#i saw tell a story because i can visualize the story they are telling

[stagefoureddiediaz]

This quote is so heartbreaking

Newly estranged relationship😭😭😭 is bad enough but then to follow that with there’s no one in Eddie’s life really is soul destroying.

Buck supporting Eddie through this is a given - the very literal visual metaphor of Buck being at Eddie’s back - of having his back as well as being the supporting hand on his shoulder we saw at the end of the season as Chris left. This is the next phase of that and how it looks remains to be seen. The way this is worded suggests that Chris is going to refuse contact with Eddie - at least initially and that is going to really hurt Eddie.

To me it feels like we might see Buck being in contact with Chris and therefore being able to feed back to Eddie to be the one connection to Chris he has. But also then become some sort of mediator for them as things settle and time and distance allows perspective to be gained and anger to settle. This channel of communication between buck and Chris and Eddie is something we’ve seen develop through the seasons - Buck being a safe space for Chris - someone not his father he can talk to and open up to or go to for help, and also someone Eddie can do the same things with.

It feels like it’s very much going to be a continuation of that established dynamic and a way of tightening the bonds between the three of them further in the long run. It truly is very coparent loaded and really a compelling narrative to explore.

The no one in Eddie’s life really quote also is loaded. It gives rise to the concept that his reltionship with his parents is going to deteriorate as well - that they may refuse to give him information on Chris or not take his calls, not involve him in decisions about Chris that really should have his input.

I found Ryan saying Eddie’s going to lean on buck very interesting as well - especially as he also said

Bucks going to lean on Eddie as well. (Also second mentions of the relationship flourishing and being stronger than ever!)

The fact this is in direct opposition to what Tim said - that Eddie is going to end up feeling a bit out in the cold because Buck will be spending more time with Tommy is interesting. Because which one is it?

Obviously Tim likes to spin his words so they never mean what he actually says. So I take all his interviews with a pinch of salt but I do think we will see that distance he spoke about because it’s good for Eddie to have that space for himself.

Well it can actually be that both are true and that is really interesting from a story telling perspective - and not exactly as a point of conflict, but as a way of juxtaposing Eddie and Tommy - it’s the pulling of the triangle that Buck Eddie and Tommy form.

This idea that Buck is going to be dealing with Gerrard and pushing back against a very different authority figure to bobby has a lot of potential for Buck and his journey of self discovery and self love and acceptance that his arc seems to be set up for this season. I don’t want to talk about Buck and BT in a meta about Eddie though!

I’m really interested to see how Eddie let’s buck lean on him and what that support looks like. Because it will be exactly what Buck needs - Eddie understands Buck and how to nudge him in the right direction - it’s a key part of their dynamic and, I’m of the opinion that we’re going to see s8 as a sort of s3 redux so I think this next iteration of buck and Eddie’s relationship - with Eddie also leaning on Buck is going to be the fight club/ lawsuit arc but in juxtaposition. Whereas in s3 they didn’t lean on each other and support one another, this time they will - it will show how much they’ve changed and grown and trust one another since s3 and how much depth there is to them as a unit. (Which will also be a perfect juxtaposition of how little buck and Tommy know and trust one another!)

[hyun3hk3y]

Symbolism in "Portrait of Lady Edelgard Von Hresvelg"

This is something that I’ve usually never really felt comfortable doing. If you ever wonder why some artists are a bit more reluctant to actually *talk* about the “meaning” of their work, its because it strikes the same tenor as having to explain why a joke is funny.  If I have to actually lay it out for the viewer why certain decisions were made in the execution of a work of art, the magic of the whole experience may be lost.  Moreover, many artists avoid making definitive statements on their work because they do not wish to deprive viewers the opportunity to derive their own unique explanation. 

While I chiefly view myself as a fine artist, most of my artistic training was as an illustrator.  As an artist, this can lead to an interesting dichotomy when it comes to creating paintings.  During my studies, I was told that the job of an illustrator is to solve pictorial problems for people often by making pictures that tell a story or convey an idea.  Fine art’s definition, in contrast, tends to be more nebulous.  But I digress, on to the painting…

A number of people on reddit and Tumblr have remarked on the candle with the snuffed-out flame.  No interpretations on it have been offered, the mere presence of a candle with a smoldering wick is a strong enough implication.  However, this is one instance where I drew inspiration from art history so I believe it is worth elaborating on.  The animus for the candle originates in the Arnolfini Portrait by Jan Van Eyck.  Below is an image of the painting with the pertinent candle circled.

Art history scholars have a number of different readings about the candle’s presence, but the one I was taught in Art History is that the lit candle indicates the presence of the holy ghost or the watchful eye of God.  Three Houses draws from a number of religions for its world building, in the case of The Church of Serios, the developers took the majority of their cues from The Catholic Church.  If a lit candle would suggest Edelgard’s faith in the Goddess, then an extinguished one must imply Edelgard’s *loss* of faith. 

In addition to the extinguished candle, I would also like to direct viewers to the reflection of the candle in the polished wood table surface. In the reflection the candle is still burning very brightly, almost down to the base of the candelabra.

The purpose of this image is to recall a saying from old Taoism Philosophy in China: “The candle that burns twice as bright burns half as long.”  Those who are familiar with Edelgard’s back story in Three Houses will find its relevance obvious.  I doubt I am the only one to make the allusion.

This brings me to the next major piece of symbolism I employed in the painting, the dagger and the drapery on the table.  The dagger’s significance should go without saying, but its application as a device will become more apparent after I explain the table cloth.  To put it succinctly, the majority of the dark shadow shapes made by the tablecloth are arranged to evoke the shape of the crest of flames.  Below is another visual to help illuminate this detail. 

The immediate implication here is the detail of Edelgard possessing the crest of flames.  As for why I decided to depict it in a more concealed way…When I first got the idea for this painting, the whole concept was that if a person saw this painting in a gallery, they would be looking at an actual artifact from Fodlan, one that created by an artist who actually lived there.  This is why the second row of the inscription reads “In the Imperial Year” on the left side and “1179” on the right.  This means the painting would have been completed just before Edelgard starts attending Gareg Mach, and long before the greater public would know she has the crest of flames.  How the artist came to know this would remain a mystery.  I like to imagine it as a detail that Fodlan’s historians would debate over for years after the game’s narrative.

There is also a second message that I have intended with the dagger’s placement cutting (heh) across the crest…Gripping the dagger over the crest of flames is a statement about what the path is that Edelgard will take, especially when the crest is examined as representing the Goddess Sothis.  In fact, there are two (technically three) lines of dialogue from Three Houses I had in mind for this symbolism.

That about sums it up!  I may do a couple more posts in the future where I show how the painting evolved from thumbnails, to studies to the finished image if theres interest in that sort of thing.

[cripplecharacters]

How to Support People with Facial Differences - the Face Equality Week 2024 Special

[large text: How to Support People with Facial Differences - the Face Equality Week 2024 Special]

Today is the 13th of May, which means that the Face Equality Week has just started. This year's theme is “My Face is a Masterpiece” which is probably my favorite sentence ever said about having a facial difference. Huge fan, should be used way more often in my opinion.

Because of this occasion, I would like to share some thoughts about Face Equality that I think are rather entry-level, i.e. you don't need to know much to execute these, but you can still support us.

Stop the stare.

I know it's fun to stare - or so I guess, at least - but maybe you shouldn't. Next time you see someone who has a scar or who's face does not move the same way as yours, just mind your business. We can tell when you're “discreetly” looking.

Don't call us deformed. 

Knowing how the people you're trying to support actually call themselves should be an absolute first step, but most people still fail here. Most of us don't appreciate being called “deformed”. I certainly don't. Say “facial difference”, or “disfigurement” if you must. It's 2024. Leave “deformed” to medical reports from the 70s.

No more “What happened?!”s.

If you aren't a doctor, there's a high-to-100% chance that it's none of your business. It's cool that you're curious - keep it to yourself.

Stop insinuating that we are ugly.

“Support people who are ugly!” isn't very supportive. I would say, not in the slightest. Say “people who don't fit the current beauty standards” if that's what you mean. 

Or, to go with this year's theme, “people whose faces are masterpieces” : )

Use critical thinking online.

Is the reaction photo actually funny, or is it just a person with a craniofacial condition? Is the meme actually a meme, or is it just making fun of a person with a facial disfigurement? Is body-shaming suddenly hilarious to you when the person shamed has strabismus? 

If the entire punchline is “lol they have a disability xd”, it's ableism. Plain and simple.

To go with the point above - your joke is probably not funny.

We get it! You can't help telling us how "you're going to hell for laughing" (which yeah, probably) and how we remind you of the ugliest character you have ever seen. I guarantee you that we heard it, and that you are behaving like an edgy middle schooler who hasn't "found out" yet. It's boring and annoying. Also ableist, but you're aware of that already if you're saying that you're going to hell.

Stop with the goddamn trigger warnings. 

We aren't “body horror”, we aren't “gore”, we aren't something that you need to advise your viewers to use their discretion over. Every “graphic footage: child with neurofibromatosis” and “#tw burn scar” is a sign of ableism and disfiguremisia. People with facial differences deserve to be seen. Ableds can survive seeing a person without a nose.

Do a basic reading on what disfiguremisia is.

New word! And a pretty damn important one. It's a brand of ableism that intersects with more or less everything, and it means discrimination and hatred of people with facial differences/disfigurements. The bullying, harassment, endless name-calling, and microaggressions are all results of disfiguremisia. The ways in which everything is harder for us isn't some unchangeable rule of how the world works, it's just an extremely prevalent type of discrimination.

Understand that we are people.

I know, revolutionary - and yet impossible for so many people to get. We can be a visual representation of evil when it's necessary, we can be a feel-good inspirational story on a morning talk-show, but not much else, it seems. In reality, we are complex, we have our own lives, we can be happy and sad and have the same exact joys and worries that you have.

Hey, artists - facial differences don't make you evil.

Title stolen from a great essay by Lise Deguire (link). When's the last time you saw a positive character with a facial difference that wasn't inspiration porn? I mean a character that's not edgy, full of angst, a murderer, or a villain. Based on what you see in the media, you'd think that having a scar renders you evil on the spot, but in reality it just makes you loathe how artists apparently think you are like. It's boring, it's overdone, it's ableism. Stop doing this, and start noticing when it's being done. Point it out if your friend is writing their new villain to be an evil burn survivor. This kind of portrayal needed to stop ages ago, but tomorrow will be a great time as well.

Before you reply with “I've never seen this” - Darth Vader, Lion King’s Scar (subtle name, great thing to teach kids!), Freddy Krueger, Voldemort, we could be here forever. You're just not paying attention.

Pay attention to where we are not included.

As discussed, there are some places where you see us all the time. But where do you not see us?

Advertisements (unless it's for a scar-removal cream, of course). Fashion shows. Magazine covers. Romance movies where we are the main character.

We deserve to see ourselves in what's around us in the same way able-bodied people do. Trying to make it seem like we don't exist - that's deliberate. 

Interact with our art.

We draw, write, sing, act in movies, we do everything! Support us in the most tangible way - leave us a nice comment, read our books, listen to our songs. Watch movies where actual people with facial differences star, not pseudoinspirational stories about how “being disfigured is ok” where they shove an able-bodied actor into a full face prosthetic just to not have an actor with a disfigurement on set.

Include us.

As this year's Face Equality Week calls for, include us. In art, in movies, in books, in your life. Show us as positive people who are valuable, who are a part of your community - I guarantee that we are in every one that's out there. The world is hostile and unwelcoming to people with facial differences - be the change, wherever you are!

I know that it is different from the usual posts I make, but I hope it was somewhat educational. I just like to use every occasion that I can to force Face Equality into people's heads. To make this at least a bit about writing to keep the blog's theme, I will say that if you want to write about us, you need to care about us in real life as well. Otherwise, it's shallow and pointless.

Below the readmore are some links/resources that you can click to educate yourself further. A lot of them lead to Face Equality International because they have just about everything you should know. If you want to be a better ally to people with facial differences, I heavily recommend them!

#MyFaceIsAMasterpiece

mod Sasza

https://faceequalityinternational.org/2023/04/why-i-will-not-hide/

https://www.psychologytoday.com/gb/blog/disability-is-diversity/202111/hidden-community-the-movement-face-equality

https://faceequalityinternational.org/2022/05/facial-differences-in-the-media/

https://faceequalityinternational.org/2023/04/advertising-excludes-women-with-faces-like-mine/

https://www.phoenix-society.org/resources/burn-community-bookshelf

https://faceequalityinternational.org/about-fei/international-face-equality-week/

https://faceequalityinternational.org/2023/04/hidden-from-view-women-with-facial-differences-in-the-media/

https://www.phoenix-society.org/resources/i-dont-see-your-scars

whoa thanks for actually clicking the readmore!!

[fuckyeahgoodomens]

Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.  

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.  

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.  

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.” 

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010). 

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”  

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop. 

From start to finish 

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.  

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.” 

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.  

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.” 

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).” 

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.  

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes 

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.  

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities. 

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”  

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures. 

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”  

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.” 

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.” 

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit 

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.” 

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.” 

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots. 

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”  

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.” 

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

[obsessedwithceleste]

Fighting Fate (It’s a losing battle)

Theodore Nott x gn!reader

Inspired by, and dedicated to @musingsofahufflepuff

Summary: soulmate!au in which everyone sees in black and white until they meet their soulmate. Bold of fate to assume it can tell you what to do.

word count: 3.1k

©️ obsessedwithceleste. all works posted here belong to me and should not be reposted or copied in any way or form.

Ever since your first day at Hogwarts, you’d been told that you were lucky. A one in a million chance. Exceptional. Because as soon as you’d been sorted, and the sorting hat had been lifted up off of your head, your eyes had met his, and the world had burst into color.

It had been wildly disorientating at first- you almost fainted from the visual overload as the banners over each section of students burst into bright color. As you went to take your seat, you got strange looks from several students, but you never felt his eyes leave you.

You’d always thought it was rubbish. Even at the ripe old age of eleven. Your mother had first explained the idea of soulmates to you as a bedtime story. You remember her explaining how everything looked bland and colorless now because you hadn’t met your soulmate yet. But once you did, the world would come to life.

“When will I meet my soulmate?” You’d asked.

“Well, that’s the catch isn’t it? It’s different for everyone. Some meet their soulmate very young. At school even. But some, some will never meet their soulmate. They can be anywhere in the world, fate doesn’t discriminate.”

You’d scrunched your little nose up in distaste.

“That’s stupid. Why do I have to listen to fate?”

Your mother had only laughed, tucking you in and kissing your forehead goodnight. But the sentiment had remained as you grew up. How could someone really just be meant for you? Ridiculous.

Theo had known that you were going to be his soulmate before fate did. He’d watched silently from his seat on the train as you boarded, a nervous grin on your face as you waved goodbye to your family. You were perfect, and he couldn’t take his eyes off of you. At least until Mattheo swatted his arm.

“What’re you staring at, mate?” He’d asked loudly, gaining the attention of the other boys in the carriage.

“See them, there?” Theo asked, pointing to where you were boarding. “That’s going to be my soulmate.” He’d announced proudly.

“Yeah, okay mate,” the other boys had laughed, quickly moving on to the next topic.

But Theo didn’t take his eyes off of you until you disappeared through the train doors and off into some unknown compartment.

The next time he saw you was at the sorting ceremony. He watched as you confidently made your way up to the front, the smile never leaving your face as McGonagall lowered the hat onto your head. It only took a few moments of deliberation before the hat was being lifted off of your head and Theo’s eyes met yours.

It was like the wind was taken out of him as the room sprung to life, colors swirling around his vision as his eyes raced around the room in awe.

By the end of the night, all of Theo’s friends had been sorted into Slytherin with him. Mattheo, Enzo, Draco, Blaise. Even Crabbe and Goyle.

“I was right on the train. About them being my soulmate,” he’d announced proudly, pointing out different objects and describing the different colors to his friends who wondered in amazement.

You on the other hand, didn’t speak a word of it to anyone until you accidentally let it slip to your mother over break that you could see the pretty colored ornaments strung up on the tree.

She’d been thrilled of course, wanting to know every detail about this soulmate of yours. What did he look like? What house was he? Had the two of you spoken.

You answered each question with less enthusiasm than the one prior, and eventually she got the point and stopped asking.

As soon as the news slipped that Theodore Nott, a child of the sacred twenty-eight, and son of Tiberius Nott no less, could see in color however, it didn’t take long for people to start noticing you. Telling you how lucky you were to have found your soulmate. To be able to see color. As if you wanted a soulmate at eleven years old.

The first few years it was easy to avoid. Being only eleven or twelve, Theo was content admiring you from a far. Third year was when the boy finally got the courage to really try and talk to you for the first time. Sure he’d said hi a few times over the past couple years, but nothing you’d found particularly note worthy. Especially not for someone who was supposedly your soulmate.

“Are you any good at charms?” A voice asks, startling you as you look up from the essay you had been finishing up in the court yard. It was a warm, cloudy day, with only a light breeze, so you’d thought it would be the perfect day to take your studies outside.

You stare up in surprise at the brunette boy in front of you, watching silently as he takes a seat across from you.

In the past, you'd played the avoiding game, quickly scurrying off if you saw the boy or his friends approaching. This year, you hadn't been taking the same precautions, and it seemed Theodore was taking full advantage.

“I’m alright,” you reply hesitantly.

That was a lie. Charms was your best subject, but you were hoping the boy might go away. He didn’t.

"I know that you're top of the class," he responds, staring intently at you with a sly smirk.

That afternoon you begrudgingly helped Theodore with his charms homework, and he happily helped you with your DADA essay. There wasn’t a whole lot of interaction between the two of you, but he wasn’t horrible you supposed. At least he had brain cells to rub together.

After that he kept popping up sporadically throughout your third year.

At quidditch tryouts he'd insisted on partnering with you for several of the drills. You both were offered a place on the team. In the Great Hall he'd seek you out to ask about the homework assignment he'd missed after skiving off of class with Mattheo. The fact that you gave him your notes each time meant nothing. Obviously. And every so often, between the shelves of books in the library, you'd see a flash of soft brown hair, and intense eyes gazing at you before they disappeared as if you were imagining it.

With each increasing encounter, the both of you made idle conversation as you kept the boy at an arms length. It was nothing personal really. In fact the more you thought about it, he seemed perfectly alright. But something in your stubborn thirteen year old self just wanted to stick it to fate. So you continued to ice the boy out.

Theodore however, was nothing if not determined. He knew from the moment he saw you that he was meant to be yours, and he’d be damned if he let you slip through his fingers. Thirteen year old Theodore was a stubborn bastard and he knew he was willing to play the long game.

Things grew a bit more complicated in fourth year when you became friends with some of the Slytherin crowd.

It had been an accident really. You’d been reading down by the Black Lake when Daphne Greengrass had stumbled upon you, followed closely by Pansy Parkinson and Lorenzo Berkshire.

“Oh!” she’d said in delight, seeing the book in your hands, “I love that book!”

The two of you ended up talking enthusiastically about the novel for almost an entire hour with Pansy and Enzo butting in every so often to add their thoughts.

“Wait, you’re Theodore’s soulmate aren’t you?” Enzo asks, eventually recognizing you.

You eye the boy cautiously as you nod slowly, suddenly feeling self conscious.

Pansy just wrinkles her nose.

“Sorry you got stuck with such a tosser.” She says.

The four of you are quiet for a moment before your laughter breaks the silence, the other three following shortly after.

After that, you’re integrated into their little group seamlessly. You’d always been a bit of a loner. Sure people would wander up to you often enough to chatter about what it was like to see colors, but that was really all people wanted to know about you. Like it was some trivial party trick.

It was nice having your own friends to study with and wander about Hogsmeade with on the weekends. It was nice to have people who liked being around you simply for being you. Not because some magical force had decided to bind you to a whole other human and grant you the ability to see color.

It didn’t take long for Theo to notice you hanging about more frequently. How could he not? You were so pretty. So smart and witty. So perfect. He was just so happy to have you around more often. Even if it wasn’t to spend time with him specifically.

He reveled in any little morsel of information that he could scrape up from your friends. Your favorite color, your favorite sweets at Honeydukes, your class schedule. Theo was willing to admit the last one was a bit weird, but he was really just hungry to learn anything he could about his elusive soulmate.

Soon enough, it didn’t become unusual for Theodore and Mattheo to join the four of you on your little excursions. Popping up at the Black Lake, or meeting up with you at the Three Broomsticks. He was just always there. As if he was making a point of it. And begrudgingly you began to let him in.

A friend of your friends was okay you thought. Wouldn’t hurt to get to know him a bit. That wasn’t crossing any lines.

For Theo however, this was huge. He was finally getting somewhere. Even if you weren’t ready for any sort of romantic relationship, he was going to be the best damn friend you’d ever had.

By fifth year, there was simply no denying it. Theodore Nott was your best friend. You weren’t really sure how it had happened. The two of you just fit so well together. He had truly wormed his way into your life.

It had started with the study sessions.

"Remember when you helped me with charms in third year?" He'd asked. "I got top marks on that assignment."

As those became more frequent, it had turned into afternoons by the lake with both of you deep in your own novels, but sharing the comfortable silence.

Then it had morphed into weekends at Hogsmeade. Your friends thought they were being subtle when they consistently slipped away, leaving you and Theo to wander about the village. You couldn't find it in yourself to mind though.

You’d tried to keep him at an arms length. You really had. But Enzo couldn’t make you laugh as hard as you did with Theo. And Daphne just wasn’t the intellectual match that Theo was. And Pansy always made sure you let loose sure, but being around Theo was just- freeing.

You still weren’t sold on the whole soulmate thing though. Sure Theo was great. Perfect even. But you just couldn’t shake the icky feeling of blindly trusting fate to decide your life.

Then it happened. No one was expecting it. Especially not Pansy. But you and Pansy and Draco and Theo had all been working late on a potions assignment before dinner, and on your way back up from the dungeons, Pansy ran smack into a certain platinum haired Ravenclaw. You’d later find out that her name was Luna Lovegood. As soon as their eyes met, Pansy stumbled, leaning into you for support. You already knew what was happening as her eyes darted around wildly.

“Oh. I suppose we’re soulmates then aren’t we?” The girl said, a dreamy look overtaking her.

It all seemed too easy for them after that. It was like a flip had switched and the two were just mad for each other. A picture perfect example of what soulmates should be.

You found it to be slightly horrifying how blindly trusting fate could severely change a person and their relationship with an essential stranger.

Theo however, couldn’t help but feel a tinge of jealousy. He had what? Almost five whole years on Pansy, and was lucky to get a friendly hug out of his soulmate. Yet Pansy and Luna were inseparable after only a few short weeks.

Not that Theo thought he was entitled to your affection necessarily. But it would be nice if you’d at least acknowledge the bond you two shared he thought.

“Why don’t you believe in soulmates?” Daphne asks one night.

It was one of those rare nights where it was only you, Daphne, Pansy, and Enzo huddled together wrapped in thick, warm blankets inside Daphne and Pansy’s dorm room. Salazar knows where Millicent was off spending her night. A bottle of shared fire whisky sat between you and packs of chocolate frogs littered the floor.

You blink in surprise at your friend’s question. You didn’t talk about soulmate stuff much.

“I do believe in them,” you say with a simple shrug.

“Yeah but you don’t really believe in them, ya know? Why?” She pushes.

You pause again, glancing at Pansy who was looking back at you intently.

“I don’t know. I guess I just don’t like the idea of someone deciding to be with me, just because they’re supposed to.” You say finally.

“I suppose I know what you mean.” Pansy murmurs after a moment.

You look at the girl in surprise and can tell the other two are shocked as well.

“Don’t get me wrong. I adore Luna. Really. I always tell her that I’m so glad that fate put us together. But then sometimes I wonder. If it weren’t for fate, would I have even given her a second glance that day I bumped into her in the corridor?”

There’s a silent lull as your group mulls over Pansy’s words before slowly drifting off to a new topic.

In another dorm, not so far off, Theo lay on his bed staring blankly up at the ceiling.

“Think they’ll come around soon?” Mattheo asks, sensing his roommate’s building tension.

“I dunno. But I’ll wait,” he replies, closing his eyes and letting images of you flood his mind. “They’re worth it.”

That night as you’re leaving to return to your dorm, Enzo catches your arm, pulling you off to the side.

“You can never tell Theo that I told you this, but the first time I met Theo, we were on the train waiting to leave for Hogwarts and he pointed out the window to a someone and said ‘they’re going to be my soulmate’. Then, at the sorting ceremony he got all dizzy all the sudden, and when we got to the common room, he said that he’d been right about who his soulmate would be. You. Just thought you should know.”

And with that, he’s gone.

It’s after that that you really begin to see Theo. You’d never really given him a fighting chance. But now, you kind of wanted to.

It’s the beginning of sixth year when Theo finally notices the shift. Notices you actually seeking him out on purpose, not flinching away when your hands brush, eyes hovering on his lips a bit too long for it to be accidental. And to say that he is ecstatic.

Meanwhile you were silently kicking yourself for taking so long to get over your petty bullshit with fate. Sure you still didn’t love the idea of it all, but after spending enough time with Theo, you could really, truly see the appeal.

After that night in fifth year, you began noticing how Theodore was one of the only students who could keep up with your academic prowess. He could always sense when you were tired, or stressed, or simply in a mood, and always did his best to subtly cheer you up. He was always there. Even after all the years you had put him through the wringer, he remained by your side. And that’s what really convinced you.

It’s also what landed you here, at the top of the astronomy tower, with your head in Theodore’s lap as his fingers raked gently through your hair.

It had become a usual meeting spot for the both of you. Theo had brought you up here a week into the school year starting. It was his safe place. His getaway when everything got to be too much, or when he just needed space to think. When those words had left his mouth you had melted. He trusted you. You had meant so much to him for so long, and you couldn't be bothered to give him the time of day.

“I’m sorry,” you mumble, eyes gazing out at the swirling navy sky that seemed to stretch on forever.

“For what, amore?”

“Dunno. Making you feel like you weren’t good enough, or makin you feel like a bad soulmate.”

Theo looks down at you, and you meet his steady gaze.

“I knew I was good enough, amore. We wouldn’t be soulmates if we weren’t perfect for each other.” He replies.

You perk up at this. “You think I’m perfect?” You ask, a dopey smile appearing on your face.

Theo just rolls his eyes, shaking his head as he laughs. He'd grown used to your antics. Just another piece of you that he'd grown fond of.

“I said that we’re perfect together. But you’re perfect too I suppose.”

It hadn’t taken nearly as long as you had expected to reach this point. It seemed that Theo had just been waiting for the word to switch on boyfriend mode. All it took was one spontaneous, heated make out session in his dorm room, and you had the boy wrapped around your finger. (He already had been for years, but you didn’t need to know that.)

“Alright. Wrap it up love birds. You better be fully clothed,” Pansy calls, head peeping up from the top of the staircase leading up to the tower. “You two have been up here for hours, and you can’t have them all to yourself Theodore. They were our friend first.”

“Yeah! Time’s up lover boy!” You hear Enzo call.

Theo groans, head falling back as he rises lazily, offering you a hand up.

“I waited five years for this, can’t you guys let me have my moment?” He calls back.

“No!” The chorus replies.

With a laugh, you grab onto Theo’s hand, tugging him towards the stairs.

“C’mon. If we get Mattheo and Enzo drunk enough, they won’t notice if I spend the night,” you say with a cheeky wink.

“I heard that!” Enzo’s voice rings out.

“You wouldn’t say no to me anyway,” you shout back.

With a smile, Theo follows you down the stairs after your rowdy friends, hand wrapped tightly around yours. It had taken him five long years, and he certainly wasn’t going to let go anytime soon.

I'm a sucker for soulmate aus

[riansdiary]

MY NEW SUCCESS STORIES! 💌

Hello everyone! This is a copy of my success story post on SUA (Subliminal Amino) and I decided to post it here as well for some inspiration! 🌈

Highlight Codes:

Red - don't do this! ⚠️

Blue - this is what you need to do 👍

I have a manifesting success story to inspire you! The only techniques I did was simply just:

1. Thought of what I want 🤔💡🍗

I was craving my mom's the best fried chicken in the world. Yes, I stand by this! Anyone who eats it including people outside of the family always always always praises my mom because she literally cooks the best fried chicken! Specifically fried chicken breast or thigh sometimes. I never told them that I wanted some.

2. Affirmed a few times whenever I thought of it. 💬

I just affirmed naturally and casually "We're gonna have fried chicken because I said so and because I decided so." We are all the boss of our reality so I just affirmed/decided that we're gonna have it, that Mom is gonna cook that for us.

3. I commanded my subconscious. 👑

This always works for me and it's my favorite thing to do to manifest. I just commanded my subconscious like a boss and told it what I want. Actually, it's smart and it already knows that but I did that for extra assurance. You just tell it what you want and it'll get it for you no matter what. You need to trust your subconscious mind that it will get that for you. Think as if you ordered something and well you know it's gonna be delivered right? Yeah, like that. You just sit pretty, affirm if you think of it to persist no matter what you see and trust that it's gonna get that for you. Do this only if it feels right to you. I mean it's literally you! Your higher self. Your subconscious wants the best for you and will get it for you as soon as you tell it what you want, the subconscious mind already manifests that in the 4d meaning it's yours it already happened in your imagination. The subconscious mind naturally will materialize that in the 3d as well but that's really just the cherry on top. 🍒

3. PERSIST. 🙂‍↕️😠🥳

Meaning stand firm in your decision and think as if it's already done. Be in the state of the wish fulfilled meaning you sit pretty, affirm when you need to assure yourself and in the mean time, do what makes you happy. Distract yourself.

4. The 3d is neutral. It has no meaning. It doesn't mean you don't have your desire. You give meaning to it. 🧐

It's literally a past newspaper like in Harry Potter, the newspaper that moves. It's in the past and it's the result of our thoughts before. It's not you follow the 3d and react to what it shows you. It follows you so leave it alone and know it is done in the 4d. If you wanna check, check and visualize that desire. For non-visualizers or people who have aphantasia, imagination is not equal to visualization. It can be thoughts and feelings as well. I don't visualize but sometimes when I'm in the mood I do but you could check your mind.

For example:

You're want to be rich. You see the 3d and wanna check your bank account or wallet. It's okay if you see there's nothing. Why? Because you're changing your reality to one where you have money. Check your mind instead.

Do this: You saw the 3d and seeing what the past newspaper (3d) is showing you. "Let me check my mind. Okay, I checked my mind and the 4d. I literally have 10 billion in my bank account. I just need to keep up with knowing it's done and not follow the 3d because it's supposed to be following me and the 4d. The 3d just puts out whatever I'm thinking and the 4d so in the 4d I have my desires. I can calm down now. If I check the 3d, I'm letting it stick. Whatever I focus on grows so let's focus and pay attention to good stuff and that I have my desires." You can cry or feel the feelings. Release them and let it go. Then come back to deciding or affirming whatever technique works for you to persist on what you want instead. Reacting is okay. It's okay to let out your feelings, you're human. The thing is after that, if you keep paying attention to circumstances and accepting the 3d as true then you will be stuck in a loop. It literally just copies and follows the 4d and your thoughts. So if you accept that circumstance as a fact, the 3d will have to follow you and copy that. Meaning, again, getting stuck in that loop until you decide to persist because technically it is already done.

Another example:

You're manifesting a thing that you really want like a shirt or a top. Could be food.

Let's go with fries. "Okay my mom will come home and she bought fries for me. I'm deciding that Mom's got me some fries. Okay, done."

Then your mom comes home but she didn't give you anything. This is crucial. Do not give up immediately. You could still get the fries the next day. For this example, let's say you specifically said now or today. The 3d is neutral. You give the meaning to it. This is an example. Let's say you wanted that and your sister wanted that too.

Your mom comes home. Your sister is looking at what your mom brought home but wasn't told anything about the fries. She is frustrated and gave up. She felt like it didn't work so never mind. Like why isn't it here? Ugh! She then goes to her room. She gave the 3d meaning and she thought it meant that it failed.

Now you. You didn't give up. You kept affirming naturally and deciding that you're gonna have it no matter what. You said: "Nope. That brown paper bag is mine. It has my fries. The fries are there. She's gonna give them to me." Your mom ends up not giving you the bag but you didn't give up. "Nope. I'm not taking no for an answer. She just forgot about it. She forgot to hand it to me but it's there. It's mine." You just chilled and calmed down, continuing to do what you do and never gave up. Your mom then sat next to you and told you that she forgot to give you the fries! 🍟

You both gave different meanings to the situation or circumstance. Your sister gave up and saw it as fact that she didn't get the fries but you didn't stop, didn't give up and just accepted it as a fact that you do in fact have the fries.

Now let me tell you how it happened. How I manifested eating my mom's fried chicken. Reminder, I didn't tell them what I wanted at all but if it feels like inspired action you could get your manifestation that way as well. Your mom or dad could ask you what you wanted and that's basically considered success and inspired action to tell them what you want.

I don't wanna repeat the circumstance for me but who cares! It's the past and I'm a billionaire now! Basically, dad didn't have a job before and we had a strict budget. We were only able to eat fried eggs or hotdogs at this time so you can tell that we couldn't afford other dishes at that moment but I didn't give up. I just ranted about the fear I'm feeling about the circumstance once and released any feelings. After that, I didn't pay attention and forgot about that circumstance. Why, you may ask? Because whatever you focus on grows. Attention is our superpower. You will keep having whatever you're focusing on or paying attention to.

First day. As I said. I firmly decided and affirmed that we're gonna eat fried chicken. I also commanded my subconscious as a bonus. I embodied the energy of Blair Waldorf and Hong Haein from Queen of Tears and decided that and commanded my subconscious like a boss. I am gonna write up a post about this soon! Manifesting with boss or queen energy because we are the bosses and queens of our reality. You are the boss of your subconscious but again it's you. It wants you to have everything you want and it will give you that. Our lunch was different but it's another one of my favorites. It was a delicious soup with chicken and vegetables in it. It's good and we eat that with rice! It was delicious but did I give up? No. This is when I decided to give the 3d a positive meaning. I said "Well, there's chicken breast in that soup. Usually, when we have that dish, we still have some extra chicken in the freezer. If there's this then I'm pretty sure we have extra chicken left in the freezer for mom to cook fried chicken."

I just continued being firm in my decision and accepting my desire as a fact. (I'm literally writing this while Dad's making fries! Another one of my manifestations! Not the exact one. I love the McDonald's one but I haven't given up. It is as good as that though! I consider this as a sign! I was craving that so I decided to give it a go and manifest that.)

Next day. We had this sticky rice chicken broth soup. You probably know what this is if you're Filipino haha! Is it fried chicken? Nope but I still accepted my desire as fact. Affirmed when I felt like it but naturally.

Now today! (Literally eating fries now! I'm such a master in manifesting! 🍟)

Heard Mom talking about needing frying oil and decided to give that a positive meaning. That mom's gonna cook fried chicken. Mom cooks something, I didn't look because I know what it is of course. It smelt different like another food but did I give up? Again, no. Stood firm in my decision again. Affirmed it like a boss like it's gonna happen no matter what. "Nope, that's literally fried chicken breast. Yup, it is. We're having that for lunch and dinner."

I saw Mom put it on the table and it looked and smelled so good! I was so proud of myself. I have been reading and watching law of assumption videos and over consumed. I was so happy because I know what works for me now! You should do what feels right or what works for you no matter what other people are saying in the law of assumption community. Heck, just follow the persisting and assigning positive meaning from mine and do which technique works for you! You can do it! I've had problems manifesting too before but I'm manifesting so easily and effortlessly now. I believe in you. Dare to think that your desires are facts. Also, do what makes you happy in the middle of manifesting! What would we feel when we have manifested what we want? HAPPINESS. Doing what makes you happy (have common sense please) and knowing it's done will do wonders for you! You're basically shifting to your desired reality where your manifestation is a fact and is true! Ask yourself moment to moment when you're free. "What feels the happiest for me to do right now?" For me, it could be watching BTS funny moments or performances or watching Ghibli and Disney movies! I'm currently binge watching what I missed or what I haven't watched! I'm planning to watch all Ghibli movies! I totally recommend them! They give you such feel good vibes! Whatever is available to you that you can do right now like making yourself a nice cup of your favorite coffee and watching your favorite comfort show or movie. It could be playing games or as simple as playing with your pet. Those that you liked to do as a child. Whatever makes you happy, just have common sense. That is why I gave you a lot of examples! Anyway, that is all!

I wanna thank my beautiful sister @babygothprincess (she's not my sister. She's just so helpful and sweet and she always felt like an older sister to me so I gave her that nickname ☺️) for being patient with me and literally becoming my manifesting teacher or mentor here! I wouldn't be able to be the manifesting queen/boss that I am now without her constant help and encouragement! Thank you sis as always!!! You deserve to live your best life because you help all of us here so much! I'm eternally grateful! (High five if you guys know which movie this line is from! 🤚) I can't thank you enough! I learned so much from you!

- XOXO Rian 💋

Btw, who likes roleplaying and Gossip Girl please DM me! I am a co-admin of a Gossip Girl Rp group so tell me if you're interested! It's set in the present so Blair and the others are now married and are adults but there are characters from other shows too. There's a whole new generation. It's the Gossip Girl reboot characters plus original characters a.k.a OC's/the characters we created. Message me if you wanna join in the fun! Bye!

Note: I also manifested being featured in SUA (subliminal amino) and I got it literally just a few minutes after deciding and knowing it's done!

I just literally thought: "Oh my God! I got featured! Thank you so much! That's so sweet." I did it once or twice and whenever I thought about it and it was done!!! 🌈

[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[dyscomancer]

can you explain what happened with larian and hasbro? why are the next 5 years going to be so bad?

So, Larian had to purchase from Hasbro/WotC the usage rights for the Forgotten Realms setting and the D&D 5e systems, among other things, to make Baldur's Gate 3. Larian self-published the game; it was not published by Hasbro or Wizards of the Coast.

However, they still had folks from the WotC D&D team help them with the integration of a setting they did not own. Having folks on hand to provide visual reference for artists designing characters, items, and architecture, having lore bible folks checking the story and dialogue for lore consistency, having rules designers help to change the 5e rules for the reality of it being a video game and not live tabletop; that sort of thing.

Thing is, since then, Hasbro has let every single one of the WotC employees Larian worked with (with whom they had a great time, by all accounts) go in their recent downsizing layoffs.

Larian owner, Swen Vicke, has been outspoken about the video game industry's quarterly profit mindset and how it has been ruining the industry. These downsizing layoffs are emblematic of this toxic business structure; by nixing employees, you can claim to your all-powerful shareholders that you got a bigger profit than you would have otherwise! Because god help you if you have to tell the shareholders that you didn't double your fucking profit margins from the previous quarter. Don't worry about how you just let all your veteran talent go, I'm sure that won't have any effects down the line.

Recent news has confirmed that Baldur's Gate 3 will not be receiving any DLC, despite previous statements that the concept was being looked at. It will not get any expansions like BG games before it did. It will not be getting a sequel from Larian. It will not be getting any expanded content outside of further updates and patches. Big extra content like that requires the aforementioned involvement from the WotC team; the team that has since been entirely fired.

Larian, as a company that generally eschews firing people for bullshit reasons and don't adhere as much to the bean counting mindset, found this firing of people to be horrifyingly unethical, as many of its staff and ownership have publicly stated. This almost certainly had something to do with the previously mentioned 'no DLC/sequels' announcement. Why would you want to work with a company that treats its people like that?

The '5 years' statement I stated was just a rough estimate. Hasbro has already started up on publishing their own video game titles in-house without the aid of studios like Larian, and 5 years is a pretty good window for titles like that to be released in the future. And judging by how their previous titles from a previous effort (bad mobile games, bad steam games) were received, I don't see any reasons to believe that this push would be different.

Had they just not fired people to please a bunch of asshole suits from some holding company doing fuck-all but sitting in meeting rooms to collect money, they'd likely have had a better chance at working with Larian on more stuff for BG3, more Forgotten Realms stuff in the future, and just generally had more chances for quality products made by a passionate and proven team.

tl;dr; Hasbro fired all their people who worked with Larian, and Larian rightly saw this as a dick move.

[sheeple]

Heirs of Hogwarts | part 3

Genre(s): Nuisance to Lovers / Fake dating / Fluff / No Voldy au Fandom(s): Harry Potter Pairing(s): Mattheo Riddle x Hufflepuff!Reader Summary: After finding out your (now ex)boyfriend cheated on you with the girl he told you not to worry about, you decide to get into a fake relationship with the kid of another founder of Hogwarts. What could go wrong? Warning(s): Matt's thirsty (but so are you also lowkey) / Awkward family moments / Visuals (Don't like them? Don't use them🤷🏻‍♀️) / I suck at writing kiss scenes (yes it's happening) / it's spicy but not full on smut (smut adjacent) A/n: For now this is the end of the mini-series. Thank you all for enjoying my story and see you all in the next one! [Masterlist] [HoH masterlist]

Normally you would love to be proven right. Revel in the knowledge that they should have listened to you. But now? Fuck being right. You don't want to right. 

You've been carrying the letter with you for a couple of days and the weight of it makes your schoolbag makes it feel like it's filled with bricks. The letter is weighing you down, and everybody around you seems to notice it. Especially Mattheo. You still hang out with him, of course, but every time the words are on the tip of your tongue, you chicken out.

"Have you told him yet?", asks Susan as she sees you reading the letter again during lunch.

Giving her a frowned look, you shake your head. How in Merlin's name can you inform him that 'hey, my parents want to meet you because Meemaw saw us sneak into my dorm. Now they think we are together and having sex and want to meet the hypothetical father of my hypothetical baby if we were actually having hypothetical sex and not being careful. All hypothetically of course. Why else would I sneak a boy into my dorm?' 

Not casually at least. 

You look over towards his table and meet his eyes. He motions with his head towards the door. You nod with a small smile and finish your juice. "See you in class."

"Have fun with your boyfriend!", she calls after you and you flip her off. 

"What was all that about?", asks Mattheo with a small smile while the two of you walk side by side towards Herbology. 

You shrug, scratching the nailbed of your thumb. You feel a sharp pain but you continue. You know now more than ever that this is the time. "I've... I've received a letter. From my parents." You fish the letter out of your bag and hold it out for him.

Mattheo stops and looks unsurely towards the folded-up paper. When you give him a nod he unfolds the letter. You watch nervously how his eyes scan over the words.

When he stays silent, you begin to panic. "We- you don't have to! I can totally write my parents back and tell them... something! That we broke up or whatever."

"You've got nieces?" He's got a soft smile on his face as he traces the embellishments of the letter. Of course, the stationery of House Hufflepuff has its letters decorated to match the vibe of the family name.

With a shake of your head, you run a hand over your hair. "Out of everything... the thing you focus on is my nieces? Not that fact that my parents want to meet you?"

Mattheo shrugs, handing you the letter back. "Yeah, so what? That's what boyfriends do, don't they? Meet their girlfriend's parents. Fake relationship or not. Wasn't it your parents you wanted to fool?"

That shuts you up and a flaring heat spreads over your face and neck, even towards the points of your ears. "I-I yeah... But I never imagined them doing this! Then I would have never done all this to you!" With a guilty look, you slowly reach for one of his hands. You rub slow circles over the back of his hand.

Mattheo's brain short circuits as his eyes focus on your hand and his. How soft the pad of your thumb feels against his skin. He wonders if your hands feel as soft on different parts of his body. Or how sharp your nails feel when you scratch his back.

He snaps out of it and shakes his head. Taking his chance, he turns his hand around and laces his fingers with yours. "So... how do I leave a good impression on your parents?"

You think for a moment, looking away. "As superficial as it sounds, they put great value in looking a certain way." In that way they're just like other pure-blood families, you want to add but don't. You don't want to offend him or his family.

With a determent nod, Mattheo starts walking the opposite way you were going, pulling you behind him.

"Where are you taking me? Divination is that way", you point over your shoulder as you catch up to him.

Mattheo gives you a daring smile, his eyes wrinkling playfully. "My dorm. I need your advice on what to wear."

You protest and sputter about your attendance all the way towards the Slytherin dungeons. A snake made of metal rises from the ground and reveals a set of double doors. "Pure-Blood", says Mattheo and the doors swing open. You give him a look and he shrugs. "It's the password. Nothing I can do about it."

"I said nothing!", you laugh, being pulled through the entrance

The common area looks like it's carved out of rock, with marble pillars and arches. Large windows give you a look into the endless depth of the Black Lake, fish swimming by. It takes your breath away how stunning the Slytherin common room looks. It's oh so different from your own, but just as beautiful.

You try to ignore the stares you get from the Slytherin's around the room. You do stand out like a sore thumb with your sunshine yellow robes.

"Don't you ever need to pee very much when you are in the common area?", you ask, motioning towards the waterfall you circle as you enter the common room and the many water features around.

Mattheo rolls his eyes with a smile as he leads you down a corridor and holds open the door for you to enter his dorm. Four four-poster beds with green drapes are arranged in a circle with a heater in the middle of the room, spreading warmth around the room. He motions for you to sit on his bed while he rummages through his closet.

You lean back on your hands as you watch him pull one after the other crumbled-up shirt and pants out of the closet. He sends you a slightly embarrassed look and you hop off his bed.

"Let me have a look", you say softly, pushing him to the side.

"I'm sorry... It's a bit of a mess." He scratches the back of his neck as a slight blush colours his cheeks. 

You wave his worries away as you spot a nice pair of jeans and a not-too-crumpled black shirt. It could totally work paired with a dark green jacket. You lay out the pieces on his bed and look proudly between the outfit and Mattheo. It's something you're parents would approve of while still being himself

"If you wear this with the shirt tucked in and your hair just styled like you always do, everything will be okay." You turn towards him with a smile. 

While you were arranging the clothes, Mattheo snuck closer to you. He now stands so close to you, that you can smell his cologne. Your lips part as you look up at him. "Matt?", you whisper as he slowly cradles your face with both of his hands.

His eyes flicker from your eyes towards your mouth. Your eyes flutter closed as you feel soft puffs of breath on your face.

Mere millimetres before his lips touch yours, the door swings open and the two of you jump away from each other. "God fucking damn it", you hear him grumble under his breath as Enzo and Draco stand in the doorway.

The two boys look at you with wide eyes before Draco's expression morphs into something more teasing. "I hope we didn't interrupt anything", he says slyly, sending a smirk towards Mattheo. Who gives the blond a scalding glare.

Feeling way too awkward about the situation, you quickly gather your things. "I-I have to go. I wouldn't want to be late for my next class." Giving Mattheo a shy smile, you rush out of his dorm and the Slytherin common room — almost stumbling down and then up the stairs. 

Once you deem yourself far away enough, you slump against a wall and cup your scorching hot cheeks. Your heart beats wildly in your chest... and somewhere else. Did that really just happen? Or almost? In Merlin's name, when did you get so hot and bothered about Mattheo Riddle? Not long ago he was a nuisance to you. And now? Now you've almost kissed two times and he's meeting your parents this weekend.

When you close your eyes you still see Mattheo's warm honey ones, looking at you with such softness and want- no need. 

Gods.

Shaking your head, you steady yourself and with slightly unsteady legs you walk towards Arithmancy.

Meanwhile, back in the boy's dorm, Mattheo collapses onto his bed and curses out his friends. "Fucking twats!" He presses the balls of his hands into his eyes, frustration running rampant through his body. 

This was the second time someone interrupted him trying to kiss you. Just when he has gathered the courage to do so. First your friends and now his own. Who out there has it so out for him to cockblock him two times.

Draco and Enzo just look with high amusement towards their frustrated-to-no-end friend. They're gonna take this moment and tease him forever with it.

You don't get a chance to talk to Mattheo about the kiss. To talk to him in general. Because every time the two of you spot each other, either his or your friends wisk you away and it's driving you mad. It's like they planned it together or something.

It makes you all sulky because you want to discuss what happened between the two of you multiple times. You want answers — which you are lowkey scared of. But it's better to rip the bandage off quickly and get your heart broken than live with questions and never get an answer.

You walk into the Great Hall that Saturday, your fingers anxiously clawing at the nailbeds. But you've taken precautions and bandaged up your thumbs so you can't scratch. The pain stays but there's no blood.

"Don't you look all lovely", smiles Hanah brightly, making you twirl. 

You smile and show her a cheeky leg as the split in your skirt falls perfectly when you sit. "Well...", you let out a nervous sigh, "Matt's meeting my parents today. So, we have to look the part, don't we?"

Your friends' eyes bulge out at the nickname you gave Slytherin bad boy Mattheo Riddle. Nobody ever dared to call him anything other than his name. 

"Is that why he was not-so-subtly sneaking glances at us before you came?", wonders Susan out loud, which makes you tense up.

Looking at the Slytherin table, you find Mattheo easily. He gives a small wave with a smile and you return the gestures. "I'm going to sit over there. I have to prepare him from the wolves."

Slowly, you rise from your table and walk to the other side of the Great Hall. You feel the eyes of the Hufflepuff's and Slytherin's on you. But the only important ones are Mattheo's liquid honey ones, who look at you in wonder.

"Hi", you whisper when you finally reach him.

"Hi", he whispers back, a wide smile on his face.

"Can I sit with you?"

Without hesitation, he nods and slides to the side, almost shoving Enzo into Blaise's lap. He pats the now-empty spot next to him and you swing your leg over the bench. Mattheo zero's in on your bare leg and his brain shortcircuits.

You try to ignore the weird looks the Slytherin's present are giving you as you reach over and grab a piece of toast. You meet Hannah and Susan's eyes from across the room and they give you enthusiastic thumbs-up.

Swallowing your bite, you turn towards the boy next to you to say something. But your words die on your tongue at the look Mattheo gives you. It's unreadable. But not bad unreadable. There is some fondness in there you believe. "I have to warn you, by the way."

He cocks his head to the side, an easy smile on his face. "For your parents?"

A snort escapes you and you shake your head. "No- well... maybe my dad will grill you. But my brothers are way worse. They will either try to embarrass me or you."

"How many do you have?"

"Brothers? Four. There's a twin pair in there too. They are the second youngest after me."

Mattheo pales slightly. Four brothers? He found Thomas already trouble enough. But Four? He knows he's in for some shit.

You can't help but laugh as he visibly pales. Taking his hand, you pat it. You look around the Slyherin's. They all look very amused at Mattheo's despair.

The two of you finish your breakfast before it's time to go. Your parents expect you for lunch but knowing your family, there's not going to be time during just lunch. 

"How are we getting to your home?", questions Mattheo as you both walk through the halls towards Professor Sproud's office. 

You knock on the door and when there's no answer, you enter the room. "Via portkey. Which should arrive any second now." And like you said, a little yellow cup appears on the desk. 

Placing a hand on the cup, you hold the other out for him to take. Mattheo does so and the two of you are whisked away from the castle.

You stumble for a second before you find your footing. Taking a deep breath, your senses fill with the floral aroma of your home. It feels good to be back.

"Holy fucking shit", you hear Mattheo whisper under his breath as he looks at the estate your family owns. It looks centuries old, with ivy covering most of the outer walls. A sprawling garden buzzes with bees and butterflies. A fountain is heard somewhere in the back.

You feel slightly embarrassed at Mattheo's slack jaw. This is mostly the reason why you never told about or took anyone home. The house mansion has been in your family's name for centuries. It's said that Meemaw bought it, but there's no proof of it.

"Come on." You tug him by his hand towards the front door. Mattheo's too caught up by the exterior of the house that he bumps into you when you stop in front of the front door. "Ready?", you ask, and he shakes his head.

As you ring the bell, Mattheo looks at the inscribing above the door. "Dum spiro spero, vi et animo. What does that mean?"

"As long as I breathe I hope, with strength and courage", says your father as he opens the door with a wide smile. "It's our family's motto. Nice to meet you, son." He holds out his hand for Mattheo to shake.

As he pulls the boy inside, you try your bestest to not cringe. "Dad this is Mattheo. My boyfriend." You shyly glance towards Mattheo to gauge his reaction. A slight blush paints his cheeks and you bite your lip hiding your smile.

Your dad shakes the dark-haired boy's hand enthusiastically. He starts to ramble off about the family motto and what it means and it morphs into an in-depth history lesson about the house. How the tiles and pillars in the foyer are at least four hundred years old and how they're kept in such fine condition by magic.

"Dad!", you call out, not having missed the hidden panicked looks Mattheo has given you, trying his best to look interested. "Don't you think it's a little early for Staghill History 101? Let the boy breathe."

Your father lets go of Mattheo with a jolly laugh, his moustache curling upwards. "You are right. I am so sorry, good chap. Why don't you two go to the library while I round up the twins? They're all very excited to meet him."

Tugging on Mattheo's hand, you nod. "Sure. Make sure they clean off any dirt before Mum has an aneurysm. Again."

As you lead him towards the south wing, you stop just outside of the library. "Are you okay? I'm sorry. My dad's a lot and he's just happy to see anyone and everyone. Could be Father Christmas with how jolly he is." You scratch the back of your neck awkwardly, looking away.

Mattheo laughs. "It's okay. He's... nice. Now I get where you get it from."

"What?", you question with a cock of your head.

Mattheo wets his bottom lip, his eyes focused on yours. "That twinkle in your eyes when you talk about something you're passionate about." He reaches out for your flaming hot cheeks, cupping them.

The doors to your right swing open and the two of you feel like little children caught with your hand in the cookie jar. Your oldest brother, Felix, raises one disapproving brow and the two of you quickly step away from each other.

"Is it them? Don't hog the door, you big oaf!" Behind Felix appears Herbert, immediately engulfing you in a big, bone-crushing hug. 

"They were snogging", says Felix, walking back towards the couch he always sits on when he visits home. His comment earns him a swat from his wife next to him.

"We were not!", you protest scandalised, wrestling out of Herbert's hold. "We were just... It's none of your business what we were doing!" You grab Mattheo's hand and walk into the library, towards your mother.

He scoffs under his breath, mumbling; "You made it everybody's business when you let Meemaw catch you." That earns him another swat from his wife and a stern look from your mother. 

"Mum", you say after giving her a hug, tugging Mattheo closer, "I would like you to meet Mattheo."

"It's very nice to meet you, ma'am." Mattheo puts on his most charming smile while holding out his hand. 

Your mother shakes her head and gives him one of her signature warm hugs. "None of that! Call me Clementine. Or Clemmy. Or Ma. You're practically family now!"

You blanch, shrinking into yourself. Dear Lord. Why does your mom need to be so much?

Felix snorts. "Is he to stay? What happened to that bloke from Christmas?"

Yours and Mattheo's eyes meet and you purse your lips. "I rather not speak about it..."

That gets their attention, both men leaning forward in their seats. "What did he do?"

"Nothing!" You grow irritated at their endless questions as your mom ushers the two of you towards a couch. Sitting closely together, Mattheo lays a hand on your knee. You don't know if it's to comfort you or to ground himself.

Herbert studies the two of you with his eyes narrowed. He purses his lips while leaning back into the chair. "He beat the ex up, didn't he?"

"Oh, my Gods! Can you not play detective about my life? Stop talking about my ex with my new boyfriend right next to me", you scowl, not wanting the two of them to flip out over something that you're way past.

At that, your mother claps in her hands. "That's right! Mattheo, why don't you tell me something about yourself? What house are you in for instance?"

Mattheo glances nervously towards you and you lay a hand over his own, giving him a reassuring squeeze. "I'm in Slytherin, ma'am. I hope that isn't an issue."

Your mom chortles and waves his concern away. "Oh please, we aren't that kind of family."

"Speaking of family", pipes Herbert from across the room, "Who's family you belong to?"

Both your mom and you sputter and scold Herbert. But the twins coming in gives your brother his answer.

 "Why on Meemaw's good name is Mattheo Riddle sitting next to our sister?", sneers Victor, Danny leering over his shoulder.

A groan escapes you while you slink down the couch, hiding your face in your hands. You had hoped that Mattheo's family wouldn't be a subject. The twins are the only ones from your family who have seen the kind of nuisance Mattheo has been to you before leaving school last year. Of course, it looks very fucking weird that he is now cosying up to you, his hand on your knee and claiming to be your boyfriend.

You feel everybody's eyes on the two of you. Mattheo shrinks down under the many gazes, his hold on you tightening in a silent plea to not abandon him right now.

Not knowing how to get away under the scrutiny, you glance at your mom. She looks shocked and when she meets your eyes, her gaze softens before turning stern. "Didn't I always tell you boys to not judge people? What can the poor boy do about which cradle he was born into? So get off your high horses and be nice to the boy!" She stands with her hands on her hips, berating your brothers.

"What did I miss?", asks your father, standing in the doorway with a tray filled with cookies and teacups, the teapot floating behind him.

"Nothing", smiles your mother, turning towards you, "I was just saying that Mattheo should have a tour of the house. Why don't you do that, honey?"

Getting what she's implying, you nod exuberantly. "Yeah, right! Let's go." 

Mattheo's all too happy to escape the tense room and quickly follows after you, walking with a big arch around the twins, who are still glaring at him.

"I am so sorry." You cast your eyes towards the floor as the two of you walk through one of the many art-lined hallways. "I- There is no excuse for how they treated you..."

Mattheo's hand on your waist makes you stop and look up at him, unsheathed tears dancing in your waterline. He tuts, wiping away the single one that has managed to escape. "Don't cry, pretty girl. It's a warranted reaction. I'm used to it by now. How awkward it was anyways."

You pout while leaning into his hand. "That's horrible Matt. You don't deserve to be treated like that because your father made a wrong choice!"

"It was more than a wrong choice, lovely. Besides, there's not a witch or wizard who went bad who wasn't in Slytherin, remember?" He laughs, but you see that there's sadness in his eyes.

With a shake of your head, you lean closer to him. "You aren't bad! Such a vile stereotype."

This time a genuine laugh bubbles out of Mattheo's chest. "Oh, sweet, sweet, Hufflepuff", he trances your cheek with the pads of his fingers, "there are many things that make me as bad as they say. Mostly for the thoughts I have about you."

Your brain short circuits and you blink up at him, processing his words. He has what? Heh?

Mattheo chuckles at your dumbfounded look. Oh, how cute you are when you are clueless. He clasps his hands behind his back and looks around. "Is there anything in particular you want me to see?", he asks, throwing you a bone.

That seems to snap you out of your daydream of what Mattheo could do to you and you shake your head. "Yes. There is one final person I have to introduce you to."

The two of you walk side by side as he studies both muggle and magical paintings. You lead him towards the main sitting with an empty frame with a chair hanging above the fireplace. Dragging an ottoman over, you motion for Mattheo to follow your lead and climb on top of the cushions.

"Meemaw", you call out towards the empty portrait, "I would like to meet someone."

It takes a second or two before your ancestor appears from the side, graciously draping herself and her skirts on the chair. "My littlest Badger! How are you, my dear?"

You lean closer, smiling. "Hello, Meemaw. I would like you to meet someone." You motion towards Mattheo, who looks with big eyes at her.

"Isn't that...?"

Heat spreads over your face and you bite your bottom lip. "I- yeah..."

"Mattheo Riddle, your ladyship." He bows slightly, earning a hearty laugh from her. 

"Aren't you a charmer? You musn't call me ladyship. Just Helga is fine. Or Meemaw, seeing as you are our littlest badger's love." She sends you a doting smile. "Say, if I may ask; aren't you one of Salazar's boys?"

"Yes. I hope that isn't an issue for you, Helga."

She waves his concerns away. It surprised you how easily Meemaw's taken by Mattheo. He's a naturally charming person when he wants to be after all.

"Oh, of course not, dear boy! Your great-grandfather and I had a... very special relationship of our own when we were younger. It warms my heart that our descendants have found each other." A fond look paints her face as she looks off in the distance. 

As a melancholy glimmer befalls her, you take that as your cue to leave. "I have to continue my tour of the house, Meemaw. See you later."

Waving her off, you hop off the ottoman and put it back in the right place before exiting the sitting room. A sigh escapes your lips and you swing your arms back and forth. Mattheo gives you a raised brow before taking your hand in his and continuing the swinging.

It's nice. The two of you just walking and talking about nothing special in particular. You sometimes point out some facts about you growing up around the house. "In that room, we always used to build pillow forts in." Or "I once ran against that door and lost both my front teeth. They were loose anyways", you add quickly at his concerned look.

Everything's so easy with Mattheo that it scares you. How are you supposed to go back to strangers after your arrangement has come to an end? Can you even go back to strangers? Even if Mattheo doesn't feel the same, you wish you at least could stay friends. Because he's genuinely a nice person to hang out with. It would sadden you to lose him.

The ring of a bell plucks you from your thoughts and you turn towards where the sound came from. "Oh! Dinner's ready." You lead the both of you towards the dining room, taking shortcuts and hidden doors. Mattheo chuckles as you press open another hidden panel before finally arriving in said room.

Out of habit, you go to sit at your usual place at the table and Mattheo follows you. But as he pulls the chair back, Danny is quick to sit in it. After sending a glare at your brother, you look apologetic towards the dark-haired boy. His eyes scan the room and the only free seat is right in front of you, between Herbert and Felix. 

Mattheo sighs and takes place on the empty seat. He feels your brothers stare at him, and he does his best to try and act normal. He smiles politely and answers any questions your mother asks him. Eventually, he learns that — who he believes is Felix — is a beater for the Caerphilly Catapults. His wife plays for the Holyhead Harpies and that's how they met each other. 

Dinner seems to pass by smoothly — not counting the snarky remarks of the twins. But they're dicks. As everybody starts to collect the dishes, your father clears his throat. "Why don't you all go outside and...", he glances towards Mattheo, "Take a lap around the fountain so Mattheo and I can have a heart-to-heart."

Both you and Mattheo send slightly panicked looks towards each other as he gets led away by your father. As your brothers let out an 'oooh', you jab Danny in his side with your elbow. He rubs his side with a slight pout and you poke out your tongue. 

"The last one is a rotten egg!", yells Victor and he sprints towards the back door. You let out a curse and start sprinting after him, the others following. 

While you and your brothers race towards the burrow, Mattheo gets led towards your father's office. He anxiously takes place in the chair in front of your father's desk. The man leans forward and studies the Slytherin boy with narrowed eyes. 

"What are your intentions with my daughter?", he asks, getting straight to the point. 

What are his intentions? Well... he can think of a few things. But none are parent-approved answers. "I like her. I really do, Sir. I wouldn't dare to hurt her." Because that is the truth. He always had a crush on you, but getting to know you? You're everything and so much more than he imagined. 

Your father hums. "I ask this because I have received some chatter that you've been in a... physical altercation with one Malcolm Preece. So, Mattheo, what is the deal with that?" He leans back in the leather chair, one brow raised.

For the first time in a while, Mattheo feels genuinely nervous. And it's not the same kind of nervous before he took you out on your first date. No. This is a different kind of nervousness. A deep-down fear to disappoint the people who he cares about. 

And yes, you are one of those people he realises. He cares about you the most.

Lying will do no good. Because, as your father has shown, he somehow has a way to get information about what happens at school. "In all honesty, sir, Preece was threatening your daughter. They broke up and he kept bothering her. It... indeed got physical because some guys don't know when to take a hint." 

Your father purses his lips, his eyes scanning over Mattheo's face. Searching for a sign of dishonesty. But he finds none. 

"Did you at least get him good?"

That makes the dark-haired boy laugh. "Yes, sir. He won't dare to bother her again."

Your father stands up from his chair and holds out his hand for Mattheo to shake. With a smile and a firm handshake, he says, "You did good son. Now, I believe someone's way too anxious to wait a second longer." He points towards the door, where a shadow is seen pacing under through the crack.

Mattheo closes the door behind him and sees you look at him with wide eyes, chewing on your thumb. "How did it go? What did Dad say?" You fling your arms around him and press your cheek against his shoulder.

He smiles and wraps his arms around you. "Don't worry. Everything's fine." When you look up at him, he cradles your face and wipes away some stray dirt. "Don't you worry your pretty little head about it", he smiles.

You roll your eyes but can't help but smile. "Fine. You know what, if we leave now, we maybe have some time left before curfew."

A smirk grows on Mattheo's face while he wetts his bottom lip. "And do what?"

"I don't know", you shrug playfully, pulling him with you, "We will see."

"Absolutely not", says your mother when you come and say your goodbyes. "Your room is already set up. Fresh sheets and everything! Wasn't that clear from my letter?"

Your eyes dart nervously towards Mattheo, who gives you the same look. You silently ask him if he's okay with it. If he's not uncomfortable. He shrugs. He's not too bothered by the idea of staying over.

A sigh escapes you. "Fine. But we don't have anything to sleep in."

Your mother claps in her hands and gets up from the couch, motioning for the both of you to follow her. She leads you through the house, towards your bedroom. 

The smell of clean cotton hits you as soon as you enter your room and you breathe in the smell. That's one of the many things you miss about your home. The house elves of Hogwarts don't use the same detergent as your mother and it just hits a special spot in your brain when you finally smell it.

"I'll grab a pair of Felix's clothes for you, Mattheo." Your mother pats his shoulders before exiting the room.

The boy in question stands in the middle of your bedroom and a smile grows on his face. He can't explain why but it so much you. In the short period he has gotten to know you, this is exactly the type of room he imagined you to have. Maybe with fewer plants.

A four-poster bed stands in the middle of the room, facing a fireplace. On top of the bed grows some hanging plants that spread onto the walls and turn into wallpaper. There's a cosy-looking chair next to the fireplace with tons of pillows and blankets. 

You watch him eyeing the chair and you mention towards it. "You can sit in it if you want. It gives you also a really nice view over the garden." 

Mattheo does so, burying himself between the pillows. The garden is almost too perfect with the way it's lit up by floating lights and lightningbugs. When he looks back at you to comment on the beautifulness, he sees you pull away the many pillows from your bed into a trunk at the front of your bed and readying the bed for sleeping.

"I... I can sleep on the ground- if you're more comfortable with that. I could even fall asleep in this chair."

You stop what you're doing and look at him with such a scandalised look that it makes him shrink. "Uhm how about no? I dragged you into this, like hell I let you sleep on the floor!"

Your mother comes back at the right time with a pair of joggers and a shirt in her hands. She gives him a warm smile as she hands him the clothing, instructing him to where the bathroom is. Mattheo takes that as his saving grace to get a moment of his own. He has to admit, your family is a lot. This whole situation is a lot. And he has nobody to blame for it except himself.

Not that he blames himself. He's quite enjoying himself, being with you, meeting your parents and seeing where you grew up. He now gets why you are how you are. How you can shine so bright because your parents do everything to lighten you.

When he comes back you are also changed in quite the same outfit as him. You are sitting on your bed, nervously nibbling on the side of your thumb. He strides towards you and grabs your hand, stopping you from destroying your nailbed and making you look up at him.

"Are you okay", he asks, interlacing your fingers.

You nod with a hum, eyes focused on your interlinked hands. "Yeah... I'm just tired from today." You run a hand over your hair, brushing some stray strands out of your face. "Are you okay?"

Mattheo lets out a light-hearted scoff. "Don't worry about me, lovely. My family is much much worse."

You blink, wanting to ask more. But a knock on your door stops you. Your father stands in the door opening, Victor looming over his shoulder and glaring daggers at Mattheo. 

"Will you do your old man a favour and keep the door open? I know it makes you uncomfortable, hun. But I don't think I have to explain why?" He motions with his eyes towards how close the two of you are and with a sigh, you nod.

The house is so old that it creaks and groans with even the slightest breeze. And it freaks you out when you hear it at night. Are you saying that this centuries-old house doesn't have ghosts? Likely.

As your dad walks away, Victor takes a step forward, his jaw taut. "You", he points towards the dark-haired boy, "I'm right next door and these walls aren't as thick as they seem. I will hear everything. No funny business!"

Mattheo sends him a charming smile that you know will irritate Victor. "I promise." But when he turns around when Victor storms away, he shows you his crossed fingers. You let out a giggle and swat him.

After that you take it as a cue to get ready to sleep so you crawl under the covers. Mattheo positions himself between you and the open door and the two of you lay on your backs, staring up at the canopy. 

It... feels weird having Mattheo Riddle next to you in your bed. The even weirder feeling is the desire to keep him there.

You turn so you're facing him, your hands tucked under your pillow. "I've been wondering... When you spoke in Parsletongue, what did you say?"

Mattheo tenses slightly before turning towards you, a pink flush heats up his cheeks. His eyes trace every inch of your face, taking in the details; moles, freckles, perfect imperfections. It makes him want to reach out and trace every one of them.

"Oh I don't remember", he says offhandedly, his eyes fleeing yours.

You scoot closer, a mischievous smile on your face. "Yes, you do! Please tell me. It can't be that embarrassing."

His lips part and the same sounds fill the room, raising goosebumps on your arms. "You are... you are the most beautiful person I know and I don't know if I can keep pretending that this is fake."

Your smile melts off your face and you look with wide eyes towards him. An unsure look fills his eyes as his brows knit together. "Say something", he whispers- begs. A hesitant hand reaches out and gets placed on your cheek.

Your heart beats a million miles an hour and every word just escapes your brain. So you do what you have been wanting to do for a while now. And you kiss him. Pressing your lips against his, you close your eyes while your hand travels from his wrist to his shoulder, gripping him tightly.

Mattheo lets out a surprised humph, his eyes wide as he watches your eyes flutter close. He breathes in deeply before kissing you back, pulling you closer.

Two pairs of lips mould against each other while Mattheo's hand slides down and grips your thigh, wrapping your leg around his middle. Your body melts against his as the kiss grows more fierce, lips parting and tongues exploring each other's mouths. 

A low growl emits from Mattheo as you part, your chest raising and falling rapidly. He zeros in on your neck and decides then and there how kissable the skin looks and that it needs to be marked.

Your head gets thrown back as Mattheo attacks your neck with kisses, licks and bites and you do your best to suppress the breathy moan that wants to escape you. You bite your bottom lip as your eyes squeeze close. 

Mattheo's lips travel down, tracing the shape of your throat with his teeth and he flips the both of you over, hovering above you. He relishes in your bitten raw lips and the half-lidded look you give him. The way your chest raises and makes your shirt tighten... he thanks whatever god there is out there that made this possible.

His admiring takes too long in your opinion and you grab the back of his head, yanking him down so he kisses you again. Mattheo complies and cradles your face, his big hands engulfing your cheeks, feeling the heat underneath them. 

He pecks your lips a few times before trailing down, Mattheo's hands finding the hem of your sleep shirt. He glances at you and only continues after a nod. He pushes your shirt up, above your breast while his lips trail from your chin, neck, and collarbones, to your sternum. 

When he flattens his tongue tentatively against one of your nipples, a moan escapes you. It makes him smirk against your skin, doing it again. 

"Matt... ah!", you squeak out, gripping his shoulder.

His tongue swirls against the nub and one of his hands reaches up, clasping a hand over your mouth to silence the sweet noises pouring out of your mouth. Your tongue swipes over one of his fingers. Mattheo presses the pads of his pointer and middle finger against your tongue before sliding into your mouth.

A 'mmph' escapes you while you suck around his digits, hands trying to ground yourself as everything feels too much; his tongue against your boob, his fingers in your mouth, and something hard pressing against your core. 

Your hands find the hem of his shirt and your nails rake up against his bare back. He moans against you and releases your nipple with a 'pop'. He looks at you with dark eyes and swollen lips while he lowers himself towards your core.

While his fingers dance over the elastic of your underwear, you push his fingers out of your mouth. "Matt wait..."

As if your words scorched him, he's off you immediately, his chest raising rapidly and face flushed. "I'm-I'm sorry. I got a little carried away..."

You sit up, pushing your shirt down and shaking your head. "No... please don't- it's okay. I-I enjoyed it too. It's just...", you cradle his face and peck his lips, "I don't want our first time to be in my childhood bedroom and avoid making too much noise."

Mattheo leans into your touch and kisses your palm. You pull him down with you and lay on top of his chest. When you move your legs, you accidentally bump against his boner. You sputter out an apology, feeling bad for blue-balling him.

His hands grab your hips tightly and he presses you closer against his body. He brings his lips towards your ear. "Don't worry about it, Princess. Because when I have the chance, I'm gonna fuck you so good you forget our whole relationship was fake to begin with."

Oh Gods, you created a monster... 

Tag list (bold means I couldn't tag you): @mylosz0 @kermits-bitch @jolly4holly @daisiesformylove @frogtape @dancing-inasnowglobe @slytheos @undercover-smutlover @reverse-soe @nikkissecretlibrary @moon-struck-meraki @bengbengbengi @justhavingsomefun1 @itsamusical4lifee @genshingeeksworld @y0urm0m12 @alnitakstarsky03 @mel-vaz @slytherinboysappreciation @sailtomarina @bubybubsters @jasmine2105 @abaker74 @lovelyygirl8 @vickykazuya @eltrss @llpovi@m1kasawps @sol3chu @ledtassoo @itsarajr @glittervame

[whencartoonsruletheworld]

never have I played any nights at Freddy fazbears

pls explain the whole plot and all lore to me as if I were small and slightly stupid

oh great timing i literally JUST explained this to my asoue discord

this is a VERY simple summary, but things to keep in mind while reading:

very very VERY little of this is directly spelled out for us. the creator, scott cawthon, LOVES to confuse people on purpose and the vast majority of the lore is gleaned from hidden minigames, secret cutscenes, and easter eggs. this makes things very confusing and controversial within the fanbase, so im gonna try to explain where there are differing opinions

really, there's two main stories: the first main story was completed with FNAF6 and Ultimate Custom Night, the story going on rn is the second and it is still ongoing. as such, a lot of the lore is still a mystery to all of us.

For clarity's sake, I will divide this between: THE AFTON STORY, the one the movie's gonna tell a part of, and THE GLITCH STORY, which the games are going through

dont worry i will make it fun to go through so it doesnt feel like school

ok lets go

THE AFTON STORY

First, let's get a visual chart in here. don't worry it's just for show

These are the important families we will be talking about; the Emily family, with father Henry and daughter Charlie, and the Afton Family, with father William, two sons (Michael and a boy who is still unnamed, he might get named on friday? We call him Crying Child "CC") and a daughter, Elizabeth. Don't worry about the mothers they're not important

Okay so here's the thing: of these four children, all but Michael die VERY early on in the timeline

The problem is we do NOT know THE ORDER each of them died. There's a lot of arguments on all sides but I personally think the order is sad boi->charlie->baby so imma present it in that order. But keep in mind that we don't actually know because of the confusing way the lore is dropped.

okay so for starters.

Backstory/FNAF4

purple guy is william afton and he and this guy vcalled henry start opening a restaurant chain starring freddy fazbear

in the original location they've got two animatronic suits, fredbear and spring bonnie. the other location has freddy, bonnie, foxy, chica

the og location suits are ~special~ tho, bc henry and william are crazy inventor dudes. these suits are called "springlock suits". they function as full animatronics but you can wind all the wires and gears and endoskeleton and shit back and step into the costume yourself. only problem is the safety is jackshit and if you like. cry or sweat or breathe wrong the springlocks will fail and the metal will come crashing back and crush u to death. u should have enough time to get to the back room so u dont bleed out in front of the customers tho. springlock suits are important remember those

michael is in his early teens and has just learned how to be a shit to his siblings and is trying out this hot new bullying thing. he's picking a lot on CC because CC is terrified of the freddy animatronics. it is said that he "saw something" that scared him, it could be anything as benign as "saw someone go into the suit and got freaked out" to something as serious as "saw one of those aforementioned springlock failures and person bleeding out." could also be charlie or elizabeth's death if those happen earlier in the timeline. again we dont know bc cawthon likes to confuse us

CC is not scared of the freddy characters tho, he has all the plushies and calls them his friends. he's just scared of the animtronics. unfortunately his dad works there so he has to be there like 90% of the time so he's having a wonderful time. hence the moniker "crying child". bc he cries all the time

anyway at his birthday party, michael decides it would be really funny to shove CC up into the animatronic's mouth for kicks. this goes about as well as you'd expect cause the mouth closes and fuckin. crushes his head

kid goes into a coma for a while but eventually flatlines. while he's in the coma we hear michael tearfully apologizing, and his fredbear plush talks to him (presumed to be william) saying he will "put him back together"

anyway that was fun. so next up charlie emily gets FUCKING MURDERED

Backstory/FNAF1-2

for some reason charlie gets locked outside the pizzeria. william's driving by and decides to stab her bc why not

honestly most of us believe that this occured after CC just bc it gives william motivation to be pissy at his business partner and kill his kid abt it, but also a book that released a month ago implies that william might have been nightmare gassing his kids for shits and giggles so. who knows. dont worry about that btw its not relevant rn

anyway the thing is willie and henry had an animatronic designed to protect the children called the puppet. the puppet sees charlie outside and goes out to help her but it's raining so it fries up the puppet's circuits and it crashes on top of her dead body. cheery!

except this is where it gets wild bc charlie proceeds to like. possess the puppet

possession is really complicated in this universe but basically there's no real way to communicate openly with people and the possesser might not even be aware of who or where they are or anything really but. yeah the lil girl def possesses the puppet

its after this that william starts killing kids for funsies. a lot of us presume that he saw the puppet getting possessed and was like "holy shit a way to bring crying kid back" but again he might've just decided this was fun

anyway he lures five kids into the Secret Freddy's Backroom That Is Not On The Maps by wearing the spring bonnie costume. after killing them he shoves them into the other animatronic suits (freddy, bonnie, chica, foxy, fredbear "golden freddy") and yeah they start gettin possessed

the fifth missing kid was stuffed in fredbear and here's where it gets veeery theoretical cause we dont have straight confirmation of this but just some theories. it's VERY likely that crying child was also haunting fredbear at this point, and shoving another kid in there got two kids haunting the same bitch and it causes fredbear (golden freddy) to be really fucking weird and glitchy and eldritch or w/e. anyway you dont have to worry about that rn cause golden freddy doesnt show up much they're too busy ascending or smth

now this is where the lore gets confusing-- the first game claims that after the last two were lured, someone was caught on camera, arrested and charged. however we know for a fact willie-boi wasnt caught so either 1) this got retconned when cawthon decided to actually make lore, 2) he wasnt convicted and somehow still kept a hold on the fazbear empire during this, or 3) a lot of us theorize that henry was framed for the crimes and thats why he disappears from the timeline until the sixth game. cause yeah he disappears from the timeline until the sixth game. personally i believe the third it makes a lot of sense but yeah willie-boi stops killing at about five kids

anyway will is going full scientist with all these animatronics and he's like. ripping parts off them and putting them on other animatronics to see what happens. we THINK. again this is really vague but this is just kinda the most logical explanation here.

anyway this is what happens in fnaf2 and what it does is like. split the souls and shit. and he's like "oh this is sick" except this makes all the suits act erratic as hell and very angry towards adults (theyre cool with kids tho) and eventually one of them causes the infamous Bite of 87. we're not entirely sure what it was but one of the animatronics bit off the frontal lobe of someone in 1987. this caused this location to get shut down and willie boi just puts the pieces back on the og animatronics and is like "well shit what do we do now boys"

FNAF5: Sister Location

anyway so this is where we think elizabeth dies in the timeline. william makes these things called the "funtime animatronics"-- we know they are made after a fnaf location shuts down, though it's not specified which. these animatronics are built SPECIFICALLY to kidnap children. ballora is built as a distraction for parents, the other two are built to only move when not seen, and then Circus Baby™ has an arm that can grab kids and drag thtem into her until willie lets em out. she is programmed to only do this when a child is alone in the room so william tells elizabeth "do not go see baby when you are alone in the room"

so elizabeth is like 6 and she goes to see baby when she is alone in the room and baby grabs her but the arm is fucked up and the kid dies p badly

funtime's location is then immediately closed due to "gas leaks" and william rents out the funtimes for parties. at the same time he starts shoving some haunted parts into the funtime animatronics to see what happens. we THINK.

important location here btw is the "scooping room." it's actually very good horror but basically it's a bitch that is supposed to rip the endoskeletons out of the suit whenever theyre malfunctioning. super smart idea that will cause no nightmares going forwards.

anyway the animatronics all kinda know that william killed them so after a while (a few years??? who knows) they start trying to kill him and he's like "hmm. i cannot go into this bunker anymore. let me send michael, my last surviving kid who i hate." this is where michael, now an adult, re-enters the timeline.

mikey boy is told by his dad that he can bring his baby sis back to life if he goes down into this bunker and does some shit. michael is like "oh sweet" bc honestly he probably still feels guilty about literally killing his bro and so he goes down to the bunker.

the animatronics eventually tell him "go into the scooping room it'll be totes mcgotes" and when he gets there he finds out that the animatronics have killed all the other employees, scooped themselves, and fused their endoskeletons into one conglomerate called ennard

ennard is like "yeah we cant escape here cause they just bring us back so we're gonna use you as a skinsuit k thnx" and they scoop him and use him as a skinsuit

it's really good horror i promise

BUT this turned out to be a bad plan because Humans Decay so after like a week ennard gets puked up by the MikeSuit and escapes into the sewers.

here, meanwhile, is where mike pulls a reverse uno card and possesses his own decaying corpse

LIKE A FUCKING BADASS

he then calls up his dad and is like "hey dad :) elizabeth's fine now :) BUT :) they fucking killed me :) because they thought i was you :) you sure sent me down here to die huh :) anyway :) im gonna come find you :) you have a ten minute head start start running :)"

actor really fucking sold that monologue too ngl

so he's like. PISSSSSSED and rightfully so he is walking around in his own corpse. so he goes to find his dad

Backstory/FNAF3

this is about when peepaw willie goes back to the original fnaf location (we THINK) and is like "ok im just gonna take apart all the animatronics and do something with these"

only when he destroys the suits the missing kids' ghosts show up and spook him. so this guy who's been studying ghosts is like "oh fuckshit there's ghosts here" and tries to hide in the spring bonnie suit. only he laughs and this causes the springlocks to malfunction and FUCKING VIOLENTLY KILL HIM. get springlocked idiot

except then HE possesses the spring bonnie suit and this is springtrap. but also he's in a super secret back room while this happens so he is trapped there for a while

FNAF6

so ennard, michael and william are fuckin around for a couple years. at some point ennard decides that elizabeth is kinda a freak actually and kicks her out of the hivemind so she just rebuilds herself a circus baby suit and keeps wanderin around so now we got four bitches doing who knows what

eventually it's been 30 years since the last freddy's closed and someone opens up a haunted house parody of it. mike goes to work there as a security guard* and guess what they found springtrap and bring him to the attraction thinking he's just an animatronic. after five nights of fucking with him mike sets the place on fire to try and finally kill his dad fr. it does not work

*note that this isnt confirmed to be michael but we kinda. all know it's probably him. it really seems to be him

anyway then michael finds out that an actual fazbear's is opening and needs an owner so he goes and becomes owner of the restaraunt. while some guy on a cassette tape is giving him tutorial instructions he sets up the place and also collects several animatronics. these are:

scraptrap (peepaw post-fire and really pissed)

scrapbaby (elizabeth now thinking that maybe if she kills things her dad will pay attention to her)

molten freddy (remains of ennard still not entirely sure what's going on)

lefty (a bear solely built to capture the puppet, who was still fuckin around the fnaf2 location i guess. anyway now the puppet is here thats important)

so after our five nights scrapbaby comes on the speaker system and is like "omg dad if we kill people will you love me. we're gonna kill soooo many people it's my passion actually" and that's when the cassette tutorial guy interrupts her

and he just goes "yeah. you're not doing that"

anyway he's like "hi guys. you remember me??? henry??? from 30 years ago?? i owned half this business? you killed my daughter and stuffed her soul in a puppet? lmao yeah i literally lured you all here and you came like the fucking idiots you are. im setting the place on fire, we're all gonna die and go to heaven. except for YOU, WILL. you are not going there. lmao bye" and he sets the place on fire and they all burn. it's more epic when he says it tbh

now henry mentions that he had an escape route ready for the building owner but he figured out the owner was michael and was like "i feel like you wanna stay and burn with us" and michael's like "fuck yeah"

you might think that wraps up the story nicely but OH NO THERE'S MORE

Ultimate Custom Night

see, the next game is ultimate custom night where you can choose which animatronics hunt you and their level of difficulty. it is through hidden messages and shit that we find out that ucn is, canonically, william being tortured in hell. which is sick af

anyway the tormentor is a spirit labelled "the vengeful spirit" in the files, and "the one you should not have killed" by the animatronics. we sometimes hear either a light voice behind the other animatronic lines (could be either a woman with a light voice, a little girl, or a little boy), and the pic that sometimes shows up as a hallucination is a distorted photo of scott cawthon's son. we know for a FACT this spirit is someone from the fnaf6 fire cause they reference the fire more than once while poking willie with a stick. it's probably not elizabeth cause she was just tryin to get her dad's attention. it's not charlie/puppet bc one of her lines is like "ffs just stay out of my way for ONCE." we also know for a fact it's not henry cause they were like "henry sure tried to release us huh. not happening im not letting you go that easily bitch haha" so that narrows it down to michael and the missing kids

now here's the thing.

the vaaaaast majority of the fandom is convinced that the vengeful spirit is cassidy, the missing child that was stuffed inside golden freddy with cc. this is because golden freddy is in a looot of ultimate custom night and if you beat the hardest mode you just get a quick cutscene of him glitching and then everything fades to black

however. i have seen legiterally no convincing evidence that this is the case. all we know about cassidy is she is the golden freddy missing kid and was talking to cc through the logbook. and we BARELY know this. in the alternate universe book she first showed up in (the silver eyes) she wasn't even the golden freddy kid. people point out a similar situation to her and cc in fazbear frights where one of the kids was tormenting william (stitchwraith) but that's literally a whole separate universe and completely separate characters with separate backstories and personalities

there's a sprite in security breach who fights glitchtrap (explained below) who was named in the files as "cassidy" so ppl point to that but 1) they changed that name after people made a deal out of it, 2) that could mean literally anything, 3) the protag of the next game was named "cassie" and her story kinda paralleled the sprite's first game so uuhhhh anyway

honestly i think it's WAY more likely the vengeful spirit is mr michael "i'm going to come find you and set you on fire twice" afton, using his childhood likeness to fuck with his dad. this is strengthened by one of the easter egg cutscenes in ucn, where the vengeful spirit talks to a benevolent spirit who tells them to "leave the demon to his demons. there is nothing for you here." the audio in the background is someone distortedly screaming "HENRY" and "MICHAEL"

one of the animatronic lines also says "is this a prison for you or for me? perhaps both" implying that the vengeful spirit feels like they belong in hell, which would fit with mike's "i killed my brother" self-loathing. the golden freddy glitch could very easily be his mental anguish as well as william's, with the optional cutscene telling us that while michael is self-harming by torturing his dad in hell, he has the ability to move on and find peace if he can forgive himself. honestly i really like that open ending there

another point towards "vengeful mike" theory is that we play as him for most of the games (definitely 5 and 6, most likely 1 and 3, some theorize 4) and so him being the vengeful spirit is way more emotionally impactful than "random kid #5"

however every time i bring this up to the fnaf fandom they get really really pissy at me because y'all love ur angry lil girl cassidy headcanons and honestly that is completely fair i also love angry lil girls. im just saying this bc we're going over whats canon rn and i firmly believe in vengeful mike (thank @birdsareblooming for that) but yknow. cassidy is also fun as hell

i wrote a whole essay on this btw these are just the cliffnotes. do you guys wanna see the essay

anyway that's where the afton story ends but OHHH NO MR CAWTHON CANNOT STOP

if you just want a quick catchup before the movie you can stop here but anyway. let's talk mimicry

THE GLITCH STORY

the games coming out recently are kinda a sequel-story and bc theyre still coming out we are still very confused about what the fuck is canon and what is not so this one will be a lot more guessing. i digress let's talk about

Help Wanted

so back on earth, it's the 2020s-2030s. turns out the fazbear company is still functional and they're like "well shit guys what the FUCK do we do about all of That"

so they decide they need a brand cleansing and what they do is they secretly hire an "indie game developer" to make the fnaf games in-universe, to make light of the tragedies and make people take them less seriously. they pretend to have beef with this indie dev but eventually put all of his games into a VR game as a show of "good faith." somehow this actually does work in revitalizing the brand image

also sidenote but the books imply that the indie dev was kidnapped and gaslit into making the games but thats not important

now see there's a glitch in the game and the beta-tester jeremy mentions it and then gets increasingly withdrawn and obsessive. because it turns out there is a Bitch in here

now. the identity of the Bitch is uh. controversial in the fandom rn. i will say for clarity that i am in Party Two and will probably be biased towards that but here's the thing. the Bitch is either:

a digital upload of william afton's soul (somehow escaping hell)

THE MIMIC

Help Wanted Interlude: The Mimic

see, the other books (silver eyes, fazbear frights) are set in a parallel universe-ish to the books, similar rules and worldbuilding but cawthon can fuck around all he wants with no consequences. there were charliebots and springtrap mpreg at one point it was nuts. but the thing is right now they're kinda trying to tell us that the current series, tales from the pizzaplex, is game-canon. god only knows if they'll stick to that so some people think the books are in the game's universe, others think they're parallels to the games and not 1-1 exact much like the others

but anyway they give us crucial lore on The Mimic so here we go

some guy named edwin (some think he's a parallel to henry or william, but rn we're just gonna assume he's canon) is a single dad to a toddler. however he's working for fazbear making all these animatronics and he's sooo busy and needs something to distract the toddler so he creates a fucked up nightmare animatronic called The Mimic, whose programming is extremely basic: "copy whatever you see being done"

the toddler actually loves the fucked up nightmare animatronic and teaches him to play patty-cake and carry around stuffed animals or w/e. anyway then the toddler runs out into the street and gets hit by a car

edwin is still grieving and the mimic comes up carrying the toddler's stuffed animal and still copying him and when the mimic that edwin programmed to copy things is still copying things edwin snaps and just beats the fuck out of it bc he needs a grief outlet. he then abandons the thing but however the mimic has just learned Violence

some employees come by to see where edwin's animatronics are and the mimic just starts killing all of them bc. well. it's supposed to copy things. it will copy things

there's a BIG GAP here in what happens to it next but it disappears for the next 30 years. however it is heavily, HEAVILY implied that it witnessed at least one of the missing children incidents

fazbear actually has a Lot of mimic endoskeletons but bc they start copying violent shit they shut them all down. however they all run on the same program, "mimic1" and fazbear keeps that tech around cause you know it could be helpful

Back to Help Wanted

now here is where the "we only THINK this is canon we dont knkow yet" comes in

back to the vr game, they are just shoving random old pieces of code in there to speefd up the process of making the game cause capitalism doesnt like long development times. this puts the mimic1 program into the program and it immediately sees All Of Afton's Crimes In 4K. it decides "oh yeah i can mimic this but i should probably get a physical body in order to do that"

so beta tester jeremy sees the mimic program, which takes the form of Spring Bonnie Suit. this is Glitchtrap

now keep in mind that some people do still believe that all this aint happenin and the spring bonnie glitch is just william. again i personally believe the mimic cause it makes more sense than "william escaped hell somehow" but w/e

anyway, glitchtrap is fuckin around. it tries to possess beta tester jeremy and in order to stop it, jeremy does the sensible thing and cuts his own face off

so glitchtrap is like "hmm. that didn't work out" and decides to go for the more subtle approach. the next beta tester, currently unnamed, starts recording tapes inside the game to send to the next beta tester so they dont fuck with glitchtrap. glitchtrap however seals itself inside the tapes so that when the beta testers try to delete it, it'll instead be inside the tapes and cant be removed lmao. it then "mimics" tape girl's voice and adds a last tape saying "let him possess you its ok i promise"

it also mimics her intro of "hello can you hear me" in the one time it speaks so. mimic

anyway the next beta tester is this gal named vanessa and she gets possessed like suuuper quickly and glitchtrap is like "oh fucking FINALLY"

Security Breach Therapy Tapes

vanessa's acting weird at work so company requires her to go to therapy, however she has the same therapist as Another Patient. this patient will be named later however right now we're calling them Patient 46. they do not talk but have the same therapist as Vanessa and is creepy about it. anyway whenever a therapist prods too much into either Vanessa or P46's life, or discovers them fucking with fazbear tech, the therapist mysteriously goes missing and shows up later dead and mangled by machinery

they go through like five of these bitches at least, but it's clear P46 is another bitch possessed by glitchtrap but they're like more possessed than vanessa is so glitchtrap likes them better

BUT THAT'S ALL BORING, WE'VE GOT A PIZZAPLEX NOW!!!

Security Breach

fazbear opens a giant 80s-style mall with a ton of attractions like disneyland or w/e and call it the Mega Pizzaplex. There's state-of-the-art animatronics in here that are basically sentient ai. they might be possessed but we're not actually sure rn they might just be advanced robots

they start with "glamrock" freddy, bonnie and chica, along with roxy wolf instead of foxy. we're not sure why rn. anyway at some point something suspicious happens and bonnie is found mangled and he's replaced with montgomery gator, a c-list animatronic they had to run the golf course. he doesnt seem to take the spotlight well and has started breaking things but its probably fine

anyway they eventually realize they can automate the staff and stop paying human beings and they jump on that cause they love cutting costs. they've got staffbots everywhere except for ONE person- vanessa, who is hired as the security guard. we find a note saying that her interviewer found her too inexperienced for the position, but someone "very" high up in the company pushed her into the role. this is implied to be glitchtrap taking over the systems

so vanessa and P46 are shoving glitchtrap into the systems because, well, guess what? the pizzaplex is built on top of the fnaf6 location. the one where henry set them all on fire, and they're trying to do some sort of shit with the burnt remains of springtrap. if you believe in william!glitchtrap he's trying to get his body back; if you believe in mimic!glitchtrap he's trying to fuse himself to afton's corpse in order to gain a corporeal form. it also helps that there is The OG Mimic Endoskeleton in this area (its explained in the books im not going into it) but it's pretty fuckin damaged so they gotta spend some time fixing it before fusing it with peepaw's corpse

but the night they're supposed to do that, something goes wrong: a child is loose in the pizzaplex

glamrock freddy had a malfunction onstage, and when he wakes up in his room, there is a child hiding in his stomach compartment (used for oversized piñatas and cakes). this child is named gregory and he looks suspiciously like the crying child and we dont have an explanation for that but no, matpat, he's not a robot, it's probably just symbolism

anyway gregory actually has like very little memory of what's going on and barely remembers his own name but he says that vanessa the security guard is trying to fuckin kill him so he needs to get tf out of the pizzaplex. freddy's like "well you're shit out of luck cause the doors close and seal until 6am but that's fine we can make it til then" and gregory's like "fucking JOY"

long story short gregory has to run around the pizzaplex while every animatronic but freddy is trying to kill him. freddy is not trying to kill him bc his malfunction caused him to enter Safe Mode and it turns out that Safe Mode is safe from the glitchtrap virus. everyone else, however, gets glitchtrapped and is trying to kill this kid

you dont find out why until like laaaate in the game and even THEN you're confused until one of the goosebumps-knockoff short stories confirms a thing, and that thing is:

gregory is patient 46

oh shit

turns out gregory was possessed by glitchtrap for FUCK knows how long and was used as its body for like the entire time. and when he eventually wakes up un-possessed (no idea how that happened) he has no memory of whats going on at ALL and is understandably fucking terrified. doesnt remember being possessed or killing ppl or anything he just wakes up and runs. glam freddy likely malfunctioned cause glitchtrap was like "oh my god go GET that stupid kid" and glam freddy was like "but???? protecc????" and entered safe mode

so gregory eventually fuckin DEMOLISHES all the other animatronics and uses their parts to upgrade freddy. freddy is like "hey where'd you get these parts" and gregory's like "uhhhhhhhhh dont worry about it" "hey where are my friends" "DONT WORRY ABOUT IT"

while this is happening, a possessed vanessa is in a bunny suit calling herself vanny and also trying to kill him. this is just as confusing to us as it is to you

anyway there are six endings to security breach. according to the most recent game, there is a chance that two of them are canon. WE DO NOT KNOW which of the two is canon. these are the endings:

Princess Quest Ending: greg and freddy try to confront vanny and she gets freddy ripped apart by staffbots. gregory then finds an arcade game in her room and plays and beats it which sets her soul free (presumably he knew how to do this cause he's remembering bits and pieces of being possessed??? idk). anyway once the game is beat she is unpossessed and takes gregory and freddy's decapitated head out of the pizzaplex

Burntrap Ending: gregory and freddy avoid vanny and go to the fnaf6 basement where freddy starts acting all fucked up and then thtey find the Springtrap corpse, now Burntrap (fused with the mimic? glitchtrap? yknow). it tries to kill them so you have to Boss Fight everything and then set him on fire again. THEN a tangled mess of animatronic wires with a funtime freddy head (remains of ennard???) shows up and drags him off. again, just as confusing for us as it is for you. freddy and gregory escape. no idea where vanessa is

ONE of these is canon. we do not know which. this is making the fanbase super chill and normal /lying

Evidence for Princess Quest: in ruin, we see a headless glamrock freddy in the exact same area he is in pq. we also have no sign of vanny trying to help glitchtrap. you can collect gregory's fanart of his own game and pq is the only one he didn't draw. princess quest arcade game has sword sticking out of it

Evidence against Princess Quest: aforementioned headless freddy is labelled a prototype on his foot and we know for a fact that our freddy does not have that stamp. he also has a gift inside his stomach when freddy gave his stomach gift to gregory already (and it was a diff color). the pq arcade game has sword sticking out of it BUT that could symbolize the princess being skewered, and surrounding the game is art of the escaped glitchbunny

Evidence for Burntrap: labelled as "true ending" in the files, only ending to be FULLY animated instead of switching to comic form and also only one with boss fight, the tangled animatronic mess is definitely canon (we see it, gregory draws it so he saw it too which means he went in the basement where it was), while vanny isn't seen her grafitti is everywhere and appears to be recent

Evidence against Burntrap: the "true ending" label, like cassidy, could mean literally fucking anything. also if vanessa is still under his control why the fuck doesnt she help him where is she

so yeah we're having fun figuring THAT out

Ruin (the end so far thank god)

the most recent game we got, then, was the dlc for the above game, this dlc is called ruin. a few months after this, a lil girl named cassie wanders into the ruins of the pizzaplex cause her best friend gregory told her to meet him there. when she gets there she finds a walkie-talkie and he's like "girl im trapped under the pizzaplex you need to shut down the security and come get me" and she's like "sounds great"

she finds vanny's mask and puts it on and enters an AR world where a glitched bunny is trying to kill her (this one isnt glitchtrap actually) and a friendly little AR bear is telling her to keep going she's doing a great job (this one IS glitchtrap probably)

anyway it turns out her backstory is her dad worked for the pizzaplex and she had a birthday party there with her Favorite Character Roxy and literally none of her friends showed up. she was sad about it until gregory showed up and became her friend. then gregory went missing and she was sad

anyway the last security node is favorite character Roxy and roxy recognizes her and is nice to her and its very sad

cassie eventually goes down to the fnaf6 basement and is like "ok gregory i opened the door are you okay" and PSYCH, IT'S NOT GREGORY

IT'S

THE

MIMIC

the mimic immediately tries to kill her bc it likes violence but roxy shows up to save her. the real gregory calls her on the walkie-talkie and is like "bITCH GET OUT OF THERE" and she's like "IM TRYING" and gregory's "friend" (whose pronouns are very specifically blurred out, so it could be either freddy or vanessa) uses the building maps to help her to an elevator. however when she gets in the elevator gregory's like "yeahhhhh sorry we cant let you be followed :(" and drops the elevator, trapping her there

it's like a 99% chance this last bit was not gregory but it was the mimic, seeing as gregory is not even in the pizzaplex and the mimic lost cassie right next to the elevator fuse box that it could easily rip out. so you know

anyway we end with either roxy finding cassie or the mimic using roxy's voice finding her so this kid's fucked lmao

also other questions about if mimic is burntrap is that we see the mimic p naked in this game and not in a fun corpse skinsuit so where did bunny go??? however i will also mention that there is a secret ending that shows us that the FUCKING SCOOPER is here so. personally i think that answers that question. get scooped idiot

oh also if you noticed "hey 'cassie' sounds a lot like 'cassidy,' the golden freddy kid who was sharing a body with the crying child, who has a similar design to gregory," congrats! we've noticed that too! we have no fucking idea what it means! :D

and thaaaaat's five nights at freddy's

that didnt take too long did it

[mountainficss]

https://www.instagram.com/reel/C5ybw3iJaSf/?igsh=YnZud3NnaTFoM3ho

Saw this clip and it’s got me thinking about Vernon ripping off their partner’s tights before 👀 — but like in a nonchalant way? and their partner is just there kinda stunned coz it was so sudden but hot but also how is he so casual?? And then yeah fun times 👀🤣

!! mentions of: unprotected sex, fingering

the way i can visualize this…hear me out hear me out…i can literally see him just TEARING a hole in his s/o’s tights, solely because he’s too impatient to completely undress them. he’d need to have it right then.

you’d both be tangled up in the sheets, grasping and groping at any available skin as you lay below him. vernon had practically jumped you when you came home from work, immediately yanking you into a needy kiss. you’d be a bit surprised by his sudden neediness, but you’d reciprocate with no hesitation, both of you stumbling to your bedroom between kisses. vernon had always been a stoic person with a nonchalant demeanor, but the way he kissed you told a different story. his kisses were always so fervent, so full of emotion. tonight his kisses were hungry, and you could tell he’d been waiting for this moment all day. any moment he could hold you and feel you was what vernon longed for, and that had never seemed to change even after all the time you spent with him. when showing his love, vernon preferred to let his actions speak for him.

you’d tangle your fingers into his hair, kissing him greedily as he attempted to undo the buttons on your work shirt. he’d try for a bit, but attempting to unbutton a shirt in between a nasty make out session proved to be too difficult for him. he’d give up, eventually letting his hands travel down to your waist, then wander down to your hips, then—

riiiiip.

you’d detach from vernon with a gasp, craning your head down to identify the horrific tearing sound. vernon was staring down at your tights, his hands grasping at the fabric indifferently. he had ripped a large hole into your tights, the opening providing access to your panties and chilling your now exposed skin. “vernon!” you’d yelp loudly from above him. he’d glance up curiously, shooting you a confused expression. “did you just rip my tights?!” you’d gape, and he’d nod almost insouciantly. you’d be so surprised by his sudden use of strength, but he’d act so nonchalantly about it. “they were in the way,” he’d state matter-of-factly, along with a small shrug. you’d just stare at him in shock, mouth still agape in disbelief. “why are you so casual about this?! i can’t wear these now,” you’d whine, your hand traveling down to feel the mangled fabric of your tights.

“‘s no big deal,” he’d mumble, prying your hand from the fabric and replacing it with his own. he’d run his hand over your panties once before tugging them to the side easily, sticking a finger into your slick heat. “i’ll buy you more.” you’d let out a little moan in response, still stunned from his brute strength, but turned on by how easy it was for him. knowing that he was strong enough to tear your fabric with little effort sent waves of arousal through your body. he’d fish his cock from his sweats with his free hand, removing his finger from your clenching heat and sliding his cock up and down your slit. he’d push into you slowly, wrapping your clothed legs around his waist. you wouldn’t be able to hold back your lewd sounds, whining and whimpering from the filthiness of it all. laying underneath vernon while he fucks you through a hole he tore into your tights would quickly bring you to your climax. “i’ll buy you whatever you need,” vernon would murmur, more to himself than to you. you were too far gone to respond anyway, eyes rolled back from his pleasureful thrusts as you wrap your legs tighter around him. you’d reach your orgasm quickly, moaning wantonly as he bullies your sweet spot. your hole would clench as he guides you through your high, his harsh pace slowing down to languid grinds. your twitching hole would tip him over the edge, shooting ropes into your heat and burying his cum inside. he’d pull out carefully, admiring the mess he made on your tights while you pant below him. he’d rub circles onto your inner thigh over the fabric, smiling at the way your sensitive body jerks from the touch. “shopping tomorrow?” you’d ask breathlessly, shooting him a blissed out grin. he’d nod quietly, still absentmindedly tracing patterns onto your leg. “i’ll free up my schedule.”

taglist: @jeonghanpill , @bangantokchy , @caratboy , @bewoyewo , @luvseungcheol , @wonvsmile , @haolovre , @aaniag , @writingbarnes , @dokyeomkyeom , @allieyaaa

[thesoftboiledegg]

"Unmortricken" was a lot. In fact, it might have been a little too much.

To start, I loved the glimpse of what exists outside the Central Finite Curve. The visuals were stunning and reminded me of M.C. Escher's drawings. The Jetson-like family was a nice touch--if anything can happen, who says they can't have different animation styles? All those colorful portals make me wonder what's lurking just out of sight.

It's also funny that the space outside the Curve is full of Rick's favorite thing: crystals. If he took a trip there, he'd come back with his pockets stuffed with gemstones.

Evil Morty's reappearance gave us a decent character study. Since he wasn't the antagonist, we saw him interact with the C-137s as a regular person. Morty's a little impressed, and Rick has a grudging respect for him. Others have called Evil Morty the Rickest Morty, and I agree: similar intelligence, similar technology and similar bloodthirst.

I was glad that he left in the end because that's what his character arc is about anyway. He doesn't want to be part of anyone else's story, not even another Morty's.

However, that's also part of the issue that I had with this episode. Seeing Evil Morty was great, but it was also a little...pointless? You could've had the same story without him. He's not working with Prime, and he has no ties to C-137 after "Rickmurai Jack," so it felt like the writers just said "Hey, you know what would be cool?"

I'm not against writers having fun and giving the audience what they want. "Spider-Man: No Way Home" (yeah, groan at me, Marvel haters) is fan service in blockbuster form, and it was one of the best theater experiences I've ever had.

Still, if Evil Morty came back, I think he should've had a separate episode. The episode juggled C-137 Rick, Morty, Evil Morty and Prime Rick pretty well, giving them satisfying interactions with each other, but no Evil Morty would've meant more relationship development for the C-137s.

Evil Morty's backstory also didn't reveal much about him. I mean--yeah, we all figured that he had an abusive Rick and got fed up. The fact that he had a "regular" Rick instead of a deranged lunatic does make a point about the banality of abuse. Monsters aren't always raving maniacs who torture people in their basements. Ordinary people can wear you down with a slow drip of toxicity and neglect.

I enjoyed this episode, and Evil Morty's return was exciting, but cramming the series' two biggest antagonists and storylines into twenty minutes was a little overwhelming. New plot developments kept showing up, too: Rick found Prime! Prime's various lairs! Omega device! I would've preferred a two-parter.

I'll admit that if you told me that we'd see Evil Morty and Rick Prime in the same shot, I never would have believed you, but here we are.

On that note, Prime's characterization was perfect. No attempt at a cutesy, sad backstory; he's a laughing monster until the end. And is it really the end? He has regeneration abilities, but C-137 acts like he's dead and even gives up the search. This leaves us with a few options:

C-137 killed him.

Prime fooled C-137 into thinking that he's dead when he isn't.

C-137's keeping him alive for later use.

Hopefully, this is more complicated than it looks because I'll be disappointed if this is the end of Prime. He's a brilliant reflection of C-137: the Rick he'd be without his tiny shred of humanity.

And Prime's a maniac, but he tells C-137 the truth. Rick broke into Prime's house. He pretended he belonged with this group of strangers. He latched on to Prime's grandson because he never had his own. His brutal, violent streak never went away no matter how long he tried to play house.

Prime says "Admit it! You would have been me!" In season three and parts of season four, Rick was close. His love for his family--love that he pretended he didn't have--and desire for their approval just barely pulled him back. But what kept that spark alive? How close was he to becoming a cold, unfeeling shell?

In the end, C-137's not satisfied after he destroys Prime--and weirdly, I'm not satisfied, either. Beating Prime to an unrecognizable pulp doesn't bring Rick's original family back. It doesn't erase the atrocities that Rick's committed. It doesn't make his grief go away. It doesn't change the fact that Rick teetered on the edge of turning into the monster that he despised.

What's more satisfying is that Rick didn't turn out like Prime. His Morty doesn't give two shits about Prime, but he loves him. He hugs him in relief (come on, Rick, hug him back already!), cries out "Rick? Rick!" and shakes his body when he thinks he's dead, and talks excitedly as they return home.

Rick's going to therapy, which Prime would have mocked. He went from having nobody to living with FIVE kids if you count Morty and Summer. Even he and his Jerry are pretty tight.

Rick knows this, but he still feels empty all the time. Vengeance doesn't work, drinking doesn't work...wouldn't it be easier if he just switched off his humanity and laughed at everything, even his own death?

But now that he knows how it feels to be loved, especially by his hypothetical grandson, I think he'll always find himself at the Smiths' doorstep.

[elsa-fogen]

Oh, thinking more

What if the hunter that shot Alastor was Vox?

Like, I doubt it, but we "know" they had dogs, so I was thinking about who if any has anything resembling dogs? And the only one I can think of is Vox, like he had two sharks in the show plus some dog-shark creature in the insta stories

So, what if he was pretty young, loved radio and any new technology, so he was a fan of Alastor's. In addition, he had just started to learn how to hunt and wanting to impress his parents went out late to practice, took the dogs so that he could just say he went out with them if anyone asked

Then out in the woods, the dogs start to bark and he readies his gun, mostly just to better his aim, not intending to shoot. Then he sees the figure rise, he can't fully comprehend it before he takes the shot. He can hear a thud. He got it? He got it! He shot a deer!

Oh.

That's gonna be hard to hide.

Should he tell dad that he was able to shoot a deer? Like, yay, he did it! But also, no, he went out with dads gun without permission.

He approaches the deer, trying to figure out what to do with it, only to freeze when he gazes upon it.

It's not a deer.

It's a-

He-

This is bad.

That was the last time he went hunting. He can't get the image out of his head. He'll never forget that face.

The worst part was, he knew who it was. He had figured it out when he saw a missing poster of his favorite radio host.

He still liked technology, and to drown out the past that's where all his focus went. He wanted to be a big part of TV just like Alastor had been a big part of Radio. It was his way of honouring Alastor.

Still, sometimes it was hard to listen to the radio, that's why his focus was on the TV. They where practically the same, just some extra visuals, distractions, it was practically an upgrade. He just knew Alastor would agree, that man was always on the forefront of what was new in radio.

Surely, if he was alive, then he would have obviously pivoted towards TV after realizing the benefits of the medium

___

Imagen then how Vox would reach when seeing Alastor for the first time in hell. Like he doesn't know if Alastor is aware that it was Vox, but if he does maybe he won't recognize Vox? He has a TV for a head now, not really a human feature. Still though, he can't help but want to spend time with Alastor, tell of all that has happened in the world and share with him how Amazing the TV had become

DAMN BAEWSBNFSDYGUFKDGHFS

ANONS ARE FEEDING ME GOOD TODAY WTF?

✨✨✨THE TRAUMA✨✨✨

THIS IS INSANE remember the "sad and complicated" IT KINDA FITS LOL AHAHA-- THIS EXPLAINS WHY VOX IS SO OBSESSED WITH ALASTOR

IMAGINE JUST IMAGINE, NEXT SEASON THEY ARE IN THE MIDDLE OF THE FIGHT AND VOX SAYS SOMETHING LIKE, I KILLED YOU ONCE, I'LL KILL YOU AGAIN AND ALASTOR'S JUST WHAT AND EVERYTHING STOPS WHILE BOTH REALISE WHAT WAS JUST SAID

That would be such a cool turn, like. Vox clinging to Alastor in pathetic attempt to apologise for killing him and make up for it, and get waht they could have in life if he haven't killed him. And Alastor just doesn't understand Vox's behavior nor the reasons for it

AND WHEN VOX SAYS THAT HE KILLED HIM IN LIFE EVERYTHING BECOMES CLEAR AND ALASTOR JUST LAUGHS LIKE, HOW PATHETIC YOU ARE, HE'S NOT EVEN ANGRY, BECAUSE VOX JUST BECOME EVEN MORE PATHETIC IN HIS EYES. HE KILLED HIM AND THEN WAS IN SHOCK HIS WHOLE LIFE WHILE ALASTOR KILLED MUCH MORE AND NEVER FELT REMORSE FOR A SINGLE ONE

[sirensplayhouse]

REVISION 101

now as we’re all aware revision has become quite the popular topic in the loass community as of late. for why ? I have no idea, but just like everything else y’all are confusing the everlasting hell out of it and each other. so sit back and relax because class is back in session with your favorite sirengodmother 🤝🏾

re·vi·sion (/rəˈviZH(ə)n/)

noun

the act of revising; the act of changing or correcting something, or the thing that has been changed or corrected

y’all know how if you bombed a test or assignment you’d be given the chance to revise it after school or sumn ? yea 🤝🏾

“Changing your life means changing the past. The causes of any present evil are the unrevised scenes of the past.” - Neville Goddard excerpt from ‘The Law and the Promise’

y’all seem to have this deep rooted belief that revision is anything but natural when in fact it is completely 100% natural. when you revise your going back into your imagination and rewriting how you want things to be.

y’all also seem to believe that manifesting presently and revising are on two different levels, and I’m here to tell you it’s not✋🏾

ok so siren since you’re saying all of this and it’s going in one ear and out the other , how do I revise ?

well glad you asked🤭revising is no different than manifesting in the present. (nie reread that until it’s engraved 🙂) the same way you’d affirm/visualize or do whatever that helps you manifest you can do it to revise. remember it all starts within you, in your wonderful human imagination

the past is never and will never be set in stone you can literally revise whatever you see fit.

success stories you might not think have anything to do with revision but they do

• diploma

• revision success stories

• revised parents

• revised never having an infection

• revised exams

• eye color change

•job

• appearance

• body change

• revised the date

• revised a death / another one

• parents

• another razzle dazzle

now there are some success stories missing I know someone asked me to tag revising a birthday and that’s somewhere on my page deep in the archives🧍🏾‍♀️

ok so you wanna revise/manifest your dream life ? lol what’s stopping you then ? revising that you’ve always lived your dream life is nothing hard. however you choose to manifest whether it’s through affirming, visualizing, scripting, etc, doesn’t matter.

if you’re using affs affirm in the past tense “ I have been living my dream life (for however long)”, “I manifested my dream life (so and so long ago)” , “ I have always had my db/df (or whatever your manifesting / revising”

if you’re visualizing then visualize a scene in where the past has been rewritten to what you want it to be. Neville in ‘The Law and the Promise’ spoke of a woman who revised a life long back injury that she had endured, simply by visualizing herself back in the past and revising the events that caused her injury.

“To revise the past is to re-construct it with new content. Man should daily relive the day as he wished he had lived it, revising the scenes to make them conform to his ideals. For instance, suppose today's mail brought disappointing news. Revise the letter. Mentally rewrite it and make it conform to the news you wish you had received. Then, in imagination, read the revised letter over and over again and this will arouse the feeling of naturalness; and imaginal acts become facts as soon as we feel natural in the act. This is the essence of revision and revision results in repeal.” - Neville Goddard

when you’re revising something you’ll have all the memories of it and the experience. for example I revised always having my back dimples pierced, and when I woke up the next morning I saw them. I had all the memories of going to get them done and I remembered how it felt to get them done.

some anon knowledge for y’all

also for the girlies that want to manifest always living (ie; revising😑) their dream life and manifest never manifesting it ? pleaseeeee 😭yes it’s possible but like I said that’s literally revision

now that we got all of that cleared😮‍💨I sincerely hope (and I’m manifesting strongly) that everyone who was confused about revision or had reserves about it completely understood /understands everything I’ve written here. because idk how many more revision questions I can take🫠

[tealvenetianmask]

I rewatched the Helluva Boss trailer today and tried something different. Instead of looking for upcoming details or clues about what might happen, I looked for a narrative. I tried to imagine what the editors were thinking as they chose clips (both visual and audio) to include, and why.

I thought that MAYBE in light of having seen two of the episodes (and weeped over them, and analyzed them into the ground) most heavily featured in the trailer, I might learn something from doing this.

My conclusion is *drumroll* that the clips were chosen to introduce problems. AND NOT TELL US ANY OF THE OUTCOMES SO WE WOULD FUCKING SUFFER. Not too different from a movie trailer really.

So there are four main problems set up. Each of them are set up to make us ask questions.

Villains: Oh, what an array. Cherubs, Dhorks, new John Waters villain, Andrealphus, shadowy figures in hoods, Mammon flipping off the camera, etc. We're given very little information about how any of these confrontations will go. We just know there will be conflict/danger.

2. Blitz vs. self: "you always take from those around you . . ." "do you feel any kind of remorse for what you do?" "I make everyone's lives worse." "I don't want to be this way, not forever." One could argue that we've already seen tremendous growth with that last quote appearing in Apology Tour. I think that if I saw this group of quotes together without the context of the episodes so far, I would have assumed it would come last. But I think it's the beginning of a journey. We haven't heard all of these lines yet. And the ones we haven't heard might get closer to the self-loathing Blitz is dealing with than anything we've seen yet. These lines are telling us about a problem- again, the outcome is left blank. How will Blitz transform once he discovers that he wants to change and starts confronting the truly scary things living inside of him.

3. Stolitz: Okay so ALMOST everything in the trailer that has to do with their relationship is from either The Full Moon or Apology Tour. And in retrospect, it was pretty spoiler heavy. Maybe this is my shipper delulu speaking, but I think the writers/editors were okay with the trailer giving this much away from these two episodes BECAUSE these episodes set up the problems with their relationship and do not reveal the outcome.

The problems are ones we knew existed but have now seen tear them apart: Stolas wanting someone to care and Blitz wanting to be respected, the fact that they both love each other and want to be together but each think they're not wanted. Then there's the cruel as fuck framing where the trailer puts together Blitz looking at Stolas in awe and Stolas smiling as if they're in the same moment, only for us to find out in the actual episode that someone else is making Stolas smile.

Anyway, this is all to say that yes, I think that narratively they will get together at or near the end of the season. The trailer tells us that they both love each other despite the problems that are laid out. The solution IS for them to come back together somehow. And the trailer gives us that split second clip of Blitz defending Stolas to . . . I don't know . . . stop heartbroken shippers from rage quitting the show altogether after Apology Tour.

4. Stolas and Octavia: when it comes to the first two episodes in this group, this one has been visible in the show only through Octavia's absence . . . But if we look at the trailer as setting up problems, the problem is clear. "You never loved mother and you don't love me. You love him." Shit is going to hit the fan. And again, we have no idea what the outcome is going to be.

So conclusions?

Trailers are a cool art-form. They have to be narratively cohesive without giving away any outcomes. They have to make us want to see more. They can scare us but they can't be so depressing that they make us give up.

We didn't get random parts of the upcoming story. We got the earlier parts. At least, the earlier parts of each conflict (likely to be spread out somewhat), but please notice that the trailer has told us VERY LITTLE about Mastermind and Sinsmas.

There's very little reassurance in the trailer. It's supposed to be that way. But we do have hints that stolitz will be okay. Trust.