#i think it was because of the chase scene

[doberbutts]

I'm pulling this out because this shit is funny as hell hold on

Merry and Pippin (2 in 1) actual hijinks and shenanigans of mutual stumbling over each other's first times. Bonus points if they are hours apart. Pippin finds Merry rolling in the hay in the morning, decides he wants in on this and doesn't want to be outdone, finds himself a willing partner, and Merry interrupts them by accident. Comedy gold.

I don't view Frodo as someone interested in sex (boos and hisses from the Sam/Frodo crowd) however Sam I think would similarly be Frodo opening the door to their shared living space after the quest and Sam's, err, "helping" Rosie in the kitchen. Sam stutters an apology, Rosie starts trying to explain, and meanwhile Frodo's just like "really? where we eat???"

Blink and you'll miss it moment between Legolas and Gimli OR the most intense, drawn out, intimate yet tasteful scene with a bonus at the end where Gimli goes "wait wym we're elf-married now". Probably in Rohan, after the drinking contest.

I'm choosing to believe that the scene between Arwen and Aragorn in Rivendell before he left, where she's wearing a mostly translucent shift and he is in a state of far more undress than we've seen him prior and ever seen him again, is a post-sex scene. So just put it there.

There is not a single person who will ever be able to convince me that Boromir did not get mad pussy in Gondor. The same goes for Faramir, who was loved by all except their father.

Gandalf, also, is not a sexual being to me. But with PJ's insistence on highlighting Gandalf's relationship to both Galadriel and Celeborn, I would believe him to be a third in whatever dynamic suits them.. Maybe he and Galadriel have telepathic elf magic ring sex and Celeborn is just like "yeah sure that's fine w/e". This is movie-canon only, of course.

Bilbo also- reclusive, kept to himself, constantly wandering the wilds alone or with Gandalf? Either he and Gandalf are regularly FWB adventure buddies or they're just plain uninterested in the whole deal.

I'm of two minds with Smeagol. On one hand there is great comedy gold with the little fucked up loincloth man and on the other hand there is so much tragedy to his character that I can't decide if it would be funnier to have him still have sexual desires or if it would be sadder to take him at his word when he states that he lost all desire and interest and pleasure in everything except the Ring. Perhaps he attempted to have sex with another Stoor early on in his possession of the Ring, before he was chased away. Maybe someone he had been trying to court, before the murder of Deagol and the subsequent chained events of consequences.

[apoloadonisandnarcissus]

"The Last Temptation": One Megathread to Rule Them All - Clues and Speculation, PART 1

By now everyone in the “Rings of Power” fandom is aware of “The Last Temptation” - Galadriel and Sauron scene in the finale (2x08) - so I’ll save myself the trouble of further explaining it, because we have more interesting things to talk about.

What happens in this scene? What is the season building towards? And what are clues, foreshadowing or red herrings the episodes have given us so far?

It's pretty much confirmed that Sauron will pitch the “be my queen” question to Galadriel, again. I usually don’t pay much attention to the actors’ interviews because they’ll say anything to avoid spoiling the story and spill the beans, but sometimes it’s important for context.

From Episode 7 preview, we know that Galadriel will arrive at Eregion and share a heartfelt moment with Celebrimbor (I'll come back to this scene later on). However, the showrunners have teased that 2x07 is an Elrond-centered episode, and I don’t think Sauron and Galadriel will reunite before the finale (2x08) because that’s one of the climaxes of the season. Anyway, my guess is that Sauron has already left Eregion once Galadriel arrives.

1) Will Galadriel resist or succumb to Sauron’s temptation? 

You cannot face him alone.

To me, this scene with Gil-galad is the most important one, when foreshadowing is concerned. Mainly because our High King of the Noldor got it right last season, so we better pay attention to what he says.  

We foresaw that if Galadriel’s search should have continued, she might have inadvertently kept alive the very evil she sought to defeat. For the same wind that seeks to blow out a fire may also cause its spread.

Gil-galad tells Elrond the true reason why he sent Galadriel back to Valinor (1x01) 

Oh, boy, and how right he was! 

But Gil-galad isn’t the only character who warns Galadriel she can’t face Sauron alone because she might not be able to resist him: 

Similar to Gi-galad, Elrond shares the same concern.

And why would he think that?

In 2x06, it’s Adar who warns Galadriel she might succumb to Sauron as well, because she’s acting quite smug at being able to resist him once before (1x08). 

I resisted.

For a while, perhaps.

His eye bores a hole and the rest of him slithers in.

So far, this season, we have three different characters warning Galadriel that she might succumb to Sauron if she faces him alone at the finale. Unsure if Celebrimbor will tell her the same thing in 2x07, but three characters saying the same thing is far from a red herring, at this point.

2) And so, the main question now is: will Galadriel face Sauron alone, out of her own volition? Or does Sauron chase after her to isolate her from the rest?  

We already know that Galadriel is consumed by the idea of finding Sauron, and to destroy him; but now, she’s motivated not only by her brother’s death at the hands of his werewolves, but due to her belief that everything she experienced with Halbrand (and the connection they had: friendship, romantic, ambiguous) was a lie and part of Sauron’s schemes of deception. 

However, in this scene in particular (2x02), Galadriel is feeling especially vulnerable, and eventually agrees with both Elrond and Gil-Galad, that she can’t face Sauron alone because she’s unaware of what might happen if she lets him in, again (meaning, she might actually succumb to him). 

However, from 2x02 until 2x06, Galadriel grows bolder and more confident, mostly aided by Nenya and the visions and the guidance the ring of power provides her with. Although, I would argue it was never her intention to face Sauron alongside Elrond and the others, and this scene was a moment of weakness (or the red herring itself).

I swear to you, High King. I will not stop until he is destroyed and I have put this right.  

Morfydd Clark herself has said that Galadriel knows she messed up really bad, and is on a desperate mission for redemption. However, last season she was also desperate in finding Sauron and destroy him, and that worked wonders, didn’t it? 

Based on this, I would say Galadriel will seek out Sauron all by herself in the finale. We already saw Galadriel and Adar paralleling each other in their pursuit for Sauron, and how consumed and obsessed both of them are by it. While Adar is sacrificing his “children” to destroy Sauron, Galadriel thrown Elrond under the bus (by telling Adar he’s the one who carries Nenya) just to get a chance of finding Sauron and face him herself. 

Galadriel’s pride is her main flaw of character, and usually what gets her into trouble (in both RoP and the books, with her only letting go of her pride on the Third Age when Frodo offers her the One Ring and she declines). And in this case, her pride will be her downfall. She believes she'll always resist Sauron, because what he offered her last time (power) wasn’t enough to tempt her.   

My guess is that Galadriel will lure Sauron out either by using Morgoth’s iron crown or Nenya, but my money is on the first option (as we saw on the trailers).

3) Elrond’s Choice

Before we get into the rabbit hole that is Sauron’s plan concerning Galadriel, we have to talk about Elrond’s promise in 2x04:

This scene might be a red herring or foreshadowing, but I’m inclined to believe the later. And it can either happen in either 2x07 or in 2x08 (during the “Last Temptation” scene).  

Since 2x07 is an Elrond-centered episode I would argue it would make more sense for this choice to happen in this episode. In the preview, we saw Elrond and Adar having a conversation in the same tent he dined with Galadriel and proposed an alliance to her (that didn’t work out, did it?). Adar knows Elrond carries Nenya, but he has other interests in dealing with the Elves, too. 

He expressed to Galadriel his desire in knowing what comes after Sauron is defeated and the fate of the Orcs, seeking out a truce between Elves and Orcs, which would allow him and his “children” to live in peace in Mordor. I believe he will propose this to Elrond, too. In exchange, Adar might want to use Galadriel to lure Sauron out.

And so, in 2x07 Elrond might have to choose between saving Galadriel or stopping Sauron.

But now you are wondering: if Elrond allows Galadriel to remain Adar’s prisoner and she’s at Eregion in the same episode, this theory doesn’t make any sense? How did she escaped? Well, that’s a question for another time, but another character might set her free (one who would make the show more complex and give Galadriel some character’s growth and development).

4) Galadriel’s Sacrifice  

She sacrificed herself to save us all.

No, you are mistaken, Camnir. She did not do it to save us. She did it to save the ring.

These quotes are from 2x04, when Galadriel faces the Orcs by herself and eventually gets captured by Adar. However, it’s the second time in this episode there is a mention of Galadriel either sacrificing herself, or something.

This can be foreshadowing for several things: 

Celebrimbor’s death (since she says this after Elrond talks about how his father once prophesized Celebrimbor’s life would one day be on his hands); 

Galadriel goes to fight Sauron alone (it can be an extra layer of foreshadowing to this happening); 

Galadriel sacrificing herself to save Middle-earth (meaning she goes/joins Sauron at the end). 

5) Sauron’s plan concerning Galadriel 

Sauron is in Eregion in the middle of his “Rings of Power” masterplan. However, and through his interactions with Mirdania, Galadriel’s Doppelgänger, it’s clear she’s still very much on his mind, and is a part of his plans of domination.

The plan is simple: Sauron wants Galadriel as his queen, still. 

But why? Galadriel is not yet the powerful "elf-witch" she'll become in the future.He can see her potential, sure, but would that be enough to explain his obsession? There is a lot of meta already about the parallels between Morgoth/Silmarils and Sauron/Galadriel, so I won’t get into that here.

How strange. When the light... caught your hair... for amoment, you seemed her perfect likeness. 

Whose likeness? 

Why, Lady Galadriel, of course. 

There is a lot of discourse going on in the “Rings of Power” fandom concerning Sauron’s true feelings for Galadriel: obsession, love or something else because he, being an immortal spirit, is uncapable of “human-like” feelings.  

The answer is easy: both obsession and love are correct. The ones arguing Sauron is not capable of love are wrong. According to the lore, Maiar can fall in love, and one Maia did fall in love with an Elf (and these characters happen to be Elrond’s ancestors). Mairon is capable of love. But he’s a fallen Maia, corrupted by Morgoth, and, so, his love is also corrupted into possessiveness, obsession, jealousy, unsatisfiable lust, emotional turmoil, pain and suffering.  

I would even argue that Sauron fell in love with Galadriel while he was on his somewhat “repentant era”, and it started out as something purer, but it’s twisting into something darker as he goes deeper and deeper into evil, until it turns into hatred, later on.

In 2x06, and in order to manipulate Celebrimbor into finishing the Nine rings of power and prevent him from finding out Eregion is under attack, Sauron conjures a vision of “Everything is well on Eregion”. However, after Celebrimbor leaves, he’s left alone in his own vision (delusions) and his thoughts dwell on Galadriel.  

How do we know this? We have several characters randomly mentioning “it’s a horse! A horse! It’s a horse!”. When I first watch this scene I was a bit taken back. But nothing is random, folks:

And then we have Sauron the Poet:  

All of these clues are meant to show us, the audience, that Galadriel is still on Sauron’s mind. And that he harbors some quite strong feelings for her. And this will come into play in “The Last Temptation” scene, like the director of the finale, Charlotte Brändströmm teased on “X-Ray Vision” podcast: 

I think Sauron even really loves Galadriel and you see that at the very end. 

[animentality]

special announcement time

alright everyone.

at long last, i have finished polishing my latest writing project, a horror romcom fantasy novel (94k words), and am looking for beta readers to tell me what they think of it.

but not only that...

i am also interested in beta swapping.

sooooooooo.

if you got an ongoing fanfic, if you've got a novel of your own...or any other kind of big writing project, or web comic even, that you want eyes on...dm me or send me an ask (or reply to this post, I'll reach out).

i have turned on dms and replies for this purpose.

it can be pretty much any length and any genre, about anything. i don't mind any experience level either, whether you've never written anything at all, or have been doing it for years. i can help aspiring authors (trad or indie), fanfic authors who want to participate in fan events/post to AO3, people who don't want to share their work with the public...

i'll read sci fi, fantasy, horror, historical, contemporary, romance. porn. any genre, with any audience (YA, MG, adult, whatever).

but also, you know. we don't have to swap. if you just wanna read it, that's perfectly alright too. summary here, so you can see if you'd be interested.

Warnings: Graphic violence, child death (death of an infant), self-harm (because their powers are blood-based, and they need to self harm in order to use them), implied sexual assault/incest (not graphic), animal death (a lot of it), and oh yeah, sex scenes. this is an adult romantasy. adult.

anyway.

here:

In a world ravaged by war between the old gods and the new, demigods sow chaos and discord wherever they go, destined to be either legendary heroes or fearsome villains. But Marrow is not like other demigods. They are the child of the god of blood and slaughter, born with only one purpose: to kill in their savage father’s name, and bleed the entire world dry. The one problem? 

The only living creature they want to kill is their father.

But Marrow has been imprisoned within their temple for their entire life, unable to realize that dream…until now. A deal with a devil allows them to escape, making their way into a hostile world they know little about- and matters are not helped by the fact that their father can use their eyes to see what they're seeing at any time. To keep him from seeing their location, Marrow must remained blindfolded. But Marrow, an eternal optimist, won’t let their lack of vision stop them from fulfilling their lifelong dream. 

The demigod hunter might, however. Arlo Ren is a member of the Razor Watch, a religious order dedicated to the goddess of the hunt. He is clever, but impulsive, eager to prove himself to his goddess by capturing powerful prey. Soon after meeting Marrow by chance, and discovering what they are, he sees his opportunity and refuses to let it go. Literally. The demigod hunter handcuffs the demigod to his side, and swears to sacrifice them in his god’s name. Luckily for him, Marrow is an inexperienced, blind pacifist, who needs him to guide them through a dangerous, unknown world. They fully intend to escape him eventually. But perhaps a demigod and a demigod hunter have more in common than they might think. Perhaps they might even need each other...but they will, at the very least, need to learn how to live, work, and fight together as they are relentlessly chased by Marrow’s powerful demigod siblings, all hoping to kill their youngest sibling and please the god they abandoned. 

So yeaaaah. DM or replied or whatever if interested. We can chat some more in discord or on Tumblr (but I'm faster on discord).

[herbofgraceandpeace]

Re: Flavian’s outburst to Christopher about how he (Christopher) has been an unfeeling, stuck-up brat—Flavian’s not exactly right or wrong here. I think Jones is demonstrating that Christopher is so caught up in his (very real) powerlessness to control his situation, he doesn’t realize that he DOES have the power to really and truly hurt others. He’s so caught up in his own misery that he (selfishly) forgets that others might be miserable too.

This is part of growing up! Christopher hasn’t really been taught empathy, and he hasn’t really had it modeled for him either, outside of Tacroy caring for him, but that doesn’t excuse his behavior. He’s so focused on how the people at the castle aren’t caring for his conscious wants that he entirely ignores the ways they ARE intentionally and deliberately attempting to care for him (I think at least a little classism privilege is at play in him ignoring the maids—he’s only ever known his parents’ mistreatment of servants, but presumably he should have been paying attention to how the castle folk treat the maids differently)

However, I think the adults at Chrestomanci Castle are guilty of the exact same kind of blindness and self-focus as Christopher. They HAVEN’T been meeting his needs emotionally (which has led to their inability to physically protect him either), and whatever their intentions throughout his stay, they did not try to get to know or understand Christopher as a person at his arrival, and they’re paying for that first impression. He’s a CHILD. a child from an unloving and neglectful home, who’s just been ripped away from his friends and his home at school, a child’s just DIED for the second time, and he’s a child with hopes and dreams and self-will, all of which have just been casually, thoughtlessly stripped from him. The castle folk are so focused on their OWN need of a successor for Gabriel that they treat Christopher as an object to be formed to meet their needs instead of a person with needs of his own. They’re so focused on their search for the Wraith and the hell he’s wreaking on others that they miss the very real hell they’re imposing on Christopher. All of their attempts at care are based solely on their perception of what he SHOULD need and want because! They never! Ask him! What he needs or wants!!!!!

What’s that post about how some people act like “if you don’t give me the respect I think I deserve as an authority figure, I won’t give you the respect you deserve as a person”? I think that’s basically how the otherwise decent and well-meaning adults of Chrestomanci Castle treat little Christopher Chant. Confident in their own virtue, they presume that of course this boy who doesn’t know them will trust them immediately. Confident in their work for the greater good, they are indifferent to the suffering of the individual before them. It’s clear that they care about him and his well-being, but without treating him like a real person at all, and it’s never more obvious than in the scene where Gabriel takes his spare life away. They are taking tangible, drastic steps to protect him because they are very worried on his behalf, but throughout the whole process they have no real knowledge of the horror and terror he is experiencing because they are too busy making choices for him to ask him why he’s making the choices he does (and again, Christopher doesn’t TRUST them. But they never empathize with him enough to realize that.) Another example is how Miss Rosalie and the others keep chasing Throgmorton away from Christopher when he’s laid up. They’re so focused on how uncomfortable Throgmorton makes them feel that they don’t care at all they’re isolating Christopher and depriving him of his only companionship.

But none of their bad conduct exonerates Christopher of Flavian’s charges of being rude and unfeeling towards them, even though Flavian is STILL presuming to know and understand Christopher’s motivations and choices despite being completely in the dark about them. The very personhood Christopher wants the others to acknowledge in him is the reason that Christopher is responsible for his own actions towards the castle folk.

And that’s the tea on human responsibility in The Lives of Christopher Chant. (thanks for coming to my ted talk)

[bicheetopuff]

That entire scene where Izuku ignores everything else and goes after Katsuki really made me think of how much he truly treasured that boy even when he didn't, when he shouldn't. Izuku is already kinda of a bad liar, and he was just supposed to say he didn't lie, but he ended up spilling almost everything. Stuff he didn't even tell his mom. He truly didn't want Katsuki to think he was making fun of him.

And Katsuki is not much better. Kept fussing over Izuku the entire time, pushed his own goals of winning aside to get that boy's attention because he wanted, no, demanded an explanation and was so angry at the thought that Izuku, the one that chased him around the entire time was lying to him, then he cried in front of the that same boy after putting up a show of how tough he was.

Like no wonder there's people who call them "ex-boyfriends". Why do you act like that.

Right, the whole thing is just way too complicated to look at them and say “oh they just don’t like each other.” Like, there’s so much history there and they make it so obvious.

Like, they don’t like each other, and yet Izuku risked his life to save him the day Katsuki had told him to kill himself. They don’t like each other, yet Katsuki saved Izuku from Kurogiri in the USJ situation. They don’t like each other, yet Izuku wants to be just like him and won’t hesitate to sing his praises every five minutes. They don’t like each other, yet Izuku is the only person in their class who Katsuki has let himself cry in front of. And that was all before they actually talked things out at ground beta and it just got so much worse after that. Like ajdbdjdjd why are they like this??

Truly, they act like ex boyfriends, especially during the Deku retrieval arc when Katsuki was talking to him like he was a guy who ghosted him after a bad date. Not to mention the fact that Katsuki only ever smiles when it has something to do with Izuku. Or the fact that Izuku refuses to think about how he feels about him because he deems those feelings to be “gross.”

I think all of their problems would’ve been solved way faster if they had just kissed and made up after Izuku saved him from the sludge villain…

[all-pacas]

Can you talk more about Chase's moral stand in The Dictator and what made him do such a shift? While Chase did care about people outside of his immediate circle at times,it was (almost) always by the way of him relating to said experiences and/or bonding with the patients.

I really don't think it's that complicated. As fun as it is to joke about Chase's utter lack of morals and empathy, that's never actually been true. He reaches out to Foreman in Family with empathy and an offer to go drinking; he reaches out to Cameron in Cursed with offers to do work so she can go home and to… go drinking (Chase has one move). He is very upset when he loses patients in Maternity and Forever (both babies; still). He cries over House's "cancer" in Half Wit even before the hug. He falls very hard for Cameron; he reaches out to 13 in After Hours, his pro-euthanasia stance in Informed Consent is about easing pain. One of my favorite little moments is in Cane and Able: the child patient's parents are exasperated and unsupportive of their son's alien abduction delusions, and Chase makes a point in talking to them, telling them pretty frankly that they need to support their son, even if they think he's nuts. He didn't need to do that. He was absolutely right. When he finds out House lied to the transplant committee in Control, he does rat to Vogler… but he doesn't do anything to undermine the transplant, which proceeds. Generally speaking, he knows right from wrong and doesn't approve of "harming people" (in particular children) or "hurting people." Yes, we mostly see that with the people he does care about, but. He doesn't really like Foreman much. Foreman is often quite dismissive of Chase. Chase still offers to go drinking. Is he the nicest and sweetest guy ever? Nah. But he's not evil.

Where his "lack of morals" comes in is that Chase puts himself first. He's not selfish in the way we usually think of it; he does care for other people, and quite a lot at times. But he's a survivor, he looks out for himself first. The rare times he refuses an order from House, it's because he thinks the risk to his career or license is too high. If a task requires him to go out of his way when he doesn't care about it, he won't do it. If a task leads him into an uncomfortable situation, as in Safe — faced with the choice of revealing to the patient's overprotective parents that their daughter is sexually active, or just billing them for a test and letting them find out on their own time — he chooses the easier-for-him option. He doesn't really care that House is on drugs. He doesn't really care about all the shady things his job comes with, as long as he doesn't risk losing it, getting arrested, or the end result. Lying to a patient? Why not, if it gets the job done. That doesn't mean he's pro murder. It just means he's lazy and pragmatic. Again, the rare times he defies House, it's when House is asking him to do something that is too "high risk" for Chase.

So the thing about Dibala is that Chase actually feels that murder is still wrong. He has morals, and those morals are: don't kill people, it's wrong. He makes it pretty clear.

CHASE: You can't want to kill anyone, especially not your own patient. CAMERON: It's only natural to feel he should – CHASE: No, it's completely unnatural. Only psychopaths can kill other people without having some sort of breakdown. CAMERON: Not when it's justified. Look at soldiers. CHASE: Even when it's justified.

Except the entire episode, all Chase is hearing is the opposite. I'm not saying Cameron pushed him into it or anything: he made up his own mind. But Cameron keeps telling him he's evil and should die. Dibala's would-be assassin tells him, twice, that Dibala is evil and should die and here is what he witnessed and did.

So let's look at the scene where Chase decides to do a murder. Cameron has been going through her own Arc in this episode, passive-aggressively hinting someone should kill Dibala but not making any moves on her own. Dibala gets sick of this and grabs her, challenging her to act, not just talk, but Cameron can't do it and backs down, leaving Chase and Dibala alone.

CHASE: If you touch my wife again, I'll kick your ass out into the street. I don't care who you are. DIBALA: I did her a favor. I showed her her true character. CHASE: She's a better person than you are. DIBALA: She is too weak to act on her beliefs. That is not her fault. Most everyone is. Even my own advisors. My own colonel. All they do is negotiate and debate and sign treaties. They are appeasers. And all the while, we are beset by assassins and traitors, the scum – CHASE: Cockroaches? What are you going to do about them? DIBALA: What is an enemy to you? Some younger physician who covets your office? In my world, there are dangers and bloodshed and death. And that makes you a man. And men make choices. CHASE: And your choice is to send bands of drunk, crazed children to massacre an entire people? DIBALA: Don't ask me questions you don't want to know the answer to. CHASE: I saved your life. I deserve to know what you're planning to – DIBALA: Whatever it takes to protect my country.

Chase is mad: he just hurt Cameron, and more than that, Chase is a little betrayed. He and Dibala kind of got along before this. I wouldn't say Chase liked him, but they bonded. Until this moment, Dibala was polite. He was complimentary. He offered Chase excuses, and Chase probably wanted to believe them. Not anymore! Dibala just hurt Cameron, called her weak, and told Chase blatantly "I'm planning another genocide."

Chase is angry: I saved your life, you need to be honest with me, you shouldn't be like this.

Until now, Dibala had polite excuses: it wasn't his fault, he had bad subordinates who killed people, he made mistakes. Weak excuses, but the kind of excuses Chase probably did believe, kind of wanted to believe. Not anymore! This nice old man has just revealed himself to be planning more murders!

That's what makes Chase act. What tips him past "I'm not getting involved" into "time to do a murder." He spends the entire episode hearing everyone talk about how someone should kill Dibala. And then Dibala betrays his (very misplaced) trust, reveals himself to be just as evil as everyone has said, and even gives Chase a nice little speech about how strength is to act, how to be a man is to make a choice, not just sit back and do what's easier.

It was never a matter of lol Chase is fine with murder, he doesn't care about anything. Chase cares about quite a lot of things. The trick was getting him to care enough to put himself at risk and act.

[aarchimedes]

officially halfway through fellowship of the ring for the first time :)

[demigods-posts]

they're filming season two, but i'm thinking about the potential adaption of the mount tam scene in season three. you know, the one where annabeth could apologize for pushing percy out of the way and falling off the cliff in his place, and how she knows that sounds terrible but they didn't have time for another plan and she didn't want to lose him that way. but percy just engulfs her in a hug because he's so relieved that she's safe now and everything else be damned. and annabeth doesn't understand why he's snickering to himself after that last statement, but she melts into the hug anyway because she missed him. and thalia and grover stand in the background happy for their friends on the outside but internally mortified, because their friends are definitely falling for each other but fate may not allow them to see it through.

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[brother-emperors]

ANTONY cry 'havoc,' and let slip the dogs of war

earlier in my script (which is not Shakespeare’s Julius Caesar), Antony refers to Dolabella as one of his ‘dogs of war’ when talking to Cassius (which IS a reference to Shakespeare’s JC), and it comes back around after Cicero writes to Cassius and informs him of Trebonius’ fate

While these things were taking place at Rome, Cassius and Brutus were collecting troops and money, and Trebonius, governor of the province of Asia, was fortifying his towns for them. [...] Trebonius, who was captured in bed, told his captors to lead the way to Dolabella, saying that he was willing to follow them. One of the centurions answered him facetiously, "Go where you please, but you must leave your head behind here, for we are ordered to bring your head, not yourself." With these words the centurion immediately cut off his head, and early in the morning Dolabella ordered it to be displayed on the praetor's chair where Trebonius was accustomed to transact public business. Since Trebonius had participated in the murder of Caesar by detaining Antony in conversation at the door of the Senate-house while the others killed him, the soldiers and camp-followers fell upon the rest of his body with fury and treated it with every kind of indignity. They rolled his head from one to another in sport along the city pavements like a ball till it was completely crushed. This was the first of the murderers who received the meed of his crime, and thus vengeance overtook him.

App. Civil Wars III. 26

For Dolabella is in Syria, and, as you have foreseen in your prophetic soul and have foretold, Cassius will crush him while they are on their way. For Dolabella has had the gates of Antioch shut in his face and got a good beating in trying to storm it. Not trusting in any other city, he has betaken himself to Laodicea, on the sea-coast of Syria. There I hope he will speedily pay the penalty of his crime: for he has no place of refuge, nor will he much longer be able there to stand out against an army as large as that of Cassius. I even hope that Dolabella has by this time been overpowered and crushed.

Cic. Fam. 12.14

Place then before your eyes, O conscript fathers, that spectacle, miserable indeed, and tearful, but still indispensable to rouse your minds properly: the nocturnal attack upon the most beautiful city in Asia; the irruption of armed men into Trebonius’s house, when that unhappy man saw the swords of the robbers before he heard what was the matter; the entrance of Dolabella, raging,—his ill-omened voice, and infamous countenance,—the chains, the scourges, the rack, the armourer who was both torturer and executioner; all which they say that the unhappy Trebonius endured with great fortitude. A great praise, and in my opinion indeed the greatest of all, for it is the part of a wise man to resolve beforehand that whatever can happen to a brave man is to be endured with patience if it should happen.

Cicero, Philippic 11

Philippi and Perusia, Ronald Syme

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[holdmymetaphor]

okay when i started rewatching house, it took me until 3x15 but i started to notice a pattern in house's wardrobe. the scene where foreman was trying to express sadness(?) at house's (fake) brain cancer they were both wearing pink.

After that I noticed that any time house was wearing pink, they were particularly vulnerable moments. Moments that he's feeling tender or open. Moments where he is being pretty earnest.

Then I started to notice that other colored shirts came up at different times. Light blue was his most neutral state, it represents logic and reason imo. Maybe a little bit of humor. There's a lightness or surface-ness to it.

Purple represents something like consequences or grief or guilt. any time there is purple someone is bearing the weight of a decision that was made, or a complex situation.

Black represents, as you can imagine, death. the darkest moments we see house in black.

The other colors aren't as prominent, but I have theories. Red is sex, power, life, excitement, ego. tan is neutrality. white is almost naive. green is rare and house never wears it. Dark blue is still logic but more solemn, more deep. its also interesting to note the times when he doesn't wear a t-shirt under his dress shirt and leaves like 3 buttons open (hubba hubba) and when he /only/ wears a t-shirt. I think his dress shirt is almost like his armor.

[prolibytherium]

Dee & Mac's dynamic is still probably my favorite. I love how they straight up just dislike each other in a (relatively) uncomplicated way and have the weakest bond BY FAR and barely give a shit about each other, but still have this intense level of casual intimacy purely by virtue of decades stuck in the same group codependency pentagon. They're like in-laws.

[sapphorror]

[separatist-apologist]

Okay I've turned off the monster poll SORRY i just love to procrastinate.

Anyway as one final little thing- to the people who were saying they wanted to see me write mean werewolves with ah...werewolf anatomy, boy do I have good news for you.

You can click the tab that reads WEREWOLVES on AO3 and find a whole series with Cassian/Rhys/Lucien and find out what's been lurking in the woods on the way to grandma's house.

OR (and I know this person was looking for Cassian specifically) there is Out of the Woods which answers the question no one asked- what monster are the sons of Autumn turning into during a full moon on Calanmai? Elain does find out.

And of course the original that got me in SO MUCH TROUBLE at the time (seems funny to me now), The Darker Side of Me which also answered a question no one was asking: what if Tamlin stayed in monster form during Calanmai.

[daily-hanamura]

[apogean-tides]

An educated guess >> I defend my thesis in the tags