#i mean sure change should be realistic

[pinkeoni]

Why do you want your characters to remain static over a multi-year time jump? Why do you want them to act as if no time has passed at all, when it has? Why do you want characters to always act the same and not react to their new changing environment?

[aeide-thea]

the problem with having semi-fixed my sleep schedule is that now there’s all this day i hear i’m supposed to do things with???

[fingertipsmp3]

That last post just reminded me of something honestly mind-boggling that that friend did

[tidepoolalgae]

.

[f1goat]

not a chance + lando norris (one shot)

In which Lando thinks he's going to win a race, to which you tell him the chances of you two fucking are as low as him winning a race - so what happens when he wins?

lando norris x fem!sainz reader tw: smut + not proof read (as usual)

masterlist - playlist

“I think this is going to be my day,” Lando tells your brother, Carlos, with a confident tone in his voice. “Maybe I’ll actually win today.”

You can’t help yourself and let out a soft laugh. “As if,” you mutter softly. You don’t expect anyone to pay attention to you, let alone hear your comment, but while looking at Lando you’re quick to realize that he did hear you. He is sending you an annoyed glare, while Carlos tries to tell you without words that you should shut up. Bit too late for that now. 

“Don’t believe me babygirl?” Lando asks you. The earlier confidence in his voice has disappeared and made place for a sarcastic tone, one Lando only uses with you. “Nope,” you say, making sure that you’re popping the p. 

“I’m not doing this again,” Carlos sighs while looking at his little sister and one of his best friends. Lando and you both know what he’s talking about, but neither of you is backing away. Lando is even getting closer towards you. “I’ll see you later,” Carlos continues, “hopefully after the two of you finally fixed the fucking sexual tension between you two.” 

It’s not a secret that Lando and you don’t like each other. You don’t know how it happened, where you were once almost as close with him as Carlos, things changed between you two. Friendly conversations changed into sarcastic, mean remarks meant to hurt to other one. Meeting up when Carlos couldn’t join changed into only seeing each other when Carlos dragged the both of you in the same place. Always texting with each other, sending memes towards each other eventually changed into ignoring each other on every social platform. 

Whatever happened to cause the change between Lando and you, has never been clear to you. Sometimes you blame yourself for taking a bit more distance when Lando got his first girlfriend, but eventually it was Lando who really changed his attitude towards you. Sometimes you miss how it was before, or better said every time you see Lando you miss how it was before. Even if you were fighting your feelings for him, it was better then acting like you hate him. Of course you don’t hate Lando, how could you - especially after crushing on him for the longest time. 

Your phone vibrates in your hand, you look at the text that’s coming in. It’s from Carlos. When you’re done toying with Lando, I’m at Ferrari. Saved you a seat. You should go to him now, that would be the smart thing to do. But Lando is still standing closely in front of you. Carlos believes that something else is going on between Lando and you, something that’s according to him caused by romantic feelings, but according to you that’s bullshit. Your crush on Lando doesn’t exist anymore, right? 

“Funny to see the girl who believed in you the most turn into one of your biggest haters,” Lando mutters annoyed. He truly feels betrayed by the way you’re talking about him and the upcoming race. He means his earlier words. Sometimes he wonders how things would be between you two if he did some things different. A lot changed when he was dating his ex girlfriend, changes he can’t undo but he wants to fix them. If you’ll let him.

“Not a hater,” you reply, “just a realist.” 

“Just watch me babygirl,” Lando says, “I’ll show you.”

“No thanks.”

“And after the podium I’ll find you and show you what else I can do,” Lando continues. He almost sounds dangerous. It causes you to feel flustered. What is he talking about? 

“The chances of you’re winning the race are as low as the chances of us going to fuck,” you tell him as if it’s a fact, while in reality you’re not so sure about yourself. 

“Seems like a good celebration, I’ll find you after the race,” Lando says, he has found his confidence back. 

“You’re crazy,” you sigh, “I’m not listening to this any longer.”

“See you after the race babygirl,” Lando says when you walk away from him.

“You won’t.” 

+++

Fuck. Did this actually happen? You don’t know whether to laugh or to cry when you’re looking at Lando who’s screaming from happiness while getting out of his car. How did he actually win todays race? What does this mean? What is going to happen now? Is Lando expecting that you’ll have sex with him now? Fuck. 

You see the way your brother is hugging with Lando, how happy he is for his friend. It makes you think about how you felt before. Every time Lando stood on the podium you’d beam with pride, you love(d) seeing him on the podium. It was you who always told Lando that he would be standing on the top step soon and that you’d be there to celebrate with him. How things changed. 

While looking at Lando who’s still celebrating with his team, you think back about the day things really went wrong between Lando and you. It has been months before it all crashed down, months filled up with weird tension and uncomfortable moments. Which all started when Lando got a girlfriend. You can’t blame him for that, you still don’t, but you just didn’t like her. Maybe it was because of your crush on Lando, maybe it was because his girlfriend sensed something and made sure that Lando and you couldn’t spend any time together anymore. 

“You don’t get it Lando,” you tell him, “I never get to see you anymore, you’re always busy and don’t make time for me anymore. What changed? Are you bored of me? Am I not fun enough to be your friend anymore?” 

“No, that’s not it,” Lando quickly says, “I just don’t have the time anymore.”

“You seem to have time for everyone expect for me,” you bitterly state, “I’m not stupid, I see how you’re traveling all around the world to meet up with every friend you have.”

“It’s different,” Lando defends himself. 

“Just tell me what I did wrong,” you sigh, “since you’re in a relationship everything changed between us.” 

Lando knew at that moment that he should tell you the truth. How he only agreed to his relationship so he could forget about his feelings for you, but he doesn’t dare to say so. And now he’s in a relationship with a weird influencer who seems to hate you and who doesn’t ‘allow’ him to see you anymore. He really should break up with her, but what will happen then?

“It’s just that she doesn’t like you,” Lando eventually tells you, “and as her boyfriend I need to chose her side, I guess?”

“So that’s it? Your girlfriend, from two months, doesn’t like me so you just decided to stop spending time with me, your friend from multiple years?” You ask confused. This time you don’t wait for Lando to continue. “That’s just, fuck, I don’t know what to say to that. Good to know my worth,” you continue sadly. 

After his confession which still wasn’t the whole story, Lando didn’t know what to say anymore. He watched how you left, but didn’t follow you to make things right. Maybe it’s for the better for now. There’s nothing he can do for now. He has a girlfriend, he needs to forget about his feelings for you and move on. 

Two hours later he broke up with his girlfriend, but then he was already blocked by you. 

After Lando celebrated with his team, almost all the other drivers and everyone else who congratulated him, you’re waiting for him to get on the podium. You feel weird while watching Lando on the podium. There’s a part of you who’s incredibly proud of him, a part that wants nothing more then to run over to Lando and hug him and tell him how proud you are of him. The other side of you is only thinking about what will happen next. 

When Lando is standing on the podium, you can’t stop thinking about how hot he looks. When Carlos finds his place next to you and watches Lando with you, he notices the way you keep looking at his best friend. “I really wouldn’t be mad if there would happen something between Lando and you,” Carlos tells you for the millionth time. “You’re crazy,” you reply annoyed. 

What Carlos and you both don’t notice is the way Lando is looking for you from the podium. When you look up again, you lock eyes with Lando. He sends you a wink. Fuck. 

After the podium you walk away together with Carlos, you want nothing more then get back to the hotel and sleep. This day was confusing and long, you can’t wait for it to end. Lando notices you walking away, without thinking about it he walks away from the press and starts to get towards you. He hurries and almost runs towards you. When he finally reaches you, he grabs your arm. 

“What the fuck,” you mutter when you feel someone grabbing your arm. Surprised you stop walking and look behind you. You don’t even know if you are surprised or not when you notice that it’s Lando. 

“You’re coming with me,” Lando tells you with a stern voice. Carlos looks confused at the two of you. You can only sigh. What are you going to say to this? You really don’t know. Slowly you nod at Lando, confusing your brother only more. Lando is quick to say a goodbye to Carlos and starts to walk off with you. 

+++

Lando dropped you in his drivers room. He still has media duties, but he wanted to make sure that you didn’t leave in the mean time. While giving interviews and talking with everyone, his mind is focused on you. He can only hope that you’re still waiting for him. 

In the mean time you keep thinking about what to do. You’re stressed out because of everything that’s happening. What will happen when Lando comes back from his interviews? Are the two of you going to talk things out and finally make it right? Or are you going to fight? Or is Lando actually for real and does he wants to fuck you? 

Eventually the stress makes you crazy. You decide to call your brother. Who knows for how long Lando is busy, you really need to talk with someone about this and who’s better then one of Lando his best friends? You know that your brother knows about your earlier feelings for Lando, so you can only hope that he will help you now. What if your feelings return? Or better said, what if you finally realize that they have never left?

“Carlos you really need to help me,” you start to speak when Carlos picks up.

“No, no, you need to tell me what’s going on between Lando and you! He left an interview to pick you up and now he’s doing interviews again? Where are you?” Carlos reacts.

“I’m in his drivers room,” you confess, “but I don’t know what will happen between us.” After that you explain to your brother what happened earlier today when he left Lando and you alone. Carlos chuckles when you tell him about Lando his bold replies. 

“What do you want to happen?” Carlos asks you eventually.

“I don’t know,” you say honestly. 

“You do know,” Carlos replies, “you’re just not honest to yourself. But we both know that you’re still in love with Lando.”

Before you can react to those words, Lando is entering his drivers room. You can only pray that he didn’t hear anything from what Carlos just said. “Lando’s here,” you tell Carlos on the phone, “I’ll talk to you later.” Before hanging up you hear Carlos say something childish in the lines of ‘doing it safe’. As if Lando wants something like that to happen you think annoyed.

“What am I doing here Lando?” You ask. 

“I’m getting my reward,” Lando tells you with a small smirk on his face. 

“Your reward?” You ask confused. 

��The chances of you winning the race are as low as the chances of us having sex,” Lando speaks up, “Remember those words babygirl?” 

“What do you want Lando?” You ask him. 

“You.”

Lando his answer makes you shiver. His following movements make it only worse. Without giving it a second thought, Lando pulls you into himself. His finger is under your chin, softly lifting it up for himself. He looks you into your eyes, searching for some sort of approval before he continues with his movements. When you show him a quick nod, he’s sure about it. Lando presses his lips against yours. 

Fuck, you can’t remember the last time a kiss felt so good. Now that you think of it, a kiss probably never felt this good before. It feels like everything is finally falling into it’s place. Lando pulls you as close into himself as he can manage. Your lips don’t leave his. When you feel Lando his hands on your body, a soft moan leaves your lips. Lando feels it vibrate against his own. Slowly he pulls back from you. 

“Lan,” you softly whimper when he doesn’t stop looking at you. 

“What is it babygirl?” He asks you. It’s the first time in a year that the nickname feels sweet instead of sarcastic. 

“Do something please,” you beg. 

Lando is quick to respond to your pleas. His hands find your body. Slowly he explores your curves while he presses some soft kisses on your neck, shoulders and face in the mean time. When Lando his hands are getting lower, you’re quick to lift up your skirt for him. Lando smirks when he notices it. 

“What do you want me to do?” Lando asks you. 

“If you can win,” you softly say, “then you also can fuck me I guess.”

This time Lando doesn’t hide his excitement anymore. He shows you an enthusiastic grin and moves away from you. Before you can complain, he’s already sitting in front of you. He takes off your skirt and starts to trace figures onto your still clothed cunt. He feels how your string is already damp. 

“You guess?” Lando asks you. 

“Don’t tease,” you tell him, “just fuck me already.”

Lando removes your string from your body. He moves his head closely to your cunt and presses a soft kiss against your clit. He’s in conflict with himself, he wants to take his time with you and show you exactly what he has to offer but he also just wants to fuck you right now until the both of you are lost for words. 

“Lan,” you whimper.

“Can’t I take my time with you babygirl?” Lando asks you teasingly. In the mean time he pulls down his race suit and boxers. 

“Next time,” you reply.

It makes Lando’s heart miss a beat. You’re thinking about a next time? His smile gets bigger again. He pulls you closer to him and aligns his dick with your entrance. You grab his hair in the mean time and try to get Lando closer towards yourself so you can kiss him again. When Lando lets his dick enter your body, it causes you to let out a loud moan. 

“Fuck,” Lando groans, “waited fucking four years to feel this.”

You barely hear him. Lando his words surprise you. Four years ago the two of you just met. At that time Carlos just got Lando as his new teammate. What does Lando mean with this. Before you can make things more clear for yourself, Lando continues to speak.

“Always wanted to fuck you,” Lando grunts, “Always thought about fucking you.”

Does this mean what you think it means? 

“What about..” You start to ask. “Don’t say her name,” Lando is quick to interrupt you. How does he already know that you’re talking about his ex? “Only got with her so I could forget you,” he confesses. 

“Fuck,” you moan, you don’t know but after Lando his sudden confession the sex feels even ten times better then before. “Always wanted you to fuck me as well,” you confess. 

That makes Lando slow down. 

“Waited four years for you,” you continue to confess.

This time Lando stops moving inside of you. 

“Are you serious babygirl?” Lando asks confused. 

“Yes,” you softly tell Lando, “I’ve had a crush on you for the longest time.”

Lando grins, “That’s good,” he says, “Really good.” He picks up his earlier pace and continues to fuck you. When the both of you reached your high, Lando carefully pulls back. He pulls you onto himself. Holding you as close towards himself as he can. 

“Four years right?” You ask Lando. 

“Four years,” he replies with a nod. 

The both of you let out a soft laugh. Suddenly nobody cares about what happened between you two in the last year. Sure, you will talk about it some time. But not now. Lando presses a kiss against your cheek. 

“Did you really think I couldn’t get a win today?” Lando suddenly asks you. 

“Lan,” you softly say, “I always believed you could get a win everywhere.” 

“That’s a girlfriend thing to say,” Lando jokes, “Are you my girlfriend now?”

“Do you want me to be?” 

“There’s nothing more I want to,” Lando confesses.

“Then I guess I’m your girlfriend,” you laugh. Lando kisses you again. 

“Let’s grab dinner with your brother,” Lando suggests, “and after that I want you in my hotel room so I can take my time with you.” 

“Deal.”

y/n: want to get dinner with me and my boyfriend?

y/n: he’s a race winner ;)

carlos: finally

[creatingblackcharacters]

Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

[gaycentral]

Confession

Summary: In the heat of the moment, JJ confesses her love for Spencer despite being married. Spencer has a confession of his own.

@delusionaldeadgirl @yomamacrusty

Warnings: Uhhhh JJ’s kind of a jerk in this (sorry JJ ily but you shouldn’t have done that when you’re married), kinda suggestive for a second there but nothing happens? Spencer gets mean for a second there, Protective Husband Mode (tm) I clearly don’t know how to write relationships please be nice to me.

Things had been…tense, to say the least. JJ still wondered why she’d done it, she was a married woman, she had kids. She loved Will, no doubt about it, but Spencer?

Spencer was different. She’d known him for a decade now, and even after everything he’d gone through, he was still him, even if changed. Brilliant and kind, gentle and warm and unbelievably loving. He had so much love to give, and he held it inside, a tight ball in his chest that seemed ready to burst.

Perhaps that’s why she did it. She wanted some of that love from him. It was foolish, she knew that, it was selfish. It was unfair to Will, to Spencer, to herself. But, much to her own dismay, she didn’t care. She wanted so desperately to hear him say it back, to take her in his arms, to hold her and love her the way she’d always wanted him to, even if it wasn’t realistic.

But she still hoped.

“JJ.” Spencer’s usual soft cadence broke the tense silence of the break room as he stood in the doorway, hands shoved in his pockets, his shoulders hunched and his eyes trained intently on her. JJ felt her heart speed up. Was this it? Was her outlandish fantasy not so outlandish after all? She watched him, absorbed him. His big brown eyes as he gazed at her, the familiar pinch in his brow, his messy curls that always looked so unfairly soft.

Spencer took a few steps forward, but he didn’t get as close as she wanted him to, maintaining a respectful distance, and JJ felt the familiar ache of yearning. Closer, she begged internally. Please.

“Yes?” She finally opted as a response, the glint in her eyes betraying the growing feeling of excitement. She knew Spencer quite well, or she thought she did, and he certainly seemed nervous. Nervous enough for a confession.

“I have something to tell you.” Spencer finally said, one of his hands pulling something she couldn’t see from under his collar, attached to the chain of a necklace, and rubbing his thumb over it in a self-soothing motion. “I should have told you before.”

This was it, JJ thought to herself, her inner voice was almost squealing with excitement. Her breath caught in anticipation, and a smile began to grow on her face.

“I know.” She said, perhaps rather presumptuously, too impatient for him to say it, and she said those oh-so-dangerous words once again. “I love you too.”

The air hung between them for a moment, and when Spencer didn’t say it back, JJ’s smile began to fade. Oh no. Was she too presumptuous? Was Spencer not ready to say it? Had she ruined everything? Oh god, what if he was already in a relationship?

“No.” Spencer shook his head, a frown creasing his features in a way that made JJ’s stomach twist uncomfortably. “JJ, I’m married.”

JJ’s heart stopped. Her worst fear confirmed. No. No…that didn’t make sense, where was the ring? She’d never met his spouse, he’d never spoken of them. Was this a trick? A lie? Surely he was kidding. He’d break out into his infectious smile and say it back, any time now.

“I’ve been married for years. And I love them more than anything.” His hand opened and he showed JJ the wedding ring, noticing her bewilderment. “I wear it around my neck so I don’t lose it. It’s easier to hide from prying eyes that way.”

JJ felt as though she were listening to him speak underwater, her head swimming with confusion, with anger, with grief. No, no, no. This wasn’t fair. “Why didn’t you tell me?”

“I wanted something for myself.” Spencer’s face was still marred by a frown, and he tucked the ring necklace back under his collar. “You’re not entitled to know about every part of my life.”

It wasn’t fair to him, but this made JJ angrier, and she began to speak before thinking. “Who is it? Some…some stand in for me? I know you felt something for me once! They’re just a replacement because you couldn’t have me!”

To say Spencer was shocked by her outburst was the understatement of the century. The gentleness and patience he often associated with JJ had seemingly vanished, morphing into bitterness, lashing out from embarrassment and jealousy.

JJ looked past Spencer for a moment, and locked eyes with you. You. Of course. How had she been so blind? Of course it was you who had snatched Spencer up, who’d taken his affection for yourself.

You were staring her down, brow furrowed deeply and gaze sharp with a glare. You’d been listening in. Spencer had told you he wanted to deal with this on his own, and you respected his wishes…but that didn’t mean you weren’t weighing the consequences of throwing your stapler at her.

“They’re not a replacement.” That rare, dangerous edge to Spencer’s voice made it’s return, this time directed at JJ, which had never happened before. “I had a crush on you, what, ten years ago? That’s all. That’s it. Nothing more.”

He stepped closer to JJ, brow deeply furrowed and a darkness in his eyes that made her shrink, her insults dying in her throat.

“I’m a patient man, so I’ll only warn you once. Don’t ever talk about them like that again. You don’t want to find out what will happen the next time.”

The mosh frightening part was that his threat could be entirely genuine. Prison had changed him, rage festered in him like a disease, a rage that hadn’t existed before. And he was clever, so very clever, he didn’t need to lay a finger on JJ to hurt her. He never would.

Spencer abruptly left the break room, storming out of the bullpen, and you quickly followed, too worried about him to bother giving JJ one last withering glare. Although it did cross your mind.

It took a bit of searching, but you found him in the men’s bathroom. His hands clutched the counter, his tie loose, his head hung over the sink. You frown, hearing his deep breaths as he tried to calm himself.

You slowly approach before wrapping your arms around his waist from behind, and he meets your gaze in the mirror, his muscles noticeably relaxing beneath your hold, his grip on the counter loosening as lets out a heavy sigh.

He turns in your arms until he can hold you properly, his chin resting atop your head, the two of you gently swaying side to side as you hold each other. His eyes slip closed in a moment of peace, and he dips his head slightly to press a kiss to your forehead.

“So…you threatened JJ for me?” Despite the question, you keep your tone playful, trying to lighten the mood and you hear Spencer groan.

“You heard that?” He mumbled, shame causing his cheeks to burn. He knew he’d stepped over a line, and he regretted it, but a part of him didn’t. A part of him thought it was deserved.

“Yup. And I know I shouldn’t encourage that, but it was very sweet that you stood up for me…and a bit of a turn on. Just so you know.” Not letting go of him, you tilt your head up to meet his eyes, smiling up at him, taking joy in his surprised laugh and the way his eyes crinkled at the corners.

“I suppose I’ll have to keep that in mind.” His tone was warm, affectionate, watching you intently as you straightened his tie for him, the grin fading into a soft smile.

“You know that JJ was wrong, right? None of that stuff she said is true.” He worried that maybe you’d taken her words to heart—or worse, that it was something you truly believed long before today.

“I know.” You smile up at him, hands moving from his tie to rest on his chest, the fabric of his suit jacket smooth beneath your palms. “You gonna be okay?”

“I’ll be alright.” Spencer assured you, but his fingers curled lightly around your wrists, pulling you back into him, placing a soft kiss on your lips before resting his cheek on top of your head. “I’d just like to stay like this for a few more minutes.”

“I can work with that.”

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[sprinklesdonut15]

Advice For Making Realistic Characters:

Make them have multiple interests - Your character doesn’t have to fit one aesthetic alone. For example, I like collecting feathers and vintage keys, but also notebooks and squishmallows, none of which are all the same aesthetic

Allow for improper dialogue - We know not to use “and” at the beginning of a sentence, but humans do that anyway. We stutter and catch our breath and forget how to word things properly. We don’t have to be diagnosed with a stutter or speak multiple languages to screw it up now and then

They should all have their own voice - This is mainly for writing in multiple perspectives. Personally it’s hard to give each character their own voice rather than my own. Regardless of the language or era of your story, each character should sound unique, whether they have certain catchphrases or use more slang or talk more formally

Give them all a self-presentation - We all act differently depending on who we’re around, and characters should be this way as well

Give them mindless habits - Possibly for a filler scene or something in the background, but give your character more than just nail biting habits. Allow for a small or simple change (like moving furniture around) where your character still has a habit of doing the old thing (going where the furniture used to be, not being able to find anything after it was moved)

Let them be bored - People are always and I mean always finding ways to entertain themselves. If you’re writing a character that sits still and thinks and doesn’t always have to be doing something, just make sure that it fits their personality. I don’t know a lot of people who can go for long without some form of entertainment.

[ms-demeanor]

i mean realistically many people do deserve to be the victims of targeted harassment campaigns. if you're being an asshole you deserve to be screamed at by everyone present until you stop. some people commit acts of cruelty and subsequently forfeit their reasonable right to participate in society until they've made amends.

the people of wendy's have a moral right to scream at the manager if said manager sprays them in the neck with milkshake every time they go to pick up their order

damn following up the last ask, ig it was someone in ur notes constructing an equivalence between @tting staff and getting nuked to yelling at a wendy's manager and getting kicked out. my bad lol thought that was part of ur main post

I mean this is something that's still worthwhile to bounce off of even though you're not actually responding to me.

First of all, no, I pretty much don't think that anybody deserves to be the focus of a targeted harassment campaign. At least not the kind that are spun up on tumblr or twitter. I generally think that targeted harassment campaigns don't work to change minds, they only work to torment, isolate, and attack people, which will often further entrench them in their positions.

Sometimes people doing serious antifascist work will make a discovery like, for instance "the principal of X school is a vicious antisemite" and will run an *exposure* campaign to get them removed from a position of power, but with very few exceptions when you see an online callout post for a random internet user it's nothing but abuse and an attempt to bully them off of a specific website, not an attempt to protect victims or inform people of a genuine threat. "ABC is the new alt of this person with a documented history of starting cults, DNI, block and move on" is very different than "This specific user who is on staff posts harry potter fanart and is why fascists continue to exist on tumblr, let's make sure they know what tumblr thinks of them."

You are trying to frame bullying campaigns as normal consequences for antisocial behavior, but the antisocial behaviors under discussion here are "user posted fanart broadly disliked by the community and associated with specific ideologies long after the initial fandoms were crystallized" and "is the CEO of a social media website that is implementing features that the users dislike."

"People deserve to be screamed at until they stop the bad behavior" is punitive and shitty and so broad and open to so many interpretations that you're basically saying "it's open season on screaming at people." I think that it's bad behavior to support neoliberal political candidates who prop up capitalism but it would be horrible for me to run harassment campaigns against everyone who says "vote blue no matter who" even though I think that attitude perpetuates real world harms. (And it also wouldn't convince those people to change their minds! The fact that I think they are doing something harmful doesn't give me the social license to send hundreds of people to harass them! And it wouldn't work! These kinds of campaigns don't effect change they just isolate people and erode trust and civility jesus fuck we need to be coalition building not posting callouts over whatever activity has been deemed "freak behavior" this week)

some people commit acts of cruelty and subsequently forfeit their reasonable right to participate in society until they've made amends.

oh buddy, I think I get where you're coming from here but considering the kinds of behavior under discussion this is just straight up fascist. You are literally saying that people should be banished from society for wrongthink because nobody under discussion here has actually committed an act of cruelty.

(one of the things that i'm putting under the heading of "tumblr conspiracist thinking" is "staff is currently and continually intentionally flagging certain LGBTQ tags and bloggers" - there is ample evidence that the current staff is working to unfuck flagging and blocked tags that was done long before this crew was working on it. People talk about "tumblr had to settle because their filtering disproportionately impacted lgbtq+ creators" and that is TRUE however that was a filter that was established under different owners with different policies and different staff; the implication that the current staff is guilty of trying to stifle LGBTQ+ content because a lawsuit started before the Automattic purchase of tumblr ended in a financial settlement is just bad, wrong, incorrect, faulty logic. And if I might indulge in a bit of my own conspiracist thinking: I actually suspect a lot of the flagging and tagging and blocking of trans women specifically might actually be targeted attacks of individual users by terfs - many of the things that are getting flagged as needing a community label are things that use tags that terfs follow to attack and if enough users click "this needs a community label" the post will get flagged - I don't know that that's what's going on but just operating on occam's razor I think it's a lot more likely that terfs are coordinating attacks on trans people than that there is a secret group of cryptoterfs on staff taking time out of their day to ensure that trans users get flagged, if only because I think that the vocally trans positive former members of the staff would have said something about it.)

So, given that my position is "it is unlikely that anyone on staff is intentionally targeting LGBTQ+ groups HOWEVER prior policies enacted harm against LGBTQ+ groups and there is visible evidence that the current staff is trying to repair that damage" I'm not seeing any behaviors here that call for individual employees or users to get targeted with harassment from thousands of users.

But anyway, back to the specifics of the ask:

some people commit acts of cruelty and subsequently forfeit their reasonable right to participate in society until they've made amends.

Do you have any idea how frequently amends are made and never circulated as widely as the callout post? Do you have any idea how frequently callout posts are incorrect, and exaggerate the things that need to be amended? I'm reminded of Lindsey Ellis, who was the victim of a years-long targeted harassment campaign and made multiple apologies over the years who was finally driven off of her primary platform because she carelessly misspoke and the people who had been targeting her for years were able to make a post that she had long disavowed and was a relic of her dealing with the aftermath of sexual violence go viral. The internet doesn't let people make amends; people see accusations. They see the first post, not the follow up. That's why starting these campaigns is shitty and dangerous even if you *personally* believe that you'll forgive an individual once they "make amends." (and the "amends" people usually demand are "i want this person gone from the internet forever and cut out of this part of their life" - that's not really something that's fair to ask of people when so much of the world is online these days.)

the people of wendy's have a moral right to scream at the manager if said manager sprays them in the neck with milkshake every time they go to pick up their order

No they don't. Straight up. If the manager of a wendy's sprays you in the neck with a milkshake you have the right to escalate your complaint right up the chain, take your business away and never come back, warn other people "hey the manager sprayed me with a milkshake, stay away," but you don't have the moral right to escalate the situation by screaming at them (and you certainly don't have that right if you happened to get sprayed with some milkshake while the manager was attempting to fix the frostee machine when you came to pick up your order, which I think is actually more analogous to what is happening here).

someone in ur notes constructing an equivalence between @tting staff and getting nuked to yelling at a wendy's manager and getting kicked out

A big point that I think you're missing here is that @-ing staff when there is a problem on a post or you see harassment is generally pretty acceptable (though much less effective than filing a support claim), but the issue under discussion isn't @-ing staff, it was pointing thousands of angry people at two specific people who are *part* of staff and holding those two individuals responsible for all the problems that users see with tumblr.

partyjockers got nuked because their post directed a flood of harassment at one staff member in a post where they had highlighted that user's URL and name:

This is explicitly saying "users like the one I screenshotted are the reason you're being attacked by terfs" because one member of staff posted fanart from two franchises that tumblr-the-userbase has deemed off limits.

(Do you have any idea how extreme a bubble this is? Do you walk into barnes and noble and sigh because the managers are fascists who want trans people dead because there's harry potter merch everywhere? JK rowling is a terf and a horrible fucking person and I am no longer personally comfortable engaging with that fandom but people posting fanart of a franchise are not personally attacking you even if it feels like they are disregarding your humanity; you cannot consider other people's participation in huge, popular, mainstream fandoms as a sign that they are plotting against you this is why i'm calling this conspiracist thinking the entire scorched earth conspiracy spawned from someone interpreting a staff member's art as esoteric signposts signalling their hatred of trans people. Do you remember when the stupid harry potter game came out and this entire website was despondent because it meant that people didn't care about trans people? That's not actually what it meant! What it meant is that the vast majority of people on the planet have neither a twitter nor a tumblr account and have no idea how shitty JK rowling is to trans people and they don't interpret "harry potter imagery" as "covert terf signal" they interpret it as "possibly the most mainstream fantasy series in the last fifty years")

This isn't someone calling out the manager after they spray you with a milkshake. The manager asking someone to leave after they started screaming that the cashier's earrings were hate speech.

This analogy got out of hand but please just understand that there's a difference between @-ing an account that people are paid to monitor as part of their jobs and that they have support and coworkers to help with and @-ing someone's personal account.

Nobody got a post deleted because the used @ staff, they got their posts deleted because they focused viral negative attention on individual users.

[bitchesgetriches]

{ MASTERPOST } Everything You Need to Know about Saving Money and Being Frugal

We’re all in this together. Don’t give up.

On food and groceries:

How to Shop for Groceries like a Boss

Why Name Brand Products Are Beneath You: The Honor and Glory of Buying Generic

If You Don’t Eat Leftovers I Don’t Even Want to Know You

You Are above Bottled Water, You Elegant Land Mermaid

You Should Learn To Cook. Here’s Why.

On entertainment and socializing:

The Frugal Introvert’s Guide to the Weekend

7 Totally Reasonable Ways To Save Money on Cheap Entertainment 

Take Pride in Being a Cheap Date

The Library Is a Magical Place and You Should Fucking Go There

Your Library Lets You Stream Audiobooks and eBooks FOR FREEEEEEE!

What’s the Effect of Social Media on Your Finances?

You Won’t Regret Your Frugal 20s

On health:

How to Pay Hospital Bills When You’re Flat Broke

Run With Me if You Want to Save: How Exercising Will Save You Money

Our Master List of 100% Free Mental Health Self-Care Tactics

Why You Probably Don’t Need That Gym Membership

How to Get DIRT CHEAP Pet Medication, Without a Prescription 

On other big expenses:

Businesses Will Happily Give You HUGE Discounts if You Ask This Magic Question

Understand the Hidden Costs of Travel and Avoid Them Like the Plague

Other People’s Weddings Don’t Have to Make You Broke

You Deserve Cheap, Fake Jewelry… Just Like Coco Chanel

3 Times I Was Damn Grateful for My Emergency Fund (and Side Income) 

When (and How) to Try Refinancing or Consolidating Student Loans

The Real Story of How I Paid Off My Mortgage Early in 4 Years 

Season 2, Episode 2: “I’m Not Ready to Buy a House—But How Do I *Get Ready* to Get Ready?”

The Most Impactful Financial Decision I’ve Ever Made… and Why I Don’t Recommend It

On buying secondhand and trading:

Almost Everything Can Be Purchased Secondhand

I Am a Craigslist Samurai and so Can You: How to Sell Used Stuff Online

The Delicate Art of the Friend Trade

On giving gifts and charitable donations:

How Can I Tame My Family’s Crazy Gift-Giving Expectations?

In Defense of Shameless Regifting

Make Sure Your Donations Have the Biggest Impact by Ruthlessly Judging Charities

The Anti-Consumerist Gift Guide: I Have No Gift to Bring, Pa Rum Pa Pum Pum

How to Spot a Charitable Scam

Ask the Bitches: How Do I Say “No” When a Loved One Asks for Money… Again? 

On resisting temptation:

How to Insulate Yourself From Advertisements

Making Decisions Under Stress: The Siren Song of Chocolate Cake

The Magically Frugal Power of Patience

6 Proven Tactics for Avoiding Emotional Impulse Spending

On minimalism and buying less:

Don’t Spend Money on Shit You Don’t Like, Fool

Everything I Know About Minimalism I Learned from the Zombie Apocalypse

Slay Your Financial Vampires

The Subscription Box Craze and the Mindlessness of Wasteful Spending

On saving money:

How To Start Small by Saving Small

Not Every Savings Account Is Created Equal

The Unexpected Benefits (and Downsides) of Money Challenges

Budgets Don’t Work for Everyone—Try the Spending Tracker System Instead

From HYSAs to CDs, Here’s How to Level Up Your Financial Savings

Season 2, Episode 10: “Which Is Smarter: Getting a Loan? or Saving up to Pay Cash?”

The Magic of Unclaimed Property: How I Made $1,900 in 10 Minutes by Being a Disorganized Mess

We will periodically update this list with newer articles. And by “periodically” I mean “when we remember that it’s something we forgot to do for four months.”

Bitches Get Riches: setting realistic expectations since 2017!

Start saving right heckin’ now!

If you want to start small with your savings, consider signing up for an Acorns account! They round up your every purchase to the nearest dollar and save and invest the change for you. We like them so much we’ve generously allowed them to sponsor us with this affiliate link:

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[sooniebby]

ఌ 𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔

꧁ 𝘼𝙡𝙥𝙝𝙖! 𝙎𝙪𝙜𝙪𝙧𝙪 𝙭 𝘼𝙡𝙥𝙝𝙖! 𝙍𝙚𝙖𝙙𝙚𝙧 ꧂

Teaser ➤ he loves what he can’t have

Word count › 1.6k

Rating › NSFT

Warnings › none

Kinks › a/b/o, light mention of creampie

╭┈─────── ೄྀ࿐ ˊˎ-

╰┈─➤ ＢＥＧＩＮＮＩＮＧ

“What the fuck is your problem?” 

(Name) hated Geto. And he hardly hated most things. It was the day before December 24—a day that Geto will kiss the earth goodbye. But it didn’t matter right now. It’s not like he knew anyway. 

“I didn’t say anything. Does my presence anger you that much?” Geto asked, eyeing the man in front of him. His scent was sour—due to Geto being in front of him. 

(Name) rolled his eyes. “Knowing you’re still alive pisses me off. Now fuck off.” He said, turning to continue on his way home before he felt something behind him. 

He panicked, which in hindsight was such a stupid plan of action, and he fell back onto the concrete. On his back, he stared straight up at Geto who looked at him with a simple smile. He wished he could just kick that smile off his face. But he knew his strength level. 

No way in hell could he realistically fight against Geto and survive. 

“You act like an omega.” 

(Name) blinked before a growl left his throat. Being an omega wasn’t bad but it was certainly being used as an insult by Geto. He slowly stood up, wondering to himself if he should risk his life just to get a slap at Geto. 

He decided against it and rolled his eyes. “Better an omega than a brainless alpha.” With that, he side stepped Geto and continued on. 

But he didn’t get too far when he bumped into Geto. 

“Oh for fuck sakes!” (Name) yelled, wishing he hadn’t taken that late night mission for a random curse. He was just about ready to push Geto but was quickly stopped by him. 

Of course. How could he go against Geto with his noodle arms? (Name) stared at Geto, waiting for him to speak. Or possibly kill him. He wasn’t sure what was going on with Geto in the head these days. 

He’s changed from high school. 

“You’re not as smart as you seem.” 

“Oh okay. If I wanted to get insulted I would’ve went to my mother. Thank you,” (Name) laughed bitterly before prying himself out of Geto’s grip. He was shocked, a bit scared really, at how easily he bruised from it. 

Geto shook his head. “I like you.” 

(Name) blinked. He stared. 

And then he walked away. 

What type of sick joke was that?! 

“Hey!” 

(Name), he would never admit this, shrieked when he was grabbed by his shoulders and shoved up against the nearby tree. Only the street lamp in the park illuminated the angry look on Geto’s face. He sighed softly before pulling at (Name)’s sweater, revealing his neck. 

“Oi, what the—?!” 

“You’re really dense.” Geto muttered. “Since my previous actions never worked—I’m trying something different.” 

And then he bit him. (Name) choked, reaching up to grasp his shoulders but he didn’t push away. He was an alpha… but he liked this. It was going to leave a scar but he was into it. But he wasn’t about to get used by Geto for some quick sex. 

(Name) moved his hand and scratched at Geto’s neck, causing him to pull away. He didn’t even show any ounce of pain. (Name) really was weak compared to him. 

“I’m not some quick fuck. Especially if you’re trying out alphas. Go to Gojo if you want that.” 

Something flickered in Geto’s eyes but it was gone in as fast as it came. He only chuckled. 

“It’ll be fun.” 

“Yeah, sure it will.” 

“I mean, you’re a virgin. How could you know unless you tried?” 

(Name) blinked. 

“Okay, get the fuck off me.” 

“I can easily change that.” 

“I don’t want you near my ass.” 

Geto smirked. “So you know I’ll fuck you?” 

“If I let you fuck me will you leave me alone?” 

A flicker of disappointment was on Geto’s face before he quickly hid it. “Yes. Are you sure you can handle an Alpha’s cock though?” 

“I’m sure an alpha can handle another alpha,” (Name) rolled his eyes. 

And how wrong he was… 

ꕤ

“Do you think any of those monkeys could satisfy you like this?” 

(Name) mewled in pain at the newly fresh bite on his neck. He hated how good this felt. The two of them got to (Name)’s apartment and Geto was on him as soon as the door closed. (Name) didn’t want to know why Geto was so experienced: easily tearing off his clothes and using the lube to open his ass. 

It was certainly an odd experience. How could an omega actually like having a finger up their ass? (Name)’s cock was aching to release his knot but Geto would always squeeze it whenever he felt he was too close. 

“You seem… nng, obsessed with those ‘monkeys’ you hate,” (Name) gasped at the squeeze on his knot. He muttered out an apology as Geto pulled out his fingers, licking them as (Name) watched in embarrassment. 

“Disgusting…” (Name) muttered. 

Geto simply hummed as he pulled down his pants, letting out his cock. (Name) blinked in fear. Holy shit. He was larger than him in every category. The knot, the length, the thickness.

How the fuck was that supposed to fit in his non-omega ass?! 

“Don’t look so scared. You handled my fingers well—my knot should be easy.” Geto grinned. 

(Name) was scared and he did not try to hard it as he watched Geto slowly push it inside of him. It was painful. He would not lie to himself that he felt like crying as his scent soured once more. Geto’s own scent was hardly there. It was never really there, even in the past. 

He had said he just learned to hide his scent… But right now, like an omega, (Name) wanted to smell something calming that contrasted his own. But he didn’t want to ask that. It felt odd for an alpha to ask about something like that from another alpha. 

(Name) gripped the bedsheets underneath him, hoping it would get easier soon. But his knot stopped him. Geto’s knot was too fucking big to fit inside of him. (Name) whined in embarrassment, ignoring the chuckle he got from Geto. 

“You need to relax. It can’t go in if you’re tight.” 

“Don’t talk about me like that…” (Name) muttered but tried to calm his nerves. It was hard but he tried to calm himself. An unknown smell began to intertwine with his own. It was Geto’s… 

(Name) would never tell him, and he would never get to, that his scent was the most calming one he’s ever smelt. It was a basic vanilla swirled with cinnamon. He hated how his heart swelled and he wanted to smell this forever. 

He wanted to be drenched in it. Could an alpha really like another alpha’s smell this much? 

Before he could ask this question, he came. His orgasm was the most intense thing he had ever felt. Back arching and mouth opened wide in an open scream. And it all only happened because Geto’s cock was now fully inside of him. 

(Name) didn’t dare look at Geto. He knew the little shit would be grinning like he won. (Name) could tell that his knot was still there. Despite him cumming, it still swelled, ready for release. 

Geto leaned down and easily pushed (Name)’s legs up towards his head. A simple grin on his lips as he bit harshly on the fresh tanned skin beneath him. He wanted to make sure (Name) would wake up with these marks for weeks on end. 

If only he was an omega he could mark as his forever. 

He pushed it into the back of his mind as he began thrusting, enjoying the way (Name) tried his hardest to hide his moans. Each little thrust touched something deep inside of (Name) that he’s never touched before. 

He remembered his alpha friends talking about it before but he never knew he was missing something this pleasurable. The sound of squelching from the copious amount of lube they had to use for a hole not made for penetration was taking over the room. 

His bed squeaked as the thrusts got quicker. Geto’s unusual strength beginning to shine through with each particular thrust. The little moans coming out of his mouth was that similar to an omega. 

It shouldn’t have turned him on but it did. He truly felt like he was becoming Geto’s. 

Embarrassingly enough, the sex didn’t last long. Geto seemed ready to pop his knot much faster than (Name) anticipated. But he was glad, because he was holding in his knot so he wouldn’t embarrass himself cumming first. 

“Are you ready for my knot?” 

“Eh?” Was all (Name) could say before he felt the similar pulsating that he knows is a knot swelling into release. He whined in distress before being pulled into a surprise kiss. It stopped any sort of complaints on his lips as he, embarrassingly, returned the kiss in full. 

He loved it. He wanted to stay like this with Geto. The feeling of his seed coating his inside as if he was an omega. The feeling of his lips on his as they kiss in the moonlight seeping from his closed curtains. The feeling of his hands on his body. 

The warmth that they’ll no longer hold. 

They pulled away from the kiss and stared at each other. There was no longer any words exchanged. It was silent. But that was all they needed. 

But in the morning, he was gone. 

ꕤ

It was a new year. (Name) still hated Geto. He also came to hate Gojo but it was for a silly reason. 

(Name) cleaned off any dust he got from his recent fight and was ready to get home. The bite marks that Geto had once given him were beginning to fade and he wasn’t sure if he was sad or relieved he wouldn’t see them in the mirror anymore.

He yawned to himself and covered his katana with it’s usual bandage until he felt someone in the building with him. 

He turned around quickly, aiming his katana at their chest, ready to cuss out whoever it was until his nose smelt something. Something he hadn’t smelled since a few weeks ago. 

“Geto….?” 

“Now you and I both know it’s no longer Geto in this body, (Name).” 

Oh, he fucking hated Geto Suguru. 

╭┈─────── ೄྀ࿐ ˊˎ-

╰┈─➤ ＥＮＤ

Requested by @xweirdo101x

This came out way more sad than I originally planned but I wanted to show off my angst chops!

Thanks for the request! My requests are open if interested!

[floylia]

ELYSIAN ♫

05. Time is a bargaining tool

Time is a bargaining tool.

Scara knew that.

“You want me to feature on your album?” You repeated Scara’s words, beginning to doubt your ability to hear, “Do you realize how risky that is?”

Scara bobbed his head with pleased a expression etched on his face as if his words weren’t weighted with worry, “That’s why I asked you if you were ready to take a risk.”

You stood up, unable to sit still, now pacing across the room. Bambi must have sensed your unease, because he too, started following you while rubbing himself against your legs, “On a normal occasion, I wouldn’t mind. But you’re playing with two careers here. I might sound frustrating, refusing your offer, but don’t blame me for being realistic.”

“When have I ever cared about reputations?”

You fought the urge to smack him back into his senses.

“Never, but you’re in an industry where the public’s opinion can change the trajectory of the career you’ve established for years.”

And I don’t want you to go through that as well.

“We’re not puppets.”

“That’s debatable.”

Scara sighed, tousling his hair once again—his nervous habit, “We shouldn’t let them control us.”

It’s easier said than done.

But you understood where he was coming from.

You faced him, offering your utmost sincerity, “I don’t want to drag you in my mess. Nor do I want to cause more trouble than necessary.”

Silence engulfed the room. You glanced over at your friend. He’s deep in thought, gaze intense, expression unreadable. But you knew he was scheming, thinking of ways to persuade you—anything to assure you that all’s well, ends well.

Because what Scara wants, Scara gets.

“How long is your hiatus?”

You shrugged your shoulder and decided to sit back down. Bambi trailed you as he leaped up the bed and onto your lap. Clingy cats are the best, “I don’t know, but they’ll probably kick me out before it’s over. I have less than three months left, anyway.”

“What if we use this opportunity?”

“What do you mean?”

He crossed his arms, “Tell your story. Your silence leaves for more assumptions to grow.”

“I would if they let me use my voice. I was planning to wait until my contract is up to take legal actions.”

He tilted his head, “Why can’t you now?”

“Because they’re silencing me. Especially since my accuser is from the same company,” You deadpanned, stating the obvious, a detail he may have forgotten.

Scaramouche scoffed in disbelief, eyebrows furrowed as he shook his head in disapproval, “But they’re willing to throw you under the bus and take her side over you?”

“Which is why I don’t want to be responsible for ruining the career you’ve built for years. Even my friends are receiving unnecessary hate just because they’re connected to me.”

“So it’s a lost cause?”

You nodded.

“Can you…” Scara hesitated, wondering if he should continue, “Can you think it over some more? At least until your hiatus is up?”

You crossed your arms, failing to hide the faint smile creeping across your lips, “You sound desperate.”

“Enjoying my misery?”

“Absolutely.”

“I’ll win you over, just wait.”

Time is a bargaining tool.

You realized that.

Notes:

“We’re not puppets.” Haha so about that

another update cause i feel bad for ghosting 🫡

hope you all enjoy :))

i’m sorry if i couldn’t tag you (bolded = couldn’t tag)

Synopsis: After 7 years of enduring the media’s relentless pursuit of painting you as a villain, you’re forced to go through an indefinite hiatus with a tainted reputation on your head. However, just when you thought your career was over, a certain 5WIRL member wants you to feature on his solo career. Surely, this won’t affect your reputation once more, would it?

Scaramouche x fem!reader

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[myfairstarlight]

An Ode to Friends to Lovers - Colin and Penelope's story

Fine, I give in.

As someone who considers themself more of a casual viewer (as in, I've never engaged in the fandom before), I went into this new season with mild interest. And then I fell down the rabbit hole. I should have suspected it though, Friends to Lovers is a trope I affectionate particularly when it comes to romance, unfortunately one I very rarely think is done well. So I was still skeptical going in.

But by God, did they deliver on that front and I need to break it down and talk about it. So I guess this is my review of Bridgerton s3, part 1.

Under the cut though, because this is gonna be a long one (seriously, this is a warning).

I don't particularly think Bridgerton is a complex show, and one can argue all day about whether it is even good (in my eyes, as long as it's entertaining, I don't care if a show is "good"), however, the number of takes I've seen online not understanding basic story-telling worries me a bit.

Don't get me wrong, I agree this first half has pacing issues but I do not think Penelope's and Colin's love story suffered that much, it did not feel rushed to me since we already knew these characters for two whole seasons (and I maintain Colin has always had more depths than what people pretend he does, it seems like, just like the ton, viewers like to overlook him and just characterise him as naive).

And I guess this long ass post was born in the process. So:

Part One: Penelope's glow up

Yes I'm starting by looking at them individually first. I think this post on reddit sums it up so perfectly. I get we're all joking about how unrealistic it is that no man was ever interested in Penelope despite how she looks like an absolute goddess (and I maintain she was the cutest in both previous seasons as well!) - unfortunately it is realistic. That's the reality of bullying, it doesn't get solved by a glow up. Even her association with the Bridgertons through Eloise and Colin did not lessen the bullying, so without them? Even the prettiest dresses would not have changed the ton's perception of her, and she's still the awkward, anxious girl she's always been, and unfortunately, most of these men are not attracted to that. It's not satisfying, she doesn't get her triumphant revenge on a society that always ostracised her - and I think it's important that she does not. That she accepts it. She should not have to change for a ton that will not change for the better either. And it's a lesson she learns quickly - someone will love her for who she is, pretending will only lead to misery. And, it is when she's being herself that she successfully gets the interest of some gentlemen (shout out to Lord Remington! I was so hoping we would be seeing more of him on top of Debling. He's such a Whistledown fan I thought that even after the whole lesson reveal scandal he would have stuck to call on Penelope the next day to gossip together, it would have been cute but I guess he too wanted to avoid being written about) (also I'm just saying in fics he should be the one considered as a proper other suitor for Pen since they seemed to have a genuine connection, meanwhile Debling was really searching for practicality).

The thing I wanna add to that post is this: despite all that, she decided to change her looks for herself. When I first learned of the plot of this season, Colin helping her find a husband, I was scared it would mean Colin would be the one to tell her to have a makeover. It doesn't happen. Sure, Penelope subconsciously requests for a more Parisian style for her new dresses because it is the last place Colin went to, but by that point she has already given up on him. She wants something new, and to feel good in herself. That's how she blooms, by finding a style that she feels comfortable in, finally free from her mother's horrendous tastes. That's what allows her to be more confident as well, the new looks and her motivation to move on from her "unrequited fantasy". As for Colin? He never comments on her change, he compliments her dress (and mind you, that is when he's trying to play up the charm because he knows she's upset with him and he gets humbled, hard) but he never says it looks better on her than what she wore before, he never has a "I never realised how beautiful you were" moment we see a bit too often in friends to lovers stories, because to him she's still his Pen, new dresses, new hairstyles, but the same Pen he's always loved, even if he didn't realise to what extent yet.

But Penelope's confidence... is not quite there yet. Difficult to be, when she's grown up in a loveless home, with horrible sisters, a father who barely cared and a mother who constantly puts her down. Whenever she gets a compliment, her first reaction is "ah, it must be a joke" - that isn't even exclusive to Colin, in the brief interaction between Edwina and Penelope, when Edwina compliments her dress, Penelope also dismisses it. And then, there's Colin, who is always oh so honest with her and does not shy away from praising her. But I'll touch more on that later.

Part Two: Colin's new self.

And then we have the opposite: Colin showing up with a new attitude, and succeeding at it (well, on the surface). Something I haven't seen people bring up a lot though is that he's already tried a new look in s2, and he got mocked for it. The only one who didn't? Penelope. Why didn't he try to emulate being a rake back then? Because Penelope's letters grounded him, he admits it himself. It's seeing himself through Penelope's letters that gave him confidence. But that kind of confidence was not enough in the ton's eyes, and on top of that, between s2 and s3, this time Penelope doesn't write back, and neither do his family. He grows insecure, he's lost the one person who kept him grounded, he thinks his family is annoyed with him, and he still is in search of a purpose, so what does he do? He clings to Anthony's words in s1 after the disaster that was his engagement with Marina: he's too green, time to "fix" that and be more like his big brothers. They got it together, they know their purpose (well, Benedict lost his again but that's a story for another day), so surely, if he acts more like them, and not like the sensitive and naive boy he was, then surely everything will be alright! Right? Note that as opposed to s2, where he kept talking about his travels and it annoyed everyone, in s3 he doesn't go into details about them anymore, even when he's asked. They're only interested in the company he kept during the travels rather than the sights he saw. And honestly, it was heartbreaking to see right away how much of himself he was holding back, even with his own family. Penelope, however, gets the details without even asking because he already knows she likes hearing him talk about them and she makes him comfortable, and he's fully aware of that when he apologises in s3e1.

(I also want to note that, even if this new persona is fake, his new style genuinely fits him better. Just like Penelope, this season Colin found the style that makes him feel good and confident.)

And here's where I need to praise Luke's acting for a bit, because he absolutely nailed the subtle way Colin behaves differently with Penelope vs everyone else. His voice is softer, he is effortlessly charming (I was kicking my feet when he recalled how they met), his smile is bigger, even his whole face looks more relaxed whenever Penelope is around, meanwhile he always appears stiff and like he's calculating his every move when around his "friends". In fact, it is in the carriage scene we finally truly see s1&2's Colin back. When he has that look on his face, as he decides right there and then he's gonna marry her, and then a second later when he asks the question, his face. By God, his eyes are sparkling, he's so happy, and he looks as youthful and carefree as he did in previous seasons, far are the thoughts of trying to fit in a society that he hates.

Because above all, these two know and understand each other in a way no one else in their lives does. And that is a fact that remains despite the outward changes. So yes, I liked that their dynamic did not shift to romance because of their "glow ups", but because they are spending even more time together now. Speaking of which:

Part Three: Authenticity and Vulnerability

One big theme this season is being true to oneself. It's no coincidence mirrors are such a big part of it (even outside of the yet to be seen spicy scene), because looking at a mirror means looking at oneself, and be vulnerable. If s2 was about duty vs heart, eldest siblings trying to do right by their family to the point of self-sabotage, s3 is a battle between the head and the heart. It is not even exclusive to Polin - Eloise is learning and growing by trying to take genuine part in society but struggling to fit in. Cressida wants to become a better person, torn between the pressure put on her shoulders by her parents and this new friendship with Eloise. Benedict is looking for his purpose after learning Anthony paid his way to art school, and feeling like a fraud as an artist. Anthony and Kate are unashamedly in love, as they deserve to be after the struggles they went through last season. Francesca has no care for the suitors the Queen and her mother parade in front of her as the "sparkler" of the season (sidenote but I hated that, stupid name, should have stuck to diamond or select another gem) as her heart seeks out the handsome and quiet John Sterling instead. And this will continue in part 2, as Penelope will have to be honest about Lady Whistledown (because she's always her most authentic self around Colin, there is still this big secret she is so determined to keep to herself, when she should not).

The beauty about friends to lovers stories to me is the small declarations of love sprinkled throughout the relationship. It's about the trust already built in with no expectations and the vulnerability we'd never allow anyone but our closest friends to see, something even our family can be ignorant to. I mentioned earlier that Colin never shies away from praising Penelope, way before their dynamic shifts to lovers. He tells her she's good, constant, loyal, special, warm. All of these are declarations of love, even if not with romantic intent, it's about showing his appreciation for her, for the role she holds in his life. And Penelope responds in kind as well. That is why I believe people who think the romance was rushed in s3 either did not watch the past two seasons or see friendship and romantic love as two distinct things rather than a cohesive continuation of each other. In s1, people focus so much on the Marina stuff, as if that cancels out Colin's friendship with Penelope. We still do see Colin actively seek out Penelope at balls, and defending her against Cressida, he compliments her and tells her she's the one who inspired him to travel. Then s2 rolls in, and they're exchanging letters, which will become the cataclysm for their dynamic changing later on. And then there's one of my favourite scenes with them: them talking about their purpose. They both open up here, Colin about his insecurity, Penelope about her dream, it is so intimate. And then, there's of course Colin protecting the Featheringtons from ruins. I'm mostly emphasising Colin's actions, because Penelope's crush on him was always in your face, and while Colin may not have realised it yet, he's always cared about Penelope in a special way, as manifested by his actions and how vulnerable he allows himself to be around her, when even his own family has no idea about what's going on inside his head.

There's a misconception that Colin calling her his friend was him rejecting her, and yet we see in s3 he had no idea whatsoever that she has a crush on him, so he could not lead her on (unlike his book counterpart, who was aware of Penelope's infatuation and was careful never to toe the line until he realised his feelings. Show Colin though? Completely oblivious. And it makes sense, he's still young.) He asks Violet "how do you know it was reciprocated" and not "how do you know you're in love with your best friend". As of right now at the end of part 1, he genuinely thinks he's the one who fell in love first, or at least realised it first. His "You're Pen, you do not count, you're my friend" in s2, was not a rejection in his eyes, but a declaration of love; he's forsaken love and women but not his Penelope, never her, she's his exception And it's not like Penelope resented him for that friendship he so readily gave her, yes she had a crush, but she was proud to call him her friend! He was, with Eloise, her solace away from her family. At the end of the day, this is a friends to lovers story, it is silly to get upset that they considered themselves friends first before there is a click as they realise they are now on the same page to shift their relationship.

Side note but I've never liked the term "friendzoned" because it makes it sound like being friends is a bad thing. I've had unrequited feelings before but I've always felt grateful that being friends with them allowed me to stay close to them even if I knew nothing else could happen. I was still very much happy and content. But maybe I'm projecting on Penelope and that's another debate.

See, what I ended up loving about the lesson plot, which I was so wary of at first, is that Colin barely teaches Penelope anything. At first, he goes for the "do what society expects women to do" (since it worked for him) but then she acts awkwardly, she can't fake it, and it surprises him for a moment. That's when it clicks for him, she just needs to be comfortable because with him, she's always smart, witty and charming, she's herself. He's always seen her that way, and he did not quite realise he had that privilege in the first place. And I love how we see him slowly realise it is no longer a privilege thanks to his help. We see it in e2. When she talks to the guy with the dead horse (forgot his name, oops), Penelope forces the flirt and Colin is amused by it. Fast forward Penelope approaching Lord Remington by herself, without Colin's initiative, and she's being more authentic, and suddenly Jealous by Nick Jonas plays in the background and Colin doesn't look proud, but apprehensive, or dare I say jealous. The shift in Colin's head happens long before Debling is in the picture. I'd argue it already shifted earlier in that episode, in his study, which he flashbacks to in e4.

His journals detail how unfulfilled he feels when he lays with random women in his travels. He longs for emotional intimacy. And guess with who he finally finds that, when a certain red-head asks the one question that allows them to break the physical barrier they had to keep between them for the sake of propriety?

Ah yes, that first kiss. To Colin, everything has been building up to this, this is his true Oh moment. A favour turned into a revelation. For Penelope, this is quite literally the end of her fantasies. This is Penelope's most vulnerable moment. She bares her heart, she's sad, she's desperate. And some people have been calling that moment pathetic, interpreting it as her being weak and giving in to her crush again, saying that she should not have to beg for that man's affection. I concur that she is brave, and bold. I also concur that some of you all are a bit too attached to the girlboss archetype forgetting that allowing oneself to be vulnerable is also a strength. She's never had to beg for Colin's attention anyway because he readily gives it to her, but in this one instance, for once in her life, she is truly being honest. In her head, she has nothing else to lose, and she wants to experience the one thing she thinks she can never have so of course she's gonna turn to the one person she's always trusted and feels the most comfortable with, because before her crush, Colin is her friend. She's asking a favour from a friend. And then she can move on, whatever "moving on" will turn out to be. In this instance, she has the power in her hands.

And it is her bravery that is the true cataclysm for things to change properly. Of course, things have already started to change the moment she stopped replying to the letters, but that moment really expedited their relationship.

Part Four: Lovers, but in a best friends way

The thing with Bridgerton, in the books or in the show, is that each couple has their trope. This is not news to anyone, I think. We've had fake dating, and enemies to lovers, and one characteristic that these two tropes share is a growing tension between the characters before it snaps. There is a reason the early marketing for s3 focused on Penelope being cold towards Colin, tension and conflict are more appealing on the surface. And then the first half of the season comes out and that conflict between our main couple? Solved after one episode because they did one thing that is severely missing in most romance dramas: communicated healthily. Penelope laid out why she was upset (although she does not stay to let Colin explain and then vents out her feelings in Whistledown... she still has some learning to do), Colin immediately went to apologise and make up for it. All of this by talking. And yet I'd argue friends to lovers still has its own tension, just not to the same intensity as the other two, and more difficult to market. The tension comes from the brewing feelings, the way you start seeing every touch, every interaction, in a whole new light, and wondering if it's only in your head or if it's reciprocated. But now combine that with Colin who's always been so earnest about his feelings with Penelope? And Penelope who's always quietly wanted their relationship to evolve that way? Of course they figured it out quickly and got together in half a season. And I'm delighted that we will see them handle the whole Whistledown mess as a couple, as two people aware they love each other deeply, which gives a whole new meaning to the conflict compared to the book where I felt like it was brushed over a bit too quickly (because they got distracted in that carriage). It is the last secret between them, their last obstacle.

I also do not like the "Colin should have grovelled and pined more" argument, when he is the one who insisted on the lessons to help her find a husband in the first place, and then has to face the fact that actually, he doesn't like the idea of another man taking Penelope away, and oh, isn't that the consequences of his own actions? He is grovelling, you just don't see Penelope holding it over his head, because that's not the person she is, this is not a revenge fantasy story, in fact she does not realise the power she has on him because she is used to Colin seeking her out. I like that he didn't stew on his feelings and decided to act on them right away. I also don't like how this whole grovelling thing makes it sound like love is a competition, that just because Penelope has known she's been in love for longer and "suffered" longer, that means Colin needs to do the same to even the planes. Because in my eyes love isn't exactly something to be earned — it is given. Now, are you worthy to keep it? To nurture it and make it bloom and last? That is the real question.

Admittedly, since this is only the first half of the season, we do not see them in a romantic setting a lot. That first half is focused on them rekindling their friendship lost during the summer when Penelope stopped responding to the letters, and Colin having the realisation he cannot live without his best friend, not just because she is his best friend, but also because he loves her. But we do have two important, and obvious instances.

So let's talk about that first kiss again. It is, in my opinion, one of the most gentle and romantic moments in the show so far and also showcased their friendship really well. Colin trying to joke to lighten the mood as Penelope spirals down (peak best friend behaviour actually), the gentle, swelling music, the light of the moon, Colin's deep exhale of realisation as he holds her face when he goes back in for the second kiss, with the furrowed brows of a man on a mission. This is Penelope's most vulnerable moment and Colin's big realisation. And I felt like I was intruding.

And same goes for that carriage scene, but even before they go at it; now this is Colin's most vulnerable moment, and Penelope's realisation that they can be more. He chases the carriage by foot, then goes on his knees to confess his feelings to his best friend in the softest and most determined voice we've ever heard him use this whole season, eyes wide, tears threatening to fall as it is his turn to bare his heart and ask for a chance. Meanwhile Penelope takes it all in, running her hand through his hair because she can finally touch him, melting under him. Things get steamy. And then... and then... The carriage stops, they get startled, Colin jokes that the driver should have kept on driving and then... they laugh. They just made out, and went to second base together, and yet here they are now, laughing. It is such a genuine and lovely moment. And it's then that Colin has that look in his eyes, that "I'm gonna marry her" look. That is when he realises he cannot live his life without her. That his purpose is now right in front of him: making Penelope Featherington, soon to be Bridgerton, laugh until the end of their lives.

Conclusion

There's no conclusion, I just love them so dearly. Yes, there still is the whole Whistledown mess to deal with and sure, the argument with Eloise may make you think great angst is ahead but if there is one big difference between Colin and Eloise, it is this: Colin has always listened to Penelope, and this is not a diss on Eloise. Eloise, bless her heart, can be pretty self-centred, she's loud and a bit immature, something she is growing from in s3, and you cannot ignore that she did not really listen to Penelope (she has no idea Penelope wishes to marry when Penelope tells her she does in s1, we can blame the writing, but I do think it fits with Eloise's journey to realising how privileged and dismissive she is. Penelope was too polite to call her out until their falling out. Meanwhile Cressida is exactly the type of honesty she needs for a wake up call). Colin, on the other hand, is very sensitive and a good listener. Furthermore, this season, Penelope is learning to be more confident, to voice what she wants, and I like to think it is leading to her finding her own voice and not needing Whistledown to hide behind anymore. If there's someone with whom she has no filters, it is Colin, so I have faith that when the reveal happens and an argument breaks out, this new Penelope will not back down and will lay out all her reasons and all her regrets, and Colin may be stubborn, but he loves that woman and he always listens.

A part of me also wishes they keep the jealousy he felt about her writing in the book, and that they don't focus just on the whole "you lied to me" aspect (we've already had that with Eloise). How he, himself, is insecure about his writing, and here Penelope is, less fortunate than he is, and yet who did have the courage to get her writing out there, even if publishing under another name. Because that is also a reality in relationships, when your partner is at a different stage in their career, and how they can communicate to support one another.

Anyway, I'm just rambling now (as if that isn't what I've been doing this whole time). I like them. A little. Just a bit. I'm very normal about them <3

[vorthosjay]

Hi Jay. Not wanting to sound mean, but I really think it must be commented and that there's no softer way of doing that: the company's statement of Thunder Junction being an inhabitated plane prior to MoM is not a honest way of capitalizing on a sellable trope without touching its uncomfortable issues. It's even disrespectful. They have done it in a less flagrant way with Kaladesh and both Ixalan iterations, but now they've gotten too far with Thunder Junction. Colonialism is too big an issue to simply being put under the carpet as it never existed and we could just enjoy the sunny part of the history. I really hope Hasbro as a company acknowledges this and changes its way of dealing with the theme. Thanks for letting me pointing this.

Look, you caught me on a bad day, so I'm going to be as polite as possible but let's start with the foundation that this is not a complaint to direct at me. I have no control over any of this. Mark Rosewater exists and takes feedback on Tumblr.

But, let's talk about it, because I've seen some folks take this to extremes.

First off, I've seen a lot of well meaning folks speaking up on behalf of hypothetical indigenous americans, but I'd love to get takes from folks this actually impacts. I'd love for Wizards to post something about their work with cultural consultants, for sure. But the only actual thing I've seen so far is a great story from Magic's first indigenous american author. And when you're speaking on someone else's behalf, you tend to miss things. Like, Kaladesh is not the great representation of south asian culture that you might think when you jumped to it, and it's okay if you didn't know that, but it sort of proves the point that it's very difficult to actually protest on someone else's behalf. And I just haven't heard from anyone who has also mentioned they speak from authority or are impacted by this. That doesn't mean you're wrong, necessarily.

But here's the thing. Thunder Junction isn't history. It takes cues from the American West, sure, but it's a fake world. And sometimes it's okay for a fake world to ignore the bad things that happens in real life and create something more aspirational. Magic does this all the time. Magic doesn't have homophobia, but that isn't really realistic or representative of the real world, is it?

No one, and I mean literally no one, came to me and said that people of color needed to be ostracized and not allowed to work alongside the white people in the demon mob families of New Capenna. That racism was real, it was systemic, and it was violent. But did it need to be tackled in a fantasy crime drama based on america in the 20s? Should it have been? I don't think anyone would have enjoyed it as much. Sometimes it's just fun to play gangster.

Similarly, the colonization and manifest destiny that was the reality of the American West was tragic, but does that need to be our only depiction of indigenous peoples - being colonized? If they were erased completely from the narrative, that would be awful, but can't they just have fun being cool thunder slingers? The Atiin were developed with a consultant, and if you want answers ask Wizards to talk about it.

There's a reason the Oltec were depicted as being sealed off from the Immortal Sun drama that had happened on the surface. To have an aspirational mesoamerican culture that wasn't affected by the Dusk Legion and Azor and all that.

To put it in another perspective, does every period piece featuring black americans need to feature systemic racism to be respectful? Is Bridgerton disrespectful (I mean probably but not for that reason)?

The reason I've framed a lot of this as questions is because I don't necessarily think I know the right answer, especially not for a fantasy card game. I've worked with tribal governments in my emergency management career and spent a week on the Navajo Nation, and talked a lot about perspective on things, and I would not presume to know what the right answer to all of this is.

Edit: to be clear, Could it have been handled better? Probably. I will never deny that. But also it’s a complicated and fraught topic and I’d love to hear from the people wizards contracted who actually know what they’re talking about.

[creatingblackcharacters]

“The Same Place as the Music” Lighting & Color

“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR

How & Why It's A Problem

If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:

Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:

We should be able to SEE your brown skinned Black characters!

I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.

However, this does NOT mean making them lighter-skinned!!!!

It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.

I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.

This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!

Here are some other examples of Black people in non-color lighting:

None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?

Lighting!

Now let’s discuss different ways to think about and potentially try instead!

What I want you all to keep in mind, is that the art you’re painting:

And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!

Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.

Here are a couple articles of lighting in film focused on Black actors.

When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder

Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.

Incorporating Blackness in Color/Colorful Lighting

@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.

@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?

@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.

This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.

I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.

Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.

Is It Intentional?

There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.

I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.

Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?

Conclusion

We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.

You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!