#i say existing cast because if characters are introduced as a couple from the start i dont care they can stay

[sonknuxadow]

feeling the need to be a hater about sonic shipping again but i cant think of anything to say about any specific target . so i just wanted to say that no pairing among the existing sonic cast should be canon ever except for maybe whispangle depending on how they would handle it . peace and love

[davekat-sucks]

(Found this image on Twitter)

I really don't like the Omega kids. I take them as seriously as I take the alphasprites, they don't exist to me. Hearing you guys talk about these little mistakes feels like watching everyone talk about a hypothetical scenario or dream some guy had once... which is the Homestuck experience now.

I dislike them, but it's not just because their stories stem from terrible couples, it's because they're so over designed but there is no meaning to anything.

It's cute Tavros has a bow tie and that Harry has a bandana but those feel like little trinkets that should have been added on later after we get used to seeing them. Show me their personalities first before you overload a character with this much clothing. Yiffy is the worst of these. It's too much. For some reason Eridan feels like a simpler design than this avril lavigne clone. There is something less cohesive and more busy about these designs than the original cast. Maybe it's because it has too many different grays and blacks. She looks more like a vast error character than a Homestuck one.

Look at how simple the character designs start out as, and then they purposely make their own outfits that fit their interests and personalities. Dirk may be a bit of an exception here actually, he changes his clothes right after he is introduced. Which introduces him as anal.

There is meaning here. There is a purpose that the story shares throughout it's run. Look at Rose's dress it was made from the velvet pillow introduced when her mom one-upped her and Roxy's outfit here clearly being a reference to her mom's love of knitting. There is a reason Jade wears blue and John wears green even though that isn't their colors. Dave's shades are a gift from John. John is wearing a bootlegged slimer shirt. I'm not saying the Omega kids need every article of clothing to have a backstory, but if they wear this much clothing it doesn't tell me much.

Why does Yiffy wear cleats if she was hidden away from the world? Did she run around in a backyard like a dog or something? I don't even remember if that is her story or not, I forgot so much about her because I was more focused on how she was a child that Rose had behind her wife's back. They're overloaded with drama too.

To add to that. I haven't placed much thought in it but I don't know what the Omega kids color scheme is supposed to be. I assume the Beta kids colors come from basic web colors. If you invert the beta kid's colors you get the Alpha kids color scheme.

The Omega kids just feel scattered and unorganized. It makes them feel even more meaningless because they don't fit in. If that is the point then why not have five kids to really fuck with the system here? The writers should have really ran with the whole "we're flipping the script and subverting expectations" thing.

I also don't give a shit if this is nitpicky, I'm sure you guys can all see there is something off about the omega kids.

I agree about the accessories doesn't really show they are connected with the Beta Kid adults. If the bandana is suppose to be like a replacement to how Roxy wears a scarf, then let the boy wear a scarf and not a stupid gay bandana. You think that Kanaya, who is a fashionista herself, would be critical of what her daughter, Vrissy wears. And if you are saying she would never reprimand her daughter because she looks like her crush, then that brings up a worse implication that she really is grooming her to be like Vriska by enabling her bad habits. What confuses me is Tavvy's overshirt has the matching color of Gamzee, the one who MOLESTED HIM. You think after his death, he would never wear that color and be disgusted by any shade of purple that's within his sight. Unless him still wearing that purple vest now is still symbolizing he is still bound by Gamzee or can't move on after what he did to him.

But yeah, nothing about the Omega Kids designs makes sense. And I still am on the side that laughs at Yiffany looking more like Nostalgia Critic.

[summerongrand]

Just wanted to say I appreciate your take on the whole white man/woc imbalanced power plot issue. This is something that I had a big problem with in season 4 and others definitely seemed to pick up on the same when all the storylines were Wesley, Nolan or Tim centric, and Nyla, Angela and Lucy were seemingly left as the 'other'. However I feel like I saw the issue be forgotten in the fandom a little. It seems this show has consistently favoured highlighting the male struggle and treating female storylines as trivial and unworthy, other than that of Bailey, the then newly introduced and now main cast white female character. I thought this would change with Lucy's story now being written consistently in s6 but it's clear that Tim's potentially the more favourable storyline. Now I can't speak from a psychological standpoint on what Tim did to Lucy but from a plot pov it's definitely making the white man vs woc power issue glaringly obvious. He is the one that gets to start or end their relationship. He's the white man with issues that is allowed to feel what he wants and grow his character while the asian woman is left behind despite her own depth and trauma. Let's hope that Lucy is given the same grace of dealing with her issues and growing as Tim, and Lucy gets her power back.

Hi Anon!

Thank you for your kind and thoughtful message. And thanks for patiently waiting for my response. I agree with everything you said. I believe the post you’re referring to is this one and possibly this one too.

It’s clear that the show has favored male storylines, particularly those of Wesley, Nolan, and Tim (and Bailey a non-WOC), while sidelining WOC ones. And even though the focus here is on Lucy and Chenford, I’m equally happy and willing to talk about race through the POVs of Angela/Wopez and Nyla/Jayla too.

I don’t think the actual act of Tim breaking up with Lucy has a racial dynamic to it other than the obvious. Them being of different races is just who they are. But their overall relationship (TO/Rookie, mentor/mentee, sergeant/gofer, friends, couple, etc.) does. And Melissa, bless her heart (affectionate), codes so heavily as Chinese in her mannerisms too and this gets projected onto Lucy. But that’s not talked about very often either. I say all of this to agree with you, Anon, because the “white man vs woc power issue” as you described has existed the whole time.

Let’s look at S5b and S6. A WOC masterminded the career progressions of at least two middle aged white men. One of them derailed her career progression. The other one broke up with her. Both broke her heart in very different ways. We did get some of Lucy’s character development and growth in S6 on the front end of the season. But even within that, her storyline has been about the 5 player trade (made to benefit Tim primarily) and Tim not being comfortable with her in UC. Tim gets demoted but he has a cushion to fall on because Lucy trampolined him into the Metro clouds and now the show’s able to use what Lucy did to benefit Tim again and use that to give him room to fall back on. This is part of the whole ‘using a WOC as a plot device to further a white man’s story’ which I’ve shared about in regards to the breakup (which is different than the act of breaking up) and you've detailed out too. We’ll see what happens to her story in the next few episodes, and I too hope that Lucy is given the same grace and that she does get her power back. But no matter what happens in future episodes, that trope was used so the genie’s already out of the bottle.

You did bring up the fandom, so I am going to talk about it a little more. This next part may be hard to hear, Anon, but … I have received negativity from Chenford fans for talking about Lucy and Melissa O’Neil’s race. This shows me that this topic is so worth talking about because there are people who feel a certain way about seeing race-related discussions about Lucy (they don’t want to be anywhere near it) and I do believe it’s unhealthy for the fandom to have these beliefs about a WOC. Others in the fandom have also encountered negativity and pushback when discussing this topic. Maybe it's even happened to you. People have shared their fandom experiences with me privately, but you’re the first to do it Anonymously which is great because that means you’ve given me the opportunity to respond to you publicly. 

Challenging this negatively held belief within our fandom and embracing Lucy/Mel’s racial and cultural identity is a worthy endeavor so let’s move the dial on that. It starts with talking about these topics in the context of The Rookieverse and keeping an open mind if these topics are unfamiliar to us. I mean, Mel wants more of that too.

Thanks again, Anon!

[velvet-vox]

THE Yugo defense post.

I am (hopefully) very confident in saying that there are probably a lot of these types of posts lying around, but since the argument has never been truly put to rest even after the show's finale, I feel like it's truly time for someone to give his own two cents again and take a stand against Yugo's haters, because by Osamodas that child cannot catch a break.

(Also I haven't seen season 4 but I know a couple of things about it, but I will focus mostly on 1 to 3 plus The quest for the six Elatrope Dofus).

So I am going to start this post by talking about my own personal character arc in learning to love Yugo, because oh boy, it was a wild and unexpected journey for me. Now, I, personally, am someone who tends to prefer villains and antagonists over heroes and protagonists. That's not uncommon, plenty of people are like that, no, I don't want a spinoff that turns the villain into the protagonist because that would make them less interesting as now we need to learn almost everything about them in order for the story to keep our attention. Therefore, as you can imagine, Nox was my selling ticket for the show. I got the small, almost non existent hype around him and it got me interested. Season 1 ended, it was a banger, but at the time, all I got to think about was Nox and how much I was grieving him. I didn't really think about anything else regarding the season, all I got was him and his arc. I needed a way to overcome the grief, so eventually, I learned that season 2 also had a pretty good villain, so I said "hey, let's use the possible trauma caused by this new baddie to overcome the trauma caused by the previous one" and started watching season 2. Love love love Qilby. And I am going to bring it back up later, but the season 2 finale is the definitive moment where I became invested with Yugo and got deeply interested in him. Eventually, when I watched The quest for the six Elatrope Dofus, I was just deeply in love with him, rooting for him at every turn, and generally, just cheering the guy.

And then.... there it comes season 3. My Iop. I was already spoiled by the fact that season 3 was disappointing, so I kept my expectations as low as possible, but sweet home Alabama I was not prepared at all, if the season had just been bad I would have called it a day, but no, the season is wasted potential at its finest, so many incredible ideas rushed and fumbled, Oropo would have been my favourite villain in the show had he been written better and preplanned, he feels like the Bradford Buzzard of Wakfu and his Brotherhood is its F.O.W.L.

However, while the writing took a nose dive in season 3, I started to realise something that I didn't notice before: damn, I really care about the main cast. Not just Yugo. All of them. This is something that distinguishes Wakfu from other shows: most of the time, writers focus more on making the protagonists immediately likable and interesting, which makes sense, as they are the cornerstone of most stories, but Wakfu differs in the way it endears us to its cast since I didn't feel like the show made a great effort in investing us to the protagonists in the first two episodes, they introduced their personality, quirks, and characteristics, but they didn't show us their struggles beyond Pin Pin's quabble with Rubilax, and this creates the ripple effect later on in the show where you become surprised in your backwards investment of their journey, because that's not how the story started with and yet you can clearly discern their development quite a lot.

And this brings us to Yugo, whose Wakfu untraditional deuteragonism creates a weird case of main character where, the actual season focuses on Tristepan and his journey, but since Sadlygrove is also his own worst enemy with the exception of Dark Vlad, the actual main villain of the season is a foil for Yugo and develops him into a more mature individual.

Which, finally, brings us to the main reason of hatred from some (fake) fans: the villains. The villains in Wakfu tend to be very complex and compelling, while in contrast, Yugo stays mostly static and simple before being confronted with said opponent; then for specific cases of flandarized vitriol, we have:

- Yugo did not try to talk out Nox from his plan nor did he console him, which led to his demise (Pure evil).

- Yugo willingly locked Qilby in the White Dimension again with full knowledge of the reasons why Qilby did what he did (Jerk).

- Yugo accidentally (but not really) created Oropo which caused insane damage to the world of twelve and created all of the problems of the series up to this point (Meh. Still an absentee abusive father).

- Yugo limited himself to locking up the Necromes to starve for eternity rather than killing all of them (Ok).

And I am going to run through each and every single one of them.

- First: Yugo did not know anything about Nox but he killed off Grougaloragran earlier on and his Time Razor just killed Yugo's friend a couple of minutes before their fight, which led Yugo, a child, to his very first fit of rage and did not esitate or waste time to attack Nox, a dangerous murderer who wanted to steal his hat. But when he finally realised what Nox's plan was, he told the Sadida warriors to back off, but since it was already too late for him, Nox left the battlefield of his own volition and ended his life.

- Second: Qilby was a great bastard. A complicated and caring one, but a jerk nonetheless. And yet, Yugo knew and deeply felt that even he didn't deserve to be in the White Dimension, one of the most cruel and gruesome fates any villain could face, but he had no other choice, because if he didn't do that, Qilby would have destroyed the world. And even then, later on in the series the thing that Yugo hated Qilby the most about was not anything that he did, but rather the punishment that he forced Yugo to inflict on him.

- Third: Oropo is just a freak show of a writing mess that I can't even point out how much Yugo is to blame for his condition, at least Yugo feels bad about the Eliotropes, so there, Yugo feels empathy.

- Fourth: Sorry, didn't watch season 4, but again, I assume it was like a binary choice like season 2, Yugo is definitely more of law enforcer despite his carefree nature, he was destined to become King and he just accepts it, in contrast to Amalia's rebelliousness and lack of a forced incoronation (opposite attract each other).

Amalia's going to die one day, and Yugo's going to live for thousands of years and never abolish or question the monarchy. It's sad, but his existence is pretty sad.

As for people claiming that Yugo's an overpowered Gary Sue, I'm sorry but as long as a character faces struggles in any meaningful way then you can't claim that they just break the narrative.

[birlwrites]

somthing that annoys me SO MUCH about a lot of Regulus fics (other than how many of them are jegulus. seriously so many of their plots look so interesting but i just can't read jegulus it Reallly doesn't do it for me) is how in almost every single one, Regulus has no friends. not a single one. and the authors always just sort of add him on to the end of the marauders and call it done. SO, I just wanted to say that I appreciate it a lot that in ttdl (and career goals) you gave Regulus FRIENDS!! I like that you've given the Slytherins personalities beyond "Evil" and "Bully," even the ones that are Bullies and will be Evil! (Regulus' camaraderie with the quidditch team my BELOVED. the group celebration after the winning game in ttdl? that heart stopping moment in career goals: tyrant when Megan fell off her broom and Regulus was so worried? His protective thoughts about her ex. 'my second year'? Geoff being Dad? Theophania? (her matching hair ribbons with Megan and Emma was soo cute (nothing to do with Regulus but jsyk I really liked that detail)) Travers (i can't remember his first name but i appreciate him anyways) I totally just got sidetracked but <3<3<3 REGULUS HAS FRIENDS!!)

ok SAME. regulus is another character, like james and lily, who is very easy to reduce down to like. 1-2 canon moments and a couple of character traits, and i think a lot of the 'regulus doesn't have his own friends' fics are also the ones that tend to infantilize regulus and/or just make him someone who exists to Be Saved (by either james or sirius, usually)

which!! i cannot stress enough!! is easy to write. there's a reason these fics are all over the place. if regulus doesn't have his own friends, then you don't need to figure out who they are or what their personalities are like or how they impact him and his relationships with the marauders (who tend to be the focal point of the story). simple casts of characters make things simple. that's valid as a writing choice.

however. GIVE THE BOY SOME GODDAMN FRIENDS. i s2g it's like canon lily. she just has the convenient muggle sister (bad relationship), snape (bad relationship, also he's in love with her which reinforces lily as Romantic Interest™ instead of a person), james (canonically, they apparently seem to be on bad terms until lily finally gives in and starts dating him, which, yuck), and harry (so lily can die for him!!)

(more ranting and the joys of regulus with friends under the cut)

whereas regulus, in contrast, tends to have walburga (bad relationship), sirius (estrangement), MAYBE narcissa (who is usually older than him by enough that she's already graduated from hogwarts), and james (JEGULUS)

there is absolutely no way that the entire house of slytherin was a complete monolith of asshole death eaters And Then Regulus, and personally i find it very dull as a narrative choice - even if it's a house full of asshole death eaters, regulus has been living with these people since the age of eleven. he's on a sports team. he has friends.

but i think frequently the reason he doesn't is because that makes it easy for him to be a damsel in distress who gets saved, insert jegulus, and when regulus gets swooped out of that Horrible Nasty Dungeon Full Of Slytherins, it doesn't leave any inconvenient loose ends, because he doesn't have any personal connections. the marauders (primarily sirius and james) never have to learn how to interact with regulus's friends. they can comfortably continue to be super anti-slytherin because regulus isn't 'like the rest of them,' so he's not REEEEEALLY a slytherin :)

(and regulus not being friends with any of the Asshole Death Eaters also conveniently makes him a very Pure character who has only ever been a victim and doesn't introduce any complex or nuanced moral questions to the narrative)

in general i just really hate when regulus is treated as an appendage of one of the marauders, and it happens all the time. that was a big driving force behind writing ttdl in the first place. i'm tired of regulus getting saved sjflsghjsgjkdhkjsf and i'm tired of him just being characterized however is convenient to the marauders

and i do STRONGLY BELIEVE that regulus had friends. maybe he wasn't ✨super popular✨ like ✨sirius and james✨ but like?? that's not a requirement to have friends???

and the slytherin quidditch team is a SLYTHERIN. TEAM. they are going to be both aggressively competitive (regarding the other teams) and AGGRESSIVELY TEAM-ORIENTED (because that's how you fucking wIN). ambition does not mean 'everyone for themself' (we don't have time to get into That canon theme) and IF SOMEONE DOESN'T PLAY WELL WITH OTHERS, THEY ARE HURTING SLYTHERIN'S CHANCES AT WINNING. IT IS A TEAM SPORT.

and like!! they have early morning practices together!! they eat breakfast together because Nobody Else Is Awake!! they work together and they respond viciously if one of them gets hurt and they have BONDED. regulus thinks of himself as being a little bit isolated from the rest of the team but that is the result of HIS OWN ISSUES WITH SELF WORTH and *REGARDLESS* OF THAT, HE STILL IS PERFECTLY AWARE THAT THEY'RE ALL FRIENDS

plus regulus is so much more fun with friends. he needs an outlet for all that drama. he wrote an incredibly elegant 'fuck you' note in a fake locket that he bothered to stash in the basin - LIKE???? HE COULD HAVE JUST TAKEN THE REAL LOCKET AND BLOWN UP THE CAVE???????

and i love regulus being best friends with barty because barty is similarly dramatic and they make the best team. especially when it comes to taking down people they hate. i LOVE the idea of them meeting in first year and both of them immediately going 'ok. mine now' and they are just choosing each other relentlessly from the beginning - and i ESPECIALLY love it because of the difference in their backgrounds, which makes them complete opposites on the surface but the same underneath (which i am a huge fan of as a character dynamic in general alghksgjhkjsdkf, you can see it all over the place in ttdl)

anyway im a huge proponent of 'give regulus his own life instead of just putting him in convenient stasis until the marauders show up.' even if you DO intend to have him sort of merge with the marauders and end up in a relationship with james, it'll be so much more interesting if regulus has his own history and social circle that the marauders have to reckon with, and it puts him on much more equal footing in that relationship, instead of just having it be 'savior/saved'

[batfxngs]

Introducing my Welcome Home OC: Mothika Silkrose!

I haven't posted anything in a while, in fact I haven't even been on here in a while. But now that Welcome Home is starting to get insanely popular, I decided to share my OC with you people <3

(Heads up: I currently do not have a drawing of her as I can not draw for the life of me but my awesome friend is working on one so expect that soon! There is a physical description at the end, however!)

Mothika!

“Mothika is the shyest and kindest neighbor in Welcome Home, and the biggest rockstar too! With her calm nature, it’s surprising to see how well she can work all of her instruments! Go anywhere near her house and you’ll never hear the end of her music! Although being one of the quietest, you can often see her bustling about the Neighborhood or helping someone out. Although, you can easily notice her by her glistening wings!”

Mothika is a character that is speculated to have been introduced in the second season of “Welcome Home,” instead of being part of the original cast. The restoration team believes this is due to concept art development existing throughout the time the first season of the show was aired on Television. Uncovered scripts explain that she comes from the fictional country “Germaway” — a combination between Germany and Norway — and is based upon the Rosy Maple Moth. Some uncovered scripts show that she had been fascinated with music ever since she was a larva. She first took up playing the guitar as a hobby, with it eventually turning into her primary instrument. Sources confirm that since then, she’s added the Piano, Drums, and Saxophone as her other instruments.

Because she was introduced later into the show, no sources have been found to conclude who she was friends with in the show. However, Franny, Julie's sister, has been suggested as one, citing multiple drawings of them together have been uncovered. Despite this, no conclusion can be drawn at this time.

She typically likes to joke through music terms, much to the confusion of the other neighbors. However, she never seems to be too bothered by the confusion and offers to explain her jokes multiple times. A couple of script drafts uncovered showed that editors suggested some of her jokes be taken out due to them being too “musically complicated,” as one note written in pen says. However, her sometimes confusing humor hasn’t stopped the neighbors from being friendly toward her.

Mothika is also speculated to be transgender, given the fact that a more masculine moth character existed during the character development stage that never made it onto screens. This could be the reason as to why she was introduced later as the creators of the show may have still been developing her character during the first season.

Physical Appearance

Mothika appears as a short character with yellow skin and light blue hair that reaches her shoulders. Her hair is slightly wavy but is mostly straight. She has two yellow antennae at the top of her head similar to those of a rosy maple moth. Her irises are Pink and her sclerae are black. She wears white glasses with a one-piece pink dress that goes down to her knees that has a ribbon on each shoulder. She also wears light blue flat Mary Jane shoes that matches her hair color. On her back, she has small moth wings that are outlined in pink and are colored in blue, pink, and white.

I'd be happy to answer any questions you have about her <3

[nono-bunny]

Thoughts from watching the ATLA live action!

Took a bit of a break because writing these while watching takes a lot of time, actually, but! I'm back on my bullshit again, let's go!

Episode 3:

Jet? Is this Jet? Truly wish I could tell, it would be nice if I could fucking SEE ANYTHING!!!

Oh I do think it's just some rando rebels, but looks who's with them, oh my god! Dang dang diggity dand-dang, it's the best villain of the show! Me recognizing her so fast is 100% a matter of me being really impressed with the way she looked in all the official stills and being really hyped to get more of her because of how much I love Azula rather than it being obvious btw, I kinda tried not to watch any pre-release stuff to not get biased in either direction when it came to the actors, like mostly I just read a couple of interviews whenever they popped up for me, so. Genuinely this is gonna be probably one of the only times I'll recognize a character based on face alone when they first appear without their classic outfit (which? Idk how much of that is gonna happen anyway lol), I just!!! Really liked the casting for Azula purely based on the visuals (as I know literally none of the actors in this show, I just know Ozai voiced General Fong and obviously the OG Cabbage Merchant is reprising his role), like I know a lot of people wanted her to still look like a vicious femme fatale or whatever, and like, I get it, OG Azula is hot, we ALL had a crush on her as kids, but. It's vitally important to remember she's a kid, and more than anyone her casting should reflect that given how often I see people say "we should just let villains be villains" when it comes to her. She's a villain, alright, but she's a tragic one, and the entire reason why there are so many Azula "apologists" (like myself) rather than Ozai ones is precisely because of her age and circumstances. So like? Going into this show knowing that one of their prime directives with Azula is to make sure that aspect of her character is abundantly clear was genuinely a real comfort on a personal level. I'm looking forward to seeing her be cruel, but I'm also looking forward to her not being treated as "irredeemably bad to the bone". Anyway! Azula!!!

Oh shit this is a fire nation civilian coup??? Genuinely was sure this was how they skip ahead a bit and reveal that as soon as Ozai heard about Aang he sent out Azula to Omashu for some reason, but her being a domestic spy for him is actually so cool. Tbh I always kinda wondered what she was up to before being sent out, like? Was she still in school? Obviously Mai and Ty Lee weren't, was she there alone? So this is a cool way to show her finding ways to be active even before being given her first big task abroad! Btw, as much as a part of me loves Spymaster Mai, if I'm being honest that job was absolutely made for Azula ngl, she's killing it!! Can't wait for fics showing her reprise that role in Zuko's council after the war lmao (I already read some with a similar vibe and they're always enjoyable, but now Spy Azula is back and I want more!!)

Fire Palace secret entrances canon?!

I don't actually have too many comments on the whole failed infiltration scene, I mostly just think that aside from being very enjoyable, it was also a masterful way to introduce and estabilsh characterization for everyone involved! I do really like showing that there's a rebel presence in the Fire Nation, and how quickly its plans gets snuffed out. It has probably existed ever since the war started, and Aang has only reignited their efforts. There's something I find really interesting here about how Iroh and the rest of the Order of the White Lotus, who seemingly do nothing for so long, are ultimately the ones to succeed- like, is it about patience? Unity among the nations? Strategic placement of the rebellion leaders and their importance? Ultimately, a bunch of old noble men organizing a worldwide network working with The Chosen One were the ones to succeed in their rebellion attempt rather than the many disillusioned (probably) poor citizens that came before them, and like? I get WHY, but. It's genuinely very depressing how realistic that whole thing is. Idek how coincidental it is, me immediately thinking of The Order here when this is an episode that introduces one of the most prominent people in its ranks, because like? That one interview that's about the LA showrunner "being relieved he didn't have to adress Katara's romance" or whatever was actually about a whole lot more, and one of the things they talk about there is explicitly how the way they built up the episodes was by looking at the original and grouping up stories with similar themes- specifically how both Jet and The Mechanic ultimately do terrible stuff because of the war (he put it much more aptly in a way that really made sense but I can't remember the exact phrasing atm) and like? Another theme there is also rebellion vs compliance- so it makes perfect sense to me that this episode also shows the domestic side of that, y'know?

Yo fr Azula's actress is fantastic here??? I just KNOW people are gonna hate how she's more nuanced here, but personally, I loved how it seems she's a bit conflicted when Ozai kills people she knew, yet ultimately lets the sadistic glee and the "I defended my family and my country today" side win out, ending with a smile. It's good! It's compelling! It's... Very different from the way the original show was very subtle about showing how Azula was also suffering right up until the very end- it was still there, of course! She isn't having a good time in the flashbacks to their childhood! It's shown through Zuko's pov though, which inherently makes her seem better off than she actually appears to be, and like. On the whole Bryke really threw Azula under the bus A LOT, even when it doesn't match what we're shown of her, and because her suffering and struggles were less visibly obvious ig it was easy for them to forget/ignore how she was hurt by her situation too. A lot of Zuko's arc comes at the expense of stopping to think of Azula as a human, forgetting that she's also still just a child, and? I like that the LA refuses to ignore that. Her play here was how easily she convinced others the war tore up her family, and you're forced to remember- it did. She's off the mark with who she believes was at fault here and who was wronged, but ultimately... She genuinely has lost so much here, including her childhood and innocence- she was left alone with only bad influences, and when THIS is the kind of thing her father has her do and witness on the daily? Of course she turns out the way she does!!! And given how much people tend to miss that Azula was both a villain and a victim, yeah, I'm fucking glad they're highlighting the victim part!

Okay I officially don't like how Aang teaches Katara bending philosophy. It's weird, it feels off, and while I do like that he seems to be in tune with the whole "the four elements aren't really separate" thing with the way he approaches explaining air bending philosophy to a struggling waterbender... I do kinda feel like it would've hit harder if he had done it while nailing this form like in the show- him just getting it because he's the Avatar and has past life experience feels hollow, but him getting it because he gets the philosophy would actually feel earned, and I wish that happened. I know he doesn't really touch waterbending this season, and like, I know they gave him a reason (an emotionally charge one that makes sense), but. This is a scene that really called for him to try, and he... Doesn't. I wish he did. It makes them seem so much more distant from each other, and next season he's obviously gonna have to get over this and start learning with Toph, so what gives? Is the plan to have him start learning both at the same time and remove Katara's experience as his teacher from the equation in Bitter Work, only show what works best when both attempt to start teaching him at the same time using different styles of teaching? I don't get it. This just really feels too Katara focused in a way that feels a bit jarring because they still inserted Aang into the scene when really... He just takes out a lot of the emotional weight this scene could've had without him interfering- it just feels like a weird time for an expositional trauma flashback. I don't get what this scene was about! I'm guessing Katara is gonna nail the waterwhip later in combat like in the original, but it was just kind of a weird mish-mash of three plotpoints (Aang's refusal to learn without Gyatso, Katara's trauma, and Katara struggling with her waterbending) in a way that didn't really work for any of them? Aang was cute, but. He really felt out of place in this scene- it's literally one taken from the original, but when they take out the reason he was there and instead turn it into a "oooo isn't Katara so tortured by her past" it just kinda... Feels obtrusive to an otherwise cool scene of Katara practicing

Okay so. This scene bothered me so much that I thought I had to take another look at it through a different lens than "this is a weird change from the original" because that's not a charitable thing to do and kind of the opposite of what I'm attempting to do when watching this show, so I rewatched it through the lens that usually DOES make me like this show- what were they trying to say here, what did this change mean? Initially what really bothered me and caught my focus here was Aang's presence and effect being so different than the original, so I tried ignoring how weird it was that he was still in the scene, and just... Focused on what he added to it- which is when I was finally able to get it, I think. So! I think this is actually the show's depiction of Katara's anger, believe it or not! When she attempted to focus on her emotions, she instead kinda defaulted to her memories- of her fear, and helplessness... And anger- which is when she "explodes" her water. Rather than channeling her emotions, she let them control her, and was thus immediately thrown out of balance. This actually kinda checks out with the original show? A more technically skilled or disciplined Katara is actually usually INSANELY powerful, as she channels her emotions to get the water to do what she wants... But the show literally starts with an emotional Katara who has no real skill or control over her powers accidentally doing some really powerful uncontrolled bending. Like? Going by that logic, I can kind of imagine that what makes a master bender is control- that sort of explosion isn't really something that happens to Katara after the NWT, same with season 1 vs season 3 Zuko for the most part actually! And given how Aang, a master, mentioned that his training mostly covered control... I think that's maybe what they're getting at here? Idk, but this also being the Jet episode, aka an emotional one for Katara, really makes me think that this scene was meant to be its own thing with its own message, but just... Had the unfortunate luck of looking A LOT like the scene for The Waterbending Scroll. Anyway I spent genuinely way too long thinking about it so! Moving on!

Cute Sokka and Momo moment!! Followed by primo Water Tribe sibling moment!!

Zuko and Zhao actively working side by side is an incredibly intersection dynamic, I really like it!! Also poor Zuko desperately trying to hold on to the way he thinks he should act...

Why does Jet get to have his instincts while poor Sokka is reportedly removed from this arc?? Yeah so I'm going into this episode very skeptical given how much I like Jet as a Sokka episode but. I'll try to not be too biased, after all it makes sense that he'd be busy with the Mechanic! Still a shame, hope it's been exaggerated a bit.

Oh my god this is still a really fun group dynamic with Jet ngl

Cabbage Merchant!!!

Omg Teo is so cute! And The Mechanist blowing shit up inside a city rather than just in his own place is actually so funny, imagine all the bureaucratic nonsense he must constantly elicit! He must be such a pain to deal with lmao

What?! The Mechanist gets a name?! I'm shook!! Not really lmao, fr he needed one, it's genuinely such a relief. Sai The Mechanist!!

Oh wait this wasn't Sai's fault? I legit thought he just exploded an experiment or something so I wasn't worried, this gives the scene a much more sinister vibe because it's either Jet or legit somehow firebenders!

Yesss go off Teo, fantasize about dropping bombs on your enemies! Lmao that was both a horrifying and hilarious scene somehow

Katara being just... Completely indifferent to the aftereffects of the bombing felt incredibly off. Aang's attitude, while admirable, is strange given that like? Truly, how does he think he can help here? This is... A lot for an Aang that only knows airbending, a Katara that doesn't yet know how to heal, and a Sokka that has yet to show any aptitude for invention. This episode feels like it should've happened just a tad later, or alternatively, have been just a bit lighter and/or right outside of Omashu. It'll probably still work, but. Again, this is... A lot, really fast, and the characters don't feel like they're quite ready for it yet- I hope to be proven wrong, of course, I inevitably will be! But... Idk, again, this is just. A LOT.

So... Ty Lee never runs off to the circus here, or will that happen between seasons 1 and 2? What about Mai? Will she leave with her family to Omashu/New Ozai in season 2? Genuinely interested how they'll handle the change of circumstances here. I like how these two keep their personalities, and I like the fear mixed with loyalty we can see from them already, but... This is a pretty big change that strips them from a lot of the characterization inherent in the circumstances of their first appearance in the original show, so I hope they manage to make up for it and maybe expend on these two a bit more, as they truly deserve it. They too look really young, which is a good thing and works well with Azula!

Speaking of Azula, once again, I adore her characterization here! Bitter, self assured, effortlessly cruel... A villain, but one that I'm sad to see in that position. She's "softer", or maybe I should say she doesn't have quite the same amount of edge, and... I like that about her, because I feel like she's going to earn it throughout.

Damn, Teo is like. REAL angry here as opposed to the mostly naive and peaceful version we see in the original. I don't... know that I like this episode and what it's doing with everything going on too much so far tbh, actually, a lot of it feels barely recognizable, which isn't a crime, it's just... This episode introduces so many things that I don't know that it manages to do ant singular one justice?

Why is Katara the one first finding out about Sai, and why is she not referring to him by name? This all feels so disjointed istg!! This should be a Sokka and Aang focused episode, so why is Katara so prevalent here? The way they shuffle the roles here makes no sense!!

This is... Not the point of Jet? What are they doing here with him? Why is he sparing a traitor? Since when did Jet discriminate between enemies? Or are they going for a "only firenation people are his enemies" kinda thing? Also, where are the freedom fighters? So much about this bothers me, and I get it, I get that they had to merge plots, but. This creates completely different vibes for everything and everyone in a way that wasn't really an issue with the first two episodes. This merger is really doing a disservice to everything, it's just... Depressing and disjointed, and everyone feels ooc for both the original and what was established so far. This is an episode so filled with characters I cannot imagine any new viewes being able to keep up or care, and frankly, I can't either.

Okay the rest of the freedom fighters are here and I am healed. Still kinda pissed about how strangely righteous Jet is rn and how the whole Air Nomad conservation conversation is just. Not gonna happen but. It's cool to see the little guys!

Cool fight scene overall but. God I really wish Aang and Sokka were there, this feels so disjointed for a third episode!! Why are they all separated right now, it hurts the show so much!!! Even if they're all off getting the parts of these episodes that were most relevant to them, the others had a place there too, and. Genuinely hurts that Sokka is just. Cut out of the Jet arc

In other news I hope to god Sokka is being an unreliable narrator, because Hakoda does actually have an interest in engineering (bombs, at the very least lol), but I guess maybe Sokka hasn't really seen that, huh? Hoping this is a set up for Sokka coming into his own and developing real confidence, rather than just rewriting Hakoda and Sokka's relationship. Like, that Sokka doesn't think Hakoda cares about this stuff because he never tried to talk about it with him, and that they'll later bond over it or something.

Sure would've been nice to get detective Sokka in this episode!!!! God I genuinely do think that after the setup for the episode, all of the scenes work nice, but I just. This episode really, really suffers from the separation of the trio, and even though they do a good job at making the different plots work together... This could've been a great episode but it's just. Too much stuff going on, there are like five fucking plots and characters we're following and while they both mesh well and work individually, it's also just that... Theoretically it works, practically it's really difficult to follow, especially as a fan of the original that's already a bit confused by where they're going with all these changes.

Genuinely so weird for them to make Katara's memories of her mother about the sun, aka, the firebender's source of power. Like?? How am I NOT meant to think about Zuko rn??? This scene was so needlessly Zutara coded istg, it's bizarre!! It was a good scene and in line with what I thought they were going for which gives me a lot of hope in terms of Katara's characterization!! Still wish Sokka and Aang were there though.

The Zuko and Azula parallels in this episode!!!!

I don't like that they made Jee actively go against Zuko, ngl.

Good fight between Sokka and Katara!! Once again Sokka is the one who brings out the usually hidden facets of Katara, I genuinely love the way this show portrays their bond!! As much as I like and miss the Sokka we see in Jet that never appears here given how he... Never meets Jet, I do really like the way this became a three way perspective battle with no one really being wrong. Everyone has reason to believe what they do, and this doesn't make Katara look like just a lovesick fool or Sokka like a jealous asshole (which I don't really seem them as but. I've seen people who do)- the original lessons they learn in Jet are kinda... Removed unfortunately but this does make everyone generally look better as a result lmao. I'm not happy about what this episode did, generally speaking, but. This is a good way to reunite everyone imo, it's fun!

I. Didn't realize The Scarf Scene was in the Jet episode?! Holy shit the implications... Zuko trying to hold on to Katara as she's seeking Jet,,, What the fuck were they on about here unless it was some Zutara high??? What the fuck what the fuck what the fuck?????? I am. Not okay. Genuinely why was this here, why does this exist at all, this is so weird!!! I get it now, y'all, I get it.

Holy shit this whole action sequence is fantastic!!! This episode REALLY struggled to set things up in a believable and natural feeling way but I'm glad it stuck the landing in terms of the resolutions!

In other news, yeah, so that dramatic "My Cabbages!!" scene is not gonna make sense AT ALL to anyone who hasn't seen the animated show, huh?

Holy shit Iroh sacrificing himself for Zuko like that is!!! Incredible. He's gonna get out scot free even if caught because of Bumi, so like... There's that, but! Still Incredible. My poor boy was SO confused by it too, Iroh is likely just gonna go have some tea with Bumi for a bit lmao

This was a good way for Aang to get captured though!! I'm guessing Sokka and Katara are also implicated with a plot against Bumi? Honestly it'd be... Incredibly strange if we don't see the characters from this episode in the next one but I'm kinda getting the feeling we won't given that it's the Bumi one? But neither plot has really reached any sense of closure, so... Hoping they do next episode? Idk, all around just. Really strange to have all of this happen in Omashu but. Whatever lol, this episode mostly redeemed itself at the end haha

[joealwyndaily]

Interview with Joe Alwyn

Why did you want to be involved in Conversations With Friends?

I was a big fan of Sally Rooney’s writing beforehand, I read Normal People and Conversations With Friends after being recommended them by friends. I got through them very quickly. I’ve also been a big fan of Lenny Abrahamson for a long time, I love his films and everything he’s made - what he did with Normal People was extraordinary and so the opportunity to marry the minds of Sally and Lenny - and be part of that - was very exciting.

What would you say are some of the key themes in the series?

Conversations With Friends is full of all different themes, but at the heart of it it’s about love, intimacy, desire and relationships. It’s about how we are able to love and find happiness both within social constructs that we’re more used to - whether that be within friendships, families or relationships - but also outside of those things, and how we’re able to find other ways of loving and growing outside of more conventional constructs.

Conversations With Friends is a love story but it’s not a conventional love story, it’s a modern take on that, how do you see it?

It’s pretty modern in its approach. It’s asking questions and challenging our ideas on how we’re able to love, exist and relate to people and be in all different kinds of relationships. Not just in the conventional ways we’re used to, it’s pushing boundaries of those relationship and love.

What were your initial thoughts after reading Sally Rooney’s Conversation With Friends?

I loved it, I just tore through it. Sally is such a brilliant writer, she’s so sharp and observant and often funny at times, but also moving. Although the characters in the book go through very extraordinary things in their own ways, they’re also very relatable.

How much of Nick from the book are you bringing to the on-screen version?

The writers have done a fantastic job in bringing the book to life. There are definitely bits and pieces they’ve maybe reduced a little or veered away from, but also bits they’ve lent heavily into for the sake of the story and narrative. By and large, it’s all quite consistent and that goes for the characters and Nick too. When you’re playing someone you’re also bringing yourself to it, so there’s me in it too. But in terms of Nick from the book, it’s the Nick I felt when reading the scripts.

What preparation did you do when you approached bringing Nick to life?

When I was cast initially, I had a couple of months to get ready. Then, due to the pandemic, things got pushed back a few times. Although it had its moments of frustration, it actually allowed for this pocket of time to think of the script, story and Nick. Full credit to Lenny, he was so collaborative and generous in terms of inviting everyone in on the discussions about character, script, story, and what he was imagining and planning for it, that a lot of preparation was through conversations with him.

I’d never really had that experience before with a director where that’s been so open. He would send through revisions from day one and wanted feedback on what I thought was working or not, so it felt like a conversation and collaboration. It wasn’t long after Alison and I were cast that we’d start meeting on video calls to discuss ideas. So really, those first few months of preparation was just through conversations with Lenny and doing my own work thinking about the script and Nick, and working with a dialect coach.

What does Nick think of Frances and Bobbi when he’s first introduced to them?

When Nick first meets Frances and Bobbi, because he’s come through such a storm and is in such a low place, a place of recovery, that at least initially there’s a kind of numbness to him. Everyone’s on the periphery, he’s in a low place of doubt and depression and just functioning and getting through the day.

I think he cottons on to the fact that there’s a similarity between Bobbi and Melissa, and there’s a similarity in his position to Melissa as there is with Frances to Bobbi. They’re next to these two people who are a little more extroverted and performative. I think with Frances, he quickly falls into this curiosity and deep attraction - not just romantically, but he feels a fascination with this other person. And though they might not know why in the beginning, they find themselves strongly drawn to each other.

What is Nick and Melissa’s relationship like when we first meet them?

When we meet Nick and Melissa, they’re certainly not in as bad a place as they had been a few months before. But that said, it’s definitely not good. They are functioning but there’s no real warmth, love or spark between them that there might have once been. What’s interesting is that, perhaps externally for other people, that doesn’t come across, and from the outside they look like a pretty happy, functioning couple. But, beneath the surface there are lots of cracks, and though it isn’t as angry or splintered as it was before, it’s still not a good place.

How did you find working with Jemima Kirke as your on-screen wife?

I loved working with Jemima, she’s brilliant as Melissa. She’s fantastic, focused, works hard and is a lot of fun to be around, both on and off set. She has a real force.

What was it like to work with Lenny Abrahamson and Leanne Welham?

Firstly, Lenny is absolutely brilliant. He’s so special both as a director and as a person. In terms of his direction, he’s so detailed, intelligent, and emotionally intelligent as well, and tuned into what he wants and what should be there without being overbearing. He’s put so much thought into this, he’s just a genius.

He’s also incredibly funny and that makes a big difference on set, particularly when every scene is quite intense. It’s nice when the whole thing feels relaxed, and that’s full credit to him - he’s one of the funniest guys and best guys and I feel so lucky to be working with him. He’s an astonishing director.

And Leanne, coming into block two, was having to come on to something that was already moving and that must have been terrifying. She’s done an incredible job keeping it consistent in the same world that Lenny has set. She’s equally fantastic - the way she tuned into the rhythm of it and the way we’d been working. I think she knows what she wants and she pieced it together in her mind as she was shooting - you could feel that and she was very clear about that which is useful from a performing point of view. I felt very lucky to be working with them both.

Tell us about Alison Oliver and Sasha Lane, what are they like to work with?

I’ve had the best time working with Alison and Sasha. The bulk of my stuff has been with Alison, but Sasha - I can’t imagine anyone else as Bobbi. She brings such complexity and energy to the role and is a lovely person to be around. Alison is just phenomenal, the fact it’s her first role out of drama school and she’s in every single scene, it’s incredible, she nails every single take. It’s amazing to watch and I think everyone’s been learning a lot from her, and she’s one of the nicest people around.

What would you say has been your most rewarding moments during filming?

It’s always interesting when you do a scene where maybe you’ve had a strong idea of what you think it will be and how it will go, and then it ends up being something completely different. But it feels, you hope, right at the end of the day. There’ve been a few instances where you think you know the shape of something and then for whatever reason - Lenny’s direction, or the way Suzie (Lavelle, DOP) is shooting something or what the person opposite you is doing - it takes a turn and goes in a different direction and the whole feeling of it and shape of it becomes something new. I always find those bits quite rewarding.

What was your favourite scene to shoot?

There’s so many of them! One that jumps out was a scene we shot up in Ballycastle, which was quite a long one between Nick and Frances. Maybe it was one of my favourite scenes because, although it was quite a heavy scene it was very fun to do because we shot in a very nice pub.It was nice being up in Ballycastle and one of the first times we got to not be on set. It was nice to have a new energy, a nice scene in a nice environment… and a nice drink.

Are there any similarities between you and Nick?

I feel like on one level there’s a lot that’s different but there are similarities. Some of the things that he’s struggled with or moments of doubt, periods of being low, I can kind of relate to, but also periods of being happy. There’s an essence to him that I’m similar with, as much as there is circumstantially quite a lot different. That’s a very Nick way of answering - quite evasive, cryptic and guarded.

What do you hope audiences will take away from this?

I hope people enjoy it, obviously! I hope that it’s challenging in a way, it’s quite thought-provoking and complex. I don’t think there’s such an obvious motor driving it, it’s not two people in love - though that’s obviously complex enough! There’s lots of facets to it and it’s asking some challenging questions.

When the book came out it seemed to kick up a lot of debate and conversation, with not everyone being on the same page or with the same response. That’s quite interesting and more exciting than just one consensus. I hope the series provides that same level of discussion. And what I like about Sally’s books that I’ve read is that she doesn’t always tie everything up with a bow at the end, which is interesting and true to life. I’ll be intrigued to see how that lands with people - but hopefully, in a good way, it will provoke a discussion.

[tanenigiri]

Review #8: Sasaki and Miyano (Volumes 1, 2, and 3)

Japanese title: 佐々木と宮野 (Sasaki to Miyano)

Story and art: Shou Harusono

English publisher: Yen Press

Number of volumes: 6 in English, 9 in Japanese (ongoing)

Hilariously, my second exposure to BL is the one that’s the most meta about the genre.

(This review contains story spoilers.)

Just like Given, my first exposure to Sasaki and Miyano was the anime. Right after watching the former, I looked online for recommendations of similar shows, and the latter was the title that came up the most. After watching it, though, I found it an odd recommendation outside of the context of “I want another good BL show” - in which case it’s the perfect recommendation - since the fulfillment I got after watching Given was so different from the fulfillment I got after watching Sasaki and Miyano.

Probably the main difference is how this series focuses a lot more on the relationship between the titular characters. As the story goes, Miyano is a BL fanboy who suddenly finds himself in an unexpected friendship with his senpai, Sasaki. The latter takes an interest in the former’s BL manga, which is a huge deal for Miyano as he has never had someone to openly talk to about it. Unbeknownst to Miyano, his enthusiasm about it is what starts Sasaki’s realization that his feelings for his kouhai might be deeper than what he initially thought.

I decided to group these first three volumes into one review not only because Volume 3 serves as a great halfway point of this whole arc - it features Sasaki’s confession - but it represents a pretty prominent shift in the narrative style. Volumes 1 and 2 feel a lot more episodic in nature, really leaning into the “Boys Life” label that the mangaka has given the series, while Volume 3 begins to steer the story into something a lot more linear. It still has the “snapshot of their lives” feel that gives the series its charm, but all of the scenes seem to be tied together by a major thread - how Miyano is processing his feelings while thinking about his response to Sasaki’s confession.

That’s not to say that the first two volumes were simply random - they feature an interesting exploration in how both Sasaki and Miyano are reacting to their slightly confusing relationship, made even more complex by Miyano’s BL addiction and, eventually, Sasaki’s confession. And those first two volumes did have a thread tying everything together, though I felt it was one that the story just brought up frequently rather than revolved around - Sasaki's internal conflict and eventual realization that what he's feeling for his kouhai is a lot more intense than usual. I felt that this was more of a major plot point rather than a central plot arc, though, as unlike what happens to Miyano in future volumes, most of the resolutions for this plot are driven by Sasaki himself. The way he reacts to Miyano's gestures - or, in some cases, Miyano's simple existence - already makes his attraction for him very concrete, and this all largely happens in his own thoughts. It not only makes for a great contrast between the two leads, but it also gives the story the room to explore different facets of the universe it's building.

But Volume 3 beginning with the confession steers the plot to something concrete that it’s working towards - Miyano’s answer. I think it was a great decision to introduce a central plot arc after several episodic chapters, as those earlier scenes being styled that way do a much better job in immersing the reader into the world and familiarizing themselves with all of the dynamics in play. While Sasaki and Miyano’s dynamic is what the manga revolves around, I think what elevates the series and saves it from becoming a simple “will-they-won’t-they(-oh-they-definitely-will)” story is its very solid supporting cast. The “Boys Life” label is already a big indicator that readers should pay attention to the characters beyond the main couple, and these first three volumes introduce us to a lot of great ones that add to the story’s humor and overall laid back vibes.

There are several examples I could talk about in this regard, but the one I wanted to highlight here was Ogasawara, one of Sasaki’s close friends who’s introduced to the story by questioning Sasaki’s sudden affinity for BL manga. This puts Miyano on the spot as he has constantly given Sasaki the impression that fudanshis like him should “live in the shadows” and not let their taste for the genre be known. I thought this was gonna go down the route of the slightly homophobic character that eventually improves as he watches the main couple’s relationship develop, but where the story takes his arc is a lot more interesting (and a lot funnier).

It’s revealed the next time he appears that the reason Ogasawara has a distaste for BL is because of his girlfriend, who he recently found out is a hardcore fujoshi. This leads to a lot of hilarious dialogue where he tries to make sense of his girlfriend’s love for BL in the context of their relationship, but more importantly, it gives a very solid foundation to establish his dynamic with Miyano. This brings us to my favorite chapter of these three volumes, where Ogasawara asks Miyano for advice on how to deal with his (admittedly ridiculous) problem. To Miyano’s own surprise, he ends up giving the unknown senpai pretty solid advice - that her being a BL fangirl has nothing to do with her being Ogasawara’s girlfriend - and it leads to the start of a genuine friendship that, as readers, is easily kept in the back of our minds as something that’s going to be revisited down the line.

And there are a lot of examples of these kinds of friendships being formed around the main couple, with many of them coming to fruition in future volumes. But it’s impressive that with a particularly large cast of characters, Sasaki and Miyano does a fantastic job in making every character someone you want to befriend and actively root for. All of these help in fleshing out these characters and giving the main couple a lot more to work with than just “the boy that pines for the other” and “the boy who’s being hit on,” and to have a fun cast on top of a genuinely cute and wholesome love story is such a treat.

Random thoughts that I couldn’t put elsewhere:

I wanted to mention the major arc in Volume 1 that didn’t make its way into the anime - Miyano’s first cultural festival that almost all of that volume’s extra chapters revolve around. Aside from being a really funny subplot, this is the earliest peek we get of Miyano’s main internal conflicts, though it’s brought up in a light-hearted manner and actually depicts him as being able to deal with it well. It’s an interesting take on his issues, and I think it just adds to how multi-faceted these characters are - instead of being something that Miyano constantly suffers from, it shows that he has found his own ways of making sense of his insecurities, even if he isn’t entirely over them. This arc also features best wingman Kuresawa in the end, and I genuinely believe that the main couple’s situation would be a lot more hopeless without him.

Two extras in these first three volumes revolve around the other main relationship that this universe explores - Hirano and his roommate, Kagiura. Yes, I’m following the spin-off manga, and I have a metric ton of things to say about this dynamic, and I’m honestly thinking of writing a review on it even if I’ve only read the scanlations. But for now, all I’ll say is that it is hilarious that one of the first gags we’re introduced to in the main story is Miyano projecting his BL fantasies onto Hirano and his roommate, only for those fantasies to pale in comparison to what is actually going on between the two.

I also very much have to mention the fujoshi and her friend who find themselves around Sasaki and Miyano quite a number of times, with the former freaking out whenever the main pair do something cute. She is the absolute best character in the series.

Thanks for reading! I have two more reviews lined up for Sasaki and Miyano down the line, one that covers Volumes 4 and 5, and another that covers Volume 6. And like I said above, I do want to write a review on Hirano and Kagiura as well, but it might be something separate from this mini-project as it technically isn’t part of my physical collection (yet). Let’s see!

[absolutebl]

This Week In BL

June 2021 Wk 4

Being a highly subjective assessment of one tiny corner of the interwebs.

Ongoing Series - Thai

Nitiman Ep 8 - I think I love this show so much because it really reminds me of undergrad. Is Keam the best or the worst flirt on the planet? I can’t decide. Anyway, looks like major drama next ep, although this one was rather tame. 

Y-Destiny Ep 13 - the first of the 3 part YoonLayPerth sad series. Talay carries this one and boy does he ooze charisma, such a pleasure to watch. The fact that he hasn’t been given the lead in a full length series is a crime. Anygay, this is a second chance at love story which we almost never see in BL. It’s rare in regular romance too, because it defies “the only one” trope which is such a cornerstone notion. The idea that there might be another “one” is pretty off-putting for most romance audiences. It happens to be a favorite of mine, though, so I am here for this. I love that they are using Lay for this as he has two solid existing pairings and great emotional chemistry with both of them. Bring on the tears, I say. 

Fish Upon The Sky Ep 12 fin - Oh well, next? 

Golden Blood Ep 1 - I like it! The leads are engaging it made me hoot with laughter and left a big grin on my face. There’s only 8 episodes so join me, it’s gonna be fun. (Full first ep review here.) 

Top Secret Together Ep 7 - ooo nice twist for the main couple. And how will this be resolved? Not enough of my side couples, why introduce them if you aren’t going to use them? 

Ongoing Series - Not Thai

Monster in Law AKA Mẹ Chồn Dâu Cáo (Vietnam) Ep 8 - was mostly about the sister side character about whom I couldn’t care less, but it piled on more family drama conflict for our main couple. Beginning to get Cinderfella vibes from poor Jackie. 

Love is Science? (Taiwan) Ep 12 (BL subplot) - DELAYED again. They keep postponing this one week by a week. I’m starting to worry about the health of the cast & crew. 

Friend or Lover (Taiwan) Ep 4 - Probably won’t drop until next month.

Be Loved in House: I Do (Taiwan) Ep 7 - OMG this is the softest side dish ever. I feel like we are witnessing seedling gay cafe advice dads. They are SO CUTE. Meanwhile, tusndere with a heart of caramel is going through his bisexual identity crisis, where’s my popcorn, Harold? Unfortunately, it looks like we have faen fatal incoming. 

Breaking News

Japanese gay series Kinou Nani Tabeta? AKA What Did You Eat Yesterday? is getting a movie. Rumored to be out in November. It was a quiet comforting little series, I suspect the drama of the movie will be coming out at work, but I’m not sure. Anyway, it’s a nice thing to see get green lit. 

Wabi Sabi dropped SantaEarth’s OST for upcoming 7 Project and it’s kinda adorable. Ya’ll know I’m not a big fan of Thai OSTs but this one is cute, bright & cheerful. Santa can actually sing (I am all amazement). There are clips from their upcoming episode at the end, which seems to be high school Love Sick esk. If you wanna know why people freak out about SantaEarth’s chemistry, this OST will show you. Also it’s a prime example of the use of ter for you in Thai. 

Don’t Say No, the new MAME vehicle staring JaFirst, will be a direct continuation of LeoFiat’s storyline from TharnType 2 if the sample is to be believed. It looks soft. Do we trust M with soft? NO WE DO NOT. *this is my conflicted face* 

New Thai BL pulp The Yearbook dropped at trailer, this is directed by Mean (Tin in LBC) and featuring Prem (Team in UWMA) but staring unknowns. It’s a reunion romance about high school bffs (sweethearts?) who parted badly and reunite years later because of a tragedy (?). Something like that. It's coming to Line TV next month starting July 15, 2021, with 10 episodes. 

In Case You Missed It

We Best Love special redux = I got confused because we already had one WBL special (that wasn’t very special) but apparently we were due another one. But this was also... not special? It was WBL#14U with maybe a bit of extra content? I’ll watch it again over the weekend and see if I spot anything new.  

Made in Rooftop - this Korean BL movie was supposed to release this week but I couldn’t find it anywhere, so maybe it’s in theaters and not streaming? 

Speaking of, Korea gave us a BL pulp with some seriously honest queerness and a relatively high heat level. Who knew that could happen? It’s called Company Romance (AKA gay boys in suits) and it’s awkwardly adorable. I’m pleased to report excellent rep of dangling silver earrings, drunken one night stands, and one of the couples is (rumored to be) an actual couple (they kiss that way). On YouTube. It’s kinda self referential and the soundtrack is very funny. Expect all the issues with Thai pulps (only in Korean and short) and you’ll be fine. 

(spot the matching Bromance tats)

Starting Next Week

Ossan’s Love is the Hong Kong remake of the (bizarrely popular) Japanese original as a 15 ep series. Who knows how censored it will be... Hong Kong and China and all that. It’s office-set BL, lots of comedy and I’m looking forward to a fresh take since I found the original story interesting, even though I wasn’t wild about the execution. Think Cherry Magic only, no magic and WAY more flailing. I suspect this one will be hard to get hold of. 

My Boy the series is a new 10 ep Thai BL university pulp that looks like a pastiche, although the POV is out gay (v rare). Enemies to lovers meets secret romance + all the tropes. There’s a 7 minute trailer so you don’t need to go in with a blind eye. I’m interested, but I never met a Thai pulp I wasn’t willing to give too many chances to. It’s supposed to be airing on Line TV soon.

Light On Me is a 16 episode high school set BL from Korea (those might be short eps). Loner boy joins the student council and things get confusing with various members of said council maybe interested in dating him (?). There is also a girl. Honestly, I thought this was anime, so when it came on my radar a few weeks ago I didn’t report on it to you. My bad. It looks like typical Korean BL: low heat, sweet, high production values, everyone v pretty. EXCITING!!! On Viki (teaser). 

Next Week Looks Like This:

Some shows may be listed later than actual air date for International subs accessibility reasons.

Upcoming 2021 BL master post here.

Links to watch are provided when possible, ask in a comment if I missed something.

[tomcats-fandom-blog]

“So let’s circle back to my old favourite punching bag: Age Of Ultron. Specifically the bit where Quicksilver dies. See, Age Of Ultron spends basically the whole movie trying to convince us that Hawkeye's going to die. He gets injured early on, sarcastically announces that he's going to live forever, and we learn he's got a secret family with a loving pregnant wife and two adorable kids and he stares at a picture of them before heading into the final battle. Then, when he runs into danger to rescue a kid and gets attacked by a gunship, Quicksilver zips in behind a car, gets riddled with bullets, says "you didn't see that coming,” and dies.

Couple of problems, and by a couple I mean... WOW.

So, category one, "the twist makes no sense." The movie shows us that Quicksilver is fast as Hell. I have NO trouble believing he could get Hawkeye to safety. But I do have trouble believing he couldn't ALSO get himself to safety. Like, did he... Carry Hawkeye most of the way to the car and then push him while he was still in the open? That seems kind of unsafe at those speeds. It makes more sense that he carried him behind the car, but then why was Quicksilver still out in the open to get shot? The movie doesn't convince me that Quicksilver had to die, and in fact gives me reason to believe he's absolutely fast enough to NOT die in this specific situation. We've seen what bullets look like to him! And it's pretty embarrassing for him to go out like a punk when barely a year earlier Days Of Future Past showcased exactly what a speedster like Quicksilver was capable of. Not a great look.

Category two, "the twist isn't as clever as it thinks it is." When your plot twist looks directly into the camera and cheekily says "you didn't say that coming,” please just... Stop. And maybe fire your writers. More importantly, I did see it coming and so did a lot of people. See, when you give us a lot of really obvious death flags on an important character but then introduce a bunch of disposable new characters, it's not hard to assume that you're faking us out. Vision and Wanda are famous for their relationship in the comics so they were both out of the death running, which just leaves us with Quicksilver, who's arcs are mostly centred in things like Magneto and the X-Men, AKA stuff Marvel doesn't have the rights to. Yeah, it wasn't hard to see that one coming.

Category three, "the twist is less interesting than not having the twist." I want you to picture for a moment, a world where Quicksilver existed for the events of Civil War, Infinity War and Endgame. He'd already started outgrowing his angry, jaded personality and had begun recognising the Avengers as heroes, seeing them do their absolute damndest to save Sokovia from a problem he indirectly helped cause. He started off hating Tony but changed his mind to side with him instead, recognising that all Tony wanted to do was fix the problems he caused. So, if Quicksilver survives Age Of Ultron he becomes an Avenger, most likely as fiercely loyal to them as he was to Ultron, just in time for them to tear themselves apart in Civil War. Say he sides with Tony, seeing the accords as just another step in Tony's journey away from being a weapons dealer he hated. It puts him in opposition with his sister, the first time they've really fought, and would be cool to see them fight! Even if it... Probably wouldn't last very long.

Say he survives the snap in Infinity War, the first time he's separated from his sister. The way they played out Endgame, during those five years there were almost no active supers on the planet. Thor was getting drunk and Hulk was getting therapy, but I don't see Quicksilver taking armageddon lying down. He could be doing his damnedest to keep the peace Flash-style, maybe even clashing with Hawkeye's one man vigilante crusade, a narrative foil situation, each of them responding to the loss of their family in very different ways. Maybe he's doing for Earth what Captain Marvel is doing for the rest of the galaxy, desperately running around keeping things working while the rest of the team searches for a real solution because he's the only one with the powers to do it. Then Wanda comes back after the snap and suddenly there's a five year age difference between these twins. Wanda's still mourning Vision, Pietro's just happy she's alive, and- My God! The emotional baggage they could unpack there. There is SO much potential here, but Age Of Ultron wanted a death and Pietro was available so... Sucks to be him. Bad twist.

Category four, "the twist has no meaningful impact." You guys notice nobody liked Quicksilver? Literally nobody but Wanda. And his death just made her kill Ultron-bots slightly faster than she already was. Quicksilver dies, Hawkeye lives, the cast expands by two instead of three, nobody mourns, nobody gets a funeral, nobody cares. Hawkeye grimaces sadly for a couple of minutes and then everyone puts on their Dark Serious Pants for Civil War. (And I'm pretty sure they don't even mention him in Civil War.)”

-Red from Overly Sarcastic Productions on “Why The Quicksilver Twist In AOU Is Poorly Written.” (Trope Talk: Plot Twists)

[illuminatedquill]

Extracurricular, An Analysis

Oh Ji-soo and Bae Gyu-ri

“Love is the ultimate outlaw. It just won’t adhere to any rules. The most any of us can do is sign on as it’s accomplice.”  - Tom Robbins 

You know the story. You’ve heard it before, right? 

Boy meets girl. 

Girl finds out that boy is running a side protection business for prostitutes. 

Girl decides to blackmail boy into letting her join his business. 

Classic high school criminal shenanigans ensue leading them into more dangerous situations where they are forced to make desperate decisions to stay alive. 

Oh, and they fall in love along the way. 

Oh? You haven’t heard this one before? Then let me introduce you to this delightful kdrama called Extracurricular. 

I watched this one while waiting for the newest Hometown Cha Cha Cha episodes to drop and ended up binging the whole series in two days. There are many remarkable parts of this series: it’s a crime drama, first and foremost, that showcases high school teenagers caught in a cycle of violence and crime, abandoned by the society and adults that are supposed to be protecting them. There are no clear good guys and bad guys in this drama; everyone is cast in shades of grey. Our main leads, Oh Ji-soo and Bae Gyu-ri, run the prostitution business, and are both from broken family backgrounds. Their actions are morally questionable at best, but the top tier performances from Kim Dong Hee (you might remember him from Itaewon Class) and Park Ju Hyun make you cheer for them anyway. You want them to have a happy ending, despite the horrible things they do. The audience is always reminded that despite how clever they are in staying ahead, their actions have consequences, and they’re just high school kids. The drama never pulls it punches. 

But, weirdly enough, it’s also a love story. And that’s the part the really sticks with me until now. (The chemistry between the main leads is absolute dynamite and I could watch ten episodes of them just verbally sparring with each other. They don’t even kiss. They’re that fantastic when together on screen.)

I’m writing this because this is undoubtedly one of my all time favorite kdramas and I have a lot of feelings about our main pairing, Ji-soo and Gyu-ri. I can’t call them a couple (wait, didn’t I just say they fall in love) because their relationship can’t be labelled simply as that. Think of it as something similar to the main leads in My Ahjussi. Two people who should have become soulmates, yet met at the wrong time. 

This kdrama is not particularly happy, and while I do encourage people to watch this, I am warning that the subject matter is extremely dark. If you’re sensitive to scenes depicting sexual assault, graphic violence, or anything in that zip code you’ll want to steer clear. 

Also, I’ll be diving into spoiler territory in this analysis. So if you want to go in clean, then stop reading here. 

Still here? Awesome. Let’s dive deep into the messy, amazing pairing that is Oh Ji-soo and Bae Gyu-ri. First, let’s do a brief character background on our two main leads, starting with Ji-soo. 

Oh Ji-soo is one half of our main pairing and this story starts with him. He lives by himself and has been essentially abandoned by his only parents; his father is a failed businessman who gambles whatever money he acquires on scams and his mother ran away. His apartment is small, sparse, but functional. He owns only a few outfits aside from his school uniform. The only unique item he owns is a pet hermit crab that he takes care of. His life outside of school is non-existent; he has no friends, no one to hang out with and do typical high school teenager activities with. He takes care of himself and lives only for himself and his “dream”: to graduate, attend college, get married, and have kids like a normal person. 

But to do that, he needs a large amount of money. He has no other financial means to do so (his father is largely absent, as is his mother), so he decides, at some point, to start up this protection business for prostitutes. The drama doesn’t go into detail about the how and why he came to this conclusion that this was the best way to make a lot of money in a short amount of time, so you’ll have to suspend your disbelief from the get go. Considering the themes of the story (how youths abandoned by society tend to act out in extreme ways to make it in this world), it’s not hard to believe his desperation would drive him to make such a decision. 

Ji-soo, despite his shady business, is actually a decent person. There’s a streak of humanity that exists inside him that refuses to go out, despite the increasingly dark and bleak events that start to overtake his life. He’s attached to his hermit crab, cares for his “employees” outside of them being tools to make him money, and doesn’t want to see anyone get hurt. He goes above and beyond what’s required to help out people at the risk of his own life (in particular, Gyu-ri, and we’ll get into that shortly). 

What we learn from the first few episodes is that Oh Ji-soo is extremely smart and methodical in how he approaches his life. At school, he is known as a model student - quiet, top of the class in terms of grades, doesn’t draw any attention to himself, always follows along with what the teachers ask of him. Only his homeroom teacher, Mr. Cho, seems to consider his quiet style of existence to be concerning and tries to make him less socially awkward by pairing him up with another student in a new extracurricular club. This leads to the introduction of Bae Gyu-ri, Ji-soo’s longtime crush and future partner-in-crime. 

Meet Bae Gyu-ri, the other half of our dynamic duo. Her introduction into the story kickstarts the entire plot, as one of her earliest actions leads to a domino effect that spells increasing doom and tragedy for our main leads. She messes with Ji-soo’s operation at a critical moment and she spends the rest of the drama doing her best to make up for the consequences that follow. 

In my personal opinion, she is probably the best main female lead I’ve ever seen in a kdrama. Hands down, no other character exists (currently) that rivals her sheer cunning, wit, and badassery. Gyu-ri is Crazy, capital C, and is the chaos to Ji-soo’s control; the fire to his ice. Despite being the direct cause of half the events that happen to Ji-soo in the drama, he can’t help but need her because of what she offers. They make an incredible team. Her competitiveness, her need to win no matter the odds, helps them survive time and time again. 

Gyu-ri is from the opposite end of the spectrum of Ji-soo; he’s dirt poor and she’s insanely rich (always nice to see a reversal of typical kdrama tropes). Her mother and father run a successful entertainment company. Gyu-ri is popular at school, friends with seemingly everybody, pretty, cheerful and gets along well with her teachers. Ji-soo, and the audience, believe from the beginning that she has the perfect life. It’s not hard to believe that she’s just involving herself in Ji-soo’s business because she’s bored and needs an outlet, at first. 

We soon learn otherwise. Gyu-ri has more in common with Ji-soo than he initially realizes, in that they’re both trapped in circumstances beyond their control - it’s just that Gyu-ri’s cage is gilded, whereas his is not. Her parents are strict and have her life planned out for her, all without her consent or input, leaving her feeling frustrated and powerless despite her rich lifestyle. A suicide attempt hasn’t done much to change her parents attitude towards her, only serving to further their control over her life. 

So, when she learns of Ji-soo’s operation she immediately seeks to angle her way into it. First, she tries to rip him off, believing that he’s an evil “pimp” and thus deserves it. But after spending some time with him, she changes her mind last second and decides to help him out instead. 

And, now, let’s get into their relationship, which is one of the best (if not the best) aspect in the entire series. 

I need to be upfront about something: the relationship between Ji-soo and Gyu-ri is not exactly healthy. I wouldn’t describe it as toxic - the circumstances surrounding them aren’t exactly the best environment to encourage open and honest communication - but it’s definitely not what should be considered ideal, especially for young adults, and especially for young adults who are dabbling in crime instead of studying. 

So, why do I love them so much? If you’ve read some of my previous posts, you know that I loathe toxic relationships in kdramas, so I understand if you think I’m coming off as hypocritical here. Why do I like Oh Ji-soo and Bae Gyu-ri when I didn’t like, for example from recent history, (oh boy, here I go again on my Nevertheless BS) Park Jae-eon and Yu Na-bi?

First, Ji-soo and Gyu-ri are way cooler than Jae-eon and Na-bi ever could be. They run a criminal enterprise that involves having a high amount of intelligence, cunning, and daring to do so. Do Jae-eon and Na-bi run a criminal enterprise as a side business? No, they don’t, because they’re boring art students. 

Secondly, Ji-soo and Gyu-ri actually progress in their relationship and change their views as they learn from each other. Now, granted, that progress isn’t towards becoming better versions of each other - quite the opposite. But at least they have progress. Jae-eon and Na-bi stayed in the same stupid cycle for the whole series and then decided that it was better staying that way as opposed to trying for something else. 

Last, but certainly not least, Ji-soo and Gyu-ri are actually interesting to watch for me. The chemistry between Park Ju Hyun and Kim Dong Hee is explosive and they way they spar, exchange looks, and just generally exist around each other on screen is something I can watch forever. I’ve said this before but Han So Hee and Song Kang’s on screen chemistry, outside of their intimate scenes, really didn’t impress me. 

Okay, back to Extracurricular. This relationship, man. It’s all I can think about (other than HomeCha’s Du-sik and Hye-jin, but that’s another post). Ji-soo and Gyu-ri are so good together. 

I’ve noted before that Ji-soo is methodical in how he approaches his life; he plans out everything ahead, and rigs any situation as much as he can in his favor. It’s brilliant, but when a crisis happens, he doesn’t know how to deal with it effectively. He panics and flounders; becomes indecisive at a time when clear, decisive action is required. 

Enter Gyu-ri. She quickly becomes the partner he never knew he needed. When there’s a situation, she becomes invaluable in her quick thinking and wit, coming up with solutions on the fly. It’s not perfect, but it keeps them just one small step ahead of whatever is coming their way. 

The only thing preventing them from becoming unstoppable is the lack of communication and trust they have with each other. A lot of that has to do with how Gyu-ri entered Ji-soo’s business - she blackmailed him first, and, when that failed, she strong armed her way into getting him to accept her help. It’s implied in the drama that Ji-soo has had a crush on Gyu-ri for a while (since ninth grade, I believe) and in the first episode he actually gets the chance to spend time with her outside of school on a sort of quasi-date. 

It goes sideways pretty quickly because of some shenanigans from his business, but not before she gets to know him and says some pretty touching words regarding his situation. Poor guy is head over heels - even after finding out that she’s the one blackmailing him, his feelings are only dampened, not extinguished. When he catches a glimpse of her family’s situation, he gains a deeper understanding of her and why she acts the way she does. Even more importantly, Ji-soo treats her the same after finding out this information which, to someone like Gyu-ri, means more than if he comforted her about it. 

If you want to see a physical representation of how he feels, other than paying attention to his actions, you can see it in him keeping mementos from Gyu-ri. She has an interesting habit of folding bags into origami shapes and giving it to him. Even after the blackmail reveal, you can see that he continues to keep these in a container on his desk. It’s really cute that he keeps these, when it probably doesn’t even matter that much to Gyu-ri. 

Towards the end of the drama, Ji-soo prepares to turn himself in to prevent Gyu-ri from being implicated in the crimes they committed. And it costs him almost everything to protect her. Ji-soo, the quiet, nerdy kid, puts himself on the line time and time again to protect Gyu-ri, knowing that it puts his life and his dream at risk to do so. And all for what? For some girl that he thinks doesn’t even like him in return? 

Well, let’s talk about that. Because I’ve seen some comments that Gyu-ri was only using Ji-soo for her own selfish gain. And I can agree that was how it was at the beginning for her; she definitely was only interested in acquiring money, like Ji-soo was, in order to achieve her own goal of being free from her parents. 

But, oh man, that is not what is motivating her at the end. 

It’s actually pointed out relatively early by some of her friends that it’s obvious that she likes Ji-soo more than he likes her. Understandably Ji-soo is keeping her at arms length from him given the whole recent blackmailing, so it would make sense that it looks that way. 

Further questioning reveals what she likes the most about him: 

“It’s not like I’m crazy about him. He’s fun. And amusing. He’s smart. And there’s a certain charm he has. He also has a wolfish side to him. But he thinks he’s a puppy.” 

- Bae Gyu-ri

But, as she gets to know Ji-soo better, you can certainly see that she starts to fall hard for him. As a cover story for why they hang out so much together during and after school, Gyu-ri states to everyone that they’re dating. The reactions across the school definitely imply that this is a shocking development, which means that Gyu-ri hasn’t dated anyone before. So why Ji-soo other than the reasons she herself states? 

He challenges her, just as she challenges him. Gyu-ri may be the more dynamic, quick thinking of the pair but Ji-soo is every inch her intellectual equal - just in different ways. She doesn’t seem to be the type to be easily impressed, but you can tell that she’s definitely impressed by Ji-soo’s operation and how thoroughly set up it is. When Ji-soo is frustrated at the beginning by his setbacks, he blows up at another student (knocks him out in a crazy punch) and immediately walks over to Gyu-ri afterwards (who saw the whole thing) to inform her that she is now his partner in crime. 

The look in her eyes, and the small smirk she has speaks volumes about her attraction to him in that scene. Smoldering. 

And, oh yes, she’s prone to jealousy. Another classmate, Min-hee, gives Ji-soo a present out of the blue (it was supposed to be for her boyfriend, Ki-tae, but that’s another sub-plot) - all within view of Gyu-ri. It’s hilarious how she tries to brush it off. Later, for plot reasons, Ji-soo has to spend more time with Min-hee which only furthers Gyu-ri’s annoyance. 

And her motivations stop being entirely about the money and more towards helping preserve the dream that she and Ji-soo share about being free. There’s a scene in episode 8 where it’s revealed that, due to a business partnership with a local gang (set up by none other than Gyu-ri herself in a desperate move), Ji-soo would have to drop out of school permanently to work on their behalf. Gyu-ri overhears this and, despite badly needing the gang’s help in sustaining their own business, immediately terminates the partnership. 

All because it would interfere with Ji-soo’s dream. 

Man, if that isn’t love. 

In the following episode, Gyu-ri, and later on Ji-soo, is kidnapped by the same gang in retaliation for terminating their partnership. Ji-soo comes to her rescue but Gyu-ri is already almost free (again, she’s really, really badass) and is demanding that they bring Ji-soo to her instead of running for her life. 

Surviving this latest attempt puts the two in a reflective, vulnerable mood and Gyu-ri asks Ji-soo why he keeps saving her. Ji-soo asks later on why she keeps risking her life to be with him. They don’t say the answer in words but in an almost kiss (yeah, you read that right - almost). 

And then, if you aren’t already convinced, Ji-soo crosses his one last remaining line in an effort to keep Gyu-ri safe; he accidentally pushes a fellow classmate down some steps and, instead of helping her, leaves her to die after grabbing the evidence she has on him and Gyu-ri. 

Extracurricular pulls off quite the magic trick here, hiding this well done love story in the middle of a serious crime drama. 

The real tragedy is that Ji-soo thinks that Gyu-ri views this whole business, and by extension his life, as one big game. It’s something that she takes offense at, visibly becoming upset when he says that. 

But even if that were true, he should be assured since Gyu-ri doesn’t like to lose. 

As they hurtle towards the end and face up to the consequences of their actions, Ji-soo and Gyu-ri undoubtedly lose sight of their original goals and dreams. They do some fairly horrible things to stay alive and ahead of the police who are close on their trail. You can’t really blame them for doing what they did; in the face of a society that has abandoned them, what they’re doing is a logical outcome to gain what they want so desperately and deserve so much: the chance to be free to live like normal, care-free people. 

I can’t say for certain that they achieve that. The drama is serious in consequences and, at the end, the net around them is drawing tighter and tighter. I won’t spoil the ending scene for you, because I highly encourage you watch this drama yourself but I will say this: Ji-soo and Gyu-ri seem stuck in an impossible situation with nowhere to go, and no one to help them, with a clock ticking down towards either death or discovery by the police. 

But, all the same, I’m always the optimist. They’ve gotten through situations like this before and they can certainly do so again. Maybe not as bad as this one, but not too far out of their league. And, like I mentioned before, Gyu-ri doesn’t like to lose. Especially when it comes to Ji-soo. 

Their relationship is truly dangerous, as Ji-soo himself notes. Them being together is the source of their problems; they’re too much alike now, as opposed to the beginning of the drama where he stated that they’re too different. Their love is the kind of love where both of them are willing to burn the whole world down if it means keeping each other safe. 

I’m a real sucker for those kind of love stories. No one’s a hero here. They’re just kids in high school, doing the best with what they know. 

Who are we to judge what is right and wrong? Especially when the one committing the acts are high school kids who don’t know any better and just want to save each other? 

Do we have that right? 

Do they really deserve that punishment? Shouldn’t we be pointing fingers at the society that forced them to act this way? 

Extracurricular really makes you think about that. Is it really so outlandish and terrible what Ji-soo and Gyu-ri do to survive when the adults who are supposed to be protecting them, teaching them better, have failed in their duty? 

Maybe they really did win at the end. Not so much in succeeding in their goals but in gaining something that not even regular people are likely to find - a partner, a soulmate, someone who will stand by you no matter what. 

If you do watch the ending, and are not an optimist like I am, then all I can say is this: whatever happened, they were together at the end. 

They were together. 

[yoontaethings]

normal kind of love — jjk (1)

pairing: jungkook x reader 

rating: explicit

word count: 2.5k

warnings: a lot of cussing and some teasing if you squint, but other than that none really (the warnings will come next chapter lmao)

you’re one half of hollywood’s on-screen it couple. the greatest chemistry known on-screen with the one and only, jeon jungkook, the bane of your existence.

a/n: this was supposed to be a longer chapter but i decided to split it in half to tease potential readers mwahaha btw this chapter is very very unedited, though i did postpone the upload because i had to remove some parts because i just thought the story didn’t need those bits anymore lol but the rest of this story i haven’t even read through yet, i just wrote and wrote and wrote so please excuse any errors (my tenses might also not be consistent but i’ll edit this soon)

taglist: @min-nicoleee @thisartemisnevermisses @ggukkieland @kokoandkookie @somelazysundays

There was no way.

There was no way in hell they were pairing you up with him. Again.

You were confirmed to be cast as the female lead in the movie before any other characters were casted. They should have chosen a different male lead for this romance film. Heck, even Kim Taehyung, a friend of yours, received an offer for the role and you were certain he planned to take it. Unfortunately for you, even if Taehyung wanted the role, he couldn’t accept it because of scheduling conflict with another film he’s already working on.

Jeon Jungkook, an actor you starred alongside in “Dangerous Illusion”, was just confirmed as the male lead of your upcoming movie “Chosen for Pleasure”. The same man who seemed to make it his life goal to ruin you. After Jungkook was confirmed to play the male lead in your upcoming movie, fans on Twitter have been blowing up about it and made you two a trending topic worldwide. Elated fans mentioned you in their tweets expressing how happy they were to see you two again together. You wish you could say you felt the same.

The previous movie you worked on was a thriller/mystery. You played the part of Jungkook's wife in the film. The film was a blockbuster hit, as a result of the well-thought storyline, yet additionally because of its leads. Fans adored the chemistry between you and Jungkook, regardless of not having a lot of romantic scenes in the film. There were a lot of fans who wanted to see you two on-screen once more, this time, in a romance focused film. Looks like their wishes were coming true.

To add insult to injury, your impending film was going to be an adult romance. It required some steamy scenes that normally didn't trouble you because you were a true professional, yet absolutely irritates you now since you need to do them with Jeon Jungkook.

The script reading was to be done today and your eyes opened an hour later than the time you set for your alarm because of the fucking snooze button. Seriously, why were snooze buttons even invented? They just allowed people to sleep through their alarms continuously.

Hand reaching for the phone on your nightstand, you knocked over a booklet that was over it. It was the script you spent hours reading to grab a sense of the character you were going to portray. Obviously, you already knew the basics about the part you were going to play, but knowing the entire story helped in portraying your character.

Your eyes squinted at the bright light of your phone that had the numbers 8:33 glaring at you, unlocking it to see a couple of texts and missed calls from your manager.

‘Are you awake yet?’

‘Please don’t tell me you forgot about the script reading today’

‘Ok I know you’re still asleep but just make sure you get ready on time, being late won’t do you and your image any favors’

‘I’ll pick you up at 9’

You rolled your eyes at his messages. You loved Hoseok and he was the best manager you could have been given from your agency, but he nagged too much. He was also your friend and his endless nags made you want to rip your eyeballs out sometimes because even when you’re supposed to unwind with him, he never forgets to remind you of your job.

‘I’m the fucking lead, Hobi, they’ll wait for me’

You slapped your phone back onto the nightstand and started going about with your morning routine. You didn’t have a lot of time, and even though you knew they would definitely wait for you, you hated being that bitch who made people wait so you took a quick shower and slapped on some sunscreen, powder, and finishing off with your go-to lipstick. You didn’t bother with makeup and dressing up. This was just going to be a script reading and sure, there were going to be photos taken but the thousands of dollars you’ve spent on facials and treatments already made sure your face was at least flawless despite the lack of effort.

Bringing only your phone, wallet and script, you exited your building and as usual, a shiny black van already awaited outside. Hoseok was leaning on it, scrolling through his phone when he sensed your presence and looked up.

“Oh, thank god you’re on time.” He exhaled in relief, pocketing his phone.

“I value sleep but you’re well aware I also value my career.”

Hoseok grinned. “Now there’s the y/n I know.” He then slid the van door open and you entered without another word.

The drive was pretty much uneventful, with you scrolling through your social media, seeing what fans have been tweeting about recently and with Hoseok humming along to the random pop music playing.

You longed for a distraction, something much more interesting than working your thumb throughout the drive because of the chasm that you were about to jump into when you arrived on set. You weren’t stupid enough to forget about the man who got the role of your romantic interest in the film. But you were wise enough to not let it haunt you for the past weeks. Now though, you can’t really avoid it anymore since you were supposed to be seeing him in person again after almost 2 years. You didn’t exactly leave on the best terms with Jungkook but who knows, maybe you’ll be able to act civil around each other.

At least you were sure you were going to act civil around him, already decided on taking the higher path. You’re not so sure about him, but fingers crossed he’ll at least be an adult about the situation and pretend he can stand being in the same room as you.

Soon enough, you were entering the room the script reading was to be held in. Bowing and greeting the actors and staff seated around the table as you passed by to get to the last vacant seat. You caught Jungkook’s eyes following your movements as you sat down. Luckily, he was seated across from you and it was easier to ignore his presence with the staff members greeting and coddling you.

As always, script reading began with actors introducing themselves and the role they’re going to play. As the female lead, you started off.

“Hello everyone. I’m y/n y/l/n and I’m going to take on the role of Yuri.” Hands clapped around you as you sat back down.

“Hello, I’m Jeon Jungkook and I’ll be playing Ryan.”

You didn’t bother clapping unlike the rest and avoided the eyes of the voice’s origin.

The script reading continued without a hitch– for the most part. The other cast members were very friendly, and laughter was exchanged during the read. The same couldn’t be said for you and Jungkook though.

When lines between your characters were exchanged, there was a weird tension in the room. It felt like everyone else were holding their breaths and waiting for either of you two explode and announce that you can’t do this film anymore. As dramatic as that would be, none of that happened. Instead, cheesy romantic lines sounded flat and bored from both you and Jungkook. The director made a tsk-ing sound whenever that happened.

“It’s always been you.” You read. The script said that Yuri and Ryan stared in adoration towards each other before Ryan uttered his next words.

“Marry me?” Jungkook asked.

You nodded your head as a wrap for the script reading. According to the script, there was supposed to be a kissing scene at the end, so you make ridiculous smooching noises. The cast burst into giggles before the director stood from his seat.

“…and that’s a wrap!” He clasped his hands together. “Hopefully when we start shooting things only look up from there.” He flitted his eyes between you and Jungkook.

Honestly, you wish that too but from yours and Jungkook’s history, you don’t really think that’s possible.

You were both professionals though and you’re sure you could at least count on him to make the on-screen romance feel real.

“I’m sorry.” Hoseok said with pity in his eyes.

“Wha- but… why?” You asked, confused with what was happening.

Your part in the new film ‘The Notebook: Remake’ has apparently been withdrawn. As one of the rising stars in Hollywood, this was a really great opportunity for you. It’s one of the most anticipated films and accepting the offer of being the female lead in the movie was a no-brainer. Anyone who refuses that role is just stupid.

But now they were apparently taking it back.

Hoseok sighed. “There were too many scandals surrounding you recently. It doesn’t matter if they’re true or not, but you’ve been seen in hotels that Jeon Jungkook has been in too, and in everyone’s eyes you’re now secretly seeing him.”

“But we’ve never even been seen together in any of those photos. Don’t people know the word fucking coincidence?” Your brows furrowed, fists clenching at your sides. “And what does this have to do with my role in the film?”

“It seems they wanted someone with a ‘cleaner image’ and someone who’ll get the film to be a hit. Apparently, the romance won't be convincing if the female lead is dating someone in real life.”

You stared at Hoseok. He stared back waiting for a lash out, an angry outburst, anything really, but you remained silent, eyes unmoving. Soon enough, the dam doors burst open and the tears suddenly came streaming down your face. Hoseok exhaled and wrapped his arms around you.

“Hobi what did I do so wrong to deserve this?” you sobbed into his chest.

“Shh, it’s not your fault they’re all dumbasses. But you know the industry, y/n. We’ll find better films for you, okay?”

“Why is Jeon Jungkook such a thorn on my side? Why is he always ruining everything for me?”

“We can’t blame him, honey. He’s probably a victim in this too because of those damn rumor outlets.” Hoseok rubbed his hands along your back.

“But I’m getting the short end of the stick! The rumor is probably just feeding his bad boy persona!”

“Life’s unfair, y/n. Surely by now you’re aware of that. Just remember, karma’s going to bite them in the ass someday, okay? For now, do you want to call it a day and go home? I’ll drive you back and I’ll just report to the agency that you’re not feeling well.”

You nod your head, too listless to bother answering with words because there was only one thing on your mind right now.

Fuck Jeon Jungkook and his good looks. He just ruined the best opportunity for you. You were going to get him back for this. Like Hoseok said, karma’s going to bite him in the ass someday. And that karma was going to be you.

You were supposed to be looking forward to filming one of your dream movies with your dream director. But all you felt was dread when you arrived on set. You promised yourself that you’d stay unaffected to Jeon Jungkook, but you couldn’t help the distaste for him to be left on your face while filming.

The scene you were shooting was when your characters first met and the first takes were a total disaster. You and Jungkook barely spared each other a glance, even when your character was supposed to be enticed by him, breaking down Yuri’s cold exterior. A break was called after the 6th take because the director was so frustrated that he looked like he was about to call the casting director and replace his two leads.

You sighed, not knowing what to do with yourself after the announcement of a break. Your feet led you to your dressing room, ready to pass out on the couch but before you could, someone barged in. Your head turned towards the door, expecting it to be your manager or the director or anyone really, just not the person who currently stood at the doorway.

“Can we talk?” Jungkook asked. Your eyes were suddenly drawn to his biceps which bulged from his shirt as he crossed his arms. The damn arms looked delicious. Too bad they belonged to someone you would never ever be attracted to.

“Sure.” You shrugged your shoulders. You were sure he came here to talk to you about filming and how to work out your indifferences and shit like that and honestly, you were so tired of hating him you’re ready to just go along with whatever. Hating someone actually takes a lot of effort, you realize.

Jungkook stepped towards you until he’s close enough that you had to tilt your head upwards to look at his eyes. His eyes locked on yours for a moment before his arms uncrossed and one of his hands landed on the wall behind you. He successfully caged you in with no way out. His lips part and your eyes are drawn to the movement, feeling his exhales on your nose. You swallowed nervously.

Good lord his breath smelled so good.

“Babe, I’m sure you’re just as thrilled as I am to be working with you again as you are with me, but let’s not mess this up okay? Let’s get this over with perfectly and quickly so we don’t have to deal with each other again after. Deal?” His eyebrows raised in question and you nodded dumbly, unable to form a coherent sentence with how close he was to you.

You felt a sudden rush of heat down there and was mentally cursing the man in front of you for how much he was affecting you. He tilted his head to the side and leaned in closer to your face as if he was about to kiss you then he suddenly stopped, his mouth forming a smirk, taunting you.

That smirk was all it took for you to snap back to reality. No, you were not going to let him take the upper hand here. A burst of confidence surged through you as you leaned closer to him too and allowed your lips to brush lightly against his cheek.

“Deal.”

You pulled away, satisfied with how his lips drooped apparently not expecting that. You looked down and there it was, the tenting of his pants that brought a coy smile to your lips. Ha, take that.

You glanced back up at him, your fingers trailing over his thighs. “Aw, didn’t realize you saw me that way Jeon.” You abruptly pulled away and walked out of the room without another word, leaving him hard and defeated.

This is the beginning of his karma, you thought as you grinned to yourself.

[thankskenpenders]

And so that’s it... nearly 200 issues deep, we’re done with the contributions of original writer Michael Gallagher. I’ve been asked in the past about the possibility of writing an article going over Gallagher’s run, like what I did with Penders. And I might still do that. But for now, here’s a shorter postmortem summarizing my feelings on the work of the original writer for history’s longest-running video game comic

I think it’s easy to look back on Gallagher’s silly old stories with a lot of nostalgia, especially after seeing what the series would become in its Dark Age. I can’t blame anyone who feels this way. I feel that way sometimes, too. It was a simpler time, with short, self-contained stories and a ton of puns, and it was a lot more easily digestible than a lot of the teen melodrama and half-baked sci-fi that followed. But the thing is... that doesn’t mean that Gallagher’s writing was good

Gallagher was always an odd fit for Sonic. I can’t really blame the man for introducing lame concepts like Cal and Al that didn’t fit in with Sonic early on because it’s not like he had much to work with in the early days. The guy was expected to write a monthly comic series based on a couple 16-bit platformers with very little story and some snippets from a cartoon that wasn’t out yet. He also had no way of knowing that his work here would lay the foundation for the longest video game comic ever made. I don’t envy his job. Of course he’d do a goofball story where Sonic travels back to caveman times. It’s not like he had much else to do

But as the series progressed and the cartoons and games gave the comic writers more material to work with, Gallagher didn’t really play along. He gave us a few solid, fun stories like Mecha Madness, but for the most part he was off in his own world, trying to sell us on shoehorned characters like the Forty Fathom Freedom Fighters or the Downunda Freedom Fighters who existed almost exclusively to deliver new flavors of lame pun. One time he even worked with Jim Valentino to make a naval-gazing parody of classic Guardians of the Galaxy so they could make lame puns about a comic they used to write (that very few children in 2001 reading Archie Sonic would be familiar with)

People generally pinpoint Penders as the guy who became obsessed with his own pet characters over the main cast as time went on, but really, Gallagher was just as guilty. And honestly, sometimes Gallagher doing it bugged me more. At least Penders had some prominent characters people actually liked, like Elias, Lara-Su, and Julie-Su, as well as some semblance of an overarching plot to work with. Meanwhile Gallagher was over here trying desperately to get people to care about a group of characters he had created exclusively as a vehicle for trite Australia jokes

Gallagher did introduce a few characters who stuck around, but he doesn’t really deserve much of the credit for that. Most notable would probably be Fiona Fox, who would become a major recurring character under later writers... except Gallagher only really invented her robotic doppelganger that Robotnik tricked Tails into falling in love with that one time. He created Knuckles’ grandfather Athair, the one comic character to somehow make it into a cartoon, but Penders helped out with that lore and did more with the character, meaning most people just assume he’s another Penders echidna. He created Tails’ parents, but Karl and Ian were the ones who actually did stuff with them. And he created the Ancient Walkers, who were kind of neat at first but quickly devolved into a tired plot device, only to be killed off by Ian almost immediately to cut down on the deus ex machinas. If you look at the list of characters Gallagher created, it’s mostly just randos he created for the sake of puns

And that’s really what most of it comes down to. Lame puns. I’m totally down for Sonic stories that go for a silly tone. I love Sonic Boom as much as the next fan, and I’ve been having a blast with the extremely goofy Sonic X comics. I’m not a cartoon snob who won’t watch a show that doesn’t have action and drama and lore, I’m out here watching shows like Apple & Onion. But while Gallagher could write good jokes sometimes, he mostly relied on groanworthy newspaper strip-level puns. (I guess it’s fitting, considering he’s related to both the guy who created Heathcliff AND his successor who makes those comics about the Garbage Ape.) I love me a good pun from time to time, and a lot of Gallagher’s are funnier when shared out of context, but when a story is just wall to wall puns it becomes agonizing. Puns should be a spice, not a main ingredient. And when Gallagher got a chance to follow an ACTUAL newspaper comic strip format in the Off Panel, he fared even worse. It was so rare for the Off Panels he wrote to actually be any funny

He WAS genuinely funny at times, though. I’ll give him credit for that. I don’t want it to seem like I hated ALL of his stories. (He did impress me with at least one political joke that’s sadly still relevant today, and in hindsight there’s something really funny on a meta level about the dark and gritty return of Cal and Al.) I think his best work came when he was paired with better artists. Scott Shaw’s more energetic Sonics really helped sell the cartoony comedy in the original miniseries, and obviously Spaziante’s work on Mecha Madness made that story legendary. When he was stuck with the less exciting Manak or Mawhinney, though, not so much

Beyond the puns, there was also this undercurrent of nastiness, meanness, and general grossness in his stories that I don’t see as many fans pick up on. This was mainly evident in the many odd decisions he made with the female cast

We had his take on Sally, who was treated as little more than Sonic’s annoying, moody, bossy girlfriend who bickered with him, sat on a big throne, and occasionally got to be a damsel in distress. He added Bunnie to the cast early on, but it felt like he didn’t have many ideas for what to do with her except make her the butt of jokes about her being a southern belle, including literally making her say “the South shall rise again!” We had Barby Koala’s extremely creepy flirting with Tails, who was half her age. We had that tone deaf Off-Panel joke about turning the special dedicated to the female readers into a swimsuit special (which isn’t far off from what everyone else actually did). And we also had that baffling story where Dulcy killed her mother. I have NO idea what the fuck he thought he was going for with that one.

It wasn’t just the girls, though--Antoine was somehow even more of a punching bag in Gallagher’s early stories than he was on SatAM. At least in the cartoon Sonic was responding to Antoine’s’ massive ego when he poked fun at him. In the early comics, Sonic would constantly rag on Antoine at any opportunity he got. It was VERY distracting in the early issues, and it made his Sonic come off as way more of a jerk

Later writers would often talk about needing to fix certain characters. Penders, for all his countless insufferable faults, used his early stories to steer Sally towards the version of the character fans knew from SatAM. (He then ruined Sally in his own special way, but, you know.) Just about every writer who touched him spent years and years trying to fix Antoine and make readers stop hating him. The unspoken part here is that the original incarnations of these characters that everyone had to work so hard to fix... were Gallagher’s

Again, Gallagher didn’t have an easy job as the first writer on this series, and most of his stories were... fine. Nothing I’d recommend to non-fans, but they had their moments. They make for an amusing read for their sheer absurdity. But a lot of it ranged from not very good to outright bad. We’ll always cut him some slack for having so little to work off of when he started and for writing stories that were, in hindsight, better (or at least less grating) than a lot of the melodramatic schlock that came later. I’ll always have some nostalgia for those simpler times. But that doesn’t necessarily mean that Gallagher’s stuff was ever all that good

But I can’t hate the guy too much, because he gave me the greatest Sonic character of all time

[enbylesbianism]

ANY WAY THE WIND BLOWS: Simon Snow trilogy wrapped! (review)

Hi, there! It took me a while to finish this post, as I could talk about it for... a long time (not necessarily a good thing), but I got it! I like praise, so if anyone wants to tell me I did a good job... Also, I might edit this post later on. I don’t remember anything else I’d like to add, but I wouldn’t be surprised if I did after posting. My brain does not obey me. Anyways, off to it! By the way, I won’t give this book a real rating.

While this is a review on Any Way the Wind Blows, I intend on analysing some points of the overall series too. The book starts where Wayward Son left off, the end of the road trip, Simon and Baz having problems in their relationship, Penelope helping Shepard with his curse... and the whole situation of the NowNext vampires. Rainbow Rowell only seems to remember the first part. That leaves us with the second book of the series ignored almost completely, with the exception of Simon and Baz’s feelings as well as Shepard’s existence.

Don’t get me wrong, aspects of the book are mentioned, but never in a truly important way. Lamb, the Vampire King, is mentioned by Simon, but only focusing on his and Baz’s relationship, never about the fact that there are a bunch of vampires (supposedly ‘evil’) in the U.S. but I guess what happens in Vegas stays in Vegas, right? I could count on one hand the times the NowNext vampires were mentioned (like, literally, this isn’t an exaggeration, I looked up ‘NowNext’ on the e-book and only got five results), all of them either being one of them considering telling someone else about it, then not following through with it, or dismissing it as a concern for Lamb. Which makes the plot of Wayward Son completely useless for the trilogy. Now, that wouldn’t matter as much if everything else had been properly developed, but we definitely can’t say that.

We are introduced to a brand new, poorly developed villain, Smith-Smith Richards, whose character arc is as ridiculous as his name. He’s one of the fake Chosen Ones that started appearing after the events of Carry On (and the only one to be mentioned and/or defeated, for that matter). It becomes clear that presenting as Simon Snow-ish is part of his brand, especially when Baz describes him as looking like the Netflix adaptation version of Simon, and that he was raised and guided by his uncle, who’s just... there. I don’t think it would’ve been hard to make him manipulating Smith-Smith into believing he’s the prophetic savior of the Magickal World, which would not only make both of their characters more interesting, but it could also serve as a parallel of Simon’s relationship with the Mage. Richards also has some special powers such as increasing a mage’s magic for a limited amount of time, but taking it away afterwards, as well as making someone immune from spells. It’s worth saying those aren’t skills that are usual in the Magickal World, or else there wouldn’t be so much confusion and shock from people (specially Baz and Penny, who would definitely have heard of something like this before), but we get no explanation on why or how Richard has them.

Then, we have the Salisbury’s. We, as readers, already know Lucy and Davy are Simon’s parents, making Ruth his grandmother. It’s noticeable that Rowell builds up to that discovery, by making Simon get along with Ruth instantly, him thinking about Lucy a lot etc. It makes us excited to read the part where they actually figure it out, to know how Simon would deal with that, him dealing with the fact that he’s the Mage’s son and the fact that, technically, he killed his father. I suppose that’s the point, but actually getting to that part was incredibly underwhelming. The way they discovered about Simon—being able to lift a family sword—hadn’t been mentioned or hinted at before. One would’ve expected Simon, who’s particularly interested in swords as it’s mentioned many times throughout the series, to notice a freaking Excalibur at the Salisbury’s place before. 

And speaking of noticing things: when it’s finally revealed that Simon is Lucy’s son and the Mage’s heir, Baz pointed out the uncanny similarities between his boyfriend and the deceased Watford principal. “Those narrow eyes. That tilt of his head. I thought... I thought he’d learned it. Was imitating it.” + “Merlin, Simon, you even look like him.”  (Any Way the Wind Blows, chapter 86) Simon was the Mage’s protégé for years and I assume the Magickal authorities knew that he was the one to inherit all of his money and personal belongings, but no one, in the whole British Magickal community, thought about them being related? I refuse to believe there were no conspiracy theorist teachers at Watford or that Mitali or even the Pitch’s alongside everyone who was against the Mage didn’t at least check to know if there was something behind those characteristics. Baz literally said (chapter 88), “I think it’s undeniable. I’d cast ‘Flesh and blood’ on them, but it would bounce right off of Snow (...)”, so there is a spell for that. Plus, we didn’t even have one whole chapter of Simon dealing with this information! The chapters (no more than five, out of ninety-one) were divided between Simon, Baz and Lady Ruth’s POVs. He’s the main character, so one would think he’d get more development.

Another point that felt rushed was the romance. While Simon and Baz’s relationship wasn’t, as it’s been a topic Rowell has explored for three books (we’re not counting Fangirl here, as their ‘participation’ on it was minor and their personalities weren’t as consistent as in the trilogy. Not that it is that consistent there), the others just felt like she wanted everyone to finish the trilogy with a pair. I’ll start with Shepard and Penny. There were fans who liked them together before Any Way the Wind Blows, but it wasn’t hinted at—it was more like a fandom thing. I personally like them as a couple, but it could have had development and, maybe, foreshadowing in Wayward Son. I mean, they did fight monsters during a huge part of a road trip together.

The next one I’ll talk about is Agatha and Niamh. I love them, don’t get me wrong. Actually, it’s precisely because I love them that I wish they’d gotten a better treatment. Niamh wasn’t introduced before Any Way the Wind Blows. I get why she wasn’t introduced in Carry On—it was interesting to see a character who wasn’t caught up in Simon and Baz’s drama during the school years—but a hint of her existence could’ve been left in Wayward Son. Agatha is an important character on it, and a mention of her father training an aspiring veterinary could’ve fit somewhere, as a hint, maybe. (Also, Lucy, the dog, being absolutely forgotten during this book when a lot of Agatha’s time is spent in a veterinary clinic...) Besides, we could get the vibes from them, but after they kissed, there was barely any content. We didn’t get them calling each other ‘girlfriend’ (or if they even like that label at this point), or the aftermath of the kiss, or a POV from Niamh. Or Niamh appearing the epilogue? If Agatha was taking care of the goats, I’m sure Niamh would have a part in that too. Still on Agatha’s character, but not on Niamh’s, it felt like Rainbow Rowell was setting up for aromantic and asexual Agatha, specially because of this quote: “It was like she'd pulled the feeling right out of my heart. I could have kissed her. (I still wish sometimes that I wanted to.) (That would feel like an answer to... the question of me. Then I could say, 'Oh, thats who I am. That's why I've been so confused.')” (Wayward Son, chapter 4).

And I was leaving the best (I need to be sure everyone knows I mean this sarcastically) of the romance topic for the end: Fiona and Nicodemus. It’s just... so forced and undeveloped. Not even because, to me, they’re both gay as hell. There was just... such a lack of development! I don’t think we had any interaction between the both of them before Any Way the Wind Blows. There was no foreshadowing or why would Fiona, a vampire hunter from a family of vampire hunters, would marry... a vampire! I’d already find it weird to see fanfiction of them as a crackship, but it’s canon?! Like, canon as in they’re going to get married and use Fiona and Natasha’s mother’s ring? Seriously, nothing will take from me that this is a lavender marriage (as I’ve already discussed with my best friend, which inspired this post of theirs.)

I’d also like to speak about a topic that’d been hinted throughout the series, especially post-Carry On, which is the criticism towards the Magickal Community in the U.K.. That criticism is very much embodied in Shepard’s character. It’s explicitly said that the British mages have some kind of supremacy towards other supernatural beings, such as vampires for example, gatekeeping literal magic. Up until relatively recently, mages with weak links with magic couldn’t attend Watford (and that’s a major plot point in the final book) and there’s a denial towards any other kind of magic except the ones that are part of their craft. Even within the Magickal community itself, there are more important families that are more likely to succeed, like Natasha receiving criticism for marrying Malcolm, as a Pitch. It felt pointless not to tackle the issues you’ve set up yourself in your own universe. Penelope has very strict morals related to magickal law and beliefs, something that she could’ve deconstructed, especially considering Shepard, her love interest, symbolises that. Another point related to that is, the trilogy is very clearly heavily inspired by Harry Potter, where many of those points are very clear (e.g. wizard supremacy in relation to other species, such as werewolves and domestic elves and the status quo that makes some traditionally magical families more influential than others, like the Malfoy’s vs. the Weasley’s), so it’s not an easily forgettable concept.

The series also had a lot of inconsistencies. The one I’ve seen talked about more often is Simon and Agatha’s... intimacy status, let’s call it that. Simon’s whole thing in the first book was that he struggled controlling his magic when experiencing intense emotions, which makes it hard to believe that he managed to have sex withount an... accident. Besides that, though, there’s this quote, “She (...) presses a kiss into my temple. No one has ever kissed me there. No one has ever kissed me anywhere but on my mouth” (Carry On, Chapter 27), but in Any Way the Wind Blows, when Simon’s about to have his wings cut, Agatha says, “It’s a strange feeling to look at someone’s chest and know it’s nothing to do with you anymore, but still to remember kissing every inch.” (Chapter 14)

So, we have established that Rainbow Rowell’s work, both character and plot driven, is flawed. “But we got the characters interacting for the closure of the series, at least!” Well... we got interactions between the canon romantic relationships, yeah. But besides that, we didn’t get much. There were no interactions between Agatha and Penny, or Shepard with Simon and Baz. Or Penny and her mother figuring stuff out. Or literally anyone with a therapist. And not gonna lie, the interaction we got between Baz and Dev was underwhelming, to say the least. Niall is nowhere to be seen, too.

Rainbow Rowell’s writing is beautiful: she writes poetic lines that make the book seem perfect at first glance, if you don’t think about it for too long. Her words are very shiny, but once you get use to that light and see what’s behind them, what’s between one shiny quote and another, it has so many flaws and plot holes that it reads like a first draft. There are many concepts in there that are genuinely good: the rest of the trilogy focused on the protagonist dealing with the trauma of being a child soldier instead of being entirely an adventure, Simon being unlabelled, a fake Chosen One that gives mages fake hope... Those are all good ideas, but so poorly explored that, despite being an entire book/trilogy, it still feels like a writing pitch or something among those lines.

I felt iffy about other things during my reading of the series, but they aren’t exactly plot points, so I’ll just list them below:

Mitali, Penny’s mom, including ‘discovering your bisexuality’ as a mid-life crisis thing 

As I’ve seen people talking about biphobia/bi erasure in the books, I’ll be including this post that features both unlabelled and bisexual individuals talking about the topic (it isn’t my place, as a lesbian, to talk about this, that’s why I decided not to do so.)

Romanticising of Baz’s suicide (a.k.a. chapter 61) in the first book. If you’re not in a good place mentally, like I was when I first read Carry On, I hope you know that a kiss or romance doesn’t help any mental illness you or others might have. Don’t let anyone use your guilt to manipulate you. Paraphrasing Alice Oseman in their graphic novel Heartstopper, love can’t cure a mental illness.

Any Way the Wind Blows was... very horny. I can’t point out how this makes the book bad exactly, but it wasn’t something I enjoyed. One of Rainbow Rowell’s strongest skills is that her quotes, when loose, are good. They tend to be poetic and just beautiful, overall. But in the... explicit scenes, these skills were barely used, and I felt like I was reading NSFW tweets off of someone’s private account on Twitter. Besides, the first two books of the series weren’t written like that, so the change was very sudden.

The older people could’ve been more explored. Penelope and Mitali’s relationship and how similar the both of them are compared to each other, Daphne and Professor Bunce’s insecurities and why they believed in Smith-Smith, Fiona, Nico, and Ebb... Also, the Mage and Lucy. We could’ve had more on them, y’know. 

The pop culture references. They made the book read even more like Twitter’s feed. Honestly, if I wanted to read prompts and nice ship content alongside memes from Twitter with some horny thoughts sprinkled all around, I would’ve opened the Twitter app. Or Tumblr, Instagram, whatever.

The POV switching felt lazy to me at times. It’s nice to know how different characters are experiencing that situation, yes, but sometimes, like during the discovery that Simon is a Salisbury, it read as if Rowell wanted to create tension, but couldn’t think of any other way to do it except the switching around.

Narrative wise, I think Simon and Baz should’ve spent more time broken up. 

[kaizokuou-ni-naru]

The Voyage So Far: Enies Lobby

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

this is still one of my very favorite nami panels. i think she’s really great through all of water 7 and enies lobby in general, actually, even though she isn’t really one of the characters in focus for a lot of it- like zoro and sanji, she stays pretty steadfast and very badass even though everything that happens, and never gives up on robin for a moment despite being one of the ‘weaker’ members of the crew. and it’s always fun to see her playing with lightning.

one of my favorite jokes from the first half or so of enies lobby is the strawhats both being completely unsurprised that luffy charges in ahead of them as soon as they arrive AND being able to find him immediately by following the explosions. they know him so well. 

luffy’s never been scared of dying, going all the way back to when he told coby he was fine with dying for his dream back in chapter two or three. that conversation is what his exchange with blueno here reminds me of- blueno asks him how long he intends to keep fighting, and luffy says until he dies, like there’s nothing to it.

it’s always been a trait of his to face death unflinching with a grin, so long as it’s for the sake of something he cares about, be it his crew or his brother or his dream, and i just really like that about him.  

i’ll go into it in the dressrosa post too, but i think it’s really impressive just how long oda held off on giving luffy any sort of significant power-up. he gets his first big power boost in the whole series here, forty volumes in. i’ve always liked that oda is very conservative with power boosts like this, because it both keeps the series’ powerscaling in check and makes the times it does happen much weightier. this is a monumental moment, and it feels like it.

also, i love the way gear two is drawn pre-timeskip, especially with the steam. it looks very cool and atmospheric.

i really like how united the strawhat crew feels throughout enies lobby, after all the internal turmoil and discord of water seven. even though the matter of usopp leaving the crew is still unresolved, they’ll all together once more, on the same page, and fully united in the goal of saving robin, whatever consequences it might bring. 

the tree of knowledge has such a cool design- it looks massive, and even more than that, it looks old. you look at that tree and you know its been there for easily thousands of years. its seen entire eras of history, and it would be priceless even without the countless books stored inside it.

and then it burns.

i’m so endlessly sad about the tragedy that is robin’s relationship with her mother. they never even got to see each other until their world was ending, and even then only for a couple minutes.

olvia is a very interesting character, because she’s someone who chose her dream over the people she loved. that’s not an inherently good or bad choice, but it is a choice she made, and it’s what led to the ending she and robin had to have. i’ve wondered a lot what might have happened if she chose the other way, if she never left or if she came back sooner or if she chose to flee the buster call with robin, and how different (and almost certainly better) robin’s life would have been if she had.

in a way, olvia reminds me a lot of kouzuki toki. they both die in order to fling a light of knowledge and hope into the future, and they both send their children away and choose to stay behind to choke on ash for the sake of a better tomorrow. 

i didn’t really notice until putting these panels together, but a lot of things burn in enies lobby. ohara burns, and the pluton plans and the world government flag, and enies lobby itself, and at the end, the going merry burns, too. if you extend it back to water seven, there’s the galley-la headquarters, too. in an arc that deals so much with the preservation and destruction of history and knowledge, it’s a fitting motif. 

the world government flag burning is still to this day one of the most striking panels out of a series full of them, in my opinion. in one act, the strawhats proclaim their absolute defiance against the world government, and their willingness to make enemies of the greatest power in the world for the sake of their friend.

it’s also another one of those moments that’s interesting to think about in the context of luffy’s past. it was a ship flying that same flag that shot sabo down, and while luffy wasn’t there to see it, i don’t think he’s oblivious to that fact, especially given how he says just before this he understands robin’s enemies perfectly.

dadan told him and ace that there was nothing they could do against the whole world, and luffy went and did it anyways.

sometimes i just think about how scary it must have been for robin, someone who’s been weighed down by the shackles of her past with no escape in sight for so very long, to open herself up and let herself hope, for life and freedom and a dream that’s always been out of reach. 

franky has a lot of really great moments between this arc and water seven- his conversation with usopp as usopp is working on merry and his talk with robin on the sea train are two others. it’s almost impressive how quickly he becomes an immensely likable character once we start getting to know him, given how he’s first introduced as an absolute piece of shit.

his burning of the pluton plans is a favorite of mine, and i think it might be because, like so many people before and after him, he’s choosing here to stake all his hopes on the strawhats, on luffy’s ability to pull off the impossible and on robin’s goodness. when robin’s only ever been chased and hated and called a demon by the world, franky chooses to trust her and luffy with the legacy his dad died for, and neither of them let him down.

monster point looks SO FUCKING TERRIFYING in enies lobby, and i LOVE it. look at that. franky is seven and half feet tall, and in front of monster point he’s tiny. monster point is huge, and dead-eyed, and a force of absolute destruction. i do kind of wish we got to see chopper go completely feral like this more often. he deserves to be terrifying!

i love how much FAITH all the rest of the strawhats continue to have in usopp throughout enies lobby. he left the crew and they really would have a right to be angry at him if they chose to, but it doesn’t even seem to cross any of their minds. they’re just happy he’s okay, and they include him again without missing a beat, because he’s still their friend and they know down to their bones they can trust him, even after everything. 

i’ve always really loved zoro and kaku’s little moment of post-battle banter here- zoro relays paulie’s message about cp9 being fired, kaku says he’s out of a job, zoro tells him to try the zoo, and kaku cracks up.

it feels very real to me for whatever reason, and i think part of it ties back into how well one piece handles morality with its characters- zoro and kaku are genuinely pretty similar people who get along decently, it just happens that they wound up on opposite sides. there are series where you’d never see moments like this due to the lines between good and bad being so firmly drawn, and i love how one piece blurs those lines so much they may as well not exist a lot of the time.

this is the other sequence, along with luffy climbing the drum rockies barehanded, that always makes me physically cringe to look at. it looks so painful. robin is so nearly powerless here, but not quite- she can still buy time for her crew to catch up, even if it’s only seconds, even if she risks shattering her teeth or even her jaw in the process. she’s spent so long giving up and has only just started daring to hope- she’s not about to go gentle.

there aren’t many panels that give me catharsis like this one. there really aren’t.

oda’s villains are usually complicated and awful and often a little admirable, if only for how clever or how terrifyingly powerful they are, but every now and then he comes up with someone who’s just pathetic and cowardly and pointlessly cruel. spandam is like this, obviously, and so is orochi, and the celestial dragons, and i’d argue flampe from whole cake island as well. and there’s nothing like seeing characters like them- weak, cruel people so assured in their own power and rightness- get obliterated.

one of the things i really like about enies lobby is that nobody really gets sidelined- everybody gets multiple chances to shine. luffy, usopp, and obviously robin are the most in focus, obviously, but zoro, sanji, nami, chopper, and even franky all get a bunch of individual awesome moments. oda’s ability to handle his cast satisfyingly is consistently really impressive (if sometimes strained in huge ensemble arcs like dressrosa or wano) and it really shows here, i think.

i just really love the entire climax of enies lobby. much like the arc as a whole, it just feels triumphant, even though the situation is extremely dire. luffy unlocking gear three, robin’s cuffs getting unlocked, usopp shooting spandam and the marines all the way from the tower of justice- it’s all just good, a long chain of much-needed victories and catharses, and it feels very good to read.

i’ll always be impressed by just how much characterization oda manages to give merry, a boat. she’s only really a character in water seven and the end of enies lobby, only about two chapters of which she actually speaks in. and yet i don’t think you’d find a single one piece fan who disagrees that merry’s death is easily one of the most heartwrenching in the entire series.

i love the reactions of the strawhats to robin’s thanks. they’ve just gone through hell to save her, most of them are beat to shit and they all risked their lives, and yet they all just smile, or brush it off, because to them there’s nothing else they could have done. it’s all worth it, so long as they got her back, so long as she’s safe and happy.

merry’s funeral just hits me in the chest every single time i read it. it’s tragic, of course, but there’s also something almost lovely about it, something peaceful about her getting to go out on her own terms, carrying her crew to safety one last time, defying every rule of the universe to do it. just like a strawhat pirate.

oda’s ability to communicate emotion through expressions really comes through here, too. merry has the only lines in this scene, fitting for her death in the limelight, but the shots of every other crewmate’s face let us know at a glance just what they’re all feeling and just how strongly they’re feeling it.

you know, i’d forgotten we only learn the name of the new world after enies lobby. we only get proper exposition about the revolutionary army and the yonkou here, too, despite them being set up since loguetown and jaya (or alabasta, or even chapter one if you count from shanks’s introduction) respectively. oda’s ability to parse out exposition and explanation so we always have just the right amount of information is really impressive- we always have more questions, but we also always have the feeling that those questions have answers, and that sooner or later they’ll be revealed.

points at shanks. i just think he’s neat.

it’s my opinion that one of the great joys of one piece is seeing luffy and the crew rise up in the world, and seeing them gain more and more notoriety. i love nothing they do ever happens in a vacuum- everything has impacts, and there are always outside eyes watching, and often those impacts are things that they never could have predicted.

ace and blackbeard is still, i think, definitely one of the coolest looking fights in the whole series. it’s not all that often we get to see two people with extremely flashy and showy abilities go all-out against each other, and the resulting fireworks are still really something to behold, despite how badly it all ends.