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miraculouslbcnreactions · 2 months

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Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

#ml writing critical #ml writing salt #adrien deserves better #marinette deserves better #alya deserves better #nino deserves better #My queendom for a team show #I was promised a team show!#Why even give the boys powers if you don't want the boys to have screentime?

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allsassnoclass · 2 years

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i miss having lashton wips

#personal #i think next year it might be solely mashton fics with one malum and then other fandoms #and then unmute i guess but. i miss having other lashton wips lol #oh i suppose i should try to do the cake fake dating as well #i mean. okay let's back up a moment #i'm not trying to plan out my whole year of fics. that never works #but i have three longer projects that i would really really like to get out at specific points #which means i *would* have to plan a little because i'd have to be working on those right away #and i'd love to get [redacted] out for halloween #we'll see what happens of course. could be anything!#but. yeah. kinda miss lashton wips. it feels like it's been fifty years since i've had a good idea for them

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embracing-the-ineffable · 3 months

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Beware clickbait accusations

Hi fandom, here's what happened yesterday: A reporter named Rachel Johnson, who is the sister to Boris Johnson and a big terfy supporter of JK Rowling, released a 4-part true crime podcast featuring two women accusing Neil Gaiman of SA. Yesterday. The day before the UK elections. This post explores the possible political links in more detail.

CW: this post is free of graphic details, but if you follow these links, there may be explicit descriptions of sex, kink, and bdsm, plus mentions of mental illness and suicidal thoughts.

I want to believe and support survivors, and I also want to base my thoughts and actions on facts. I thought the xitter livestream commentary from Not Becky for all 4 episodes was very insightful. There's also a first episode transcript without extra commentary. (Edit: released after I wrote this post: the full audio plus transcripts for all four episodes of the podcast are now available to download here, or you can read all four transcripts in your browser.) I have since concluded (pending more time to think and read and learn, or any new information, of course):

This seems like the worst kind of clickbait, an unjustified mess that will hurt everyone involved (except possibly a few politicians who might benefit somehow, we'll see). The evidence the "reporters" present directly contradicts their accusations. They're counting on people reading headlines and not digging any deeper.

They tried to make something sinister where there was apparently consent and a caring relationship. Have they exploited one or both of these women? S, in particular, is described as vulnerable and with a history of unspecified mental illness. They have all of the message history between S and Neil, and her messages make the sexy stuff between the two of them sound enthusiastically consensual. There are even messages (multiple!) where she specifically says everything was consensual. Here's one:

They're playing horror music in the background to try to make us feel horrified, even as S reassures us that things were consensual. It's emotional manipulation by the reporters.

The times S sounds upset during the interview are the times she talks about Neil leaving her behind or not paying attention to her. Not the times she talks about consent violations. Her stories during the interview are inconsistent, and they contradict her messages with Neil and with others. Maybe we'll get better information from a more reputable news source, or maybe not, I don't know. I also don't know why anyone who cares about her would have advised her to do this interview.

Then they tracked down lots of other women who know/have dated Neil and they all had glowing things to say, except one other lover from 20 years ago, K. She described some bad sex, and then pointed to a time in their 2-year relationship when she felt something wasn't consensual and he thought it was. And after their breakup, they continued to text and flirt, for decades.

This podcast "exposé" feels like explosive clickbait with political ramifications. The evidence here doesn't support a pattern of poor conduct so much as establish Neil as a fellow well-meaning human with imperfect judgement. That doesn't mean the accusations are all made up; intimate partner violence is complicated, and the responsibility for checking in and getting regular enthusiastic consent from partners is very real, especially when kink or bdsm are involved.

I don't know what the right balance is here between supporting survivors, thinking critically, assuming good intentions, and waiting for better information, but I feel confident that this podcast alone is not enough to condemn anyone aside from the irresponsible journalists who inflicted it on the rest of us.

PS/edit: I'm tagging my relevant posts (mostly reblogs) with #ineffable grief, and you can see all of them here.

#neil gaiman #clickbait #think critically #ineffable grief #be kind #intimate partner violence #mental health #Irresponsible journalists #uk politics #good omens fandom #good omens

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sophietv · 1 year

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Everything you need to know : Failed Coming Out 2019

This is an answer to an anon I've received.

I typed it all and Tumblr said there was an error when I went and tried to published it. So I had to type it all again but lost the anon....

Here's the question: could you tell me more about her wanting to come out in 2019? sorry for asking again I'm new on the fandom!

Hi!

It will be my pleasure! This is such an important part of the Gaylor Lore to know and understand, especially when you are new in the fandom.

This theory has been confirmed, but we'll get to it in a minute.

Also, I'm so sorry because learning about what went down during Lover Era is a transformative experiece in the Gaylor fandom, in a very heartbreaking way.

So back in 2019 Taylor wanted to come out with the Lover Era.

June 30th during the New York City Pride wich was also the Stonewall's 50th anniversary, was supposed to be the day it happened.

This date might be familiar to you, because it's the date we learned at the same time as Taylor about her masters being sold to Scooter Braun.

So let's start at the begining of all of this. I won't go through ALL the details because my post will never end. But I'll cover the most important ones.

Right at the begining of the year, insiders were already talking about the fact that Taylor was planing to come out that year in podcasts and blind items.

Then in March 6th (Karlie and Taylor's anniversary)

Taylor does a post hinting at this new era. The very first lyrics we get (We got hints at ME back in February):

Daylight the song is about Karlie. But this line specifically means coming out.

Stepping into the daylight, and letting everyone see the real you.

(Also worth noting the lesbian filter)

Taylor started being really loud in the posts she made from now on. Flagging rainbow, lesbian and bi colors every chances she got.

And flagging Butterflies. Wich is very important thematically in Lover and coming out.

Side note on the Butterfly meaning:

Remembre how in reputation, snake was a really important theme?

And how in Lover it switched to butterflies?

More specifically it switched to Snakes transforming into butterflies?

There's a species of butterflies, that when they are in the chrysalid phase of their transformation into a butterfly, can look like a snake if they feel unsafe or attacked in order to protect themselves.

Then, after the average 13 days waiting period, they transforms into a beautiful butterfly.

Basically what Taylor was doing, protecting herself during reputation with that "personna" like she described.

And now, she was ready to finally transforms and have a new beginning.

Here's a description of what butterflies means:

A powerful beacon of growth and new beginnings, the butterfly signifies the power of transformation and the incredible feats we can achieve when we trust ourselves. We all have the ability to listen to our innate wisdom, guide ourselves through difficult times, and emerge better and stronger than before.

The ME! of it all:

Ok back into the Lover Era timeline!

So all those rainbow posts were leading up to the first single: ME!

Even Taylor Nation was pretty loud about this (number of rainbows = number of days leading to ME! release):

3 days before ME! release, Taylor performs at the Time 100 Gala and it's the first and only time she switched so very clearly pronouns in the song, multiple times:

She sings repeatedly : I want HER midnights

And she even seems to be getting more and more confortable as the song goes on and singing it louder and louder.

She also looks at the crowd while singing it.

Then she releases ME!

That was really the first part of her coming out.

And honnestly, she shouldn't have had to do more than this.

ME! was released on April 26th.

April 26th in 2019 was Lesbian Visibility Day.

And she captionned the release with: ME! Out Now!

A song about how she is unique as a Lover...

That is without mentioning the amount of rainbows everywhere in that MV as well as other references.

Worth noting that in 2019 Lil NasX came out in a MV with the rainbow tower and was annoyed that people didn't get it?

Taylor also probably deadass thought that she made it obvious:

May & June 2019 leading up to the big coming out:

Taylor continues to be as loud as she can.

She makes a very generous donation to GLAAD:

She sings ME! every chances she gets, while flagging the Lesbian Flag.

Taylor Nation also keeps on being really loud:

And releases a song and music video about homophobia and includes herself front and centered in the LGBTQ+ community (represented by the Trailer park, note how Ryan Reynolds, the only straight person in the MV is outside of this park, not in it like Taylor).

With a bi flag wig...

So yeah, she was trying really hard to make people see her.

Christian Siriano and the dress...

Back in April, we learned that Christian Siriano (a fashion designer) was working on a project for Taylor:

In June, he started teasing us about a mistery rainbow dress for an unnknown person:

It was heavily rumored that it would be the dress used by Taylor to come out at the end of Pride Month.

He kind of confirmed it with this post:

Then. June 30th.

The New York City Pride.

Taylor planned to come out at the event.

Employees on site, starts to be warned about this (you can find some comments online).

Taylor learns at the same time as us that her masters were sold to Scooter Braun.

She never makes it to Pride.

And Billy Porter ends up wearing the dress:

But. You can see that the dress was not meant to be worn by him. It doesn't fit well and the "nude" parts shows that it was meant to be worn by a white person.

In 2022, Christian confirmed it by dueting a TikTok talking specifically about this.

He deleted it right after but you can still find it on TikTok: (X)

Last minutes changes to Lover:

We now know that Taylor scrapped two songs from Lover: All Of The Girls You Loved Before and Need.

All Of The Girls is really loud and very clearly talks about a girl. Wich Taylor couldn't afford if she didn't want to/couldn't come out.

London Boy was actually written and added really last minute to the album.

Really interesting, because this is her loudest song about her loving boyfriend. Wich is a brilliant thing to do if you want to limit the public speculation after all the flagging that you did...

We know it was last minute, because Taylor sampled it on Cold War from Cautious Clay. (X)

He was called in the middle of the night and had to approve the sample right away.

Interesting fact: Cold War was featured in Book Smart, a movie Taylor promoted that year.

The song plays during a lesbian sex scene...

The intro to London Boy is actually Idris Elba in a interview where he was talking about a charity where he sold a date with him.

You know, people paid to date him...

The shift in the Lover Era:

After this, you can start to see a shift. Where it was colorful sequin and rainbows everywhere with colorful choreography.

She now dresses in black, is incredibly sad and sings mostly accousting song.

Like her BBC 1 performance or Lover In Paris:

Miss Americana:

Miss Americana was supposed to be her coming out documentary.

It has been confirmed by the director of the project that a lot of footage has been scrapped.

Also, the documentary was supposed to be called : Is It Cool That I Said All That?

This is why the documentary sometimes feels like something is missing and some parts are rushed.

They tried to switch her coming out approach by making it her political activism era.

Taylor confirms it in Anti-Hero MV:

youtube

She's pierced through the heart by The Archer.

Her queerness starts showing (she's bleeding lavender glitters).

She tries to cover it up by taking the table cloth.

Her wanting to cover it spoils the dinner for everyone and they leave her.

And while she sings : "Did you hear my covert narcissism I disguise as altruism, Like some kind of congressman?"

She covers her queerness with a sticker : Vote For Me, For Everything

Confirming that the political activism during Lover Era and mostly Miss Americana was in fact really to cover the fact that she was already one foot out of the closet when they had to backtrack.

With this. Take a look at the closing scene of Miss Americana. When The Archer is playing in the background.

It's a montage of Taylor talking to someone and Taylor on the release night of Lover.

Look at what Taylor says...

Queerbaiting Backlash:

This might be the worse part in my opinion.

Since she was flagging so hard to come out.

Sadly, most people didn't get that that was exactly what she was trying to do.

And medias massively accused her of queerbaiting.

And using the queer community.

I'm still so mad and heartbroken about this....

reusing an old Twitter post...

Even queer fans...:

Frankly, speculating about her sexuality would have been way less damaging than this...

Songs about this event:

Taylor wrote a lot about this failed coming out.

The Archer, was her song about her anxiety about coming out. And begging her fans to stay.

I'm not gonna do a full lyrics analysis because this post is already a novel.

But read those lyrics with that in mind and you'll see how loud it is, and heartbreaking.

"I've got a hundred thrown out speeches I almost said to you"

Also. Worth noting that after Lover was released and she was not able to come out, she switched one lyric in that song.

Instead of "Combat, I'm ready for combat" singular (coming out was the combat she was ready to face)

She now sings every time "Combats, I'm ready for Combats", because coming out has turned into multiple battles that she has to face now...

Hoax:

Noticed how she says that all of her heroes die all alone in The Archer?

Her fear that if she comes out, all her fans would leave.

In Hoax she says: "You know the hero died so what's the point of keeping score movie for?"

Because with her Master Heist and everything, she was not able to be one of those heroes herself... The hero that she wanted to be died in that moment because she was unable to come out.

Edit: I messed up the lyrics. But it's even more telling. Because the movie she's talking about is Miss Americana, once she was unable to come out.

Evermore:

This song is litteraly her looking back at what happened and how she managed to process everything and ultimatly heal even though it felt at the start like she would never be able to.

"I've been down since July" - June 30th = failed coming out

"Motion capture, put me in a bad light" - Queerbaiting allegations. And Miss Americana being rebranded.

"Writting letters, adressed to the fire" - Her hundred thrown out speeches that she almost said.

"I rewind the tape, but all it does is pause, on the very moment all was lost" - June 30th...

"Sending signals, to be double crossed" - Her flagging strongly on her way to come out, only to be accused of queerbaiting.

Right Where You Left Me:

The restaurant is a metaphor for the closet.

"Sitting in a corner I haunt, cross legged in the dim light"

Doesn't really feel like a restaurant, but her hiding in the closet.

"I swear, you could hear a hairpin drop. Right when I felt the moment stopped"

Droping hairpins is giving hints that you are gay.

She was doing this very loudly right before she was kept from coming out.

"Dust collected on my pinned up hair"

Her hair are still pinned up because she was not able to come out. And dust collected over time that she spent forced in the closet.

Anti-Hero:

AH is really The Archer 2.0, and talks about the same fear of coming out and being abandonned.

The fact that she decided to depict herself as the Anti-Hero is both really interesting and heartbreaking.

Because to her, the hero was the version of herself that was able to come out...

Listen to Change in the perspective of being able to come out and change the face of the industry:

"Tonight we'll stand, get off our knees

Fight for what we've worked for all these years

And the battle was long, it's the fight of our lives

But we'll stand up champions tonight"

They were the Champions.

Side note: she sang this song at the ACMA in 2010, two weeks before Chely Wright's coming out.

When we know that she has knowed and worked with Chely since about 2007.

Then Taylor wrote Long Live one month after Chely Wright's coming out.

Listen to the song with the same perspective as Change now.

"You held your head like a hero, on a history book page"

Chely Wright came out in May 2010. Taylor wrote Long Live in June 2010.

Look at the parallels of both songs.

And now, look at her choice to name that song Anti-Hero after everything that hapenned....

She also wrote Long Story Short and The Great War about that event, but this is for another post and it's about how this event affected her relationship with Karlie.

How she thought she was betrayed but ultimately found out it was not the case.

And how they both made it through.

Ok, I'm exhausted lol.

Sorry for writting a novel.

But this is such an important part of Taylor's history and I really wanted to do it justice (hope I was able to).

If you are still reading...Thank you for your question!

#kaylor #gaylor #lsk #lgbetty #gaylor twitter #gaylor swift #gaylor theory #anon

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