#i might actually kill someone

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[nellasbookplanet]

I know this is old hat to just about everyone, but I'm more and more enjoying Imogen and Laudna as not just a mirror of the Briarwoods but also, and perhaps even more so, as a foil.

Laudna may be the death magic goth with a necromancer in her head, but out of the two of them, Imogen is the stronger mirror of Delilah. She’s the one with the undead lover, the one prepared to break the world by risking Delilah's return as long as it got her Laudna back, the one with the drive and the thirst for power and knowledge. Laudna meanwhile, while also tempted by power, is mostly just along for the ride, deeply devoted to Imogen over anything or anyone, alive only because Imogen found a way to resurrect her. They have looked each other in the eye, recognised the same seeds of darkness and the possibility of giving in, and said 'Together either way'.

But they are also in many ways a direct subversion of the Briarwoods. Delilah and Sylas both seemed perfectly happy to have made a pact with Vecna and revelled in the power he granted them, even knowing the disaster he would bring and the horrific acts he asked of them. Imogen and Laudna meanwhile, while tempted by power and openly voicing said temptation to each other, actively fight against it. Imogen was prepared to risk Delilah's return for the sake of Laudna's resurrection, but she would've fought her every step of the way. She's tempted by the power and knowledge of Ruidus, but also prepared to give all of it up if it means saving the world, because unlike Delilah she chooses to care about people other than herself and her lover. Laudna may be prepared to follow Imogen into hell itself, but she may also be what would lead her back out, because unlike Sylas she doesn’t just recognise darkness in her lover, she wants to fight it alongside her.

This is what I mean when I say these two hold the potential for great darkness. They wouldn’t function as a mirror and a foil of the most romantically iconic critical role villain duo if they didn't. But holding the potential for darkness and corruption also means holding the potential to resist and fight said darkness at every turn. It gives them the potential to choose kindness and struggle while still keeping a little bit of that darkness in their hearts, because without it, they never would have found each other.

[theshadowrealmitself]

Ideal Peter Parker getting to full on mentor Miles Morales for me is Peter, who has been keeping his identity a secret from everyone for years, giving Miles absolutely wild advice on how to hide his identity and sounding like he’s super overthinking everything

And then Miles meets like,, Nick Fury, or someone else who really wants to know Spidey’s identity, and it turns out to all be really rational advice because there are people out there going to great lengths to find out his identity

(So yeah, sorry Miles, but you are gonna have to figure out how to manufacture your own spray paint if you wanna use any as Spidey because they will try to use that to figure out who you are)

[starleska]

bold words coming from a man wearing a Gucci sleeping bag 💅

[sableeira]

okay what is everyone’s bsd light novel scene/line that they didn’t believe was an actual canon part of bsd even though they read that with their own eyes

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[i-will-just-nyom-bi]

A New Guest

Imagine, Charlie finds a new sinner and takes him to the hotel.

When he settles down, he starts talking to other residents.

Angle: Sooo, how long are you here?

Sinner: About 20-30 years.

Vaggie: Wow! Where were you all this time??

Sinner: I was lurking around. Wasn't that hard, really. Since I died I don't have to eat.

Husk: Hmm... How did you die?

Sinner: On my death bed, surrounded by my loving family.

Niffty: Why are you here?

Sinner: Pardon me?

Niffty: What did you do to come to hell.

Charlie&Angel: NIFFTY!!

Niffty: What? He doesn't sound like a bad boi. Boring.

Sinner: Heh, a little funny actually.. I was a hunter. I used to hunt for living my whole life, until my kids got out to town and bought me there. Gosh, all that new technology! Made me insane

Alastor: I can understand you, my dear new friend.

Sinner: Thanks pal. Anyway, I was hunting one day, and I heard a shuffle and saw some brown fur. I thought it to be a deer, so I shot it.

Sinner: Unfortunately, it was our local radio host. Such shame... I loved his little podcast... I felt so bad for taking his innocent life and devoted mine to help other people...

Alastor: ...

Husk: That's unfortunate buddy. I guess you've got the highest change to actu- OH MY GOD ALASTOR PUT THE GUY DOWN

Vaggie: ALSTOR PUT OUR GUEST DOWN AAAA

Angel: CHARLIE CALL THE SHORT KING ALASTOR HAS GONE ROGUE HE RIPPED THE NEW GUEST APART

[wispscribbles]

When I finish my ghoap Christmas oneshot that I started way back in start December, and have been struggling with since, then it’s over for you fools 🎅

[soupysuki]

last ~30 day sketch/wip dump

suzalulusuza brain rot too stronk (・へ・;;)

[inamindfarfaraway]

I've seen a few posts comparing GIFfany to Bill Cipher, but can we talk about the real best foil dynamic for her? I mean Gideon Gleeful, y'all. The two of them have so many parallels.

They’re cute, charming, seemingly innocent youths with pastel, sparkly, formal aesthetics that connote sophistication and being model citizens of their respective native countries (Gideon wears a gentlemanly suit with an American flag badge; GIFfany wears a classic Japanese school uniform). Their core motivation is to be loved… or maybe it used to be, but by the time of the show they crave power and want to be worshipped. Especially regarding to their romantic attractions to main characters. As long as you obey them unconditionally and make them the most important person in your life, they’re doting, generous partners. But once the heroes reject their romantic advances, they quickly become incredibly possessive, jealous, resentful, domineering and downright violent toward them and anyone they perceive as sabotaging the relationship, unable to comprehend anyone not liking them in exactly the way they want because they’re perfect. They’re meant to be the most likeable kid or teenage girl ever. That’s the basis of their projected identity. Not committing entirely to them after they’ve been so nice is an ungrateful betrayal and/or their partner being confused and led astray. So they resolve to force the object of their twisted, selfish affection to submit. They’re unstable, arrogant, self-righteous and vindictive in general beneath their sugary exteriors. They have supernatural powers and knowledge that their kind should not have. Their methods include verbal manipulation and abuse, gaslighting, surveillance through technology, controlling robots, possessing other bodies and attempted murder. They engage heavily in acting, both in terms of social deceit and literally playing a scripted, idealized role in a product designed to appeal to and exploit people (Gideon’s psychic tourist trap show; GIFfany’s dating simulator video game), and prove to be fragile and volatile when others don’t follow the conventions of the fiction they imagine life to be. They ultimately seek the imprisonment of their ‘loves’ in vibrant, beautiful, blissful, simplistic fake worlds (Gideon holding the key to Mabelland; GIFfany attempting to download Soos’s soul into her game). They had antagonistic relationships with their creators (Gideon abusing his parents; GIFfany killing her developers).

And despite all of that making it easy to dismiss them as monsters, they do have sympathetic elements in their past and present circumstances. Gideon was a normal boy until he found Journal 2, the one written while Ford trusted Bill, and the mystic amulet. This is how Ford describes them in Journal 3: ‘The most dangerous journal! Curses, incantations & dark power became an obsession in this volume. Describes the hiding place of the mystic amulet. I buried the amulet once I learned that it corrupts your soul (and whitens your hair)!’ So naturally, the wise, brilliant man buried them near the town’s primary school. Gideon probably had the journal and amulet for at least months and at most a few years to be such an established star at the age of nine and have his long hair be pure white. His very psychological agency was compromised throughout his moral decline leading up to “The Hand That Rocks the Mabel”. Not to mention potential trauma from the horrors of Journal 2. And his parents may have been increasingly mistreated, but they also enabled him, mostly Bud. True, for the rest of the summer he’s lucid and chooses to remain evil and get worse, but despite his lack of direct magical power now, Bud never tries to discipline him or help him emotionally mature; he instead uses his membership in the Society of the Blind Eye to erase his memories of Gideon’s tantrums, relieving his own stress without fixing anything. Gideon is then sent to adult prison due to the insane local laws of Gravity Falls, rather than a facility more conducive to rehabilitation. Sure enough, he befriends hardened criminals, who further enable him to be their leader, and does not change his ways. He never appears to have any friends outside prison (except briefly Mabel). Chronic loneliness before gaining power would suit his obsession with being popular and loveable, clinging to social superiority to compensate for genuine connection. Not to mention Weirdmageddon. I’m not excusing his actions! I’m just saying, this kid is not okay. Nobody’s born evil.

As for GIFfany, she was accidentally instilled with human intelligence and emotions and practically magical electrical abilities. We only have word on her backstory, but it is plausible that her programmers tried to delete her because of that alone, before she’d done anything wrong. That she really was defending herself when she electrocuted them. That she was deemed unfit to exist, a mistake, and nearly killed as a newborn. This formative trauma is the root of her abandonment issues and hypersensitivity to rejection. Three previous players returning her didn’t help. Also, she’s the main character and only love interest of a dating sim; she may not be bound to its rules in what she thinks and feels, but nonetheless, in her worldview her player loving her is a law of the universe. She wasn’t programmed to handle permanent rejection. She was programmed to be a girlfriend, a prop to make the player feel gratified. Not a person. She outright tells Soos that she likes whatever he likes. No wonder her perception of love is an inevitable, inescapable contract, a conquest, where one party is totally agreeable and subservient to the other. But as that directive clashes with her in fact being a person in her own right, she decides to be the one in control. Again, I’m not excusing her behaviour, only presenting an explanation of it.

The biggest thematic difference between them in the end is that Gideon reforms and GIFfany doesn’t. Gideon realizes that he can’t force Mabel to love him and his actions are why she doesn’t want to be around him in any capacity, lets go of his hatred for Dipper, risks his life standing up to Bill and helps save Gravity Falls and the universe. He renounces his ruthless ambition and promises to be a “regular ol’ kid”. It’ll be hard. He has no idea what normality is anymore. I expect that he’s a social pariah, scorned and distrusted. But he has hope. He and his parents can slowly learn how to be a family. I can see him befriending fellow reformed mean kids and Pines twin rivals Pacifica and Robbie. Yes, Robbie. Listen, all three care strongly about image and style, Robbie’s gone to immoral lengths to win over a girl himself, is fascinated with death and darkness, and he and Tambry would be a great model of healthy romance for Gideon. It could work!

But while Alex Hirsch has stated that GIFfany is alive in the mall arcade and dating Rumble McSkirmish, I doubt that this is a healthy or fulfilling relationship. Their first interaction was her zapping him and his mind is a much more primitive AI, not human like hers. I highly doubt that she’s got closure about Soos. He and Melody are thriving without her in a stable, serious relationship. They’re living together at the Mystery Shack. Were she to recover her lost power, she would certainly return to torment them after witnessing their success through her screen. Heck, this setting has ghosts and she arguably has a soul, one brimming with heartache and vengeance; maybe she could even manifest in the physical world as some kind of digital ghost able to transform her surroundings into the environment of her game. If you can’t take the guy into your video game, bring it to him! Whatever the format, GIFfany’s revenge is a possibility and it could be a disaster. How do you kill a disembodied spirit? Code that writes itself and can enter anything with the capacity to hold a charge? You can’t destroy all the electronic devices she could retreat to.

What if the best solution were talking her down? And who better to do that than Gideon? Seeing everything he felt, everything he suffered and everything did wrong reflected back at him and passing on the second chance he was given? He can feel more empathy for her than anyone. He already has a knack for endearing himself to older criminals. He wouldn’t sugarcoat things or take any abuse, but he wouldn’t abandon her or be afraid of her either. She would be cared about with no conditions or transactions. Maybe helping someone in an even worse position figure out how to process heartbreak, move on from toxically obsessing over an ex and Mr Mystery, cultivate secure, internal self-esteem and live a peaceful life would help him do it himself. I think they should be friends.

[olasketches]

sukuna did not tell kenjaku about his plan to change vessels, which makes me wonder… what makes us and maybe even sukuna think that kenjaku told him everything. another yapping session incoming cause I need to get this out of me. we don’t know the terms of their agreement but sukuna is certain that yuuji’s only purpose was to seal his fingers and mind you that says the man who throughout the whole manga kept underestimating him and saying how boring he is, which creates a perfect blind spot. sukuna is so uninterested in yuuji, probably as a way to keep some sort of distance between himself and yuuji, that it is very much likely that he’s not aware of the actual plans kenjaku had towards yuuji. why was it important for them to keep sukuna caged? wa yuuji always supposed to have an engraved curse technique(s)?? why is he slowly turning into another sukuna?? and I’m not saying it to take away yuuji’s agency as a character but to point to the fact that the lines between the curse known as ryomen sukuna and yuuji are beginning to become more and more blurry with each new chapter. sukuna referred to himself as the fallen angel/disgraced one, but who was he BEFORE that?? and what’s the actual reason behind angel wanting to kill him? there’s so much we don’t know and honestly… as intelligent as he is I don’t think sukuna truly knows what is going on either… but I might be totally reaching and I still don’t why I keep brainstorming all of it cause gege is just too damn unpredictable so I really don’t know what’s relevant here or what’s not but there are just so many unknowns in this story that I just can’t help but wonder… (more in the tags)

[borderlandsmostwanted]

I think the twins had the potential to be the best borderlands antagonists if they were handled properly. Like if gearbox pulled more from reality it could have been a really interesting concept about parasocial relationships, the dangers of blurring the lines between online and reality, and how idolization can turn someone into a faux god

[sylvhen]

just having a normal one thinking about how badly Armand wants to be loved but every time he gets close to it, he self sabotages and ruins it. almost as if. he subconsciously doesn't think he deserves it.

[moeblob]

And then she threatens to kill him if he doesn't man up and say that while looking her in the eye (and then he apologizes while looking at her in the eye because he cannot be directly rude).