#i need them to just have their own variety show

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[gunwookstan]

PLANET CAMP TOUR | woonggi & seowon (ft. hanbin)

[mila-carat]

I was watching this Chinese variety show just to see Ricky and Zhang Hao but then I saw one of the hosts was Zhang Zhenyuan and now I want to cry… 😭💔

[indigodawns]

.

[essektheylyss]

just muttering to mutter cuz I find it fun to have meaningless opinions but having watched the trailer for The Fall of the House of Usher, I really just feel like everyone should sit down and read What Moves The Dead by T. Kingfisher instead

[girls-and-honey]

Hiya honey girl!

How are you doing? ♥️

I feel gay today, and I don’t have anyone to vent to, so it’s gonna be you I’m afraid

I feel so gay, I spent half the day looking longingly in the distance, and *sighing* wishfully

Do you ever feel like that?

Last week I bought a red rose from a dude in the street and offered it to a beautiful lady singer in a bar, and even if I don’t particularly want to see her again, it still felt good to do something chivalrous and lesbiany you know?

I like living my life on my own, but some days I wish I could do those romantic things with somebody, like holding hands and cuddling, and walking along the river, and maybe kissing a little.

Even if I’m happy by myself, sometimes I still yearn for the day I’ll have my own lady to offer my roses to 🥺

inkaaaa hi hi <3

I'm doing pretty good, in drastic need of a weekend. almost there!

!!! gay vents are always welcome here! oh to look longingly into the distance whilst sighing wishfully...

do I ever feel like that YES absolutely in fact while pondering my response I did just that asjdfkl okay I might ramble in the tags but yeah completely relate to be happy with life on my own but sometimes wishing it wasn't just me yeah I'm definitely going to ramble in the tags

offering a beautiful lady a rose I'm 🥺🥺 sometimes you just have to indulge in chivalrous lesbiany actions this is unavoidable. manifesting this for you, I hope all your rose offering yearnings come true!

[ratspider]

i hate that thing i do where i prioritize drawing/painting/sculpture above like every other form of art. like if i fill a sketchbook that's more of an accomplishment than this cool hat i made. maybe the equivalent to that is crafting an entire outfit down to making the pattern myself. or filling a box with Stuff I Sewed. idk, i think drawing is just valued so so so much online and i watch all those sketchbook tours and i'm like Wow! these people are so motivated and these sketchbooks are so cool and filled with personality and just. so dense with creativity and I Wish I Could Do That but i already do. i just don't do the 'one sketchbook a month' thing. i have The Yearning but not the drive to draw that much and i need to just value what i'm already doing that's easy for me to do right now.

[glossysoap]

OH. MY GOD. so in our little “price’s girl shared with the 141” au…

you become their own personal OF star. no official page no no. but a group chat SPECIFICALLY to send videos of price utterly ruining you (it eventually becomes any and all videos and pictures of any of them together, with or without you. safe in a seperate chat)

sharing is caring ; poly 141

OH JESUS i just about melted to the floor. this got away from me LMAO this is more centered on the first time you send pics to the group chat, so it’s the start of the whole dynamic. i really hope you enjoy!! i love talking about this au with you (talking to you in general ofc) <33

18+, afab reader, price x reader -> price sharing his girl with the 141, nudes, sharing of nudes (w readers consent, she's the one sharing them), purposefully lowercase.

i think maybe it starts out gradually. after all, you’re only used to sending risky pictures to your husband, john price.

you're dipping your toes in the water.

throughout your relationship and marriage, you would send him a variety of pictures to help boost his morale while on deployment and give him a taste of what was waiting for him at home.

sometimes it was a shot of your tits. sometimes they were held up by your lace bra and giving him a tease of the valley of your breasts. a lace bra he picked out, one he would have to restrain himself from ripping off of you. sometimes you would be covering your tits with one arm across your chest while your other hand was holding your phone, snapping the selfie. then of course, sometimes you would just be cupping your tits and letting the timed camera count down - capturing a perfectly uncovered view of your tits for your hardworking husband.

other times you would send him shots of your ass. all bare and plush and all his to squeeze and spank and bite. you would always be on your large bed, with your back arched and your ass in the air, letting the timed camera count down. presenting yourself to him just like you would if he was there with you right now, pressing his cock against your ass and letting you feel how hard he was. sometimes you would be sporting a pair of lingerie, just a thin stripe of fabric that left nothing to the imagination. whenever you wore them, it was almost with the intention to tease him - like you knew how much he would be itching to just tear that flimsy piece of fabric right off you.

sometimes you would send him pictures of your cunt all wet and on display for him. you'd be all bare and on display for him, your legs spread open all for him. he would be able to see the plush skin of your inner thighs, littered with stretch marks (that he yearned to taste again). he would be able to see your folds all swollen and dripping with slick as you presented yourself to your husband. whenever you sent him those pictures (or any picture of yourself, really), he could feel himself practically salivating. he would kill to be able to reach through the screen and swipe his thick fingers through your lips, gathering your juices on his fingers. he would kill to just devour you right then and there.

of course, sometimes you would send him one with everything. one where you would be laying in bed, all bare for him, and you would be holding your phone above you to get an aerial selfie. perfectly showing your tits and sensitive nipples, your stomach and your plush thighs. because you wanted to be thorough, you would always take the time to get a shot specifically for your cunt. you couldn't let him go wanting, not when he was providing for you like that.

all of those applied to videos, of course. you would always throw in some line that went straight to his cock (in addition to the visuals you provided), like, "fuck, i miss you so much," or, "god, i need you so bad. my big bear."

of course, as he began integrating his men with his personal life, you began growing closer to them as well. you would exchange glances and fleeting touches that lingered way too long, full of heat and tension. they were all simultaneously filled with guilt and anxiety. you were married. they were working under your husband's orders.

you felt like shit. like a two-timer, even though nothing had happened physically. at least, not really. you felt terrible. that was, until john had murmured something in your ear one night that flooded your core with heat.

"mmm. they've been lookin' at you like that too, y'know? they'd kill to get a taste of that pretty pussy." you practically shiver at both his words, the husky timbre of his voice and the scratch of his beard against your ear. "i would know. they've all begged me for a taste of her." you could imagine your eyes were as wide as dinner plates.

from that point on, your confidence was ping-ponging between outgoing or introverted. you constantly wondered if it was a good idea to pursue this.. new path. would it over complicate your husbands work life? the relationship's he had with his friends? or worse, your own marriage?

and when you weren't mulling yourself to death with the possibilities of what could go wrong, you were preoccupied with the possibilities of what could go right. toe curlingly right.

you could have the best of both worlds. you could have your husband all the time, both physically and emotionally - while also enjoying his men and their bodies. you could enjoy soap's, johnny's, nimble and thick fingers pumping in and out of you as he finger fucked you to the first orgasm of many. you could enjoy gaz's, kyle's, sweet mouth as he worshipped your breasts (breasts that you noticed he would stare at every chance he could) for all they were worth. licking, sucking and kissing at your sensitive nipples like he was a man starved. you could enjoy ghosts', simon's, cock, if john let him stuff you full of his length. by the buldge in his pants, you'd hoped to god that he would.

your heartbeat thrummed in your ears as you added john's familiar number in a new text, before you read off three other numbers from a piece of paper your husband had left you. you knew who they belonged to, and just the thought made your core fill with heat. once you had formed a groupchat, you clicked on your gallery and selected two pictures you had taken only a minute prior.

both pictures were ones you would usually ever send to your husband. one of your tits, in a bra just to test your confidence. the other of your ass as you arched your back and let your ass perk up in the air. you opted to wear some lingerie in this one as well, again, to test your confidence. you didn't wanna bite off more than you could chew and scare yourself off. that would embarrass you beyond repair, and no matter how much your husband tried to convince you - you were sure it would embarrass him too. it wouldn't.

so you were playing it relatively safe. not explicitly showing nipples or completely uncovered breasts, or revealing anything except for a bikini line.

you typed out a quick text along with the photos. you had to admit, you would feel a bit awkward (even more so) if you just sent random almost nudes to someone that wasn't your husband without even so much as an accompanying text. you started off with the typical 'it's so-and-so,' so they could save your number into their phones.

hi, boys. felt like you might need a pick me up.

your thumb hovered over the blue 'send' button before letting out an exhale, and pressing send.

only a few minutes passed before your phone was blowing up from all four men. a lot of texts from all of them, some in all caps, some filled with misspellings, some with emojis.

in a few painstakingly long minutes, they had left about five voicemails each. even more missed calls and voice messages.

the general consensus was: be ready when we get home.

©️ glossysoap 2024. please do not steal, copy, plagiarize, translate, or repost any of my works without my permission. do not steal any elements of my theme without permission.

🏷️: @viylikescats @cassiecasluciluce @ghastlybirdie @lilpothoscuttings @jumbojazzcats93 @krakenbabe @lordlydragon @violet-phantoms @bunnyreaper @blackrose4242 @ansaturn @luvecarson @kenqki @luvmeijii @zittles3000 @theloneshadow24 @moonriseoverkyoto @vgilantee @stargirlrchive @itzzjxlyn @blissful-bunny @damnirina @claymorexpunisher @mandalover2023 @kiroshang @ivymarquis @wolfieisacat @forsworned

[fictionadventurer]

"Why would I show my daughters Snow White when Anna and Elsa exist?"

Because girls need to see more than one type of female character in their stories. We don't want girls to see "damsel-in-distress housekeeper" as their only option, but its equally dangerous to show them the currently-popular flavor of "take-charge Strong Female Character" as the only acceptable kind of woman to be.

Because Snow White is confident. While the Queen is obsessing over her own insecurities, Snow White is going through her day completely comfortable with who she is.

Because Snow White is skilled. While the Queen's treatment of her is unjust, Snow White's acceptance of her work as a scullery maid makes her, not just an idle princess, but a working woman. She has cleaning and cooking skills that are recognized as valuable contributions to society. She is then able to use those skills when she needs a place to stay--instead of just a helpless damsel-in-distress who has to beg for a place, she is someone they want to have living with them because she has valuable skills to offer.

Because Snow White is kind. She is so kind that animals immediately trust her, that a hardened assassin can't kill her, that dwarves love her. She is sensitive to the feelings of others rather than embittered by her own fears. She is friendly to everyone she meets, showing interest in their lives and concern for their problems.

Because Snow White is a caretaker. Though young and mistreated, she is always looking to care for others. She immediately comforts a lost little bird. When she finds a cottage belonging to what she believes to be lonely orphans, she takes it upon herself to make their home comfortable. She even takes this a bit too far in setting rules for the dwarves' household, which offers depth to her character. She does take charge, but instead of seizing power like the Queen, Snow is looking to serve others and seeks their good.

Because Snow White is brave. After her panicked flight through the forest, she is sharp enough to recognize that her fear made the situation worse than reality, and she consciously decides to adopt a cheerful, hopeful outlook.

Because Snow White is intelligent. She's a good-enough judge of character to recognize a worthy love interest when he appears (and unlike certain princesses, she's right about it). She recognizes when her fear makes things worse than they are and is able to make better plans for the future. She is able to coordinate a housecleaning effort among a huge variety of untrained forest animals.

Because Snow White is humble. She is willing to take on the humblest work in the castle and is not humiliated by it. She asks the animals and the dwarves for help when she needs it. She even recognizes the need for prayer.

Because Snow White is good.

Because she is innocent.

Because she is patient.

Because she is loving.

Because little girls should learn to be all those things, and Snow White is a character who shows them what that looks like.

[whispers-whump]

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[clockwayswrites]

5 Times the JL Learned Batman was Married and the 1 Time They Met the Spouse.

One. Two. Three. Four.

Four.

Clark stood up and positioned himself between the door and his injured teammate before it even opened, though not much before. His own delayed reaction made sense when it opened to show one of Batman’s teammates. While for the longest the League had thought Batman ‘worked alone’, they were now aware of there being a variety of heroes in Gotham, even if they were far from sure how many there might be or who those heroes were.

Nightingale was a notable exception what with his influence on the newest generation of heroes.

The young man flashed Clark a cheery smile and a little two finger wave. The motion almost distracting with the bright blue that marked the fingers.

“Hey Supes, I got notified that B was laid up.”

Clark paused. “You did?”

“Yep, I’m down as B’s emergency contact for Justice League matters. Feel free to confirm it if you want,” Nightingale said and leaned against the door frame with an easy shrug. “That’s exactly the sort of paranoia that B would approve of.”

It really was was, Clark thought. He grabbed the tablet that he had been using and pulled up Batman’s personnel file. It was a sparse file, of course, but clear as day Nightingale listed was next to ‘emergency contact’. Under his name as an alternative was ‘Condor’.

“Who’s Condor?”

“Me,” rumbled the man who stepped up behind Nightingale. He wasn’t as tall as the other hero, but he was broad. His lower face was covered in some sort of sleek gas mask, though Clark’s focus was pulled to the red lenses of the domino mask.

He certainly made for an intimidating figure.

Nightingale rolled his eyes. “Dramatic.”

Condor just shrugged. “I’m here to be the muscle.”

Clark’s brow furrowed. “For… what?”

“Oh, we’re taking B home!” Nightingale, well, chirped and pushed himself off the doorway.

Clark stepped in the way. “Batman needs to stay under medical supervision.”

“We know. We’re taking him to the Batcave. There’s a full medical set up there and we already have Batman’s personal doctor on hand to look him over,” Nightingale said as he smoothly edged his way around Clark. “Not that we don’t think you all have done your best! Just that way we’ll have his status for our files and he can recover at home.”

“Besides, you don’t want you-know-who to get wind that B is laid up like this and come storming the castle,” Condor said and came to take the other end of the medical bed.

Nightingale gave an over-the-top shudder. “Yeah, best to avoid that, he’s not having a good week already.”

“I, no, I don’t know who,” Clark said with a frown, though he did finally step out of their way. He couldn’t really tell them no, they did have control over Batman’s care. Still, he carefully watched them undo the clasps that would let them take off the top of the bed like a stretcher.

Condor lifted his end of the bed. “B’s husband, of course. Guy’s a little protective.”

“A little?” Nightingale asked as he pivoted with his end of the bed so they could start walking. “Calling him ‘a little’ protective is like calling what happened on Monday a ‘little’ multidimensional incident.”

Condor shrugged, the bed shifting a little with the motion, though it barely rocked Batman. “Okay, so maybe he’d rewrite the world for B if it came to it. That’s exactly why we’re getting B back to the Cave where he can be safe and settled before his paramour gets back from dealing with that ‘little’ multidimensional incident.”

“Right,” agreed Nightingale. “Thanks for looking after him, Supes!”

“You’re welcome?” Clark replied as the two heroes left the room, Batman carried between them.

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[astrosamara]

Moon Sign Observations

Observations from a Pisces Moon :) All these opinions come from my own personal experiences with the different moon signs, so it might not apply to everyone. Various aspects to the moon and house placement can also change interpretation and expression of that moon sign.

Aries ☾

They hate wasting time. When they make their mind up on something, they don't like to sit around and contemplate on it, they want to go after it right away. Super action oriented. I love being around Aries moon's, even if our energy levels can be quite incompatible. I've also seen so many Aries moons that stand up against bullying and root for the underdogs. They can be great in leadership positions. Even with their competitive nature, I feel like they're the moon signs who want to see everyone win, especially the people that they love.

Taurus ☾

I haven't met many Taurus moon's, the one's I have met though always seem to be super big on luxury items and comfort. They can live beyond their means sometimes because they just want to have the best of the best. I've noticed this more frequently in younger Taurus moons though. Very beautiful people who seem to always look good without trying hard and can have a very strong interest in beauty and fashion. They can also be SUPER stubborn over their opinions and can be pretty closed off to hearing what other people have to say.

Gemini ☾

Deeply fascinating minds. It's hard to pin Gemini moons down and they tend to live a double life. You can think you're really close to a Gemini moon, but there can be so much about them you still don't know. Excellent communicators that tend to be lighthearted and funny in conversations. They think deeply about life and I know many Gemini moon's that are insomniacs because they have a hard time shutting down their busy minds. They also tend to have a wide variety of interests and are incredibly smart in any area they apply themselves in. Incredibly analytical and perceptive.

Cancer ☾

I feel like I've met more Cancer moons than any other moon sign. They just appear to be everywhere in my life lol. Very caring and sensitive people. A lot of them wear their heart on their sleeves. They tend to be the mother friend of their friend groups and this sensitive energy can often be taken advantage of by people who only want to use them as their therapist. I've also noticed many people tend to baby Cancer moons and don't hold them accountable for some of their more toxic behaviors. They also have an energy about them that makes people feel safe and comfortable around them almost instantly. Strangers will just start telling them their life story and want to open up to them.

Leo ☾

Leo moons are LOUD, especially when they're comfortable. They also tend to have a very lively and radiant aura to them. Unfortunately, I know a lot of Leo moons that can be a little too self involved to the point that they're uninterested in the people around them. They love having attention on themselves and can become upset if they feel like they don't have that attention. They like to put on a show with their emotions and express themselves in a theatrical manner. I wish I had more positive experiences with Leo placements in general, but I haven't tbh. I will say though that I love how open and expressive they are with their love towards others. Rarely are they emotionally cold and distant, which is refreshing to be around.

Virgo ☾

HUGE worriers. Feeling like they need to be perfect in order to be accepted by themselves and by others. Can stress themselves out to the point of sickness. Underdeveloped Virgo placements in general tend to have very fragile egos and crave external validation to an unhealthy extent. They can struggle with intrinsic motivation, because they don't see the point of doing something unless they're rewarded or praised. I haven't met very many Virgo moons in my life, mostly Virgo suns, but I feel like this would be one of the more challenging moon placements to have. Frequent overthinking and anxiety, similar to that of a Gemini moon. I feel like Virgo's are much more hard on themselves though than Gemini's.

Libra ☾

Super charming and flirty people. They crave beauty, peace, and harmony in their lives. They tend to have a natural way with people and can have many friends throughout their lives. Libra moons are just very friendly and polite people overall. I've found that Libra tends to be more happy in the moon than in the sun, which is why Libra moons can have stronger positive Libra qualities. Similar to Taurus moons, they tend to be very beautiful people with a strong interest in beauty and fashion. Unlike Taurus moons though, Libra moons have a strong disinterest in conflict and fighting. Due to their strong desire to keep the peace, they can probably easily fall into habits of people pleasing and not speaking up for themselves.

Scorpio ☾

I'm in love with Scorpio moons. Incredibly emotionally intelligent and aware individuals. They go through a lot of dark shit in their lives, but they really know how to grow from their pain and transform with it. I've never met a Scorpio moon that didn't have this intense and magnetic presence to them. I've found them to be much more intense than Scorpio suns (being one myself) because this tends to be a really challenging moon placement to have. They have a very dark and deep inner world and they grow accustomed to carrying a lot of pain with them in their daily lives. There's also a very painful and strong desire for intimacy and to feel deeply understood that could stem from a difficult childhood. They have a strong disinterest in superficiality and their intuition guides them heavily throughout their life. If you meet a Scorpio moon that is emotionally healthy and healed, they probably went through hell to get to that place of contentment in their life.

Sagittarius ☾

Super funny people. Being a Jupiter ruled moon sign, they have very expansive and limitless minds, which they have in common with Pisces moons. Freedom to express themselves and their individuality is super important for them. Usually a very strong connection to spirituality and a strong interest in learning about other cultures through traveling. I've found that with many Sagittarius moons, people really want to listen to them and hear what they have to say. People see them as a wise guru. They also have a tendency to struggle with commitment and being tied down to anything or anyone (I've found this to be more true for people with heavy mutable energy in their charts overall).

Capricorn ☾

I've rarely met a Capricorn moon that I didn't like. Very loving people that like to take care of the people closest to them. They can struggle pretty intensely, especially younger people with this placement, with a fear of failure and never reaching their full potential. They can have this innate sense of responsibility and structure as a connection to their emotional fulfillment. Capricorn isn't happy in this moon sign, so emotions can be quite challenging for them to navigate. Even though they don't like expressing their emotions openly, when they do, they can express it in a very beautiful and poetic way. There's a lot of singers with this moon placement that have songs with deeply emotional and impactful lyrics.

Aquarius ☾

Aquarius moon's often get described as emotionless or cold, but they actually feel quite deeply. The problem is they intellectualize their emotions more than they actually feel them. I've also noticed they can shut down or feel distant and uncomfortable when they witness other people be emotional around them. This is a moon placement I truly feel for. They can feel incredibly different from the people around them and their feelings can frequently be misunderstood by others. A lot of deep emotional loneliness with this moon sign. I've noticed this to be a common "black sheep" placement, more so than with other Aquarius placements. They have very beautiful and unique souls with a strong interest in bettering society. Very humanitarian.

Pisces ☾

Pisces moon's tend to have strong connections to their grandparents from a young age, or older people in general. They also tend to be into grandma or grandpa activities because they feel like such an old soul lol. Might feel a disconnect from their generation and modern trends. I've noticed many Pisces moon's have these dreamy and sparkling eyes that appear to be filled with magic. They tend to have a very powerful connection to music and they're the type to just be huge music lovers in general, connecting to the vibes of music overall, instead of having a specific genre they listen to. Can be heavily addicted to isolation as a coping mechanism when life gets too overwhelming. Reality can feel very limiting and restrictive for them, which is why I think it's so important for Pisces moon's to have creative and fulfilling outlets (especially during this Saturn in Pisces transit that has definitely been testing them. I know it has for me lol).

[griffonsgrove]

Hiiii!!! See your doing writing requests for Hazbin, Its my hyperfixation so I am in need of more content 👀 so I'd like to request maybe Vox general or NSFW headcanon ( either one is good lol-) with a afab reader maybe? This is my first time requesting something like this so sorry if I'm a little nervous or bad at requesting. I think this is how people are supposed to request? XD

General Dating Headcanons | Vox

a/n: You're totally alright dear! You said everything just fine! As I've stated before, I got early access to the first two episodes, and it's been so interesting to analyze vox's character! I hope I can do him justice!! He's starting to grow on me now. I'm gonna stick with a gn!reader just because these are general headcanons and I want them to be suited for anyone!

fandom: Hazbin Hotel

wordcount: 1299

cw: SPOILERS FOR HAZBIN HOTEL, swearing, vulgar content, stalking, death and mentions of death/murder., toxic/absuive relationships.

(PLATONIC):

Vox’s got eyes EVERYWHERE in hell. There is no escaping his line of sight unless you go completely off the grid. Which is pretty difficult to do when the entirety of pentagram city is covered head to toe in VoxTech.

However, if you don't pose a threat to him, he really doesn't give a shit about you otherwise, and won’t pay that much attention to your life.

When you first fell into hell, you were mostly confused as to how you wound up here in the first place. That quickly subsided into fear as you noticed the large variety of demons and sinners casually walking down the sidewalk like it was an average tuesday. 

You’ll never forget the sight of seeing a demon gnaw off the arm of another and swallow it whole, like it was an all-you-can-eat buffet. 

You wander aimlessly down the streets, keeping to yourself and being very cautious of those around you. Your clothes were in tatters, and you didn't have any form of money whatsoever, what were you to do??

You had two options: Somehow find a job in this new horrific realm, or, die.

You didn't care too much for the latter.

This is how you stumble across one of the largest studios/clubs in hell, owned by probably the most feared overlords in pentagram city. The V’s. 

You get hired to be nothing more than a waiter/waitress, to serve the patrons of the club, mostly serving them their drinks.

You weren't too fond of the work uniform either. It left nothing to the imagination, and exposed alot of skin, far too much to your liking. The job actually paid somewhat decently though and it was enough to be able to sustain a living. You were quick to rent out the nearest apartment.

One day, while you’re out on the main floor, making your rounds, your eyes briefly lock with the TV demon across a sea of sinners. Call it cheesy, but it was almost like a spark went off the moment he laid eyes on you. Which is something that doesn't happen often with the tech-savvy overlord. Who were you??

He lazily beckons you over with a claw, to which you obediently follow, although it doesn't hide the sheer nervousness written all over your face, He gives you his drink order in that sultry, velvet voice of his, eyeing you up. You gulp slightly and are quick to bring him his order. He thought you were so cute trembling for him.

He begins to stalk observe you closer after that. If you have any electronic devices he’ll watch you through your screens, trying to get a glimpse into what your life was like outside of work. The things you enjoyed doing in your free time, favorite shows, foods etc.

He def goes through your search history.

He would start showing up more in the sections you worked at, oftentimes minding his business, but occasionally striking up a conversation with you.

You did have to admit he was quite the charmer, his smooth voice was hypnotic to you.

OBSESSIVE TENDENCIES. If he notices some creep won't leave you alone while you're working, he’ll take care of them personally, it’s never a pretty sight afterwards. He cant have anyone taking what's his.

You're oblivious to his stalking and possessiveness, you don't think much of it, maybe that's because he puts on a friendly face when you’re around him.

But after some time of getting to know you, He’s the one that eventually asks you out on a “date”. You’re skeptical at first, but decide to accept his offer. And also partially because you were afraid of what would happen if you said no.

(ROMANTIC):

Ngl it’s kind of a situationship in the beginning.

Vox is a busy man, it’s constant work maintaining the studios (especially valentinos temper) and managing the entirety of hell's technology. So, he may ghost you at first.

That being said, He will still keep an eye on you. He often watches through your phone while you sleep, just to make sure you’re safe. Hell is a dangerous place after all.

Speaking of, you’re now under the protection of the V’s, so that’s a plus! You never have to worry about another demon laying a finger on you. They usually never get close enough to anyways.

He very easily gets jealous. He won't show it on the outside because he has an image to uphold, but you can tell every time from that crazed look in his eyes.

Vox is a possessive lover; he wants to keep you all to himself. If he could, he’d keep you locked up by his side all day.

CONTROLLING. He HAS to know where you’re at, at all times, and who you’re going to be with (lest you face one of his tantrums). Also dictates what you wear, He likes to dress you up to his liking, like you’re his own personal doll.

Insecure much?

Say goodbye to privacy btw. He constantly has you in the back of his mind and a watchful eye on you. It can be kind of suffocating at times. The two of you have gotten into a few arguments because of this.

Valentino gets jealous of you too. How dare you take his boy-toy away from him? He’s often giving you the stink eye and will threaten you behind vox’s back. You’re too scared to tell Vox, because you don't want to face Val’s wrath.

You know briefly of his and Val’s “relationship” it all had seemed very one-sided and completely unhealthy.

You're often having to calm Vox down. The man has a very short temper and is easily provoked. 

Imagine you pressing little kisses to his screen after he found out about Alastor’s return. He remains stoic, but secretly enjoys your affection.

Some of the pet names he loves to call you include; Doll, Dear, Darling, Sweetheart, Babe.

Pretty old-fashioned ik, but he's a classy man alright?

He tends to be pretty touchy, always having a clawed hand on the small of your back, or an arm wrapped around your waist. It’s more of a possessive trait of his, to keep what's his close.

He loves having you sprawled on his lap while he’s in his screen room, you stay nuzzled into his side, often taking naps while he does broadcasts.

He TOTALLY spoils you btw. He’s one of the most powerful overlords in hell, ofc he has the money to show it. Whatever dingy apartment you had before, forget about it bc this man has you living in a penthouse suite in one of the most expensive apartment buildings. He sees you looking at something in a store or online?? Boom, it’s yours now.

He loves buying you clothes, as I’ve said before, you're his “doll” and he loves playing dress up with you.

And if you buy him something?? He’s taken by surprise at first, he’s never really been on the receiving end of that affection, so whatever it is you give him he’ll cherish it.

If you ever have someone bothering you, or want to get rid of, you just say the word babe. He’ll be feeding them to his sharks >:)

The man is emotionally constipated, ok?? All he’s ever known from relationships is what he shared with Val (and trust me that was a train wreck). He’s rough around the edges, short-tempered and isn't always easy to get along with, and he’s incredibly possessive which can be suffocating to deal with at times. This probably stems from him not wanting to actually be alone, He doesn't want you to slip out of his grasp, so he keeps a tight leash on you. But underneath all these flaws, he really does love you and care about you. At the end of the day, He just wants someone that will stay.

[riverofrainbows]

Eliot Spencer. Listen to me i am obsessed with the man. He is so incredibly stereotypically masculine, and hardcore so, yet at the same time really isn't in ways that would be damning for the 2000s and early 2010s. Long hair, not unusually tall, the most emotionally aware one and most in tune with his emotions on the whole team. (Not that the others don't also have points in that area, but they're all terrible at it in some way and Eliot scores by far the most points.) He has a hobby that's not James Bond like (cooking), and he gets to be goofy while being unquestioned as the most badass guy in the room. And yes he makes inappropriate jokes about lesbians and goes all no homo at physical affection from other men, and younger people probably don't find him quite as monumental as i do in terms of masculinity. But his behaviour never reflects those jokes or the no homo, and he was the red blooded american former military guy character on a big network tv show in the year 2009. For which he was a severely mild case. He treats the other characters as people and not stereotypes, in the way the whole show does, and he has long hair he puts up in ponytails and half buns that have his side bangs falling out (you need to understand what big of a deal the manbun was in like 2013, so much so that they had to invent a word). He's emotional and doesn't actually mean his gruffness most of the time, and doesn't thinks himself above certain tasks or people. He wears ridiculous little outfits without putting up a show about his threatened masculinity, and he's the most emotionally intelligent one outside of cons. He wears little jewellery in his hair sometimes, and little braids even (yes braided hair was a no go), he plays guitar and sings earnest love songs not just to try to get laid (love songs would only be permissible in the immediate context of romance), and whenever they have a young woman as a client, that reminds him of home i presume, he works with so much effort and respect for them as the one he's in service to, and respects their opinion strongly. He wears glasses, and reads books and is way too nerdy for an action hero type of the 2010s. He is great with kids, and unironically so (there were multiple big shows and movies about the topic of "men needing to deal with children on their own" with the entire premise of that being ridiculous and them being naturally bad at it). He's the most stereotypically action hero type masculine guy on the show, and he does get strive or posture for power or dominance in their team, is content with a contributing role and trusting on the expertise of the others, and he is not portrayed as the most valuable one or as that behaviour being beneath him. He undresses so he and the woman he's fighting with are on equal ground reading undress. He is shorter than the others and continuously portrayed as the most dangerous one in any room, and height differences afe never deemphasised via cinematography (seriously, to be regarded as sufficiently masculine in western films they either get really tall actors or employ a variety of camera angles and boxes to give that impression. But just think of Eliot in the pilot when rescuing Hardison in the first break in, standing behind the group of security guys who all look way taller than him and more physically impressive with weapons and all. And then Eliot just in a t-shirt with no weapon but himself.) He has long hair (again, mainstream sufficiently masculine guys didn't do that back then, or now if we think of it (not that long at least)).

The show and all it's characters were a goddamn marvel back in 2009, and sadly in many ways still are today, 15 years later.

And he heals my little broken heart regarding gender stereotypes and masculinity, my heart that grew up in the 2000s and has so much difficulty accepting that my gender is valid. Bless him for it.

[vigilante-3073]

Cuddle For Warmth

Daryl Dixon x Female Reader

Summary: Cold nights and shared sleeping bags.

TW: Fluff, pre-established relationship, cuddling.

The group had been traveling down the same road for days, slipping into the woods at night when they needed to set up camp. Daryl found himself getting antsy as more time passed without a solid form of shelter.

He didn't like being out in the open for long periods of time, especially with Y/N. Daryl worried about her more than himself at times, ensuring that she was always in his line of sight.

Daryl was not clingy by any means, but he couldn't keep himself from worrying.

He knew how dangerous the world had become and he couldn't help but be protective. Y/N was his one good thing in the world and he wouldn't be able to live with himself if something happened to her.

Their relationship had formed slowly over time, definitely not something that anyone would have expected. Y/N had always been kind to everyone, but she seemed to pay particular attention to Daryl.

She told him once that he made her feel safe and he believed her.

Daryl had never been good with words, but he showed his love for her in a variety of different ways.

He taught her how to survive on her own in case they were ever separated, paying particular attention to hunting and shooting. Daryl wanted her to be able to protect herself if there was ever a situation where he couldn't.

Daryl always made sure she was warm enough while also ensuring that she had enough food and water. He would even give her some of his portion when rations were limited.

Daryl was also one for physical touch, whether it be his arm draped around her waist at the campfire, his lips pressing quickly to her forehead before stepping away or his hand holding onto her's as they walked.

Daryl found it reassuring to know that she was there.

...

Y/N rolled out her sleeping bag by the fire before slowly crawling inside. She left the zipper open as she turned onto her side.

Daryl moved behind her, sliding into the sleeping bag with his chest pressed against her back.

"Lift your head," He muttered.

She lifted her head, allowing him to lay his arm across the ground for her to rest her head against.

"Thank you," Y/N said softly, Daryl grunted.

His arm wrapped around her waist securely, holding her close to himself as the fire crackled softly beside them.

Y/N rested her hand on his forearm, sliding her palm downwards and intertwining her fingers loosely with his.

"You're cold," He muttered.

"I'll warm up," Y/N replied, closing her eyes as she enjoyed the comforting warmth already seeping into her body.

Daryl laid awake long after she had fallen asleep, listening for noises in the surrounding area.

It was like he couldn't turn his brain off when there was a possibility of danger with Y/N involved. His attention was pulled back to her as she shifted in his arms.

"I can hear you thinking," She mumbled without opening her eyes, "Glenn is on watch, we're okay," Y/N assured.

"I know," Daryl said gruffly, arm tightening around her waist to pull her body closer.

Y/N turned in the limited space the sleeping bag provided, looking up at him with tired eyes. Daryl lifted his hand, tucking a strand of hair behind her ear.

"You need to sleep," Y/N said, he nodded.

She pressed herself against his chest, fingers slipping underneath his jacket before she slid her arm around him.

Y/N closed her eyes, letting out a content sigh as her head rested against his chest.

...

Daryl blinked his eyes open, surprised to find that he had actually fallen asleep for a few hours. The fire had dissipated, leaving only a small flame and bright red coals.

Daryl shifted, lifting his arm from around Y/N's waist as he slipped out of the sleeping bag carefully.

Her eyes fluttered open, turning onto her back as she blinked up at him, "Where are you going?" She mumbled.

"Just grabbing a drink. Go back to sleep," He said, lifting the warm material of the sleeping bag further over her shoulder.

Daryl dusted off his knees as he stood up, making his way over to the car and opening one of the backpacks. He pulled out a crumpled water bottle, taking a few sips before tucking it away.

Glenn sat on the hood of the car, a rifle held in his hands as he listened.

"Anythin'?" Daryl asked, Glenn shook his head, "Not a peep. I wake Rick in an hour to switch off," Glenn said.

Daryl nodded, he felt like he wasn't contributing when he had the privilege of sleeping through the night, but Rick had insisted that he take a night to rest.

"You two are really cute together," Glenn stated.

"Thanks," Daryl muttered.

"I think everyone deserves to have a love like that... One that makes life worth living again, you know?" Glenn said.

Glenn couldn't have been more right. Daryl would give his life for that woman in a heartbeat and he couldn't imagine a future without her in it.

Y/N was absolutely everything to him.

Daryl nodded, returning to his sleeping bag and laying down behind Y/N. He wrapped his arms around her, holding her close to his chest.

"Are you okay?" Y/N mumbled, hand finding his under the material of the sleeping bag.

"Yeah, I'm good," Daryl assured.