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thankskenpenders · 9 months

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Sonic Prime Season 3: Final episodes, final thoughts

Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.

This did not happen.

Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.

...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.

(This post will contain full spoilers for Sonic Prime.)

The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow

Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.

The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.

That's pretty much the whole season.

I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.

While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.

I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.

By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.

The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.

Nine as a villain

It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!

So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.

Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.

This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.

A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback

Yeah that sure happened huh

The ending

Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.

The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.

So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?

Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.

I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.

(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)

This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:

The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.

The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.

The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.

Do I even need to explain why these are all unsatisfying?

Misc. thoughts

I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.

We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.

I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?

Sonic saying "help a brother up" to Shadow was funny

Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show

Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute

Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever

The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess

To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away

So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.

The canon conundrum

More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:

How can this be canon? Why is it canon?

I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.

Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.

But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.

And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.

Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:

"I cannot answer because I know the answer, and you haven't finished watching the show yet."

A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:

"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."

I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.

And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.

As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.

I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?

The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:

It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.

* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes

Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!

I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.

For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.

The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.

"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.

And finally, to close out...

Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.

Sonic Boom

Sonic SatAM

Sonic X

The Adventures of Sonic the Hedgehog

Sonic Prime

Sonic Underground

Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.

So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?

#tkp post #other media

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animatedjen · 2 months

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One thing I find jarring when playing Fallen Order and Survivor back-to-back, is how Cal goes from having very dark, coal grey eyes to bright green eyes in the span of five years. I’m curious to hear your thoughts on why Respawn made this change, and if you prefer one eye color over the other.

Love this question! There's a few things that impact the design changes between FO Cal and Survivor Cal.

The biggest change is how the two games handle their overall color. Cal's eyes have always been somewhat green, but Fallen Order's visual design is a muted color palette with darker shadows. That "look" fit the story Respawn was telling, and Cal spends much of FO exploring darker spaces like scrapyards, tombs, ice caves, and Imperial facilities. Very few of the game's cutscenes take place in well-lit spaces.

Cal's character design also includes a strong brow, and because of how Fallen Order renders light, his eyes are often in shadow. Add in stylized environmental lighting (the red tint of Dathomir, the blue-green of Zeffo tombs) and the iris quickly loses its green-gray tint.

Survivor has a more vibrant color palette and more complicated lighting, including how Cal's eyes catch and reflect light. More of the story takes place outdoors, and indoor spaces generally have more lighting. Also did I say vibrant?? Just look at how bright the SU poncho is compared to its (almost navy blue) FO counterpart.

Visual design is also influenced by time and technology: AAA games have changed a lot between 2019 and 2023, and the methods of rendering light/color/texture in real-time are growing exponentially.

Comparing a similar environment (the couch on on the Mantis) makes the color/lighting changes really obvious. It's easy to say new = better, and from a strictly technical standpoint that may be true, but I appreciate the thoughtfulness of Fallen Order's color and how the color stylization served the story. But that's probably a whole separate post.

TLDR; the design difference is likely a mix of technical advances and intentional color choices by Respawn's art teams. But I do like the bright green eyes! They look more green-blue in shadow and gold-green in direct sunlight, which is a neat effect.

#now the other question is: why does SU Cal's eyes get all squinty when you take away his beard????#I think it has something to do with the flashback cutscenes but I'm not sure #thanks for the ask!#star wars jedi survivor #jedi survivor #jedi fallen order #cal kestis #photomode #jedi game behind the scenes

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fourtyforever · 6 months

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Get in losers were making a fic rec masterlist

Hi y’all it’s me, your local multishipper, and I’m about to be the change I wish to see in the world by putting all the best f1 fics in one place.

Maxiel

cool things to say to your soulmate by @powerful-owl (E, 14k)

A collection of shorter soulmate stories by the great em powerfulowl. Essentially the maxiel thesis as far as I’m concerned. If you ever catch me talking about the goose fic, this is what I’m talking about. Fun story: this was actually the first F1 rpf I ever read and I blame it for why my standards are so fantastically high.

Thursday girl by @boxboxlewis (M, 3k)

Max is outed by the press. Shocking emotional impact to word ratio and off the charts tenderness. Short and sweet and low key a comfort read to me.

the being unknown by anonymous (E, 12k)

Body swap with really unique and emotional vibes. Ngl this one hurt me (in the best way). A fantastic and heart-wrenching take on the horrors of 2022.

Charlos

win or lose (it’s how you play the game) by @f1-stuff (E, 18k)

Hickey bet between charles and carlos. Cannot get over this fic for as long as I live: the silliness is off the charts, the vibes are literally the most perfectly balanced tenderhorny I’ve ever read and the writing is just really that good. I think about this fic minimum once a day.

last night by venerat (E, 24k)

College au. Ngl this one is just especially spicy, but also very very funny and fully captivating top to bottom (see what I did there? haha). Also a great ensemble cast here, which I always love.

Once more (before we die) by @f1-stuff (M, 6k)

Fantasy AU where charlos are princes of warring kingdoms. I love this AU and I love the tenderness between Charles and Carlos that we get out of it. I’m usually not really an AU type of gal but this one really did change my mind.

Playing games by @vegasgrandprix (T, 4K)

Gay chicken. WIP, but I can already tell so clearly exactly where this is going and that is delightful to me. Honestly this really is how they act like 90% of the time already.

Yukierre

match made in heaven by venerat (T, 4K)

Pierre is yuki’s matchmaker. this one is just so sweet and sooooo silly. Comfort read 100%

Loscar

Are they gay or European? (the answer is both) by periwinkle_bumper_cars (T, 30k)

Logan keeps walking in on other drivers in compromising positions. 100% balls to the wall silliness from beginning to end and just completely delightful the whole time. Background carlando, kmag/hulkenberg, brocedes, maxiel, and honestly the ensemble cast is what takes this one from great to top tier.

Landoscar

By a thread by @mctwinkdom (E, 32k)

The classic Australian thongs misunderstanding (gone sexual). Incredibly silly, amazingly hot and honestly a top-tier character study of both Oscar and Lando. A great study in unreliable narration as well (probably part of what accounts for my previous point).

carried away by orphan account (E, 22k)

Fake dating. Honestly this one got me in my feels so much more than I expected from the premise. Sweet and a little bit angsty and just a delightful read all the way down.

Strollonso

green light, red wine (and I don’t feel fine) by @vicsy (E, 19k)

Mafia AU where lance is the son of Fernando’s arch nemesis. THEE strollonso fic of all time I tell you. Unparalleled characterization on the part of both nando and lance, fantastic ensemble cast, FANTASTIC writing, and off the charts unreal spiciness. If you haven’t read this yet then what are you doing

El dick plan by @waddlingpenguin (E, 800)

Lance says ‘daddy,’ both Fernando and Lawrence answer. Short, sweet and SILLY.

camera roll by @penaltyboxboxbox (E, 5k)

Sexting/sex tapes. Overall nice and spicy and just fantastic characterization. Also absolutely crucial is the companion art also by dave penaltyboxboxbox which is literally like the ice cream on top of the cake for such a wonderful fic

silver platter by @wewentcarracing (E, 10k)

getting together fic featuring long suffering estie bestie. Honestly the fic is amazing and spicy and just so well written but Esteban’s ever growing dismay is lowkey my favorite part. Works as a pretty great lance character study as well.

Brocedes

Roseberg’s vs haminkton by @jean----ralphio (E, 16k)

Tattoo artist versus flower shop, except they’re rivals. This is like…just how they are honestly. Absolutely stunning ensemble cast and absolutely hilarious buildup to lewis and Nico finally getting together. Side order of seb just being a massive shit stirrer which honestly I think is the role he belongs in

The real reason nico rosberg retired by periwinkle_bumper_cars (G, 3k)

Secret Santa (gone horribly wrong). This is…..also just how they are unfortunately. The rancidest of vibes but also screeching-out-loud funny.

will be updating this on the reg so stay tuned for more good fics. also maybe if I am very lucky someday I will have my own fics to add to the list. definitely I need to become slightly more insane before I can start writing for this fandom but believe you me I’m well on my way.

#fic rec #f1 fic rec #maxiel #charlos #yukierre #loscar #landoscar #twinklaren #strollonso #brocedes #hope you all enjoy :P

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ratsonastick · 8 months

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an imagine with Clarisse la rue who has an equally tough girlfriend who is always sarcastic but becomes VISIBLY sweeter and soft-spoken as soon as Clarisse enters the scene which doesn't go unnoticed by Ares' daughter and this makes them kind of the most powerful couple from the camp?

YESS!!! I did this in kinda a story way?? Like you read it and it’ll have “you” in it. Hope that’s okay!!

Requests are still open!

Stronger

Clarisse La Rue x Strong!femreader

Clarisse liked having a girl who can hold herself up. Even though she enjoyed having that protective relationship, she liked knowing that they would be safe without her.

She noticed you on the archery field first, how you managed to hit every target, and even hit them while running and fighting people.

Then she noticed you on an obstacle course, how you laughed with your friend as you ran ahead of them.

Then she looked for you at dinner, and when spotted you she watched how you chatted amongst your friends and was respectful.

Then she looked and prayed to the gods she’d see you on the sword training field. So she could ask you to spare her.

It took a couple of days, but you finally did show up. She heard that you aren’t big of a swordsman but she knew you could hold your own end.

It wasn’t long until she spoke up and asked you out.

To much of her surprise, you are such a sweetie towards her in private. I mean, overall you are pretty nice to everyone.

But you could give someone a good awakening if you wanted to. Not only that, the sarcastic attitude kept everyone on their toes.

And she loves it.

“You’re such an idiot” Clarisse heard your voice and a laugh as she walked into the cabin. She stood behind the couch and saw you kicking a your friend off of your spot until they fell.

It was all playful, but Clarisse could see a fire glowing behind your eyes, and it made her stomach turn.

When you finally spotted her, it was like a whole new person switched on, “hey sweetums” you mumbled sitting back on the couch and patting it so she would sit down.

To others it almost looked like someone gave you sleep meds and you were calmer and ready to sit there and stop talking.

She would let out a sigh as you leaned your head against her shoulder, waiting for her to kiss it.

Clarisse wouldn’t do it, not in front of her others but that didn’t mean you were gonna move your head.

If someone said something like“Aww look at them so cute” Clarisse would send a death stare at them where as you would reach for the book on the couch and throw it at them.

And then once you heard the girl grunt at impact you’d go back to sitting in silence.

The two of you would be like melatonin for each other. Like all of a sudden you change personalities into a sweeter calmer version.

But only towards each other. If someone starts talking to you and disturbing the situation it would almost be a race for the two of you to see who could insult that person first.

#percy jackon and the olympians #x reader #wlw #wlw post #clarisse x reader #clarisse la rue #dior goodjohn

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ineffable-endearments · 6 months

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The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

#good omens #the crow road #good omens book club #go3 speculation #s3 speculation #good omens 2 spoilers #go s2 spoilers

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hashtagloveloses · 1 year

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if you know me, you know that i love sailor moon. i love it more than a normal person, i know almost everything there is to know about it. it has been with me at every stage of my life so far, been a part of who i have become each step of the way. as the final sailor moon movie comes out, covering the stars arc, i’ve been thinking about its overall message. if you know the overall story, it is a space opera, of cyclical war between light and dark, creation and chaos. and in the final arc, a very far future version of sailor moon herself comes back into the past to try and convince her past self to end it all before the cycle gets worse. she idolizes her past self, eternal sailor moon, her powerful yet still teenage self. and young sailor moon still refuses to destroy it all, the whole cycle, because life is worthwhile, even with darkness and sadness. she convinces her future self not to regret her past choices, and inspires her to keep going.

reading that as a teen was impactful, but rereading it now, and viewing it whenever i can see the new movies, i understood, maybe, where naoko takeuchi was coming from. to write a whole series rejoicing in the difficulties, the joys, and the power of being a teenage girl, and to end it with that girl comforting and inspiring her future adult self, being reminded not to regret who she was and what she valued.

there are so many times that i wish i could go back and change certain things i did that would’ve changed my whole life trajectory and saved me from some hardships i feel like now i cannot escape. i want to go back and talk to younger me and guide her and protect her. but when i read sailor moon, i think that maybe she would remind me i was enough. i made the right choices with what i had at the time. i was powerful then and i am powerful now. i was enough then and i am enough now. i didn’t lose her potential, and her talent. she got me where i am today, she is here with me, just like eternal sailor moon is to sailor cosmos. and i think that’s a message a lot of people need sometimes as we grow up and compare ourselves to our younger selves.

#sailor moon #sailor moon cosmos #sailor stars #eternal sailor moon #usagi tsukino #just some thoughts i had #original post

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curio-queries · 1 month

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ARE YOU SURE?!

Episode 4 production Notes

Again, I genuinely didn't think I'd have anything to say at this point about this episode. I had such a good time the first time I watched it, just smiling the whole way through. There is one thing that did stick in my brain a little bit though so here I am again with another post.

Episode Break Points

We honestly can't be making any final conclusions at this point but there is starting to emerge a picture of how the production team approached the development of this show as an episodic release. The question that was rattling around my brain after watching episode 4 was how they are choosing their cut points between episodes. We really only have three data points right now which is not enough to definitively identify their intent but it does start to paint the picture a little bit. Sometimes, the break point is beyond obvious, like cutting ep.2 at the end of the USA trip. But when there's not a definitive line, a choice has to be made when to bring one episode to a close and start another.

Some shows use the changing of the day as a break point but that's not necessarily always the best choice to make for the narrative of the show. For example, the break between eps 1 and 2 is in the morning after JK has his coffee and makes the stone tower. This better served the momentum of the episode and wrapped up the story beat of JM's rough night. Ep 2 then starts on a high note with JK's motorbike ride. In my opinion, this was an excellent choice as we close ep.1 feeling all cozy and ep.2 begins with a little bit of excitement.

A Look Back

So why am I bringing this up now? It's because I was so confused as the choice of when to break these two episodes. I don't know if I've decided if it was good/bad/somewhere-in-between but I absolutely was not expecting Episode 4 to start the way it did. Ep 3 ends at the Go Karts and feels like a complete story beat. While ep 4 starts with the drive to the Omakase.

To me, it feels like we're picking up on the last remains of the previous episode and not starting a new section. Which is honestly, kind of counterintuitive. Why would it feel like that? They're literally on their way to the next activity. I suspect it has more to do with the tonal momentum. The guys are still coming down from all of the energy they expended from Rock Climbing and racing and are having a well-deserved relaxing drive. Even the brief moments we see of JK on the motorbike are quite chill. (mostly because there's not really a great way to get action footage on a bike in the dark lol).

So...to see if I could support my suspicion, or if I was just bringing something else into my viewing experience, I decided to rewatch the whole series so far and rank every story beat on a scale for how energetic/intense I felt the narrative was supporting.

A couple of notes before you judge my rankings:

This data is the very definition of subjective. if I redid this same exercise even the next day, I'm sure I would disagree with myself on certain rankings so you certainly don't have to agree with my rankings.

If a storybeat had a noticeable tonal shift, I entered it twice and included both rankings. If it just varied a bit, I entered a ranking more representative of the scene as a whole.

This won't be reflective of the time occupied by each story beat. Some sections are longer than others but with sustained energy so it doesn't translate in this visual representation how much of an impact on the overall tone of the episode any one of these are.

I also added a star at the end of each episode of my median scores. I feel that this was a better representation of the overall tone of each episode rather than an average but that's just my personal view on this teeny dataset. Please don't come for me analytics folks! This is just a post for funzies, not proper analysis!

So What?

The point was curious about is in the gap between eps 3 & 4. Everywhere else there's a pretty clear shift in the start and end of the energy but that gap looks like it was just a step that was missed in what could have been a continual episode.

Here are the runtimes of each episode so far:

USA: 56 min

USA: 72 Min

Jeju: 56 min

Jeju: 70 min

I don't have any conclusions about why it was done this way other than they felt the tonal break was the sacrifice for keeping the Omakase story line in tact. Which honestly, I agree. There would have been time to include the drive in the previous episode but it would have left us on an unfinished storybeat. This is one of the reasons that we never get footage of the members return trip from their travel shows. Bon Voyage ends every episode with the members remarking on the trip overall. Even though we know they have to return home, we don't see it because that would start to build energy for whatever they're doing next and not the story of their trip.

Even in ITS1 when the members do return home in the middle, we see them packing up and getting in the cars but the episode ends before they really start traveling. (Actually it ends before they even let Jin in the car so they're definitely not on their way yet!)

Commercials?

I have a question for anyone that's watching this with ads. I don't really watch streaming content so I'm curious, do the ad breaks just randomly occur? Or does it seem like they're intentionally scheduled? Building story breaks for commercials was a huge focus of legacy tv and I'd be interested to learn more about how streaming services are incorporating it (not enough to not have commercials though, I get insta-rage when the content I'm consuming is interrupted lol). I vaguely remember getting frustrated when I was attempting to watch something at my parent's over the holidays but I don't recall if it seemed structured or not.

That's it. That's all I've got to say right now. We're definitely getting a lot more to the story of this show and I'm absolutely loving it. I'm going to be away for a bit next week and I honestly don't know when I'll fit in watching episode 5 but I'm very much looking forward to it!

If you've seen this post and are interested in some more of my thoughts on Are You Sure, here's a link to my AYS MasterList. Still can't believe I've rambled so much about this show but it's been fun! Thanks to everyone that's been rambling with me!

#park jimin #jeon jungkook #kim taehyung #Are You Sure?!#AYS

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in-this-crystal-kingdom · 2 months

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SPOILERS AHEAD FOR SUFFERING GAME GRAPHIC NOVEL

Okay SO. Everyone has some thoughts on this one for sure as I have seen. A lot of people are saying they took a lot from Wonderland and that it's a disappointment as an adaptation but here's the thing: I have viewed the books as separate canon from the podcast since around Crystal Kingdom. I don't necessarily see it as a faithful adaptation but as a cool way to get more people into the story without giving EVERYTHING away in case they decide to listen. However, that being said, I have some things to say. I'm going to start with the negative first because even though I LOVED this book I so have some things I will miss about it (but please understand that I LOVED THE BOOK SM GUYS, I will ofc be adding what I loved after this part)

My Issues/Things I Wish Were Included:

Magnus trying to find his own answers with the voidfish. I was really looking forward to how they would show and represent that!

"I'm afraid no one else will have me" was such a good scene, I really liked the vulnerability Taako showed then because aside from his scene in Petals we haven't seen a whole lot of that from him in the books (again, I veiw the books as separate canon, but it would be nice to see)

CAM! I missed Cam so much he was delightful

No Boss Rush

I don't like that they basically forced Magus to decide if he wanted to lose Julia and never mention Gov. Kallen at all. That was such an impactful moment and they kind of side stepped it unfortunately

Trust or Forsake is missing which is also unfortunate

A lot of what made Wonderland interesting is either spedrun or absent so they kind of took the Wonder out of Wonderland

Taako giving up his beauty is also gone! Which sucks ass! My only true issue with this book that I genuinely was heartbroken over. I understand it can be a hard thing to show, especially when it runs the risk of someone in real life looking at the design and going "ow, that looks like me!'. So like. I get it. I really do. But they cut so much of Podcast!Taako's growth in Book!Taako's character that it was a sore spot for me personally.

If they let Johann live in the next book I will be very upset

SPEAKING OF NEXT BOOK!! Now that I have all my negative out of the way ohohoh boy I'm gonna share the positives I have with it. Given that, again, I view the books as separate story than the podcast, I thought they did a wonderful job overall. Solid 8/10 for me! Here are the things I am still screaming about

Things I adore about this book and will be living rent free in my head forever

TAAKO AND KRAVITZ KISS LIKE 5 PAGES IN AND I SCREAMED CAREY ATE WITH THAT

Merle's kids 😭😭😭

JOHANN IS ACKNOWLEDGED IN THIS ONE RAAAAAAAA I WAS SO WORRIED THEY WERE TRYING TO CUT HIM OUT

I love the redesign of Wonderland looking like a circus instead of a roulette wheel, I liked that a lot

Kravitz calling Taako to tell him to be safe,,, the call getting cut off,,,, pain

I loved the wheel it looked so cool

Edward and Lydia were giving Velvet and Veneer and I am HERE FOR IT

Heart Attack my beloved 🥰

ARMS OUTSTRETCHED!!!!!!!!

WHAT DO YOU MEAN TAAKO SAW KRAVITZ IN THE TAR??? WHAT DO YOU MEAN HE TRIED TO SAVE HIM?????? MCELROY FAMILY AND CAREY WHEN I GET YOU-

Seeing the umbra staff (*cough cough* Lup) BEAT THE SHIT out of Edward was lovely, no notes

HOW GRIFFIN DISAPPEARED!!! I WAS HOPING THEY WOULD DO THAT!!!

BLUEJEANS REVEAL

The Umbra Staff jumping into Barry's arms 😭😭😭

Taako having STATIC IN HIS EYES seeing the staff and Barry together CAREY PLEASE

MERLE SEEING JOHN, THIS IS NOT A DRILL PEOPLE

L U P SHE IS SO FUCKING BEAUTIFUL I CRIED I AM SO GLAD THEY GAVE HER LONG HAIR TOO!!

GOD THE BOOK ENDED WHERE I WANTED IT TO AND THEN SOME ACTUALLY (I thought it would end with the line "Lucretia, what have you done???" BUT MAN I'M NOT MAD IT WENT ON A BIT LATER)

THE IPRE PAINTING. THEM. THEY. ALL OF THEM. I AM DYING. MY CROPS ARE WATERED AS SHIT.

#I love this book so much guys #SO MUCH #taz #the adventure zone #taz balance #justin mcelroy #griffin mcelroy #travis mcelroy #clint mcelroy #taz suffering game #taz gn #taz gn spoilers

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herejusttosufferalong · 2 months

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Ok... I need to share! I just had a really big convo with my hubby about the possible connection between A and DM. What I'm about to retell are purely the thoughts of a mid-30s tech-savvy man who has absolutely no interest in the characters at play (no real bias) and in no way has drunk from the the delulu cup. He tolerates my passion, but does not share it. Ok, now I've put fourth that disclaimer, here are his batshit crazy, worryingly depressing theories...

I filled him in about recent Italy posts from DM and People, the whole situation with the woman who took the video, and the analytics re. celebs mentioned in DM and providing links to IG, and overall traffic of stories. His thoughts:

Given the analytics re. DM's behaviour (high number of links to A's IG, and relatively low traffic for stories concerning L&A vs. other people mentioned on their website), he believes one of two things could be happening. His first question was, is A wealthy? I said her family seems to be. I also told him about A's mother's interaction with DM and getting involved with negative posts. He was pretty convinced that this might be a family affair and a sizable amount of money may be paid to DM and People to publish these pieces and keep A relevant. They are not getting compensated enough through clicks and GA interest for there not to be some sort of external monetary compensation. Why else would you spend time on it? Based on A's sm activity, she is clout chasing and this seems to be her #1 focus (as is R, but that might be a separate issue). The only one benefiting rn, although slower than she probably expected, is A. He also made a point of mentioning that it was interesting that DM seems to be escalating their attempts at pushing a very A-friendly narrative, maybe because A is unhappy about how much time it is taking to boost her stocks?

This is the other, much scarier possibility re. the connection between A and DM. I'll also mention that before he said this, I gave him absolutely no backstory re. DM's past relationship with Bridgerton posting. He pondered on A and the escalation in her behaviours to get more clout, and how she seemed to be uncaring about her impact on L's career. He put fourth the most depressing theory. He wondered if A may have a bigger plan in place, a plan that coincides with working alongside DM to achieve a shared goal, negating the need for monetary compensation. He said he wouldn't be surprised if A 'caused chaos' during filming, by drawing out information and using this as fodder to boost her celebrity status. He would not be surprised if there were filming 'leaks' and DM profited off said leaks. You scratch my back, I'll scratch yours. I was shocked by this because I vaguely remembered how DM was writing negative stories post-S1 re. Rege leaving? I remember how the controversy around this brought in a shit ton of traffic to DM. I also vaguely remembered how DM said they were unable to get any more info re. S2 and/or S3 because everyone was tight-lipped. Shonda locked that shit down. Well, what if they've found a perfect infiltrator? Well, that's a scary thought! He kept saying that if the relationship continues, and she doesn't get the clout she's looking for because L isn't as public with her as she wants him to be, she is going to find a way to get what she wants, at the most high impact times (e.g., during filming, or god forbid if she's still around, when s4 is about to Premiere). Expect messiness.

My hubby truly believes that L is emotionally checked out. He's not aware of the mess around him, or if he is, he is constantly reassured and placated by these people that everything will be fine and they have his back. He may feel like something is not quite right, but he may not have the inner fortitude to question the people in his close relationships. I mean these theories are pretty crazy, it would be insane for people to do these things, if they purported to love and respect you.

I suppose the only shining light in all this is that A is a complete narcissist. And the good thing about narcissists is they eventually fail. They become too arrogant and underestimate the intelligence of those around them. They think they know better, are better, and fail to see there are much more powerful forces in this world. Anyway, I hope that none of this comes to fruition and we can reach a state of calm with L&N and Bridgerton. Holy hell, I need a drink.

Regardless of how things are going between L and A, if she is in the picture for any period of time for S4 filming I could see her being a liability.

Thanks for sharing 💜🥃

#this is all opinion #merely speculating

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lillified · 10 months

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Just curious, why do you ship Megastar?

[long post incoming, apologies, you activated my sleeper phrase]

Short answer: I like these characters and their potential. I like the idea of them, and I made up new versions because I want to see their dynamic and subtext taken seriously, and not flanderized/made into a meanspirited joke by media that is supposed to be "mature"

Long answer:

when i was watching transformers as a kid i was really interested in the dynamic of two characters who are mean and jaded and instinctively push eachother away, but work extremely well together. i didn't really understand coding yet, but in my interest in the decepticons as an entity with an ideological identity that wasn't just "bad guy" (transformers was like. the first time i really started thinking about deeper meanings and propaganda in media, which probably explains why i am as obnoxious as I am) I was always sad with how megatron and starscream never really got the chance to have their dynamic approached in a different way. in a lot of ways those two are the heart and soul of the decepticons, and I've always thought that putting more care and attention into their relationship and not just writing it off as a cruel plot device would be the first step in having a more nuanced view of the Decepticons as a whole

personally I believe that, in a similar way to batman and the joker, those two have always had a dynamic that kind of blurs the lines, and at times is outright suggested. unfortunately though, like batman and the joker, over time an unwillingness to engage with the reality of that uncomfortable, sort of meanspirited coding just led to the near-sighted stereotyping becoming crueler and more abusive. acknowledging that it exists at all means acknowledging there was that bias, so the "joke" was just repeated until it became the only thing their interactions were really known for. it's an act of flanderization, and that makes me sad

i guess my case in point is--they have a lot of potential that just isn't realized. even in places where their relationship is given depth there's still almost always this really tonally dissonant violence to their interactions that's never unpacked, not really, because how are you going to sell toys of that? moreover, how are you going to make megatron "redeemable" after that? what could be considered strange, poorly executed slapstick in its origin became aesthetically worse and worse, but was never given serious thought--and I think that makes the story, overall, worse! "maturing" the brand didn't make it smarter, it just made an elephant in the room, and now Transformers is so locked in to its decided status quo that we haven't had a different perspective on any of these characters since Animated.

I apologize for the rant, but it's something I think about alot and your question is somewhat related to that. I'm frustrated by how dismissively these characters are written in versions of Transformers that are supposed to "smart" and "mature", I'm frustrated by how that negatively impacts the story, and I'm frustrated by how the people who like these characters can be dismissive of it. I think there's a lot of story potential and thematic insight into the decepticons that can be gained by looking at these two as characters with a history, and not just a bad joke! I think that you can have all the best parts--the sabotage, betrayal, bitterness, and the irony of someone you refuse to trust who still manages to know you better than anyone else, and have that shown through actions and character development, and actually written instead of having to be overscored by unintelligible violence for the sake of being "dark" and reaffirming, in the cheapest way possible, that you're looking at characters who are evil! I want to see that in a story!

my work is honestly not really about what I think transformers IS, or HAS to be, but what I think it has the potential to be, and what my interpretation of the themes means to me. I want to see all of the Decepticons viewed with a different lens, and these two are probably the most important Decepticons, both on a story/thematic level and a cultural one. transformers was the first piece of media I was really consciously critically thinking about, entirely by chance, and in the interest of art and human expression I want to make something different that is interested in being more thoughtful

anyway, sorry again for rambling. I might delete this later to keep my page clean, but I appreciate the question! I'd give more specific examples of why I like the stuff I made up but those would be spoilers.

#transformers #ask #megatron #starscream #megastar #text post #text #long post #long post cw

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fandomsandflyingstingrays · 2 months

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The season is kind of a blur for me at the moment, and I'm sure I'll have a lot more to talk about as I rewatch it more slowly and with less hysteria, but here are my current overall thoughts! Under the cut for spoilers

Beginning with the things I liked, because there were many of them:

The voice acting was phenomenal. Everything with Claudia? Soren's tirade at Viren? Every single speech of Janai's? Top tier. I've rarely been moved by a performance as much as I was this season

Additionally: the music was on another level, especially in the final episodes. It made already-breathtaking scenes absolutely haunting, and I'm praying they do another soundtrack release soon

I adored everything about the janaya wedding. Their outfits were so good, their expressions were so full of love, and their speeches were absolutely adorable. I also loved Kasi and Gren as officiants, Gren's little "what are they going to do? Come with an army?" joke made me cackle. (Also: hearing "and her wife, Queen Amaya" made me cheer so loudly my throat still hurts a day later)

I've been a passive sorvus shipper since season 4, but episode 2 ratcheted that up about ten levels. Every one of their interactions was so good, I love how they have the stoic/silly dynamic but also establish that Soren understands Corvus's sense of duty and Corvus has just as much of a ridiculous streak as Soren. They have to get together next season, please please please

Rayla and Callum! Back together at last!! And we have (hopefully) a full season of them being together to look forward to after this. It was really nice to see them fully on the same page at last, and the mix of ease and nervousness in their affection felt really cute and authentic

Speaking of things I've been waiting for forever: RUNAAN IS FINALLY FREE. I'm so happy that plotline was finally resolved, and I'm very intrigued about where he's going to go from here in regards to his relationships with Ethari, Rayla, and Callum. I really like that they addressed how he treated Rayla during their last encounter and established how deeply he regrets it

In general, I really liked how many loose ends we came back to this season. It was great to get the whole story of Viren, Lissa, Soren, and Kpp'Ar, especially for people who haven't read the comics or novelizations. I was thrilled to see Aanya again and loved her prowess in battle and her friendship with Ezran

I love that Claudia's hair actually looks like it got cut by a knife. No magically even cut for her. Somehow she really pulls it off, though, so good for her

Things I wasn't as much of a fan of:

I wish we had gotten to see Callum and Rayla actually talk the whole leaving-for-two-years thing out. Callum seems to think he was in the wrong for giving Rayla the cold shoulder when she first came back, but in my eyes he did have a right to be upset, and I wish they would acknowledge that. I was thrilled when they got back together, but I think it would have landed a little better for me if I felt like their "breakup" had been fully resolved

Has Sol Regem's mate ever been brought up before? It felt like a weird thing to pull up in the middle of the climax. His scene with Aaravos was written and presented very powerfully, but I didn't really feel the impact of it because I was busy going "where did this come from?"

And finally, this is really just a nitpick, but if you wear a blindfold for your entire life, you will not be able to suddenly see when you take it off because your brain doesn't know how to translate the shapes and light around you into cognitive images. I know I can suspend my disbelief, it just kind of bugged me

Overall, I was on the edge of my seat the entire time, and I think it was the most completely engrossed by a season so far. I'm begging and pleading for season 7 to be released sooner rather than later, because I need more and I need it now

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chevelleneech · 4 months

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While I do not mind BuckTommy, I wish their shippers and anyone more partial to them than Buddie, would stop lying about what their relationship is.

Tommy does not prioritize Buck, he simply revolves around Buck. It is the whole reason why them having zero development this season was so stupid, because it left way too much room for fans to make their own decisions on what the relationship is or isn’t, and claim it as canon. It’s why people are already saying they’ll be mad of BT break up, because Tommy is Buck’s healthiest partner, when he’s not.

Tommy is not a character who has a storyline, let alone one who makes decisions that impact the overall story. Everything he does is a result of what the writers need Buck to feel or where they need Buck to be, and that does not make him a healthy partner. They just haven’t written any conflict for them, good or bad.

Thus far, their biggest issue was Buck stumbling through his first date with a man, where Tommy did in fact mock his nervousness then leave him standing in the curb alone. Now, I’m not hung up on that, because I can see why it happened. Buck was extremely nervous and being awkward and likely made Tommy feel bad a little bit, but at the same time, it was wrong of him and he didn’t apologize. And since snippy remarks is all we really know of Tommy, it does become canon that he isn’t actually that nice to Buck. No matter what Bobby said, because as I said before, I strongly disagree with the writers writing in their own cop-out as an excuse for failing to develop Tommy or BT during the season. So yes, Tommy is attracted to Buck and doesn’t treat him like shit, but none of Buck’s exes ever did either. Pretending otherwise is y’all trying to rewrite the show to uplift your ship.

All that to say, Buck and Tommy dating is canon, yes, but them choosing each other or making sacrifices for their relationship, is not. We have been shown quite literally nothing. Everything BT shippers claim for BT, does not actually exist in canon. Not a single bit about love, lust, infatuation, commitment, relationship goals. Nothing, and I wish more “on the fence” fans pointed that out instead of piggy backing as if it’s true. Y’all are hopeful, and that’s fine, I am too. I want Buck to be happy, but I also don't want to give Tim and co praise for doing less than bare minimum.

Buck coming out overshadowed the entire season this year in terms of press and social engagement, but the amount of story and screen time he got in comparison is abysmal. By lying about canon, y’all are giving credit where it is not due. I mean honestly, if someone were to put together a compilation of out!Buck, it would not amount to anything. More so, they’d have to pad it with Buddie scenes, which speaks for itself even if they never go canon.

Anyway, my point is, stop lying about canon, and stop hyping Tim, the writers, and ABC up for what is currently a pretty poorly written storyline. Be happy we got bi!Buck, but also want more for his queer relationship. Especially when his relationships with women came with various small scenes to build their foundation, and him talking to his loved ones about how much he liked them.

#911 abc #evan buckley

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the-golden-queen-82 · 19 days

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The excuse that Maelor couldn’t be worked into the budget is bullshit.

As you pointed out, there was money for a scene that’s only purpose was shock value but overall a redemption arc for an irredeemable character had to have been a money vacuum.

- They brought Milly and Paddy back and they had to pay them what they were worth.

- Hiring an actress for Alyssa.

- For Bloodraven

- For the Daenerys that was promised

- All the CGI needed for this.

Daemon’s LSD trip literally could’ve taken 1 episode, not 7.

There are also several scenes of Rhaenyra's youngest sons at

Dragonstone and in the Vale. Not only that but they waste more of the budget on showing little Aegon's Dragon. We see Joffrey mourn Luke and we see him clutching at Rhaenyra’s skirts when he has to go to the vale.

In contrast, we only briefly see Jaehaera in episode 1 and once more in I think episode 3? Where she just goes from Alicent's arms to the nanny’s and gets booped on the nose by Helena on her way out of the door and the season. Rhaenyra's little boys add nothing to the story yet aside from saying "Mummy" and bashing toy dragons together but we see them more than Jaehaera whose twin brother was murdered while she was in the same room, her own life was in danger because she could have been murdered in his place.

Twin relationships are so significant in asoiaf (Cersei/Jamie, Erryk/Arryk, Baela/Rhaena, Aerea/Rhaella) but we don’t get to see Jaehaera express sadness over her twin brother or what affect B&C had as a whole had on her. She lost her only playmate and the adults in her life that she spends the most time with were deeply affected (until the writers made them move on) by what happened but we don't see Jaehaera again or get a mention of her being sad or confused or lonely. Not to mention that an episode later her father is almost killed and is instead suffers burns on most of his body and is crippled for life. We still don’t see them interact. How much could 5 seconds of her visiting Aegon’s bed side cost HBO? How much effort would it have been to just show the little girl there on the floor playing with dolls like Rhaenyra’s boys played with their toys? They had little Aegon and little Visery visit Viserys last season.

Also, Aegon was devastated by the murder of his son but he just abandons his daughter and only heir without so much as a kiss on the forehead as he himself is fleeing because his brother tried to murder him for his crown and he knows that an attack on KL is almost imminent since Rhaenyra assembled the Suicide Squad over on Dragonstone? It doesn’t make sense.

Rhaenyra’s 3 youngest sons aren’t important to any of the plot lines yet but they’re given more screen time than Jaehaera. Seeing them once or twice this season as they are not needed until the gullet, should have been sufficient enough but it’s important that we constantly see Rhaenyra propped up as a mother.

Maelor as a character is not so important on his own but he’s essential to the plots of several more important characters in current and future events.

- He was Aegon's surviving son and heir, so he becomes a threat to Rhaenyra and Jace that needs to be taken care of.

- The fact that Helena chose him to die had such an impact on her emotionally, she can't bear to look at him out of guilt and grief and his death drives her to suicide.

- His murder drives the kind, fair and well rounded Daeron to allow war crimes to be committed under his leadership.

Maelor is also given to Alicent by Aegon to nurture and raise as her own child because Helaena couldn’t anymore and it did have an effect on Maelor’s emotional wellbeing in the book. Imagine what the writers could've done with that in a season where

- She and Criston feel so guilty over the murder of Jaehaerys.

- Is reflecting on her role as a mother and how responsible she is for the nature of her eldest sons.

- Also dwelling on her disconnect from the son that she gave up for a better life.

- She aborted the only child that wasn’t conceived from marital rape.

Alicent would’ve had an abortion yet STILL had to start over as a mother with Maelor. It could’ve gone 2 ways, maybe the Alicent who is clearly exhausted by Aegon and Aemond would have felt shackled by motherhood yet again. Or the Alicent that’s seeking a new beginning could’ve seen it as a second chance to “get it right” away from castle life and the crippling duties.

It’s so clear that Maelor wasn't written out of the series because of the budget and the difficulty of working with toddlers but an Agenda and the Agenda is that they don’t want viewers to see the Greens as anything but backstabbers and each other’s betrayers. While we can’t see Rhaenyra as anything but a Saint forced to do bad things because bad people. They used the time and budget excuse on Daeron too. Daeron was originally written out of the show because he clashed with the narrative that Alicent is a horrible mother because Book Daeron was raised by Alicent and was said to be the most like Alicent and he was kind, respectful, smart, brave and well liked. He and Helaena are good and Alicent having raised 2 good kids is apparently outrageous propaganda that’s a threat to Rhaenyra Sue’s characterization. We’re only supposed to see the greens as dysfunctional and incapable of healthy bonds and attachments..

They don’t want us to see the Rhaenyra that cuddles and kisses her babies order the capture of her sister’s baby that leads to him being mutilated and decapitated by a mob. Just like Hugh and Ulf- Rhaenyra’s future betrayers get expanded roles. Hugh got a wife AND a daughter who which presumably also took time and money. Hugh gets royal blood and a Targaryen mother but Nettles who actually had a backstory in the book gets written out of the show/merged with Rhaena because her existence threatens Rhaenyra’s Mary Sue- Perfect Patty image and Daemyra’s already deeply problematic relationship.

Oh and the mud wrestling scene. Waste of my time, show time, and money-!that had to be choreographed, coordinated, casted and filmed for multiple takes.

ALL OF THIS!

Thank you anon!

#house of the dragon #hotd #hotd critical #fire & blood #fire and blood #alicent hightower #got #anti hotd

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