#i was under the impression he was gonna play a bigger role though why did everyone hype him up only for him to get like 15 minutes

[hecksupremechips]

I finally watched the across the spiderverse movie and teehee Hobie is pretty cool 🥰

[nights-at-crystarium]

Fragments - episodes 41-46 author notes

You can find similar breakdown posts on older episodes in my pinned!

Get comfy and reread with me the finale of the Il Mheg arc and the intro of a certain loser.

First off, I wanna emphasize how important this arc’s for Vivi. Had he not liked Il Mheg in general and Feo Ul in particular, the rest of the story would play out very differently, and not in favor of the sundered. His initial positive impression of the First is pretty much the only thing that saves it.

We've reached a high, physically and emotionally. You know what that means, as per the shb rollercoaster rule :>

Pan pride pixie blesses Thancred, ca. 2024, colorized. I accidentally gave them the pan colors but hey it works. ALSO! Stars in his eyes.

Re: distant nightmare, I’ll let you in on a secret, or a third party perspective if you will. Vivi's full of shit, he's too focused on the big picture. He’s narrating this whole story, but his perspective is, well, just that.

Initially this was Vivi's inner monologue, then I thought that I should just let them talk, and it wrote itself.

More under the cut~

Drawing a buncha vivi-lookalikes that act soooooorta but not really like him, just slightly off, was a surprisingly fun exercise.

Luckily for Thancred, though, he sniffs out the pixie magic, and knows better than indulging them.

...Still, what a shitty fucked up day. Sorry, Thancred :’>

This here’s an example of a moment where I’m uncertain if I’m being too subtle and if this flies over some readers’ heads. He refers to Alisaie’s “job” of dragging Vivi back to msq, which she recently started lowkey dreading (episodes 32-33)

...Though she goes back to her “duty” in episode 43.

She's pointedly SILENT throughout the episode, doing her best to hold back.

Thancred's a man who can say no to begging dogs.

Gridania mention! Vivi’s gridanian! He never speaks ill of the elementals, he's wary of them even a world apart.

This pixie's life is something Feo Ul's willing to sacrifice. Episodes 42-43 tell this story in reverse order, yes this’s the pixie that was supposed to agree with Thancred and go with the Scions to the Crystarium.

As to why there’s a dozen of vivis popping up as a backup: they needed just one fake Vivi to go with the Scions, but try organizing the pixies. Their plan’s already failed when this first pixie-Vivi refused to play their part.

“Yeah no, our guy’s special, but not as special as to explode in confetti”

I love his first ingame appearance in that Varis cutscene, this moment has similar energy: barely enters the stage, instantly gets impaled on a long object. This’s not foreshadowing, no, why would you think that-

The “camera” is perfectly still, there’s even some symmetry, demonstrating how calm and prepared Emet is. He didn’t expect much and he’s still disappointed.

This’s a super old comic. I spent the first half of 2022 testing and trying to find a style for Fragments, back then I had no plans, none, zero, absolutely no interest to give Emet a role bigger than a mention. The earliest version of the script had very few Emet scenes, which, looking back on it, was gonna be a disservice to his character. Well, that changed rapidly in late 2023 when I fell for him so hard that I broke my neck, and now I look back on a lot of what I did with Vivi with new eyes. THE EYEROLL. After spending two years developing a guy for a fun wolgraha chemistry (at the same time I was perfectly aware that Exarch and Emet are foils. I made a foil for Exarch, what on earth did I expect-), I’m going through a mindblow after mindblow as I realize HOW GOOD VIVI IS FOR EMET (and vice versa ofc) and how many things they have in common. This wasn’t always the case, Vivi just gradually got more cynical, tired, ✨grey✨ and everything else that makes a guy consider hitting it with The Other Old Man.

They’re off to a great start.

From Emet’s pov, this must really hurt, as in how many other shards of Azem might’ve snarled at him like this. Even though he must be numb to it by now, who says that there isn’t the tiniest flicker of hope when he approaches yet another not-Azem. He may deny and hate and try to snuff out that spark, but the fatal Soulmate Magnet keeps doing its thing.

Parallels to episode 2.

Apparently, Vivi’s first reaction to encountering his to-be-most-prominent boyfriends is to attack them somehow.

This’s really, REALLY dumb of him, and he even comments on it shortly after. But yes, his isekai tale in the First was rather pleasant just until now, and it lulled him into the false sense of security. OF COURSE there are ascians everywhere, not just on the Source. Vivi just forgor.

Emet tests Vivi's reactions to insults/being treated as a lesser, silliness, flirt.

I regret to inform you that both Vivi and Alisaie have been disarmed so easily. The tone quickly shifts, the weapon’s lowered.

Alisaie makes bad puns/jokes in canon, I thought it'd fit if she laughed at that kinda jokes too, and in the least fitting situations, to top it off. Alphinaud’s disappointed, even if he can hardly be called an expert in humor.

“It’s up to you”. Emet stops fooling around, assuming a more serious tone. He may not respect Vivi or his agency here, but he provides him with a choice that's guaranteed to give him some trust points, and uses "we" for an illusion of unity/equality, a not really subtle nudge towards cooperation, it's not me vs you anymore, it's "us".

Whether Vivi picks up on the manipulation or not remains to be seen, but Emet gets his way here.

Forgive me this lil tangent, but I’m so giddy and excited to write Emet. If Exarch’s decently emotionally intelligent but still obtuse at times, Vivi’s a tier or two above him, he’s not a stranger to manipulation, he registers it being used on him, and doesn’t hesitate to use it too when it suits his fancy. He's quite good at people-ing. Emet, though, Emet’s THE emotional intelligence personified. He’s had literal thousands of years to practice, he leaves everyone else in the dust in this regard. It’s daunting but so exciting to write him, I hope to do him justice.

Let’s just talk.

𝓛𝓮𝓽’𝓼 𝓳𝓾𝓼𝓽 𝓽𝓪𝓵𝓴.

Mark this moment, remember this line for meme value. If these last words aren't famous yet, they WILL become that when we see what they talk their way into <w<

Yes I'm going all in on tragic irony of Emet's situation.

Accidental Emet rp, with the hunching over and all. Or maybe Vivi already unwittingly mirrors him. Or maybe he always did- *kicked and dumped in the trash bin*

Man. I'm guilty of enjoying drawing Vivi in genuine distress. He’s so fun when he’s agitated.

Hidden Angst Time! It's all hehe haha until you realize that this might be a product of the hectic wol lifestyle forcing him to speedrun his emotions like this. Either speedrun, or be left with no opportunity to process them at all.

Also, the sandwiches! The framing’s deliberate, they’re on the foreground all the time, and Vivi only notices them in the very last panel.

I! Love! This! Face!!!!!! A rare neutral, relaxed, thoughtful face, he isn't performing for anyone here.

Nevermind Ardbert getting brutally ignored here x’D

The fact that a guy that Vivi had briefly considered as partner material shut himself away in the Crystal Tower for what could be the rest of his life has stuck with Vivi for good. Or should I say for bad. He might not necessarily care about ARRRaha, still it upsets him that he kissed someone who practically killed himself some days later.

I recently talked a lil more about the Bitchless Liar. This’s how Vivi remembers him forever, take it or leave it. But hey, this cool Exarch guy has big balls probably <- in-universe hc \o/

This episode taught me to draw BREAD.

Even though Exarch’s been nothing but sweet so far, one thing’s to acknowledge a fact with your brain, another thing’s to wrestle with your trauma and paranoia that have all rights to exist and fester. Ever since HW Vivi doesn’t accept food and drinks from anyone except the few trusted sources. This isn’t really covered in this episode, but hopefully hinted at just enough.

He takes a leap of faith. Or maybe he’s simply sick and tired of living Like This. Maybe sandwiches kill him, and he doesn’t really mind. And, when they don’t, he goes through a visible shift in attitude towards Exarch, as we’re able to see in the following episodes.

This’s all I’ve got for now, thanks for reading till the end~

[waitimcomingtoo]

The Hint

Pairing: Peter Parker x Stark!reader

Synopsis submitted by @jasmine11685: Peter gets jealous when you have to flirt with someone on a mission

Masterlist

“Wow.”

That was the only word Peter could say as you descended the staircase in a form fitting black dress. The slit up the side added an elegant touch, something needed for the ball you were going to.

“You look pretty “wow” yourself.” You smiled shyly as you lifted the hem of your dress to walk towards him. “The suit is a nice change from the flannels, though I do love those.”

Peter opened and closed his mouth a few times, but no words formed in his brain. As soon as you put your hands on his collar to tuck it under his suit jacket, his name was lost on his and all he knew was yours.

“So this is what it’s like to be speechless.” He chuckled nervously as you straightened his jacket.

“Shut up.” You giggled as your face flushed. “Your ties a little crooked.”

“Thanks.” Peter whispered as you adjusted his tie. “You look beautiful. Like, the kind of beautiful that makes you want to cry when you look at it.”

“Thank you.” You laughed again, out of habit. You looked at Peter through your eyelashes as your shaking hands slid down his jacket.

“Nervous?” He asked softly when he noticed your unsteady demeanor.

“A little.” You smiled weakly. “It’s uh, it’s a shame I’m gonna have to waste all this beautiful on some douche who won’t appreciate it.”

“Well I appreciate it.” Peter assured you. “All of it. What is your mission exactly?”

“I just have to get some information out of Harry Osborn. Apparently he’s the only one who knows what’s his father has been doing up at Oscorp. We have to find out his plans before he does something dangerous. Could you help me with this?” You asked as you handed him a diamond necklace. You turned around and Peter carefully moved your hair off of your back.

“Oh.” He said in surprise as he clasped the necklace around your neck. “And how are you planing on getting that information?”

“I’m gonna flirt with him like my life depends on it.” You said confidently as you turned back around. “Because who knows? It might.”

Peters face twitched in confusion as his eyebrows knit together. He felt a white hot jealousy run all the way to his scalp when he learned about the plan.

“You have to flirt with that asshole?” Peter laughed nervously and cleared his throat. “He’s a total playboy. He’s probably never done his own laundry a day in his life.”

“I think I can handle him.” You winked at him as you touched your your lipstick. “And his laundry.”

“I have no doubt in your abilities. I just wish you didn’t have to use them on him.” Peter said, mostly to himself.

“It’s fine, Pete.” You assured him. “I’m actually excited to do it.”

“Excited?” Peter began to sweat.

“Yeah.” You grinned in excitement. “This is the biggest role I’ve ever had in a mission. I really want to do a good job so I can impress my dad. That means I’m gonna have to pull out my best flirting.”

“Your best flirting?” Peter was really beginning to panic now.

“Yup. I need this boy to fall in love with me.” You told him. “Watch, by the end of the night, he’ll be putty in my hands.”

“I don’t think you should do this, Y/n.” Peter blurted. “I think we should get Natasha or someone else to do it. You shouldn’t have to be the shiny object we use to distract the enemy.”

“I’m fine with it, Pete. My dad didn’t give me this role because I’m pretty. He gave me this role because I have good communication and manipulation skills. Plus, I’m closest to Harry’s age. It all works out.”

“He could be really dangerous.” Peter protested. “You could get hurt.”

“I’m really dangerous.” You stated. “And he’s definitely gonna get hurt.”

“Just be careful, okay?” Peter sighed, making you look at him. You walked over to him and cupped his face in your hands, making his breath hitch in his throat.

“I got this, Petey.” You said gently. “I know you’re worried about me, but you have no reason to be. I can do this. And you, Sam, and my dad are gonna be listening the whole time. We’re gonna catch this guy. I know it.”

“I just don’t want you getting hurt. If things go wrong-“

“They won’t.” You cut him off. “Go ask my dad. He drew up every possible outcome of this plan and they all end with Harry getting his ass kicked.”

“Okay.” Peter nodded and gave you a smile. “I’ll go talk to Mr. Stark.”

~

“You just had to believe in her.” Peter grouched as he barged into Tony’s office. “You just had to recognize her talent and trust her enough to carry the mission.”

“I’m sorry. Is that anger directed towards moi?” Tony touched a hand to his chest. “Are you mad at me?”

“Yeah, I am.” Peter said. “You know I like Y/n and sent her off to flirt with the richest playboy in New York City?”

“Hey.” Tony said sternly. “Playboy is my thing.”

“Why did you have to make her do this job?” Peter whined. “She’s gonna fall in love with him and forget all about me.”

“He’s a criminal, Peter.” Tony reminded him.

“So? Girls love that!” He protested. “You remember how she acted around Loki.”

“Don’t remind me.” Tony rolled his eyes. Peters face shifted back to his forlorn expression and Tony saw how much this was hurting him.

“Look, kid, don’t sweat this mission.” He said as he put a hand on Peters shoulder. “She’s just gonna get the information she needs from Harry and you’ll never have to worry about him again. You can go right back to your little will-they-won’t-they bullshit or whatever it is you’re doing.”

“I have a plan.” Peter insisted. “And Harry is going to put a serious wrench in my plan, thanks to you.”

“You have a plan?” Tony doubted. “Ive been watching you pine after my daughter for years. When is this plan going into action exactly?”

“I’m just going to think really hard about how I’m in love with her and wait until she realizes.” Peter mumbled as he adverted his eyes.

“Yeah?” Tony cocked his head. “And how’s that going for you?”

“I think she’s just about to get the hint.” Peter said and Tony let out a groan.

“Kid, just ask her out.” He reasoned. “What’s the worst that could happen?”

“She could hear me.” Peter stated. “And then say no.”

“She’s never gonna take the hint unless you actually give her the hint.” Tony reasoned. “Why don’t you try tonight? She’ll be all giddy from successfully completing the mission. Perfect time to confess those bottled up feelings.”

“I don’t know.” Peter sighed. “Maybe.”

~

An hour later, you were making eyes at Harry from the bar. After locking eyes a few times, you signaled for him to come over.

“Hey.” Harry knocked on the bar twice and looked down at you. He sized you up before smiling in approval and sending you a nod.

“Hey.” You gave him a sultry smile as he sat down.

“You all by yourself?” He asked as he drummed his fingers on the bar.

“I was.” You took a sip and looked at him through your lashes. “Until you came along.”

“Mind if I stay?” He raised an eyebrow as he flagged down the bartender. You made a face as he ordered a drink before smiling at him.

“I prefer it.” You flirted.

“Good.” He accepted his drink and took a long sip. “I don’t like being told no.”

“Then you better give me something to say yes to.” You leaned on your hand and leaned towards him. Inside, you were gagging at his arrogance. On the outside, you were eating it up.

And that made two of you.

“Oh God.” Peter gagged as he listened to the banter through his ear piece. “This is torture.”

Sam, who was standing next to him as they both kept an eye on you, gave Peter a look.

“Relax, kid.” He sighed. “She’s just doing her job.”

“You’re a pretty bold girl. I like that.” Harry cupped your chin before releasing it. “Just not as bold as me.”

“Oh yeah?” You raised an eyebrow, grabbed his drink, and downed the rest before slamming the glass down. “How about now?”

“Oh, you are going to get me into trouble.” Harry chuckled and he scooted closer to you. Peter watched in disdain as the jealousy coursed through his veins again.

“That doesn’t sound so bad.” You crawled. “Don’t you like trouble?”

“I love it.” He insisted as he held out his hand. “My names Harry Osborn. You’ve probably heard of me.”

“I have.” You smirked as you shook his hand. “I’m Y/n.”

“Why is she talking like that?” Peter whined upon hearing your flirty tone. “She never talks like that.”

“Because she’s not trying to sleep with you, dummy. Thats why.” Sam snorted as he continued to watch.

“What?” Peter snapped his head towards Sam. “She’s not trying to sleep with that guy. She’s just getting information out of him.”

“Yeah well, guys tend to talk a lot more once you’ve tired them out.” Sam shrugged as he sipped his own drink. Pete’s face fell as he stared Harry down with daggers in his eyes.

“She wouldn’t do that.” Peter mumbled.

“Shhh.” Sam waved his hand. “I’m trying to listen.”

“So,” you took another sip from your drink, “Whats it like being the son of one of the most powerful men in the city? Wasn’t your dad like, 25 when he founded Oscorp.”

“23, but who’s keeping score.” Harry shrugged as he looked around the room. “I’ll probably do something like that soon. Maybe something even bigger. I already have a lot of ideas. Pretty impressive, huh?”

“Totally.” You egged him on but rolled your eyes when he looked away. “Do you ever get to watch his experiments?”

“Baby, I’ve seen just about all of them.” Harry bragged as he played with your dangling earrings. “He’s done things you wouldn’t believe. Things that aren’t even legal.”

“Yeah?” Your eyes widened in excitement and you leaned in closer. “Like what?”

“I can’t tell you here.” Harry pulled away suddenly and sighed. “I don’t want anyone hearing.”

“Alright.” You purposefully took the bait. “Then let’s talk somewhere else.”

“Do you know a place?” He played nonchalant as he put a hand on your knee. Peter watched the scene in front of him and looked away.

“Yeah. My bedroom.” You smirked and stood up. “Let’s go there.”

“Bold.” Harry rubbed his hands together and stood up as well. “You’re dangerous.”

You took his hand and lead him towards the elevator, feeling the gun that was strapped to your thigh brush against your leg as you walked.

“You have no idea.” You mumbled. You passed Sam and Peter and gave them a nod as you lead Harry towards his interrogation. Peter looked like he was ready to fight someone and Sam looked entirely amused. You gave them a thumbs up before leading Harry upstairs.

~

“What’s the craziest thing your dad has done?” You asked as you sat down on the bed. You flicked your leg out and pretended to examine your heels to draw his attention. Harry took the bait and held your ankle in his hands, admiring the fancy shoes Mr. Stark had given you for the mission.

“Why do you want to know?” He asked coyly as he looked up at you.

“Because I like to get a little crazy myself and I want to know how much you can handle.” You shrugged as you shook your hair out. Peter gulped as he listened, feeling his jaw tighten in anger. Tony joined him and Sam at their post and looked around for you and Harry.

“How’s the mission going?” He asked when he didn’t see you anywhere.

“Horrible.” Peter grumbled.

“She didn’t get him to the secondary location?” Tony worried.

“She did.” Sam cut in. “Peters just mad that his girlfriend just found herself a boyfriend.”

“She’s not my girlfriend.” Peter snapped. “Maybe she would have been if Mr. Stark wasn’t a destroyer of young love.”

“Parker, quiet.” Sam commanded. “I’m trying to listen.”

“How do I know I can trust you?” Harry folded his arms as he looked down on you.

“You can trust me.” You told him as you reached up to grab his tie. You used it to pull yourself up and off the bed before planting a kiss right on his mouth.

“What was that?” Peter touched his fingertips to his ear piece when he heard silence from your end.” Why did she pause?”

“She didn’t pause.” Sam shook his head as he checked his watch.

“Then what-“

“She kissed him.” Tony cut in while giving Peter an apologetic look.

“She kissed him?” All the color drained from Peters face and Tony felt he was to blame.

“You know the Green Goblin?” Harry asked once you pulled away.

“Yeah.”

“That’s my dad.” Harry admitted, and Tony and Sam quickly wrote it down.

“No way.” You pretended to be impressed. “I don’t believe you.”

“It’s true. He was dying so he invented this serum to keep himself alive. It ended up giving him all these crazy abilities.” Harry boasted, incriminating himself further. “And he’s got this glider that he can fly around on. You’d love it. It’s very shiny.”

“Wow. I love shiny.” You gushed, fighting the urge to punch him in the throat then and there. “How much serum did he make?”

“He has one more vile that he said he’d give to me when I’m older.” Harry tweaked his eyebrow as he smirked.

“So you’re gonna be the next Green Goblin? Isnt he a bit of a bad guy?” You continued to draw information out of him as your fingers danced around his collar.

“Maybe I am bad guy.” Harry shrugged. “Like father, like son.”

Harry leaned in to kiss you again but you dodged it and laughed as you moved away.

“Bad, huh?” You composed yourself so you wouldn’t be suspicious. “What else has he done?”

“He gave one of our scientists these metal arms. They can rip a person in half. Ive seen it happen.” Harry continued to brag and you recorded every word of it.

“Dr. Occtavius.” Tony realized. “That’s how he got his weapons.”

“Thats crazy.” You gasped and played with his hair. “What’s your dad gonna do?”

“He’s basically forming a league of bad guys.” Harry shrugged like it was no big deal. “Guys way worse than the Avengers.”

“Does he have a problem with the Avengers?” You wondered.

“My dad hates them. I hate them too.” Harry scoffed and you held back a laugh. “That’s why we’re gonna wipe them out. New York can’t rely on a bunch of guys in dress up, and we’re gonna show them that.”

“How are you going to do that?”

“With an attack on New York City on the 8th.” Harry told you, and Tony immediately wrote it down. “The Avengers won’t know what hit them.”

“That sounds pretty scary. Will you keep me safe?” You batted your eyelashes at him and he ate it up.

“I can’t listen to this.” Peter took out his earpiece and slammed it on the counter. “I’m going in there.”

“Parker! Stay where you are and - you know what? I don’t care.” Sam shrugged it off and continued to listen to your conversation.

“Of course baby.” He cupped your face in his hands. “It’s gonna be a direct hit on the Avengers tower. A pretty thing like you won’t be anywhere near there.”

“Actually”, you took his hands off your face and dropped your smile, “I will.”

“What?” Harry’s face faltered at your sudden mood change.

“Did you get that guys?” You touched your fingers to your ear piece and waited for the confirmation. “Copy that, dad.”

“What?” Harry’s face twisted in anger. “You’re an Avenger?”

“Look at you! So smart. You figured it out.” You said sarcastically.

“No.” Harry shook his head. “I don’t believe you. There’s no way you’re an Avenger. You’re my age and a chick.”

“Not just an Avenger. I’m a Stark too. Want me to prove it to you?” You asked casually.

“How?” Harry raised an eyebrow. You gave him a swift punch to the throat that knocked him on his back.

“Like that.” You blew your hair off your forehead as you checked your nails.

“You bitch.” Harry wheezed from the floor.

“You see, I can’t have you and your father attacking my friends.” You crouched down beside him and shrugged. “I’m gonna have to take you in.”

“I’m not going anywhere with you.” Harry swiped at you but you dodged it.

“I know. But this cute little microphone recorded everything you said and sent it to the police.” You pouted and pointed to your mic. “They should be here soon. You might want to wipe the lipstick off your face before the get here.”

“I’m not going to prison.” Harry grumbled as he sat up.

“Aw, but you are.” You said as you pulled him off the floor and put his hands behind his back. “Daddy can’t bail you out of this one, like how he bailed you out of your 17 parking tickets.”

“How do you know about that?” Harry asked as he looked over his shoulder at you.

“I know everything, bitch.” You leaned into his ear to growl.

“No. I’m not going down for this.” Harry broke out of your hold and swung at you. You dodged the first one, but he got you right in the jaw with the second one. You stood up and got ready to fight him as he put his fists up.

“You’re not even that pretty.” He exclaimed as he swung at you again. Right as his fist collided with your face, Peter burst in the door.

“Yes she is!” Peter shouted as he jumped on Harry’s back. Harry threw Peter onto the bed and lunged for you again. You close-lined him with your arm and dug your heel into his back once he was on the ground.

“Peter? What are you doing here?” You asked as you stepped on Harry’s back harder with your heel. “I got this.”

“There’s something I have to tell you.” Peter panted as he got off the bed.

“You won’t get away with this. I will sue!” Harry writhed around beneath your heel.

“Can it wait?” You asked as you pulled Harry off the ground. “I’m a little busy.”

“It can’t wait.” Peter shook his head as you shoved Harry against the wall. “There’s something I’ve been holding in for a long time and I need to tell you.”

“I wouldn’t even bother dude.” Harry said with his face squished against the wall. “She’s a total bitch.”

“Was I talking to you?” Peter growled before shooting a web at Harry’s wrists to handcuff him.

“Ohhh I see.” Harry laughed humorlessly. “Spiderman is mad that I stole his girlfriend.”

“Can you shut up? I’m trying to have a conversation here.” You barked at Harry. “I’m sorry, Peter. Please continue.”

“I didn’t want you to flirt with Harry tonight because you can do a lot more than just sit still and look pretty.” Peter began.

“I know that, Peter.” You nodded.

“I also didn’t want you to flirt with him because I was jealous.” He confessed.

“Jealous?” You asked as you put Harry in the hotel chair and began to tie him up.

“He likes you, stupid.” Harry grumbled. You shot Harry and angry look, but when you looked back at Peter, he was nodded.

“He’s right.” Peter admitted , taking you by surprise.

“You like me?” You lips twitched into a smile as you tightened Harry’s rope. “Why didn’t you say anything?”

“I was scared you wouldn’t like me back. You’re my best friend, Y/n.” Peter said softly. “If you didn’t like me back, everything would change. We’d still be friends but it wouldn’t be the same. I didn’t want to risk that.”

“I’m sorry.” You frowned. “I should’ve been more clear then.”

“Do you seriously have to do this here?” Harry whined and you smacked him on the back of the head.

“Clear about what?” Peter wondered.

“That I like you too.” You smiled sheepishly at him. Tony listened to the confession over the ear pierce and smiled to himself.

“There you go kid.” He mumbled to himself. “She got the hint.”

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[possiblyimbiassed]

The lying liars who lie

Years and years late to the party, I’ve finally gotten my hands on all the DVDs of BBC Sherlock, and I thought it would be fun to watch the extra material carefully, one piece after another, and also listen to at least some of the show makers’ commentary of the episodes. But at this point, after S4 where DVDs seemed to be a constant lying device in general, I tend to look at them with a bit more suspicious eyes...

I still love the show of course, but now that I’ve taken this deep dive into all the special features, I find them a truly hard thing to try to wrap my head around. Even this long after the fact, I’m amazed by the amount of shameless, self-congratulatory BS in the DVDs, where the people involved can’t have enough of complimenting each other and their show, while they skillfully avoid to discuss anything actually meaningful about the plot line. ;) For example, Moffat claims in the S2 DVD that “In fact, you’ll never see a more obsessively authentic version of Sherlock Holmes than this one”. But if we follow their light-hearted commentary, which basically takes the show at face value, I’d call that not just hyperbole, but an outright lie. If you want to see the ‘authentic’ stories from ACD’s work in this show, you’ll definitely need to go much deeper into the subtext and meta levels - neither of which are mentioned on these DVDs of course. Here’s my own (rather subjective) ‘review’ of the whole thing, trying to pinpoint why I view most of the commentary of the show from its own makers as an advanced art of deception. 

(My musings under the cut)

Series 1 - a wealth of extra material

First of all - as many of you probably knew already - the whole of the Unaired Pilot is added to the DVD of S1. In the extra material about the making of the series, they (Sue Vertue, Mofftiss and others) talk about what things they changed between the Pilot and ASiP, claiming that many changes were necessary improvements once they knew that they had a whole series and a lot more time at their disposal. 

Which I can perfectly understand and agree with in general. But I think what’s missing in their discussions is more interesting than what’s actually there (”Mind the gap” ;) ). Things that I would expect from the show makers when they go to the trouble of comparing the pilot version with the aired product. There’s not a word, for example, about the fact that they added both Mycroft and Moriarty to the story in ASiP - two characters who later turn out to play major roles and appear in almost every other episode until the end of TFP. Or about the choice that one of the screenwriters would play Mycroft. 

Neither do they discuss why they chose to relocate the place where Sherlock was challenged by the cabbie from 221B to Roland Kerr’s School of Further Education. Instead they focus on the details, like for example the new design of the interior of 221B.

Not to mention the fact that almost every scene in the Pilot is mirrored in ASiP (as pointed out long ago by @kateis-cakeis X), but at Angelo’s in the Pilot Sherlock follows the events with the cabbie while looking in an actual mirror. I even noticed that in the Pilot the cabbie is offering Sherlock dark-coloured bottles with the pills in them, while in ASiP those bottles are transparent, as if the cabbie is offering Sherlock to play Black or White in the chess game that he is simulating. What’s with all these mirrors, though? Not a word on the DVD... ;)

Now, even though these rather remarkable choices are neglected together with a great bunch of minor ones, I still think that the most interesting fact about all this is that they actually included the whole pilot version within this DVD, which is sold by the franchise. Why even do this, when it raises far more questions than it answers? The only logical reason I can come up with is that they’re laying out a track of little hints that anyone with a deep enough interest in the show to actually buy the DVDs can try to follow. And it seems to me that lying by omission is one of the first steps in the long line of cryptic and misleading author comments on this show. But at the same time, they clearly want the fans to have access to it all, even the abandoned version.

Moving on to Series 2, time for bigger lies 

In the extra material of this DVD Benedict himself describes how his character "faces one of his deadliest enemies in the shape of Love, and it comes in the form of Irene Adler, who is this extraordinary dominatrix [insert here a bunch of superlatives regarding Adler]...”. And then we see how Adler whips Sherlock with a riding crop (without any kind of consent, I have to add) while he’s lying on the floor, and we have Lara Pulver telling us how it was to have a go at Benedict on set. So Holmes whips dead bodies and Adler whips living; seems like a match made in hell! :))

Gatiss claims, grinning with his whole face, that “they’re clearly, absolutely made for each other”. OK, so I think we can see Sherlock being intellectually impressed by Adler, and even trying to protect her from Mycroft, and we can see John acting jealously. We can also see her being dressed and styled as a perfect, female mirror of Sherlock. But I’m still at a loss what all this has to do with love on Sherlock’s part? Especially since he’s not even responding in any fashion to her various attempts at seducing him. 

And there’s more: Paul McGuigan, the director of ASiB, claims that the scene where Sherlock has a conversation with Adler inside his Mind Palace about the crime case with the car that backfires "is a part of a kind of love story, if you like...” No, I don’t. Maybe it’s just me, but if their aim really was to convey to their audience a love story between Sherlock and The Woman, I think they failed miserably. All I see is a guy ’mansplaining’ to a clever woman how to use her brain, while she’s trying to flirt with him by expressing her admiration (to no avail, though) and make deductions at the same time. Nothing new under the sun, really. John did the same thing repeatedly in ASiP (without making own deductions) and got far more attention from Sherlock, but I’ve never heard any of the show makers call that ”a love story”. But by ’lie-splaining’ the scene with Irene to the audience, they try to manipulate us all to see it as such...

In all the direct commentary of this episode, where Steven, Mark, Sue, Benedict and Lara are present, I get the impression that every time they even touch on the relationship between Sherlock and John, they hurry to add the term “friendship” or “man love” or similar words in case they forgot them at first, avoiding even the tiniest possibility that there could be anything more going on between them. They even explain that when Irene calls them “a couple” she does not mean anything romantic. This whole approach feels almost paranoic in the midst of all the laid-back jokes and light-hearted talk about the filming. It’s as if a sort of restrictive, heteronormative filter or blanket is being constantly applied, to teach the audience the ‘no homo’ lesson of it all. And the more I listen to this, the more tiresome it becomes.

In the commentary Moffat does reveal an interesting detail, though: that the ‘Flight of the Dead’ in ASiB was inspired by a cut out scene in the Bond movie On Her Majesty's Secret Service. To me this is just one more reason to question the ‘authentic’ quality of this scene, as opposed to possibly taking place in Sherlock’s Mind Palace. But I digress... 

Listening to the commentary in general, it’s like it’s aimed to distract the attention from what’s going on at the screen rather than highlight it and try to explain their intentions. They do mention that Irene didn’t actually ‘beat’ Sherlock in the end of ASiB, but there’s no explanation of this obvious deviation from canon, where Adler does indeed fool Holmes, taking advantage of his prejudices.

The rest of the extra material of S2 is mostly about technical stuff, special effects and such, and also about filming techniques and Benedict’s delivery of fast deductions. But the part I really do love is the one where Andrew Scott talks about how much he enjoyed playing the scene where Moriarty dances before breaking into the Crown Jewels. That’s one of my favorite scenes of he whole show. :) Also, the takeaway message from this DVD is Moffat’s words at the end: 

“These are still the formative years of Sherlock Holmes, and the most important thing about this series is not that it’s updated; it’s the fact that those two men are still young and they’re still at the beginning of what they don’t yet know is gonna be a lifelong partnership”. 

And then comes Series 3... 

...and its extra material, with the most blatant attempts at deception so far, I believe. At this point Sherlock is called a “psychopath” by both the show’s characters, John’s blog, Benedict Cumberbatch and Martin Freeman as if it were true, which is a big deviation from ACD canon. That simply doesn’t happen there; while Holmes is sometimes described as eccentric, no one in the books is ever claiming that Sherlock Holmes has some kind of mental illness leaning towards cruelty and egotism - not even his enemies say this about him. In the show, however, they begin in ASiP with making him torture a dying man for information (something that is not included in the Pilot). And in S3, where they avoid discussing the reason why they turned Mary Morstan into a ruthless assassin, this major shift is glossed over by the fact that in the same episode (HLV) they also turn Sherlock into a murderer, who cold-bloodedly blows the brains out of a blackmailer for threatening to make said assassin’s crimes public. 

But without ever getting into the “why” of it all, the cast and crew seem overly happy and smiling describing these rather morbid choices as something positive; “fantastic”, "fresh and new” and "amazing” are their choice of words. Benedict claims that Mary, who has literally shot and almost killed Sherlock in HLV, is now "a new best friend of Sherlock’s”. Amanda claims that Mary “is protecting John” when she shoots Sherlock in the chest. Now they’re both psychopaths, and poor little John is forced to stomach them both because he’s addicted to danger. In Amanda’s words, Mary also “kind of gets in between the two of them, but she wants them to be together as well”.  Which is a load of BS considering that Mary tries to kill the protagonist of the story.

Lars Mikkelsen thinks it’s “such a good script” because “you’re mislead as an audience”. But he never gets the chance to expand on what the misleading actually contains, because then Mofftiss cut in to express how much they love playing with “what ifs”. As if this whole mega-budget project of a show were just a big experimental playground without any actual story to tell. 

Benedict repeats his line from HLV that Magnussen “preys on people who are different” and Moffat also says he “exploits people who are different”. Which is really confusing, considering what we can see Magnussen actually do in the show. Lady Smallwood and John Garvie are two well-established, powerful governmental politicians whom Magnussen blackmails by finding their respective pressure points. In Garvie’s case his pressure point seems to be alcohol problems in his past, but according to media he’s later arrested on charges of corruption. Lady Smallwood is blackmailed on the basis of her husband having sent compromising letters to a minor many years ago, in spite of later claiming that he thought she was older and stopped when he found out the truth. And then Magnussen is blackmailing an assassin who recently threatened to execute him but shot Sherlock Holmes instead, in order to try to get at Sherlock’s brother Mycroft, another powerful governmental figure. 

But what does media seeking out dirt on certain people in power and their families have to do with “people who are different”? Despicable as the method may be, isn’t this unfortunately how political power play usually works in our society? Or are TPTB somehow a repressed minority group now? Unless this whole “people who are different” accusation is actually about something entirely different, something that none of the show makers even cares to mention... ;)

In these DVDs, none of the involved persons is ever discussing the change of roles with regards to canon, though, or the (lack of) logics in this turn of events, or even a hint about the narrative motivation behind them. It’s all about the great Drama, the extraordinary visual effects and the aim to endlessly “surprise the audience”. Which is fine by me to a certain extent, but when this is all that’s being said, it feels extremely superficial, as if the audience is merely seen as a bunch of consumers that have to be triggered more and more by horror, special effects and cliff hangers to be able to appreciate the show. (“Warm paste” indeed, like Gatiss has later criticized some viewers of wanting...) While the "why”; the idea behind this surrealistic adaptation, made by self-proclaimed fanboys of ACD, is not even touched upon. Around this, the silence is total and therefore totally confusing.

Maybe I shouldn’t even go into Series 4...

...but why not, since I’ve already started? :) 

First of all, there’s a lot of extra material on this DVD and I particularly love the parts about the music and composing and Arwel Wyn Jones’ work with the design and build-up of John’s and Mary’s flat and the interior of 221B. Those bits are truly enjoyable. What I could live without, though, is the leading commentary that kind of instructs us, the audience, how we should interpret the show. 

Benedict is on it again on this DVD, telling us that in TST they picked up where they left off in S3 and “It’s a very happy unit of three people that then become four.” Why does he feel the need to make this statement, considering how S3 ended? Actually, if there’s anything I totally fail to see in S4, it’s happiness. The banter between the three  of them may seem entertaining for a while, but who could have a relaxed, warm relationship with someone who tried and almost succeeded to kill you less than a year ago? Without any sign of remorse? Now there’s a dark tone of discomfort and mean jokes that feels forced and not even a bit happy to me. 

But Martin tells us how excited John and Mary are about starting a family and Amanda mentions how much they’re looking forward to the baby. Again and again it’s repeated, as though trying to rub it in: “they’re in a good place, they’re a loving, married couple”. Yeah, right - a child that (judging by TSoT) wasn’t at all planned and now with an assassin for a mother... Twice we see the new parents complain that their daughter has the mark of Satan on her forehead and debate which horror movie she’s from. The clichéd hypocrisy of it all is sickening, and I’m willing to bet that it’s really meant to be. ;) 

But Gatiss chimes in, deciding for us all that the christening of Rosie is “a funny scene” and “they’re enjoying each other, enjoying being on adventures as a three”.

An interesting detail is that Gatiss also tells us that the working name of this episode was “The Adventure of the Melting power Ranger”. So this little blue guy was that important? :) And - even more interesting - is when he says: “Cake is now the code for violent death”. So how should we interpret Sherlock, John and Molly going out to have cake in TLD then, on Sherlock’s (supposed) birthday? 

These might be jokes, though, but when they tell us that Sue cries every time she sees Mary’s death I strongly believe they must be joking. How could anyone feel truly moved by this overly sentimental long monologue where far more efforts are put into reacting to Mary’s speech than saving her life? And John’s mooing like a cow, is that also moving? :)

One thing Martin says about TLD that actually disgusts me is regarding the morgue scene where John assaults Sherlock and Sherlock lets it happen: “From there, really, their relationship can only sort of rebuild, that’s the absolute worst it can get”. As if outright physical abuse would be something that makes you want to rebuild a relationship? Wow - just wow... How far can they go with this crap?

Anyway, when we finally arrive at the absurdity of TFP and Sherlock’s ‘secret sister’, everything is of course discussed as if she actually does exist on the given premises, and everything she does is ‘real’, no matter how impossible it would be in real life. The abandonment of any attempt to have the story line make logical sense is skillfully covered up by more distraction with fascinating technicalities of the film making process. This is where Gatiss makes his now almost classic statement that after Sherlock and John jump out of the window at 221B when a grenade explodes there, it’s just “Boop! And they’re fine.” 

Of course there’s no serious attempt at explaining this logically. Except perhaps Gatiss claiming that they both landed on Speedy’s awning - whatever good that would do to them, since the awning is leaning downwards, but never mind... But we never even saw that happen, did we? A great deal of time is then dedicated to show all the precautions to have Martin and Ben jumping safely at low level onto a madras supported by empty cardboard boxes.

Sian Brooke did say something interesting about Sherrinford, however, that got me thinking. She said that Eurus “wants revenge for the years and years that she has been held captive” there, isolated, and that in TFP the Holmes children are now “lab rats” and “it’s an experiment”. On a meta level, I think we can indeed see this episode - and maybe the whole show - as a kind of experiment, but maybe we, the audience, are also lab rats? Since Sherrinford is slightly shaped like a film camera (not commented in the extra material, of course), it leads my thought to all the adaptations through the years and years where Holmes and Watson have not been allowed to be together. A whole century when Sherlock Holmes has been held captive, restricted by the very same sort of heteronormative filter that all this extra material imposes; it’s like Sherrinford, isn’t it? Which gives all the more meaning to Moriarty’s arrival to the island, accompanied by Freddy Mercury’s “I want to break free”...

I think I’ll let the final words in this little exposé come from Mark Gatiss in The Writers’ Chat (my bolding):

“Moriarty is a fascinating thing in that in our sea of ongoing lies, one thing we’ve genuinely been completely consistent about is telling people he’s dead. But no-one believes it! And it’s a rather brilliant thing.”  Again - self-congratulatory statements. But instead of providing some actual evidence of the death of this character, who has kept popping up in almost every episode since his supposed demise, they think that the more a confirmed liar repeats something, the truer it gets? And the more we’re supposed to believe them? Well, all we can do is wait and see. :)

Tagging some people who might be interested: 

@raggedyblue​ @ebaeschnbliah​ @sarahthecoat​ @gosherlocked​ @lukessense​ @sagestreet​ @thepersianslipper​

My earlier meta on a similar topic (X)

[meggannn]

one thing that bugs me within HZD fandom—or at least in a lot of reddit threads and the occasional tumblr note—is how the discussion of Aloy as the chosen one because of the circumstances of her birth always gets reframed around [REDACTED] in a way that discredits Aloy.

I do love the “hero is a rando” stories as much as the next person, but what I like about HZD is that it sets up Aloy to be some incredible savior and then it turns out... well, she might do cool things, but she’s kind of a jerk, actually! and she has every right to not want to help most people when she’s been hurt and mistreated by them for all of her young life.

Aloy is a hero, yes, but not because of her birth, but because she chooses to be one. and it’s a hard choice for her, because her natural inclination is to help herself—which is an understandable trait now that she is old enough to try to give herself what she was denied for nearly twenty years—and I like that they keep stressing that.

now that we’re under the cut I’m gonna talk spoilers.

Aloy is a great fighter and impressive machine-hunter and she is very smart, but that’s not because she’s Elisabet’s clone, but because she had to develop those skills to survive. every part about her personality and skillset can really be attributed to a few key elements about her: being an outcast and shunned and judged for something out of her control, growing up in the wilds in a world full of dangerous machines, not being raised with any sense of family or friends or community, and her feelings of loneliness. everything about her personality and abilities has a tie back to one or several of those things, either as a way to explain them, or overcome them. those were things Aloy did because she chose to chase the mystery of her past, but her Elisabet genes didn’t do them for her.

so it really does bug me when people talk about it as if it’s Elisabet’s acumen that should be given credit when we talk about why Aloy is the hero of her own story. I think we are far enough as a culture that we can acknowledge nurture plays a much bigger role in someone’s personality than nature, even for clones. (and I think this is why the Lightkeeper Protocol was doomed to fail anyway.) I think GAIA, when awake, may eventually struggle with this initially, calling her Elisabet instead of Aloy because it’s Elisabet she misses and wants to see again, and she doesn’t know Aloy at all—but she is an AI, and can adapt quickly.

but why I think it bothers me so much is that this “she’s a natural hero” narrative goes against Rost’s last lesson that he teaches Aloy in the prologue. Aloy’s flaws are that she is selfish and often self-centered, and doesn’t rely a lot on others, often to the point of discrediting their abilities. she barges into the Hunters Lodge and demands Talanah take her on as a thrush based on her own assumption that she’s as good a hunter, if not better, than most of the people in the building. she says “I’m faster on my own” to Erend’s incredulity, implying others would just slow her down. they’re completely understandable foibles for someone who has been alone and shunned by the world her entire life and learned to survive because of it.

but Aloy isn’t strong or smart or brave because she was a clone of Elisabet. she could have walked away from seeking revenge against the Eclipse, and arguably, she might have even done it if she hadn’t had a personal interest in the matter: finding out who Elisabet was. Sylens even calls her out multiple times for her short-sightedness in focusing on “what happened to Elisabet?” instead of "what happened to the world?” (I think in ELEUTHIA-9 she says something like "This is interesting, but it's not why I'm here though" and Sylens says sarcastically "Right, what's the whole of human history compared to the origins of one girl?")

again: it’s completely understandable that the girl raised with no family is looking for, y’know, her family, but I think it’s also a pointed choice by the writers: Aloy doesn’t really feel like she belongs to a tribe, so she feels, in some sense, that she has nothing to lose by antagonizing and refusing help to anyone. what are they going to do, banish her? her one lifeline is Rost: it’s her love for him, and his last act of sacrifice for her, that propels her self-centered (though by no means wrong) desire of “I need to find where I came from” to “these people are killers who threaten what I believe in,” and “they will kill again, and even if they will hurt the people who hurt me, many of whom I still dislike, I must do my best to stop them.”

the biggest scene that shows her laser focus on her own interests to the extent of others’ is when Erend asks her for help tracking Ersa’s killer and she denies him without the player's input. I thought that was an interesting choice because the game is canonically telling us that Aloy will barge her way past allies to get what she wants, and she will not be nice about it. like, Erend, a man grieving, tries to get her to stop for two seconds to hear out his ask for help, and she says “Out of the way” and “That’s your war, not mine.” Normally games might give you a choice to say yes or no to helping an ally, even if the game will eventually force you help them to progress the story; but the writers made a choice to show her denying a friend help, just after he helped her. It shows she’s still at the point in her journey where she sees others either as allies to help her or as foes in her way, and she might help allies if she makes time for it on her own (side quests), but when she's impatient and picks up the scent of her prey, she’s willing to ignore others’ needs.

it’s honestly debatable if she would have even cared so much about seeking revenge against the Eclipse if Helis hadn’t killed Rost: certainly she may have been interested in seeing them punished for their ambush against a bunch of Nora teenagers, but she mentions Rost the most consistently when she talks about tracking down Helis, not even Vala or the other Braves (RIP). even to Sylens, who didn’t know any of them, she says “You [didn’t say you knew the man] who killed my... who almost killed me.” (also, sob forever that Aloy still can’t call him her dad even after he’s dead, only “the man who raised her.” Rost really did not teach her to ever call him “Dad.” it’s no wonder why she was so focused on finding at least one parent, a mother, who is centered throughout Nora culture.) but the Nora ambush, while a factor, is still kind of... a side thing. she is most interested in their connection to this mysterious woman-who-might-be-her-mother, and the mystery of why they tried to kill her. people just assume that she is after them out of vengeance for the Nora, and she does not correct them as she uses her Seeker title to explore her own interests.

and speaking of Sylens, I think they are great foils for each other just for this reason: Aloy immediately senses there’s something she doesn’t like about him from basically the moment he makes contact. he’s prickly, arrogant, impatient, unsympathetic, and hates to play nice or work as a team. but like... are they really all that different? I think that Aloy sees Sylens in her future if she doesn’t learn to get along with people. like Aloy, Sylens is definitely rude to you, but I hope you realize you, too, are also pretty rude to others as well! (though you could argue this is a game mechanic so she can ask the questions that the player might be wondering.)

this is not all to say that she’s dispassionate or uncaring, or that her mission isn’t sympathetic or understandable. she helps people out, but her goal driving the story, her True North in a way, is really her own interest to find out who she is and where she came from. one of the significant moments she grows in this regard is when she comes out of ELEUTHIA-9 and decides to fight for the Nora, and for the entire world. she just discovered the truth of her birth isn't what she wanted, and she even thinks afterwards that she’s “not a person, just an instrument.” she’s devastated. what on earth does it mean, that she’s a “recreation” of Elisabet? they don’t have words for “clone” in her world—she thinks it means she’s literally not a human being. she doesn’t want a grand destiny to save the world, she just wants to find her mother and have that sense of belonging she was denied for so long, and she didn’t find that—turns out, she never had that. and now she’s being expected to take on this huge burden about restoring GAIA and fighting subfunctions that she doesn’t understand. both of her “mothers" are dead and there are a bunch of people waiting outside the bunker for her to tell them what their goddess is saying.

so when she walks out of that bunker and sees a bunch of scared, hopeful faces looking at her for answers, her decision to fight HADES—not just on behalf of GAIA but on behalf of the Nora and Carja and Oseram and all others—is her accepting that even though she isn’t what she thought and didn’t get what she wanted, she needs to help others because she is a still part of this world and can make a difference. that’s what makes her heroic. her hero-worship of Elisabet is understandable, but it’s not what’s going to get her through the next challenges in her life—only her own growth and commitment to doing good will do that.

when she tells Rost “if I’m going to fight for something, it’s going to be something I believe in,” I think that was her saying “I’ll fight for that something, but if I find it, I think I’ll end up finding it on my own, and it won’t be with the Nora.” at that time in her journey, she was running the Proving to get something for herself, not to serve the Nora, which she would have been expected to do normally if she had successfully completed it. but she does find something to believe in, and it is with the Nora, both physically in the mountain, and in the spirit of any community: it’s not Elisabet herself, like she thought, but it is what Elisabet stood for, and died for. she may not fully understand what GAIA or the subfunctions are yet, but she knows that their survival and mutual cooperation are necessary for the betterment of people now and civilizations everywhere. she isn’t really fighting for Elisabet or the Old Ones, or I don’t think so, at least—I think it is a factor to do all of this in Elisabet’s memory, in some way, but mostly I think she’s fighting for people alive today. it’s the same conclusion Elisabet came to: the Old Ones are doomed, but people of the future might still have a chance, and that chance is worth her dedication.

but how how a lonely girl ends up fighting to save the world when she barely understands it or the people in it, is an interesting challenge. for this reason I also expect to see her faults in full display in the sequels. Aloy’s tactlessness is a big flaw of hers when it comes to her dismissiveness and occasional derision toward any religion/cultural traditions she doesn’t understand or value. she works through this in some way over the course of the story, like when she decides to spare the Nora the truth of their goddess with an easy lie after leaving ELEUTHIA-9, but particularly in the DLC (which can take place at any point in the story), she challenges a werak to become the chieftan of a tribe she knows very little about, just to get something for herself: she wants to further her goal of investigating AI. I expect this trait of hers will be something we see more of in future games, her barging into a community she doesn’t know anything about and telling them how to do things for their own good. (I call it the “Solas Problem” from Dragon Age Inquisition.) she might be right most of the time, but she also needs to learn how to talk to the people she’s trying to save, and learn how to save them without changing who they are.

[lil-blueee]

Redamancy | Takashi Mitsuya x Reader (Tokyo Revengers)

Redamancy (n.): The act of loving the one who loves you; a love returned in full.

Treasure the time you spend together,

Treasure the ride in the evening time,

Treasure the confession under the night sky.

May you all feel the love and fall in love!

____________________

It is now eventide, the moment when the Sun deliberately goes down, exuding its vibrant red and orange rays that tints the former azure firmament. And here you are, resting on the leather chesterfield sofa while gazing at those skylights above. Broken lines of cumulus, or cotton-like clouds, are stretching for miles in the air, reflecting those fiery shades that intensifies the whole scene's saturation.

"Beautiful." You mumble, eyes lingering at that exquisite sight.

It doesn't take that long for a pitch black color to invade the sky, noticing that dusk is coming to your city. You raise up both arms to stretch that stiff upper body before a small growl grabs your attention. Looking at the clock, it's a quarter past six already.

"Guess he'll come back late tonight. I've to eat alone then."

You place your right hand on your stomach to feel that small rumbling sound - a signal for dinner time. The corners of your lips pull down to reveal a sad but so-be-it face. "Well, time to eat." You reheat the bento box in the microwave and prepare a glass of water before bringing them both to the table. Hands clasp together, you mumble, "Itadakimasu."

After finishing your meal, you sip a cup of warm tea while walking towards the bust mannequin, where the sleeveless white bridal gown is put on. Four different length of layers were sew from the waist line, covering half of the chapel train - the last and longest layer of the dress. To break free from the usual, monotonous gown, that man thoroughly embroidered roses on the left lateral, artfully arranged those small flowers from the shoulder to the side of the waist, and bigger ones when reaching the end of the train.

There's only one more piece left to complete the dress, a wedding veil. And it's also the final task for you - the girl making a messy bun for her wavy silver hair with apparent black highlights. Heading to the table where the folded tulle fabric is laying, you put the tea cup down, left hand slowly grabs your pair of black eyeglasses beside it. Eyes giving a quick glance at those thin lines drawn by tailor's chalk, you take one deep breath, ignoring some strains of hair falling down on the side and hold the sharp piece of scissors. After all, this dress is made for Hinata Tachibana, one of your best friends. I can't screw it.

You slowly cut off the excess length of the tulle until those metal blades return to their starting point, making the cabbage falls down the ground. Your other hand holds the outside edge of the fabric to trim its corners slightly, adding the curve for a graceful look. "Now then," A delighted smile appears on your face. Your sparkling gaze is looking through the edge of the veil again to see any jagged or uneven fabric needs cutting.

Immersing yourself in your work, you don't even recognize the presence of another man at the entrance, crossing his arms on one another. His head leans against the door frame, looking at you with those adoring droopy lavender eyes. "Quite meticulous, aren't you?" The lilac-haired mumbles, giving his compliment before he turns around and walks along the hall.

After that final touch, you sigh in relief, gently using your left hand surface to mop the sweat from your brow. "All we need to do is sew it. I should wait for Taka—" You startle. Whatever touches against your cheek literally makes your heart jump because of the cold sensation.

"What in the—" Like a natural reflex, you turn your head around to search for the source, but that sixth sense of yours can somehow guess the person standing behind this.

"You call for me?" He asks in a soft tone voice. In front of you right now is Takashi Mitsuya, a gentleman in his dark grey suit layered with a black shin length trench coat, projecting his professional image which instantly forms the first impression to anyone he meets. Hand passes you a bottle of water, the lilac-haired chuckles at the face he saw.

You keep staring at him, your eyebrows pull closer together while your lips tighten, making an angry but quite adorable face in his opinion. As you're about to give him a piece of your mind, his genuine smile immediately blows your anger away. That gentleman appearance, combining with his somewhat irresistible face are like a deadly combo suppressing your anger. How can I get mad like this? Placing your palm on the forehead, you ask yourself before telling him,

"You can just give it normal—"

Hold up! You pause when a thought runs through your mind and interrupts your speech. An idea? No, more like a revenge! Lower your face while smirking devilishly, one side of his slit eyebrow lifts up as he wonders what has got into you until...

"Actually, thank you very much, Takashi."

Calling for his name in a mischievous voice, you raise your slender hand not to take that bottle but to gently grab the other big, masculine one. Eyes lock with the others droopy lavender, you smile innocently as a way to express your affection toward him.

It doesn't take that long for the Second Division Captain to realize your intention. Instead of questioning about your rapid change in behavior, the lilac-haired decides to go along with your act. [First name]-chan, you're no match for me. His surprised face soon reveals a smirk, taking his time to respond you.

"My my~ you really mean it, [First name]?" said Mitsuya in a low tone voice.

He takes a few steps toward while you're doing the opposite, walking backward till your body hits the table without noticing. You startle but your attention is still drawn to his hand pulling the tie knot side to side to loosen that black plain necktie. This soon piques your curiosity. Is it because of the heat or he's doing it on purpose? However, judging the look on his face, you have every reason to eliminate the former assumption. Actually, no one will argue once they meet his sharp, yet flirtatious glance trying to lure you in his sweet trap. The gap is now shortened to only a few centimeters apart, Mitsuya rests both of his hands on the table to trap you inside then leans his lips closer to your reddened ear.

"Or you're asking for something else?" He whispers, sending shivers down your spine.

A flush of excitement is rising to your cheek, but you - my friend, show no signal of being dominated. In spite of the wild beating heart in your chest, you naturally grabs his tie and pulls it closer, looking straight into that man's eyes. "Make a guess."

Now you've done it. That confident expression of yours finally pulls the trigger for a massive explosion in his heart. It's not really something unexpected, but the Captain can't help himself whenever he sees you like this. The lilac-haired signs, looking down the ground to hide his defeated face. But, things won't end that easy.

"Alright, you said it. But," Unveiling a devilish smirk, his left hand wraps around your waist and gives a sudden pull, making your eyes widen from his unexpected move, "don't mad at me afterward."

The other hand is gently placing on your cheek before his thumb touches your lips. He's not gonna... There are butterflies in your stomach as you realize his intention, but sadly, it's too late to escape by now. Feeling his head is leaning closer, you place both hands on his chest to try and stop him though his body doesn't move a single bit. Hold up, hold up, hold up!!! Too close!

"Takashi, wait—" Your eyes shut immediately, knowing what he's about to do.  

Mitsuya pauses when his lips are only a few centimeters away. That man is taking a glance at your heavily blushing face and secretly smiling to see this shy and nervous side of yours. Oh my, now I'm the meanie. He signs. Well then...

Soft. Something touches the tip your nose - a light kiss, as light as a feather. As your mind is still trying to comprehend the whole thing, his giggle soon gets you back to your senses.

"I'm just joking! You don't have to worry!" You open your eyes and freeze like a statue. Noticing how tense up you are, his hand gently caresses your cheek where the heat is still lingering around. "Did I scare you, [First name]-chan?"

You know the answer, don't you? Well, he did surprise you in a way but... why not let him guess a little longer? "Who would?" You mumble.

"Really? Shall we try again the—"

Like an instinct, your palm covers his lower face as you know he won't leave you time to answer.

"Not so fast. I won't be tricked again." You smile cheerfully because this time for sure, victory is in your hand. However, life rarely happens according to your plans, and especially when you are with him.

His gaze sharpens and that makes you think twice about your action. Just when you're about to let your hand down, the lavender-eyed holds it in position and gives your palm a kiss. You raise your eyebrows and are completely shocked at his gesture. Mitsuya gently places your hand in his palm, bowing down like a gentleman greets a lady before his lips touch your knuckles. This greeting gesture, hand-kissing, normally indicates courtesy and politeness but not in this case scenario. 

"Are you sure about that, my Muse?" He asks with a mischievous smile.

And the Cupid - the god of love in the Ancient Roman, shots his arrow right through your heart, again. Love and passion are spreading out from your wound, making you fall for this man for... how many times you have lost count to be honest. The only difference is that you sink deeper and deeper every time the Cupid has his decision.

"So now you're into role play just simply because of the suit? And what Muse would wear a white tube top with grey sweatpants like me?" You chortle.

"Well, doing it once in a while isn't so bad though." He answers. "And you're always beautiful no matter what you wear."

That makes your heart skip a beat. He always says what in his mind, even if you're ready for it or not. "You sure are good with words." Whispering softly, you don't know what to do but to smile happily like a child.

"Anyway, how was the meeting with your customers?" You ask.

"The good news is we have a big order coming up. It's for their wedding and they chose the design already. One mermaid wedding dress and a tuxedo. We have to make five dresses for the bridesmaids too, so it's gonna be a busy week."

"Oh no, it's not that much... Lemme fainted a little." Without waiting him to respond, you let your head fall down on his shoulder, creating a big "thump" sound in the ears. The Captain is trying hard not to laugh by now. He gently pats that heavy head of yours.

"But still, I'll try my best to help. Can't let my beloved handle everything, right?" There you go, being mischievous again.

Wish you could see his face at that time. It was the most happiest face in the world. He wraps you in his arms for a full, warm embrace. "And I don't want my Muse to be exhausted too."

"But we'll put that aside for now. Wanna go for a ride? It must be bored to spend your whole day in the workshop."

Your eyes wide open to hear his suggestion. How long has it been since the last ride you guys had with each other? You're obviously happy to hear that but you're quite concerned about his health. "Maybe you should rest for today, you must be tired already."

"It's okay. I need to refresh my mind a bit. Lemme get change real quick." He gives you a light pat on your head.

Standing in front of the garage, you're gazing at Mitsuya, who is wearing an energetic set of cloth, opposite to the formal style earlier. He layers his white tee with a loose black baseball jacket with cream leather sleeves. This jacket was you two first couple cloth, and it was made by you-know-who. For the bottom, he puts on grey sweatpants and a pair of sneakers.

Your man is taking his baby Impulse out. The lavender-eyed is looking for something, your helmet. He slowly puts it on for you to ensure your safety while you sit behind him.

"Hold on tight." No matter how many times he has taken you out, that sentence always comes up first like a habit. Yes, you understand clearly that he cares about you, but seeing him like this somehow makes you want to tease him.  

"Come on! It's not like my first time letting my boyfriend take me for a ride~" Leaning your body closer to his back, you slowly give that muscular body a hug from behind. The lilac-haired sighs, lowers his head before turning around.

"And it's not like my first time saying this to my girlfriend." He responds while gives you a light flick on your forehead. "I just want to make sure you'll feel safe."

You release your hands to touch the spot where he aimed. Knitting your eyebrows, you ask. "Alright, but do you have to give me a flick?"

"Cause I feel like it." Now your nose is being pinched. Right after when you try to react, Mitsuya grabs your hands and puts them around his waist again. "Alright, no more teasing. We'll be back late if we don't leave now."

You actively tighten your arms so that someone won't give a long lecture again. "Fine, baka Taka."

"That's my girl." Closing his eyes, those lips reveal a winsome smile before his black full face helmet covers it. Once everything is set, he starts the engine and drive you both to the main road.

Resting your head on his firm back, your eyes slowly observe the night life in the city, looking at those cars running on the road and how people spend the rest of their night. Every time the winds blow through your hair, they always give a sense of relaxation, relieving all the stress you have during those working hours.

You breathe out bit by bit, tighten your embrace without noticing, which is a good sign for the person sitting in front of you. Glad she's enjoying this. The lilac-haired chuckles in secret, feels glad at your reaction.

Fifteen minutes have passed by, you two leave the city center, driving on a deserted road that leads to an abandon outdoor parking space overlooking the city's view. This is his go-to place whenever he seeks for the tranquility and now, it's yours too. Mitsuya drives right to the spot where you can observe the mesmerizing scene below and parks his Impulse.

Arms in the air, you stand up and stretch your back after spending nearly the whole day in his workshop, helping him to finish the wedding dress on time. Turn your head around to look at the man sitting side saddle, you ask. "Just three days left. We'll finish Hina-chan dress before it, right?"

"Yeah, I only need to sew the veil and adjust the length of the dress a bit." Mitsuya responds before gazing at you with a delighted face. "It all thanks to your help! Your skills have improved a lot after two months."

"Really? Guess I have to thank someone being patient while teaching me too~" Your mind then recalls how many times he sighed and flicked your forehead when you messed up during your practice. Despite of that, your caring teacher always there to explain and demonstrate again and again. Also, you can't forget the times you injured yourself because of your clumsiness, and he was always there to help you. Those are the memories that you're always cherish.

"I'll still be in your care, Sensei~" You giggle.

Sitting beside the man you love, you lean your head on his shoulder while getting lost in thought. 12 years huh... They finally make it. The fact that Hanagaki could travel back in time is always unbelievable because to you, it's something that only appears in sci-fi movies. You're really grateful that he tries to save everyone even if he has to risk his life. Not knowing what the future may hold, every moment staying with Mitsuya just becomes precious and you truly appreciate it.

Hina-chan finally escapes from the Death, now they're about to engage. "I'm glad for them."

Hearing your mumble, his left arm, which wrapped around your waist, moves its way up to pat your head. Those fingers that he uses to design beautiful clothes are now gently stroking your hair.

"What're you thinking about?" He asks out of curiosity.

"I was thinking..." After a few seconds of consideration, you say something out of the blue "when will I become a bride?"

From your unexpected answer, Mitsuya completely freezes. His astonished face with raised eyebrows and wide-opened lavender eyes is fully drawn to you. Looks like someone's heart just skips a beat. You really are...

Not seeing the Captain react, you ask him with concern. "Taka— Wh—what???"

As you're about to lift your head up, his hand quickly covers your eyes, pressing it down to the old position. You're wondering what the heck is going, not knowing Mitsuya is facing the other direction, hands cover his face. He's making time for the blush to fade away but it's impossible when you're struggling like this. 

"Stay still for awhile, will you?" A long sigh escapes from his lips when you're trying to pull his hand off.

After realizing how physically strong he is, you finally surrender. "Fine, I give up."

The atmosphere go into silent, no one has opened up first because you're waiting for him, and your boyfriend? He's still trying to calm himself down. Once Mitsuya gets back to his cool, usual shelf, he removes his hand to reveal your sound sleeping face.

"[First name]-chan?" He whispers.

Oh... She must be exhausted. Caressing your cheek before moving to your ear, his mind suddenly recalls your words. The Captain tries to move his other hand without waking you up, manages to take something out of his pocket. He then remains silent, eyes are focusing that small box lying in the palm of his right hand. "A bride, you said..."

His thumb opens the box, staring at the thing placing in the middle. For some reasons, your man hesitates before taking out the circle object, raising it up to the night sky and gazing deeply.

"You should fall for someone else." He mumbles.

"That's what I said when you confessed your feelings. But you, you still stay around after everything we went through, after knowing my background." Mitsuya pinches your cheek lightly because he doesn't want to interrupt your sleep.

"How stubborn you are."

You can feel something touch your face but only make an annoyed expression like a reflex.

"You always talk to me, run toward me whenever I'm around, and even learn how to sew. And just like that, I get familiar with your presence in my life."

"I used to think if you were in love with someone else, I would be rooting for you and make sure you find a good guy. But right now, I don't think I can let you go—— No, more like I won't let you go this time."

His hand puts something on your right ear. It's his other signature piercing - a black huggie earring with silver crosses.

"One for me, one for my most important person. Hope you won't laugh at my childish thought, I was young and bold." He chuckles at his own thought.

"I'm not ready to be your spouse yet, not when I'm still struggling with financial issues. I don't want my love to struggle it with me."

"Just a little more, will you wait for me, [First name]-chan?"

[punkcupcakestyles]

Love Song

Part 15

Catch Up!

Sofia Welsh-De La Rosa and Timothée Chalamet will star in new Amazon series and, honestly, I won’t talk about anything else ever again

Amazon Prime has just announced the release of its new original series set in 1970’s New York. According to Hollywood Reporter, the new series will be lead by Sofia Welsh - De La Rosa, Timothée Chalamet, and Logan Lerman, and will be produced by Jordan Peele (Get Out and Us) and directed by Christina Hodson (Birds of Prey). The ambitious project is in talks with some other big names in Hollywood, such as Meryl Streep and even Robert de Niro, to join the series.

Honestly, I’m gagging. 

This might come as a surprise as both Sofia, who has been enjoying lots of Oscar’s buzz for the third year in a row, and Timothèe are on the prime of their movie careers, as two of the most prominent young actors in Hollywood, but according to many sources, Sofia has been looking for a way to work with Peele for a long time, while Timothèe is excited to add some action to his resume, after his role in Hostiles and The King. Also, rumor has it, Amazon is willing to pay a hefty (and I mean hefty) amount of money to sign the young stars. 

As for Logan Lerman, this is his the actor’s first TV role since 2005 and is set to be his comeback after his career faded a bit to the background. With the star-studded cast, Amazon is hoping this to be the platform’s next big hit. 

There is no doubt that Sofia, Timothèe, and Logan are three of THE most talented young actors today, with Sofia being the reigning queen of the pack. Recently, the actress has played a pirate, a thief, a devious courtesan and a feminist writer trying to bring down love, and she’s been rumored to have just signed a deal with Disney to play her very own princess, as well as an undisclosed character in MCU’s highly anticipated Black Widow. She truly has the range, Darling!

Sofia was seen having coffee with Timothèe early in the week, before the show’s announcement, which sparked rumors that the actress had ended things with Harry Styles after he had dinner with his ex in London. She was also seen leaving the James Corden Late Late Night’s studio with Logan...

@BobbyC I’m sorry but all of them are gay...

@Peanutbuttah Eh, she can’t act anyway

@Loveisloud @peanutbuttah She can act, she has been in commercial and art-house movies and has received rave reviews every time. You just don’t like her because she’s dating your fave. 

@Arewethereyet she’s an sl*t. So glad Harry’s done with her…

@Soph Are you drunk Buzzfeed? One does not leave Harry Styles for anyone!

****

Harry was cooking. 

The air smelled like garlic and butter and I breathed in deeply, just realizing how fucking hungry I was, as I followed him to the kitchen. It just occurred to me that I hadn’t eaten anything that day, other than a cup of coffee that Harry had made me in the morning. It was a little strong for my taste, I liked mine with sugar, even when my mom kept telling me I was being violently disrespectful to coffee. I didn’t care, not one bit. 

I never really ate on interviews or auditions days, it made my tummy feel funny and I was usually afraid that my clothes wouldn’t fit like they were supposed to after, so, no food for me, thank you. Usually, D would force-feed me as soon as we were done, practically shoving fruits, nuts, and salads down my throat (sometimes even a burger!), but today I was way too anxious and excited to even pay attention to her efforts. I was going on a date with Harry, I couldn’t care less about anything else!!!

And now, I was fucking hungry and it smelled even better in the kitchen.

“I didn’t know you cooked,” I smiled, looking at the pasta that was boiling on the stove and the bubbling alfredo sauce. Grilled prawns and a green salad were carefully plated in rustic blue and gold plates.

My eyes traveled to him, and I saw him hesitate for a second before he gifted me with a shy smile. He was so lovely, it was no surprise that my head became fuzzy every time I was around him. Even the most superficial thought struggled to grab a hold to my brain. I wondered if anyone could keep their wits around him, but somehow, I doubted it.

“It takes my mind off of things,” he finally said. “And I kinda wanted to impress you, I guess.” 

The admission made my heart soar in my chest and I beamed at him as he stood in front of me. I admired his beauty for a second, his skin was slightly tanned and it looked almost delicious against the white fabric of his shirt, and his smile was warm, making me feel giddy as he trapped me against the counter with his arms on each side of my body. 

I wanted to kiss him, so so badly, but instead, I let my fingers brush over his neck until they reached the tips of his hair. It tickled and he laughed softly with the most wonderful smile.

“Really?” I asked him softly, cause I didn’t want to break the intimate moment we were sharing. 

“Yeah. A bit silly, innit?”

“No, it’s not silly. But, if you wanted to impress me, then you should’ve made a chocolate lava cake,” I teased. “You would’ve gotten me, then.”

“Chocolate, uh?” The right corner of his lip shot upwards, and an adoring feeling hit me right in the chest like a tidal wave. 

“Yeap.”

“I’ll keep it in mind for next time,” Harry muttered, his words getting lost in the air as he leaned down to kiss me.

I realized that it was all I wanted: To kiss him slowly, maybe even for hours. But I knew I had to stop him. I was under his spell and there was nothing I could do about it, nothing I wanted to do, anyway. But even I could admit that this was just a dream, one that I wanted to remember every second of. So when he was gone, I would still have those memories. 

So before his lips could brush mine, before he could melt my brain with his kisses, I pressed my forehead to his and dropped my hands to his chest, right where his heart was beating rapidly. 

“Sorry,” I said shyly, casting my eyes down so I wouldn’t have to look at him, not a few more seconds, not until I had gathered the will to stand strong by my decision. 

“Is there something wrong?” His voice was full of sincere concern, a little bit rougher as well, which made his accent more noticeable. 

“No,” I shook my head, finally looking into his green eyes. “Everything’s perfect.”

“You just don’t want me to kiss you?”

“It’s just...I want to remember every bit of tonight,” I said, as I tried to ease the utter embarrassment that was crawling over my chest. Who said stuff like that? Writers in cheesy movies or bad teen shows. Fuck. 

“Except for my kisses?” He insisted, almost like a little boy fishing for reassurance. I brought my fingers to his cheek and grazed them it until he smiled at me. 

The answer was “fuck, no”. His kisses were a memory I wanted to carry with me forever. But I also wanted to have that night, so I could carry it with me, and compare it to every other date, every other person that would come my way. 

“I want to remember the little details,” I said, shrugging my shoulders. “The dinner you made, which is really close to burning, the grandpa pants…”

“Hey! These look cool! And the sauce, I have it under control!”

“If you say so,” I sneered mischievously, twisting my lips into a mocking smile as he pretended to be offended. “And I want to remember everything you did to make me feel special”

Harry’s arms looped around my waist as he pulled me to his chest and I hugged him back and looked at him, battling the need to just lean in and kiss him. His lips were so pink. 

We both sucked at the whole “no kissing allowed” thing, and somehow that made me feel a lot better. For once, I wasn’t the needy, dreamy one. 

“What do you think?” I asked in a whisper, smiling against the brush of his lips as he bumped our noses together.

“I want to kiss you, Sof, all fucking night long,” he pouted. “Been thinking ‘bout it all day.”

“I’ll make it up to you. Just...lemme have this, yeah?”

“Why?”

“Cause…” I laughed embarrassedly. “I already have your kisses in a little folder in my brain. Now I wanna have this.”

“Is it just me in that folder?” Harry asked, suddenly interested in some other thing that frowning. Curiosity and amusement were burning in his stare and I rolled my eyes at him, almost scoffing at the fact that was the only thing that had managed to catch his attention. 

“Mostly you…” I conceded, even though the petty part of me was all for rolling out with a long list of names before I got to his name. “And Sebastian Stan…” I said, not being able to resist it. 

“Bucky Barnes?” His eyebrows twisted in confusion and he looked at me as I licked my lips, considering just how weird I wanted my answer to be.  

“And the cartoon, too...” I replied, a little bit too casually for it to go unnoticed, but Harry didn’t seem to notice, cause as he was nodding thoughtfully, his hands traveled to my neck again, making me look at him as he dipped his head down to reach the curve of my neck. 

“That’s a bit greedy, baby,” He whispered against my skin, pressing soft kisses down to my pulse point. I wasn’t sure if that was technically a kiss, and I didn’t care, it felt so good. “Someone else?” He was cheating, and we both knew it. I could feel his smile growing bigger, and I sighed as he grazed his teeth over the curve of my neck and let his tongue soothe my skin. “Babe?” He insisted, just to tease me. It was hard to think, and he knew it, but I wasn’t going to admit it just yet. 

“Uh.” I licked my lips and struggled for a second, as I struggled to remember what was it that I was going to say. “Chris Evans, “ I began. “and uh, Michael B. Jordan. Mmm… and Logan Lerman.”

“Isn’t that the guy you’re gonna work with?” He asked, stopping suddenly to look at me. I fluttered my eyes open and smiled when they could finally focus on him. 

“Yeah, him and Timothée Chalamet.”

“Mmmm...I don’t know if I want to share my folder with them,” Harry pouted, which made me laugh. I realized it was no laughing matter, but still, a warm, almost giddy, laughter kept bubbling out of my tummy. 

“Why? Does it make you jealous, H?” I teased.

“Should I be?”

“Mmmm...I don’t know. I honestly think I would let Logan fuck me...those eyes, man.”

“So funny, S…” Harry rolled his eyes. He was not as amused as I had expected him to be. 

“You shouldn’t be,” I said softly, looking him in the eyes, serious and sincere.  

“You sure?” He asked and I was sure he wasn’t talking about Logan Lerman anymore. 

“I’m sure, baby.” I wasn’t even lying. “So, who’s in yours?” I asked, cause maybe that’d take attention away from myself. I didn’t think things through though, cause he had a whole bunch of options for his answer. Who could it be? One of his supermodel exes? His singer ex? This wasn’t a fun game at all. 

“You.”

“Oh, so THAT’S how you answer that kind of question!!” I exclaimed, which made him laugh, and, as he did so, his dimples showed on his face, making him look a little boyish. He was fucking pretty, Jesus. 

“I’m not even trying to be a good boyfriend here,” Harry chuckled, and I relished on the way the word `boyfriend” sounded out of his lips. So pretty, so fucking pretty. “My folder is called “When Sof’s not around”, and I think we need to fill it up, so I don’t run out of thoughts.”

“Oh, we don’t want that,” I scrunched up my nose and shook my head at him as a smile played on my lips. I was so fucking happy and I couldn’t even figure out why. 

“No, we don’t.” The tip of his tongue lapped across his pink lips, and I followed it with my eyes, taking a second or two before I peered up to him again. “I was hoping we could kiss all night,” he said softly. “and maybe I could eat you out by the pool.”

“I didn’t bring a swimsuit…”

“You wouldn’t need one, baby,” Harry laughed, a mix of mischief and endearment lacing with it. I couldn’t stop staring at him, and my knees wobbled a bit as he leaned down, bumping our noses together one more time, as the soft brush of his lips against my skin made me shiver. 

“Don’t cheat,” I whispered and his soft laugh echoed down in every inch of my body. His lips grazed over my forehead, as he pressed a soft kiss to my skin. 

“Ok, baby. We’ll do it your way.”

“Thank you.”

“I think it’s silly, y’know?” He started, pushing me back so he could look at me with his bright green eyes. “We’re just starting, Sof.”

****

I wanted to kiss him. 

I looked at him, licking a spoonful of dessert with my head propped on my hand as I listened to him talk, but all I could think of was how much I wanted to lick the trace of chocolate out of his lips. 

“Is there something wrong, S?” I noticed there wasn’t much concern in his voice, not like there usually was when he asked me if I was ok. This time, there was a hint of mockery, almost as if he knew exactly what I was thinking and that all I wanted to do was to sit on his lap and press soft kisses from his jaw to his lips. 

Fuck.

“No,” I smiled sweetly, cause I wasn’t one to go down without a fight, and I took his hand in mine and pressed it to my lips before I looked at him again. 

“Were you distracted?” His smile was turning more devilish as the seconds went by and I felt myself get warm as he leaned closer, his hands dropping to my thigh and pressing softly to it.

He wasn’t gonna win. I was not going to let him. 

“Nope,” I said, letting the ‘p’ pop between my lips. “Tell me about your album, I promise I’ll be a grown-up about it.” 

“Nice save…” Harry chuckled. “I think you’re gonna like it.”

“I have recently discovered that I’m a very jealous person. I don’t think I’ll like it, but I’ll be happy for you.”

“You shouldn’t be jealous.” A smile tugged on his lips and I felt warm, so warm inside, I couldn’t help but smile as well. “And I think you’re like it, especially since I made a few last-minute changes, against Jeff’s will.”

“Really?”

“Yeah, he kept saying I had the guts, the audacity to change the album when we’re about to drop the first single.”

“What changes?” I insisted, because Jeff’s feelings were the least of my concern at the moment. 

I wished I could have played it cool. Maybe that would’ve made me look more interesting, aloof, unapproachable, and all those things a girl should be in front of her crush. But my heart was racing and the world was turning chaotic as my head ticked, like a tiny little bomb. 

I needed to know. 

Tick, tick. 

“You’re already sure you’re not gonna like it,” Harry smirked, surely unaware of the mess inside my head. “You might as well wait for it.”

No!!! TIck tick. 

“Oh, please, please, pretty please?? What’s the advantage of this if I can’t get a tiny sneak peek?”

“Well, for instance, you get me to cook for you…”

“It was delicious, thank you.”

“And you get me to eat you out at night when you’re not being stubborn and imposing kiss-bans.”

“I like that very much, too,” I giggled, looking at his green eyes as he got just a bit closer, just an inch away from me. 

“So it’s not such a bad deal, is it?”

“I guess not.”

“Good.” His bottom lip rolled into his lips and he bit it thoughtfully for a couple of seconds as his eyes kept burning little holes into my soul. That’s how it felt. “Let’s watch a movie, baby. Are there any bans on cuddling?”

“No, not yet.”

His fingers squeezed mine and he got up swiftly from the table, smiling brightly as we covered the few steps to a different room near the pool, where a giant screen awaited for us. There were a bunch of individuals blue chair, blue and velvety, and a larger one, that was meant to comfortably fit two. The room was dark, only lit by the lights coming from the screen, and I followed him blindly until we were sitting side by side. Slowly, we found each other, and as Harry sat against the armchair, I settled between his legs, cuddling up to his chest while his large hand rested on the curve of my waist. 

He smelled like a lazy Sunday morning when the rain is lightly tapping on your windows and all you can hear are the chirping birds when still early, so the world hasn’t woken up just yet and you get to focus on that feeling, on the promise of what’s coming. 

He also smelled like pasta and chocolate, and I didn’t mind that at all. 

He felt soft, comforting, and sweet, but above all, he felt safe. I was safe with him. 

And, I struggled for a bit, trying to understand what came next, what was the warmth and giddiness that settled in my tummy every time I looked at him. 

“You ok, baby?” Harry asked and I nodded absentmindedly, not ready to let my thoughts go just yet. What was it? “Wanna watch Set It Up?”

“Yeah, whatever you want. your choice.”

“Are you sure you’re ok? You don’t say that often.”

“Oh, shhh, Harry I always do whatever you want.”

“We definitely have different definitions of ‘Whatever Harry wants’” He mused and I propped myself up to look at him, almost suspiciously, almost angry.

“Do we? What do you want?” I asked. 

“To kiss you. And for you to stay the night.”

“I have a bed, y’know?” I quirked my eyebrow, looking at him as I had already won the argument. 

“Yeah, unfortunately…”

“And we promised we would behave tonight.”

“You can stay in a different room,” he offered. “Or I will.”

“What’s the point then?”

“You won’t have to miss me in the morning…” he shrugged. I laughed out loud, despite my best efforts to look offended. “And I won’t have to miss you.”

“I’ll think about it.”

Love. 

He looked a lot like love. 

And love looked a lot like him. 

***

Harry Styles and Sofia Welsh were out grabbing Fro-yo and I’ll never be as cool as either of them

Yes, I know what you’re gonna say: Are they paying you to write this sh*t? And the answer is yes! someone’s paying me to write this sh*t! Alas, neither Harry nor Sofia is. I wish. 

The usually private couple, and bear in mind I am using the word couple loosely here as they haven’t confirmed to be dating, gave the world a glimpse of their relationship as they stepped out in Los Angeles to grab ice-creams and bubble teas, along with friends.

Ever since the rumors of their relationship spread around, the couple has been mostly keeping a low profile - which is not very surprising as Harry Styles is not very open about his personal life since he was a member of One Direction and a large part of his fans believed him to be romantically involved with one of his bandmates (that was a mouthful! And also very true, there has been a lot of conspiracy theories about it)

Sofia, who’s in the middle of an Oscar campaign (and has been showing us just how much designers adore her), sported a pair of leggings, a crop top, and a large blazer, a perfect outfit for the ever-changing LA weather, and looked happy and relaxed as she waited for Harry to get their orders. Both stars took photos with fans and left together in Styles’ classic car…

****

We were made out of good intentions. 

We slept together that night and every night after that for an entire week. We didn’t do much, we kissed and cuddled, and spent our mornings lazily together until one of us had to go out to the real world. We even went out and we kept stealing looks and smiles at each other, like two little kids that were too shy in front of their crushes. 

Photos were taken. Articles were published. Midge was elated. 

Harry’s new single was coming out that night, and there was going to be a party to celebrate it. If it was a hit, they were going to celebrate their success and all the hard work that went into it. It was a flop, and it was not going to flop, they were going to drink for better times ahead. 

“Fuck!!!” 

I stared at the ceiling, willing my body to move and failing miserably at it as every little muscle in my body contracted painfully. My arms hurt, and my legs felt like they were on fire. 

I just needed 5 more minutes before I got up and got ready to leave. 

It was day 4 of “my new life” as my trainer liked to call it, and after another lunch of grilled chicken and steamed broccoli, I was ready to quit. I had trained and dieted before for different roles, but this time, I had a feeling she wanted to suck the life out of me. It even made me reconsider if I needed to be in a Marvel Movie. Would Midge kill me if I quit?

“Sof…” The male voice scared me just a little, as I thought I was alone in my house. I turn around just slightly, as much as my tired poor body could handle and smiled as I saw Sam standing by my door. “Can I come in?”

He was holding a tray, with something that looked like a sandwich, coffee, and a glass of water, along with a white bottle of medicine. I nodded, grunting even at the soft movement, and he walked quickly to my bed, setting the tray down before me as he stood awkwardly. 

“Shouldn’t you be at work?” I struggled to ask while I propped myself up and sat criss-cross on my bed. I sounded angry, and maybe I was, why would he bring me a sandwich? It was all I wanted to eat and all I couldn’t eat at the same time. 

“I’m off work today, and I wanted to check on you. Cat told me you’ve been feeling under the weather. I called your mom and she told me you should “just eat a sandwich and take an aspirin”, so here they are,” he said, offering me a childish smile as he pointed the tray with a little too much joy. 

“I can’t eat a sandwich,” I sulked. “And I need to get ready, I have to go to Harry’s.”

“You can eat a sandwich. And he can wait 5 minutes, you’re always there.”

I realized we hadn’t talked about the kiss, not really. I avoided being alone with him, and whenever the occasion presented itself, Sam would go out of the room, giving me space and maybe waiting for me to be the first one to reach out. I had never done that. Honestly, I didn’t think I would.

“You’re right, Sammy,” I said, picking the sandwich in my hands and noticing that he had already cut the crust off. “Thank you.”

It was weird between us, tense and quiet, and I didn’t like it. I bit into the bread looking at an empty spot on the wall as I waited for him to say something. Anything, I would take it. But Sam remained silent, pressing his palms on his thighs as he went to get up. 

“Sam,” I called for him and I smiled shyly when he finally turned around. He took his time, though, and for a moment there, I was scared he was going to leave. “I’m sorry.”

“That’s not what you want to hear when someone you like kisses you.”

“I shouldn’t have…”

“Did you want to?”

“Yes,” I breathed and I realized I wasn't lying. I did want to kiss him, there was no use in denying that. 

I put the sandwich down on the plate and moved closer to Sam until I could see the golden freckles that were hidden in his light brown eyes.

“Do you remember that night when you came through my window and stayed the night with me?”

“Yeah, I heard your dad scream, and I wanted to be there in case…”

“I know, Sam. I’ve wanted to kiss you ever since then,” I admitted and he kept staring at me as if he was considering what his next move would be. Would he kiss me? Did I want him to kiss me?

“You’re not being fair to me, Sof.”

“I know. You haven’t been fair to me either, but here we are.”

There was a moment of panic, cause for a second, I thought he was going to kiss me. He leaned over me and I held my breath as I looked at him, not able to stop him just yet. But as his lips brushed over my forehead, I closed my eyes, smiling as he pulled away from me. 

“Eat the fucking sandwich, Sof,” he replied and it wasn’t enough. I took his hand before he could leave and I licked my lips, peering up to him with something more than just fear pressing up to my chest. 

“Are we good?”

“Yeah.”

“I guess we’ll talk about it again when he gets back with his ex.”

That was a low blow, and we both knew it, but I just stayed quiet as he left the room, wondering if I deserved it. 

****

It took me a while to get ready, so I was late for Harry’s party. I went straight to the pool, where a large screen had been set up and the new video seemed to be on a loop. I couldn’t find Harry anywhere, but at the same, he was all I could see. I stared at the screen, looking at his golden skin as he was surrounded by the adoring crowd, at the way they kept touching and the expression on his face as he leaned into them. The song didn’t even matter, cause all I could focus on was his stupidly beautiful green eyes. 

I mean, I had watched his videos before. I had seen him fly through the sky and be surrounded by kids, but this was different. Those were entertaining and beautiful, and I felt the emotion in my tummy simply because it was him, and somehow, just seeing him made me happy. But in this one he meant to capture your attention and a little bit of your soul. He wanted to be desired and to be free along the way. And it was such a fucking sexy video.  

I lost count of how many times I allowed myself to watch the video, but it was probably too many times. After a while, I decided it was time to look for the real Harry, who was still nowhere to be seen, so I left the pool, smiling and greeting everyone as I passed by. 

I hoped he was alone, cause I wanted to fucking kiss him like no one else was looking. I wanted to tell him how lovely, talented, and amazing he was. I was going to kiss him a lot and praise him, it couldn’t get better than that. 

I looked for him in the living room, where a small crowd was throwing back cocktails and beers and went out to the front door, where people were lounging about, a bit drunkenly. But he wasn’t anywhere, and I was starting to feel uneasy. 

It took me more than a few minutes to make my way to his room because people kept getting in my way. I did my best to smile and engage in silly conversations about nothing, but my heart was growing heavy and my brain was too anxious to even remember if I had succeeded. 

I heard him talk even before I stood by his door. I couldn’t quite tell what he was saying or who he was talking to, but I noticed that his words were a little bit slurred, and his accent dripped thick in his low voice. The door was slightly ajar and I pushed it open and stood by the frame as I saw him talking on the phone. He had his back to me, so he didn’t notice that I had arrived, not that it mattered. 

“C, you’re drunk,” I heard him say and I wished he had just said a different name. “No...I know I told you it was just a PR relationship...Cause I need time to figure out...Really, C? Wanna know if I still love you? You’re not being fair...” The last part came out as a dry laugh, and I knew I had to leave, it was rude and inappropriate, but, most importantly, it was breaking my fucking heart. But my feet seemed like they were made out of cement, and my legs had chosen that moment to numb out of pain. So, I was still standing there when he turned around, and probably saw the tears that were threatening to spill down my eyes. 

I wanted to know the answer too. Could I know it? It’d save us a lot of pain. 

“Bye, C.”

He dropped his phone to the bed and I looked at him as he walked quickly to me. He looked flustered and worried, but it all seemed so distant, that it didn’t matter. 

“Baby,” Harry said, but that wasn’t my name. Did her call her baby too? He probably did, he was a ‘baby’ kind of guy. “Are you ok?”

“Yes, I was looking for you cause I wanted to check if you wanted me to post something on Instagram,” I lied. “D already drafted a tweet, it’s really simple.”

“Sof, how much did you hear?”

“Nothing. I’m gonna get a couple of photos and uh, I’m gonna go home, I think I need a rest day.”

His hand went to grab mine, but before he could do it, I turned and walked away rushing down the stairs until I could get lost in the crowd. 

Fair? None of us was being fair. 

[fizzingwizard]

Episode 30, the alleged halfway mark, at last!

I’m fresh out of jokes so let’s hop right into the review!

Pictured above: Characters who supposedly exist in this series

More under the cut as usual

So last week I listed the things episode 30 needed to do to make me not hate it. They were: 1) Sora had to stay with Taichi and be part of the action, 2) the other characters had to feature here and there to progress their storylines even if the main focus remained on Taichi, and 3) WarGreymon’s appearance needed to be dramatic.

Well... guess who didn’t get Bingo this episode -_____-’

I am... seriously... mind-boggled. This is bizarre. Yes, we all understand that evolutions just aren’t the big deal they were in 99 Adventure, BUT this episode DOES try to convince us that WarGreymon IS a big deal. It just fails at it spectacularly, in my opinion at least. As for the rest: Sora stays with Taichi, but he tells her to take the helpless Digimon to safety and then we don’t see her do anything but stand around waiting for Taichi. Most of the other characters don’t even get a cameo, let alone story progression. Taichi reflects on them briefly at one point but it’s unbelievably stupid. Only Koushirou has anything to do and he is STILL JUST STARING AT HIS COMPUTER.

My expectations for episode 30 weren’t super high, given the current storyline, but I’m honestly slackjawed by how BORING this episode was. They really seem to have decided to rest the entirety of the show on Taichi, and much though I love him, I just don’t think he CAN carry it by himself. Not only has he long been unbelievable as a grade school kid even for shonen anime standards, he doesn’t crack jokes, he doesn’t show personality... all he does is fight. Like, the show isn’t ALWAYS like this - I’ve legit enjoyed it a various times, and I know why - it was always when the team was together and we learned things about them and the fighting was balanced out. So I never know from one week to the next how I’m gonna feel about the new episode. But I do think this is the episode I hate the most to date. :/

We had a promising start with Garudamon still actively fighting several Megadramon at once, simultaneously barbecuing Sora.

Fortunately it’s magic so she’s not dead, nor has she fallen to death.

Taichi and MetalGreymon continue fighting the Allomon on the ground.

The mysterious Lopmon looks on with a judgmental glare, wondering why he isn’t currently being carried like a baby. Walking is hard, he wants to be carried. Taichi do your job

Taichi: cmon lopmon you have to learn to do things on your own

Lopmon: no I want to play video games

Taichi: well then I refuse to buy you any more games. if you want them you’ll have to get a job and earn the money

Lopmon: daaaad! youre ruining my life! uggh!

Koushirou keeps an eye on the misbehaving satellites.

Taichi and Sora debate what to do. It’s difficult to protect the forest Digimon while fighting at the same time, so Taichi tells Sora to bring them to safety while he fends off their enemies on his own. WHAT THE HELL IS THIS PLAN. Since it’s a shonen anime, I normally wouldn’t whine about this but... it was just last episode that we were shown Taich cannot cope with the combined attack of that many enemies at once on his own. He needed Sora’s help. Why he now thinks he can do it is a mystery.

Taichi can maybe handle the Allomon and Megadramon on his own, but last episode Tankmon also appeared, and this time, lo and behold, in comes Parrotmon. Sorry Taichi but you brought this on yourself.

Meanwhile Koushirou communicates with “someone from the Internet” and learns that the satellites are all rerouting to converge on the same location:

The freaking International Space Station!

Which will then surely explode! And cause lots of trouble both in space and on earth!

^Pictured: Koushirou’s “oh shit” face

^Pictured:MetalGreymon’s “oh shit” face

MetalGreymon proved to be weak to the lightning Parrotmon emits. If there’s a reason, they don’t explain, but I like the idea that he’s particularly weak to it because he’s a cyborg and the electricity disrupts his... circuits :P Then Parrotmon gets hit with a beam of dark energy and evolves!

Into Klosmon? Krosmon? IDK, IDC.

^Pictured: Taichi’s “oh shit” face

They get their butts handed to them. Taichi and Agumon fall unconscious. Rather than take the chance to deliver the finishing blow, Klosmon or whatever politely waits for them to wake up.

Taichi’s consciousness is swept into a white empty world...

where he finds the Crest of Courage looking weirdly sentient... or maybe that’s just me...

MetalGreymon just looks possessed

Taichi: Are you alive?

Agumon: Yeah... you okay?

Taichi: Yeah... uhh... well... sort of...

Not being dead = I’m still ok

So here’s where the episode really loses me... After visiting the blank world, Taichi is suddenly able to recall what happened after Devimon ate him.

This makes little sense since he seemed pretty KO’d at the time, but okay, find, he woke up long enough to see WarGreymon and now he’s remembering it, sure why not. But I hate that they did this whole “ohh he doesn’t remember!” thing and then solved it like this. Presto! Now he remembers! It’s maaaagic!

And as ADORABLE as the two of them holding hands like this and resolving to keep fighting is... I just can’t be impressed by a battle with Parrotmon. Or Klosmon or whatever it is now. There’s a reason most shows save dramatic moments and big epiphanies for battles that actually progress the storyline. It makes a much bigger impact. This just feels like someone saying “Woohoo it’s Tuesday!” and then you ask “what’s special about it, is it your birthday or something?” and they say “Nope I just felt like being excited that it’s Tuesday!”

I mean points for optimism and all but it doesn’t make a very good story.

Taichi helps Agumon walk x’D They are planning to keep fighting even like this.

And I get that the “never give up!” attitude is essential to the shonen anime protagonist, but when you literally can’t walk by yourself anymore, it’s important to take care of your health is ALSO an important message this show might consider teaching kids once in a while -.-”

In spite of his unsteady legs, Agumon’s still able to evolve again and powers up to fight Klosmon.

It uh... doesn’t go well.

The one cool thing here is the way Taichi sets about attempting to make MetalGreymon evolve. Although we already knew the children play an important role in evolving their partners, Taichi seems to really understand it now, and focuses deeply. It’s a much more active role than we’ve seen before - it seems like more than the usual “encouraging thoughts and emotional ties” spurring the evolution.

At least he’s still super cute.

So we have already seen the Crests many times, I knew that... but my theory was that, in order to reach the final evolutionary stage, they would need the help of the physical Crests. So that’s what I thought Mimi was doing with those crystals.

But Taichi is indeed about to call WarGreymon. So... I have no idea what use Mimi’s gonna find for those crystals x’D I suppose she’ll make herself and Palmon matching necklaces. Or sell them on the black market.

From her super safe hiding spot, Sora watches in awe, wishing she too were a real character on this show and not just an inconvenience as far as most of the writing staff are concerned

I love WarGreymon’s shield.

BAM. He appears. It’s dramatic. But only just.

WarGreymon defeats Klosmon and explodes the forest... Uhhh, weren’t we supposed to be protecting it?

Taichi and WarGreymon then join Sora and the forest Digimon and uh... that’s the episode.

Oh yeah, we get one more hint that Lopmon is more than just some random idiot. Lol. This episode hinted at Lopmon, reminded us that Hikari’s been abducted, and told us that the International Space Station might explode, and then addressed none of those.

The message on the bottom says that the next episode will be on January 10, meaning there will be no episode next week as per usual due to New Year’s holidays.

Next week’s episode:

Turns out Lopmon is one of the holy Digimon or something. Honestly not a surprise, I mean, it’s Lopmon. Should have occurred to me earlier.

Also we got what I think is our first named mention of Millenniumon and it looks like Hikari might find out somethig about him. So that’s cool. The rest of the episode seems to stick with Taichi and Sora’s group... The only thing I can say hopefully is that, since WarGreymon’s appeared, MetalGarurumon ought to be not too far off. So that should mean we at least get a Yamato-centric episode in the not too distant future.

Okay, a couple weeks ago I said I had some stuff to say but would wait till episode 30 to do it... so stop here if you don’t want to read me ranting :P It mostly amounts to what I complained about in the beginning: This season is just so hyper-focused on the fights and seems to treat the team aspect as an afterthought. Which makes no sense to me. Honestly, I don’t mind the excessive fighting - that’s common in shonen anime and grown up me can’t expect to be interested in the same stuff that interests 8 year old boys.

I don’t even mind the idea of Taichi’s role as main character getting an upgrade - like, in 99, he was the main character, but it was felt a lot less. Better balanced with the others’ roles, I mean. I think it’s totally okay to make Taichi a more central character and the plot focus in the new season - it wouldn’t be my choice, of course, but that doesn’t mean it’s inherently bad. But the way they’re going about it just doesn’t make sense to me. Even Taichi isn’t interesting half the time. He just fights.

Like I said before, this isn’t the way the show always is. There have been some highlights. I truly loved a few episodes, and the show does seem to have fallen into a pattern of being good for a while and then degrading into something like today’s episode. I don’t know why: budget? pandemic? or is this really, legitimately, what the show producers want to show kids? I guess, in the end, this show really may be about selling toys and selling toys only. (But, if that’s the case, I’m even more surprised that they don’t make a bigger deal about all the evolutions...)

A lot of things I liked the most happened in the very beginning - the first three episodes in particular. The characters interacted with each other. Their feelings and actions influenced each other. Fighting happened, a lot, but it wasn’t the only thing happening. I was pretty excited then. I didn’t expect to love this show like I love 99 - that’s just not possible, I’m too old and 99 is too special to me for me to trust my judgment - I was just happy to see the Adventure kids back and entertaining a new generation.

But since then it’s been a roller coaster with few highs and a lot of lows. Although it’s hard to imagine how the pandemic would have changed the storyline, episode 4 was where they paused the show for Japan’s lockdown-but-not-really, and once they picked back up the tone just seemed kind of different from the first three episodes. Not right away - I think the intro episodes for the rest of the team were pretty reminiscent of “Digimon Adventure” - but that makes sense, they had 4 ready to go and probably had made headway on the next few episodes before they closed down the studio. Anyway, that’s just a guess, since it seems like everything’s been affected by the pandemic, but with a few exceptions we have all been back to work more or less normally since June...

The thing is, there are lots of fighting shonen anime - tons of protagonists who never give up and never fall in spite of how hurt they get, and who get unlimited “evolutions” in return for their tenacity. That’s all fine. It’s the genre. But the thing is...! The thing is, those other shows, they all tend to have humor, to care at least marginally about character relationships, and understand that that’s how you build up a main character: just winning fights alone doesn’t cut it. So I just don’t know what to make of this new Adventure show. It’s FINE when the team is together. We get cool character moments and insights and even some joking around. But they KEEP SEPARATING THEM. This time they didn’t even have more than a single episode together before they were all split up again! I wonder if it’s because they’re having trouble getting all the voice actors in due to pandemic-related issues and budget issues etc. If so, HUGE bummer. Of all the years for Digimon Adventure to get a reboot... why did it have to be this miserable excuse for a year...

Le sigh.

But there’s nothing we can do about it. I’m just going to like what I like and hope for the best in the future. I really would love for the new Adventure to be popular with kids and keep that cast going. I don’t expect it to compete with the lids of Kinmetsu no Yaiba or anything. I just hope that, when we hit the final episode, we look back and say that the season was overall worth the reboot. I hate the thought of looking back and saying “well, that sure was dull.” It’s just an insult. 99 Adventure wasn’t the most unique storyline in the world, but it had a lot of uniqueness IN it, and what made it special was its treatment of the team and the child-partner relationships. The reboot doesn’t need to be exactly the same, but it shouldn’t be forgettable.

That’s why us being at the 30 episode mark concerns me. At this point we know how the show is paced and what’s it like. We can’t really argue that we just don’t know enough to make a judgmenet yet. It’s hard to believe things will suddenly change. If they do, assuming the change is for the better, I’ll be thrilled, but I’ll also feel sad that we missed out on so many chances for cool things to happen in the first half.

[ittakesrain]

and here’s the narrative I just presented to my class

So it’s kinda weird to have 20 full minutes to talk about my experience, my strength, and my hope. I mean, I talk about myself and what makes me ME quite a lot; I’m lucky enough to have friends and family and a therapist who listen and understand and make me feel heard. But this feels different, and I’m honored to be sharing with all of you.

I’m gonna read something I wrote a long time ago that I reworked yesterday in order to make it better for this narrative exercise.

But before I do that, I just want to give a quick summary, through those five words Emily had us pick yesterday. Mine are: more, anorexia, personality, sexuality, and bipolar. They go in chronological order for the most part. And they help me understand chunks of my life and categorize them into…I guess into lessons I’ve learned.

“More” because I learned at a young age that my reactions to things were bigger, more emotional, and more dramatic

“Anorexia” because I spent the majority of high school locked in the lonely hell of starving away my problems, and because those years and the first few months of precious, innocent recovery shaped me tremendously

“Personality” because I’m proud of who I am and what I’m like and how I behave, even though I can be a lot to deal with, and I very much enjoyed the process of becoming me

“Sexuality” because my identity played an important role in my development and without my journey with it, I wouldn’t understand who I am and I wouldn’t be with my boyfriend who I love

And finally, “bipolar” because it explains things, it helps me make sense of things, it’s put me through a ton of shit but I’m still here standing next to it

…

When I was ten, it tugged at me.

At the time, I was merely confused. Maybe a little curious.

It felt weird more than anything else.

A vague and unfamiliar sensation that wouldn’t seem to go away.

I felt more, in every regard. Was that possible?

Something…wasn’t right.

I didn’t know what, but it didn’t really matter.

I distracted myself by learning to crochet and going about my regular fifth-grade business.

.

When I was thirteen, it pulled at me.

At the time, I was already agitated, as every new teenager is. I grew annoyed with it.

It was confusing, but no longer curious to me.

A troubling nuisance, forever in the back of my consciousness, on top of everything else.

Something was wrong.

I didn’t know what, and I didn’t have time to figure it out.

I distracted myself with writing and all the normal preoccupations of an eighth-grader.

.

When I was fourteen, it yanked at me.

At the time, I was stressed and upset and annoyed.

No longer confused, just pissed off with it.

A stupid, scary presence…a lingering sense of discomfort, and it was spreading.

My stomach soured in the presence of food,

Waves of sickness rippled through me at the mere thought.

I wasn’t good enough, could never be good enough, oh god, was it too late to try to be good enough?

Something was wrong. Very, definitely, completely wrong. Was it all related?

I didn’t know, didn’t care either. Still had no time to figure it out, nor the willpower to try.

I was too distracted to distract myself. Fucking ninth grade.

.

When I was sixteen, it ripped into me.

I was depressed.

It was empty. Hollow sadness that radiated into every aspect of my being.

Anxiety that pervaded every thought and action.

A dark cloud looming over me, terrible fears caving in on me.

Everything wrong. Nothing okay.

How did it get that way? How could it have gotten that way?!

I wondered how, and why, but had no energy to figure it out.

I distracted myself by starving my body into oblivion and cutting open my own skin.

Thinnest of blades drug over scars, one on top of another.

Ruined innocence, soiled purity, was it worth it to take one goddamn breath?

Fuck.

.

The darkness was first punctured when I was seventeen.

Light washed over everything.

It was like moving through a familiar world by means that were infinitely more fun.

Less painful and chaotic.

I was happy that the weight had been lifted (figuratively, at least).

It felt weird, but it was a relief more than anything else.

An oddly satisfying sensation that grew more comfortable every day.

It was finally okay.

I had the goddamn pizza AND the goddamn cookie.

I was proud of myself, and it felt good.

I celebrated by smiling at the beauty of the world around me.

.

I was eighteen when I fell again.

It was like tasting freedom only to realize it was all some sick joke.

Suffocating sadness juxtaposed next to pure happiness…

A throwback to three years wasted, a body wasted.

Something. Wasn’t. Right.

AGAIN!

Why, for the love of God, WHY?!

Exhausted, I cried to the universe for an answer.

And instead, I went crazy.

.

A respite came when I was nineteen.

A diagnosis.

“Are you on cocaine?” he asked.

“No.”

“Then you’re bipolar.”

It was confusing more than anything else.

But when I finally caught my breath, it started to go away.

A short punctuation, a precarious pause…

And then insanity.

Something was wrong, or right, or something, and what was I talking about?

I didn’t know.

I distracted myself with self-mutilation.

.

I was twenty when it came and went.

Repeatedly.

A roller coaster of twists and turns.

One flash flood after another.

I was twenty-one, I was twenty-two, I was twenty-three.

.

I was twenty-four, and you know the story by now.

Exhausted.

Clawing my way back up, climbing and scaling and reaching…

And falling.

The ground ripped from underneath me.

Again.

Get back up. Again.

Pushed back down. Again.

Sick frustration. Twisted, gnawing lack of energy.

Double fuck.

.

Fifteen years later.

Perspective and knowledge and maturity behind me.

Up and down.

I knew enough to center myself and ignore it.

UP and DOWN.

I was hanging in, struggling, but holding on.

Up down up down

It threw me off balance, but I had muscle memory from years of it, so I remained standing.

Up. Down.

Something’s right, something’s wrong.

As it always is.

I didn’t know why, but didn’t have to.

I pushed back,

Distracted myself by living my fucking life.

Easier said than done.

.

I was twenty-eight when I said enough was enough.

(When I begged the universe to see that enough was enough).

I wandered into the depths again,

Trudged through the muck again,

Fell too far again, I couldn’t get out again.

I threw myself deeper and farther and couldn’t bring myself to stop it, but

Life came to a grinding halt

(the way I’d been begging it to for so, so very long).

Blue paper scrubs.

Cups full of meds.

Visiting hours.

Coloring pages.

Hospital unit.

Groups and groups and groups.

Pacing the halls, laughing out loud, crying and shouting and breathing and…

.

I am twenty-nine.

And it’s been eight months.

I’ve been stable for eight months.

Almost three times as long as I’ve gone without spiraling into chaos

In more than half my life.

You know when you’ve been running for ages and it hurts so bad and you can’t catch your breath and finally you stop and rest and there’s a glorious influx of air into your lungs?

That feeling when you’ve lost you’re footing and you’re sure you’re gonna fall and you clench your body in preparation but you regain balance?

You know that feeling when you finally get that thing you’ve been wanting?

It’s called happiness.

It feels lovely.

.

I’m sitting here with my right hand on my ribcage, where the words that were tattooed upon them ten years ago remain, the reminder of a lesson I had learned and would continue to learn and shall most likely continue learning still…

It takes rain to make a rainbow.

Look, I’m not under the impression I’m going to be running through rainbows for the rest of forever. I’m not gonna sit here and be unrealistic. Life is full of ups and downs, and though I’ve certainly had my fill of them, that doesn’t make me exempt from future fluctuations.

The difference between ten year old me, sixteen year old me, twenty-four year old me…the difference between my past and my present is simply the fact that I’m living here now, doing what I can with what I have, and I’m ready to take on the next portion of my adventure.

It takes rain to make a rainbow. Take from those words what you will, but I for one am glad to have some perspective.

.

Experience = the full life I’ve lead for 29 years

Strength = communication, resilience, compassion, understanding

Hope = that little fire in my core that tells me to reach out when I’m struggling, to keep fighting when I don’t think I can, to love bigger and stronger and louder; the thing I’m struggling to find the words for, because right now, things are (dare I say) STABLE

[youngboy-oldmind]

DISCOGRAPHY REVIEW: 1) THE INCREDIBLE TRUE STORY ft. My Girlfriend

“Tell me what I wouldn't wanna give for a life like this, arm and a leg quite like this/ Fuck around wanna fight like this, take a hike like this/ I might just, might just, I don't know/ Reinvention, that's my intention/ Want so much more than this third-dimension/ That's not to mention my true ascension is a bigger picture/ No metaphor, I’m being real with ya”

Overall Thoughts

After the success and impressive display Under Pressure, Logic follows up with his sophomore album The Incredible True Story: A perfect embodiment of Logic as a person, rapper, and artist. Here, he is at his most creative, telling an entire story through the lens of a futuristic fictional sci-fi story. Filled with narratives, skits that give insight to the crew’s personalities, and an overall message that resonates even after the album concludes, The Incredible True Story is the perfect reflection of Logic as an artist.

If someone asked me to introduce them to Logic, I’d start with this album. If you start with a deeper, more experimental album like Everybody or a project not quite as unique like Under Pressure, they may be left unsatisfied or unimpressed. But it’s near impossible to dislike his most rounded and well-constructed project.

I’ve said this with every project of his, but the production was excellent. The techy, spacey instrumentals perfectly parallel the theme and tone of the project. The vocal inflections on “Fade Away”, “Young Jesus”, “Run It” and the choir in the first half of “City of Stars” were all brilliantly executed. Also, Logic allowed collaborations on some tracks and they were some of the highlights on the album: Big Lenbo on “Young Jesus”, Lucy Rose on “Innermission��, and Jesse Boykins III on “Paradise”. Overall, the construction of each song on this album was near perfect. It can’t be overstated.

Logic branched out stylistically on this project. On Under Pressure, each song had a relatively similar tone, which made that project very consistent yet unspectacular. The fixed tone was good for the purpose of that project but restricted him from reaching a high peak. Here, his delivery, instrumentals, and lyrical style varied and was less consistent, allowing him to reach highs like “Fade Away” and “City of Stars” while also allowing him to reach lows like “I Am The Greatest”. Despite that flaw, the unique style of the album improves its overall ranking and separates him from the issue of his last project; the issue of being indistinct and being a carbon copy of his influences. 

That’s one of the biggest strengths of this album. While I can think of other artists that could do Under Pressure or No Pressure, I don’t think anyone can do The Incredible True Story. Logic has a niche combination of lyrical talent, production skills, and geekiness that shines profusely. 

The main theme of this project is doing what you love and finding life. This theme paired the fictional nature of the album’s structure loosens the restraint on Logic. Before, he was limited by discussing his experiences and thoughts in an autobiographical way, whereas now he’s allowed to discuss things from an outside perspective and speak more prophetically.

Album Breakdown

Side Note: I will be adding comments and thoughts from my girlfriend who also loves this album. Her comments will be bolded.

1. Contact

This was extremely creative. I was instantly drawn into the music. Sounded like a soundtrack I'd hear in a movie. And the introductory conversation between the two men established a very interesting and compelling start to the album and makes it feel like I'm getting ready to start a story book. Solid start, can't wait to see what happens.

2. Fade Away

Off the rip, this track had me excited. As I mentioned earlier, the composition and instrumental is excellent. He also comes through with an intense flex of delivery and rhyming and syllable scheme construction. This is the first song I’ve ever heard from Logic and it still gets my hype every time I hear it.

The flow in this song just hit me like a truck. The lyrics were pretty good and not necessarily a brag, but more of a showcase of pride. The music was also very catchy and had my bobbing my head before he started rapping. But the flow! Absolutely loved it. Def a hype song for me.

3. Upgrade

This track transitions well from the previous song discussing kai upgrading his system. Logic discusses “upgrading” from his old life and mindset. The space background with a simple drum pattern is satisfying.

Loved how the intro music played off of the space theme established by the intro. The music was already banging, and the countdown had me anticipating what's to come. Liked how the lyrics also incorporated space elements. Somewhat simple song with somewhat basic lyrics, but overall still quite enjoyable.

4. White People (Scene)

This was super fun to listen to and I was laughing when the black guy made fun of the white-man-horror-movie stereotype. I was almost wishing for them to investigate. I am really liking this album so far. Who knew Logic was such a innovative storyteller.

5. Like Woah

Although this song doesn’t say much content wise, the vocals were pretty slick and the instrumental was constructed well. Verses were average and I found the chorus a little iffy. But overall, it’s one of the more mid tracks.

The others definitely fit the theme of the space, but this song felt more of a Top 100 hits song. The flow was not as stellar as the songs so far, definitely no Fade Away, but still steady and impressive nonetheless. Nerdy comment, but the music reminded me of something I'd hear in a video game with the female singing--maybe Zelda or Fire Emblem.

6. Young Jesus

Although this song isn’t in my top 3, it’s still one of my favorite on the album. The boom bap 90s throwback mixes well with the modern, techy sound of the album. Logic and Big Lenbo both flow perfectly; this some of the best chemistry Logic has had with another rapper, the only other contender being Big Sean. Instrumentally this song stands out the most because its composition derives so much from the rest of the track list.

This throwback to the 90s flow with a slight modern twist was fresh as hell and a very fun listen. I actually very much enjoyed Logic's flow in this song. "See I'm a self diagnosed hypochrondria/ Either at the crib, or on the tour bus, is where you'll find me at" was a fun, funky flow that had me smiling as I listened to it. Would have definitely enjoyed if he did this flow and slight drawl in words a bit more. Big Lenbo was perfect for this song. His voice has that 90s feel and his lyrics fit the bragging feel seen in old hip hop songs.

7. Innermission

Another top track on this project, “Innermission” features Logic discussing his life’s purpose and “inner mission”. Lucy Rose on the chorus is beautiful. The mellow beat allows Logic to truly dive into his thoughts without being overwhelmed by the instrumental. And I loved the skit at the end.

Not gonna lie, the music initially reminds me of elevator music, but the lyrics hit hard. Hearing his story of his home life and his friend in prison was...heartfelt? It made me introspective of my role in my friend's lives and my own background. This song has a nostalgia to it as Logic retrospects his life before reaching fame, yet an almost hopeful undertone as he contemplates why he wanted this lifestyle and how he managed to actually accomplish it. And, of course, ending the song with a child continuing the space them fully establishes the air of wistfulness as I hear the kid's innocent tone reminiscing about his home. Genius move.

8. I Am The Greatest

There are few songs that make me rush to the skip button. “I Am The Greatest” is one of them. I hate this song. The different voice clips have no rhythm or syncopation, seemingly haphazardly tossed together. The beat is underwhelming and the yelling is obnoxious. And logics lyrics and delivery are really bad. I strongly believe this should’ve been cut or put on a project like Bobby Tarantino.

9. The Cube (Scene)

As someone who can rap and solve a Rubiks cube, I found this very funny. But also ironic, since I pulled exactly 0 girls from solving it. But, Logic is a nerd and this skit fits his personality well.

So this didn't make much sense until I looked up "logic the cube" and saw some videos of him solving a Rubik’s cube. Cute that he inserted a past time into this.

10. Lord Willin’

Logic has a very distinct flow throughout this album. It's very similar in each song with similar rhythm--I find myself bobbing my head at the same speed as his other songs. Not a bad thing, but just an interesting note. I actually quite like it, though. It makes the songs in this album more harmonious and makes it feel like one long story, rather than several songs thrown together onto one album. The lyrics themselves were actually quite inspirational. I felt a sense of pride in myself swell as I listened to him overcoming and living a full life and encouraging me to do the same. 

11. City of Stars

Arguably one of the best on the album, “City of Stars” features Logic discusses his negative/toxic relationship with the hip hop industry. The spacey beat and echoey chorus vocals area AWESOME. The echo on the snare paints a visual of singing in a wide open space. Logic’s singing is above average, his use of auto-tune isn’t bad either. The beat switch to an intense boom bap and going in sent shivers down my spine. Although this has been done before, its definitely an excellently put together concept.

Also, only hip hop fans will notice but Logic incorporates patterns and lyrics from other songs: Drake’s “Forever”, Kanye West’s “Last Call” & “Two Words” of The College Dropout, and Talib Kewli’s “Get By”. Logic isn’t one to shy away from nodding to his influences, but here it feels like paying homage instead of stealing. Top 3 track.

12. Stainless

This song is 100% dope. From the vocals on the chorus, complex background in the instrumental, Logic’s intense flow and delivery, along with the content. Another top 3 on the album.

Bruuuh, this song slapped from the moment it started. The music had a flow different from the other songs, and his energy from the first few lyrics was solid as hell. I was hype and smiling not even 20 seconds in. This is a riding-with-the-windows-down-with-the-volume-blarring-on-the-highway-as-you-flaunt-your-youth-and-just-jam-hard kind of song. I would have def played this before a basketball game to get myself hype.

13. Babel (Scene)

“Babel” was the best skit by far. I think this plays well into the theme of the album: The concept of doing what you love and finding life. This skit mentions how “paradise” may not be something you find, but something you make and maintain. And on the flip side, you can also turn paradise into “purgatory”. So this journey is about creating the best and making your own incredible life instead of trying to find it. It also transitions well into the next song both musically and thematically.

14. Paradise

This was an interesting song. When he described Paradise initially, he spoke of it as a land of racial equality. I had not expected race to play a major role in this story, but it makes sense, given his background, why he would consider this Paradise. As a fellow biracial person born without a silver spoon, I can relate to his struggle. So hearing him describe this planet called Paradise, I can see why it earned that name. But the beat change. I find it interesting that he switched the message behind his lyrics up. It changed to perseverance and strength to overcome haters and obstacles and doubt. It gives me this feeling of self-worth as I push through the negativity to achieve Paradise. Interesting that he decided to include this message after describing what Paradise looks like. Did he do this to highlight the struggle it would take to get there? The challenge? Saying how "Of those around me that down and pray on my demise/But it only makes it that much better when I rise" definitely encapsulates his ability to attain Paradise. I'm not sure, maybe he did so as proof that he finally reached the top.

15. Never Been

Years ago, I used to be a hater of Logic. I used to despise when people complimented or praised him. So this song about remaining positive and persevering while blocking out negative hits even harder. He battles with fears of being inadequate while projecting a message of not letting those fears control your life and potential success. Amazing message. Musically, the track is very solid. The sped up, high pitched vocals on the chorus and outro remind me of Kanye’s style, and the simple beat isn’t distracting emphasizes the introspective nature of the song.

"Talk all you want about me homie, I'mma let it live/Hater this, hater that, say I sound repetitive/ Hatin' in your blood, you was born to be negative" now THAT is how you diss someone. If someone said this to me, I'd just walk away because what do you say to that? I appreciate that he is able to both dis and praise in a song, yet not come off as cocky and arrogant and braggy. Listening to him, it truly sounds like he worked his ass off to achieve his fame, so hearing him brush off haters and telling me I can do it too actually makes me feel like he's right. This songs has an introspective vibe as he recounts his insecurities of failing, yet how he can't afford to "let the devil in."

16. Run It

“Run It” is another very good track on the album. The flow and beat were dope and simple yet effective and pleasing. I think this song’s placement was strange. After hard hitters like “Stainless”, “Paradise”, and “Never Been”, “Run it” feels underwhelming by comparison. I could see this after between “Like Woah” and the White People Skit. But this late into the album, this song’s tone sit right. Ultimately a great song though.

17. Lucidity

“Lucidity” gives good insight on the theme of the album. Thomas describes taking for granted people on Earth having dreams and wants instead of living to find paradise. I like the concept of one’s life and story being defined by pursuing what you want. Mostly a set up for the final song, it’s still a solid scene.

18. The Incredible True Story

This track can be defined by one word: epic. From the first half with Logic’s vocals and singing, encapsulating the whole question in this album “Who Am I?”. The instrumentation is beautiful. Then the second half with the crew landing on Paradise is so powerful and well constructed. As a listener, I feel like I’m there with the crew. You can feel everyone’s fear, nervousness, excitement, anticipation, and hope.

What. An. Ending. I had no idea how Logic was going to end this and he did not disappoint. His lyrics in the beginning. The sub-sequential inspirational message of following your desires. The 2 men as they get ready to land on Paradise. All of that was flawless. My favorite part was the music change as the female finished her countdown of the landing and it changed to this soft, exploring sound full of hope. Hearing the 2 men talk in wonder as the sounds of nature slowly encompassed the music before hearing the woman say "Life" literally made me so fucking emotional, I'm tearing up thinking about it.

Final Thoughts

The Incredible True Story is the embodiment of Logic as an artist. It is strengthened by being unsafe. Under Pressure felt like bowling with the rails up. You’re definitely gonna score, and you may hit a strike on your own, but it’s just not as good as bowling without safety rails. And yes, you may hit gutters (”I Am The Greatest”), but putting everything on the table and living/creating unrestrictedly allows you to reach highs in life/art you wouldn’t otherwise reach. And I think by allowing himself to create riskily and unhindered, he fulfilled his own theme.

As an avid bibliophile, I will tell you that most sequels are shit. But damn, this album was fucking amazing. I have been sleeping on Logic. Honestly, 12/10 ending. Logic wanted to leave a statement that he could still be one of the best even after his debut album and, trust me, he proved it. This ending alone proved that he knows how to do this shit. I feel like I just finished reading a great book. Who knew rap could be like this?

Top 3 Tracks:

1) City of Stars                      1) Stainless

2) Paradise                            2) Paradise

3) Innermission                      3) Incredible True Story

Overall Grade: A+

Album Link:

https://open.spotify.com/album/5dOpbgAmJeyoakKQ0QLWkR?si=bAQ0FEA4RMupkUEspycH1Q

[weekendwarriorblog]

The Weekend Warrior Feb. 14, 2020 – SONIC THE HEDGEHOG, FANTASY ISLAND, THE PHOTOGRAPH, DOWNHILL, OLYMPIC DREAMS

It’s Valentine’s Day on Friday and President’s Day on Monday, which means that this weekend is going to be absolutely nuts in terms of getting four new wide releases.  Last week’s Birds of Prey did not do even remotely close to where I predicted/projected – almost half!! -- and here I thought all those raves reviews might help, but apparently not. It will still make money with its global release but it’s gonna fall short even of last year’s Shazam! and many have already started questioning whether an R-rating is the way to go with a movie semi-targeted towards younger women. (Warner Bros. has already sent out a mandate to theaters to change the title of the movie to Harley Quinn: Birds of Prey. I cannot believe that it took this long for them to figure out what a terrible title they had previously!)

With the four-day weekend, it’s very likely that Paramount Pictures’ SONIC THE HEDGEHOG, will prevail, as it brings the beloved SEGA video game character to the big screen with James Marsdenand Jim Carrey, the latter starring in one of his first big-screen appearances in a while. It should be an easy victor this weekend in a market that could desperately use another strong family film.

For those unfamiliar with SEGA’s flagship video game “mascot,” Sonic has appeared in all sorts of other media including animated series and comic books, so one can say that the character is almost but not quite as well known and popular as Nintendo’s Pokemon, which has had a much wider reach in terms of both games and cartoons.

Of course, it’s impossible not to look at Sonic the Hedgehog and completely ignore the relative success of last year’s Pokemon: Detective Pikachu, which had the added benefits of a popular A-list star in Ryan Reynoldsand a summer release. That opened with $54.4 million and made $144 million domestic and $429.7 million worldwide.

On the other hand, Sonic does have Jim Carrey, who hasn’t been in an American wide release since the 2014 sequel Dumb and Dumber To, which only made about $156 million worldwide. At one point, Carrey was one of the biggest box office stars with multiple $240 million plus domestic blockbusters. Maybe the kids won’t be as invested in Carrey’s Mr. Robotnik, but many parents who grew up with Carrey’s comedies will be happy to see him in such a perfect role.

The Presidents Day weekend allows one extra day for parents with kids needing something to do with them sans school. Even so, the biggest movies on the weekend have been superhero movies, including Black Panther, Deadpool and Fifty Shades of Grey, the latter two definitely not for kids. (Daredeviland Ghost Rider also fared well on the weekend.) In fifth place for the weekend is Warner Bros’ The LEGO Movie, which made $62.5 million over the four-day weekend, but that was in its SECOND WEEKEND! So yeah, lots of money to be had for a family movie even though the biggest opener was Christopher Columbus’ Percy Jackson and the Olympians: The Lightning Thief (now on Broadway!), which opened with $38.7 million ten years ago.

I have to imagine that Sonic is more popular, and even with the tragic misstep of that first trailer last year which got such a negative reaction to Sonic’s appearance, Paramount delayed the movie and went back to the CG drawing board, there will be enough fans interested to see how he translates to the screen that $40 million over the weekend should be doable even with three other wide releases. I also don’t think reviews will be so bad, so it should be good for $100 million plus.

Mini-Review: For whatever reason, Sonic the Hedgehog is the kind of movie that lazy critics love to dump on, maybe because it’s a kids’ movie or because it’s a movie based on a video game they played as kids, or more likely, a character their kids know from popular cartoons and comic books. It doesn’t help that judgments were mostly cast when the first trailer hit last year and Sonic looked different than what people expected. Regardless, I went into the movie with very low expectations, maybe because I really had no passionate connection to the character despite being generally familiar with some of the games.

We meet Sonic as he’s being chased by robots, and we flash back to him as a kid on a planet where he’s able to zoom around freely, until he’s discovered by predators that are hunting him (it’s never explained why), so his mentor owl gives Sonic gold rings that can take him off-planet. Sonic ends up in a small town called Green Hills where he watches the townsfolk in hiding for years, including a local police officer (James Marsden) and his wife Maddie (Tika Sumpter). The former eventually discovers Sonic after he causes a major power outage that gets the attention of the government and its genius robotics scientist, Dr. Robotnik (Jim Carrey).

Despite not having much previous connection to Sonic, it’s hard for me not to appreciate this character, because I’ve been known to zip around myself. I also enjoyed Sonic’s haste since who knows when we might see that movie based on one of my favorite comic characters, The Flash. Sonic does a good job capturing the intensity and yes, speed, of having speed powers in quite a masterful way compared to previous attempts, giving me hope that a Flash movie is possible. (Granted, they do rip-off the fun thing Quicksilver does in the recent X-movies by slowing everything around Sonic down to a halt, but it’s still amusing.)

Probably the most genius idea by Sonic’s filmmakers was to convince Jim Carrey to return to the big screen as Dr. Robotnik. He quickly reminds us how hilarious he can be when going as fully into a character as he does this one, and it’s prime Carey vs. the semi-lazy Carrey that made movies in the early ‘00s. Robotnik is a super-genius with no patience for anyone on a lower level of intellect (aka everyone), and Carrey takes that idea to the utmost extreme. (It’s hard not to compare what he’s doing in this movie to what Ewan McGregor does in Birds of Prey and see how Carey does it effortlessly whereas McGregor was clearly trying too hard.)

That’s not to take away from Marsden and Sumpter, Sonic’s other prominent human co-stars, who bring such a warmth and humanity to those characters that you rarely even think that you’re watching them interact with a fully CG-character. (Kudos to Ben Schwartz and what he brings to Sonic as his voice.)

Sure, the plot can be a bit predictable with certain parts clearly geared to kids, but there’s also slew of pop references that display some real talent in the writing of the movie so that it can be watched and enjoyed by people of all ages.

Is it possible that Sonic the Hedgehog is the first thoroughly entertaining movie of the year? Yes, indeedy. (Definitely stay through the first bunch of credits if you are a Sonic fan!)

Rating: 8/10

One of the more interesting releases of the weekend is BLUMHOUSE’S FANTASY ISLAND (Sony Pictures Releasing), which as you can guess is a PG-13 horror version of the popular ‘80s show, starring Michael Peña as Mr. Rouke, the head of a program in which people can pay lots of money to achieve their greatest wishes… with a catch! Since this is Blumhouse, you probably know that the catch involves some sort of horror/thriller premise, and if you’ve seen the trailer, you might get some idea how it works… or not. (I wish I can say more but I’m under embargo!)

The rest of the cast is decent including Maggie Q (from Mission: Impossible 3), Lucy Hale, Portia Doubleday, Michael Rooker, Ryan Hansen, Jimmy O . Yang and more, plus it’s directed by Jeff Wadlow, who last did Blumhouse’s Truth Or Dare (a very bad movie!) and then Kick Ass 2 before that. (He was supposed to direct Sony’s upcoming Bloodshot movie but he left that to do other things, like this.)

Unfortunately, Sony Pictures Releasing (another specialized imprint from the parent company?) seems to have taken a cue from Screen Gems by deciding not to screen the movie for critics until Thursday afternoon (just like with The Grudge!), plus there won’t be ANY Thursday previews for this. It’s a shame since… well, I can’t really tell you if I liked the movie or not since I’m under embargo until Friday. J

Either way, it seems like a strong enough counter to Sonic and Birds of Prey that it should be good for $15 million plus over the four days. Personally, I think it would have opened even bigger if Sony and Blumhouse had shown some balls and screened it for critics in advance, but what do I know? I’ve only written about this stuff for ALMOST TWENTY FUCKING YEARS! (Not sure I’m gonna review the movie but we’ll see.)

I know far less about Universal’s Valentine’s Day offering THE PHOTOGRAPH (Universal), which I guess is a romantic drama that’s targeting African-Americans looking for something to see on the biggest date nights of the year. In fact, we’ve seen some interesting hits on this weekend just by putting “Date” in the movie title, as was the case with Adam Sandler-Drew Barrymore’s 50 First Dates ($45.1 million four-day opening) and even Date Movie ($21.8 million), which satirized romantic movies. But the real winner has to be a movie that went all out for Valentine’s Day by actually going with the title Valentine’s Day, which helped it open with $63 million over the four-day weekend ten years ago. ($23.4 million of that was on Valentine’s Day alone!)

Since I won’t see The Photograph until Weds. night, I can only talk about the little bit of marketing I’ve seen and what’s out there. Apparently, this is more in the vein of Valentine’s Day in that it’s a series of intertwined romantic stories, but it has an impressive cast of African-American actors who are on the verge of breaking out such as the great LaKeith Stanfield and amazing Kelvin Harrison Jr., as well as Rob Morgan (from “Daredevil” and Mudbound) and Courtney B. Vance. I’d be neglect if I didn’t mention any of the women involved and having Issa Raefrom the TV show “Insecure” as the primary female lead is something that shouldn’t be ignored. Stanfield isn’t the only connection to Jordan Peele, though, asLil Rel Howery from Get Outis also in this movie as is Peele’s actual wife, Chelsea Peretti!

I actually had to double check to make sure Peele wasn’t one of the film’s producers, but no, this is from Will Packer, a producer who is responsible for so many huge hits among African-Americans that one of these days I won’t underestimate his drawing power, even though all three of his 2019 movies underdelivered, including the comedy Little (co-starring Rae), although did well compared to their lower budgets.

In that sense, The Photograph could be compared to Packer’s Screen Gems comedy About Last Night, which opened with $27.8 million in just over 2,200 theaters in 2014, but that also had the power of proven box office draw Kevin Hartto bring in audiences. I certainly don’t want to be accused of underestimating Packer again, but with such a generic title and premise (and next to no marketing?), I’m just not sure the movie will deliver despite being decent counter-programming for AA audiences. With that in mind, I think the movie will probably make somewhere between $12 and 14 million.

Then there’s DOWNHILL (Searchlight Studios), the new movie from The Way, Way Back directors Nat Faxon and Jim Rash (who also won the Oscar for cowriting Alexander Payne’s The Descendants), this one being a direct remake of Swedish filmmaker Ruben Östlund’s 2014 film Force Majeure.

In this version, Will Ferrell and Julia Louis-Dreyfus play a squabbling couple who travel to the alps with their kids, but after barely escaping an avalanche – one in which he runs away leaving his family behind – they start questioning their lives. The film also stars Zach Woods (also from “Veep”), Miranda Otto and Zoe Chao, and though it premiered at the Sundance Film Festival (just like the duo’s previous movie), it did not receive great reviews, as it currently sits at 48% on Rotten Tomatoes.

I don’t think that will matter since like Carey above, Ferrell hasn’t been oversaturating the market with movies in the past couple year, maybe because his last movie, Holmes & Watson, reteaming him with John C. Reilly from Step Brothers bombed with $41 million worldwide after horrifying reviews. Fortunately, Louis-Dreyfus is far more loved thanks to her run on “Seinfeld” and her Emmy-winning run on HBO’s “Veep,” and that should help get people into theaters despite all the competition aboe and below.

Searchlight (no more Fox!!) will be releasing the movie into roughly 1,500 theaters, a moderate release to see how it fares, and the extended holiday weekend (plus the chance of it attracting older moviegoers on Valentine’s Day) should help it make $5 million plus over the extended weekend.

Mini-Review: If you’re reading this review hoping for a play-by-play of how Downhill differs from Ruben Ostlund’s Force Majeure, then you’re bound to be disappointed, because a.) I don’t really remember it, b.) I wasn’t as big a fan of the movie as so many others, and c.) I’m going to assume that a lot of people never got around to seeing it.

In this version, it’s Ferrell and Louis-Dreyfus as Peter and Billie Stanton, and there’s much more focus on their roles as parents and the responsibility that goes with that. Once again, Peter runs off when a controlled avalanche comes their way, but they don’t really talk about it so much even as it hangs over their heads.

Nat Faxon and Jim Rash once again find a manageable way of making “dramedy” out of a situation, making sure not to go for constant visual laughs or the zaniness Ferrell usually goes for. (Granted, we can totally believe him as a careless father/husband who does dumb things.) In fact, Ferrell plays his role fairly toned down, which allows Louis-Dreyfus to shine in what’s, oddly, a quite rare movie appearance. How they deal with the aftermath of the avalanche comes to a head when Pete’s work-buddy Zack (Zach Woods) arrives with a ladyfriend (Zoe Chao) allows the two to go at each other. It doesn’t get quite as intense as Marriage Story, but it’s obvious that they both have reached the point in their marriage where they need a separation.

It is kind of amusing that Miranda Otto almost steals her scenes with the two leads because she’s so funny as a hot-to-trot European guest they keep running into and who sets Billie up with a hot Italian ski trainer. There’s a few other funny characters but it mostly stays on Ferrell and Louis-Dreyfus either alone or together, and that’ll be enough for most people.

Faxon and Rash find interesting ways to play with the basic premise, although Downhill is very much comedy with a lower-case “c,” and like the original movie, it should lead to some interesting conversations.

Rating: 7/10

This week’s Top 10 should look something like this… (bearing in mind that the below are all four-day projections). It’ll be interesting to see if the name change for “Birds of Prey” will make a difference, but look for NEON’s Parasite to make its first foray into the top 10 this weekend after 19 (!!!) weeks in theaters, thanks to its Best Picture win last Sunday.

1. Sonic the Hedgehog (Paramount) - $44 million N/A (up $1.5 million)* 2. Harley Quinn: Birds of Prey  (Warner Bros) - $20 million -39% (down $1.5 million)* 3. Blumhouse’s Fantasy Island (Sony) - $15.8 million N/A (up $.3 million)* 4. The Photograph (Universal) - $13.5 million N/A 5. Bad Boys for Life (Sony) - $8 million -35% (up .2 million)* 6. 1917 (Universal) - $7 million -23% 7. Downhill (Searchlight) - $5.6 million N/A (up .2 million)* 8. Parasite (NEON) - $5 million +300% (up .4 million and one place) 9. Dolittle  (Universal) - $4.5 million -30% (down .4 million and one place) 10. Jumanji: The Next Level  (Sony) - $4.2 million -24%

*UPDATE: A few minor updates based on actual theater counts with Parasite being expanded into 2,000 theaters, the widest its been so far. I feel like most of the new movies will do well, including Downhill (which will be in 2,301 theaters vs. the 1,500 estimated earlier in the week). Anyway, it should be a fairly hearty and robust weekend at the box office.

LIMITED RELEASES

Before we get to the regular limited releases opening Friday, I want to mention two special releases for Weds. night, Trafalgar Releasing is giving a one-night screening of The Doors: Break on Thru - A Celebration of Ray Manzarek, which I haven’t seen but I’m definitely interested in as a fan of the ‘60s group (and Manzarek’s keyboard work). You can get tickets for that here. Also, Kino Lorber is giving one-night release of Emily Taguchi & Jake Lefferman’s doc After Parkland to commemorate the second anniversary of the shootings at the Marjory Stoneman Douglas High School in Parkland, Florida that killed 17 people and began a nationwide student movement for gun control. It’s a fairly sobering and emotional doc, as you can imagine, especially since so little has been done to prevent incidents like this even two years later.

My favorite movie of the weekend is Jeremy Teicher’s OLYMPIC DREAMS ( IFC Films), opening at the IFC Center Friday. It stars Nick Kroll (who you’ll know from “The League,” “Oh, Hello” and other things) and (actual Olympian distance runner) Alexi Pappas, who you may or may not be as familiar with. Pappas plays Penelope, an American competitor in the 2018 Winter Olympics in South Korea, who is feeling lonely and unable to connect with others until she meets Kroll’s volunteer dentist, Ezra. While at first, it wouldn’t seem like they would have anything in common, they spend a night hanging out and while some might be expecting something romantic, since this is opening on Valentine’s Day, well I won’t ruin what does or doesn’t happen, k?  Either way, it’s a wonderful film co-written by Teichter, Pappas and Kroll, and if that sounds like a familiar formula, then it is indeed the one Richard Linklater used for his sequels to Before Sunrise with Ethan Hawke and Julie Delpy. Olympic Dreams isn’t nearly as deep and philosophical (or wordy), but the two actors are so wonderful together, and they actually filmed this in the Athletes Village at the Olympics (the first film to do so) which adds some authenticity to the sweet little movie. (There will be a sneak preview Weds night at the IFC Center with Teicher, Kroll and Pappas all in attendance!)

Danish filmmaker Lone Scherfig returns with THE KINDNESS OF STRANGERS (Vertical), a star-studded ensemble piece starring Zoe Kazan, Andrea Riseborough, Caleb Landry Jones, Jay Baruchel and Bill Nighy (who appeared in Lone’s previous film Their Finest). This is a New York City story about six strangers whose lives intersect and mingle while trying to find help, hope and love. I know it sounds like the Crash-style movie we’ve seen far too many times before, but I have faith in Ms. Scherfig and hopefully I’ll have a chance to watch it in the next day or two.

I also still haven’t gotten around to watching Kenji Tanagaki’s action-comedy ENTER THE FAT DRAGON (Go WELL USA), starring the always-amazing Donnie Yen as police officer Zhu, who is sent to Japan on a routine police escort of a suspect… who mysteriously dies, forcing Zhu to call upon a former undercover inspector to help solve the murder. I’m assuming the latter is the “Fat Dragon” and Yen didn’t gain 200 lbs. for the part.

Opening at the Quad Cinemaon Friday and in L.A. on Feb. 21 is Dimitri de Clercq’sFrench/Belgian film You Go to My Head (First Run Features) about an architect who finds a young woman lost, alone and in a fog in the Sahara after a mysterious accident, but when he takes her to the hospital, he claims to be her husband. As she gets better, he creates an elaborate life to fill in the life they shared which she can no longer remember. It also sounds perfect for Valentine’s Day, so you have plenty of options!

I didn’t have too much to say about Céline Sciamma’s PORTRAIT OF A LADY ON FIRE (NEON), because I think I wrote about it last year, and I haven’t seen the movie since the New York Film Festival. Set in the 18thCentury, it’s about a woman painter who travels to a remote island where she’s commissioned to do a painting of a grieving widow, who she ends up falling in love with. I probably should see the movie again as it didn’t really connect with me the first time, but I can totally understand why others love it so much. (Unfortunately, the 7:10 screening on Friday night at the Angelika with a QnA moderated by my pal, Valerie Complex, is already sold out!)

The second documentary in the last year about a man named “Cunningham” (a different one this time) is Mark Bozek’s The Times of Bill Cunningham (Greenwich) about the famed photographer who died in 2016… and whom I know even less about than I did dancer/choreographer Merce Cunningham. Apparently, he was a New York Timesphotographer for four decades and had a long relationship with First Lady Jackie Kennedy, and this doc is even narrated by Sarah Jessica Parker! It also opens at the Angelika and City Cinemas 1, 2 & 3, and maybe L.A.?

Due to the usual conflicts and circumstances, I wasn’t able to see Lisa Barros D'Sa and Glenn Leyburn’s Ordinary Love (Bleecker Street) as planned, but it’s an appropriately-timed romantic drama starring Liam Neeson and Lesley Manville as a middle-aged couple who must deal with her beast cancer diagnosis. I actually am interested in seeing this, especially to see Neeson back in serious drama mode (it’s been a while), so hopefully I’ll have a chance to see this down the road.

Also opening Friday is Tanya Wexler’s Buffaloed (Magnolia), starring Zoey Deutch as Peg Dahl, a young woman living in Buffalo, the debt collection capital of America but hopes to get out of town and into an Ivy League university. When she’s accepted to her top choice but can’t afford the tuition, she gets pulled into the rope of debt collection.  Also starring Judy Greer, Germaine Fowler, Noah Reid and Jai Courtney, it will open at New York’s Quad Cinema, the Loz Feliz 3 in L.A., Buffalo’s North Park Theater and more theaters.

Opening at the Quad Cinemaon Friday and in L.A. on Feb. 21 is Dimitri de Clercq’sFrench/Belgian film You Go to My Head (First Run Features) about an architect who finds a young woman lost, alone and in a fog in the Sahara after a mysterious accident, but when he takes her to the hospital, he claims to be her husband. As she gets better, he creates an elaborate life to fill in the life they shared which she can no longer remember. It also sounds perfect for Valentine’s Day, so you have plenty of options!

Another SXSW 2019 movie is Richard Wong’s Come As You Are (Samuel Goldwyn), starring Gabourey Sidibe, Grant Rosenmeyer, Ravi Patel, Hayden Szeto and Janeane Garofolo. The three guys in the middle play men with disabilities who go on a road trip to a Montreal brothel to get away from their suffocating parents. Sidibe (from Precious) plays their travelling nurse who drives them across the border to help them lose their virginity. This is an English remake of the Belgian Film Hasta La Vista about the real-life adventure of Asta Philpot.

Sara Zandieh’s indie rom-com A Simple Wedding (Blue Fox Entertainment) also opens in theaters and On Demand on Valentine’s Day, this one following an Iranian-American named Nousha (Tara Grammy) whose hopes for a Persian wedding are dashed when she falls for a bisexual artist/DJ named Alex (Christopher O’Shea). She has to make sure her parents don’t realize they’re living together before marriage. The film also stars Shohreh Aghdashloo, Rita Wilson, Maz Jobrani, Peter McKenzie and James Eckhouse.

LOCAL FESTIVALS

Some cool festivals and series in New York are happening this weekend to offer competition for all the choices above.

Let’s begin with the “Winter Showcase” for one of my favorite annual film festivals, the New York Asian Film Festivalsubtitled “Love at First Bite,” since they’re including a special Valentine’s Day screening of the Korean hit Extreme Job followed by a reception including delicious Korean food. The rest of the line-up is probably more appropriate for the rep section as it will including Asian classics like Stephen Chow’s God of Cookery (1996), Ang Lee’s Eat Drink Man Woman (1994),Tampopo (1985) on Saturday, as well as Ritesh Batra’s amazing The Lunchbox and more on Sunday.

Up at Film at Lincoln Center, there’s the annual “Neighboring Scenes,” the annual celebration of “New Latin American Cinema,” opening Friday with Joanna Reposi Garibaldi’s Lemebel, a documentary about writer/visual artist Pedro Lemebel and his controversial performances amidst Chilean upheaval. Of course, I’m most interested in the Brazilian offerings, but sadly, there just isn’t enough time in the day/week to see as many of the films in this series I’m curious about including the New York premiere of Ema from Chile’s Pablo Larrain (Neruda, Jackie). Click on the link above and check out that line-up.

Further North (in terms of global geography) but South (in terms of New York City geography) is this year’s “Canada Now” series, taking place at the IFC Center from Thursday through Sunday. It will kick off with Guest of Honor, the new film from Canada’s Atom Egoyan, starring David Thewlis and Laysla De Oliveira as father and music school teacher daughter whose lives become complicated when she’s put in prison for earlier crimes. There are seven other movies in this series, most of them getting their U.S. debuts, so that’s another alternative for what could be a busy movie-going weekend.

STREAMING AND CABLE

Lots of stuff premiering on streaming services this weekend including the British animated sequel A Shaun the Sheep: Farmageddon on Netflix, as well as the rom-com sequel To All the Boys: PS I Still Love You, which will premiere on Weds and may end up being the “Netflix and chill” choice for many young people on V-Day. (I honestly never got around to seeing the first movies of either of those yet!)

Over on Hulu, they’re premiering the gender-swapped series loosely based on Nick Horny’s High Fidelity, this one starring Zoe Kravitz, the daughter of Lisa Bonet, who appeared opposite John Cusack in Stephen Frears’ adaptation of Hornby’s book from 2000 that was one of my favorite movies that year! Wait a second, even though Kravitz plays a character named Rob, just like Cusack, is she meant to be the daughter of Cusack and Bonet’s characters in that movie? That would be intense! (But probably not. I’m sure I’ll check it out.)

REPERTORY

METROGRAPH (NYC):

The Metrograph’s Valentine’s Dayweekend offerings include Casablanca (1942), Howard Hawks’ 1944 film To Have and  Have Not, the 1932 film Trouble in Paradise, Douglas Sirk’s Written on the Wind (1956) and another screening of Makoto Shinkai’s animated Your Name. The “To Hong Kong with Love” series continues through the end of February, this weekend screening Yellowing (2016), which I haven’t seen.This weekend, the  Welcome To Metrograph: Reduxwill offer two more screenings of Edward Yang’s 4-hour 1991 film A Brighter Summer Day, while Late Nites at Metrograph  will screen Nagisa Oshima’s 1978 film Empire of Passion, also which I have never seen! Rounding out the weekend’s Asian offering is the Playtime: Family Matineesoffering of Yoshifumi Kondo’s 1995 animated film Whisper of the Heart, which guess what? I haven’t seen that either! Clearly, I need to try to get to one of the four movies, right?  

ALAMO DRAFTHOUSE BROOKLYN (NYC)

Tonight’s “Weird Wednesday” is the Susan Sarandon-James Spader romantic drama White Palace (1990). Oddly, the Alamo is CLOSED on Valentine’s Day.. is this true?!? On Sunday is a special “Drew Believers: Drew Barrymore Movie Marathon” with four of Barrymore’s movies in 35mm! (As of this writing, there are a few seats available near the front.) Monday’s “Fist City” is Sam Raimi’s The Quick and The Dead from 1995 and that’s quickly selling out as well. The “Terror Tuesday” is James Gunn’s hilarious Slither and then next week’s “Weird Wednesday” is the 1987 Ken Russell film Gothic.

THE NEW BEVERLY (L.A.):

Wednesday’s “Afternoon Classic” is the 1961 Oscar-winning musical West Side Story. Weds and Thursday night’s double feature is Robert Altman’s 1971 film McCabe & Mrs. Miller and Sydney Pollack’s 1972 film Jeremiah Johnson, starring Robert Redford. This week’s “Freaky Friday” offering is the classic The Bride of Frankenstein (1935, while Friday’s midnight movie is True Romanceand Saturday’s midnight is 1978’s Mean Dog Blues in 16mm! This weekend continues the “Kiddee Matinee” run with the Alfonso Cuaron-directed Harry Potter and the Prisoner of Azkaban. Monday’s matinee of David Lynch’s Wild at Heart is already sold out but that night is a Robert Clouse double feature of The Pack(1977) and Darker than Amber (1970). Tuesday’s Grindhouse double feature is 1976’s Sky Riders and 1981’s Force: Five.  

EGYPTIAN THEATRE (LA):

Thursday is a “Black Voices” double feature of Car Wash (1976) and Cooley High (1975) with guest including Bill Duke in person. John Sayles and Joe Dante will be on hand Friday night for a “John Sayles: Independent” double feature of Piranha (1978) and The Howling (1981). This weekend is the “HFPA Restoration Summit” including a Saturday afternoon presentation called “Serge Bromberg Presents from the Silent Era” with the Lobster Films founder, while the one and only Jane Fonda will be on-hand Saturday evening to present a 4k restoration of the 1972 film F.T.A., which she produced with Donald Sutherland. Saturday night is a screening of The Black Vampire, the 1953 Argentine adaptation of Fritz Lang’s M, and there’s more classic cinema on Sunday as part of the series.

AERO  (LA):

Thursday’s “Antiwar Cinema” matinee is Richard Attenborough’s Oh! What a Lovely War from 1969 with an all-star cast, while that night is a Eugene Levy/Christopher Guest double feature of A Might Windand For Your Consideration. The AERO is ALSO showing Casablancaon Valentine’s Day and then Saturday is another Levy/Guest double feature of Best in Show (2000)and Waiting for Guffman  (1996) with Levy doing a discussion between films. John Sayles and Frances McDormand will appear in person for a Sunday afternoon double feature of 1996’s Lone Star and 1999’s Limbo.

MUSEUM OF THE MOVING IMAGE (NYC):

MOMI is going a bit crazy with its Valentine’s offering but it’s a good one…Jane Fonda in 1968’s Barbarella as part of its new 2001-inspired series “See It Big! Outer Space”! (If MOMI wasn’t all the way in Astoria, I’d totally go.)  It will play again Sunday with Tarkovsky’s Solaris (1972) playing on Friday and Saturday and 1979’s Star Trek: The Motion Pictureon Sunday. Sunday will also be a repeat of Kubrick’s 1969 film 2001: A Space Odyssey in 70mm with a discussion before the movie between Doug Trumbull and Piers Bizony. There’s also the usual DCP screening of 2001on Saturday afternoon, as part of the exhibition. On Saturday, they’ll screen Marjane Satrapi’s excellent Persepolis(2007) as part of its “World of Animation.”

FILM FORUM (NYC):

Starting Friday, the Forum will be screening a DCP restoration of Luchino Visconti’s L’Innocente (1976), starring Giancarlo Giannini. This weekend’s “Film Forum Jr.” is Guys and Dolls from 1955, starring Marlon Brando, Jean Simmons and Frank Sinatra. (If you read this on Wednesday, you can catch Joseph Strick’s 1963 film The Balcony, starring Shelley Winters, Peter Falk and Lee Grant, in 35mm.

QUAD CINEMA (NYC):

The Quad’s run of Pandora and the Flying Dutchman continues through the weekend, and there will be Valentine’s Day screenings of Alex Cox’s Sid and Nancy on Thursday and Friday night. (How romantic!)

ANTHOLOGY FILM ARCHIVES (NYC):

The Anthology’s great “The Devil Probably: A Century of Satanic Panic” continues this weekend with screenings of Robert Eggers’ The Witch, Alan Parker’s Angel Heart, another screening of Rosemary’s Baby, as well as screenings of Race with the Devil on Weds. and Thursday night. I missed it last week but they’ve been showing Mark Rappaport’s 1975 film Mozart in Love the past week, as well.

ROXY CINEMA (NYC)

The Cage-athon continues Weds. with Neil Labute’s The Wicker Man (2006) and 2009’s Knowing on Thursday. Valentine’s Day sees screening of Baz Lurhmann’s Romeo + Juliet, starring Leonardo DiCaprio and Claire Danes, as well as the 1987 Nicolas Cage movie Moonstruck, co-starring Cher. Spike Jonez and Charlie Kaufman’s Adaptation (2003), starring Cage, repeats on Saturday.

NITEHAWK CINEMA  (NYC):

Williamsburg‘s “Uncaged” series continues Friday with last year’s Mandy at midnight and 1983’s Valley Girl on Saturday morning. Casabalanca is also playing at the Prospect Park on Thursday, and unrelated but Back to the Future will play there on Monday night. Billy Wilder’s 1954 film Sabrina, starring Bogart, Hepburn and Holden will play on Saturay morning.

IFC CENTER (NYC)

Weekend Classics: Luis Buñuel is back with Belle de Jour from 1967, starring Catherine Deneuve.  Waverly Midnights: Hindsight is 2020 will screen the animated Ghost in the Shell, while Late Night Favorites: Winter 2020 will also go with an Anime film, Paprika.

MOMA  (NYC):

Modern Matinees: Jack Lemmon is off Weds. and Thursday but will return Friday with Billy Wilder’s Irma La Douce (1963).

BAM CINEMATEK (NYC):

BAM will continue to show Horace Jenkins’ 1982 film Cane River through the weekend.

Next week, the second to last week of February (man, it flew right by!) will include Fox’s The Call of the Wild, starring Harrison Ford, and the horror sequel, Brahms: The Boy II.

[wahbegan]

Blah Blah Trailer Things Blah I’m So Weary

All right w/e you’d think i was getting paid for this the way i crank them out even when I have no desire to but fuck it as all the ones before, under a read more so you don’t have to scroll and shit and so that if someone makes a super obvious correction in the first few notes i can change it and nobody will be the wiser tee hee hee I am gonna stick to things that haven’t been confirmed so shit we already know like “There are additional flashbacks to when they were kids, Mike still lives in Derry and has been tryna figure out how to kill It through...tripping, apparently? They meet at Jade of the Orient like in the book,” etc. I won’t touch for the sake of brevity. I also won’t go over things I did in the last one

1. The flood of water in the sewer COULD be right after they actually kill It, in the book they kill It in the early morning, and Its death coincides with a massive storm destroying the town, starting with the sewers flooding and backing up

2. Adrian Mellon, post beating and being thrown off a bridge by homophobes, as Pennywise mockingly offers him help before eating him. This is STRAIGHT out of the book, right down to the silver eyes Pennywise is sporting i’m very excited

3. Bev walking in the rain looking shaken up seems to be her right after having her fight her way out of her abusive boyfriend’s place, we know they’re keeping that intact courtesy of the bruises on her arms in the Mrs Kersh trailer

4. Not sure where Eddie’s standing in this child-to-adult montage, i can only guess that maybe Ben is outside that bar he gets shitfaced in before he goes back to Derry? But that’s a shot in the dark. I know Bill’s standing at the storm drain where Georgie got dragged in, which we saw It taunting him in Georgie form briefly in the last trailer, and Mike due to the area and the police lights on his face, seems to be investigating child murders like he was in the book. It’s what prompts him to call the other Losers. Richie is at the Paul Bunyan statue

5. So yeah the carnival seems to play a bigger role than just the backdrop where Adrian first has trouble with the homophobes like in the book, Bill probably follows a lead there, possibly investigating what happened to Adrian aaaaand finds Pennywise chewing down on some kid right behind a glass he can’t get to him from in a mirror maze, ostensibly just to fuck with him. Brutal and sadistic, i gotta say i love it even though it’s hard to analyze further than that since there isn’t anything even remotely analogous to this in the book. Oh, the little swinging punch clowns are done up like Tim Curry’s Pennywise, that’s a fun easter egg. Also Pennywise’s long tongue on the glass is reminiscent of The Leper’s tongue from the book, probably did that on purpose. 

6. Oh yeah confirmation Bowers is alive and in a mental hospital, and Pennywise is calling him back, apparently via red balloon instead of the moon which BOOOOOO but whatever

7. Since they changed it from the book a bit to revolve more heavily around Neibolt Street, that seems to have more prominence in this half of the movie as well, with lots of shots of them going into it, whereas I don’t think they touch it as adults in the book. I do like the fridge shaking like It’s about to come out of it like It did in the first movie to eat Eddie. Clearly lots of call backs so that’s fun. Actually, you know what? It could be Stan’s severed head with a bunch of balloons in there cause there’s a scene like that involving a (different) fridge in the adult half of the book/miniseries

EDIT: Okay, according to someone on youtube who saw Comic-Con footage, that IS the case damn i’m right once in a while except in this case Stan’s head...the youtube source didn’t say whose head it was but i’m...there’s no way it’s not Stan’s goes on to sprout spider legs and crawl at them a la The Thing so that’s pretty awesome

8. “I’ve seen all of us die” is an interesting line. Now, in the book, fUCKING STAN YOU FUCKING BASTARD ANDRES MUSCHIETTI YOU LITERALLY TOOK EVERYTHING FROM STAN AND GAVE IT TO A DIFF-ahem. Forgive that little outburst. In the book,...SSsss.....hrng. Stanley Uris is the one who seems to have visions or at least a sense of the future, not, Bev, as well as some vaguely defined psychic somethinerother. Obviously, her kidnapping slash Deadlighting slash empty eyes slash floating thing never happens in the book, so once again, no real way of knowing if it’s a Dr. Strange circa Infinity War thing where she saw a possible or a bunch of possible futures or just Pennywise fucking with her to make her feel hopeless thing. I mean obviously we know they don’t all die so i’m just curious about the nature of her vision she had in Its lair. Obviously some of it came to pass, but...i just don’t know if it was a vision from The Turtle or a trick from It, or possibly a little of both. But it’s one of those

9. Oh yeah right that....that’s definitely Stan’s death scene. Not that there was any question, really, but this is solid confirmation he takes a one way ticket out of Clowntown on the Razorblade-in-a-Bathtub Express

10. Oh I forgot to say about the alien-looking spikes i think that’s the blasted-up exploded remains of whatever it landed in just btw

11. Okay so Bill as an adult back in the basement with a screaming ghost Georgie confronting him in a very similar way to when he was a kid, Bev back in the bathroom where she got bullied and it seems like her childhood bathroom? Filling up with blood and...trying to help someone out of the blood lake? Okay.

I have a theory about all this.

I think it’s them interacting with their younger selves. I think.....

I think The Ritual of Chud is going to manifest differently for every single one of them, and it’s basically going to be them going to some mindscape where they go to their kid selves, to their worst and darkest moments, and are either trapped there in despair or have to save their younger selves. Think of The Haunting of Hill House’s Red Room. I THINK that’s what’s going on here. Judging by...I’m almost positive Bev is reaching out her hand to pull her younger self out of the blood, and you can see young Bill behind adult Bill in the background while Georgie’s going “what the FUCK you’re the worst brother EVER” at him so look i think i’m right, okay? 

12. When Bev smashes the mirror, it looks like, you know how in the first one Henry goes to carve his face on Ben’s stomach but only gets the H? In the book that scar disappears when he grows up but then comes back after Mike calls him and it looks here like not only has the scar come back but It has either actually cut the entire name down there or at least made him hallucinate that the entire name has appeared on his stomach. If I had to guess, I’d say it’s the latter, some kind of hallucination Bev’s trying to break by shattering the mirror.

13. Yeah so if you hadn’t read the book, that’s pretty much definitely Eddie Richie’s holding, and he’s pretty much definitely dying and his final words are pretty much definitely gonna be “Don’t call me Eds. You know I hate it when you...”

14. Oh yeah right I’m pretty sure the underwater monster is a more decayed Ms Kersh and it looks like instead of turning to candy, her house floods for some reason? And here she is being all spooky and underwater with Bev i do not know why the flooding is a thing but w/e uhhh look it’s not in the first trailer i don’t know where i think i saw this or how I got this impression but i think somewhere there was a brief shot implying the water like came out of a painting or something. Possibly a 1408 reference, actually

15. Gotta be Its lair disintegrating after the completed Ritual of Chud which yeah when they were all holding hands a few shots earlier and looking up at orange light i forgot to say that’s def the Ritual starting

17. Whoever this is, Bill i’m assuming flying through that tunnel to the rectangle of light is pretty close to straight out of the book Ritual of Chud

18. Mike tripping, as per mentioned

19. Given the shit all over them and how emotional Richie is, it seems like this would be at the end after they leave the sewers? Idk his scream could be about several things, but it’s just the kind of scream that says “my best friend in the whole wide world and completely hetero lifemate just got his arm bitten off by a weird giant spider alien thing and bled to death”

20. Andres Muschietti mentioned the underground clubhouse would be part of this movie, as well as the “tripping and coming dangerously close to dying via carbon monoxide poisoning so we can hallucinate about where It came from” part of the book but at the end Pennywise is clearly slamming the door which wasn’t part of that sequence unless i mean they may have just added it in for a scare or it could be one of the adults going back to said clubhouse and having a flashback leading into Pennywise fucking with them, either is a possibility

21. Okay so unfortunately i have egg on my face and this clearly is It (not Henry Bowers like i theorized) previously not in Pennywise form, putting on Its Pennywise form, possibly for the first time in a flashback.

22. Okay i am almost 100% sure Pennywise, Devourer of Worlds and Children, The Spider, The Deadlights, The Eternal Consumption, ends this trailer by saying “Hewwo”

[orionsangel86]

14x02 - Episode Review - Without the Bells and Whistles

Bucklemming colour me impressed. This episode was a rich character driven story that left me full and satisfied and that is something I NEVER say about Bucklemming. I am amazed at how character focused these first two episodes are and truly hope that Dabb keeps up the momentum among writers. It is a change of pace with the show, and a change of focus, but it is WORKING so far.

As always with BL episodes there were some pacing issues and clunky dialogue in parts, but damn Dick Speight Jr is doing a fabulous job making the show look beautiful. As with 14x01 there is a lot to discuss, though I will try to be brief as I have a desperate need to write a separate post about Cas because my angel had me in tears in this episode and he needs an essay written about him in it.

Without further adieu, a long review is under the cut.

Michael and the Bait

Firstly Jensen did spectacularly in this episode. Such a drastic difference from 14x01 and I’m not sure if that’s because of Dick being a more hands on director or Jensen finally making a choice but he has settled into the role and plays Michael as a sinister psychopath on a mission. Michael has far more personality in this episode. He is more interesting to watch and managed to hold my attention unlike in 14x01. This makes me happy.

So what’s the deal guys? Michael spends this episode focusing on his monster experiments, brags about owning Dean, and then just leaves? Obviously that’s not what happened. The clue is in the key moments:

“Why be the hunted, when you can be the Hunter?”

“Rule no.1 you can’t have a trap without bait. Rule no.2 Once the trap has been sprung, you don’t need the bait anymore.”

Michael’s plan has been set in motion. The scene with the vamp girl being foreshadowing for the bigger picture, the bigger goal. Is Michael going after the hunters? If his plan is to make a world where Monsters are in charge, then the hunters need to be eradicated. It makes sense. It also therefore makes sense that you would set your sights on hunter central – the bunker. So Dean was let free so Michael could keep a watch on the bunker and it’s residents through him. As far as the rules go, if Dean is the bait, then releasing Dean is Michael not needing him anymore directly. The trap itself is the mystery, but I suspect we will find out more about exactly what Michael has done in 14x03, and it will most likely all have to do with this mysterious scar. I don’t think Michael is hiding “in” Dean so much as has an “open connection” to him where he could jump back in at any time without Dean’s consent. But we shall find out soon enough I’m sure.

Mary x Bobby

Obviously I support this ship, but I support it even more seeing as they have now paralleled Mobby to Destiel in two episodes in a row.

“My FBI is a little rusty”

This week, Bobby is our Cas mirror and Mary is our Dean. The fond pat on the back was the only hint we got that this was romantic, but like with 14x01, I ask you to try to find a single viewer who doesn’t see “something there” between this generic heterosexual couple? They are continuing to show their relationship through nothing BUT destiel parallels and it continues to delight me that this is now the shows go-to way to portray romance.

On a slight side note, Bobby being from an apocalypse AU world, he is the classic hunter right now who only sees in black and white, and the way he went for the vamp girl even after she tried to explain how she had never harmed a human. Bobby’s take on things this season will be an interesting one as it’s a continuous theme in this show to explore what makes a monster, something that dates back to John Winchester days (the ultimate black and white hunter). Also his understandable suspicions about angels making the dynamic with Cas a potentially interesting one. I wonder if this Bobby will ever utter the phrase “family don’t end with blood”?

Nick – It’s a chicken and egg situation

*sigh* I’m still not won over, and I probably won’t be. I expected this episode to be Nick heavy, and the flashbacks irked me because I simply don’t care. But I get that they would be necessary for a general audience. My lack of care is my own issue. It doesn’t matter how much Mark P acted his arse off trying to give us a decent performance (his first in years), I’m still not gonna be a fan. I’m still gonna skip those scenes in subsequent re-watches but that’s just me. I just don’t find it interesting even if he is being embedded into the story in a way that is paramount to the plot and the characters own struggles and development. I will acknowledge that importance and move on. I suppose the take away from Nick’s role in this episode when not specifically tied to Castiel (which I will yell about later) is whether or not he murdered his wife and child before he was possessed by Lucifer. The set up in the episode, the scripting and the direction implies that yes, he did. Though that could be a misdirection.

At the beginning of the episode, when he was asking Castiel what would possibly make him say yes to Lucifer to begin with, he had seemingly forgotten all about the brutal murder of his family, until Cas reminded him. Perhaps he had just repressed the trauma to the point that he had removed it from his mind to save himself further torment – but then murderers do that as much as grieving widows. Interestingly of all the things we learn about the murder case, we never actually learn Nick’s whereabouts, only from Castiel saying “you weren’t there” which is entirely unreliable because how would he have known other than from reading about the case himself? We know Nick’s neighbour is jumpy around him, so what did the neighbour actually see? We know his wife and child were killed with a hammer – an extremely intimate murder weapon and one that has been meta’d before in relation to Demon!Dean. Strangers don’t murder people with a hammer. It’s the weapon of crimes of passion, of extreme emotional connection to the victims. There is nothing cold and detached about a hammer. People who pick hammer’s to kill seek out the mess and extreme violence that they cause. It’s horrific and so much more gruesome than a knife or a gun. To kill an infant with a hammer? Even worse. To then see Nick murder the neighbour in the same violent attack, it is very easy to assume that he was the original killer as well.

If we assume Nick was the killer what does this mean for the canon of the show? Is this how Lucifer picks his vessels? What does this say about Sam? Who had to consume gallons of demon blood before he could contain Lucifer, Sam who had to be “corrupted” from a young age to prepare him? Was Nick already corrupted enough thanks to his apparent violent streak?

OR was this new kill with the hammer a result of what Cas called Lucifer’s “influence”, the “damage on his psyche”? Did Lucifer create the monster? Or was the monster already a part of Nick? If the season is going to continue the themes of previous seasons in exploring the shades of grey between men and monsters, then Nick is a key component. Is he the innocent victim of the devil? Or is he a tormented killer, who just so happened to get what he deserved? How would this affect the boys? If they are already struggling to find compassion towards a man wearing the face of their abuser, how does this potential new bit of information fit into that story? Perhaps, if Nick really is the killer, once this is found out it gives the writers an easy way to ultimately have him killed off without any guilt of tormenting and villainising an innocent. My money is actually on this theory. Plus it gives me a reason to continue hating him for the hell of it. But hey, that’s just me.

Castiel – The Angel with Too Much Heart

Oh Cas. What DON’T I have to say about you in this episode? I was amazed by Bucklemming’s dedication to Cas as a character and devotion to getting him right for once… I feel like I have slipped into an alternate universe because of this.

In 14x01 Cas was physically beaten, and in 14x02 he is emotionally beaten. I can’t help but wonder if this spells gloomy foreshadowing for Cas in the coming episodes. I want to write about this in depth as this episode is a fascinating insight into Cas’s psyche and his character arc going forward BUT I am leaving that for a separate post so in this review I will just sum it up:

Consider what happens to Cas in several points:

He overhears Bobby saying “angels ain’t known for their veracity” about Jo – that he doubts she was telling the truth. Cas shrugs it off and “tends to agree with him” but the awkwardness is obvious. This isn’t the Bobby who saw Cas as a son after all.

He is told he cannot go along on the mission to save Dean because his “angelic presence would be sensed by Michael” therefore his grace has rendered him useless.

He is made to relive his own possession by Lucifer “you were in a lot of pain, and Lucifer saw a vulnerability and he exploited it” though not talking about himself, the implication is obvious to anyone with a good memory of previous seasons.

He is made to relive another dark chapter of his history when his grace was stolen and he was human. Cas gives Jack a heartfelt positive speech that does show he is in a better place now “I had Sam and Dean, but I had something else that was extremely helpful. I had myself. Just the basic me, as Dean would say without all the bells and whistles” (which btw is so so good for human!cas meta) but the truth is actually far more depressing than Cas lets on, and the pain of what happened at that time, how Dean kicking him out of the bunker only encouraged the view that without his grace he was useless and unwanted by Dean – hence jilted lover.

He is surprised by Nick trying to “snap” him to oblivion which could easily be a trigger for Cas bearing in mind Lucifer has blown him up before via that very gesture.

He had to relive his “greatest regret” and what he did to Jimmy and his family. “You’re just a stone cold body snatcher, you’re no different from Lucifer” and you can SEE how much that pained him. How much Nick twisted the knife at those words.

He was told by Jack that he wanted to meet “The only real family that I have left” which is a slap in the face to poor Cas who sees Jack as part of his own family (and his reaction to that line is heart breaking).

Then the worst thing, he is made to face the possible conclusion that Dean may have to die to save the world. “Dean doesn’t matter” oh boy. No hate to Jack who doesn’t really have any real reason to put Dean ahead of the world, but to Cas, who is in love with him? Yeah that’s the killing blow right there.

Right at the end Jack says “Do you think he’d want it any other way?” and Cas KNOWS Dean wouldn’t, because they have been in that situation before as well, and when that happened Dean asked Cas to take him out. So he had to relive that painful moment as well. One that he refused, and because he refused to fight Dean, got beaten to a pulp after proclaiming that he would “be the one to watch you murder the world”. I have no doubt that Cas would still take that view over the alternative.

So Cas was emotionally beaten all episode. Forced to live through his worst moments and biggest regrets, and then have to face the fact that putting Dean above saving the world just isn’t right and he needs to prepare himself for that eventuality. If this episode and the last have told us anything, it’s that Cas is once again in a pretty low place. That much beating, both physical and emotional, are going to have an impact, and I am now really concerned about where Cas disappears to in episodes 4 to 6.

There is so much more to discuss, specifically in relation to what his view of his grace as “bells and whistles” could mean for human!Cas meta writers, not to mention the basic fact that any argument now about Cas hating being human just isn’t true. He still had himself, and he still believed in himself even when human, and even if he didn’t back then, he does now. He doesn’t see that period of his life as a total negative. That is HUGE.

Summary

A+ episode for Cas development. Amazing as that is being a bucklemming. It has also left us with lots to speculate and theorise which is always a great thing - keeping people tuning in. The Michael!Dean mystery as well as the Nick mystery probably won’t get revealed any time soon, but are enough to have people talking about them for a while. 

Sam was still very much in Leader mode, though didn’t really get to do much this episode, but the way I see it, 14x01 was for Sam, 14x02 was for Cas, and I fully expect 14x03 to be a Dean heavy episode (which is fair since I am sure we are all missing him by now). Jack is also one to watch. His inner turmoil is textually acknowledged several times over and seeing as he is basically a mini Cas, the possibility that Jack could decide to do something drastic is probably very likely. I wonder if we will see Kelly’s parents again any time soon - I kinda hope not as I reckon that would spell certain doom for them. 

It was a strong episode, and I enjoyed watching it (other than the Nick stuff). Probably my second favourite Bucklemming episode if I was to rank them all now which is very impressive (11x18 will always be top imo).

That’s all for now, as I am in the mood to write some Cas stuff. As always if you read this far kudos and please reblog and comment and send me asks as I love all that stuff. :D

[tyrantisterror]

Disorganized How to Train Your Dragon 3 Thoughts

I’m not gonna separate the safe ones from the spoilers so it’s all going under the cut.  You’ve been warned!

Everyone who argued that Girl Toothless was not a Girl Toothless and was in fact a new wholly different species whose design had nothing to do with her being a Girl Toothless but was just to make it clear that she wasn’t Toothless’s species owes me an apology.

Not only is she a Girl Toothless, and not only does every scene with her focus on the fact that she is a Girl Toothless who Toothless wants to fuck, but they produce viable offspring at the end of the movie.  She is, was, and always will be a Girl Toothless.

Also, as I predicted, Girl Toothless was still a fun character despite her disappointingly obvious design, and the movie made me love her.  See?  A person can criticize a thing without hating the thing!  It’s possible!

My overall impression is that this is the weakest of the three movies, but a good enough ending regardless.

One of the bigger problems is that it has a whole bunch of characters it wants to do justice to, but a plot that really only has clear roles for, like, five of them.

Hiccup, Astrid, Toothless, Girl Toothless, and Grimel (the bad guy) are those five.  They have clear motivations, arcs, and most importantly, roles to play in the narrative.

Gobber, Valka, Snotlout, Ruffnut, Tuffnut, McLovin, and John Snow are also here but they don’t really have much to do except comment on what the important people are doing or, like, worse, have distracting subplots that don’t really pay off in a significant way.

Ruffnut and Tuffnut both provided some good comic relief though so there’s that at least.  Ruffnut in particular has one scene that just stole the show for me, she was funny as hell.

And Cate Blanchett could spend the whole movie reading an Itunes user agreement and I’d still be invested because of my enormous crush on her she’s a great actress.

The movie is also undercut by the fact that Grimel is, like, basically the same bad guy as the one in How To Train Your Dragon 2 with a very similar goal, but on the other hand, Grimel is also the answer to the question of “What if we made the bad guy in How To Train Your Dragon 2 actually interesting?”  Like, he’s not just a screamy fella, he’s got some range.  Also weird lips.  I liked the weird lips, they were distinct.

Grimel also has these sicknasty looking henchmen dragons that are red and black and viper-y looking and apparently addicted to their own venom and I love them.

I mean it’s kind of weird they’re affected by their own venom since venomous creatures are, as a rule, immune to their own venom (they kind of have to be since, y’know, they produce and store it in their bodies) and I kind of expected this series to know shit like that but whatever I guess

They replaced T.J. Miller with a different guy for Tuffnut’s voice, which is good.  I wasn’t sure at first because the different guy did a very good impression of Tuffnut’s old voice, but it lacked that distinct yet hard to place quality of T.J. Miller’s vocals that makes me want to throttle T.J. Miller.  T.J. Miller’s voice makes a sound that only primal hatred can hear.

TV tropes complained about Toothless’s romantic subplot being a “romantic plot tumor” but, like, no?  It’s actually kind of important?  Let Toothless fuck.

The dragon courtship scene was really weird and silly and sweet.

The whole “Astrid and Hiccup don’t want to get married” thing didn’t make sense to me, but, like, I have friends who were reticent to get married despite being obviously right for each other so I guess it’s a thing some people who actually make romance work sometimes go through.  I don’t get it but that’s love for ya I guess.

I mean it felt like a forced conflict to me but it also felt that way when my IRL friends were doing it so whatcha gonna do?

This is why smart people have hopeless crushes on Cate Blanchett instead of actual romances.

Speaking of, I feel personally called out that they gave Snotlout, the most odious of the characters now that T.J. Miller has been excised from the cast, a hopeless crush on Cate Blanchett.  I do not want to sympathize with Snotlout.  Don’t do that to me movie.  Don’t make me feel like he knows what I feel.

The titular hidden world of dragons was really pretty and reminded me of what I’d sometimes imagine as a kid when I desperately wanted to believe that dragons were real, still alive, and just hiding somewhere.  It spoke to the core of me like this series does.  And not just by portraying a mediocre guy as having a doomed crush on Cate Blanchett.

I’m kinda peeved that the sicknasty bad guy dragons didn’t get redeemed/saved at the end, especially after Grimel revealed that he had drugged them into working for him.  It didn’t feel on-message that the last we saw of them was them falling through the sky after Toothless electrocuted them into unconsciousness (or death?).

I did, however, enjoy that the climax of this movie was an army of dragons utterly destroying an entire fleet of human ships, undoubtedly killing many humans in the process, and that we were supposed to root for the dragons.  It’s what I’ve wanted out of a story since I was three years old.

The dragons going off to the Hidden World at the end and leaving everyone behind felt a little forced, though.  Especially since the Hidden World seems, like, only an hour’s journey away from New Berk.

On the other hand, this totally supports my insane theory that the finale of Tales from Arcadia will involve the Trollhunters and pals summoning an army of dragons to save the day, led by Toothless’s descendant.

Finally, I also feel called out by having Ruffnut say, “Ok fine, I like sensitive guys” when she gets hugged by McLovin’.  Have you been reading my blog, How to Train Your Dragon?  Are you trying to appeal directly to me?  You think I’m this easy?  Well you’re right, I am.

Marry me Cate Blanchett

[whoslaurapalmer]

hot takes on ihoso, rife with spoilers, this is a lot of words

in general (a little less spoilery?)

-to me, I think the book is the most fun when it tries to function like the unauthorized autobiography – like, the page of the book about the paltryville fire, part of fernald’s job resume, the full article about the anwhistle aquatics fire, the stuff like that, I loved reading them and it reminded me so much of being like ten years old and reading unauto for the first time, it was a damn delight

-behind the scenes stuff was really interesting, and it was pretty much just, mostly, behind the scenes stuff, which just makes it weird combined with the parts that are more reminiscent of unauto

-but, good behind the scenes content.

-a lot more like, explicit s3 content than I was expecting. we really did pay for a trailer, didn’t we

-although it was kind of nice because I can sometimes hate reading information about things i’ve already seen, I almost missed one of the coded letters at the bottom of a page cause I was like ‘why the fuck do you want me to reread the timeline for an episode i’ve already fucking seen and know from the books?????’ so seeing new content was still………….nice, I guess

-i will give it this. the cover is very nice. book has a nice weight to it. like, you could probably kill a man with it.

notes I made while reading (incredibly spoilery)

-endlessly amused that nph has under his signature ‘actor and count olaf’s legal representative’ -like, what would that be like??????

- “ – and the show’s version of fiona widdershins echoes another morally ambiguous girl searching for her missing father (see: ellington feint, pg 89)” NO I DO NOT WANT TO SEE ELLINGTON FEINT, PG 89 but also I never…….considered fiona and ellington to be similar, but, I mean, I guess??? I mean actually yeah I can sort of see it

-awww booooooooo they cut out a mention of the word hangfire in the wide window

- “but he once had a selfless heroic side, and he feels very loving and protective towards the baudelaires. they’re all he has left in the world, these children that aren’t even his, and I think he wants to see them in a safe place.” patrick warburton you’re breaking my heart -oh he also got the tattoo!!!!! top notch bro

-WOW THE PIC OF LEMONY AND BEA IS JUST SMACK-DAB IN THE BEGINNING OF THE BOOK WITH ALL THE DEDICATIONS AROUND IT, artsy -although honestly I think from behind she looks more like jacquelyn but that could just be the black and white   -also, there’s the wonder taxi again….

-oh, the full page of the paltryville fire book -i always give bea more of the inventing vibes than bertrand although he probably has them too (says a girl who once wrote a scene (and then scrapped it) where bertrand can’t figure out how a radiator works, but that’s neither here nor there) and the idea that he ‘repurposed a large cowbell, a hammer, and a ten-foot pole to create a makeshift fire alarm’ is a DELIGHT   -and the lumbermill photo…. -wow larry is really credited as ‘mr. your-waiter’ - ‘not pictured: dr. orwell’s flamethrower’ good job

-aunt josephine’s ‘chance of survival’ is listed as ‘cloudy’ -aasif mandvi describes playing monty as “a little bit of a cross between a swashbuckler like errol flynn and gene wilder as willy wonka” and you know what???? that’s the most delightful thing i’ve heard in my whole life cause that’s on point

-OH I’M SORRY DID YOU JUST CONFIRM JACQUELYN AS R????? IS THAT WHAT I’M SEEING, PG 42??????????????? -that has honestly been my least favorite theory and I hate it with all my heart and you’ll never get me to accept jacquelyn as ramona, light of my life -also larry is listed as ‘last seen….missing!’ gustav is ‘last seen….DEAD’ which is just, hilarious, and…….yeah whatev re: jacquelyn -although this does make me no longer the only person out there shipping r/olivia considering all the jacquelyn/olivia stuff but i’m. still not happy about it. as previously expressed.

- “kit is a fearless volunteer, a trusted friend, and currently, a very pregnant woman” next to a picture of allison williams looking barely pregnant if at all -ALLISON WILLIAMS JUST SHOOTING OFF DETAILS ABOUT KIT’S OPENING SCENE LIKE WE’VE ALREADY SEEN SLIPPERY SLOPE YOOOOOOOOOOOOOOOOOO -although kit straight-up diving off a mountain while pregnant is still…….pretty kit   - “leaping off a mountain may not be a typical activity for an expectant mother, but kit snicket pulls it off with bravery and style.” bravery? yes! style? no

me: hey mom can I ask you a question mom: sure me: would you say this picture of this woman looks very pregnant mom: yep me: you would???? I mean like she looks a little obviously pregnant but – mom: she does, but….maybe not very pregnant me: I didn’t think very pregnant. mom: i’d say she’s…….six months???? mom: six months. me: thank you for that assessment.

- “dashing and heroic, adventurous and charming” have never been words I have used to describe jacques snicket in my entire life, I have never cringed so hard before -in case anyone was wondering, i’ve based my entire characterization of jacques on basically one single line – “principal predicament: wondering if it’s the right time to step in”

- “while the book’s version of olivia is a veteran agent of dubious morality, the show reinvents her as a noble school librarian struggling against institutional corruption.” because apparently ‘veteran agent of dubious morality’ wasn’t good enough for you, I GUESS

-oh my they have the rhetorical building marked on the ‘admittedly stylish but how many eyes can you really incorporate into geography before lulu vandelay starts to think you’re overplaying this’ city map -also some of these streets are………..very tiny, but they’re all labeled (and named mostly after people involved in the production) but i’m gonna need like a goddamn magnifying glass for this, what the hell -or well there are numbered places on the side but besides the longitude/latitude markings there are, no numbers -but I am dying to know where they’re placing the grotto on this map wtf personally i just imagined........a bigger landscape, especially once they reach the ocean, as perhaps illogical as that truly is 

-okay i’m gonna give them this, the explanation about the trolley/underground tunnel system was, actually, intriguing and fairly on-point. I am, distressingly, impressed.

-thank you, pg 48, for immediately pulling me back to reality by listing the kids as ‘klaus, violet, and sunny’ that was unnecessary and uncalled for, have a hearty fuck you!

-why…….look, “i’d rather eat a bowl of vampire bats than spend an hour with carmelita spats” isn’t from ‘poet unknown.’ isadora wrote that. why put????? ‘poet unknown’????????? cause she’s not!!!! unknown!!!! THIS IS VERY, VERY CLEAR!!!!!!!!!!!!!!!!!!!!!!!!

- “there are few things more dangerous than a person armed with a slingshot and a poorly oriented moral compass” thank you for forcing me to relive the memory of stew mitchum while reading about carmelita

-fernald’s education listed as ‘degrees in marine biology and theatre arts’ good on you for keeping that in

- ohhhhhhhhhh re: white faced women “heimlich hospital announces birth of world’s first conjoined triplets” good on you for hopefully not taking away third sibling backstory!!! hadn’t considered them as triplets, though, but I hadn’t considered them as twins, either, so whatever

-awww I wish they’d found a way to keep in the cut song from the end of s2 it looked delightful

-olaf as “alias: DAD” in s3…………….oh boy -“the voice is reminiscent of eugene levy” oh man but i’m here for that

-re: barry sonnenfeld “in the grim grotto he plays the vital role of the missing captain widdershins” well that sentence is like six kinds of whiplash -he makes a good…….sea captain picture though.

-hmmmmm the lil sugar bowl section seems to lean towards the horseradish as the contents…….?

- “the props department created two sugar bowls, including a rubber version that could be dropped for a critical scene in season three.” oh really. oh. really. that better just be someone flinging it out the damn window in the mountains

-the masked ball invitation saying “a safe place that we hope will be much more difficult to burn” right on

-as someone who has frequently wondered how they really use movies for codes considering information can change while making the movie and how would you even decode it anyway, the explanation of pulling a message from existing subtitles based on a changing code number makes sense, but probably still won’t change how I view them making a considerable number of movies on the fly -does remind me, though, of how I put in beatrice the idea of picking up certain props, something that can be easily changed, in order to convey information

-bo welch saying “so I asked barry, ‘this house in season one that olaf lives in, where did he get that?’ and in talking with him, we decided that he probably married or moved in with some wealthy old dowager and then when she died, he kept the house, and of course, he didn’t have the resources and it went to seed.” well that’s…………………...uh………………….one way to think about it I prefer the theory that it’s the remains of his family’s house

-WHO WAS RESPONSIBLE FOR WRITING ‘AND, FUCK YEAH, OTTOMANS’ IN THE SCRIPT ABOUT JUSTICE STRAUSS’S LIBRARY THAT’S FUCKING AMAZING

-okay all the little jokes they have in the scripts are. GREAT

-nathan fillion re: jacques “he’s goodhearted. he’s kind. he’s capable. and he’s dead.”

-wow uh just straight-up revealing the opening theme rhymes for s3. gutsy of you

-you know, I really am sad they cut out widdershins, because i really liked him, and fiona aggressively adopting his mannerisms once he disappears, and i LOVE the scene here she tells the kids why widdershins didn’t go after the kids and how much fiona herself doesn’t know, but, i......guess they could still????? keep that in????? if he said that before he disappeared??? depends on when they have him disappearing, i guess 

i just????? widdershins is the whole reason they don’t show up until they do so how this works out now idk, unless they’re gonna have just fiona actively trying to find the kids (if they go that route, unless they just like, bump into each other?) as a KID trying to save kids does put an interesting spin on it

-THE WHOLE POINT IS THE SECRECY, THOUGH!!! FIONA IS BASICALLY STILL RAISED IN VFD AND SHE HAS NO DAMN CLUE ABOUT IT AT ALL!!!!!!!!!!!!!!!!!! augggggggggggggg

-the anwhistle aquatics article talking about gregor and ike not getting along?????? intriguing - “there are secrets in this world to terrible for decent people to know.” I read that and immediately thought of “mrs. palmer, there are things dark and heinous in this world. things too horrible to tell our children.” but that could just be because my mind pulls up peaks quotes for literally everything

-you know as much as I liked the imagined red vibe of penultimate peril, i’m really digging these set pieces even if they are green

- “several key scenes in the penultimate peril take place in an opulent opera house” are you gonna full flashback to the opera house??????????????? because hmmmmmmmmmm I never wanted to see the whole thing but I HAVE always imagined them as. barely adults when the opera happens, so?? at least there’s that

-still VERY nervous at the idea of the beatrice letters being at the end of the end. no damn clue what i’m nervous about. I already had my say about how I think the beatrice letters goes down. in almost 20,000 words. it shouldn’t matter to me. but. regardless. ……….still nervous……….

-based on the allusions page it looks like this be the verse and the blind men and the elephant will show up?????? they’d BETTER (and if I had to pick, this be the verse.) (my brit lit professor in college took great, great thrill in reading that poem out loud, so much so that when we were studying it, she read it out loud twice. she was a delightful woman.) (but re: the elephant poem that’s just, such a sweet, delightful memory of bertrand ‘sweetest man alive’ baudelaire, and considering all the memories of bea and bertrand they’ve really cut out, I just really, really want that one to stay in…….)

-hey, that final image of the eye-shaped island????? legitimately one of the most terrifying things i’ve ever seen in my life. I hope you’re happy.

-so, missed two words in the telegram code so I did look up what it was, and I was incredibly disappointed that that was all it was

(HOLY FUCK WAIT A SECOND as i’m rereading the beginning of my notes here, the see: ellington feint, that’s the only reference to ellington and she’s not even mentioned on the referenced page because it’s one of the code pages, but if that’s supposed to somehow imply ellington is in the two sets of people the telegram code refers to i’m. not gonna be happy) (unless it was just a reference to how the picture of barry sonnenfeld in austere academy is as the founder of the school, last name feint, and…….they’re just doing something with that, how the hell should I know) well I was disappointed until I got UNNECESSARILY TERRIFIED BY PROBABLY OVER-THINKING IT, gonna forget that ever happened at all, completely anyway, besides that, it’s still………….nothing that really???? doesn’t already go without saying?????? like THAT’S the code you decided to put in this book????? and how does that have any relevance to ‘don’t decode it until after s3’

[mydarlingfilm]

TIME DOESN’T HEAL

This is going to be a very long post and I would love to read it over and over again. It was painful and timeless at the same time. This conversation is hold between an Rolling stone and Pk.

In her first-ever in-depth interview, Michael Jackson's daughter discusses her father's pain and finding peace after addiction and heartache

Paris-Michael Katherine Jackson is staring at a famous corpse. "That's Marilyn Monroe," she whispers, facing a wall covered with gruesome autopsy photos. "And that's JFK. You can't even find these online." On a Thursday afternoon in late November, Paris is making her way through the Museum of Death, a cramped maze of formaldehyde-scented horrors on Hollywood Boulevard. It's not uncommon for visitors, confronted with decapitation photos, snuff films and serial-killer memorabilia, to faint, vomit or both. But Paris, not far removed from the emo and goth phases of her earlier teens, seems to find it all somehow soothing. This is her ninth visit. "It's awesome," she had said on the way over. "They have a real electric chair and a real head!"

Paris Jackson turned 18 last April, and moment by moment, can come across as much older or much younger, having lived a life that's veered between sheltered and agonizingly exposed. She is a pure child of the 21st century, with her mashed-up hippie-punk fashion sense (today she's wearing a tie-dye button-down, jeggings and Converse high-tops) and boundary-free musical tastes (she's decorated her sneakers with lyrics by Mötley Crüe and Arctic Monkeys; is obsessed with Alice Cooper – she calls him "bae" – and the singer-songwriter Butch Walker; loves Nirvana and Justin Bieber too). But she is, even more so, her father's child. "Basically, as a person, she is who my dad is," says her older brother, Prince Michael Jackson. "The only thing that's different would be her age and her gender." Paris is similar to Michael, he adds, "in all of her strengths, and almost all of her weaknesses as well. She's very passionate. She is very emotional to the point where she can let emotion cloud her judgment." 

Paris has, with impressive speed, acquired more than 50 tattoos, sneaking in the first few while underage. Nine of them are devoted to Michael Jackson, who died when she was 11 years old, sending her, Prince and their youngest brother, Blanket, spiraling out of what had been – as they perceived it – a cloistered, near-idyllic little world. "They always say, 'Time heals,'" she says. "But it really doesn't. You just get used to it. I live life with the mentality of 'OK, I lost the only thing that has ever been important to me.' So going forward, anything bad that happens can't be nearly as bad as what happened before. So I can handle it." Michael still visits her in her dreams, she says: "I feel him with me all the time."

Michael, who saw himself as Peter Pan, liked to call his only daughter Tinker Bell. She has FAITH, TRUST AND PIXIE DUST inked near her clavicle. She has an image from the cover of Dangerous on her forearm, the Bad logo on her hand, and the words QUEEN OF MY HEART – in her dad's handwriting, from a letter he wrote her – on her inner left wrist. "He's brought me nothing but joy," she says. "So why not have constant reminders of joy?" 

She fixes her huge blue-green eyes on each of the museum's attractions without flinching, until she comes to a section of taxidermied pets. "I don't really like this room," she says, wrinkling her nose. "I draw the line with animals. I can't do it. This breaks my heart." She recently rescued a hyperactive pit-bull-mix puppy, Koa, who has an uneasy coexistence with Kenya, a snuggly Labrador her dad brought home a decade ago.

Paris describes herself as "desensitized" to even the most graphic reminders of human mortality. In June 2013, drowning in depression and a drug addiction, she tried to kill herself at age 15, slashing her wrist and downing 20 Motrin pills. "It was just self-hatred," she says, "low self-esteem, thinking that I couldn't do anything right, not thinking I was worthy of living anymore." She had been self-harming, cutting herself, managing to conceal it from her family. Some of her tattoos now cover the scars, as well as what she says are track marks from drug use. Before that, she had already attempted suicide "multiple times," she says, with an incongruous laugh. "It was just once that it became public." The hospital had a "three-strike rule," she recalls, and, after that last attempt, insisted she attend a residential therapy program.

Home-schooled before her father's death, Paris had agreed to attend a private school starting in seventh grade. She didn't fit in – at all – and started hanging out with the only kids who accepted her, "a lot of older people doing a lot of crazy things," she says. "I was doing a lot of things that 13-, 14-, 15-year-olds shouldn't do. I tried to grow up too fast, and I wasn't really that nice of a person." She also faced cyberbullying, and still struggles with cruel online comments. "The whole freedom-of-speech thing is great," she says. "But I don't think that our Founding Fathers predicted social media when they created all of these amendments and stuff." 

There was another trauma that she's never mentioned in public. When she was 14, a much older "complete stranger" sexually assaulted her, she says. "I don't wanna give too many details. But it was not a good experience at all, and it was really hard for me, and, at the time, I didn't tell anybody."

After her last suicide attempt, she spent sophomore year and half of junior year at a therapeutic school in Utah. "It was great for me," she says. "I'm a completely different person." Before, she says with a small smile, "I was crazy. I was actually crazy. I was going through a lot of, like, teen angst. And I was also dealing with my depression and my anxiety without any help." Her father, she says, also struggled with depression, and she was prescribed the same antidepressants he once took, though she's no longer on any psych meds.

Now sober and happier than she's ever been, with menthol cigarettes her main remaining vice, Paris moved out of her grandma Katherine's house shortly after her 18th birthday, heading to the old Jackson family estate. She spends nearly every minute of each day with her boyfriend, Michael Snoddy, a 26-year-old drummer – he plays with the percussion ensemble Street Drum Corps – and Virginia native whose dyed mohawk, tattoos and perpetually sagging pants don't obscure boy-band looks and a puppy-dog sweetness. "I never met anyone before who made me feel the way music makes me feel," says Paris. When they met, he had an ill-considered, now-covered Confederate flag tattoo that raised understandable doubts among the Jacksons. "But the more I actually got to know him," says Prince, "he's a really cool guy."

Paris took a quick stab at community college after graduating high school – a year early – in 2015, but wasn't feeling it. She is an heir to a mammoth fortune – the Michael Jackson Family Trust is likely worth more than $1 billion, with disbursements to the kids in stages. But she wants to earn her own money, and now that she's a legal adult, to embrace her other inheritance: celebrity.

And in the end, as the charismatic, beautiful daughter of one of the most famous men who ever lived, what choice did she have? She is, for now, a model, an actress, a work in progress. She can, when she feels like it, exhibit a regal poise that's almost intimidating, while remaining chill enough to become pals with her giant-goateed tattoo artist. She has impeccable manners – you might guess that she was raised well. She so charmed producer-director Lee Daniels in a recent meeting that he's begun talking to her manager about a role for her on his Fox show, Star . She plays a few instruments, writes and sings songs (she performs a couple for me on acoustic guitar, and they show promise, though they're more Laura Marling than MJ), but isn't sure if she'll ever pursue a recording contract.

Modeling, in particular, comes naturally, and she finds it therapeutic. "I've had self-esteem issues for a really, really long time," says Paris, who understands her dad's plastic-surgery choices after watching online trolls dissect her appearance since she was 12. "Plenty of people think I'm ugly, and plenty of people don't. But there's a moment when I'm modeling where I forget about my self-esteem issues and focus on what the photographer's telling me – and I feel pretty. And in that sense, it's selfish."

But mostly, she shares her father's heal-the-world impulses ("I'm really scared for the Great Barrier Reef," she says. "It's, like, dying. This whole planet is. Poor Earth, man"), and sees fame as a means to draw attention to favored causes. "I was born with this platform," she says. "Am I gonna waste it and hide away? Or am I going to make it bigger and use it for more important things?"

Her dad wouldn't have minded. "If you wanna be bigger than me, you can," he'd tell her. "If you don't want to be at all, you can. But I just want you to be happy."

At the moment, Paris lives in the private studio where her dad demoed "Beat It." The Tudor-style main house in the now-empty Jackson family compound in the LA neighborhood of Encino – purchased by Joe Jackson in 1971 with some of the Jackson 5's first Motown royalties, and rebuilt by Michael in the Eighties – is under renovation. But the studio, built by Michael in a brick building across the courtyard, happens to be roughly the size of a decent Manhattan apartment, with its own kitchen and bathroom. Paris has turned it into a vibe-y, cozy dorm room. 

Traces of her father are everywhere, most unmistakably in the artwork he commissioned. Outside the studio is a framed picture, done in a Disney-like style, of a cartoon castle on a hilltop with a caricatured Michael in the foreground, a small blond boy embracing him.It's captioned "Of Children, Castles & Kings." Inside is a mural taking up an entire wall, with another cartoon Michael in the corner, holding a green book titled The Secret of Life and looking down from a window at blooming flowers – at the center of each bloom is a cartoon face of a red-cheeked little girl.

Above an adjacent garage is a mini-museum Michael created as a surprise gift for his family, with the walls and even ceilings covered with photos from their history. Michael used to rehearse dance moves in that room; now Paris' boyfriend has his drum kit set up there.

We head out to a nearby sushi restaurant, and Paris starts to describe life in Neverland. She spent her first seven years in her dad's 2,700-acre fantasy world, with its own amusement park, zoo and movie theater. ("Everything I never got to do as a kid," Michael called it.) During that time, she didn't know that her father's name was Michael, let alone have any grasp of his fame. "I just thought his name was Dad, Daddy," she says. "We didn't really know who he was. But he was our world. And we were his world." (Paris declared last year's Captain Fantastic , where Viggo Mortensen plays an eccentric dad who tries to create a utopian hideaway for his kids, her "favorite movie ever.")

We couldn't just go on the rides whenever we wanted to," she recalls, walking on a dark roadside near the Encino compound. She likes to stride along the lane divider, too close to the cars – it drives her boyfriend crazy, and I don't much like it either. "We actually had a pretty normal life. Like, we had school every single day, and we had to be good. And if we were good, every other weekend or so, we could choose whether we were gonna go to the movie theater or see the animals or whatever. But if you were on bad behavior, then you wouldn't get to go do all those things." 

In his 2011 memoir, Michael's brother Jermaine called him "an example of what fatherhood should be. He instilled in them the love Mother gave us, and he provided the kind of emotional fathering that our father, through no fault of his own, could not. Michael was father and mother rolled into one."

Michael gave the kids the option of going to regular school. They declined. "When you're at home," says Paris, "your dad, who you love more than anything, will occasionally come in, in the middle of class, and it's like, 'Cool, no more class for the day. We're gonna go hang out with Dad.' We were like, 'We don't need friends. We've got you and Disney Channel!'" She was, she acknowledges, "a really weird kid."

Her dad taught her how to cook, soul food, mostly. "He was a kick-ass cook," she says. "His fried chicken is the best in the world. He taught me how to make sweet potato pie." Paris is baking four pies, plus gumbo, for grandma Katherine's Thanksgiving – which actually takes place the day before the holiday, in deference to Katherine's Jehovah's Witness beliefs.

Michael schooled Paris on every conceivable genre of music. "My dad worked with Van Halen, so I got into Van Halen," she says."He worked with Slash, so I got into Guns N' Roses. He introduced me to Tchaikovsky and Debussy, Earth, Wind and Fire, the Temptations, Tupac, Run-DMC."

"His number-one focus for us," says Paris, "besides loving us, was education. And he wasn't like, 'Oh, yeah, mighty Columbus came to this land!' He was like, 'No. He fucking slaughtered the natives.'" Would he really phrase it that way? "He did have kind of a potty mouth. He cussed like a sailor." But he was also "very shy."

Paris and Prince are quite aware of public doubts about their parentage (the youngest brother, Blanket, with his darker skin, is the subject of less speculation). Paris' mom is Debbie Rowe, a nurse Michael met while she was working for his dermatologist, the late Arnold Klein. They had what sounds like an unconventional three-year marriage, during which, Rowe once testified, they never shared a home. Michael said that Rowe wanted to have his children "as a present" to him. (Rowe said that Paris got her name from the location of her conception.) Klein, her employer, was one of several men – including the actor Mark Lester, who played the title role in the 1968 movie Oliver! – who suggested that they could be Paris' actual biological father.

Over popcorn shrimp and a Clean Mean Salmon Roll, Paris agrees to address this issue for what she says will be the only time. She could opt for an easy, logical answer, could point out that it doesn't matter, that either way, Michael Jackson was her father. That's what her brother – who describes himself as "more objective" than Paris – seems to suggest. "Every time someone asks me that," Prince says, "I ask, 'What's the point? What difference does it make?' Specifically to someone who's not involved in my life. How does that affect your life? It doesn't change mine."

But Paris is certain that Michael Jackson was her biological dad. She believes it with a fervency that is both touching and, in the moment, utterly convincing. "He is my father," she says, making fierce eye contact. "He will always be my father. He never wasn't, and he never will not be. People that knew him really well say they see him in me, that it's almost scary.

"I consider myself black," she says, adding later that her dad "would look me in the eyes and he'd point his finger at me and he'd be like, 'You're black. Be proud of your roots.' And I'd be like, 'OK, he's my dad, why would he lie to me?' So I just believe what he told me. 'Cause, to my knowledge, he's never lied to me.

"Most people that don't know me call me white," Paris concedes. "I've got light skin and, especially since I've had my hair blond, I look like I was born in Finland or something." She points out that it's far from unheard of for mixed-race kids to look like her – accurately noting that her complexion and eye color are similar to the TV actor Wentworth Miller's, who has a black dad and a white mom.

At first, she had no relationship with Rowe. "When I was really, really young, my mom didn't exist," Paris recalls. Eventually, she realized "a man can't birth a child" – and when she was 10 or so, she asked Prince, "We gotta have a mom, right?" So she asked her dad. "And he's like, 'Yeah.' And I was like, 'What's her name?' And he's just like, 'Debbie.' And I was like, 'OK, well, I know the name.'" After her father's death, she started researching her mom online, and they got together when Paris was 13.

In the wake of her treatment in Utah, Paris decided to reach out again to Rowe. "She needed a mother figure," says Prince, who declines to comment on his own relationship, or lack thereof, with Rowe. (Paris' manager declined to make Rowe available for an interview, and Rowe did not respond to our request for comment.) "I've had a lot of mother figures," Paris counters, citing her grandmother and nannies, among others, "but by the time my mom came into my life, it wasn't a 'mommy' thing. It's more of an adult relationship." Paris sees herself in Rowe, who just completed a course of chemo in a fight against breast cancer: "We're both very stubborn."

Paris Jackson was around nine years old when she realized that much of the world didn't see her father the way she did. "My dad would cry to me at night," she says, sitting at the counter of a New York coffee shop in mid-December, cradling a tiny spoon in her hand. She starts to cry too. "Picture your parent crying to you about the world hating him for something he didn't do. And for me, he was the only thing that mattered. To see my entire world in pain, I started to hate the world because of what they were doing to him. I'm like, 'How can people be so mean?'" She pauses. "Sorry, I'm getting emotional." 

Paris and Prince have no doubts that their father was innocent of the multiple child-molestation allegations against him, that the man they knew was the real Michael. Again, they are persuasive – if they could go door-to-door talking about it, they could sway the world."Nobody but my brothers and I experienced him reading A Light in the Attic to us at night before we went to bed," says Paris."Nobody experienced him being a father to them. And if they did, the entire perception of him would be completely and forever changed." I gently suggest that what Michael said to her on those nights was a lot to put on a nine-year-old. "He did not bullshit us," she replies. "You try to give kids the best childhood possible. But you also have to prepare them for the shitty world."

Michael's 2005 molestation trial ended in an acquittal, but it shattered his reputation and altered the course of his family's lives. He decided to leave Neverland for good. They spent the next four years traveling the world, spending long stretches of time in the Irish countryside, in Bahrain, in Las Vegas. Paris didn't mind – it was exciting, and home was where her dad was.

By 2009, Michael was preparing for an ambitious slate of comeback performances at London's O2 Arena. "He kind of hyped it up to us," recalls Paris. "He was like, 'Yeah, we're gonna live in London for a year.' We were super-excited – we already had a house out there we were gonna live in." But Paris remembers his "exhaustion" as rehearsals began. "I'd tell him, 'Let's take a nap,'" she says."Because he looked tired. We'd be in school, meaning downstairs in the living room, and we'd see dust falling from the ceiling and hear stomping sounds because he was rehearsing upstairs."

Paris has a lingering distaste for AEG Live, the promoters behind the planned This Is It tour – her family lost a wrongful-death suit against them, with the jury accepting AEG's argument that Michael was responsible for his own death. "AEG Live does not treat their performers right," she alleges. "They drain them dry and work them to death." (A rep for AEG declined comment.) She describes seeing Justin Bieber on a recent tour and being "scared" for him. "He was tired, going through the motions. I looked at my ticket, saw AEG Live, and I thought back to how my dad was exhausted all the time but couldn't sleep."