with work. In any case, we’ll still separate after the fourth year… It would be different if I repeated a year though. Anyway, I should just enjoy the moment to my heart's content! I'll surprise everyone with this charming skeleton costume! I'll show them what I'm capable of!
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Cater: Happy Halloween!
675 notes · View notes
robininthelabyrinth · 4 years
Note
NHS has dreams about the future but every time he changes something or saves someone he has to suffer the pain that they would have felt, there’s a war coming and he has seen the consequences of it how does he cope and how does NMJ feel about all of this.
ao3
“Shh,” Nie Mingjue murmured, running his fingers through his brother’s hair. “Shh, shh. Don’t cry.”
“But it hurts, da-ge. It hurts.”
“I know,” Nie Mingjue said, and hated whatever fate had given his brother the ability to see the future. Oracles went mad, most of the time. It was better to be a diviner or a fortune-teller, using tortoise shells or bones to figure out the future, than it was to use yourself as the medium – under the weight of the future, tortoise shells cracked and bones splintered; why should the body be any different?
His poor, miserable little brother.
He’d thought it was just the aches and pains of growing up at first, and then migraines of the sort he’d heard other people had – he was barely more than a child himself, and it was easy to accept things as just being a certain way, rather than try to change them. It wasn’t until Nie Huaisang started complaining to him, whispered confidences late at night, that he started figuring out what was happening.
The pain would always follow a dream, though it wouldn’t always – the dream would be a description of some event in the future, often just a little bit wrong, but not always.
It wasn’t until he started writing down all of Nie Huaisang’s dreams and the instance of pain that he realized that the pain only ever followed the dream when the dream was wrong.
No, wrong wasn’t the right word. When the dream was averted.
Specifically, when Nie Huaisang averted it.
Nie Mingjue gritted his teeth and got Nie Huaisang’s agreement to test it out – he bribed him with candy and more fans, which at Nie Huaisang’s age was about all it took – and in the end he figured it out.
If Nie Huaisang had one of those dreams, he was seeing the future as it currently was, time flowing smooth and easy like a river in its bed.
If he did nothing and let the future go, nothing happened. No pain, nothing.
If he took action and changed things –
It was like averting a river by building a dam, a dam against which the mighty waters of the rivers pounded furiously against before reluctantly seeking another path – only this was a dam built of flesh and blood and bones. It took a great deal of effort and strain to accomplish such a change, and was painful and unnatural when it did.
“It’ll be all right,” Nie Mingjue said.
Nie Huaisang looked up at him with wide wet eyes. “It will? How?”
“It doesn’t hurt when you don’t change things,” Nie Mingjue told him. “So you’re not going to change anything.”
Nie Huaisang frowned a little, not quite understanding.
“You need to study saber enough to form your golden core,” Nie Mingjue said, thinking it out. “And to have basic self-defense skills – but you probably don’t need to do more than that. I’m the heir, so I can handle sect politics if necessary, and we can get one or two cousins to join in our lessons to make sure we have enough people to handle things.”
“But then what do I do?”
“Nothing. You sit and enjoy life, doing as you please – whatever makes you happy, didi. I’ll buy you fans and paint, you can write poetry, you can travel to see places…”
“Won’t father be upset?”
“I’ll talk to him,” Nie Mingjue said. He’d figure out what to say to convince him – they’d both agreed that telling their father directly would probably be a bad idea, because he might want to use it for the sect, and then poor Nie Huaisang would crack into even more pieces than he was already. “You keep it quiet, and use it only when it’s serious, okay? Life-and-death only.”
Nie Huaisang nodded hesitantly. “But…da-ge…”
“Yes?”
“I think there’s a war coming,” Nie Huaisang whispered. “It’s one of the dreams that’s far away, not right nearby; the ones that don’t hurt only because anything I do now isn’t enough to really be a direct reason for change – there’s a war coming. People are going to die, lots of people. Won’t I have to do something then?”
“Who’s the war against?”
Nie Huaisang wrinkled his nose at Nie Mingjue. “The Wen sect. Who else?”
It was a pretty obvious question, Nie Mingjue acknowledged. After all, his brother’s pain this evening was due not to a little change, but a big one, the change rattling his bones: their father was meant to go to a dinner with Wen Ruohan, to show him his saber to compare it with the one Wen Ruohan had recently received as a gift, and Nie Huaisang had panicked, running to Nie Mingjue and demanding he stop it from happening, stop their father from going, telling him that their father would die if he went.
(They’d found that it hurt him less when the only change he made was telling someone – telling Nie Mingjue, specifically. That made a change, yes, but only a small one, one that wasn’t too painful, and everything that happened afterwards was Nie Mingjue changing things.
You can only control your own actions, after all.)
Nie Mingjue had broken his own wrist to stop his father from leaving, and now Nie Huaisang was shuddering through the pain of it all as a consequence – the unutterable agony of a saber breaking, the way he described it, and Nie Mingjue felt more pain at the description, at the thought of what it would have done to their father, than he did at the throbbing of his arm.
No more.
No more.
“I just wanted to be sure,” Nie Mingjue said, his mind ticking along. “It’s not that I didn’t already know, you know; I just hadn’t thought about it.”
He’d been so focused on the small things, his brother’s now chronic pain and what it was doing to him, that he’d overlooked the big picture. He’d forgotten that his brother was Nie, same as him; defeat evil no matter the cost was their motto, their purpose and their watchword. Nie Huaisang would not be able to simply stand aside and let things happen, not when he had the chance to change things.
He would continue to interfere. He would continue to be hurt.
Nie Mingjue wasn’t willing to accept that. He was a Nie, too, and his brother’s suffering was the greatest evil he could imagine – worse than Wen Ruohan and his tyranny and his strange searching eyes, worse than war and their father’s death and everything else all rolled up together.
The war wasn’t news to him, and it was too far away for anything Nie Huaisang did to make a difference.
That didn’t mean the same was true of Nie Mingjue.
“Don’t worry,” he said, already thinking of how long it would take him to get the Nightless City. He and Wen Xu didn’t get along about anything – not that surprising, given the difference in their ages – but he knew the man was ambitious, that he felt quashed by his father’s overwhelming domination, how much he longed to be his own master.
If Nie Mingjue came to the Nightless City to assassinate his father, Wen Xu would help him.
He would close his eyes to what Nie Mingjue was doing and, if he was successful, let him off without demanding his life in return. Hardly filial, but then filial piety wasn’t really something the Wen sect cared all that much about, not in comparison with how they felt about power.
And without Wen Ruohan, there wouldn’t be a war. Wen Xu thought highly of himself, but he wasn’t half the man his father was – for better or for worse.
Best of all, it wouldn’t be a change made by Nie Huaisang, except only at most indirectly. It would be made by Nie Mingjue, by himself, based on knowledge he already had – knowledge of the war, knowledge of his brother’s pain – and therefore couldn’t be attributed to his brother’s knack for the future. His brother would be safe from the agonizing pain of trying to avert war.
“Don’t worry, didi,” Nie Mingjue said again. “As long as I’m here, I’ll make sure that everything will be all right.”
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Text
The Beach - a The Rookie/Chenford Fanfic
“7-Adam-11, show us responding,” Jackson said over the radio as Lucy leaned back against her headrest defeatedly.
“I didn’t think I’d ever say this but I really don’t want to go to the beach.” “Like ever again,” she added even as she took the first turn towards their destination. 
LA was 4 days into a record heat wave and over that time Lucy had learnt a few important things 1) Unsurprisingly, extreme heat causes everyone to flock to the ocean. 2) It also makes people extremely irritable. 3) Lots of irritable people packed together in large groups leads to chaos and 4) wool uniforms are not ideal attire for patrolling beaches in temperatures around 100. 
So after 4 days she was over it. She had spent Monday with Jackson getting sworn at, honked at and nearly run over as they directed traffic at the busiest beaches in the city. She spent Tuesday with Tim breaking up beach brawls, confiscating contributing alcohol and watching bikini clad woman flirt with Tim. At least 8 different woman had asked him to rub sunscreen on them or suggested he take off his shirt to cool down. She had rolled her eyes so much she had given herself a headache. Although it may have been the sun. Yesterday, her and Nolan and responded to a report of a missing child who was feared drowned or kidnapped but turned out had followed the music of an ice cream truck four blocks and was found, about 30 minutes after the officers arrived, happily eating a fudgiscle. However, they were kept at the beach for the remainder of their shift by various citizens with complaints ranging from seagulls, wasps and possible sharks to thieves, streakers and possible melanoma. 
Now her and Jackson were headed back to a beach where the adjacent shrubbery was currently being consumed by a blazing bush fire, which was in all likelihood human caused and spreading fast. Therefore all hands were on deck as the LAPD worked with the LAFD to keep civilians safe, extinguish the fire and investigate its cause.
The rest of her shift passed in a blur as they interviewed witnesses, cordoned off the area, issued evacuation orders, ensured those who needed it got medical attention, joined a production line passing large buckets of water from the ocean to where the fire was burning and debriefed with their team which included Nolan and Tim, and Lopez and Harper. Luckily in the end, the fire was successfully extinguished, those living nearby were safe and happily back in their homes and the perpetrator, a cigarette butt flicker, was caught. But not until nearly 11pm by which time the entire team was exhausted, scorching and covered in soot and ash. With their job done the team of 6 headed away from the scene back along the beach to where they had parked their shops. They were right on the sand where they left them to create a barrier preventing people from wandering toward the fire and the beach around them was abandoned. Likely due to a combination of the late hour, the fire itself and the fact that the stretch of beach they were on was only accessible by walking about a mile from one of the main beaches on either side or by scrambling down the steep cliff behind them.
“Anybody want a cold one,” Nolan asked when they reached the vehicles, “well a hot one I guess” he amended as he pulled out a six pack he had confiscated earlier in the day from the trunk of his shop. Everybody made a face at the offer of hot beer but since the only light around came from the shops headlights shining in the opposite direction Nolan didn’t see them.
“Screw it, I’ll take one,” Angela said.
“Wesley and Patrice took the baby to meet the extended Evers clan so I have nowhere to be and now that I’m no longer breastfeeding I can have whatever I want. Even if that’s gross beer that’s been sitting in a hot car all day,” she explained.
“If we dig a hole near the water line it will fill with cold seawater and we can make a makeshift beer fridge,” Jackson suggested but Angela had already opened her can and was sipping away.
“I’ll help dig the hole,” Nyla offered. “I’d rather hangout here then go back to the station to do paperwork and Lila’s with her dad so I also have no where I have to be.”
“I’ll call Grey and tell him we’re clocking out and will do the paperwork in the morning,” Tim offered.
“Your staying?” Lucy asked a little too excitedly, “what about Kojo?” she quickly added.
“Tamara called several hours ago and offered to give him dinner, take him for a walk and put him to bed.”“She saw the fire on the news and rightly assumed we’d have our hands full,” he finished.
30 minutes later they all sat in the sand around their makeshift beer fridge. Shoes, socks and button up shirts discarded and pants pulled up to their knees. 3 flashlights were in the middle of the group, pointing skyward, their handles buried in the sand. They laughed as they went around and told stories.
“How is it still this hot?” Lucy asked a while later.  It was after midnight and the temperature had yet to even consider dropping below 90. 
She pulled her white t-shirt away from her skin fanning, herself. 
“I’m going swimming,” she declared ready to stand up.
“Your going swimming? Right Now? In that?” Tim asked gesturing to her cotton tee and woolen pants.
Lucy shook her head. “I was just going to go in my underwear but now that I think about it I don’t really want to have to drive back to the station in soaking wet underwear.”
Tim nodded as if this is what he expected but Lucy didn’t see him and continued.
“I guess I’ll just skinny dip,” she concluded.
Tim managed to both spit out and choke on the sip of beer he had just taken.
Everybody else’s faces were turned towards Tim and wearing amused expressions but they were saved his annoyance due to the limited light and the fact that his attention was still fully on Lucy.
“What?” She asked Tim, “It’s not a big deal. It’s dark. Plus everybody here has already seen me naked.” 
“Well except you,” she added, which earned another spit take from Tim.
Lucy rolled her eyes but couldn’t suppress a smile. She loved seeing Tim flustered, especially when it was her doing.
“What?” He finally managed to ask in a strained voice after a few harsh coughs to clear his throat.
“Everybody here’s seen Lucy naked but you,” Lopez offered, “although that was bound to change sometime soon,” she added.
Lucy and Tim both turned to look at her wide eyed. Nolan and Nyla were both hiding smirks and Jackson wore an expression of mainly panic as he spoke.
“She’s drunk. She has no idea what she’s saying,” Jackson offered before turning to look daggers at Angela and whisper something in her ear.
Lucy thought she heard the words bet, interference and disqualified but she couldn’t be sure.
When he finished Angela addressed them again. “Sorry, apparently my tolerance took a nose dive since pre-pregnancy. I didn’t mean anything by that I got you mixed up with Smitty and what’s her face,” she finished waving her hand disparagingly.
“Hmm,” Lucy said clearly not buying her lame excuse but Tim still had his mind on other things.
“Why has everybody else here seen you naked?” he asked, his tone almost suspicious.
Lucy laughed. “Are you jealous?”
He fixed her with his best TO look. “No.”
Lucy suppressed the urge to roll her eyes yet again and answered.
“Communal showers at work,” she began gesturing to Nyla and Angela. “Best friends and roommates” she added pointing to Jackson. “Life gets crazy. Sometimes closing doors or throwing on clothes just isn’t a priority,” she explained seeing Tim’s confused expression. “Also we had to help each other into and out of the bath after we were injured.” She didn’t have to specify her kidnapping or the beating Jackson took to take down Doug Stanton. This group knew. “It’s kind of ironic that when everything hurts all you want is a warm bath but when everything hurts it’s nearly impossible to get yourself into and out of a bathtub,” she finishes. “Oh and Nolan and I used to date.” She says it as almost an afterthought, super casual. But all the former TOs still look at her with shock.
“You and Nolan?” Nyla asks with a laugh. “Really?” “No offense,” she adds addressing Nolan.
“Ah, none taken?” Nolan replies, clearly confused by her reaction.
“When?” Lopez asks looking between the two P2s.
“For a couple months while we were in the academy. We called it off shortly after we started at Mid-Wilshire,” Nolan supplied.
“Wow, I just can’t picture it,” Angela continued shaking her head.
“Why would you want to picture it?” Tim spat. Then seemed to catch himself and schooled his scowl back into a blank expression.
“Why’d you call it off, anyway?” Angela asked. Half actually curious. Half just trying to do her friend a solid and take the attention off him.
“Bishop warned me that dating a fellow cop would brand me and could ruin my career,” Lucy answered and thought she saw Tim flinch. It was impossible to tell for sure with just the flashlights, nevertheless she added, “Somethings matter more-“ she was staring right at Tim now “-are worth the gossip, the assumptions, the risk.” As she said it she saw his expression change but she couldn’t read it. “But our relationship wasn’t one of those things. We’re better as friends, anyway,” she finished addressing the whole group but looking at Nolan specifically for confirmation.
“Agreed,” Nolan nodded holding up his beer.
“To friends,” Jackson said clicking his to Nolan’s.
“To friends,” everybody joined in clinking their cans together.
“So who’s coming skinny dipping with me?” Lucy asked as she started to make her way back to the vehicles where she could leave her clothes in a place where they’d stay sand free.
“I will,” said Angela, “pregnancy and caring for a baby really makes modesty go out the window. The two beers I’ve had don’t hurt either.” She began to follow Lucy to the cars.
“I’m in,” Jackson offered, “with you two practically glowing in the dark nobody will even notice me.” He teased as he got up to join them, earning a playful shove from Lucy.
“Nobody’s here to see anything anyway.” She retorted.
“Go ahead. I might join you later.” Nolan said and Nyla and Tim nodded in agreement.
10 minutes later. Lucy, Angela and Jackson’s clothes were inside Jackson and Lucy’s shop and they were out in the ocean. It dropped off quickly so they weren’t that far away from the beach even though the water came to just below Lucy’s shoulders. After four days of blazing heat and the fire on top today, the cool water felt like heaven to her. She dipped and dove through the water, relishing the cool and wiped at her face and hands to remove the soot that had coated them earlier. Beside her Angela was trying to show Jackson what her son does when they put him in the water. This led to reminiscing about childhood summers spent at the beach or in backyard and community pools. And before they knew it they were playing old games from those days. John and Nyla had joined them by this time. Claiming some combination of escaping the heat, joining the fun and more beer as the motivation. They were currently having breath holding contests.
“I win!” Jackson exclaimed as he came up for air to find everyone else already up.
“You cheated,” Lucy argued, “I saw you come up while I was still under. I had my eyes open.”
“I did not. Plus it’s pitch black under there you couldn’t possibly have seen anything.”
“Did Jackson come up?” Lucy yelled at Tim who was still sitting on the shore.
“I don’t know. I wasn’t watching,” he replied casually with a slight shrug.
“Yes you were,” Angela argued, “you haven’t taken your eyes off Lucy since she got in here,” then realizing what she said she quickly ducked back under the water. 
Everybody still above the surface froze.
Then after a beat. “So did he come up or not. I need to know if I won,” Nyla asked, all business.
“He floated to the surface but didn’t lift his head up. He won,” Tim offered defeatedly.
“Told you!” Jackson bragged.
“Rematch. 3,2,1 go,” shouted Nyla as everybody ducked back under the water. Lucy a split second behind everybody else as her attention was still on Tim. 
She came up about 30 seconds later just as a wave was passing by her and managed to swallow a good serving of water. She coughed and sputtered but before she knew it Jackson and Nolan were beside her and she was assuring them she was Ok just needed a bit of time to catch her breath. As she swam towards the shore to rest in the shallows she noticed Tim was just sitting back down and his pants were wet to just above the knee. But she didn’t let herself focus on it.
She swam to just in front of where he sat laying on her stomach on the ocean floor, head just above the water.
“You OK?” He asked shifting his eyes to her for the first time since she swam up.
“Ya fine, just swallowed a little water,” she assured him.
“Looks like you guys are having fun out there,” he nodded indicating the group still farther out.
“Ya the water feels amazing. You can’t honestly tell me that you aren’t hot.” She had meant it literally. He was sitting in above 90 degree weather with wool pants on. But then she realized he had taken off his white shirt and his muscled chest and stomach were currently on full display and the word took on an entirely different meaning. She was thankful for the darkness as it hid her blush but even that couldn’t hide the fact that she was definitely staring. 
“The ladies on the beach the other day will be so disappointed they’re missing this,” she teased gesturing to his bare upper half, hoping to give a probable explanation for the staring.
He gave a short laugh. “Not as disappointed as the meat bags who were wolf whistling at you will be that they’re missing that.” As he gestured at her he finally let himself actually take her in. Her hair was still up in its low work bun leaving her entire back exposed. The upper half of which was completely taken up by a tattoo, he had never seen before, although the light was too limited for him to make out the design. The rest of her body was hidden in shadows except her face which was now free of soot and make-up making her look young and vulnerable. Freckles brought out by the last few days of blazing sun were speckled across the bridge of her nose. Her mouth was twisted in thought and her eyes sparkled in the light of the flashlights. She really was beautiful.
While those thoughts flew through Tim’s mind Lucy was thinking about his comment about the wolf whistlers. That had happened at the very start of their shift and lasted no more than two seconds. Lucy wasn’t even sure they had been whistling at her and she had completely forgotten about it until Tim brought it up just now. Funny that he would remember. 
 They were both pulled out of their thoughts by a sudden commotion further out in the water:
“DID YOU NOT THERE IS NO PIE!”
“DO NOT THERE IS NO DIE!”
“DO OR DO NOT THERE IS NO TRY!”
Were being yelled over each other.
“What are they doing?” Tim asked looking at the group out in the water.
They were in a circle. Jackson had just given Nolan a high five then they were under again.
“I think they are playing the guess what I said under the water game,” Lucy chuckled.
Tim was about to reply but he was cut off by “How much wood could a woodchuck chuck if a woodchuck could chuck wood” being shouted in unison followed by bickering about who said it first.
“I’m going back out to join them. You going to come?” Lucy asked turning her attention from the group back to Tim.
“I don’t need to be a part of that.”
“Come on Tim. You’re hot and dirty.” She still meant it literally. Really. He was covered in soot. Stupid double entendres.
He raised is eyebrows.
“Just get in the water,” Lucy said splashing water at him to vent her frustration with how flustered she was getting.
He wiped the water from his face and a small smile appeared at the corner of his mouth. “Fine.”
Lucy beamed back at him as he stood up and walked back to the shop to discard his remaining clothes then turned her attention back to her friends.
“It’s not Angeles Direct, you’ve already guessed that three times,” Nyla was saying to Jackson
“That’s what it sounds like,” he argued “and it’s definitely closer to that than ‘embroidery period.’”
“That was my first guess. I heard wrong,” Nyla shot back.
“Oh ya cuz ‘and was dressed’ and ‘indoors divest’ were so much closer.”
Any further argument was cut-off by Nolan. “I’ve got it: Angela’s the best,” he said confidently.
“Yes and yes,” Angela confirmed.
“Your turn Nyla.” 
There was a brief silence as they all went back under the water followed by a flurry of screamed “this is stupid.”
“Happy now?” Came a quieter voice beside her and Lucy nearly jumped out of the water. She had been so wrapped up watching her friends she hadn’t even noticed that Tim had made his way back down the beach and was now sitting beside her in the water.
She smiled and nodded. “Aren’t you?”
He gave a non-committal shrug. “We’ll see after I get roped into whatever’s going on out there,” he offered but there was no bite to it. He was even smiling, although mostly with his eyes, as he looked at their friends.
“Well let’s go find out,” Lucy replied as she led the way into the deeper water.
As they approached the group they watched them go up and down and listened to their guesses.
“And further than game”
“Comforters at game”
“Temperatures endgame”
“Stanford is endgame”
“Checkers is a game.” “At least that’s a real sentence”
“Bradford has game?” “That can’t be right he most definitely doesn’t”
Then just as Tim and Lucy joined the group “Chenford is endgame!” Shouted by Angela who upon realizing Tim and Lucy had joined them turned to Jackson.
“This ones not on me it was your sentence.”
Jackson stood stunned for a second looking desperately between Tim, Lucy and Angela then swiftly closed his eyes and yelled “MARCO.”
There was a brief silence then Nolan yelled “POLO” and everyone was swimming away from Jackson at top speed. Everyone except Tim who was giving Lucy a look that said. “See what you got me into? I told you so.” 
But she was busy swimming off with the others, grateful for the distraction. So he rolled his eyes and joined the game. The water did feel amazing although he wasn’t about to admit that to her.
Calls of MARCO POLO and laughter filled the air as everybody took their turn being it: Jackson tagged Nolan who tagged Lucy who tagged Nyla who tagged Jackson who tagged Tim who tagged Nolan who tagged Angela who tagged Jackson who tagged Tim who tagged Lucy. Well he meant to tag Lucy. He reached his arm out and jumped towards her “POLO” but she was closer than he thought and instead of the tips of his finger tagging her shoulder he jumped right into her. He hit her hard and she responded to being knocked off her feet and down into the water instinctively by reaching for the nearest thing to prevent drowning, which happened to be him. So when he opened his eyes her arms were around his neck and her legs around his hips and her face was only about an inch from his own as she coughed up water for the second time that day.
“Are you ok?” He asked moving a piece of hair that had fallen into her face behind her ear.
She nodded but continued to cough as he absentmindedly stroked her back.
 “You caught me by surprise,” she breathed “I didn’t know we were playing full contact Marco Polo.”
He let out a relieved laugh, “I’m sorry.”
“A real Tim Bradford apology I never thought I’d see it in person,” Lucy teased earning an eye roll from Tim. This close Lucy could see all the different shades of blue in his eyes even in the dark. 
“It was an accident.”
“So it wasn’t some sort of Tim Test to see how I would handle a fight in the water?”
“No. You got your last Tim test a year ago when you stopped being my rookie.”
“I can’t believe it’s been a year already,” she said. “Then again we’ve been through enough for an entire career,” she added as her hand reflexively moved from his neck where it was playing with his hair to the tattoo on her her ribs.
That’s when it dawned on her just how close her and Tim were, pressed together without a shred of clothing between them. She had felt so comfortable and content she hadn’t realized the gravity of the situation and what it could lead to. She was about to put some space between them when his hand covered hers over the tattoo marking her supposed day of death. The day he saved her from being buried alive. Although he would say it marked the first day of the rest of her life. The day she saved herself. 
And the desire to move away died in an instant. 
“I kept it,” she said quietly, “because of what you said.” “Because it’s a reminder that I’m a survivor. And that my team will always have my back.”
Tim was looking at her with an expression more open than she’d ever seen. “I have one of those,” he replied softly lifting her hand up and moving it to rest on his lower left abdomen. She was confused at first but as she felt the skin beneath her finger tips she realized it was scarred. The scar from when he was shot on her second day and she pulled him out of the line of gunfire.
She smiled and looked directly into his eyes. 
“It’s a good thing we have each other in our lives,”
“Sure is,”
She was just about to lean in and close the distance between them when a voice interrupted.
“Hey you two. Keep it PG or get a room. This is a family outing.” It was Nyla.
Lucy laughed as she untangled her self from Tim and in that moment she realized two things. 1) this was most definitely her family and 2) she would very happily come back to the beach. Maybe next time she’d just bring Tim, maybe even as her boyfriend.
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prince-of-elsinore · 3 years
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Sam and Dean: psychological analysis and headcanons
In response to this anon ask from the 66 SPN Questions:
6. Do you have any psychological headcanons (or canon interpretations) of the characters?
Anon, this is probably not what you asked for. But I started writing, and kept finding more I wanted to say, until I thought--why not just say it all? And by all, I  don't actually mean all--this is by no means exhaustive. But it was a wonderful, self-indulgent opportunity to organize my thoughts on Sam and Dean's psychologies, and even find some new ideas as I was writing, and to put them out there so others can read and discuss. (Always happy to discuss any of this! Inbox is open.)
As a disclaimer, I know most of these thoughts are probably not original and may be retreads of many things fandom has been discussing for years. I'm not claiming to be breaking new ground here. Also, I sorta float backwards and forwards chronologically in my discussion--some parts pertain more to them when they're young, some to when they're older, and I don't always clarify which. Also, these are generalizations! I point out patterns I notice; that doesn't make them all hard and fast rules, because Sam and Dean are each human and complex!
Here's what you'll find below:
1. Core motivations 2. Happiness 3. Approval and secrets 4. Approval from authority figures 5. Need and attachment re: others 6. Sympathy and empathy 7. Walls—hiding vs. performing 8. Need and attachment re: each other 9. Ambitions and goals 10. Normality and monstrosity 11. Guilt and self-loathing 12. Autonomy and sacrifice 13. Personal identity 14. Concluding observation
1. Core motivations: Dean’s purpose is to protect Sam, obviously. Sam’s purpose, though a little less clear, is to save Dean. Sometimes it’s explicit, as in s3 and s9-10. But I think Sam also wants to save Dean, in general, from himself and from the life. It’s why he pushes against Dean’s obedience to their father. It’s why he tells him to get out and go to Lisa after he jumps in the Cage. At a certain point, I think Sam accepts he can’t “save” Dean without changing who he is, so he chooses to stick by him—because at least then he can make Dean happy.
2. Happiness: Dean’s happiness—or perhaps contentment is a better word—is knowing that Sam is safe and alive. Sam’s happiness is Dean being happy. In Sam’s world, things are good when Dean’s good. I think that, conversely, Dean wants Sam to be happy, and Sam wants Dean to be safe, but they both know and to an extent accept that those things are not within their control, so they focus on what they feel they can control.
3. Approval and secrets: They are each other’s north stars, guiding principles, in different ways. For Dean it’s “look out for Sammy,” for Sam it’s “what would my big brother think/do.” Dean doesn’t need Sam’s approval. Sure, he loves it when Sam admires him, but if he feels he needs to do something against Sam’s approval, he doubles down because approval from Sam is not the top priority. He’ll do what he thinks is right, especially to keep Sam safe, no matter what Sam thinks about it. Sam, on the other hand, does crave Dean’s approval and cares very much about his opinion. It doesn’t mean he won’t go against Dean (all the conflict of s1-5!), but it affects him differently. This leads to different kinds of secret-keeping: Sam goes behind Dean’s back to avoid his disapproval; Dean goes behind Sam’s back so that Sam doesn’t interfere with what he thinks needs to be done.
4. Approval from authority figures: Dean does crave approval from others—specifically, respected authority figures. The big one is obviously John. I think in a way it’s Mary, too, when she comes back. But it only applies as long as the person has his respect. Sam doesn’t crave approval from other authorities in the same way, perhaps because his primary authority figure growing up was Dean.
5. Need and attachment re: others: Sam is the only person Dean cannot live without, but he also makes outside connections of a friendly nature fairly easily. He’s the more socially outgoing brother who latches onto people like Gordon, gets friendly with Ash, and forges connections with Jo and Charlie, just to name a few (and Castiel at times—though their relationship is so inconsistent and often convenience-based I hesitate to include it in this category). Though Sam is Dean’s core need, I do think Dean thrives with other friendships. I’m not talking about found family, though I’m well aware of Dean’s tendency to call people “family” quite readily. Honestly, I think this is a manifestation of his craving for connection with others. Dean has an affectionate and playful nature, and let’s face it, Sam isn’t always super receptive to that—so naturally, Dean seeks out people who are. (I think this is also, in some cases, related to Dean’s craving for approval from others). Of course, none of those other relationships come close to the depth of his relationship with Sam, and when his relationship with Sam is at its best, I don’t think Dean really needs anything else to sustain him. But in reality, it can’t always be at its best.
Sam, on the other hand, doesn’t forge outside connections easily—but when he does, they tend to be deeper than Dean’s easy casual associations (even when Dean has real affection for someone, he tends to keep the tone of the relationship light). It’s pretty clear Sam was a loner kid, and I imagine it took him a while to find friends at Stanford, and even though he loved Jessica he still clearly kept many secrets. That’s the thing with Sam—he’s got walls. Dean’s got his own walls, but they’re different. Sam can seem emotionally open, but he protects his innermost self very carefully and rarely puts his emotions out there in a truly open way—even less than Dean does. I think this is a consistent personality trait for Sam, not one born of trauma (though perhaps exacerbated by it at times). In fact, it’s in later seasons that I see Sam finally, in rare moments, let down those walls, with Rowena and Jack. When he’s young, I think this was partially a coping mechanism he developed for hiding his desires/feelings, even from himself, because he was so unhappy with his life. It means that even though he’s an introspective guy, he’s not as self-aware as he thinks he is until he’s older and more mature. He’s very good at self-deception when he’s young, because as a thinker, he can convince himself of just about anything.
To circle back to attachment, what this means to me is that Sam, while he certainly appreciates close friendships and has a lot to offer those he cares about, doesn’t crave friends in the way that Dean does. I think he desires to be understood (this is a natural human need) but he’s much more comfortable with himself than Dean is, and is somewhat of a loner by nature. This means he’s also not (usually) going to be too affected by the status of his relationships with others. Dean is much more volatile and easily hurt by others (this is where Castiel is a great example).
6. Sympathy and empathy: On the surface, Sam appears to be the caring, sensitive brother, while Dean is brash and insensitive. This is a very incomplete picture, however. It mostly comes down to the difference between sympathy and empathy. Empathy is an involuntary response, whereas sympathy is something that a person chooses to express, though that doesn’t make it necessarily superficial—it also comes from an emotional place. Dean tends to be more empathetic, and Sam more sympathetic. Dean, despite his performative walls, is more easily affected on a visceral level by others’ emotions. He is more sensitive, more easily hurt or swayed to anger, and also more easily experiences empathy. This has nothing to do with what Dean thinks is right—it’s another involuntary emotion. He is sometimes moved to express this feeling, but he’s not generally concerned about appearing sympathetic. Sam, with his careful emotional walls, isn’t generally so viscerally affected by others, but he is kind. This is expressed as sympathy, because he cares about others’ feelings, and he wants to be good/morally right. On the one hand, it comes from an intellectual place—“it’s socially acceptable/morally right to express care for this person” (which Dean is less likely to care about)—and on the other, it is an emotional response—“I know what that feels like”—but a more regulated one than empathy, where one almost directly experiences another’s emotions.
7. Walls—hiding vs. performing: It’s interesting that both brothers have their own walls, which they construct as a form of self-preservation, but they have different levels of effectiveness in protecting themselves from outside influence. One difference might lie in what the walls were built in reaction to. Sam built his walls at a young age to separate himself from the outside world because, ironically, it was precisely what he desired, but was not allowed to have. He therefore consciously distanced himself from it, to dull the pain of not having it. The goal of those walls was to have something to hide behind, where he could remain generally unnoticed, so he could conceal his pain from outsiders and even from his family.
Dean took a little longer to build his walls—or at least to consciously do so. He already no doubt fashioned himself after his dad as a kid, and often put on a brave face—for Sam, for his father—when he was not feeling brave. He therefore became accustomed to performing at a young age, and performed many roles for both Sam’s and John’s benefit. He was unconsciously building walls with these performances, concealing his true feelings and desires. Later, I think this started to become more intentional, especially in relations with women/sex partners and especially after the Stanford split, as Dean realized how vulnerable to hurt his sensitive nature made him. It was much safer to perform all the time, and never let his real feelings show. For Dean, even more than Sam, I think he often lost sight of what those real feelings were behind the walls as he tried his best to be the performance he was putting on.
For a visual metaphor, I think of it this way: Sam is a boy at the center of a self-constructed labyrinth. He is almost always able to maintain control over how close people get (except when a few slip past his defenses, at which point he may be susceptible to manipulation). Despite all those elaborate passageways, though, there’s still Sam at the center. It’s lonely there, but he knows himself pretty well at least. Dean is a man in a mask who wants the mask to be his real face. He does everything he can to fuse himself and the mask together. They probably are fused at this point, so it would hurt to take the mask off. His memory of the face under the mask is hazy. He’s afraid, if he looks under the mask, he’ll hate what he sees. He’s lonely because no matter how close others get—and he lets them in close, can surround himself with people—none of them will ever see his true face. But he’s convinced himself it’s better this way, because if anyone saw his face, they’d hate it.
8. Need and attachment re: each other: Clearly, both brothers need each other. Sam’s need for Dean is different than Dean’s need for Sam, though. The way I see it, Dean’s need is one that requires reassurance. Perhaps it traces back to the concern about Sam instilled into him at a young age. I think it was strongly exacerbated by the Stanford split, when Dean realized his and Sam’s desires didn’t align. In Dean’s mind, Sam left once and can do it again—he’s always waiting for the other shoe to drop. Sam, on the other hand, has always been able to rely on Dean as a rock, a constant in his life—to the point that, in a way, he takes it for granted when he’s younger. Not in a spoilt, ungrateful way, but in that way that we, as children, might take our parents for granted—they’re always going to be there, right? That’s why, on the few occasions where suddenly, Sam isn’t sure of Dean’s devotion, the rug is ripped out from under him and he’s completely adrift and distraught—seasons 4 and 8 come to mind. Sam needs to be the center of Dean’s universe. When he fears that that’s shifted, that Dean hates him or has chosen someone else over him, it turns Sam’s whole world upside down. For Dean, the fear is that Sam will leave, but it’s a constant, background worry. For Sam, the fear is that Dean will hate him, but since he can usually count on Dean to be obsessed with him, it only comes up now and again. Only Dean can truly hurt Sam, while Dean is vulnerable to hurt from others—though, as always, the deepest hurt can only come from Sam.
9. Ambitions and goals: Sam is the one with greater needs and ambitions outside the scope of their relationship. For Dean, if he’s got Sam and he’s got hunting, he’s content. His greatest accomplishments are taking care of Sam and saving people, and that’s all he needs. I see Sam as craving other sources of fulfillment, though—academic/lore study for its own sake (the pursuit of knowledge), and a leadership/mentorship role. I thought it was very fitting that Sam finds these in late seasons, with leading hunters against the BMOL, then leading the apocalypse AU hunters, then mentoring/nurturing Jack. Dean has always had (and needed) a mentor/leadership/nurturing role with Sam, but Sam also thrives when he’s able to step into that role for others.
10. Normality and monstrosity: I’m just going to link to this post rather than repeat myself.
11. Guilt and self-loathing: This is something they both struggle with and at times, are defined by, but it manifests differently. I think their Hell traumas exemplify their different brands of guilt: for Dean, it’s perpetrator’s guilt. He knows he did something terrible and feels he can never atone for his past actions. For Sam, it’s victim’s/survivor’s guilt. He may not have done anything wrong, but there’s a certain amount of self-blame, especially for perceived weakness. This is another theme for Sam; one of the main faults he sees in himself is weakness—too weak to save Dean from Hell for instance—and as a result tries to shoulder things alone (killing Lilith, Hallucifer, etc). Sam has a need to fix things, to prove to others and himself that he is capable. Dean, I think, sees his main fault as neediness, but really, it’s a deeply buried sense of innate worthlessness. He was taught from a young age that his brother’s life—not his own—was of the utmost value. He internalized that his life was only worthwhile if he could save others, and has trouble with the idea that he, himself, has value beyond what he can do for others.
12. Autonomy and sacrifice: The above leads Dean to have a very constrained sense of his own autonomy. In general, he values duty/loyalty to others over autonomy (although when it comes to cosmic beings, he’s all about free will—see this post if you want more thoughts on that, and Sam’s autonomy). Often, his desire to control others comes from a place of frustration when Dean feels they are neglecting duty/being selfish. I think partially duty towards others is really a deeply ingrained value for him, but there may also be some buried jealousy at play, in that Dean wishes he could act with more freedom, put himself first every once in a while, but doesn’t know how to. Sam tends to value autonomy over duty (this doesn’t mean he doesn’t believe in any sort of responsibility—he’s willing to sacrifice for the greater good, after all).  This means he also tends to respect others’ autonomy, though we all know he can get plenty unhinged where his brother’s safety is concerned. The theme of Sam and autonomy has been talked to death so I’ll stop there, but you can click the link above if you want more.
13. Personal identity: One of Dean’s biggest struggles is with how much of his personal identity is received rather than self-determined. He is tasked with taking care of Sam and he is trained to be a hunter; these become the foundations of his identity. He says it himself: taking care of Sam is not just what he does but who he is. Then in season 3, his own subconscious mocks him for his lack of originality, styling himself and all he loves after his father, showing that this is a source of deep insecurity. This discomfort with himself contributes to his fear of being abandoned and left alone with himself. He doesn’t know who he is without Sam—or rather, is convinced he is nothing without Sam, which is why he fights so hard to keep him by his side. It also contributes to his general desire for friends, or better, family: people who won’t abandon him.
Later in the series, I think Dean has come to embrace his genuine self more. He’s nerdy and excitable and playful—and I don’t see this is as regression, but rather a healthy embracing of what makes him happy—not tastes inherited from his father. If it seems juvenile, it’s because it’s the first time in his life he’s allowed himself to express and explore these things. I think his relationship with hunting is also healthier; it’s no longer something he does because it’s the only thing that can give him worth. He does it because he believes it’s right and genuinely wants to help people. He has a more complete sense of self, and while it’s still totally tied up in Sam, he has gained some self-worth.
[I should note that basically everything I’ve written about Dean supports the headcanon that Dean has BPD—a headcanon I accepted after I realized this. For some more great writing on Dean and BPD, see this post by @venhedish.]
Sam has always known what he wanted for himself and rejected what was given to/allowed him. Wanting what he couldn’t have, from a young age, helped him develop an individual sense of self, not defined by others. I think it’s this difference in their sense of individual identity that leads some viewers to think that Dean loves Sam more than Sam loves Dean. He doesn’t, and losing Dean is just as huge a loss and a grief for Sam as losing Sam was for Dean. Dean is central to Sam’s life, and he can’t feel complete without him; however, his identity and every desire has never revolved as entirely around Dean as Dean’s has around him, so Sam has a foundational sense of self that even losing Dean can’t completely destroy. It’s what allows him to rebuild in grief and carry on (whereas I have no doubt Jensen’s right and Dean would waste away in the back of a pool hall without Sam). Dean’s central role in Sam’s life never disappears, though, and it is, in fact, what allows Sam to carry on; an effort to honor his brother’s memory, living in a way that would make him proud. There’s continuity in that for Sam; the craving for his brother’s approval and happiness never disappears. Seeking those things is what makes Sam happy, both in their domestic years together before Dean’s death and in the years after. They are both, after all, co-dependent!
14: Concluding observation: Sam and Dean have many similar issues, desires, and insecurities: the desire for a normal life, the fear of their own monstrosity, the desire for love and friendship, their need and love for each other, their desire for approval/to be admired, resentment at their childhood, the feeling of being impure and unworthy, the desire for freedom, issues with bodily autonomy. Sometimes these are seen as the purview of one brother or the other exclusively, but that’s almost never true when you consider canon as a whole. The difference is in how these things are internalized, sublimated, reflected, and expressed for each of them. It makes sense they would struggle with so many of the same things, because their lives are deeply intertwined and they are in the same boat most of the time.
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shihalyfie · 3 years
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02′s themes in relation to its finale
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By “finale” I don’t mean “epilogue”, but rather the final battle and confrontation that make up 02 episodes 48-50. Generally speaking, 02 is a series that is much less about progression of plot events as much as it’s about theme and message, and my feeling is that this becomes increasingly so the deeper you get into its second half and approach its ending. Narratively speaking, we need a big, bad enemy to beat up in a fight, but if we shift our perspective a bit, what does this finale say as a close to 02′s themes and concepts?
The thin boundary between good and evil
Our major enemy for the first half of the series was the Digimon Kaiser, who was later established to be the very naturally kind Ichijouji Ken -- which is a pretty massive swerve, considering that most series with “reformed villains” would usually make them a bit of an edgelord who happens to be a little nicer. But instead, the series goes very deep into the psyche of what could make such a kind child be tipped over the edge, and, even though it’s all revealed to be accelerated by supernatural interference, it’s made very clear that his own trauma and insecurity was most of what did it.
So, anyway, it’s revealed in the end that the “final mastermind” behind it all was none other than Vamdemon, an effective midboss from Adventure. Vamdemon’s popularity aside, this initially seems like a very strange choice. But looking at some statements about 02′s initial planning is somewhat revealing: the original planned concept for the final boss was a Digimon that would ultimately be reduced to only “an idea” (and was rejected on the grounds of being too gory for the Sunday morning kids’ timeslot). When you think about this original concept of “a Digimon that had been reduced to only an idea,” that explains the initially odd-seeming combo of defeating a Digimon with the combined power of idealistic positivity, because it’s a plot point that would certainly make more sense if said Digimon had been reduced to a spirit of malice.
However, the interesting part about this is that the replacement for this original final boss was not Vamdemon but Oikawa and his lackeys, which means that, substantially, the real “final enemy” of this story is actually Oikawa, and the ideological questions he poses for the Chosen Children and those around them. Vamdemon may be the “mastermind” from a plot perspective, but, ironically, his important role is actually to define Oikawa’s narrative -- and, as if to drive this in further, he’s not even voiced by his original voice actor from Adventure (Ohtomo Ryuuzaburou), but Oikawa’s own, Morikawa Toshiyuki (and this voice change is actually pointed out in the series proper, too).
So why Vamdemon and not just a random spirit of malice? Well...
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Vamdemon’s presence specifically establishes the precise moment in time Oikawa lost complete control of himself -- and, more widely, establishes the connection between himself as a “Chosen Child who could never become one”. Prior to this episode, we knew that Hida Hiroki’s death and their shared childhood had some relevance to Oikawa’s downfall, but the August 3 “Odaiba fog” incident in 1999 is the exact moment where everything could completely crash down in front of Oikawa’s eyes, with Hida Hiroki having just died, and Oikawa personally witnessing Digimon, the Digital World, and the Chosen Children (and boy, the way this scene is framed with him right next to the waterfront, you might even wonder what he might have done with himself had Vamdemon not interfered...). The Digital World didn’t have a huge amount of contact with the world before then -- in fact, Oikawa not being able to make much contact is a huge part of his character arc -- which basically leaves this as one of the only moments you can have this exact moment of Oikawa being ready to go over the deep end in this way. All of his regrets, of never being able to make proper contact with the Digital World, of Hiroki having died and left him alone, are ready for him in this exact moment -- as his own lackey Archnemon had said earlier, “human weaknesses are easy to manipulate.”
Moreover, of all of the “entities of malice” that made up Adventure’s villains, Vamdemon’s the only one who brought it all the way over to the real world (where the majority of 02′s conflict is set). This brief moment of contact with the real world was established in 02 episode 14 to be the defining moment of “contact” that would lead to Daisuke and Iori becoming Chosen Children. Particularly in the case of Iori, you can see the parallel -- Hiroki’s death and the resulting incident here would shape Iori’s strive to become a model citizen and a hero as a Chosen Child, whereas the exact same incidents shaped Oikawa’s descent into villainy.
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Oikawa’s “sacrifice” in the end is not really a sacrifice in terms of sacrificing his life -- it’s said outright that his body is deteriorating, and so he would have died either way. What Oikawa does sacrifice is the ability to take one more step and make proper contact with Pipimon -- it is explicitly stated that he has to use the power of the dream world to grant his wish, meaning that he would never be able to take a proper step into the Digital World as a human, and therefore would never truly be able to have his initial wish granted in the way he originally wanted.
Thus, Oikawa leaves off with one last “regret” -- that, perhaps, if things had been different, he could have been just like the Chosen Children, going on “adventures” like them. But Iori points out right after that he did achieve his dream in some sense -- he got to reunite with the Digital World, and he did get to meet his partner, and so: it’s all about mentality. All of what happened to Oikawa was because of his own closed-in way of seeing himself and his place in the world, instead of being able to move on productively from his perception of what he “could and couldn’t do”.
In the end, Iori, the one who had once been so cold towards the idea of anything remotely associated with evil, is the one to guide him to that answer, and the other Chosen Children, who had previously not been very sympathetic towards him, still grieve over his death because they understand what it means to have a partner, and the sense of loss it would entail to be separated from one. It’s the one commonality they all can understand, and in the end, none of them were really all that different; it was just what they chose to do with what they had.
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This is especially because we see extensive flashbacks of Oikawa in 02 episode 47, and his design is that of a completely average adult in 02, nothing like the “look at this instant villain!” design he had during the course of the series. Oikawa was, for all intents and purposes, a completely average person who had dreams that he shared with his friend, dreams that they carried into adulthood -- it took this little to push Oikawa over the edge, and yet the things that did it were the exact same things that, in a different context, Iori took to become a Chosen Child who fought him on the other side.
False happiness and pointless fixations
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Tying into Oikawa’s fixation with “regrets” and an unhealthy mentality about his own position, Oikawa blames his inability to go to the Digital World in 02 episode 48 on himself being a “tainted adult”, not recognizing that it’s his own having fallen off the deep end that’s the likely reason he’s being rejected. Oikawa is, effectively, maintaining a fixation on “regrets” and a past he can’t get back; he’s still stuck on the image of his happy childhood playing with Hiroki, and all of the things he “couldn’t do” as a child after having his initial contact with the Digital World cut off. The ending reveals that he had met Pipimon before, and so you can interpret everything he’d done beforehand -- including creating two Digimon that are ultimately his “minions” more than they’re his actual “partners” (and were ultimately ripped away from him by the very same malicious spirit that represents his nihilism) -- as an attempt to reconnect with that partner, even if it resulted in him forgetting his actual purpose.
Beyond that, the Chosen Children themselves are momentarily sidetracked by a “fixation” of sorts --
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02 is a series about “accepting things and moving forward”, so each of the illusions presented by BelialVamdemon have to do with a fixation that’s holding each respective kid back:
Takeru’s idea of seeing his family together again might not be completely impossible, but it’s probably not happening anytime soon -- and, as far as 02 episode 17 and 47 showed us, relations are at least improving and everyone else is doing a much better job of actually moving on and accepting the current state of affairs than he is.
Iori’s fixated on the idea of being able to please and be with a father who’s long dead (again, his issue is technically the same one Oikawa’s fixating over).
Hikari’s fixated on a future idea and dream that she wants to see pass, which won’t happen unless she can proactively work towards it now (and the 02 epilogue itself establishes that getting there won’t be all sunshine and roses).
Miyako’s fixated on her surface mood of stress and a desire to escape it, only to be confronted with the fact that it doesn’t actually make her all that happy either.
Ken’s fixated on ideas of “punishment” and “forgiveness” that ultimately won’t get him anywhere.
In the end, the one to avoid it is the most “forward-thinking” of all of them, Daisuke, who’s least likely to get caught up in such fixations. But even he has this to say:
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Daisuke understands that not everyone is as simple-minded as him, and that’s not inherently a bad thing -- it’s just that when you need to go forward, you need to go forward (and people who exploit others’ weaknesses against them are still unforgivable jerks). You need to accept that things are the way they are at current, and use the information you get from it to keep moving forward and do something productive with it rather than clinging onto things you can’t have to the point you can’t do anything. Nobody was giving anyone shame for having those internal worries that BelialVamdemon plagued them with -- it’s just that staying in there forever, instead of moving on with important things they had to do, wouldn’t be good for them either.
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Hence, that’s what Oikawa actually sacrificed -- he had a choice to use his final moments to spend his remaining short time with his partner that he’d spent so long unconsciously chasing after, but he instead decides to do something to help the Digital World and reverse some of the damage he’d personally caused instead of continuing to fixate on that regret. At the very least, he can continue to be with Pipimon in some other sense, even if it’s not what he originally wanted.
The pressure to be a “perfect person” as imposed by society; the conflict between that and pursuing one’s own happiness
In the last section, I mentioned that Oikawa was the kind of person who fixated on regrets about what he “couldn’t do” during his childhood. You can identify a bit of what was leading up to this in the prior episodes:
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We learn in 02 episode 47 that Iori’s grandfather Chikara made the mistake of barring Hiroki and Oikawa from getting too deep into their connection with the Digital World, considering it “nonsense”, which led to the two of them becoming disconnected from it and continuing to wistfully chase after it -- which also led to Oikawa being driven further over the deep end when Hiroki, the only person who understood that, died.
Moreover, Oikawa ended up developing a complex not entirely unlike the Kaiser’s fixation with being a “perfect” person in the first half -- and, just like how he blames his inability to enter the Digital World on being a “tainted adult”, he fails to have the self-awareness that it’s this exact nihilism keeping him out of it, taking even further offense at the idea of him being a “tainted existence” (because of what he’s embracing) and deciding that his reaction needs to be sinking even deeper into it. And while he implants the Dark Seeds into the children with the intent of exploiting their power, he also indicates that he thinks he’s doing them a favor by enabling that ideology of “becoming a perfect person” within them.
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Remembering that the final battle in this series is not necessarily about the physical fight as much as it’s about the ideology that Oikawa espoused, in the end, what Oikawa really “implanted” in these kids along with the Dark Seeds was the pressure that they should sacrifice their happiness to be “perfect” people. The Chosen Children reach out to them by asking about their dreams, and the children list off careers that have certainly gotten their parents scorning them for not being “good enough” for them, or gotten them mocked by other people (Hiroshi says that he gave up on his manga artist dreams because people laughed at him for it). In the end, “the pressure to be ambitious” is pressure in itself -- what if what you really want isn’t ambitious as much as it’s something that makes you and others happy (like, for instance, ramen making)? And especially when you’re a child -- shouldn’t this be the time when you enjoy yourself to the fullest?
This is even alluded to in Ken’s Spring 2003 track, in terms of how he and Osamu weren’t able to enjoy their childhood because of that pressure:
You were demanded to grow up fast, weren’t you, Brother? Because we were always being evaluated and compared by someone, we didn’t get a chance to have more freedom. We didn’t have any chances to run down an alley because we felt like it, or pull up weeds, or tumble around… meaningless things, things that didn’t bring any value to us at all. Just like the cat napping on the roof… we weren’t able to fully enjoy any everlasting freedom.
Like Ken and Osamu, the Dark Seed children accepted the Seeds because they decided that it would be better to trade in their happiness in exchange for getting closer to that ideal of “perfection”, only to destroy their own selves in the process. Which is accentuated when acknowledging their own selves is what leads to them meeting their own Digimon partners.
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Takeru had said, earlier, that the Digimon will appear if you wish them to -- and given that a Digimon partner is a metaphor for the inner self, it says a lot that the point here is “the key to connecting with your partner is to connect with your actual self”. Like how Ken managed to reunite with Wormmon in 02 episode 23 by accepting everything about himself and resolving to live with it, and how Oikawa will later meet Pipimon after having come to terms with what he was actually looking for the entire time.
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And in the end, what we see of Vamdemon isn’t really all that different from the original “reduced to an idea” concept we got from the original 02 final boss concept -- remember that BelialVamdemon has effectively become the incarnation of Oikawa’s own nihilistic ideology; perhaps he took on a lot more than just a voice actor! Actually, the whole sequence in 02 episode 50 with everyone listing off their dreams and destroying BelialVamdemon part by part is relatively similar in substance to the original proposal (the staff must have been really attached to that idea). And, hence, why what destroys him for good is the combined feelings of everyone together, resolving to move forward instead of chasing after meaningless things.
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Oikawa ultimately recognizes that what was holding him back was his own mentality -- everyone here, Ken, the Dark Seed children, and Oikawa himself, all thought they were becoming “strong” and “perfect” people by ignoring them, but instead ended up as pawns for others, and all of these people could have found better ways to cope with their problems through embracing themselves and finding support, and would have come closer to those “dreams” while they were at it. Instead, Oikawa exploited others and clung onto shallow symbols because he thought that kind of straightforward idealism was an impossible route for him, and locked himself out of all of it. But in the end, he’s able to do something -- he’s able to use his “dreams” to have the Digital World healed -- and with that, is able to have his last moments in happiness.
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Incidentally, back in 02 episode 49, Daisuke had even outright said that there’s no inherent issue in striving for self-improvement (after all, both Adventure and 02 were about people slowly getting past their insecurities and becoming better people). Daisuke himself is a person who’s improved a lot over the course of this series! But that’s something you need to do on your own terms and in a way you’re comfortable with -- not forcing yourself into the mold of an “ideal person” at the expense of losing everything about yourself, like Ken, the Dark Seed children, and Oikawa all did at some point.
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mamamittens · 3 years
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Long Awaited LoZ Thoughts
I’d like to start this off by explaining my background. I have a BA in English with a minor in Humanities. I have lived all my life in the Bible Belt of America, so my PoV of this series is inevitably going to be, at least in part, from the perspective of a Western-centric, Christianity-influenced woman. I have grown up with a deep interest in folk tales and mythology though, and took several classes on ancient cultures, so my base knowledge of religion all over the world is broader than what you’d probably expect. I am not religious myself, I’m actually agnostic. And this is just an in-universe look at the very strange religion of Hyrule. So, to make things easier, let’s just put aside the obvious meta issues with this world. The wonky timeline, complex lore changes between said timelines, and the fact that the whole series has clearly grown wildly over the course of its development without an overarching plot. The game mechanics being game mechanics. All of it. This whole thing will just be me trying to make sense of the world without the ‘it’s just a game, bro’ crutch. I will be drawing on what I know from the many games I’ve played myself, so if I don’t mention a big piece of lore from a specific game, it’s because I didn’t play it. Go ahead and rule out the early games before Ocarina of Time, as that’s the first game in the series I can remember playing. I was legitimately too young to have ever played anything prior to that, having been born in 1996. Now let’s get started, shall we?
 So, obviously everyone knows that the LoZ world is said to begin with the three goddesses. Din, Nayru, and Farore came together to create the world and before they yote themselves out of the narrative as direct players, they created the Triforce. A powerful artifact capable of granting a wish and giving their respective bearers undefined power. This is directly from Ocarina of Time and we see their symbol, the Triforce, all over the many games with very few exceptions. Now, to be clear, having a polytheistic religion with three main gods is hardly new. Hinduism has three main gods after all (Brahma, Vishnu, and Shiva), and depending on your flavor of Christianity, you have the holy trinity (God, Jesus, and the Holy Spirit). There’s even the Celtic goddesses that come specifically in threes (collectively called The Morrigan; Eriu, Fodla, and Banba). This isn’t an exhaustive list of three divine beings, by the way, just know that three is a weird trend in western-centric stories, including religion. But what’s different about the three Hyrule Goddesses? Well, they’re weirdly small for big shot gods. Let me explain.
        So, the three Hindu gods I mentioned earlier each handle a specific aspect. Creation, destruction, and preservation, not necessarily in that order though (which god does what isn’t the point, so just roll with me here). These are very broad and powerful subjects. Christianity is much the same, even though it’s a monotheistic religion. God is literally an all-powerful, omniscient, omnipotent deity. Jesus is his son who gave his life to basically forgive all sin. And I’m not totally clear on the Holy Spirit, but these three are clearly Big Deals with Big Ideas behind them. A good rule of thumb for old religion is that the older the deity, the wider the scope of their job or what they represent. Which makes sense. If you had to personify the forces of the universe, you’d probably start with the sun instead of like… whatever god is responsible for the creation of rice specifically. The bigger and scarier the natural force, the bigger deal that god usually is, putting aside politics and cultural trends. Egypt is a good example of this, as their roster of gods tended to change a lot depending on who was Pharaoh at the time and wherever the city center was. Horus is the god of the sun, or at least one of them, and is generally considered king of the gods. Which makes perfect sense for a land largely made up of a desert.
But what are the three goddesses’ rulers of? Power, Wisdom, and Courage. Each with clear elemental associations and people that are obviously affiliated with them. Nayru, Goddess of Wisdom, is clearly associated with water and likely has a close connection with the Zora. Din, Goddess of Power, is associated with fire and has clear connection with the Gerudo (unclear if the same goddess as the one present in the desert temple in Ocarina of Time). Farore, Goddess of Courage, is associated with all things green and of the earth, including the child-like race of Kokiri who perpetually inhabit the forest. Sure, these are broad topics, but not really… the first thing you’d think of for creators of the universe, are they? And it raises the question about the Hyrule people, who are said to be able to hear the gods due to their pointed ears… let’s put a pin in that and move on.
So, we know there are many gods in this universe, primarily because we meet them. For example, Zephos, God of Winds, in Wind Waker. But he’s clearly a fairly forgotten god, as he shares a shrine with Cylcos, God of Cyclones, which is about as bare as it can be. Just what appears to be a Tori gate with two stone monuments with the simple notes to summon them, almost completely out of the way. Which… I mean, I don’t know many gods with their extension number written on their monuments. That would kind of like going to church on Sunday and seeing “Hit me up if you need me, J-Boy 555-TAKE THE WHEEL” written on the podium. And remember, this is a world and game where the gods actively flooded the world and would therefore hold or have held enough power to directly interfere with Hyrule.
And Skyward Sword clearly has divine beings, one of which even flooded a whole area, though they’re subservient to Hylia. Who we will get back to later, I promise. The three dragons (again, that magic number), capable of divine power, though where that power comes from in unclear. The dragons are of a high status though, as evident by their servants and clear reference to high-class dress of their clothes. These dragons are revered, but clearly not worshipped, much like nobles in that regard. A curious note is the parallels to the three goddesses, and how the symbols are muddled and mixed for these dragons.
Lanayru clearly has the symbols associated with the Zora, and by extension Nayru, but is yellow. He also is saved by time travel used to grow a magic fruit, which Link often uses (time travel) in many games to advance the plot himself (and wouldn’t you know it, but mixing blue with yellow does produce green. Weird). Faron is the water dragon who flooded an area, and she is almost entirely blue (as well as unsettling to look at), surrounded by a species clearly related to the Zora though closer to octopi. But her name is Faron, which is weirdly close to Farore’s name, not Nayru. I mean, they are close to locations that resemble their names of course, but it’s still an interesting note. Finally, there’s Eldin, clearly bearing a symbol associated with the Gerudo without any strange mixes of symbols for the series. Oddly, he’s also the most open of the three dragons, especially considering the Gerudo’s traditional stance of being a ‘no-sausage’ club. Not terribly relevant, but I just thought it was interesting to point out. You can consider the Giants in Majora’s Mask on the same level as them, though their status is unclear (Since they’re summoned by a song and can stop the moon from falling, they probably straddle the line between mortal and divine).
Now, spirits also exist in this world, both as the ghostly variety and the more pseudo-divine. Not to be confused with actual divinity. Divine being can be spirits, but not all spirits are divine. In this context, spirits can be defined more as being of power capable of granting aid in return for something. Zephos can change the winds if called upon, but you don’t need to feed him, for example. But the spirits in Twilight Princess need aid before they can help you. And they’re also not very independent and are able to be fooled easily, which isn’t usually a god-like quality. While more physically present than the three goddesses, they’re also not strictly tangible, and seem to be extremely limited to their location. At best, these spirits could be classified as minor deities below the gods we see in Wind Waker. They also share the same abilities in keeping the realm of Twilight from falling over the land of Hyrule, as well as their weakness to parasites of undetermined origin. An interesting note is that they all seem to live in bodies of water. Let’s put a pin in that one too.
Someone that also counts as a spirit would be Fi and her counterpart, Ghirahim. Literally two halves of the same coin, these two are both very limited in power and function. They don’t represent anything on their own and are very dependent on others to achieve results. How or why they were made is unclear, but it is obvious that both were forged at some point, and clearly gained sentience. Even their personalities and allegiances are a bit odd. Fi for her sci-fi appearance and calculating personality in a fantasy land, and Ghirahim for his… well, everything. I don’t know why the root of all evil would make his weapon a full-tilt diva, let alone on purpose. Ghirahim always struck me as odd since his bombastic personality seemed to clash with his ultimate fate of just being a weapon for Demise.
Okay, so the Great Fairies are weird, okay?! Like, really weird. They act as spirits (I can’t think of any that aren’t restricted to a body of water in some form), but are very independent. They also don’t necessarily need anything from Link to offer assistance. Sometimes, just opening the fairy fountain is enough to gain items needed to progress. And there’s also the fact that fairies heal you upon ‘death’, though with a limited heart capacity. Sometimes they need you to do something though, like the Breath of the Wild fairies need rupees to function or items to upgrade equipment. They also usually look human, like Majora’s Mask Great Fairies are clearly just… giant women with color coded accessories. But like, they float. Where Great Faires come from, or even just regular fairies, is unclear. Until Wind Waker, Great Faires were adults. But when you finally meet the real Great Fairy in Wind Waker it’s… a child. With a doll that looks just like the ‘Great Fairies’ you’ve seen along the way. This sort of implies that Great Fairies age and die, though clearly with a different lifetime than most races in Hyrule (the child Great Fairy also only looks somewhat human compared to other Great Fairies, so make of that what you will). And it also implies that all the adult Great Fairies are dead (you’re welcome for that depressing thought), with the last one trapped in a hollow tree only accessible by the power of a God.
In Breath of the Wild, the Great Fairies are both diminished but more powerful. They literally are stuck in a giant flower with water in it, with few fairies around them, and require riches to get stronger. The connection to their new restrictions to this need for material wealth is unclear. It’s also interesting to note that their fountains are no longer places that appear to be man-made holy temples and they seem to be out of the way… well, for a given value of ‘out of the way’ (looking at you ninja village). These fairies can accomplish more tasks, but certainly won’t be doing it for free or with minimal effort. A far cry from their first appearances (no, I don’t consider using explosives a difficult task).
But Fairies are also companions with nebulous tasks, such as in Ocarina of Time, where Tatl follows Link until the end of the game. And Kokiri have their own fairy as a sign of whatever accounts for adulthood in their race. The Skull Kid in Majora’s Mask has two fairy friends who seemed to have been either lost or abandoned. Who or what gives them purpose and life is unclear, though the Great Deku Tree from Ocarina of Time can give commands, it doesn’t seem to be something he does normally? As a side note, it’s really not clear what, if anything he can actually do. Though the relative safety of the surrounding area is clearly tied with his wellbeing in all iterations, he doesn’t seem to directly influence it, or be capable of self-defense.
Now, onto the elephant in the room! Hylia! Who the hell is this?! A more recent entry to the series, her divine roll is unclear (though she clearly guards the Triforce in some capacity). It can be assumed that she’s somehow a goddess tied directly to the Hylian people, but when she appeared is up for debate. Timeline wise, it’s almost like knowledge of her was suppressed for some reason, giving rise to the Triforce mythos we all know and love without hide or hair of her seen. We know that she favored the original Link greatly, enough to shed her divinity to be reborn as a mortal and assist him. How or why is also unclear, though it wouldn’t be unfair to assume she loved him, as divine ladies holding an affair with a mortal isn’t uncommon in mythology (or even male gods doing the same, before anyone brings up Zeus). But she makes a resurgence in Breath of the Wild, with statues and everything, with the three goddesses left to only vague references in the background. Which is super weird, though not uncommon for places like Ancient Egypt. The fact that the ruling family was literally descendant from a goddess is what makes it weird though, since any monarchy worth their salt would milk that until the peasant folk revolted and made a new religion to justify killing a god.
Zelda in every incarnation is literally descendant from the original and still held at least a fraction of that divine power. So much so that a cornerstone of a powerful religious artifact inevitably ends up in her hands (or on the back of her right hand, as it were). But what is Hylia a Goddess of? We don’t know. It’s never said. Anywhere. And that’s super weird, even for a ubiquitous deity. Sure she’s a Goddess of Hyrule but… what does that mean? That can’t be all she is? Her reincarnation is literally locked in a generational struggle against the forces of darkness! What can she do as a Goddess? Well, she makes Link stronger in return for items, but that seems to be it. In Ocarina of Time, Zelda was capable of sending Link back to the past, but that was with a magic item. And we know Hylia isn’t the Goddess of Time, because Zelda references her in Majora’s Mask (sequel to Ocarina of Time, therefore implying that there are more gods unmentioned at that time), when Hylia should be mortal or at least fragmented (because Zelda exists at the time with powers and a Triforce piece). The Guardian of Time in Hyrule Warriors also fell in love with Link before splitting into Cia and Lana (and was unable to fuse back together again), so it’s unlikely that she’s the Goddess of Time Zelda was referring to, though that detail is interesting to note. No, I will not discuss if Hyrule Warriors is canon (either game), as this is already long enough as it is.
So, that brings us to Ganon, or in his original form, Demise. Which… what’s up with that? Who is this guy? He directly opposes the gods and just… gets away with it! Repeatedly! Sure, he loses most of the time, but still. It’s unclear where Demise came from, or even what he is, though judging by Ghirahim’s ‘Demon Lord’ title, it can be assumed that he is some type of demon himself. And that the many monsters we see are also considered demons, which makes sense with how they always work for Demise (or his many iterations) in some form or another. Considering how much it takes to simply seal him away, he can’t be just a demon though.
        Demise obviously pulled the same trick Hylia did, which directly sets him up as a counterpart to her, but what does it mean? Why would he do that? What is Demise that he can’t be beat with the power of a Goddess alone and needs not only a brave knight but a blade literally made to counter him? Within the context of religion, the best guess I can make is that he’s some form of a God of Darkness, possibly also Temptation, Greed, and Pigs Corruption. It fits within the narrative since power is often the strongest form of temptation and we know that demons capable of opposing the gods exist. The Horned Statue literally takes Hylia’s blessings in exchange for wealth, and was turned into a statue for it. What it stands to gain from any of it is unclear, but interestingly enough, Hylia doesn’t mind that it closely resembles her own statues. So, this raises the question… why isn’t Demise a forgotten statue somewhere along a dusty road? How did he curse(?) both a reborn goddess and a human in an eternal struggle for the fate of Hyrule?
        Being a god is about the only explanation for why he can do the things that he does. It explains why, in every incarnation, he ends up a rule (like Zelda). How he controls so many different species with ease. He corrupts the conflicted as easily as breathing. An interesting note is how Demise in his many forms usually ends up corrupting once good forces in some way, typically with parasites or evil spirits. And with this context, Hylia must be a Goddess of Light, and possibly some form of Will and Purity to oppose Demise’s power. It would also make her a good candidate for looking after the Triforce in that case. And yet we don’t know any of this for sure either, which is, again, very strange considering their presence from the very beginning. Literally.
Now, I want to mention the temples as a last point before wrapping this up, because it has bothered me since I was a wee little whipper snapper. For a place of worship, they sure are hard to navigate, even when they’re empty of monsters. And it’s not like Hyrule doesn’t get this, because the Temple of Time in Ocarina of Time is straight up a church. Just… without pews, so clearly not perfect, but it is possible for people to come in and… worship time, I guess. And no, not the Goddess of Time, because there’s no statue for that. I mean, I know it’s secretly hiding the Master Sword, but it is definitely a church otherwise. What a normal service looks like I can’t say for sure, but it’s definitely not like literally any other temples we see.
        Now, I know it’s a little hard to remember, but temples are usually places where one goes to worship the gods (or even just a god). And we know gods exist in a very real way in Hyrule! They still manage to name Zelda the same thing despite having seemingly buried their divine origins, so some knowledge of gods walking the mortal realm exists. But the temples/dungeons we see usually don’t have much in the way of religious iconography, with a few exceptions (interestingly it’s typically the desert area that actually has statues and could feasibly have had a real capacity for worship). You want to be a devout follower of a god anywhere else? Well, fuck you. Hope you brought a sword and a good pair of boots. If you’re allowed inside at all, since it’s usually the local leaders that are only allowed inside for some reason. And most games don’t seem to have very religious people, despite all the references to divinity. Not like we’d expect them to, at least. And I personally can’t blame them. If I tried to join a religion but found only a wall as an entrance, I’d be pretty disheartened too. Then I’d be pretty pissed to find out I needed not only a royal instrument handed down the monarchy, but their freaking lullaby to even get in to the place of worship. But we know they pray to the gods at least semi-often, since that’s one of the inciting incidences in Wind Waker. And they have offering to statues of Hylia.
        The temples suggest the bar to impress the gods is pretty high, and not in a ‘sacrifice your eldest child’ kind of way. To even get the chance to reach the inner chambers you better hope it’s been kept well and that you didn’t skip leg day recently. Something I didn’t really mention before is that usually, the less involved the gods are, the more independent the people are from worship. If you worry that your local deity will flood your fields, you’re probably leaving regular offerings at their nearby shrine or temple. But if you know that the gods don’t care about literally anything you do, why worship them at all? Why make statues, art, or temples? Why bother with any of it? The answer is you don’t. So these highly selective temples are pretty weird unless you go with the idea the gods are just really done with people and never want to talk to them unless absolutely necessary.
So, I’ve rambled for over twelve pages now. What’s the point? What does any of this mean? I’m honestly not sure, but I have a sinking feeling that there’s some serious shit going on in the Hyrule pantheon. Mortals have been mostly abandoned to their doom. Gods cast out and forgotten entirely. And somehow advanced civilizations keep forming and getting destroyed with only remnants left behind with zero explanation. Assuming the original gods are even alive at this point, which I’m not entirely certain of. Their death certainly explains how Demise/Ganon keeps getting stronger, looking less and less Hylian as time goes on, if he looks humanoid to begin with.
I wouldn’t even assume it’s entirely voluntary at this point either, as Ganon clearly doesn’t have the same motivations in every incarnation (see my previous post about Wind Waker). I’m rather excited about Breath of the Wild 2, as the implications of dehydrated husk Ganon is compelling. Particularly in light of the character development Link and Zelda have received in the first Breath of the Wild. I wouldn’t be surprised if Ganon/Demise turns out to be a fallen god trying to get back home (a nice parallel to Wind Waker, actually), cast out as a scape goat. Blamed for every form of corruption and greed that naturally follows in his wake. I think I said this before, but it is interesting that he is always reborn among the Gerudo, a race famously all females. Sometimes thieves, but nearly always in a position that would naturally crave power to take control of their lives compared to Hylians. Regardless of the consequences.
Is it true? I don’t know. Probably not, but the fact that I can draw these conclusions in three hours of writing is pretty neat. I have a lot of feelings about this franchise, having grown up with it, but I eagerly await what comes next. And I should probably go to bed. Make of all this what you will.
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gaawachan · 4 years
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Caleb, Trent, Trauma, Abuse
So, three things before I start.
The first is a trigger warning.  I’m not saying anything explicit but I don’t want to hurt anyone.  There will be statements on abuse (emotional, physical, sexual), trauma, avoidance/deflection, etc.  Please don’t read this if you think you might find it harmful.
Secondly, I don't consider myself even remotely qualified to talk about this but I'm concerned because I don't see people examining it much, and I think it's important.
Thirdly, here are some time-stamps from CR2 and Talks Machina that I will be using in this post: CR2 40: 2h35m - Caleb indicates that Fjord should "do what he has to" with regards to Avantika. CR2 41: 2h30m25s - Fjord and Caleb talk about Avantika CR2 43: 2h37m16s - "This is going to be very hard for Fjord"  "he has compromised himself" TM C2E111 - New Homes and Old Friends: 53m20s - "Caleb understands that he was abused and manipulated." TM C2E111 - New Homes and Old Friends: 1h26m45s - "it was subtly encouraged, suggested, or baked into them" that the Blumentrio were to use sex in the name of empire. I believe there was a previous Talks Machina in which Liam stated that Caleb was trained "to be charming" and maybe that there was an occasion where he didn't think that weaponizing sex was a big deal but I can't find those.  If someone can find that I'd like to add it to this post.
...
Let's talk a little more about Trent, Caleb and the Blumentrio, trauma both stated and unstated, and abuse.
I have seen a lot of people say that Trent Ikithon was mostly emotionally manipulative, treating the trio as if they were special and therefore he wasn't "overtly" physically cruel or abusive.  I think that this is a deeply flawed understanding of how Trent goes about abusing people.  Certainly, Ikithon starts with "you are special even as you come from the unwashed masses," "I will make you strong so that you can serve the empire you love," "the pain I cause you is for your own good," etc.
However, this does not boil down what he does to being purely emotional manipulation- that is the means to the end of forcing the children to be complicit in their own physical and sexual abuse.  Let's use what we know of the Residuum mutilation to examine how it is that Trent treats the Scourger children.  I am of the opinion that even without manipulation, the things Trent made them do were things that children are not really capable of giving informed consent to, so when I use the word consent, keep that in mind. 1. Trent frames everything he does as being for them and the empire, simultaneously devalues their roots while uplifting their work, and after doing so gets the children to "consent" to do what he wants- in this case, physical mutilation of their bodies. 2. However, in the event that they withdraw their consent, he ignores them.  We know this because of Caleb's nightmare of being strapped down wherein his explicit withdrawal of consent was disregarded.
The Residuum implantation in and of itself is a gross violation of bodily autonomy, and it always had an element of "does this remind you of anything?" baked into it.  I think Caleb's very obvious trauma with respect to how he obtained the Residuum implants is indicative of how Trent "taught" them in general.  First, he gets them to agree via emotional abuse.  Then, if they wavered, he forced them to comply either through physical restraint or magic.  And of course, the longer they endure this, the more compliant they get over time, be it with respect to his direct abuse of them, or his having them abuse others (a little bit of torture, a little bit of murder).  As we do not have the full details of the sequence of their training progression, it is difficult to say, but I am quite sure that Trent used the same methodology he did with the Residuum to break the three in BEFORE he had them start victimizing others.
On the statements and behavior of Astrid, Eadwulf, and the Rosohna Scourger.  The Rosohna Scourger was interesting because she did not mince words about what the training had done to her; her heart was "beaten out of her." Astrid and Eadwulf, being in their mid-thirties, are outright terrified of Trent, with both of them desperately avoiding confrontation at the dinner in different ways: Eadwulf by keeping his mouth shut on most things that seem potentially unsafe to speak on, and Astrid by parroting what she thinks Trent would want her to say.  Interestingly, Astrid also did this when Caleb visited her earlier, suggesting that she has deeply internalized Trent's world view at least in some respects, but none of this has eased their fear of what Trent will do to them if they say or do something he disapproves of and one must wonder if it is punishment or modification they fear.
It should be pointed out that the scourger training even before Caleb broke consisted of active participation and experience.  The Blumentrio actively tortured people, they actively murdered people.  This serves multiple purposes: it breaks them down so they feel like they can't leave, it simultaneously traumatizes them and makes them think their trauma is invalid or deserved, and it desensitizes them and makes them more compliant.  It makes them feel like abusers, twisting blame onto them.  We can see this in all of the scourgers - "you don't know what I've done," "I am a disgusting person," "I'll go to work if I have to," "It doesn't matter because I wanted to do it when I did it."
Caleb is just starting to process the fact that he and his friends are victims, particularly with respect to the Residuum, but he ISN'T to the point where he is of this opinion with respect to the whole of their training and he still chafes at the idea of thinking in any way that would deflect blame for what happened from himself.  I think that there is no clearer example of this than Caleb's statements over the course of the series regarding sex and relationships.
Caleb's relationships with Astrid and Eadwulf were very obviously romantically charged.  During the MN's interactions with Avantika, Caleb encourages Fjord to "do what he has to" with respect to Avantika, but later seems to regret it, expressing concern for Fjord's emotional well-being.  Caleb also struggled for a long time with not being transactional and manipulative in his interactions with others, weighing the need to survive and fulfill his goals vs his desire to do better.  Caleb often makes flippant off-hand remarks about sex, and while it could be argued that this is just Liam/Caleb being silly, it could also be viewed as deflection.
I think that Caleb is currently in a state where he is just barely starting to come to terms with the abuse that was dealt to him as a child and that he was forced to participate in, and considering how damaging that trauma has been, it could be argued that the avoidance of admitting that there was (at best) dubious sexual aspects to his scourger training is an attempt to avoid pain.  I want to be very clear here.  Even if the Blumentrio did not even once physically engage in sexual acts/seduction as children during one of their "lessons" on how to complete their missions, the very suggestion that their sexuality is a weapon to be used in their work is sexually abusive to these manipulated teenagers.  Caleb recognizes that such a thing IS hurtful... when it comes to the adult Fjord.  Not himself.  But not addressing it is doing more damage; it's going to interfere with Caleb's ability to have healthy relationships in the future, and this is clearest in his dynamic with Essek.
I think that Trent overestimates how much of his own world view Caleb has internalized long-term, as evidenced by his brazen flippancy about Caleb's parents, but I fear that on this point, Caleb HAS internalized the idea that he should use his sexuality in such a way.  That THAT is one of the most deeply ingrained behaviors that Caleb slipped into after meeting Essek and clearly hasn't even begun to question or shy from is, I think, evidence in and of itself that next to the murder of his parents, THIS is the thing that Caleb will struggle the most to address about his traumas.  It indicates experience.  It screams of abuse.
It is obvious at this point that Caleb and Essek are attracted to each other, but they got off on the wrong foot right from the start.  Framing their interactions as doing "favors" for one another, the overt manipulation and the ease with which it is done is going to have to be addressed at some point if only to preserve friendship.  In order to do that, I think Caleb is going to have to face that aspect of his trauma, and I do not think he can do that alone.
I think the saddest thing about it all is that in-game, none of the characters seem willing to sit down with Caleb and have frank talks about his Scourger training and what it entailed.  To a degree, it's understandable; they're probably worried about hurting him by doing so, and they've seen him deflect questions out of fear of judgment, self-loathing, and discomfort.  But Caleb is already hurting and struggling to process his past by himself.  If the 8th floor is a sign of anything, it's that Caleb (like all people) is not going to be able to fully come to terms with his trauma by himself.  Worse still, I am concerned that if it ever does come up, it will be between Caleb and either Astrid/Eadwulf, and they will end up reinforcing the idea that it was "no big deal" to each other.
From a meta perspective, I worry that it never will be addressed at all.  The cast may not be comfortable with going there in detail; I already got the impression from Liam in Talks Machina that he was struggling to figure out how to phrase the sexual exploitation of the Blumentrio without it being too overt - "it was subtly encouraged, suggested, or baked into them" - as though he couldn't decide what was most appropriate to say.  And there has been no indication that anyone else in the group in-game even suspects such a thing.
I do fear that if Caleb cannot at some point acknowledge that his abuse is undeservedly hurting his ability to connect honestly with people that he is genuinely attracted to and, as Liam says, "wants to be with," he may not be able to maintain a romantic relationship.
...
Anyway, that's all I've got for now.  Here's a question to ponder.  Which character do you think Caleb should show the 8th floor of the tower to first?  If you could pick which characters Caleb would open up to with respect to his trauma, which would it be?  Veth?  Beau?  Caddy-kins?  Essek?  Also, let me know if there’s anything I could add to this to improve it. :)
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w2beastars · 4 years
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Yafya and Shirou, kings of the jungle
So, I have now watched season one of BNA. It was a very good show and I look forward to watching season two next year. If you like Beastars, then you will most likely enjoy BNA as well.
Long story short: Michiru Kagemori is a girl who becomes a “beastman”, meaning she is a human that can turn into a animal hybrid, a tanuki in her case. Since normal humans naturally hates beastmen, Michiru moves to Anima City that is the capital city of beastmen. In this big town of animals, she meets Shirou who is, for a lack of better word, the Yafya of this series.
I will now compare Shirou with Yafya and try to do so without spoiling too much of the show for you.
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If you follow my blog, you already got my two cents on what sort of horse Yafya is, but here is his character in short: Yafya is a totalitarian. He thinks that carnivores are savages since they have no self control. He believes that he has to be the iron fist that keeps the world from falling apart as the Sublime Beastar. Yafya does keep animal society from collapsing, but his methods are flawed and he is biased when it comes to carnivores and he holds grudges that he handles horribly. But he gets the job done since he has the physical strength to enforce peace.
Shirou is somewhat similar.
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Officially, Shirou is a social worker who often consults the police and the mayor. And he DOES aim to improve the well-being of the beastmen who lives in Anima City.
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Shirou is a wolf beastman, and a very powerful one. Nobody knows more than he does that humans hate beastmen and that rich and influencing humans will do much to harm his kind. So Shirou (who has been hurt by the humans as well) will do anything to keep Anima City a safe place for beastmen. and he will show absolutely no mercy to anyone who tries to threaten his city.
What separates Shirou the most from Yafya is that Shirou embraces being an animal as a good thing. Yafya fights “savage” carnivores to keep the world as orderly and civilized as possible while Shirou does everything he can to keep the humans from interfering with the beastmen’s way of life. In fact, Shirou is fine with the law of the jungle and therefor does not interfere when he sees two beastmen fighting over who is next in line at city hall.
Shirou also proves to be rather cynical as he doesn’t just jump right into action to save some children who are about to sold as slaves since he is waiting for the right moment where he could warrant an arrest. He does so since he has so much confidence in himself and his abilities that he can’t imagine he could be wrong or fail.
The most important aspect of Shirou’s character is his pride in being an animal hybrid. He cares deeply for the beastmen species, and anyone who threatens his brothers and sisters earns his flaming fury. Especially beastmen who would work for humans, beastmen who would turn on their own. He attacks such traitors mercilessly as he tells them that they have lost the right to be considered beastmen. He makes his point by not using his claws and fangs against them (his animal traits)but instead pummels them to death. There was a rhino beastman where he made an extra effort to punish him by breaking his horn off (again, an animal trait) since he no longer deserves having one.
So even if there are differences, Yafya and Shirou are much alike. Including that the hero of their series changes them for the better.
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fazfright-archive · 3 years
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    ──────────────     ON  POSSESSION     .
william  afton  is  to  springtrap  ,  for  all  intents  and  purposes  ,  a  parasite  .  he’s  a  self - alienating  and  intrusive  if  not  downright  violating  presence  in  both  a  physical  and  mental  sense  .  something  i  try  to  really  heavily  emphasize  around  here  is  that  i  strongly  dislike  the  2015  portrayals  of  springtrap  separate  from  william  that  made  him  ultimately  helpless  ,  they  make  me  feel   .   .   .   pretty  uncomfortable  if  i’m  being  honest  ,  and  that  makes  me  a  little  nervous  to  explore  these  topics  ,  because  i  don’t  want  to  fall  into  that  same  narrative  .  but  at  the  end  of  the  day  ,  springtrap  being  a  vessel  to  afton  is  intrinsic  to  his  character  and  i’d  be  doing  the  canon  i’ve  built  here  a  disservice  if  i  didn’t  delve  into  it  ,  so  that’s  what  this  is  ,  an  attempt  at  an  exploration  on  how  springtrap  is  possessed  by  a  VERY  aggressive  spirit  and  how  that  effects  his  already  poor  condition  .
first  things  first  ,  spring’s  personality  is  very   .   .   .   bitter  as  established  .  as  he  should  be !  aggressiveness  is  expected  after  all  he’s  been  through  ,  it  only  makes  sense  for  a  once  cheesy  ,  cartoon - like  disposition  to  end  up  hardened  .  but  it’s  not  just  because  of  years  of  isolation  and  being  hit  with  so  many  grim  realities  a  children’s  animatronic  shouldn’t  know  .  another  big  factor  in  this  is  the  fact  that  ever  since  william  started  taking  up  space  in  his  head  ,  spring  has  been  in  a  perpetual  struggle  .  both  him  and  william  are  far  from  passive  ,  neither  is  just  going  to  roll  over  ,  but  neither  will  they  just  let  the  other  take  over  while  they  sit  as  a  passenger  either  .  
i  also  want  to  note  that  even  before  springtrap  realized  how  horrible  of  a  person  his  creator  truly  is  ,  he  still  wasn’t  just  going  to  take  the  backseat  in  his  own  body  .  that’s  a  given  .
but  back  on  topic  ,  y'know  how  some  people  say  ghosts  can  interfere  with  technology ?  i  base  my  portrayal  off  of  that  heavily  .  not  only  does  william  have  an  impact  on  general  basic  tech  around  the  fright  simply  by  being  around  it  ,  but  he  has  a  heavy  impact  on  springtrap  too  ,  which  directly  influences  that  struggle  .  i've  mentioned  a  couple  of  times  in  my  writing  that  springtrap  has  this  constant  static  in  his  head ,  that’s  from  william   ;   this  buzzing  ,  ranging  from  white  noise  to  a  cacophony  ,  ever - present  ,  making  it  harder  and  harder  to  think  the  worse  it  gets  ,  therefor  harder  to  focus  ,  making  it  easier  for  william  to  take  over  .  its  .  basically  just  that   ;   force  his  way  in  .  again  ,  this  struggle  is  practically  constant  ,  unless  william  decided  to  let  up  in  hopes  spring’ll   let  his  guard  down  ,  or  he’s  merely  too  tired  to  fight  .  that’s  another  point  i  want  to  delve  into  sometime  ,  another  one  of  my  many  issues  with  early - fandom  takes  on  springtrap  as  separate  from  william  is  how  it  was  always  just  springtrap  being  drained  by  the  tug - of - war  ,  never  the  both  of  them  ,  as  you  would  Expect  it  to  be  right  .  when  two  entities  are  always  fighting  each  other  .  but  ,  this  is  why  springs  is  always  kind  of  scatterbrained  ,  a  little  dazed  even  on  good  days  ,  why  he's  so  prone  to  spacing  out  too  .  on  good  days  ,  it's  still  there  ,  but  more  manageable  .  easier  to  smother  until  it’s  equivalent  to  ambiance  ,  springtrap  himself  is  easier  to  approach  too  ,  as  approachable  as  a  cantankerous  machine  like  him  can  be  anyway   .   .   .   which  isn’t  a  lot  ,  but  you  get  my  point  .  on  bad  days  he's  more  unresponsive  if  not  completely  shut  away  ,  detached  from  his  surroundings  and  more  focused  inward  ,  prone  to  sudden  outbursts  .  he  has  episodes  like  this  when  william  isn’t  very  active  too  ,  just  due  to  the  trauma  of  it  ,  but  there’s  a  strain  to  the  former  that  makes  the  two  distinct  from  one  another  .  at  it’s  worst  ,  he's  completely  overwhelmed  by  it  and  is  essentially  running  on  autopilot   /   instinct  ,  zero  thoughts  ,  more  .  feral  .  but  this  is  mainly  how  he  is  as  scraptrap  .
springtrap’s  twitchiness  is  also  influenced  by  william  .  he’s  already  like  that  due  to  shredded  wiring ,  but  william  makes  it  worse  .
moving  on  from  that  ,  when  william  is  in  control  ,  springtrap  is  pretty  much  almost  entirely  shut  off  or  only  vaguely   /   blearily  aware  of  what's  happening  ,  as  if  half - asleep  or  submerged  underwater  ,  or  like  he’s  hearing  it  all  from  the  next  room  over  .  and  when  william  takes  over  ,  it’s  obvious  .  the  two  biggest  give - aways  are  his  voice  completely  changing  and  his  movement  becoming  even  more  clunky  and  labored  .  basically  ,  it’s  visible  that  someone  who  this  body  doesn’t  belong  to  is  in  control  .  this  is  where  this  meta  starts  to  get  pretty  tied  to  the  guilt  one  i  wrote  ,  despite  only  even  being  able  to  know  what  william  does  when  in  control  after  the  full  possession  is  over  ,  springtrap  still  has  a  sense  of  responsibility  over  it  ,  but  i  covered  all  of  that  right  here  .  i  also  want  to  let  it  be  known  that  despite  all  i  said  up  there  ,  spring  can  shove  himself  back  to  the  metaphorical  pilot  seat  here  ,  he  would’ve  been  offline  long  before  the  fazbear’s  fright  staff  found  him  if  he  couldn’t  .  wouldn’t  have  this  blog  if  he  couldn’t !  it’s  just   .   .   .   not  exactly  easy  to  do  .
last  but  not  least  ,  william  can  attempt  to  influence  spring’s  actions  without  taking  over  completely  just  by  egging  on  any  pre - existing  anger  and  violent  impulses  .  which  is  .  a  little  odd  to  explain  .  it  SHOULD  be  easier  than  just  taking  over  and  doing  it  himself  ,  and  in  a  way  it  is  ,  i  have  no  trouble  imagining  the  internal  battle  there  bubbling  over  due  to  the  additional  goading  ,  causing  springtrap  to  lash  out  and  hurt  someone  else  .  but  also  ,  i  feel  like  in  a  roundabout  way  it’d  be  harder  too  .  more  arguing  ,  therefor  more  draining  .
this  is  a  little  messy  ,  just  generally  very  train  of  thought  from  me  ,  but  the  point  i’m  trying  to  drive  home  here  is  how  of  springtrap’s  instability  is  caused  by  all  that  he’s  been  through  and  has  happened  ,  and  how  much  of  it  is  from  afton  .  that’s  why  in  his  security  breach  au  ,  despite  still  being  harsh  mainly  towards  the  staff  ,  he’s  more  cranky  than  outright  aggressive  .  basically  mellow  in  comparison  to  how  he  was  ,  because  by  then  that  parasite  has  moved  on  .
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