#i miss writing though

[finitevariety]

i should stop trying to do every job that exists and start writing more instead

[idkthisisjustforfanfic]

not to start shit but i wanna write something and before ANYONE comes for me I have no idea if I'm gonna do harry or jason next lol

[serendipitous-soul]

I haven't written in so long. 😫 yet I got ideas now mainly for that Hades game

Even though I never played it 🤫

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[idiosyncraticrednebula]

The more "empowered" Disney tries to write their heroines as, the less interesting and charismatic they become, ironically.

[vventure]

i think it’s so weird that tumblr will hide posts that are using a tag for the first time. it makes breaking into fanfic spaces really difficult for those who are new to publishing their own stories.

i’d love to incorporate kpop into this blog (still on the fence, i’d understand if people unfollowed, but they probably have anyway cause i’m so inactive haha).

anyway, that’s a discussion for another time. in the time being, i’d like to push out some short blurbs on this blog.

talk soon 💕💕

[hexblooded]

natasha: d&d character profile

[oblique-lane]

more mercenary analysis, whichever merc you want <3

Not a mercenary but... Okay!

Let's dissect Pauling

Always so collected, responsible and efficient. The one who is not afraid to get her hands dirty for the sake of a goal, and her performance is always one hundred percent. What could possibly be not cool about her?

Well, maybe the fact that this all is, in fact, an act. Of course it is.

I'm not saying her determination and dedication to her job aren't sincere decisions of her heart, she really enjoys it and shines in her work. It's just a matter of WHY and WHAT she's doing it for. And on what scale.

For her, her job is EVERYTHING. Eagerly working 364 days a year with barely any rest, masochistically putting herself in so much danger, blindly following the boss's instructions, not even hesitating to kill people standing on the way...

Wow, there's gotta be something going on here.

Well, obviously the Administrator plays A HUGE role in this situation. Why would Pauling trust her so much? Referring to the comics, Pauling trusted her wholeheartedly on whatever the Administrator was planning, even though she didn't know what it was. This blind following that vaguely resembles nothing less than a weird somewhat child-to-a-mother attachment. It's just a Boss, just a job, why?

Because that's what it is. Mother issues. Very apparent.

We don't know anything about Pauling's past, so there's where the headcanons begin:

I'm assuming her birth mother was very neglectful and dismissing, never acknowledged her daughter's accomplishments and struggles. No matter how hard Pauling tried to become "worthy" in her eyes, it seemed to be never enough, as if she didn't even exist at all. Maybe her mother was a substance addict or something and their household wasn't safe and stable, so Pauling had to become an adult early and run away from home as a teenager and find a job to get by.

(I assume that because I believe there was a mention in the canon lore that Ms.Pauling had been working for the Administrator for long long years (don't remember exactly), indicating that she started working when she was still a minor).

So, being taken under the Administrators wing, her young wounded brain found a substitute for a very thing she was lacking, subconsciously clinging onto the Administrator as a newly mother figure, in order to "get it right this time".

Administrators Strictness, responsibility and demandingness were the most favorite qualities of a person of authority in Pauling's eyes, in contrast to the laziness, unaccountability and indifference of the environment in which she grew up. She could finally strive.

This time she would show the mother figure that she's worthy, she's important and irreplaceable; she exists. She would prove that no amount of hardship is too much for her if it means approval for the Administrator.

And the Administrator kind-of-sort-of gave Pauling this pseudo-love in return, encouraging her to sacrifice herself even more for their work. Which is at the very least unfair, and at most just predatory. Administrators "love" was conditional, in contrast with when the real motherly love Pauling unknowingly expected. Administrator was too immature for a mother figure, too much in power for a partner or a friend, yet too close for a formal boss. What is this!? Something not nice.

The Administrator doesn't love Pauling for Pauling, she loves her working qualities. And thus, Paulings subconscious guess was confirmed that "I'm only important when I'm doing the job. I AM the job."

Tying your worth to what you DO instead of what you are is a huge dangerous existential rout one could choose. But she never really knew her importance outside of her skills, so she wouldn't know.

Now imagine how actually painful that character arc was for her, when the Administrator proved herself to be unreliable and secretive, and when Pauling started to question her intentions for the first time.

"... Because I trusted you!"

"Then why are you questioning me now?"

It wasn't even the real conversation between them, just Pauling's mind torturing her.

It reminded me of the crisis of a 4-year-old when they realise that their parents aren't perfect; they don't know anything and they CAN hurt you.This shattering illusion of almighty love. When a child stops believing that the "harsh love" their mother treats them with is simply an abuse.

Wouldn't it be terrifying to realise in your 20s thar despite running for "the mother's approval" all your life, you will never truly get it. If your mother failed to provide it to you at such a young age, nothing will truly substitute that, especially now, when you're an adult, no one will love your inner child the way it was supposed to be loved.

Unless you yourself decide to take that role.

...

Realistically speaking, it's not nearly that sever with Pauling! She's happy in the environment she's in, there's lots of interests for her to explore (Guns, fights, killin'!) So many adventures every day! Even if Pauling has her inner suffering, it's not that bad aa I describe it. Her mother problems may actually be an advantage, a reason she is such a good and caring boss for the mercenaries.

I'm just edgying things down for the sake of the clearer analysis. But still...

If the Administrator will be gone and Pauling loses her life-dedicated job... What will be left? Who is Pauling once Mann Co is no more? Can she answer that?

References:

– A video that helped me better understand the Good Girl mask:

– "Lise Bourbeau's 5 soul wounds model: Injustice"

[prolibytherium]

Cuz I know you man! Also you casually mention RPGs like, a weird amount.

(The Gang Tends Bar themed carfire for @its-always-ziney-in-philadelphia Valentines Zine)

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[da-birb-writes-sometimes]

OMG I’m so excited for this!!! Can I request Vil with the prompt rainy nights?? Can it be fluffy and romantic? Anyway I hope you have a wonderful day!! :)

Rainy Nights; Vil Schoenheit

Content; Fluff, gender-neutral reader, established romantic relationship

Content Warning; Reader cries because of a movie, death (movie)

Word Count; 700+

Author's Note; I had a vision; watching old movies with Vil as the rain came down. I had a lot of fun writing this, and this is also my first solo Vil piece, so I hope I did him justice here.

As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

You were rummaging around the TV console, going through the numerous DVDs and VHS tapes that were just sitting around and collecting dust. Tonight was your night for movie night, as yesterday was Vil’s, so you were weighing your options. Sure, there were streaming services, but there’s just something that hits differently with a physical copy, flaws and all. Plus it’s not like you could go out since it was raining like no tomorrow outside. So, movie night.

“Having any luck,” Vil gently called from the washroom, still doing his nightly routine.

Your eyes still scoured the various cases, trying to find the perfect one. “Not yet. Just give me a minute, m’kay?”

Vil gave you a hum as an answer, leaving you be.

Horror movie? No, he wouldn’t like that. Mystery? Too predictable… And then you found what looked like the most faded cases, colour worn away from age and a hand going back time and time again. That one.

Pulling it out, you dusted off the case, inspecting the title. Of the smudged-out words, you could make out The, some kind of smudged-out word, Blossom. It looked like a black-and-white movie, and on the front were the protagonists with their backs together, flower petals surrounding them, and a dagger above them. This, this is perfect.

Vil came out of the washroom, wearing his matching royal purple pyjamas and house robe, and glowing from the various skin products that he used. He looked curiously over your shoulder. “Hmm, The Bitter Blossom,” he mused, turning his gaze to you. “Is that your pick, Schatz?” His tone was light, a sign that he approved, and was mildly surprised at your pick.

“Mhm,” you hummed, placing the VHS tape into the VCR player. Whoever had played it last had saved you the trouble of rewinding it. “Have you watched it before?”

“Surprisingly, no. Copies of it are extremely hard to come by.” He got the sofa ready, adjusting the pillows, grabbing one of the many quilts, and a box of tissues, just in case. He noticed the look you were giving him, “I haven’t watched it, but I have heard about how it ends.”

You raised a brow, but shrugged. You pressed play and scrambled over to your spot next to Vil, getting comfy and pulling that handy quilt over the both of you — the rain had made it a little bit chilly.

The Bitter Blossom started playing. Not only was it in black-and-white, but it was also a silent film. The protagonists were two lovers who met by chance, their relationship going from cold strangers to a budding romance. 

But why had Vil grabbed the tissues? The movie was almost over, it couldn’t possibly—

But then the antagonist, a jealous ex of one of the main protagonists, stabbed the love interest in the back with a dagger. The movie ended with the protagonist hugging their love interest, flower blossoms falling down around them.

“Do not let the bitter blossom of hatred and vengeance bloom in your heart or mind, my love. Do not let it ruin the happiness which we fleetingly had.” The words flashed on the screen before the movie ended with the screen fading into black.

That, that was why Vil had grabbed the tissues. Wait, were you crying? That would explain why Vil was gently dabbing away the stray tears as they rolled down your face.

“A lovely film, love,” he whispered, “I should have warned you about the ending—”

You stopped him by grabbing softly at his hand, bringing it up to cup your face. “No, it’s alright. It was a beautiful movie,” you hiccuped, leaning into his touch. 

Vil caressed calming strokes on your cheek, the slow movements helping you focus on him. He placed a kiss on your forehead, a gentle hum escaping as the kiss lingered. “Oh potato,” your old nickname from when the two of you were still just only acquaintances, “what am I going to do with you?”

You grabbed a tissue and loudly blew your nose, “Cuddles?”

Vil sighed softly, but put his arm around you, resting his head against yours and placing a kiss to your temple. “Alright,” he hummed and continued humming a gentle tune until you were falling asleep. While he would prefer sleeping in bed, he supposed he could stand to cuddle with you on the sofa as the rain eased up outside.

~~~~~~~

Schatz; German for treasure, a common term of endearment

Tags; @azulashengrottospiano [I've seen the Vil brain rot and gushing], @eynnwwyjth, @xxoomiii

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[answer2jeff]

thinkin about (S1) lip just watching you do your makeup in the mirror. you're on your tiptoes, stomach pressed against the sink so your face can just be inches away from the mirror as you smear a black pencil over your waterline. lip stares. it doesn't last too long, but he just smiles. he's not totally sure why you even wear it, but he likes it. he likes when your lipliner smudges after intense makeout sessions. it's evidence. he likes when your lipstick blots on his face when you peck his cheeks. he wishes he could get the shape of your kiss engraved into his skin. even with streaks of mascara running from your bloodshot eyes to your jawline as you cry to him about—well, everything, you're beautiful in his eyes.

he doesn't think you need the makeup, but he knows it makes you feel good.

if you're happy, he's happy.

[fudgecake-charlie]

cosmic harbingers!pearl brainrot YET AGAIN. i literally cannot stop thinking about her!!!!!! an official-ish ref for her outfit and a very old WIP piece that I’m not gonna get round to finishing. I will do some complimentary grian drawings some time! I hope!

I’ve also been thinking a little bit about false’s design and much less on martyn’s but! They both have a solid place in the AU (mumbo too! gem also a little!) and have their own plots sort of worked through. subject to change since this AU has flipped its vibe like 3 times since I first started it.

[capriciouswriter207]

Silence.

fWhip panted. Wet, from head to toe, from the water he’d fallen in. Fought in.

He looked up. The center of the world, where the Fates would grace fWhip and his friends with their unseen presence, was covered in blood. The water couldn’t wash everything away. Even so, blood stained the stones and floated around. Even if there was no blood, surely the corpses were a testament to the brutal end.

Even now, the walls still stood.

Not everyone made it here. Oli blew up with his beloved pig. Sausage was struck down by lightning. And before that, the pillagers met an explosive end.

Was that even two weeks ago?

Now, silence reigned. His sword was stained, his crossbow damaged. Cuts and bruises across his body showed that he, too, was not spared during this scuffle. Yet, despite the exhaustion, he was still here.

He yet lived.

The Fates, so he was told, were impartial. They judged fairly and without interference. That much became clear when they first came to fWhip. No favoritism whatsoever - only the stone cold facts to determine who was worthy of a Fate Coin, to allow yourself to bring people back from the dead.

fWhip could not quite remember whether this prolonged test of friendship was supposed to end with a bloodbath or if they would be released at the end.

It did not change the fact that his friends lay motionless around him.

“Well?” fWhip shouted to the skies. “I lived. I don’t- I don’t have enough coins to bring any of them back.”

The fates - if they even listened - did not respond.The walls did not fade; it still hurt to pass through them. So, unless something changed, he was stuck as the last survivor of his friend group. He was stuck with corpses that would not start to decay until one full day had passed. 

Was it worse to watch them slowly die or to have them perish by his blade?

Why had he even attacked them in the first place?

Perhaps acting as an emissary of the Fates has brought him closer to them than he had anticipated. Perhaps that closer connection was what made him act that way.

But he had still felt like himself while he murdered… right?

Doesn’t take away from the fact that he had not perished once.

The walls still stood and he started to hate the silence.