#i use very little of it backstory wise

[stealingyourbones]

Ok so here’s my list of videogames I’m going through rn:

Half-Life series

Batman Arkham

And now Zelda

All of which I know jack shit about the stories or spoilers. I’ve started Batman Arkham Asylum and I’m in the middle of Half Life 2 Episode 1. So far I’m having a blast

[pushingdaisies1]

Its never too late baby . . . ♡

(✧ ˚.) PAIRING-> James "Logan" Howlett {A.K.A} Wolverine x Mutant Reader >_<

(✧ ˚.) SUMMARY -> You were always someone who utilized your strengths. Physical and mental, you were a jack of all trades. You were a true hero to the students you taught within the school. Amongst the other X-men, you would always be one of them. But you had this little tick, that always annoyed Logan no doubt. You were a secretive person, too secretive for even his "standards." For others, you were a pillar of nurture and guidance. He saw your well-meaning nature from miles away. It was almost sickening to him how you would stretch your capabilities out to no end. He would never deny that he could be selfish. Sometimes it's more worth it to save your spine, than risk it for someone else. Though with the problems being thrown the team's way as of recent, he always saw you spinning your wheels. You wouldn't reason with him even when he of all people would lend you a shoulder to cry on. Even the students at the school could see it. With their childish snickers and big-eyed looks at your comfortable banter with Mr. Howlett whenever he helped with class. You were in love with the Wolverine. Again, out of all the Canadians - him? It wasn't something like a schoolgirl crush. It was an infatuation sort of deal. You burned for him mind body and soul. You would pretty much follow this scoundrel to the ends of the earth, even the end of your life if prompted. Which causes something to break between you two after you risk your livelihood for your family. The people that made up your heart, including Logan.

(✧ ˚.) AUTHORS NOTE -> hi party people!! I saw so much of the sweet reception for my first ever logan piece , so tysm!! Genuinely from the bottom of my heart the love means so much. As I’m currently going through my x-men marathon time if you will , I’ve had this idea brewing for a while. Thankfully the resurgence of logan content has given me the push needed to formulate this yk! This isn’t a part two to my previous logan post. That will be coming very shortly, but this is its own thing. Timeline wise... erm.... idrk a good place to put this SIGH. I'm thinking like in between x2 and the last stand. also one last final note , the title I took from Chemtrails over the country club. specifically the one lyric - "it's never too late baby so don't give up." felt like an appropriate whimsy title, nd I have been hearing that song everywhere lolz. Anyways, toodles!!! ᐢᗜᐢ (✧ ˚.) CWS (?) -> Descriptions of blood and graphic injury , they/them pronouns for reader !! , mentions of major character deal , Logan cares too much ... which could mean nothing , ur comatose for like the good first chunk of this , Jean and u have LORE!!!!! (not rlly but u and her have backstory beefers/her "passing" affect reader 100%) , mourning/grief, And that's on having no healing powers!! Buh-dun-csh!!

Your fall from grace was quick on the battlefield. This was supposed to just be any regular mission. You were using it as a way to clear your head after all. But you took a leap too far and now here you were, plummeting. The issue at hand was apprehended, sure. But you didn't leave the fight unscathed. Your vision grew too spotty for you to even make out your surroundings. Your hearing too even started to fog. Looking down, somehow or some way a large-sized piece of shrapnel metal had made it into your torso. Right in the sweet spot that was not in the lungs. Your legs began to wobble, losing your footing slowly but surely. You didn't realize your body was falling to the ground. The warm feeling rushing through you was the blood exiting from your hefty wound. It was ironic the last thing your eyes met before collapsing. Logan turned back around immediately once he noticed you weren't clamoring to the jet. His heart sunk to his stomach as he immediately sprung over to you. By the time your head had smacked against the ground, you went out. Your fingertips began to buzz, your fatigue lifting all of a sudden. All of the hurt and weight on your shoulders lifted? You felt freer than before, with a piece of debree stuck inside of your body no more. Even if some people regarded mutants as the next step in human evolution, a majority were still stuck with fleshy bodies. If only you were made out of steel. In this momentary unconsciousness, you thought about everything that went wrong. Your existence as a whole, joining the school. Moving up from student to teacher at Professor Xavier's school, like Scott and Ororo you were one of the first. Regarded as maybe one of the most useful of the bunch. No one could ever compete with Storm, the literal incarnate of a goddess. You thought of her as your eyes closed, embraced with the warm memories of your early days within the school.

The professor was never one to play favorites among his students. But when he searched you out and arrived with a less conniving Magneto at your door, it was clear you were special to him and his cause. From that day forward you were seen as a pillar of hope to a lot of the students. To some, you were like a mother, to others a guardian who would save them no matter the risk. To Logan Howlett - "The Wolverine", you were a coward. A coward that he admired. A coward he respected due to the ways you handled... stress in the simplest of terms. From the day he met you, he wandered around the halls of the mansion bewildered and confused. Something about you stuck out. He would've done something with this urge sooner if his eyes weren't honed in on another.

From day one you were not surprised how fast he fell and yearned for Jean. The woman you saw as your confidant, your best friend, she was magnificent. Smart and poised all in one with a strong set of mutant abilities. She was on the same power level as the professor, which made sense for their connection.

For living in Jean's shadow, you didn’t hate it. You were her right-hand man. Your balance was comforting, she was like your sister. The professor in small quiet moments of honesty to you liked to compare you to him and Magnus. When times were simpler they weren’t at opposing ends of the mutant kind spectrum. Yours and Jean's dynamic made you feel at ease with yourself. How could you worry? Your identity became a part of hers a long time ago. Logan saw more to that with you. Sure you could nag a lot of the time, and you always barked up his tree whenever he found ways to smoke on school grounds. But you just had this pull for him. He'd always find his way to see you first whenever entering a room. His brash and gritty attitude always got all mushy around you. He over time grew a lot more fond of the smallest details when it came to you. He was an amnesiac, his past only bits and pieces. But you made him feel grounded. You cherished his growth in ways no one else had. You were the reason why he was so drawn to the "now" of life. He needed that in times like this. He couldn't keep up for long after the realization that Jean was gone finally sunk in. Drowning at his one-sided attraction, the longing that he could've done more, you pulled him right out from that rut. Thank god that the two of you combined had horrible sleep schedules. His nightmares still stirred while you were suddenly afflicted with these with the memories of being on that jet when it wouldn't take off. That same pain rocketed through you every night as you were haunted by the sight of Jean finally swept into the oncoming flood. The feeling of grief ricocheted throughout the entire school. But you found your way to stay afloat. It was Logan, which you never thought of yourself admitting. But truth be told it was him. He was the most anchoring thing around you. Ororo distanced herself for the first month, while Scott cracked under the pressure of grief. Late nights dashing around the campus halls to the kitchen, out to the court where you two just talked. You had never seen him talk so much until you two became each other's support. It made you feel better seeing him smile more. Especially when it was at you. Again, you would never utter that truth EVER. At least that's what you thought. But his smile was a nice reminder of all of the light he held inside of him. As much as he despised ... everything, he was still so nurturing in his own ways. Nightmares were an excuse for him to be next to you. Nightmares were his excuse to hold you tight to his chest. The pain of loss was a collective "excuse" between the two of you to just .. be close.

Soon though, this ideal predicament between you both started to crack. Because even though she was dead, you still knew you would always be inferior. It may be all in your head but the hate kept you driven. It kept you driven but also mad. Small things would set you off soon enough. You knew deep down whenever he'd look into your eyes, it was a nice reminder of Jean. Even with how much he denied it when you came to him in tears, your bitter pain and grief clouded your judgment.

Logan saw that even with his help you were still hurting. He didn't want to get involved in it entirely as some of it was your own demon. But he saw how bad your spiraling was and still wouldn't accept his help. Not even from Ororo or Scott, not even the professor. Neither of you would admit who started the argument. It was late, and you were tired from pushing yourself to grade papers. Logan couldn't sleep and wandered his way to your classroom of course. The conversation was fine until he mentioned the problem. Your problem which you didn't want to deal with right now. As you were only running on a few hours of sleep. But even with Logan's usual "take and give no fucks" attitude, he knew he needed to push. You were slowly shutting yourself off this time, and he didn't expect himself to be a part of that mix. It was all a misunderstanding, but the two of you were angry and fire was thrown.

Your shared feelings were complicated. This whole ordeal with him brought out the "worst parts" of your love for him. He too was dealing with his internal dilemma. How could he move on from Jean and you were still latched onto the idea of her? It was a stupid question that was brought up in a Logan way, which of course caused the spat to escalate. His poor mistake was what he shouted. Already with the fear of waking one or even all of the students, you hated what he even dared to utter. "We're friends, you need to calm down about this whole obsession thing bub!" Originally you were thinking of just heading to bed. You were too tired to continue on with this constant bickering. But that's when you exploded on him. You regretted every last word you said to his face. Because it was you speaking your honest truth. About what you felt for him, about your hurt and your pain. How Jean was practically your lifeline. Losing her was like losing a piece of yourself. Especially since you rubbed it in about the kiss he and her shared. That you had seen and that made you sick to your stomach. A couple hours later she was dead. Your heightened emotions make you feel almost dizzy. The more you talked the more you realized his expressions distinct shift. As he was reaching out for you, you immediately swatted his arm askew. He didn't realize he hated to see you cry as much as he did until now. With broken sobs, you ran out of your classroom. The papers once stacked neatly were now laid messily all over your desk. You made sure to keep quiet. What broke your heart even more was a half-awake Rogue you ran into. She looked even more awake seeing your distraught state. Her feet tip-toed against the wooden floors of the hall before she looked at you. A big reason you and Logan were so close too, was because of Rogue. She was a good kid, he always rubbed off on her. He told you everything about how he and Rogue met. You were so enamored hearing him recount even the foggiest of memories. It could even be arguments with Scott he had, you'd just sit there with wide eyes as you listened. His word became your gospel. It warmed you to your core hearing him almost sound like a dad. He had looked out for her from the beginning. You always tried to do the same even when he left for Alklai Lake for answers.

It was so silly when she had practically pushed you and Logan to talk. She was just a kid and you two took up the almost suto role of her protectors. Friend or parent, she too found two trusted people to confide in. So you immediately went into "teacher mode" as soon as she saw you with watery eyes. She looked puzzled when her face met yours. You calmed down her storm of questions as she sputtered on and on. What's wrong? , is something happening? Are you okay? The hug you shared was one of the last meaningful hugs you had with another living being. You practically cradled her in your arms as you helped her calm down. She looked up at you, her larger brown eyes almost like the ones of a puppy. "Please don't be lying to me... y'know ah don't like liars." She whispered softly, her bubbly southern accent quiet. Your heart broke into a couple more pieces as you lied through your teeth. With a content nod, you bidded her a goodnight. Turning back to your room to drown your sorrow in god knows what. It had only been a good couple of months after Jeans' death that a mission arose. The X-men were laying low after everything at the base. For the school's and students' sake. But it was always on time when something bad happened for the team to fix. Old enemies came a-knocking and this time it wasn't Magneto. It was all supposed to be an in-and-out operation. You immediately clamored to get your hands dirty once again. You and Logan hadn't been talking for the last couple of days. Not even meeting in the dead of night to speak to another. You longed to hear about his afternoons subbing with Storm. This was your chance to regain some well-needed level-headedness. The thrill of doing what's right for a better tomorrow always made you feel better The mission even got Scott to come out of his puddle of mourning. Making you feel even better seeing your good friend so triumphant as he quickly clamored for his uniform. You and Logan didn't even brush shoulders as Storm and Scott dashed off to prepare the jet for takeoff. Everything should have gone fine. You should have all made it out alive. Every single one of you, that's what you had planned. Your lapse in judgment will always be your curse. Because now here you were, in the lap of the man that made your stomach churn. That made you feel LIKE that silly schoolgirl feeling you despised. Snapping back to reality, you realize where you are currently laid. Logan's eyes eased from his previous panicked look of fear as he saw you conscious. You were still bleeding but it seems that with quick medical attention either one of them got it to lessen. Your heart raced as you felt the warmness of his hands as they pressed against your cheeks. "Come on, there you go. Just focus on me." He cooed to your heaving chest. In the far back of the jet, you couldn't see Ororo or Scott. What you could see though was the remnants of blood on Logan's suit. He must have carried you off of the rubble and into the X-jet. Your smile was nothing compared to the horrid wince that left you. Finally, after this long moment of ease, the pain set in.

Going down to hold your gut, you shuddered as your vision all of a sudden wavered. You took in a sharp breath as finally, you noticed how in bad shape you were. Red filled your palm as you shuddered. Thankfully Logan noticed you and your shaky breath and immediately gripped your hand. Even in this state, you were currently in, you would always be able to focus on him. "I know, I know it's scary. You got hit pretty bad, but it's okay. Just focus on me and you'll be okay? I have you." He encouraged softly with that comforting rasp in his throat. His eyes were shaken and his lip was firm. Though his mood lightened somewhat because at least now you were awake.

You tried to speak but you were so weak. That same fatigue stung you as you stumbled over your words. He cradled you in his arms as he kept his eyes only on you. Your weary mind still around belittling you, another one of your eerily humane curses. He saw your chest quicken and lip quiver as your eyes began to lull, you were struggling. "Hey .. don't strain yourself - what is it?" He too began to worry as you saw his vulnerability bloom. Finally your chest steady as you took in one big breath of air. You let out the one thing keeping you from slipping back into rest in one huff. "Don't let me die, asshole." The asshole part came out more garbled from you after you coughed out your last words. Your last words before your eyes fell closed. For some reason, your hearing stayed for just a while longer. In and out, you could hear him cursing under his breath. The last thing you hear is Logan's panicked shouting at Scott, "Can this hunk of metal go any faster?!"

Finally, after so much pain, there was quiet. Peace and quiet after your constant heartache. You felt freed from the chains of reality. From birth to now, now seemed like your death. You left your current reality with a bitter-sweet smile as you felt consciousness swarm over you.

You couldn't feel how long you were out. Oh, but Logan could. Six weeks you lay in the infirmary. With some sort of miracle and hope, Ororo was barely able to stabilize you. The team rushed back into the mansion in panic as your wounds were assessed. But no, you couldn't feel the panic that coursed through your loved ones as you lay so peacefully. You didn't know your heart rate was being tracked. You were stable but anyone could guess it'd take you a while to re-reach consciousness. That your accident broke the barely well Scott Summers. But most of all it affected Logan to the core. He felt his world shake under him as he finally realized what had just happened. Something snapped in a man so stuck in his ways. Those words you said to him before you went back down. They were short but in the moment meant so much. Not to mention the fact that even Logan, so careless and free, was guilty. Every time he came back just to see you, he wanted to curl over and into you. Just like how he mourned Jean, he mourned you. Though .. he couldn't because you were technically still here. He may have not noticed it but everyone else could. The lack of your presence hindered him the worst. He missed the way you'd bother him out of the blue during the quiet time around the school. He missed you telling him about your life. He missed the shitty snort you did when you laughed too hard at one of his bad jokes. He missed seeing you happy. He missed seeing you move around. Pestering students for turning in assignments late or cheating. He missed the feel of your lips against his forehead when his nightmares of Jean flared up. He missed the way you looked at him. The way you saw him not only as a man but as himself. He didn't know how to admit it but he.. missed you. He missed you so bad and it was eating away at him. He spent hours out of his day visiting you. Like what you two always did when you were alone, he talked. About his day, what he ate, and even the lessons he overheard. The school got even quieter with you gone and he hated it. He felt bitter and broken, he didn't want to feel like that. He especially missed the way he felt with you. Almost like being on cloud nine. He finally understood the pain you felt when Jean died. This time on a more intimate level than he'd like to admit. He felt like the moon was ripped away from him after the sun. Now he was just the lonely tide, washing away against the shore until you returned. Ororo did all she could to help. All she could do was maintain your physical well-being as your body healed with rest. Logan hated the wait. The time you spent not walking around the halls of the school was maybe one of the worst times in his life. Since it hit him so deep on a real level. In this array of pain and even more guilt, he felt something dawn on him as you were still comatose. He was in love with you, Logan was in love with you. He felt like an idiot but the realization would always stay true. No matter how stupid he felt. As much as he wanted to deny it, he knew. In the middle of his thought process, he heard the swift slide open of the infirmary doors.

Right now he was standing over you. The one thing that kept his spirits high about your recovery was the gentle rise and lower of your chest. He didn't have to look behind him to know it was Storm. She too had taken her time checking in on your unconscious form. He sighed as she walked up right beside him. She gently cupped the examination table where your body would lay. She looked down at her hands with a bitter-sweet smile on her lips. She looked over to Logan, who was at a pause with himself. She decided to finally break the long silence. "You know they'll be fine, right?" She hummed as she glanced up to look over you. He chuckled softly as his brow pinched. His chuckle came out more like a rugged scoff. "I know, this just feels weird." He sucked in a breath of stale air. "It was funny the first night you arrived at the mansion.." Storm drew up a memory of that fateful night. "As soon as I and Scott brought you in, they immediately volunteered to help Jean down here with your examination. They were always enamored with your set of abilities. You were one of a kind to them especially, I suppose." Now his hands gripped into the sides of the examination table. He looked down, in pity of you and himself. How could he be so blind? Storm butted in once more as she noticed his demeanor shift. "All I'm saying is, they'd be happy to know how much you worried." He nodded in response, reminiscing when things were good. From your first encounter to now, his heart warmed. "I'd do it for anyone else." He gritted out as he bit back a smile. The truth was he was still in agony about Jean's loss. It felt wrong to love you as he had longed for her after all of this time. But you felt like a whole different story. He didn't have to sit in agony knowing that no matter what his love would always be with another. You always gave him the time and day, hell even down to the minute to just be honest. He needed you at his side no matter what you were to him. Maybe you were more than a friend, maybe he was crazy about you, but you understood him. In a way maybe Jean never had. Ororo knew he needed more time so she complied with the awkwardness in the air. "I'll give you some more time. Rest easy Logan, they'd want that." She insisted before making her way out of the infirmary. He immediately looked down back at you, before looking back at the monitor tracking your heart. He sighed, biting into his lip. He stuttered the only thing that had been keeping him sane since he last felt your eyes open. "Don't fail me now dimples... I need you." He gritted as his teeth were practically ground into his gums. It has become a regular part of his routine now. Once the students were back in their dorms for the night, down to the infirmary he goes. He could never be tired of seeing you at rest. Seeing you okay and not in pain. He just wished he could hear you speak. He hoped that you could hear his pleas for you to wake.

As much as he longed for you he just bided his time. Like the fool he was, like the idiot he felt like when you made him so weak. You made him feel the most human he ever could feel.

That day was supposed to be a normal day. Classes had been more and more brief. After the loss of Jean and you being "put out." But he did not expect to see what he did next. Going into the elevator to head downstairs, to of course see you as always. He was ready to talk about what you missed away and so on. His chest tightened once he saw what was right in front of him. It was you, you were walking? You were awake and on your own two feet. Your midsection was still bandaged but at least you were standing up straight. But then it finally clicked. Wait, you shouldn't even be walking around right now?!

He immediately ran to steady you once your expression went more absent. "Welcome back to the land of the living." He roughly inquired with a small, pleased grin. "I feel like shit, so don't start with me Wolvie." You gritted out with that smile that made him too feel all good on the inside. Quickly, his arms calmly wrapped around you. He longed for your embrace for too long. It wasn't like you were fighting him when he enacted this. You wrapped your arms around him too. He made sure not to squeeze too tight with your bandages and all. A gentleman must stay mindful, he could recall you poking at him as he had a beer bottle half hidden in his jacket.

Your head gently rested in the crook of his neck. That quiet he hated so much before when seeing you in the infirmary was warmer now. He liked the peace and quiet between the two of you when you were there WITH him. After some minutes passed, you met him back face to face. You eyes lingered as you watched the way he swallowed in with composure. You had longed for him to see you. Finally, all the puzzle pieces were clicking, and with your luck all at once. You knew before this would have never happened. It felt wrong and almost hurtful for you to be doing this. But go big or go home I guess. It was you who initiated it, and he gratefully complied. Still keeping you steady, once your lips met his hand immediately went to cup your cheek. In the bliss shared, all of a sudden it felt right. The tender embrace of your lips with his felt good. It was hungry and it was liberating. You could feel his heart beating out of his chest as quick gasps for air were taken. "I'm sorry." He uttered out, forehead against yours. "I know." You said with a sanguine look in your eye. "I love you." He uttered again at a rapid pace. "I know." You purred, your eyes looking back into his hazy ones. Things would always be complicated between the both of you. But deep down you had hope. Maybe not now, someday things could just be normal between you and The Wolverine. That's all you wanted and that's all you dreamed of. Yours and his timing by all means was horrible. So it wasn't surprising this delightful moment got interrupted by Scott of all people. You and Logan looked back, hands immediately darting off of one another. Time to address THAT later.

Scott's mouth fell agape as he began to regret coming down here in the first place. He readjusted his glasses with a small scowl. "Well hello to you too, and Logan." He turned his head to give him that same look. "Wanted to check on you but clearly -" He made sure to put a specific emphasis on 'clearly.' "That job has been overtaken by him.. I'll get Ororo." Before either you or Logan could interrupt him, Scott was already pressing buttons up to the main floor. Now that it was just the two of you bubbling laughs were shared. You felt finally okay. You felt like yourself after those months of nothing but remembrance. You and The Wolverine wormed back into conversation as you could finally talk BACK to him. Another thing you wouldn't ever admit was that yes, you did hear him. His gentle words would always be your favorite secret. After that display of affection though, your and Logan's bond never stayed just a little secret after that. Even after all the trial and error, and the more soon to come, you finally had another moment. Another moment that you could look at when you are older and with more grays on your head. Logan Howlett was yours, no matter how much the universe wanted to throw you around a loop. You'd always have him by your side, till the end of time. Nothing would stop you from cherishing this connection. Not even the burning phoenix crackling over the horizon. You and Logan against time baby.

ꔫ✉ reblogs/interaction is appreciated <3

[kianamaiart]

Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.

One: Is the story character driven, story driven, or something else

Two: Is the story rated G, PG, PG-13, or something else

Three: Would the story be a web comic, web show, or something else

Four: Will there be a lot of lore and world building, yes or no

Five: what other inspirations did you have for the story's characters, plot, and art style

Six: What humor do you use for the story

I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.

So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.

At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.

I'm so glad! Thanks so much for your interest <3

Character driven (always)

PG/PG-13

Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends

Depends on what you mean by a lot but I'd say a soft yes

For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.

I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist

[leonardcohenofficial]

there’s a great write up by someone on here that i will have to search for in which they discuss how the ultimate evil for david lynch is sexual violence against women (even more severe than murder, which is often auxiliary to that type of specific violence); twin peaks is incredibly soapy—on purpose! lynch and frost are playing with form and content on purpose to examine incredibly difficult subject matter through a (for lack of a better word) more palatable format—which most of the time i think works to its advantage and makes those moments of visible horror so much more effective (i use “visible” rather than “true” or other similar adjectives because the horror is always there, it’s embedded in the entire town, shows up in every generation we see in screen and we watch them grapple with it in different ways, but that’s a separate post)

however—and i’ve talked about this before—i find that once you’ve watched fire walk with me it is so much harder to watch the show because the ignorance of nearly every single member of the town (yes, including cooper) pervades the way the action unfolds. twin peaks viewers knew the premise of the show going in and we get to discover details and information alongside the characters. when albert rosenfield comes in as the only voice of reason and reality, it’s set up to be jarring to both the townspeople and to the viewer. why?

sheryl lee said in an interview, “fire walk with me was very difficult for me to watch… and, emotionally it’s a reminder: this is a movie, but this continues to happen every day and how can we stop it? when i watch fire walk with me now, as a mother, i watch it and i think look at all those signs that were being exhibited. this girl was in danger, and look at all these people that were in her life. what would have happened if someone, somewhere, somehow could have helped or stopped it? that’s hard to watch.”

much has been discussed critically about fire walk with me and whether or not it’s exploitative in the ways that it portrays sexual violence against women. while lynch does not shy away from making that violence visible, it is done so in an attempt to make the viewer examine their own relationship to that violence and how it shows up in their own lives. the audience is forced to think about the ways that they are complicit in how and why these violent acts occur and what they can do to stop it, which is why for many it is an uncomfortable watch. for others, it is a painful (and speaking from my own perspective) necessary watch because lynch didn’t make a horror movie, he made a documentary.

fire walk with me is necessary (in my humblest of opinions) to understand why the pieces that lynch and frost put into twin peaks work. there’s so much backstory to how they weren’t originally going to reveal who laura palmer’s killer was until ABC made them, lynch wasn’t around during much of the second season so things got a little off the rails storytelling-wise, etc. etc. but fire walk with me allows them to tie difficult, often horrifying threads (ben horne unknowingly attempting to have sex with his daughter, the townspeople’s distancing of albert, the hands of random townspeople trembling as BOB attempts to claw back into the material world, the list goes on and on) back to the central thesis of “sexual violence is the ultimate evil, it is completely avoidable, and you have a responsibility to recognize the signs and stop being complicit”

[wileycap]

The Stupidest Things In Netflix's Avatar The Last Airbender: A List

a.k.a.

a whiny rant from someone who has dedicated far too many of their already limited number of braincells to atla i know it's just a tv show but come on this is what tumblr is for let me whine

For your consideration, with many spoilers:

5. Katara Being Smug After Kicking Jet's Ass

In the original, Katara is betrayed by Jet. You can feel the raw emotion in the words "I trusted you! You're sick, and I trusted you!" immediately followed by her concern for the innocent people Jet has seemingly murdered. It's not a triumph, it's a wound, and the next time she sees Jet, her first reaction is "kill on sight".

This is great. It's heartwrenching, it's humanizing, and Katara using violence against Jet isn't a victory for her. It's just pain.

In the live action, Katara very mildly chastises Jet for trying to kill innocent people, which is... an interesting characterization for her, to say the least. Jet then tries to grab her, immediately followed by Katara throwing him and freezing him. She then just tells him goodbye. Her tone is placid, almost unaffected.

And then Jet says "Look at the power you have. That's because of me!"

Katara: "That wasn't you. That was me."

And then she strides off with a small smile, and that's the end of that. Sokka and Aang are not present. It's an incredibly hokey moment that's meant to emulate the style of feminine empowerment, but it has none of the substance. It glosses over any human feelings of hurt and betrayal. All that the it ends up doing is removing a story beat for Katara.

4. The Badgermoles

"They're blind! They sense feelings and react to them! Anger, fear... but mostly love."

Katara and Sokka hold hands in a cave and it makes the badgermole stop attacking them.

The blind badgermoles. Navigate by... love.

Yeah.

Do I need to say anything? Can we all see (pun intended) how stupid that is?

3. Bumi Makes Aang Choose Between Killing Him Or Letting Himself Die To Make The Dumbest Point Imaginable

Remember Bumi? Aang's old friend, a fun, kooky king? Well, here he's an actual fucking psychopath.

He collapses part of the roof onto Aang, and Aang holds it up with airbending. Another part of the roof collapses on Bumi, and Bumi just... shrugs his shoulders, fully intending to die. Aang holds that one up as well, and Bumi, instead of helping, makes the dumbest fucking point I've ever heard about "making tough choices", and urges Aang to let the boulder crush him.

Again. Bumi, the fun, wise king, wants Aang to kill him.

The situation is defused by Katara freezing a little strip on the floor so that Sokka can very slowly slide on it and tackle Bumi to safety. I can not emphasize how slow his slide is. Running would have been faster. Bumi has time to look at him and say "Huh?" as Sokka slowly slides across the floor. Oh, yeah, they were led onto the scene by the love-sensing badgermoles.

Then it's Aang's turn to be dumb. He says "you CAN rely on your friends" and hands Bumi a friendship rock. Bumi is pacified for now, but there is no telling when his next Saw trap will activate.

This made me actually feel bad. I just. I kept expecting for it to turn into a secret lesson, like Bumi in the original show, but it never did. Bumi's just a spiteful psychopath who is easily swayed by the gifting of rocks.

2. Koh The Face-Stealer Has A Backstory Now

Why? Mother of Faces? What? No.

No.

Iroh Is Intimidated By Zhao, And Then He Kills Zhao

Ah, Live Action Iroh. The most ineffectual man on the planet.

So, Zhao has the Moon Koi in a bag, and is ready to stab it with his special stabbing implement. Iroh is standing right behind him. RIGHT BEHIND HIM. Iroh has been there the whole time. Iroh does not want Zhao to kill the fish.

Iroh says: "Whatever you do to that spirit, I'll unleash on you tenfold!"

Remember how in the original, where that was like a big, shocking moment that he got angry? And how Zhao immediately let go of the fish, only to then have his anger get the best of him? How Zhao attacked the spirit by surprise?

Well, here it's a little different. For one, like I already said, Iroh doesn't come in suddenly, he sort of gets bullied into looking for the spirit by Zhao. Then he looks for the spirit, and after Zhao finds it, then he decides that he really has a problem with killing the spirit. He did protest before, but then he kind of just caved and helped anyways.

He threatens Zhao, and Zhao just... brushes him off. "Spare me your empty threats." Then the firebenders next to Iroh sort of... glower at him menacingly, and Iroh looks worried.

Zhao offers Iroh a place at his side once he becomes Fire Lord, which, uh? Okay. Fine. I actually don't have a problem with Zhao wanting to be Fire Lord, that seems to be entirely on brand for him, but everything he does to get to that goal is just stupid.

Aang arrives, they talk, Aang says "I don't matter", and then Iroh, who has sidled past the Glowering Firebenders Who Do Nothing Else, shoots the fish out of Zhao's hands. And then, as Zhao is on the ground, reaching for the fish with his special stabbing implement, Iroh forgets that he can shoot fire out of his hands, and lets Zhao stab the fish.

AND THEN Iroh, who literally stood by two different times and let Zhao kill the fish, decides to kick everyone's ass. And the Glowering Firebenders do nothing. One of them just stands in the background. Iroh doesn't even attack that guy.

In the original, Iroh immediately leaps into action after Zhao kills the spirit by means of surprise attack, takes out Zhao's guards in about a second, and Zhao escapes.

Here, he doesn't do anything at first except help Zhao find the spirit he doesn't want to see killed, then back down, then do something, then back down again, then do something again, then forget that he can do anything, and then he does something again.

It's just... so dumb. (So dumb it's brilliant!) No! It's just dumb!

And then, fifteen minutes later, after Zuko has dueled Zhao, Iroh kills him. Iroh just barbecues him by striking him from behind. Gee, Iroh, if you were willing to do that, why not just do it when Zhao was holding the fish?

Dishonorable mentions:

The fact that all of the actors fit their characters so well and have some great moments, but the show just doesn't support their performances at all. I feel so bad for all of them, being robbed of a chance to shine by some truly awful writing, editing and direction

The Ocean Spirit making Godzilla noises

June flirting with Iroh (didn't they say that they wanted to remove iffy stuff from the original? Well, that whole thing was iffy in the original. Why didn't you cut it entirely?)

Zuko doing the jazz hands to charge an attack

All the clunky and unnecessary exposition (for example: after Aang turns into the Ocean Spirit, Yue immediately turns to Sokka and narrates that Aang has turned into the Ocean Spirit, for almost 30 seconds)

The fact that Aang can only communicate with each Avatar at their shrines

The Ice Moon

The Cabbage Man literally turning to shout his line to the heavens while fire rages around him

The Secret Tunnel song being shoehorned in for no reason

Iroh's entire backstory being shoehorned in for no reason

Ozai being a caring dad actually

Zuko being shocked that Ozai prefers Azula

Gran Gran's speech

The fact that they showed Gyatso being killed by Sozin (literally nobody needed a big action scene, because that's what it was, predicated entirely on the genocide of the Air Nomads)

And finally, the fact that Sokka and Yue's reason for going to the Spirit Oasis is that Momo was fatally injured.

[evilkitten3]

ok so like i know the reason is just. sexism but one thing that really irks me about how the post-timeskip naruto manga handled which characters became medic nin bc it makes absolutely no sense to me

sakura's decision to train under tsunade makes sense, and i love that she got a super strength power up, so no notes there, but the other teams.... yeesh

so first off, team ten. we're told that ino decided to follow sakura into mednin land to keep being rivals with her... despite that at no point factoring into their rivalry at all beforehand. ino never showed any interest in that, nor was the yamanaka clan ever mentioned to have anything to do with healing as far as i can remember. it's like going to art school to stay with your bestie when your goal is to become a dentist. why are you there. find other ways to spend time together. it also kinda goes against her family's whole thing as. the guys who do the torture stuff. and it's barely ever relevant anyway

for team ten, i think the team medic should've been shikamaru, and i think this not just bc i think it makes more sense skill-wise (something about the way the nara clan's various shadow jutsu work just screams "you need good chakra control for this" to me), but also bc i think it would make asuma's death a thousand times more painful. bc shikamaru is a slacker. he's not learning medical ninjutsu bc he wants to, he's learning it bc someone on the team has to in order to stick together. they're all chuunin now; one of them has to be a medic. them's the rules. but he doesn't really care that much, even when he is trying to learn, and he's so used to being smart enough to not have to pay attention in lessons anyway that he's not prepared for classes that require his full focus. and then asuma dies and shikamaru is doomed to spend the rest of his fucking life wondering if he could've saved him by paying just a little more attention to those medical ninjutsu lessons (he could not have (but he'll never know for sure))

team eight makes some sense, since giving the girl who struggles with fighting the healing job isn't exactly out of nowhere, but i do feel it was the lazy choice. kiba already had a sister involved in the medical business, even if she deals more with animals, so he could've started learning from her and found that he liked it. plus kiba's goal is to be hokage, and the current hokage is a mednin, so it's not like it wouldn't support his goal. or shino could do it; would add another layer to his character. hinata works fine but. it's just not a very interesting development imo

but what really gets me is team gai. good freaking grief. out of every single team, team gai was the one with the most obvious choice. bc there was only one choice. lee can't do any kind of ninjutsu, and tenten's only real backstory is that her chakra control isn't good enough for her to be a medic nin. so it had to be neji. canon establishes that every team has to have a medic; this is a policy tsunade got passed even before she became hokage, so no way in hell is she going back on it now.

moreover, neji becoming a medical ninja - especially if hiashi encouraged it - would show some development for the hyuuga clan maybe starting to suck a bit less. bc as a medic, neji would be bound by oath to stay alive for as long as possible. imagine a world in which hizashi came back and hiashi was able to tell his brother that not only was their family starting to change, but his son had chosen a path that would prevent him from ever following in his father's footsteps. it would be the first step (of many) to show that the hyuuga clan was freeing itself from its own bullshit.

also it would've made sakura catching the zetsu pretending to be neji a thousand times funnier. like that's her coworker. they've shared shifts at the hospital together. she's seen neji drink vodka straight from a bottle and then crash on her couch after they got out of a twelve-hour surgery on the fucking dumbass chuunin who managed to step on his own boobytrap. she knows him.

[baskeigh-ball]

I made a slight design change to Donnie, which I already had planned but didn’t know how to execute until now :’]

Anyways more backstory under the cut, please hold all questions until the end of the infodump

Mutant Manhunt Donnie has had a few extra “scientific mishaps”, which mostly happened due to a lack of supervision and impulse control. When he was younger he had very little regard for his safety, but that quickly changed when one accident nearly killed him and made a nasty mess out of his shell. 

After recovering, he made sure to build himself something that would give all the protection he would need in the future, finding that he doesn’t like having his real shell exposed all that much. Now he wears this inner protective “shell” 24/7 (the design of which he based off an armadillo, fun fact), becoming extremely anxious and paranoid if it ever comes off. He made sure the design was as sleek and comfortable as possible to avoid any potential situation where that may happen, and so far has never needed to take it off, with the exception of performing basic maintenance.

Personality-wise this has definitely had an effect. He’s much more cautious with what he tries to build, especially if it’s a weapon, and will only use it after a shit ton of beta tests. 

Of course, he’s still an absolute menace who will go for the kill in battle, don’t get me wrong. But behind closed lab doors, he has lost some confidence in his ability to create something without it literally blowing up in his face. This hasn’t happened since the last accident that damaged his shell, but the fear that it could happen again, should he let his guard down, remains all the same.

[lixopoo]

I see general dating cannons so that with a zzz Belle x Reader. Also can you do the backstory portion around this idea?

Essentially they hired the reader as to basically be the manager of the store and eventual alibi for their illegal operations. You know once Belle trusts them enough to show what’s behind the door.

✶ Belle dating headcanons w backstory!

⇢ Belle x gn!reader ;

⇢ type - headcanons ;

⇢ tags - fluff , kisses , hugs ;

⇢ Thanks for the first request, Anon! I tried to give it my all and spend a little more time on the backstory, I hope it’s okay.

⋆ Due to the huge number of orders that fell on Belle and Wise, they were forced to hire a manager. Since there was no Fairy at that time, their meters were normal and they did not spend much on electricity, so they could provide a salary for their future employee.

⋆ By placing an order on the Internot, you quickly responded to it and were able to come to them almost immediately. You already had a little experience working in small shops, so the siblings immediately liked you, especially Belle for being open, responsive and grasping everything on the fly.

⋆ Of course, you were interested in the room in which they constantly disappeared, but you appreciated their privacy and tried not to be arrogant, although you tried to peek several times, but bangboo didn't give you the opportunity.

⋆ After a few months of work, you got completely used to the store, but you felt a little lonely, since only the visitors and the Eighteenth talked to you, it even seems to you that you yourself began to turn into a bangboo with your speech.

⋆ After the appearance of the Fairy, money for electricity began to be required five times more, your salary was cut a little, but you did not complain, and Belle began to look a little worse due to eye ailments, so she often lay in her room. Seeing how unwell she was, you started visiting her from time to time, bringing tea and all sorts of goodies, to which she was very grateful.

⋆ During this, you got close to her and accidentally said that sometimes it can be very lonely in the store without her, because she radiates positive energy, without which it can be difficult.

⋆ After she felt better, she suddenly shoved all the orders where her help was not needed onto her brother and started spending more time with you. You went to buy new films together, put them on the shelves together, went to eateries together and walked even in your free time.

⋆ A week later, after closing, when you were putting the films back on the shelves, Belle suddenly quietly ran up to you and hugged you from behind, almost dropping you. You were surprised, but only smiled gently in response, turning your head a little.

"You know, Wise and I have consulted here and... we have something to show you!"

⋆ Taking you by the hand and slowly leading you to the door, looking at you, a smile shone on her face, but it was clear how she was a little nervous, squeezing your hand tighter.

"You've been with us for a long time, and I see how lonely and unpleasant it can be for you not knowing what's behind this door, and since we already fully trust you ..."

⋆ Opening the door and running inside, stopping next to Wise, who was already standing there, she was still smiling brightly while her brother stood with his usual expression, one hand on his hip.

"We are Phaethon!"

⋆ You stood with your mouth open for three minutes, looking around the whole room and processing all this information in your head. Did you have any suspicions based on the Cunning Hares constantly running towards them and the suspicious conversations that you heard pressed against this door, but that the people with whom you have been so close for a long time were Phaeton?

⋆ Because of your silence, Belle got even more excited rushing to you, taking your hand and stretching into the depths of the room. After recovering from the shock, you quickly apologized, grinning, and said that it was just unexpected for you.

⋆ After a month, everything was smoothed out and you even sometimes helped them with their tasks. The secret of your reduced salary was revealed, and the Fairy, because of your close relationship with Belle, began to treat you better than Wise.

⋆ You spent all your free time with Belle, walking around the city, holding hands, or lying in her bed in an embrace while she told funny stories from her assignments, and you about awkward moments with clients.

⋆ She loved kissing you everywhere, and melted when you kissed her on the cheek or on the lips, which tasted soft and tender.

⋆ She hardly left your side and looked upset when she left to do the proxy's work. You didn't want to embarrass Wise, so they didn't come into the room just to put their arms around her neck while she was sitting at the computer, even if there were no customers at all.

⋆ She loved to give you little gifts, so you had a lot of paired things, from phone key chains to clothes, and it all looked cute.

⋆ You both very often watched movies in an embrace, kicking Wise out of the room, but he did not want to interfere with your spending time together, although Belle did not forget about her brother and did not leave him alone, sometimes observing the evening viewing of other films.

⋆ She is very glad that she met you and is very grateful for all the care that you give her.

I hope you're happy with everything, don't be afraid to correct me! I very often deviate from the topic itself, so I apologize if something does not suit you :(

[luna-azzurra]

how do you suggest we display different personality within our characters? Like my issue with my writing is that I struggle to make my characters stand out personality wise but I’m unsure how to do that without falling back into static archetypes

Think about how each of your characters talks. Their way of speaking can reveal a lot about who they are. For example, Imagine a well-educated professor versus a laid-back teenager. The professor might say, "I find this hypothesis intriguing," while the teenager might simply say, "That's cool." The words they choose and how they speak can show their background and unique personality . Some people speak in full, precise sentences: "I do not agree with this approach." Others might be more relaxed and use contractions and shorter phrases: "Don’t think so." The tone of their voice is also important. A sarcastic character might always have a bit of a bite in their words, while someone who’s earnest will speak with genuine passion.

Show Personality Through Actions, because Actions often speak louder than words.. Little habits can make a character memorable. Maybe one character always twirls their hair when they’re nervous, or another arranges their desk meticulously. How a character reacts to situations can reveal a lot. A calm person might handle a crisis with ease, while someone impulsive might act without thinking. Picture a thunderstorm: one character calmly pulls out an umbrella, while another runs for cover in a panic. Body language is also a great tool. A confident character might walk with their head held high, while a shy one might avoid eye contact and hunch their shoulders.

Create Conflicting Traits, Real people are full of contradictions, and your characters should be, too. A character might be brave in physical danger but socially anxious. Someone could be very kind but also brutally honest, even to the point of hurting others unintentionally. A character might be very smart but lack practical skills. These conflicting traits make characters more relatable.

Use Backstory to Inform Behavior. A character’s past shapes who they are now. Their history can explain their current behavior, If a character grew up in a strict household, they might value discipline. Someone with a carefree childhood might be more spontaneous. What drives your character? Are they seeking approval, redemption, adventure, or safety? Understanding their motivations helps make their actions consistent and believable.

Let Characters Change and Grow, Characters should evolve over time, just like real people. A character might slowly overcome a personal flaw, like learning to trust others after being betrayed. A major event can trigger significant change, like a tragedy that forces a character to reevaluate their priorities.

How characters interact with others can show different facets of their personality too. Show different sides of your character through their relationships. They might be stern with employees but affectionate with family. Use relationships to highlight different traits. Conflict can show a character’s stubbornness or flexibility, while harmonious relationships can showcase their loyalty and kindness.

[h-yellowfell]

A mother's grief

"Once an unstoppable fighter and blazing flame, Ceroba now spends most of her days wallowing in grief- most mistake her for a ghost, wandering the halls of an abandoned mansion, looking for the family she lost in a single night…

These days however she spends a lot of time in the wild east, perhaps looking a bit out of place in the lively and feisty town, but after a friend offered her a home away from all the painfull memories, she can't help but smile at his anticts…that is until a child much too similar to one she used to know shows up, and she is forced to contront her past and the burden legacy she carries"

Extras (please check this out!):

Heya folks!

oh boy- this post has been a long time coming! ceroba was probably one of the hardest characters to do, i mean there's just so much around her! i have a lot of concept art until i landed on something solid

However i couldn't stop there! i had to make a little sprite for her! and my dear friend @youtube-fucker was so kind to animate her too, i honestly can't thank him enough!

So, lets talk Ceroba!

Ceroba is a curious little case, perhaps the only monster (besides flowey) with a very calm attitude, even if its mostly brought on by a lack of energy, with a more genuienly motherly actions towards Clover, its quite a change of pace to the constant fighting the kid has grown acostumed to- perhaps because of that they're always more polite towards her, even actively searching for her aproval

Most of her backstory should become more clear when im done with Chujin and Kanako, however that shouldn't take too long! (i hope...), although im open to asks, you all should now by now i love an excuse to yap

For now though i'll be back on a small break as i allign the final pieces to this silly Au of mine...story wise at least, god knows i still have a lot of character designing ahead of me!

Thank you all for being here- Stay determined

[rwrbmovie]

BTS of #RWRBMovie: NYE kiss

via Consequence:

It was important for Henry to be the grab-and-kiss-er in this scenario, Lopez says, because “there’s something very striking about a character such as Henry, who has spent up to that point in the film being very buttoned down and seemingly in control of his urges in that moment, losing the ability to control his urges and give into the desire to kiss Alex.” Plus, there’s the additional context of Henry being literal royalty: “There’s something very sexy and romantic about a prince dropping his guard. And taking things that are old movie tropes and letting two boys do it — that was definitely the romantic gesture that we wanted to go for.” Of course, on a practical level, the grab-and-kiss has certain practical elements to consider. “The only danger on set was that sometimes [Nicholas Galitzine] would come at [Taylor Zakhar Perez] so forcefully that they would just bang faces. We were really worried about fat lips and bloody noses,” he laughs. It wasn’t just the passion of the actors that was an issue, but the terrain — according to Lopez, “they were on a slope. So Nick was going downhill.” (Passion with a little help from Newtonian physics.) On set for this as well as the film’s other, more graphic scenes was intimacy coordinator Robbie Taylor Hunt, who oversaw shooting the kiss in two different ways: “We had one where Alex is completely taken by surprise and doesn’t respond to the kiss. And then we did Version B, where Alex is taken by surprise and then does respond to the kiss. Because I wasn’t quite sure what was going to work, so I gave myself the option of having both.” Process-wise, this meant rehearsing both versions and then shooting different angles and framings, which means “those lads kissed easily like 40 or 50 times that night,” Lopez laughs. “There’s nothing like having to kiss someone 40 times in a row to really, really take the allure out of kissing.”

While the grab-and-kiss is the best term I’ve been able to come up with for this maneuver, it’s not my favorite — if only because if you Google the phrase “grab and kiss” today, the search term pulls up very unsexy results. These unsexy results (including phrases like “attempted sexual assault” and “Donald Trump”) do serve as a necessary reminder of how delicate a balance one has to strike with this particular maneuver. As Lopez puts it, “there is a gray area and I think you see it in some older movies, in which they do the grab-and-kiss and it’s icky — it just feels not consensual at all, or very uncomfortable.” What’s so powerful about the grab-and-kiss is that it’s an embrace with purpose. There’s a backstory to it, usually one involving repressed emotions and deeply held longing. That was the strategy Lopez used with Red, White & Royal Blue, using the scenes leading up to the kiss beneath the tree to emphasize “the pull between them.” (Specifically, Lopez got what he calls his “West Side Story moment” during the New Year’s party, when a crowd dancing to Lil Jon’s “Get Low” does as instructed by the song, leaving a still-standing Henry and Alex to gaze at each other across the dance floor.)

[peachy-cheeks]

Kusakabe Atsuya A to Z

warnings: nsfw... and didn’t proofread… ¯\_(ツ)_/¯

a/n: ovulating, rewatching season 2, and kinda fixating on maybe my favorite minor male character in jjk... idk i know there are more atsuya stans out here in hiding and i'm sad that there's more fic for like... idk... naoya... than him... like stand up yall, he's excellent, relatable, has a decent backstory, and i kinda wanna give him a kiss. anyway....

Masterlist

A = Aftercare (What they’re like after sex)

Atsuya's disposition often reads as removed, cold, or unenthusiastic but I like to think of this in two ways: it's a defense mechanism and his job (unfortunately tied to his entire life) is conducive to him acting this way.

All of that to say he's likely the exact opposite one-on-one. Especially when he's completely disarmed by the comfort of his partner— he's the type to cradle and cuddle you, shower you in little pecks, gently move strands of hair out the way to get a better view of your face, and bury his face into your neck to breathe more of you in... You might have to kick him off of you to grab a towel before he falls asleep though.

B = Body part (Their favorite body part of theirs and also their partner’s)

For him, it’s his forearms. He’s grateful that they’re used to bearing a lot of weight and can still exert a good amount of strength. It also gives him a little endorphin rush to feel the palm of your hands grip onto his arms for leverage and support.

His favorite part of you is a 50/50 split between your breasts and the inner plush of your thighs. The sensation of rubbing against, gripping onto, pinching, and biting the delicate skin excites him, mostly because he knows that he can always get a rise out of you from those areas. Truly he's indecisive, but he knows that the soft warmth feels much better in his grasp than the stiff, weighty tsuka (the main source of the callouses on his fingertips) he's used to reaching for.

C = Cum (What it says on the tin...)

I mean there isn't anything really special about his cum (at least he thinks), but he does love seeing it streaked across your face, glistening in your mouth, running along your chin and down your neck. Guilty pleasure is seeing it in your hair, though he sympathizes with how annoying that can be to deal with so he tries to avoid it.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

He absolutely loves when you boss him around. Not that he doesn't already listen to you or that he'd be combative, but he really can't help it if his pants feel just a little tighter every time you tell him what he "needs" to do or even get a little cross with him. Oof... and you potentially praising him for doing something right? Definitely a submissive side he has yet to unpack or even connect the behavior with, though he can totally acknowledge that you taking the reins gives him a chance to step back from the big brother/instructor role for once.

E = Experience (How experienced are they? Do they know what they’re doing?)

Decently experienced and while he wouldn't divulge his past escapades with you (unless you asked), you can definitely feel the experience in how he touches you. Attentive and confident in how his hands direct your body.

F = Favorite Position (This goes without saying.)

Indecisive on this as well but he takes deep pleasure in seeing you take control. If he had to list his favorite three, it would be cowgirl, reverse cowgirl, and missionary at the very top.

I mean, he loves seeing you on top but he's a traditionalist and, efficiency-wise, he can reach where you need him most at a faster and harder pace with you under him. Missionary is also the easiest position for him to hold your cheeks between his hand to keep your focus on him.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

Again, someone who seems more serious than not. But when he's comfortable and in a non-life threatening situation between the legs of his lover, a tender side of Atsuya shows. Of course, it takes a bit of time... multiple sessions and hours really... of cutting through his reserved attitude, but after a while you find that both of your kisses, moans, and deep, vulnerable sighs are bookended by smiles and giggles. Maybe someone pulled a funny face or decided to give up prematurely on a strenuous position. Maybe you both have a moment of realization that the perfect person is fucking you and you can't help but laugh at your luck.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

I have a personal soft-spot for this so walk with me a bit... chest, arms, legs... perfect sprinkle of hair... enough to give a very mature (ugh... dilf-esque) compliment to the toned muscles underneath. A very charming, dark happy trail dusts his lower abs and leads to a nicely trimmed yet fuller tuft of hair above his dick.

I = Intimacy (How are they during the moment, romantic aspect…) 

Recurring theme here... he's a secret sweetheart. Day-to-day and outside of a dangerous situation, he's a particularly dedicated, caring, and thoughtful person. There's still a reserved quality to how romantic he is PDA-wise. Hand-holding is fine, the occasional well-timed kiss— ideally away from students— is fine, he just prefers to be more chivalrous (acts of service) than overtly affectionate (touch). He's more-so worried about giving himself the ick from being a bit too forward and all over you in public (and in-turn giving you the ick.)

But... when he is all over you, the body worship makes you feel like the only person on earth. It's like he has an innate sense of how to nonverbally rectify anything you may have misread about his feelings for you (from a mix of cultivated experience and natural chemistry). Because he's constantly in minor disbelief about how you want him as much as he wants you, in bed he's very communicative, quick to learn all of your trigger points, and loves to hand out compliments:

"Mm... I remember. That spot's really sensitive... can I kiss you there?"

"Comfortable? Feel like my hands were made for holding you here..."

"Seriously don't get how someone can be as perfect as you..."

J = Jack Off (Masturbation headcanon)

Oh boy... rare now since he's not away from you too often. I think prior to shooting his shot with you he had a major moment of self-discovery where you slowly became the main subject of his spank-bank.

K = Kink (One or more of their kinks)

Something about Atsuya makes me think that he's generally vanilla but would be really into subtle power-play. Not committed to the full dom/sub relationship or BDSM as a practice, but loves a little touch of friendly roughness. A hand to his (or your) throat, hair tugging, a few loving slaps, maybe even a little spit-play.

I think shibari/kinbaku would be the furthest he'd go. He respects the beauty of it, the amount of trust and patience it takes to do it right, the learning process, and how much you look like you need him by the end.

L = Location (Favorite places to do the do)

Traditionalist... nothing can beat a bedroom. Though the shower is nice... keeping you from slipping gives him a great opportunity to lift. The kitchen table is great too since it offers the perfect leverage. The couch offers the same thing too for a few different positions. Well... I guess as long as it's at home...

M = Motivation (What turns them on, gets them going)

Your smile. It’s really that simple. Seeing you express any amount of joy, let alone share it with him fills him with a type of yearning that he can’t really verbalize. It just makes him want to be as close to you as possible.

N = NO (Something they wouldn’t do, turn offs)

Teacher kink... would indulge if you really enjoyed it but reminds him entirely too much of work 😭

O = Oral (Preference in giving or receiving, skill, etc)

He enjoys giving and isn't bad at it by any means but you swear something very repressed and primal unveils itself when he locks eyes with you on your knees, mouth open, and doe-eyed. He tries to be gentle about it at least.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

This can vary since he enjoys almost any pace as long as it's with you. With setting a pace he really keeps an eye out for what he thinks you'd prefer at the moment. I think there's always a point where he can't hold back but he strategizes around and prioritizes getting you off... depends on how much time you both have. But hey, if the pace happens to start out needy and desperate...

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Not against a quickie, but as mentioned, defers to your mood on how to proceed. For him, the most likely scenario of needing a quickie (because he’d prefer to just be late or cancel whatever was cutting into your time) would be on campus; a taboo that he hates to admit actually excites him.

R = Risk (Are they game to experiment, do they take risks, etc.)

He's willing to experiment with you and anyone he's had an extended relationship with, but frankly speaking the limits of his own risk-taking imagination run fairly short (apart from speculating on what places you two could get away with hooking up.) But if you can show him something new, he's likely game (though, nothing super bloody or violent... just not his thing.)

S = Stamina (How many rounds can they go for, how long do they last…)

He blames it on getting older but, normally, twice in one go is maybe the best he can do. Definitely exceptions to this... say someone feels particularly giving, there's a special occasion (anniversaries, birthdays, coming back from an assignment, a nice date night), or maybe you two lucked out and have a whole weekend, unbusy and unbothered, together.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

He seems like a very simple, no-frills guy. But if you have any favorites to bring to the table, that'd likely pique his interest.

U = Unfair (How much they like to tease)

Atsuya aims to please so his teasing (just light petting, groping, and sweet whispers) is typically relegated to foreplay. Beyond this, he likes to give you very simple, sometimes curt, directions to follow while he’s fucking you. He doesn’t fully restrict you (most of the time) or prevent you from chasing your high but he likes to put small roadblocks and rules to bargain on in your way:

“Hey, look at me. Don’t touch. I’ll do it if you look at me. Mmhmm… keep your eyes here. Good... Feel good? That what you wanted?”

V = Volume (How loud they are, what sounds they make)

Not loud, per-say, but does have a habit of moaning into your mouth, against your ear, or just against your body in general. Maybe he’s a little too shy to moan aloud and feels safer relinquishing these rare sounds to you only.

W = Wild Card (Get a random headcanon for the character of your choice)

Atsuya definitely has an oral fixation. He deeply misses smoking– especially a post-sex cigarette– but he doesn’t mind if you indulge. Actually, he really looks forward to seeing you have one. Over the years he’s wisened up to the fact that smoke deteriorates the body but he still finds something enticing about the act of sucking on death itself. Especially the way you do it (of course, he does want you to live a long, prosperous life…)

You always offer him a hit but he’s principled enough to look and not touch… he also keeps a few candies in a couple of different drawers around the house, so he’s covered. On the more current end of his oral fixation, he loves sharing lollipops with you. Even better when you steal a kiss with the candy caught between both your lips.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

Tanned shaft (that he loves feeling you squeeze against), darker pink tip (that he loves feeling you suck on), wonderful shape with a few prominent veins and an upward tilt. Girth-y and not unbearably long, but even when he's not hard there's a decent chub.

Y = Yearning (How high is their sex drive?)

He would say he has a very unremarkably normal libido though you’d say otherwise. Again, he tries to reel back on PDA but when you’re both lounging around, cooking, doing chores around the house, getting dressed, and other regular daily activities he can get quite handsy and heart-eyed.

Z = ZZZ (… how quickly they fall asleep afterwards)

Leaves a bit of space (let's say an hour... hour and thirty tops) for a sweet and short make-out, pillow-talk, and cleanup but otherwise ready to sleep like a swaddled baby and will most likely be the big spoon.

[thevyladsafespace]

My "My Inner Demons" overhaul

alright, since I'm bored- here's what I got so far.

I renamed Asch's kingdom to Phobos, in reference to the original term of Daemos (probably an aphmau 'sound it out' name like Ein and whatnot.) With Mars' moons. Phobos and Deimos. While the general species of Asch's kingdom are referred to as Daemos.

Appropriately, I gave the kingdom a family name. Dacite, a type of Volcanic rock. Asch Dacite, Rhal Dacite. ectect.

Backstory time:

Noi Barter. I gave him the backstory of "sole survivor" from a long dead and fallen land, the story of a late bloomer/ someone whose actually more powerful than the rest. He just has amnesia. The key item being the locket around his neck, changed from a lightning bolt. To a sun shape. Spending most of his days fighting for his food, he found strength in stealth and being quiet. Due to having little muscle mass compared to his future companions made it easy for him to sneak into Phobos. Being caught and eventually set up for Execution, Asch recruited him. Being the last addition and stuff. (Similar to the original story, but I put a bigger spin on it since we know very little of a majority of them.))

Leif and Pierce now come from very different kingdoms. Since.. an entire universe dedicated to one kingdom is weird.

Feng Leif, or just Leif appropriately is from a Chinese-inspired kingdom, exiled for assassination crimes, later hired by Asch the same way in canon. And leaning into another horned creature from the same culture, the Dragon. While his name was chosen by himself after seeing it somewhere. While knowing it correlates to wind, which I HC him being rather proficient in using it with magic. And instead of.. entirely insane maniac, he's definitely smarter than he appears. Not book smart, but very street smart and survival wise. The insanity is a choice for him. Instead of being soothed/ calmed by an E-girl over time. (/lh j)

(The rest of the designs are being worked on. I'll make full body posts later. )) Pierce Stone, making him originate from a Japanese-inspired kingdom. Y'know, with his kimono and whatnot, I'm leaning into my other culture fixation! Youkai. I made Pierce an Oni. A wanderer that eventually got hired like the rest, by Asch himself. How? I'm toying with the idea Pierce signed up for a tournament/ exhibition kind of event in Phobos. Recognized by Asch and eventually hired.

Rhys Wynn, (It's pronounced Reese, Aphmau.) is a scholar from Phobos. Someone finally from the same Kingdom as Asch. Designated by Lady Grandma to be an assistant to Asch. It's.. pretty straight forward with him, I'd say.

[kingerstan]

How the characters of the Digital Circus cope:

Kinger: Extreme paranoia and memory loss. Forgetting what he is doing and who he is with. Has probably been through the most out of the group but is so far gone he probably doesn’t remember it all.

Jax: Comedy and cruelty. Jax is interesting because you can 100% tell he uses jokes to deal with his situation. Joking about him and the others going crazy, about Kaufmo abstracting, etc. You just KNOW the fandom is going to love his tragic backstory on why he is so much of a jerk.

Ragatha: Positivity and avoidance. Ragatha was the most sympathetic towards Pomni when she first arrived, but struggles a lot with their situation. One of the interesting things I noticed was that in the intro song Ragatha was happy and waving to the “viewer”, playing her part in the circus.

Gangle: Masks. We didn’t see much of Gangle’s “comedy mask” but I would assume that she is just as positive if not more so than Ragatha when she is wearing it, only for it to be broken easily and have sorrow consume her. Pretty straight forward metaphor.

Zooble: Annoyance and Avoidance. We probably know the least amount about Zooble personality wise, considering they were kidnapped most of the pilot. What we do know is that they have very little tolerance for the antics of the Digital Circus. I’m guessing Zooble was the last person to join before Pomni and doesn’t have as obvious of a coping method besides doing their best to not participate in Caine’s games.

Pomni: Is still in shock. If I were to guess, the series will focus on Pomni’s denial that there is no exit and continuously fight to try and find it, leading to plot stuff happening. Her struggling to not give up will probably be her central character arc.

[ghoulfuckersincorporated]

i wana fuck gob

So, the best AND simultaneously worst thing about coming up with headcanons and fics for characters from Fallout 3 is that there's often so little to the characters, canonically. Most of them have pretty scant backstories and characterization. That can be both an opportunity to mold a character to what you'd like them to be and a way to end up with a very contested character no one agrees on anything about.

Don't get me wrong; I like Fallout 3 quite a bit, but in the same way I like Fallout 4, which is "wow this game has some really loveable/memorable/fuckable characters and you can make your own fun, which I don't mind". However, Fallout 4's characters overall have stronger characterization, in my opinion, so it seems like the fan base has a fairly generalized sense of what each character is like. That doesn't seem to be the case with 3, at least sometimes.

***All that to say: if I make any claims about characters you like from Fallout 3 that you disagree with, 1. sorry, and 2. I would love to discuss.

Gob (Fallout 3) NSFW Headcanons

Boundary communication would be HUGE with Gob, but especially for Gob. For decades, he hasn't been allowed to stand up for himself, to even have boundaries, so a long, long chat about consent would be due before the two of you ever did anything. You'll have to make it clear to him that if he doesn't like something, you don't want to do it, so he needs to say something, and that you won't be mad at him for not enjoying something.

This man is SO quiet during sex that it's initially quite unsettling to you. Even when he cums, he's completely silent. He's so used to having to be ridiculously quiet all the time (or else), but especially at a time like this. You may feel the need to take a step or two back in terms of your intimacy until he feels more able to relax, because it would be difficult for you to gauge whether he was enjoying something or not with full confidence. At least, not without constantly having to ask him, which can be a bit of a mood killer if you're not sure the person you're doing things with is enjoying themselves or just going along with it for your sake. No one wants to feel like they're imposing themselves on their partner, and Gob is, as a result of what he's been though, absolutely the type to just lie there and let you have what you want so he doesn't upset you. He insists that he's enjoying himself, that he likes the way you touch him, but you'll have to explain that you need some sort of feedback when you're touching him to ensure you're not hurting him or crossing some boundary. Once he relaxes, he can be quite vocal, but still quiet; mostly hums and sighs.

I think he also struggles to maintain eye contact with literally anyone, and this doesn't improve when he's nervous or being sexually stimulated. He already feels so exposed with you touching him, even if he's still mostly or fully clothed, that eye contact feels like too much a lot of the time. Once you two have been together a while and you've been physical a few times, he may be able to relax enough to look at you when you ask him to (he gets the cutest look on his face when he cums), but his gaze will continue to wander otherwise.

I think you'd be wise to keep things fairly formulaic early on with Gob. Whatever the two of you enjoy, find your rhythm and stay with it for a while; no need to start experimenting or introducing the poor thing to a bunch of new kinks and positions and things he's never experienced while he's over here still trying to relax enough to let you jerk him off without him crying afterwards.

Would agree to try mommy kink stuff with you and then be beyond embarrassed by how much he likes it. Absolutely loves to be babied and treated softly while you take care of him.

Once he's really comfortable with you, and once he's begun to really feel like he has autonomy and safety in his life, he shyly starts to make requests, wants to try things that he's thought about doing with you since the moment he laid eyes on you. Of course, he's nervous, but he's gotten good at communicating his wants and needs at this point. He wants to fuck you on the bar when the place is closed. He wants to cum on your face. He wants you to peg him. He REALLY wants you to peg him.

Lots of early morning sex. He likes to lay in bed and cuddle for a little while before he gets up to open the bar, and, more often than not, that leads to him feeling all warm and appreciative of you, which usually leads to him pulling you on top of him so you can guide his cock inside you, grinding and rolling your hips lazily until you both cum.

Tit man. Not good at hiding the fact that he's oogling your chest from the minute you meet, sort of like a teenage boy, but once he's comfortable with you and it's been established that he's attracted to you, he doesn't really try to hide it.

[mishacakes]

how do you connect to your character? like how do get to know them so well? how do you pick out their likes, dislikes, habits and those itty bitty bits about them? I've been struggling to do that for sooo many of my ocs, and i'm also at a lost of how to design them. like i once had a clear idea of what kind of character they are, but i wanted to change them a bit, make them a little better, and i feel like I've lost that character and that character i'm working on doesn't exists, no matter how much i loved them and enjoyed writing an drawing them. this has happened with every single character i made and it just makes me think that i may not be cut out for drawing or writing characters. i look up to you so i thought of asking you for help

sry for the long rant idk wat im doing

HELLO HELLO THANK YOU FOR ASKING!! So basically I took this question and turned it into a 1.6k word essay on writing characters and how I like to do it, so, uh, hope you enjoy!! and hope it helps!

OK!! character writing. How do you do it? or, well, how do I do it. I’ve got a few methods that help me out the most and are the most fun for me to think about. Here’s my big secret, if it’s not fun I don’t do it. I’m not here to do homework I’m waaayyyy out of school. I’m a legal adult. I pay my taxes. I’m not gonna do something that doesn’t give my brain the good fun juice. Anyways. My methods are: symbols, archetypes, and character inspiration. I use all these to figure out the CORE of a character, their very beating heart, and most importantly, what haunts them. Everything about a character, in my opinion, comes from this core and their ghost. Their habits, their fears, their joys, their coping mechanisms. So long as you have a clear grasp on their heart, you won’t go astray. Let’s dive into it! The characters I’m going to be using to describe how I use these methods are Alice and others characters from my webcomic—namely Edith, Hatter, and Rougina—and Tomiko (you know her you love her, catgirl supreme).

Symbols! I love using symbols, they’re something that can describe a character through metaphor, even without going into detail about their whole backstory and habits. Tomiko’s symbols are lanterns (specifically light), cats, ghosts/yokai, shapeshifting, and gold. They all work to further her character as a rough around the edges monster cat with a heart of gold, who uses shapeshifting as a method (both literally and metaphorically) to mold herself into what others need her to be. Alice’s symbols are hearts, eyes, and flesh in general. Try picking one general symbol (the ocean, the forest, the city), and see how specific you can get from there. Or pick a god or goddess that resonates with your character and see what symbols are used for them. Rougina (the antagonist in my webcomic) is a war goddess fallen from grace, and is symbolized with land and volcanoes, so I’ve used volcanic plants to evoke her. Personally I also love going through the tarot for symbols, assigning a tarot card to characters (of the major arcana) is a fun exercise. Which leads us nicely into our next method:

Archetypes! The tarot deck’s Major Arcana is pretty much only archetypes. The Empress as the Mother. The Magician as the Wise Mentor. The Tower as The Worst Thing That Could Possibly Happen Oh Jesus Shit. These can help a lot with who your character is. I’m extremely storytelling oriented, so it helps me knowing What Role a character serves in the story they inhabit. Another thing I love in archetypes in the Zodiac. Yes, I am an astrology bitch. The whole reason I love talking about my methods is my Sag rising, I love giving my wisdoms. But astrology can be used for writing, and not just for excusing and not reflecting on shit behavior (can’t help being a gemini!). The zodiac is FILLED WITH ARCHETYPES!!! From elements to how they function! The four elements (you A:TLA bitches know this), and three modalities. If you’re interested please watch Eugene’s Rank King video, it’s very informative on the signs. Also many symbols! For example, Alice is a Taurus—May 4, Alice Liddell’s birthday—so she’s pretty stubborn while also loving creature comforts. Tomiko’s birthday is August 23, making her a Virgo, so she likes being precise in her work. More archetypes you can look for are DnD classes! I love using that to design costumes. One of Edith’s recent costumes is very wizard inspired, since that’s the class I see her having as she’s very studious and driven. Heck, all of Alice and the Nightmare is derived from the character archetypes of the Alice in Wonderland characters! Rougina is specifically the Red Queen, NOT the Queen of Hearts!! The confusion started with the 1951 Disney animated movie when the two characters were merged!! Lewis Carroll himself said the two were different! The Queen of Hearts is an “embodiment of ungovernable passion” and the Red Queen is “the concentrated essence of all governesses”!! GOD!!! Tim Burton meet me in the fucking pit you’ll pay for your alice crimes. anyways.

Archetypes help a lot in costumes too, figuring out what kind of fashion they’d like to wear. You can start broad and get more specific with it (like going from a wizard type character to a wizard character with steampunk themes). Fashion is just an extent of character. What are they comfy in? Are they confident in their body? What colors do they like? Bright high fashion or simple dark sweaters? Ryoko Kui is a master of character design I HIGHLY HIGHLY recommend checking out her work.

Another method I like using, specifically for Alice and the Nightmare characters, is what I call the “three trait method”. When I was in middle school we did a production of Alice in Wonderland (I was the White Knight), and too many girls auditioned for Alice. So the director’s solution was to split the character into three parts, and assigning each part to an actor. Her temper, her intelligence, and her innocence, all used in different scenes. Now I use that to think about my own Alice character, except with “polite, temper, and curious”. Edith’s keywords are “nervous, tactical, and intelligent”. Hatter’s are “kind, enthusiastic, and intuitive”. Using keywords can help figure out how they’d react in a situation, what side of them would shine the brightest. Hatter’s want to help everyone is his kindness, but overstepping his bounds can be attributed to his enthusiasm. Edith can know what path to take in a pinch, but her nervousness can freeze her in place. Reading the source material helps a lot with Alice characters too, which brings us to our final point:

Character inspiration!! The art of taking things you like and shoving them into your own characters and stories. DISCLAIMER THO!!! If you take things without really EXAMINING what about them you like, WHY you like them, and how you’d like to evoke that same love in the things you make, the interpretations can come off as shallow. (for more on this subject, watch HBomberguy’s RWBY video essay, specifically the section on “anime homework”)

Tomiko’s biggest inspirations are Izutsumi from Dungeon Meshi, April Ludgate from Parks and Rec, Power and Reze from Chainsawman, San from Princess Mononoke, and Mei from LMK. It’s a good cocktail of aloof, biting, vicious, weird, fierce, loving, and bright. Figuring out what I love about the characters and what I want to write in a character like that helps a lot in writing Tomiko. It’s also really fun in a sense for screenshot redraws and memes.

Music is also a HUUUUUUGE source of inspiration for me, I love making playlists. And even as playlists can change as characters grow and change, having a couple of core songs still helps me ground to that character’s center. For Tomiko it’s “Make Them Gold” by CHVRCHES, and “Nice Girl” by Ashnikko. Alice’s is “Headlock” by Imogen Heap and “Demons” by Hayley Kiyoko, Edith’s is “Warrior” by Kimbra, and Hatter’s is “Dementia” by Owl City.

Ok, we’ve gotten though symbols, archetypes, and made a couple of banger playlists. Next is something that can help write your character, the Big Lie. The thing that keeps them up at night. Their biggest fear, their ghost, what haunts them. What’s holding them back from their goals? What do they need to overcome? That can be as central to their theme as any symbolism. For Tomiko it’s the lie that her emotions don’t matter, only what she can do to be of service to her mother. Her arc is about overcoming her dismissing her own emotions and learning to not run away from the people who she truly cares for. Alice dismisses the literal ghost that is haunting her believing that that will let her have a normal life. Edith pushes down abilities that come naturally to her for fear that she’ll be exiled, not just from society, but the world. Rougina believes she must burden the world’s problems on her own shoulders with no one’s help. The outer character and the inner ghost can reflect, mirror, and inform each other.

Now, listen, sometimes characters are hard to get to know! Tomiko was lol. Quinn was for a looong time. And in times like this, I just, let them be. I listen to some music to get inspired, and let them tell me about themselves when they feel like it. And they will, it just take a little while. And a few dozen quick exploration drawings. But they come through. Also, try not to get bogged down with habits and little details of their character, keep their core in mind, what their heart is. Start broad and get specific. That way, if you feel like you’ve lost your way or the character feels different to you, recenter yourself at their heart and go from there. Or, if you find that their center no longer fits, don’t be afraid to change it! Characters are meant to be fun! First and foremost!! I make characters cause I like writing and storytelling, and drawing little comic for fun and me time. Sometimes characters stick around, sometimes they fall by the wayside. You really have to find what sparks joy, and chase your bliss!

So as long as you have your character’s essence in your hands, and you WANT to keep working on them and drawing them, there’s really no wrong way to go. This whole essay I’ve given is just a set of tools that works for ME, and I HIGHLY encourage you to find stuff that works for you! I really really hope that all this has made sense and isn’t just the ramblings of a madman. Good luck and happy charactering!!