#i'm so predictable when it comes to favorite characters

[thetrolltolls]

gang gets stranded in the woods is a hysterical episode for a lot of reasons but the whole premise of the episode being mac crashed the car because there was a squirrel in the road really makes it. i can think of 20 reasonable options for car trouble that could open the episode or even avoiding a deer in the road (which can happen in rural jersey) but. mac grabbed the wheel to avoid a squirrel.

[olderthannetfic]

Now I'm wondering how countries like Japan and China teach literacy.

Since kanji / hanzi don't really have that much in the way of phonetic elements, they kinda have to teach them by memorization and I don't think they have many reading comprehension problems over there.

(Although both countries do have supplementary phonetic writing systems in the form of bopomofo and pinyin for China, and the kanas for Japan)

--

FAVORITE SOAPBOX TOPIC UNLOCKED!

RELEASE THE KRAKEN!

It's a little closer to teaching vocabulary than spelling, but the same kinds of principles apply: You teach the building blocks, like the traditional radicals, which aren't so different from teaching Latin and Greek roots in an English class for English speakers.

And, as a matter of fact, lots of those radicals do predict pronunciation, just not in every single case. They can also be clues to meaning, but again, not absolutely consistently. Many characters have a sound-cueing radical on one side and a meaning-cueing radical on the other. It's just that only some are still useful in the modern day, while others are more like the English word 'plumbing' where knowledge of Roman lead pipes explains why this word comes from the one for lead, but the root probably wouldn't help a kid learn the word in the first place.

One similarity to teaching phonics would be teaching students to tell very complicated and similar characters apart: you want to help a student spot all the little building blocks of the character and then spot the ones that are different, not just glance at the whole character and get a general overall vibe. If you do a whole look-based approach, too many characters are too easy to mistake for one another.

Remembering a bajillion Chinese characters is hard if you're trying to memorize them in a year and not all of elementary school, but I think people who don't read them underestimate how many component parts there are and how approachable they can be if you start by learning fundamentals, not just memorizing a few individual characters as though they have no relation to anything else.

They're actually pretty systematic, just in the way that English spelling is with its overlapping systems and historical artifacts, not in the way that highly regular Spanish spelling is.

Having taken a lot of Japanese classes, I will say that Japanese as a foreign language textbooks often do a piss poor job of this and totally do teach kanji in a sight words-y way... But my Mandarin class started with important foundational concepts that served me well in Japanese later even if I bombed out of Chinese class at the time.

Can you tell how irritated I am by all the foreign language learners who think characters are sooooo hard when, really, it's just their crappy textbook? Haha.

They're moderately hard in the way that learning a full adult spectrum of vocabulary is hard, but people do that for foreign languages all the time. The countries that use characters do tend to make sets that are smaller for certain kinds of applications, same as we have things like simple English wikipedia, but a literate adult will always know lots more, whether it's from their career in engineering or their predilection for historical romance novels.

Uh... anyway, the answer is "Bit by bit in elementary school, just like in any other country".

[bbsmuts]

Career Advice ft. Miss A Suzy & AOA Seolhyun

A/N: I have a few notes before I start this one, first and foremost being that I got plenty of DMs after Special Fanmeet telling me the shock play was well done and it was a good addition to the smut, so I'll be incorporating some of that into more smuts in the future. My readers (as well as myself) have made it clear that they're into dom/sub dynamics, ownership kinks, and all that kind of stuff, so I'll be incorporating that a bit more. You're welcome, ya kinky bastards.

Is this very, very late? Yes. Is it very much overdue? Indeed it is. But will it be very good due to how much time I've had it a a draft? Probably also yes. Maybe. I don't have time to proofread things, so I never know.

This is a pitch from @phoenixwolf (who's been quite patient and a pleasure to work with), which is a pretty unique idea I've never seen before. It'll be quite a bit different from all my others, since the main character isn't in any kind of relationship with the idols. I'm doing a bit (well, in some parts a lot) of modification with how being an idol works and the perks that come with it, since to be quite honest I don't really know how it works and I need to make it fit the story better. So take note of that throughout the story whenever I mention something that probably isn't a thing irl. I have to use Y/N with this one because there's no way I can write it without using a name for the main character, which I don't do.

But after very much procrastination and too much time spent as a draft, it's here. I'm not at all used to writing a more tentative, maybe sub-ish character, so Seolhyun's noona kink solo might be iffy. And also just pretend that Suzy and Seolhyun are in the same group/under the same agency (Kakao) for the purposes of the smut. Also my first time writing a daddy kink. It's probably just about the same as a sir kink.

Point is, this one might be iffy.

-상훈

Length: 5.81k

Possible TW: Just about nothing, just a noona kink for Seolhyun and a daddy kink for Suzy. And of course my trademark, a sprinkle of light spanking/choking.

Tags: Threesome, cunnilingus, blowjob, dom/sub, daddy kink, noona kink, choking, spanking, fingering, face riding

It was just another one of those days; sitting, waiting outside a businesswoman's office waiting to be talked to. The small plaque on the dark mahogany door read "Kim Seolhyun, Ace of Angels". The plush chair I sat on had to be the best office guest chair I'd ever sat on, predictably enough considering where I was.

Explanation time.

My name is Y/N, and I'm a week away from debuting as the next global K-pop superstar. Or at least, that's what everyone around me is saying. I'm 19, and very new to the bustling, jolting, lively atmosphere of the agency's headquarters. I'm not even completely sure of everything that's going on. I auditioned for Kakao Entertainment when I was 15 and almost immediately got a callback from them. I performed two more auditions beyond the initial one and was accepted as a trainee with high praise from judges. I signed my trainee contract and trained for 4 years, during which they touched up on my singing, rapping, dance skills, physique, modeling sagacity, and overall competence as a future idol, all of which they had described to already be near perfect. From the day I arrived on Kakao's doorstep, I had been told I was going to be the next global K-pop sensation. And now I'm a week away from debuting as a massive solo artist.

To say I'm nervous is a little bit of an understatement.

The reason why I'm here is to talk with former and current idols to orient me into what it's going to be like. I've already had conversations with a few notable ones, and now I'm outside Seolhyun's office. I've also been told Bae Suzy is here to see me, which is something I'm excited for. Suzy has been one of my favorite idols since I was really young. ___

"Mr. L/N?" Seolhyun's secretary spoke in a soft voice. "She's ready for you."

I stood up, and with a deep breath and a small adjustment of my tie, pushed open the door.

To my slight surprise, Suzy was already in the room, sitting with Seolhyun behind the desk.

Suzy gestured me in, and I took a seat in front of the desk. It was very well-organized and neat.

"Hi, Y/N." said Seolhyun. "I'm Kim Seolhyun, and this is–"

"I know who you are." I said.

She smiled warmly. "Then introductions aren't necessary, are they?"

I chuckled. "No, they aren't. I requested to meet you specifically."

Suzy smirked. "That's refreshing. Well, it's very nice to meet you, Y/N."

Seolhyun nodded.

"It's a pleasure." I replied, shaking both of their hands.

"No, the pleasure is ours." said Suzy. "It's not often we get to meet the next K-pop superstar pre-debut, is it? Especially when he's so hot~"

Seolhyun hit Suzy on the arm lightly. "Stop, isn't it too soon for that?"

"It's never too soon."

I smiled at the compliment. "Thank you, Suzy. Can I call you Suzy?"

"Yes, of course."

"So," I said, preparing to ask the list of questions I had prepared in my head. "What's the lifestyle like, being an idol?"

...

"–so basically, to sum up that point, don't fall out of line. Not publicly." Seolhyun finished.

"Unless, of course, you feel a little bit more daring, like me." Suzy threw a wink my way. "Media goes crazy for a bit of controversy."

Seolhyun rolled her eyes. "It's a daring move, but your publicity will skyrocket over a scandal. Suzy would know all about that."

Suzy grinned. "Nothing like watching your fans start World War III on social media because you didn't wear safety shorts."

Seolhyun chuckled. "Some, like Suzy, like to rock the boat a little. And it's good for publicity; the media likes a daring figure."

"So you're telling me I should cross the line a bit from time to time?" I asked.

"Yes." Suzy replied immediately.

"Not necessarily," corrected Seolhyun, side-eyeing Suzy, "it depends on what kind of idol you are to the public. But a tiny scandal here and there does keep you in the headlines, whether that be a good thing or a bad thing."

"Ok," I said slowly, "that makes sense. Other than that, what can I do to start off with a bang?"

"You?" Seolhyun said. "You might not even need any of that. I mean, they said they could have debuted you without training. They said they were considering cutting your training short and debuting you early."

"Of course, that's when funds had dipped a lot," Suzy added, "but that's not important. What's important is that they were seriously considering doing it, which never happens."

"So that either means you're already going down Suzy's route, or you're one hell of a potential." said Seolhyun.

"It's the latter."

"Yeah, I figured. All the talk around here has been about you since you started training. All the higher-ups and execs have been super excited because you'll be bringing in a lot of revenue."

"Which automatically makes you a high priority, especially once you actually start making them money." Suzy carried on. "Low-profit artists and groups are lower priority. You? You'll be pretty much as high priority as it gets, which means you can exploit it. Use it to your advantage."

"However you want to use it, bear in mind the fact that they are relying on you for profit. Of course, if you get too cocky, there's always consequences, but as long as you keep in mind the firm boundaries, you're all good."

"Okay," I said, "so I can push my luck a little, just don't overdo it."

"Exactly." Suzy replied. "You're a fast learner. And I'd advise you to wait to exercise that prioritization for a little while until they've gotten a good idea of what kind of idol you're going to be, what kind of profits you'll make them. If you do it too early, they might think early on that you're going to give them a hard time."

"And if that happens?"

"Don't know. Contract termination at the very most, but I doubt they'd do that. But they can make your life hell if they want to."

"Okay, got it. What else?"

"Well..." The two of them thought about it, and then Seolhyun spoke up. "You could try Suzy's approach..."

"Which is?" I prompted.

"Sucking a lot of music producer dick." Suzy laughed.

Her reply took me be surprise, but I barely reacted. "Yeah, I'm afraid I won't be sucking any dick on my way up."

Suzy chortled. "I don't mean that, dummy. But there happen to be a lot of female employees, execs, bosses, producers...I'm not saying do what I did, but all I'll say is...it'll get you in the good books."

"And considering what you have to offer..." Seolhyun added, unconsciously licking her lips as her eyes trailed down me.

Despite myself, I felt my cheeks go a bit red. "Thanks, noona."

She blushed a little and giggled.

Suzy rolled her eyes and shook her head. "Don't get her started, Y/N."

"What?"

"Seolhyun has a thing for being called that. Like, a big thing."

"Oh." I said simply. "Sorry."

"Don't be." She smirked. "In fact, that brings us to our next point, in a roundabout way."

"What's your next point?"

"If, as I advise you, you walk my path, play to your higher-up's kinks. Obviously they'll like it anyway it and therefore you'll be in the good books, but if you play to their kinks, it's like an automatic figurative promotion. I remember one time when I was dealing with this one exec who had a mommy kink–"

"Yeah, yeah, we don't need to hear that one." Seolhyun interrupted. "Don't put him off before he even debuts."

"I'm not into that mommy shit, but I can play along to just about anything." The implications of my sentence were not missed by the two of them.

"Oh, can you?" Seolhyun's voice was suddenly lower, quieter. The two exchanged a knowing look, one that spoke more than a book full of words. "What do you think, unnie?"

Suzy nodded at her and looked back at me.

"We'd like to offer you a special...orientation program." Her voice took on the same tone.

"Oh?" My thoughts ran wilder. "And what would such a program entail?"

"Oh, you know..." Seolhyun trailed off as they both rose from their chairs. "Suzy's route."

"Yeah, we'll be sure to tell the execs how good you are...if you're good." They approached.

My pants were feeling uncomfortably tight at that moment, and it did not go unnoticed by them.

"Ooh, he's liking that idea." The two of them moved closer, their thighs rubbing against mine, hands caressing my arms. I was suddenly very aware of Suzy's tiny skirt, Seolhyun's short shorts. "Let's see what we're working with here."

Shrugging out of my blazer as Suzy pulled on it from behind me, I rid myself of the extra layer and loosened my tie. Suzy's hands unbuttoned the buttons on my shirt one by one all the way down and pulled the bottom of it out of my waistband, leaving it on me.

"Oh~" Seolhyun's eyes widened. "He's quite the specimen, unnie."

I flexed my abs and arms for her benefit, and she bit her lip with lust in her eyes. "Can't wait to give this one a test ride, mmm..."

Suzy unbuckled my belt from behind me and slipped it out of its hoops, allowing Seolhyun to slide my pants down my legs and off my Oxford-clad feet.

"Looks like Y/N has a big thing too, unnie...damn."

Suzy came back around to have a look, and she smirked, nodding in approval.

"Nice, now that's a body that's had a hell of a lot of work put into it. And a massive cock, too..."

My face was going red again. "Thank you."

Seolhyun straddled me, sitting comfortably on the straining bulge of my boxers, barely concealing the gasp that left her lips when it rubbed her through her shorts. "Ah, enough niceties, let's get to your orientation."

"One at a time or same time?" asked Suzy.

"One at a time, then both, I wanna see what this kid can do first."

Suzy opened the door and disappeared, leaving me and Seolhyun alone.

Her voice dropped to a growl as she leaned into my ear, slowly rocking her hips on me, pulling my face closer to hers by the tie. "You said you can play along, hm?"

"Uh, yeah, I did."

She pulled back a little, her expression half eagerness and half interest. "Then make sure you do."

With a flourish she stripped off her small top, a sexy lace bra the only thing between me and her full breasts.

"Mm, you like what you see baby?"

"Yes..." I couldn't take my eyes off her.

"Hmm?" She raised her eyebrows, the grinding coming to a sudden halt.

"Y-yes, noona."

She smiled and resumed her grinding. "Good."

Something in her tone turned me on, more than the pleasure of her grating her hips on me. Usually I had a slight leaning towards being a dom, but something about her dominant aura pushed me towards the other end of the spectrum.

She got off me and slipped her shorts down her legs, straightening up to reveal her tiny little thong, which left absolutely nothing to the imagination. I caught my breath, cock now furiously straining against the thin fabric of my boxers. She slid back onto me, two millimeters of cloth the only thing keeping her heat off me.

"Can I touch you, noona?"

She moaned quietly at the sensation she was causing herself, and nodded. Her eyes closed and she bit her lip as I reached up and caressed her breasts over the thin lace fabric, pinching her nipples. I slipped a finger under her thong and rubbed her clit.

"Ooh, yes, just like that," she cooed. "You sure know what you're doing, had practice?"

"Yes, noona." I fingered her harder and took my hand off her breast and moved it to her ass, squeezing a moan out of her. She reached up and fondled her own breasts, and she allowed me to reach behind her and unclasp the bra, unleashing her treasures.

I took off my own shirt as she leaned her face down and kissed me, the gyrations starting to get more needy.

"F-fuck, I want you, Y/N." Her breath came out shaky as she found the perfect spot to grind on and jumped on it, increasing the speed of her movements.

I pushed my boxers down past my thighs and finally freed myself, and she gasped. "Oh my god, you're so big..."

She quickly rid herself of her thong and returned to my lap, lining me up with her entrance and slowly sinking down, suppressing a whimper as she felt herself being filled up. I stretched her out inch by inch until her crotch met my base. Her head fell back and she took a second to adjust, before she started to bounce on top of me. My cock was driven in and out of her tight tunnel, and it was overwhelming. She must not've had anyone in a while because she was certainly the tightest I'd ever had. She clenched around me on purpose on the way down, forcing a groan out of my mouth.

"Does it feel good sweetie?"

I didn't answer immediately, mind lost in the sensations she was causing me. Her thin hand slipped around my neck, not gripping but making her assertion clear.

"Does it feel good?" Her voice dropped a little lower.

"Yes, noona."

Her smile returned. "Good."

I pressed a finger to her clit, and moved it up and down in time with her bouncing. She kept kneading her own tits, moaning and squealing adorably.

"Fuck, noona, you're tight!" The pleasure was too good, she was going to make me cum. "So tight!"

"I know, hold on baby." She purred. "Don't cum yet."

Doing so was difficult, but I managed to stave off the impending orgasm and let her keep spearing her pussy on me. I brought my hand down on her ass, making her yelp, and she bounced harder, raising her eyebrows.

"Now now, let's – ahh – control ourselves, hmm?"

"Yes, s-sorry noona."

Seolhyun suppressed another cry and gripped my shoulders, humping into me with barely controlled lust.

"Such a nice dick, big and hard for me, yeah?"

I only moaned in reply, meeting her bounces with thrusts, jabbing deeper into her. She clenched around me harder in an involuntary response, failing to muffle her yells on each thrust.

"Noona," I groaned, "what about the–fuck–secretary? Won't she-"

"No, she won't."

I inwardly shrugged and thrusted harder, teetering dangerously on the verge of cumming inside her.

"Fuck, I can't hold on," I gripped her hips and pulled her down, jabbing into her. "Should I pull out?"

"No," she murmured, her eyebrows contracting. "Cum inside me!"

Unable to stave it off any longer, I felt that rush of pleasure, the tensing of my entire body. Her eyes flew open and she gasped at the first spurt. She rode it out until she'd taken every last drop from me, and then relaxed her body. Our heavy breaths eventually slowed, and she got off me and quickly got dressed.

"Fuck, you're good. You'll have no trouble in that area, no trouble at all. Rest up, Suzy will want her turn. And get at least partially dressed, she'll want to strip you too." She paused for a moment. "She's the exact opposite of me in the bedroom. She likes to be dominated."

I smirked widely. "Oh, I don't think I'll have any trouble with that."

She returned the smirk. "Neither do I. Well, have fun..."

I heard the sound of a door opening and shutting behind me, and two female voices outside for a few seconds. I pulled on my pants, got out of the chair, and leaned against it, facing the door. The door opened and Suzy sidled in, hands clasped in front of her. She bit her lip when she caught sight of me, and I got off the desk.

I let her take her time approaching, her hips subtly swaying with each step. She reached me and slid a hand over my bare chest, a small and shy smile on her face. Her demeanor had completely changed, something I was more than willing to take advantage of.

I snaked my hand up her chest and fastened it around her neck. She gasped and bit her lip again, leaning into me. I turned her around and pushed her against the desk, my other hand slithering to her skirt and pulling it up. She moaned as I slipped my hand into her black panties and slowly rubbed her slit.

"Mmm," she whimpered, "ohh yes, that's good..."

"Yeah, you like that baby?"

"Mmhmm," she replied in a high pitched tone, nodding eagerly with her eyes closed. I tightened my grip on her neck, and she inhaled sharply.

"What was that?"

"Yes, daddy..."

"Good girl." I growled in her ear, fingering her harder, and her breathing got faster and heavier.

"Daddy it feels so good," she moaned, then cried out at me circling her clit with my thumb. "Oh please daddy, harder!"

I slipped two fingers into her pussy and moved them around slowly, curling them down into her g-spot. She clutched my arm and took in a deep, shaky breath, mouth falling open.

"Fuck! I'm gonna cum!"

"Do it," I muttered, busy at work on her pussy. "Cum for me."

"Ohh fuck, faster, please!" I obliged, moving faster and strumming her spots like the strings of a guitar. Her body trembled and her walls clenched around me, almost crushing my fingers. I slipped a third inside her and pushed, now knuckle deep. But I wasn't about to let her cum so quick, I had much more to do to her.

Suzy's eyes had rolled back by the time I pulled my fingers out, and she'd fallen silent in nearly orgasmic bliss. She looked down at my drenched and motionless fingers and immediately put on adorable puppy eyes.

"Please let me cum, daddy," she begged submissively. "Please, I need to cum..."

"Oh, you need to?"

"Yes, daddy, I do..."

I turned her around and bent her over the desk, then resumed my fingering at a much slower pace. She bucked her hips back into my outstretched fingers, whining needily.

"Faster, please!" She pleaded. "I need to cum, please daddy, let me cum, harder, please..."

I slapped her ass and she yelped, clenching around me again. "Be quiet."

"Yes, daddy."

I did pick up the pace a little, and employed my thumb to rub her clit, continuing the spanks since I noticed she enjoyed it. I was feeling an increasing desire to take my pants off and pound her senseless, but I wanted to make her cum with just my fingers first. And I was very, very close to doing so, judging by her facial and vocal expressions.

"So–good–yes–please–cumming!" Her pleas had spiraled into unintelligible babble as she got closer to her climax. "Harder–fuck–gonna cum!"

My shoulder was beginning to feel sore from the exertion I was putting it through, but I ignored it and kept pumping into her, paying special attention to her more sensitive areas and driving her insane with pleasure. Every stroke brought her closer to her release, and finally it was too much for her.

"OH F-FUCK!" Body trembling and writhing, Suzy orgasmed with a loud cry, her juices gushing out over my fingers. Her pussy tensed and spasmed uncontrollably on them.

Noticing her legs wobbling dangerously, I held her up and helped her into the chair. Her face was flushed red and stray strands of hair were sticking to her sweat-sheened forehead.

"D-daddy..." she whimpered, giving me the puppy eyes again, "I want you..."

I rid myself of my pants and boxers and approached her, seeing arousal flare in her eyes at the sight of me.

"Give me your dick, daddy." She sat up and reached forward, grasping my now-hard cock.

I reached down and pulled her hands off. "Hands to yourself, baby girl. Get on your knees."

"Yes, daddy."

She knelt in front of me, and I grabbed her head by her hair and pulled it forward, guiding my cock into her mouth.

"Mmph!" She raised her hands to my thighs and gave them a small nip as my shaft slid down her tight, squeezing throat.

She gagged a bit and struggled, but didn't tap out, instead massaging the underside of my cock with her tongue.

"Mm, such a good girl," I said, twirling her hair around my fingers and pulling her deeper. "Such a good little slut for me."

One of her hands left my leg and I heard an obscene squelch, combined with a moan into my dick. She was getting turned on by the little bit of dirty talk already.

"A stupid little whore, aren't you?" I continued, flinging out whatever dirty names I could fish up from memory of past sub girls. "Just a dirty slut."

She nodded and moaned again, her arm working more furiously beneath her skirt. I gritted my teeth and let my head tip back.

"Fuck, that feels good," I felt her self-pleased smile against my base. "Keep going, baby girl."

She choked and a little saliva ran down her chin, closely followed by a tear from her effort. She took the other hand off my leg and started caressing her own breast, eyes rolling in her head at the pleasure she was giving herself.

Her lower face was slowly becoming a mess of tears mixing with saliva from her sloppy blowjob. The mess she was making of herself clearly turned her on. From what little I could see of the face that was buried in my crotch, her eyebrows were turned up, I could feel her jaw starting to go slack. I gripped her hair harder and thrust my hips harder, drawing nearer to my own orgasm. But I wasn't going to cum before I'd fucked her, so I semi-reluctantly pulled out of her throat. She sat back and caught her breath for a moment before she stood up and bent over the desk, wiggling her ass enticingly.

I pushed into her with absolutely no hesitation, and she was wet enough that I didn't need to play with her any more. She was even tighter than Seolhyun, and I put my hand over her mouth to suppress her loud moan.

"Shhh." I murmured, and let go of her mouth. "Keep that pretty little mouth quiet."

I started thrusting into her, fast and steady. Her hands gripped the edge of the desk and she gritted her teeth to keep from making noise. I reached forward and grabbed her hair, forming it into a rough ponytail and pulling her head back.

"Daddy, it's too good, I can't hold b-back," she moaned, biting her lip. "You're so big, fuck..."

I fucked her faster, the desk creaking a little under the repeated motion. I could tell she was trying her best to keep herself from crying out, but I also knew it was coming.

"F-fuck, I can't...I can't...keep...quiet..."

She was shaking with suppressed pleasure and bucking her hips back on me. I slapped her ass, making her squeal, and pulled on her hair harder. Her tight hole compressed around my cock like it was made for me, the perfect balance between ease and resistance. I pushed two of my fingers on my other hand into her mouth, and she started sucking on them, moaning quietly.

"Give me more, please, daddy," she murmured, voice barely audible. "Faster, please...nghh yes keep going!"

My hips smacked against her thick ass with each thrust, the claps reverberating around the small room. I took my hand away from her mouth and brought it down to her clit, rubbing circles and pressing down, making the volume increase dramatically.

"Didn't I tell you to stay quiet?" I smacked her ass again.

"A-ah! Yes, daddy, I'm s-sorry!"

"Good." I resumed my fingering, making her whimper in her effort. It only took a few seconds of determined caressing of her clit to bring her resolve crumbing down once more.

"Fuck! It's so good daddy, please don't stop! Yes, yes, yes, more!"

I pulled out of her pussy and spanked her plump ass again. "Guess you're getting punished, baby girl."

"No, please! Please don't stop, I'm so close!" She desperately bucked her hips, trying to get me to fuck her again.

I didn't reply, but hauled her onto the desk and spread her legs, reaching forward to choke her. She gasped at the sensation of my head pressing into her pussy again, but nodded after a moment.

I snapped my hips forward and, due to how slick my cock was from her slick, easily pushed most of my length into her, drawing a guttural groan from her. She looked at me with pleading eyes, her expression indicating just how needy she was.

"Fuck my pussy hard, daddy," she breathed, "pound me like I'm your little slut."

"You are my little slut." I gripped her neck tighter and started my thrusts at a slower pace, still powerful. "Understood?"

"Yes, daddy."

"Good girl."

She shuddered and moaned, eyes rolling back in her head as I fucked her.

"Ohh yes, that feels so good..." she whined, hands still clutching the table's edge. "God yes, please keep going..."

"Shut up." I said "This is your punishment, remember?"

"Mmhmm!" She nodded vigorously. "It's my–fuck–punishment..."

I spanked her ass again and drove my cock into her faster. This hadn't been what I'd expected when I'd come in here, but I certainly wasn't complaining about the outcome.

"I'm gonna cum," I growled in her ear. "And you're going to take it all like a good girl, aren't you?"

"Yes, daddy," she gasped, her walls tightening around me as she bucked her hips. "I want all your cum in me!"

Her words sent me over the edge, and with a groan I buried myself inside her pussy and exploded, firing my hot cum deep into her womb. A rush of pleasure flowed through me, sending the feeling everywhere from my fingers to my toes. My muscles tightened and contracted, involuntarily sending my hips into her ass again. She jerked and trembled as the waves of orgasmic pleasure overtook her too, a powerful jet of cum spraying me.

"Fuck, daddy, yes!" She screamed, back arching. "S-so fucking good, yes!"

I pulled out of her pussy and collapsed back into the chair, sufficiently tired out for the time being. Her legs relaxed and fell into a resting position, and she slumped back and laid down.

...

It was a little while before either of us found the energy to do much other than pant and sit there resting. I heard the door creak open, looked over the top of the chair, and saw half of Seolhyun's grinning face peeking through the small opening.

"Yes?"

She smiled wider and closed the door, eyes raking over Suzy's slumped and naked form before doing so. I stood up and pushed the chair aside, went to and opened the door, and gestured Seolhyun in.

"You up for another round?" She asked immediately.

"Hell yes. Think Suzy's out, though."

"I want to ride your face." Her words were clear and decisive. I was entirely okay with that, so I laid down on my back on the carpeted floor. She then stripped off the large nightshirt she'd covered with and stood over my face, giving me an incredible view of everything she had to give. With no further ado she lowered her pussy onto my awaiting mouth and started grinding. I had a perfect visual of her softly whining and caressing her own breasts as she rubbed her slit against my tongue, which was prodding, swiping, and licking any part of her that was sensitive. She let out soft moans, moving her hips back and forth and pleasuring herself on my mouth.

As I was busy eating her out, I heard a creak from the desk and soft footsteps on the plush carpet. A minute later, Suzy's hands slid over my thighs and my cock was suddenly enveloped in a warmth which I could only assume to be her mouth. I groaned into Seolhyun's pussy and kept up my exertions, very quickly pushing her to her climax.

"Oh, fuck, just like that baby," she moaned, biting her lip and closing her eyes. Her eyebrows contracted as I circled her clit with the tip of my tongue. "Oh yes, I'm gonna cum!"

I worked my tongue harder, pushing into her entrance firmly. She shuddered and her legs tensed around my head, a sure sign of her approaching orgasm.

"Oh, you're so good at this, fuck! Oh god yes yes, don't stop!" I smirked, my ego stroked, and bucked my own hips a little into Suzy's mouth. Her tongue disappeared from my shaft momentarily and then something much wetter, much tighter pressed down on it. I let my head fall back a little as she impaled her warm, throbbing pussy on my cock, the pleasure doubling. I heard a loud cry from behind Seolhyun and I automatically started thrusting up into her.

For several minutes more, Suzy fucked me and I tonguefucked Seolhyun. She had been reduced to mindless pleas for more, body on autopilot as she gyrated her hips on my face. I was apparently way better with my tongue than I thought, and it was only a few more seconds before all three of us reached our peaks at the same time.

I went first, blowing up her pussy with a deluge of hot jizz that triggered her to cum; her warm juices splattered my abs and ran down my sides. Seolhyun's grinding sped up exponentially and then with a scream she met her orgasm. Her cum squirted into my waiting mouth and she fell back into Suzy's lap with an exhausted moan. We all stayed there for a moment more, basking in the after-orgasm bliss, before a notification pinged Seolhyun's phone. She picked it up, read the message, and scoffed. I looked up and could make out a text from one of her superiors:

"Having fun?"

She looked over at the security camera in the corner and gave it a sarcastic wave before putting down her phone and getting up. She dressed again quickly and left.

Suzy stood up clumsily a second later, a small trickle of my cum falling onto my abs. She too got dressed and left, leaving me alone in Seolhyun's office. I stood up, wiped my own cum off my abs with a paper towel, and put my boxers and pants back on. From what I could hear outside, one of the superiors had come down to see what was going on, judging by the voices outside.

"–yes, he was amazing. He knows his stuff." Seolhyun's voice said.

"Suzy?" said a male voice.

"Yes, he's such a good dom, he's so sexy and confident..." She said.

"Good, good. Yet another attribute we can add to the list of perfections. He's sure to be a hit soon enough."

I smiled and pulled away from the door, ego points going through the roof right about then. The conversation continued for a couple more minutes, then the door opened and one of my managers came in, dressed in a suit and tie.

"Ah, Y/N." He said briskly. "If you'll be so kind as to put on a shirt, you've been requested by one of your producers. He wants to talk about your title track, something about the lead sounds on the track. I really have no idea what the issue is, but he said he needs you right away."

I pulled my shirt over my head and refastened my tie around it, leaving the blazer on the chair. "He's been fussing about that for about a week. Might as well go see what we can improve."

"Thank you. Now, if you'll follow me..."

I followed him out the door and into the hall, where Suzy and Seolhyun were both standing, still flushed red. I threw Suzy a wink as I passed and she blushed harder, giggling. A satisfied smirk back on my face and confidence swelling within me, I followed the manager down the hall towards the studio, feeling that things could only go well from here.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[goldenrulemotherfucker]

Real talk, I came to the Fallout series a total newb, knowing nothing about the lore/games and came away with a new favorite show, easily in my top five. In particular, something it does exceptionally well is narrative payoff. Nothing in this show happens just to happen; every choice the characters make shapes their future arcs. As a SFF writer myself, I'm not only impressed--I'm inspired.

I feel this way about the entire story, but in terms of Lucy and Cooper specifically, we get so many great payoffs from their interactions. When he doesn't share his water, it seems like he's just being a dick until we learn that his canteen is full of dirty water. (Yes, he was still being a dick, but he knew she naively thought he was drinking clean water.) When he forces her to use the knife in the "ass jerky" scene, he's absolutely being cruel, but he's also extremely fatigued to the point of near collapse, which only becomes clear only after she's out of sight at the Super Duper Mart. When he cuts off her finger, it seems like nothing more than him "getting even," when he actually took a much-needed replacement part for his hand (from someone he assumed wouldn't be alive much longer).

These interactions are all brutal, give us new insights into both characters, and also set up a massive payoff in Lucy's "golden rule, motherfucker" moment. Even after everything he put her through and how he treated her as disposable, she does the opposite and shows him empathy and kindness. To put it plainly: Her choice in this scene wouldn't carry half as much weight if he hadn't repeatedly treated her like shit. Coupled with her ability to self-rescue, the scene cements who Lucy is as a person--both for the viewer and for Cooper. (And what happens next? He watches a film clip where his old self looks right at him and delivers the line about a villain being ugly and strong but having no dignity.)

The moment when Lucy gives him the vials could have been enough of a payoff for their arc by itself. But it sets up an even better one: The next time they cross paths, he treats her differently. Having already seen himself in her, and knowing that they both want answers to the same (or very similar) questions, he invites her to accompany him on his journey this time--no longer as a pawn, but as someone he trusts and respects at least a little. As a direct payoff for her memorable act of kindness toward him, this fucking rules. It's surprising while also feeling completely earned. "Golden rule, motherfucker," isn't just a satisfying moment (or my favorite line), it shapes the characters' future.

On Lucy's side, when she decides to follow him, she has no reasons to trust or respect him (yet); she likely just recognizes that he's currently the only person who will lead her to the truth. But she's only met the Ghoul so far, not Cooper Howard. She doesn't know that his primary motivation has been searching for his family this whole time. She doesn't know that she's seen him before, in those old movies she watched at home. She doesn't know why he shot the billboard.

Now, I'm not making predictions about how their future arc will play out (nor am I asking for them), I'm just along for the ride. But I feel confident that there will be many more great payoffs to come now that they've gone from "hostile forced proximity" to "traveling together by choice." I've rarely been so pumped for a second season. <3

[pubbamoon]

Venus signs and your music taste

Hey! Hope you're doing well. This is going to be the first (and maybe last, haha) post about astrology, 'cause I've been into that thing for five years, I guess. Since I'm interested in music, my first astrology observation will be about how someone's Venus sign can affect someone's music taste. It's also a Friday, a Venus-ruled day. So, let's go!? This is based on the tropical/western astrology. Take it as it resonates and leave what doesn't.

Venus in Aries: Oh well, that's the wild one! People with this Venus may love listening to kind of music which makes them confident, or you should use the music this way. Aries naturally rules over the 1st house of self and personality, so you guys with Aries Venus might listen to the song/music which resonates to your character or describes your life path. On the other hand, you may love energetic and bold type of music that can move you, something like EDM or Dance music!? Venus is in detriment in Aries, which is not a good sign in default. That means you might love type of music that is not well perceived by the music critics. You may also love rap/hip-hop music as well.

Venus in Taurus: Venus is in domicile in Taurus, which means that Venus is in own sing since it naturally rules over Taurus sign (and the 2nd house as well). This is a great sign for Venus to be in, music literally runs in your blood (take it as it resonates). You may love the type of music that grounds you and makes you peaceful. You can also prefer quality over quantity and listen to the songs that has some value or quality. Overall, you might love listening to music that is perceived as normal, stable or even predictable. Taurus is an earth sign, after all. Venus in Gemini: This sign rules the 3rd house of communication, words and self-expression, so you might prefer the lyrics when it comes to music. It doesn't have to be the case with all of you with Gemini Venus, but it can be (lol, what was that?). You may love to listen to the music that is relatable to you and your life circumstances. Your favorite artists could be singer-songwriters, who put their own lyrics first and who express themself freely. You can also listen to the different kind of music, since Gemini is the mutable sign, represented by the twins, which makes Gemini a dual sign. Your music taste is really versatile with this placement.

Venus in Cancer: You may love emotional type of music that gives you some kind of comfort. Cancer rules the 4th house of comfort and emotions, which makes sense. Moon is the natural ruler of Cancer and is associated with the homeland, which means that when it comes to music, you might listen to traditional or even patriarchal type of music that is related to you birth land/country or you love listening to the songs where your homeland is celebrated. Your favorite music genre could be folk, country or any other music genre that relates to your culture. Finally, you may love music that sounds familiar or nostalgic and this could mean listening to the retro music from the older times.

Venus in Leo: Similar with the Aries Venus, you may love listening to the music that boosts your confidence. Since Leo rules over the 5th house of creativity and hobbies, you don't like to be told what to listen to and don't rely on trends. You might also like romantic type of music, 'cause 5th house is associated with romance and short-term relationships. Your music playlist could be filled with a lot of shiny and bright songs that give you joy.

Venus in Virgo: I can sense that you are so picky while choosing the songs for playlists or while listening to the music in general. You may seek for perfection in every part of the song, the perfect lyrics, perfect instrumentals, perfect production etc. I feel like you always read the reviews written by music critics before choosing to listening anything, 'cause you're all so skeptical and suspicious. Venus is debilitated/in fall in Virgo, which means that Virgo is the worst sign possible for Venus. This basically correlates everything that I said about this placement.

Venus in Libra: Another domiciled position for Venus, which is great. Libra is a people-oriented sign and it rules over the 7th house of partnerships, marriage and long-term relationships, so you may love listening to songs with this type of themes. You might also like love songs or collaborations. It can be hard sometimes to choose what's your favorite artist, 'cause it seems to me that you may like both or every artist the same way, which makes sense since Libra is all about balancing things in our life.

Venus in Scorpio: First of all, it feels that you're pretty passionate about music. Second of all, you may like intense, dark type of music and your favorite artist is likely who can express raw emotions. You possibly hide your music playlist on Spotify (or on any other platforms) because of shame or you just don't want people to see you music taste. The themes of songs you may like to hear in songs are mostly breakups, criminal, transformations etc. You may listen to music to heal your wounds too. You may also feel like you rise like a Phoenix when you listen to the music.

Venus in Sagittarius: This placement tells me that you may possibly like optimistic type of music which is made for parties. The songs you listen to might be translucent or airy which make you want to dance or jump. The songs you like could also have deep meaning, since Sagittarius and 9th house are associated with philosophies, knowledge and wisdom. You may like music with a good atmosphere or which can make you feel good. This is such a funny and adventurous placement, love that.

Venus in Capricorn: It seems to me that you might have a serious approach when it comes to music. You may like quality, elegant, or even classical music (this won't apply for everyone). You don't mind when a particular song lasts more than five minutes, you even like to listen to long songs, 'cause Saturn represents longevity. By saying that, you like to listen to the music that ages like fine wine. Maybe you like to read reviews before listening to song or album. I have this placement in my tropical natal chart and I check the reviews out before listening to the whole body of work, haha lol.

Venus in Aquarius: Hmm, I think there's two sides of this placement. The first ones with this placement love to listen to experimental and eccentric type of music. When it comes to music, they like to stand out from the crowd and listen to something what is considered weird by societal norms. Aquarius sign always reminds me of the hippie culture from the 1960s. The second ones having this placements are one of the basic people out there, they listen to something that everyone listens to and they don't mind following the trends. Mind you that Aquarius rules the 11th house of the collective, masses of people, so it's not unusual for Aquarius Venus people to listen to something that is mainstream.

Venus in Pisces: Venus is exalted in Pisces, which means that Venus functions well here. Pisces rules over the 12th house of foreign culture, something hidden, and it's also associated with oceans. This tells me that you may like more listening to the music that comes from the different land or culture than yours. You can use music to heal yourself or to process your deep emotions. Similar with Scorpio Venus, you may also hide your music playlist from everyone else, 'cause you value privacy when it comes to the thing you love. This placement can indicate great taste of music or listening to the bunch of artists who aren't mainstream or who express their emotions.

That is everything I have to write. Hope you like this observation of mine. Make sure to care about yourself and do something you love to do. It's Friday, the Venus-ruled day after all.

Best regards,

Paky McGee

[deliciousangelfestival]

Echoes Of Revenge || Part 1

Character: Bucky x Reader

Summary: Y/N, an analyst at Goldenlix Capital, discovers her promotion hopes crushed by favoritism. Seeking solace in a nightclub, she encounters her past tormentor, Bucky.

Warning: Betrayal, heartbreak, manipulation.

Part 2 : Shattered Echoes

Part 3: All The Lies

Part 4: Sweetest Dreams

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 

Y/N, an ambitious analyst at Goldenlix Capital, had consistently delivered profitable predictions for the hedge fund. 

Despite her hard work, the promotion she longed for slipped away when the CEO's nephew, Simon, secured the portfolio manager position.

Frustrated, Y/N sought solace at a nightclub with her colleagues. As Y/N immersed herself in the pulsating beats and vibrant atmosphere of the nightclub, she was unaware of the watchful eyes observing her every move. 

The rhythm of the music and the clinking of glasses provided a temporary escape from the frustrations at work.

Suddenly, a lavish display of expensive drinks arrived at her table, catching Y/N off guard. The waitress informed her that they were compliments of the house, leaving Y/N momentarily puzzled by the unexpected gesture.

Just as she wondered who might be behind this gesture, Bucky entered.

Bucky made his entrance with confidence, navigating through the crowd with a swagger that suggested a newfound maturity. 

Dressed in an impeccably tailored, expensive suit, he exuded a sense of self-assuredness. His arrival was accompanied by the subtle clink of cufflinks and the rich scent of a high-end cologne.

As he approached Y/N's table, Bucky flashed a charming smile, his eyes hinting at a mixture of mischief and sophistication. 

However, Y/N, ever focused and unswayed by external displays, remained unimpressed by his polished appearance. She eyed him skeptically, silently signaling that material possessions wouldn't alter her priorities or impressions.

With a smirk, he approached Y/N, confidently revealing, "I thought you could use a taste of the finer things tonight, Y/N. It's on me.”

There, she unexpectedly encountered Bucky, a college classmate with a history of teasing her. Now claiming to be the club's owner, Bucky attempted to flirt with her.

Unimpressed, Y/N looked down on his attempt to impress her. "Owning a nightclub doesn't change who you are, Bucky. I'm focused on my career," she retorted, dismissing his advances.

Undeterred, Bucky tried a different approach, acknowledging his past mistakes. "People change, Y/N. Maybe you should loosen up and enjoy the night," he suggested.

Maintaining her composure, Y/N replied, "I'll pass on the life lessons, Bucky. I have bigger goals than spending my time with someone who hasn't really grown up.”

Y/N's colleagues discreetly made their exit, leaving her alone with Bucky. He nodded appreciatively, acknowledging their departure, and sat beside her, pouring a drink into her glass.

"So, what's the problem? I never thought the nerd of my class would spend money on the expensive table," Bucky remarked teasingly.

Y/N scoffed, "This is expensive? I didn't realize."

Surprised by her nonchalant response, Bucky commented, "Where is the timid Y/N I know? She's gone.”

Y/N gulped her drink, contemplating his observation. "Money. Everything could change because of money," she admitted. 

Her past, rooted in a modest upbringing, had shaped her determination to succeed. Working hard to escape financial constraints, her dream was to become a fund manager.

She looked at Bucky with a hint of disdain. She doesn't appreciate people like him who lead careless lives just because they come from wealthy families.

Bucky noticed the scattered name cards of Y/N's colleagues on the table and picked one up. Reading it, he remarked, "Goldenlix Capital? You work there? That's impressive."

Y/N responded with a nonchalant "hmm."

Bucky, perceptive, ventured, "Let me guess, you didn't get the promotion?"

Surprised, Y/N asked, "How...?"

Bucky leaned back, a knowing smile playing on his lips. "I've seen many types of people come and go in this place," he said, revealing a hint of insight into the workings of the professional world they both navigated.

Bucky's casual revelation about his observations at Goldenlix Capital intrigued Y/N, prompting her to give him a scrutinizing look. As she contemplated his words, Bucky continued, "It's a tough world out there, especially when you're navigating corporate ladders."

Y/N, still guarded, responded, "You seem to have it all figured out."

Bucky chuckled, "Well, not everything, but I've learned a thing or two. Sometimes it's not just about hard work; it's about playing the game.”

Bucky leaned in, a glint of sincerity in his eyes, as he proposed, "Let me be your client."

Y/N, skeptical, questioned, "Why?"

Bucky shrugged a hint of nostalgia in his tone, "I don't know. Perhaps because of a nostalgic feeling. I want to help an old friend."

Y/N, maintaining her guard, retorted, "We were never friends. You always used me."

With a sly smile, Bucky countered, "Then, I'll use this as my apology letter."

The air between them carried tension, a mix of unresolved history and an unexpected proposal.

As Bucky got closer, the alluring scent of his elegant perfume enveloped Y/N. Their proximity seemed to amplify the tension, a subtle dance of conflicting emotions.

"I'm serious. Give me your name card," Bucky whispered, a soft murmur against the rhythmic beats of the music.

Y/N, somewhat reluctantly, handed over her name card. Bucky took it with a charming smile, his gaze lingering on hers. "Tomorrow your boss will go nuts," he predicted, a mischievous glint in his eyes.

With a final, lingering look, Bucky gracefully rose from his seat. "See you next time," he said, leaving Y/N in a state of contemplation, the lingering scent of his perfume and the enigmatic encounter resonating in the dimly lit ambiance of the nightclub.

Excitement mixed with intrigue surged through Y/N as she stepped into the bustling office the next day. Her boss, Ivan,  beckoned her into his office with an animated expression, "Y/N, we've just landed a significant new client. The funds have been wired, and you're in charge."

Perusing the financial statement, Y/N's eyes widened at the substantial amount. "This is impressive, sir. I'll ensure it's handled with utmost precision," she assured.

Ivan leaned back in his chair, a shrewd smile on his lips. "Not just impressive, Y/N. Make it triple. We need to show our new client the prowess of Goldenlix Capital.”

Y/N nodded, her mind already racing with investment strategies. "I'll diversify the portfolio, perhaps allocate more in growth stocks, considering the current market trends. And we can leverage options to enhance returns without taking excessive risk," she suggested.

Ivan impressed with her immediate analysis, nodded in agreement. "Exactly, Y/N. Show them why you're the rising star here."

As she left his office, Y/N couldn't help but reflect on the unexpected turn of events—Bucky's proposition at the nightclub, the mysterious new client, and now the challenge to triple the investment. 

Now witnessing his portfolio's profits tripling under Y/N's adept guidance, Bucky couldn't help but be impressed. As rumors circulated about Y/N potentially becoming the next portfolio manager, her boss and colleagues acknowledged her exceptional skills.

One day, Bucky approached Y/N with a mixture of admiration and amusement. "I knew I could count on you, Y/N. Looks like you're not just the 'nerd' from our college days anymore."

Y/N, maintaining her professionalism, Y/N replied with a slight smirk, "Money talks, Bucky. It's all about making the right moves in the market."

Bucky, however, seemed persistent in keeping the conversation personal. "Or maybe it's about making the right moves in life," he teased, a suggestive glint in his eyes.

Y/N raised an eyebrow, unyielding. "Let's keep it professional, Bucky. This is business.”

As Y/N attempted to make a swift exit, Bucky intercepted her, his hand gently restraining her. Irritated, she shot him a sharp look, demanding, "What?!"

Bucky, undeterred, asserted, "I'll double my money."

Y/N, skeptical, retorted, "What for? You already have enough. You need to learn about limits."

With a wry smile, Bucky countered, "If I have to pay a high price just to have a date with you, then I will pay everything."

Rolling her eyes, Y/N dismissed his proposition, "Yeah, right."

Bucky leaned in, a teasing glint in his eyes. "My silly Y/N. Don't you know why I always played with you back then?”

Y/N, unamused, shot back, "You bullied me to get my attention. Are you in kindergarten?”

Y/N, after a moment of contemplation, finally relented, "Fine. One date. But no, I don't want your money. The stock market is not good this time. What if you get mad because you lose money?"

Bucky chuckled, his tone playful, "There's no way I'm going to be mad at you, silly.”

As Y/N and Bucky shared that one date, their connection deepened, weaving a thread of unexpected intimacy into their lives. 

The complexities of their relationship unfolded like a carefully scripted narrative, intertwining the professional and personal in a way that left Y/N simultaneously exhilarated and hesitant.

Her life, seemingly perfect after successfully handling Bucky's portfolio, took an unforeseen turn when her Ivan dropped a bombshell – he wanted to hand over Bucky, her biggest client, to his nephew, Simon. 

The news sent shockwaves through Y/N, her world suddenly tilted on its axis.

Y/N, with a mix of frustration and anxiety, found herself standing at Bucky's doorstep, the weight of her predicament evident in her eyes. Sensing her distress, Bucky welcomed her inside, "What happened, Y/N? You look like you've seen a ghost."

Taking a deep breath, Y/N explained the situation, "My boss wants to hand over your portfolio to his nephew. It's a complete mess, and I don't know what to do."

Bucky, leaning against the wall, studied her with a thoughtful gaze. "You came to me for help. Looks like our roles are reversing."

Y/N, a hint of vulnerability in her voice, admitted, "I never thought I'd need help, especially from someone like you.”

Bucky, his expression softening, replied, "We all need help sometimes. It doesn't make you weak.”

As Y/N faced the uncertain aftermath of seeking Bucky's help, she soon discovered that her most significant competitor, Simon, had mysteriously vanished from the office scene. 

The absence of the rival candidate created a void that only she could fill, paving the way for Y/N to enter the role of project manager uncontested.

The news rippled through the office, and Y/N found herself at the center of surprise and admiration. 

Colleagues congratulated her on the unexpected turn of events, and her boss, puzzled by his nephew's disappearance, acknowledged her as the natural choice for the project manager position.

Gratitude and curiosity again led Y/N to Bucky's door, a soft knock signaling her presence. As Bucky opened the door, a knowing smile played on his lips, "Come to thank me, Y/N?"

Y/N responded with a hint of appreciation in her eyes, "I can't deny that your mysterious touch might have played a role in my unexpected promotion. So, thank you."

Bucky, stepping closer, his gaze lingering, remarked, "I'm always here to help, especially when it comes to you.”

Three months had passed, and Bucky, in the routine of his daily activities, eagerly anticipated seeing his girlfriend. The past week had kept Y/N busy as she jetted off to Dubai to meet with a new client.

However, on this particular day, as Bucky went about his usual tasks, his assistant interrupted, a hint of apprehension in their voice, "Sir, the police are here."

Bucky, initially thinking he had misheard, questioned, "Huh?"

The police, standing with an air of authority, informed Bucky that he was accused of money laundering. Unfazed, Bucky dismissed the accusation with a roll of his eyes, stating, "Money laundering? I'm a legit businessman.”

The police countered, accusing him of using Goldenlix Capital for money laundering. Bucky scoffed, insisting the company was legitimate. 

The turning point came when his assistant displayed a live news report on their phone, revealing that Goldenlix Capital was now branded as a scam company.

Bucky, disbelief written on his face, uttered, "What?!" Realizing the severity of the situation, he urgently reached for his phone, attempting to call Y/N, only to face the frustration of her unanswered calls. 

As the news of Goldenlix Capital being labeled a scam investment company flooded every media outlet, Bucky was engulfed in chaos. Desperate for information about Y/N's whereabouts, he pressed the police, hoping for reassurance.

Bucky questioned, anxiety seeping into his voice, "Have you seen any news about Y/N?"

The police, maintaining an air of detachment, replied, “She went missing."

Bucky's eyes widened in disbelief, and he uttered a baffled "Huh?!" The absence of Y/N from the news coverage added another layer of mystery to an already bewildering situation. 

As he grappled with the unfolding events, uncertainty and concern for Y/N's safety overshadow the chaos surrounding Goldenlix Capital.

The unfolding chaos threatened his professional empire and the stability of the connection he had built with Y/N in the past few months.

Fury burned within Bucky as the realization sunk in – he hadn't merely lost money; he had been played. The anger surged through him, a relentless fire fueled by the betrayal he felt. Determination set in, transforming his frustration into a resolute mission.

His mind raced with questions about Y/N's motives, but the lack of information only intensified his desire to uncover the truth. 

Bucky, driven by a newfound resolve, vowed to track down Y/N and unravel the mystery behind her involvement, or lack thereof, in the scandal that had befallen Goldenlix Capital.

As Y/N sat on the beach, watching the chaos unfold on her tablet, a sense of satisfaction washed over her. Finally, her carefully orchestrated plan to destroy Goldenlix Capital was playing out as intended.

The roots of her vendetta can be traced back 15 years when her family, once content in their middle-class life, had fallen victim to a deceitful investment scheme. 

Flashback Start

Introduced by a relative, Y/N's father had invested a small amount in Maxim Capital, enticed by the promise of a 7% monthly profit. The regular returns had built a false sense of trust.

However, driven by greed, Y/N's father had invested half of their savings into Maxim Capital. The deceptive scheme vanished six months later, leaving the company in ruins and wiping out a significant portion of Y/N's family's hard-earned money.

As Y/N's family crumbled into financial ruin after the Maxim Capital scam, her relative, who had introduced them to the fraudulent investment, callously shrugged off any responsibility. The repercussions were severe, forcing Y/N's father to take desperate measures.

Unable to secure a traditional loan due to his plummeted credit score, Y/N's father sought assistance from a loan shark. The borrowed sum might have been small, intended for crucial medicine for Y/N's ailing mother, but its interest was exorbitant.

The loan shark in question, Nicholas Barnes, was none other than Bucky's father.

Fueled by a burning anger and a thirst for revenge, Y/N channeled her emotions into her studies, delving deep into economics to comprehend the intricacies of investments. 

Her pursuit of knowledge became a double-edged sword, with academic excellence as a guise for a more sinister motive.

Even as she immersed herself in her studies, Y/N never lost sight of her plan for retribution. Every lesson about investments and financial strategies became a tool in her arsenal to orchestrate the downfall of those who had once exploited her family's vulnerabilities.

As Y/N navigated the complexities of her revenge plan, an unexpected twist unfolded in the form of Bucky. Fortune seemed to favor her, and she couldn't quite comprehend why the "Goddess of luck" appeared on her side. Bucky's growing interest in her became a peculiar element in her carefully crafted narrative.

While Y/N couldn't fathom the reasons behind Bucky's fascination, she saw it as a stroke of luck. 

Y/N, cleverly using her position at Goldenlix, exploited the opportunity to gather information about the victims of the investment scams discreetly. 

The guise of her role gave her access to crucial details, names, and backgrounds that would later become instrumental in executing her revenge.

In the case of Bucky, her intentions were more straightforward – to pilfer his wealth. The intricate dance of trust and vulnerability between them served as a cover for her ulterior motives. 

Y/N, driven by a desire for retribution, saw Bucky's financial downfall as a key component of her revenge plan.

Their shared history of friendship only fueled Y/N's determination to make Bucky understand the anguish of misplaced trust. 

Just as Nicholas had played with her father's trust, she intended to manipulate Bucky's emotions, leading him down a path of betrayal that mirrored her family's pain years ago.

Flashback End

As Y/N settled into her seat, her fingers danced across the keyboard with purpose. Each keystroke represented a meticulous calculation, determining the amount of money – with the accrued interest over 15 years – that Goldenlix Capital had pilfered from their unsuspecting victims.

With a determined click of the 'Send' button, Y/N initiated a digital cascade that would return the ill-gotten gains to those who had fallen prey to the investment scams.

Despite the years that had elapsed since their losses, she hoped this restitution would bring peace to the victims.

As Y/N gazed up at the sky, a quiet moment of reflection enveloped her. The weight of her actions, the meticulous plan for revenge, and the redemption she had sought for her family hung in the air. 

She hoped, somewhere beyond the vast expanse above, that her parents would be proud of her unconventional method of reclaiming their lost money.

One year later, in the quiet embrace of a small town, a remarkable female teacher had become a beacon of inspiration at the local elementary school. 

Known for her exceptional skills in teaching mathematics, she cultivated a passion for numbers among her students. She led them to triumph at the Olympic level, earning gold medals for their achievements.

The echoes of her dedication resonated through the halls of the school, leaving an indelible mark on the young minds she nurtured. 

The once-sleepy town now boasted a newfound pride in its educational achievements, thanks to the remarkable teacher whose commitment and expertise had transformed the academic landscape.

The routine exchange of greetings became a familiar melody in the small town's elementary school. Every morning, as students hurried through the hallways, they would greet their beloved teacher with a cheerful, "Morning, Miss Y/N."

Y/N, now a beacon of knowledge and guidance for these young minds, responded with a warm smile, echoing, "Morning, don't run in the hallway."

"Okay."

The simple yet affectionate interactions spoke volumes about the transformation Y/N had undergone – from a seeker of revenge to a nurturing educator shaping the future

As Y/N reflected on the passing year, a bittersweet smile played on her lips. Justice had been served as the boss of Goldenlix, and Ivan faced the consequences, forced to part with his ill-gotten wealth to cover legal expenses.

However, when it came to Bucky, a twinge of regret and sadness lingered in her heart. The connection they had forged amidst the intricate dance of revenge carried a weight of impossibility. The revelation that he was the son of the loan shark, Nicholas Barnes, cast a shadow over what could have been.

Y/N, despite the passage of time, Y/N found herself haunted by a lingering fear that Bucky might seek revenge. The uncertainty gnawed at her, and she wished she could overcome the apprehension that one day, the consequences of her calculated actions might come knocking at her door.

As Y/N returned to her small home, an unsettling feeling crept over her. The once familiar space now emanated an unusual coldness. A sense of foreboding settled in, causing her to hesitate before stepping further into the house.

When she decided to leave, her hand reaching for the doorknob, she discovered a chilling truth – the door was locked outside. Panic set in as the realization dawned that she was trapped within her own home.

Fear gripped Y/N's heart as she grappled with the possibility that her past actions might be catching up to her. 

A chill ran down her spine as Y/N stood trapped in her own house when the front door creaked open. The atmosphere shifted as an unwelcome presence entered, and the smile that once held warmth now appeared cold and calculated.

Bucky, who had stepped into her sanctuary, greeted her with an unsettling calmness, "Hello, sweetie. You have some explaining to do.”

Author Note:

Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account. Your support through tips would mean the world and help me keep creating. Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

Join the taglist? 🩷💙🩷

@bagoffeelings

@darkofimagination

@starsofcloud

@cherrybubblebullet

@winterslove1917

@thezombieprostitute

@namoreno

@sagebarness

@tenaciousathleteoperatorgarden

@unaxv

@missvelvetsstuff

@kjah97

@hopeful-daydreaming

@freshlemontea

@eat-limes-bitches

@kandis-mom

@scott-loki-barnes

@winters1917

@differenttyphoonwerewolf

@arunabraganza

@ordelixx

Hey everyone! 🌟 Your input means the world to me.

If you've got any cool ideas or prompts, whether for this fluff series or any other series, feel free to share them with me!

Just drop them in my ASK/SEND REQUEST box.

Can't wait to hear your awesome suggestions! 🚀💬

[hadesisqueer]

Okay, so I finished JWCT and-- it was a great season.

Ben was awesome this season. All the mentions to how much he'd grown were funny, and the Big Ben joke was as well. I really liked him and his moments with Darius and Yaz, most of all with Yaz; I always enjoyed their friendship, and I loved how they talked about their feelings again. Also-- he has a girlfriend? A girlfriend?

Kenji's moments confronting his father and not letting himself be manipulated again were among my favorites this season. His conflict with Darius and their brotherly moments were cool to watch. Darius' whole arc, his grief and guilt over Brooklynn's supposed death was among my favorite arcs this season.

Yaz and Sammy were awesome in general, both individually and as a couple. Yaz is my favorite character, and I loved her arc. As someone with PTSD myself, I am very pleased with how the show didn't shy away from it and fully saying "PTSD". Personally, I am pretty happy that Yaz's PTSD was handled so realistically and with such care. Sammy was a badass this season, and her feelings and anxiety while dealing with Yaz apparently pulling away, her grief over Brooklynn's supposed death and the fact that her parents for some reason don't talk to her were handled realistically. I specifically wanna know what happened between her and her parents, because she adored her family and her family adored her as well back in CC; I really wonder what the conflict is that they're not talking anymore. Yasammy as a couple is awesome as well, as I said: their conflict is handled very well and you can understand both sides. The resolution was great and their moments in general were awesome. They're still easily the best couple of this show (not that it had a lot of competition), and probably one of the best in animated media in general. I love them.

Brooklynn being alive at the end? I think everyone called it, lmao. My girl is far too cool to just die, sorry, she can't die. I can't wait to see the others find out and their reunion.

Now, my thoughts about the other ships this season-- Brookenji and Dinostar lmao? I cheered when I found out Brookenji broke up; I was never a fan of the couple, sorry, it was TOO forced. Now, the whole Dinostar thing-- I was a bit suspicious of the way Darius was acting about Brooklynn and all, but I didn't think they were actually gonna have him admit he was in love with her, so that took me by surprise. I know they said it was unrequited, but yeah I don't buy that. I'm predicting it: it will turn out that it's not unrequited, that Brooklynn actually has feelings for him and they're going to pull a love triangle between her, Darius and Kenji. Pfff, it's like I'm seeing it. I'm really not a fan of love triangles tbh. But if it happens (and it's probably gonna happen, I can see it coming), I hope it ends up with Dinostar endgame instead of Brookenji. Like I already said, I really don't like Brookenji. And I've always been more neutral with Dinostar (and Benrius; I like, them too but don't pay them that much mind). I liked Dinostar platonically a lot, and while I didn't care much of it, I also never minded the idea of them becoming a couple. In fact, Brookenji took me by surprise while watching the show because to me if they were gonna pair Brooklynn with someone, I always thought it'd be Darius rather than Kenji, because I thought they made more sense. So, yeah, if it's Brookenji or Dinostar, Dinostar all the way for me lmao. Still not looking forward to the love triangle if it happens lol.

Also, Bumpy being a mom. Fave moment of the season.

Anyway, I need a second season. Like, right now.

[cosmerelists]

Cosmere Characters in the Hunger Games

As requested by @sweetteaanddragons :)

I haven't read or watched Hunger Games, but I've picked up enough through cultural osmosis...I hope. They're kids in an arena fighting to the death, right? And it's a media circus? And there are 12 districts? And they're poor? I think I got it! Anyway, let's stick Cosmere characters in that arena and see how they do!

By the way, for the most part I'm imagining these characters in their own separate hunger games, not all together, just because I didn't want to imagine all of my blorbos killing each other.

1. Kaladin

After a kid who looks just like Tien literally dies in Kaladin's arms (note: all of the kids look exactly like Tien so far as Kaladin is concerned), Kaladin realizes that the Hunger Games are about kids dying, not about kids surviving. He decides that he has to save everyone, and quickly builds a coalition with the other tributes. They all die anyway and Kaladin wins.

He's not happy about it.

2. Shallan

Sadly, Shallan dies while trying unsuccessfully to convince a stick to become fire. Technically, I think this means the stick wins, but they give the award to some kid instead, for some reason.

3. Adolin

Adolin was doing really well until FOUR other tributes all decided to gang up on him. Even then, he fought like an uncaged tiger and very nearly survived. Nearly. (Hey, uh, most characters die in Hunger Games, right?)

4. Vin

Vin slices through the competition like a vengeful god. Emphasis on vengeful. And god. She barely even lets herself get distracted by the weird love triangle between that guy who wants to make the world better and the one who wants to burn it all down. She's too busy, like, killing everyone.

5. Zane

Zane thinks it's pretty swell to be in this killing arena killing people. What isn't swell is that Vin isn't into him, even AFTER their romantic killing spree. What gives? Anyway. Vin kills him.

6. Elend

Elend has a lot of thoughts about the sociological implications of the games. He does not have a lot of thoughts about how to sharpen a stick into a crude spear and ram it through someone's chest. (Is that what happens in the Hunger Games?) Regardless, I don't think he makes it long... Sorry, Elend.

7. Spook

Spook is a wraith. No one ever sees him coming. Or sees him at all. He keeps receiving supplies and weapons from a mysterious benefactor. At one point he starts wearing a handkerchief over his eyes and killing people by sound alone. I don't really see him winning, tbh (sorry Spook), but he is definitely a crowd favorite who makes it super far.

8. Szeth

"To kill innocent children for the amusement of distant viewers blackens my soul with a stain that shall never be removed. Oh, how I hate this. Oh, how I hate this senseless, senseless killing," Szeth thinks to himself as he constructs an unnecessarily elaborate death trap that kills his opponents horribly. "No one suffers like me," Szeth thinks, over all of the screaming.

9. Renarin

Hey remember when Renarin killed a Thunderclast mostly off-screen? Plus he has future sight. If they've got their powers in this game, then Radiant Renarin is probably taking it all. If not, well...let's not go there.

10. Vivenna

After her sister is sent as a tribute in Vivenna's place, Vivenna enters the Hunger Games anyway, determined to somehow put a stop to them. For example, she takes all the food she can find and hides it in one place so that it will be safe for everyone. She figures out how to predict supply drops to ensure that she always gets to them first. While convinced that she is the Hunger Games Breaker, she is actually the season's most notorious villain and eventually everyone bands together to kill her. Sorry, Vivenna.

11. Kelsier

Kelsier wins the hearts of viewers everywhere, mostly due to his determination to keep smiling no matter what horrors he must survive. He's, like, really good at killing people also. The Survivor, people call him. But when he is shockingly cut down and killed, his death galvanizes a rebellion against, uh, President Snow? Is that the big bad? Anyway. There's a religion about him now.

12. Ann

Oh, Ann. So excited to shoot guns. (Do they have guns?) So excited to shoot bows and arrows maybe. But she can't shoot worth a damn. She has a splendid time and hits no one. And, well, she does not win.

13. Cord

Frankly, Cord wants to win and bring glory and money (?) back home to her people, who desperately need it. I'm assuming the districts get stuff if their person wins. Cord is in it to win it. And she's awfully good with that bow and arrow...

14. Lift

Man, I don't want Lift to be in the Hunger Games! Lift thinks killing is lazy and boring! Sure, she'd be great at hiding in trees and getting food, but I definitely do not see Lift actually being able to kill anyone. Is that allowed? Will she be disqualified?

15. Tress

Tress looks at the Death Arena Whose Purpose Is Death and says, "But is anyone gonna Make Friends about it" and doesn't wait for an answer. Somehow, by the end, basically everyone IS friends. Except for that one person who really did want to kill. But she and Tress went off together and only Tress returned. So.

Basically, Tress's influence ruins the Hunger Games that year. Nobody wants the Friendship Games.

[yanderes-galore]

HAHA! YOU BETTER PREPARE!! First

Could I request A Yandere Yuji concept?

Itadori is no doubt one of my favorite characters so I'm going to enjoy this!

Yandere! Yuji Itadori Concept

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking, Delusional behavior, Overprotective behavior, Jealousy, Manipulation/Intimidation, Sukuna enables him, Kidnapping, Clingy behavior, Possessive behavior, Brief blood mention, Dubious/Forced companionship/relationship.

Despite being a vessel for Sukuna, Yuji's base yandere type is somewhat tame.

He's friendly and extremely outgoing.

He learns quickly and while he's quickly angered, he sees life as precious.

Which means by normal means... Yuji is not a yandere to kill.

However... I do think Yuji is influenced by Sukuna.

Yuji normally wouldn't have obsessive tendencies.

Well... not intense ones, anyways.

The most base Yuji may get is delusional and obsessive, following you around like a clingy puppy.

Without Sukuna's influence, Yuji is a submissive and clingy yandere.

He doesn't mean much harm and just wants to make you happy.

It's when Sukuna comes in that he gets intense.

Sukuna would sense Yuji's care towards you and play around with it.

He'd taunt him about it... but since Yuji is Sukuna's vessel... helping him get what he wants might be something Sukuna considers.

For example, Yuji sees you getting close with someone else and gets upset.

Which leads to Sukuna offering to give Yuji the confidence he needs to take what he wants.

He should threaten that other person... make sure they never come and speak with you again.

Yuji is against Sukuna messing with the bond you have together.

Although while he fights with him... the idea is tempting.

Any possessive or violent behavior Yuji expresses in his obsession is due to Sukuna's influence.

Yuji was completely fine with following you around, protecting you, and watching you from a distance.

It's Sukuna who keeps suggesting violence, murder, and kidnapping.

Sukuna corrupts Yuji to do such devious things.

Yuji starts his obsession being clingy, stealing a few small items from you, and overall keeping his obsession subtle.

But as time goes on... and Sukuna whispers more and more... he moves on to threats/intimidation, beating others up, and soon even kidnapping.

"You're too much of a nice guy, brat..." Sukuna whispers, a grin on his face. "You'll feel so much better if you just follow my lead."

By the peak of his obsession, Yuji has blood on his hands and you tied up in a dark room.

He's remorseful... he didn't want things to go this way...

But he can't help but smile when you look at him after you wake up.

He would definitely be a yandere who apologizes profusely for kidnapping you, blaming Sukuna all while he holds you close.

Yeah, you'll hate him... he knows it...

Yet he'll try his best to make things right.

Yuji wants to make you happy...

But now that he has you he doesn't think he should have to let you go.

You plead with him but Yuji shakes his head.

"Hey, hey... it'll all be okay! I can take care of you... protect you, feed you, love you... you'll see!"

You can't trust him anymore... not after this betrayal.

Due to learning fast, Yuji will learn your escape attempts quickly.

He'll predict your attempts and do his best to counter them.

You'll have to start getting creative to leave... or play along with him enough to get him to let you go.

You can try your best to reason with him, to plead and beg for him to release you.

Yet Yuji's too deep in denial to care about the consequences... and Sukuna is cackling in the back of his head.

Perhaps Sukuna was right...

To get what you want...

Maybe you do have to be the bad guy... as much as it hurts you both... at least he has you now.

"Don't leave me... I can take care of us! Just let me hold you...."

[aaronsrpgs]

In Praise of Random Encounters

I'm in my "responding to frequently asked Reddit r/rpg questions" phase, so please allow me to defend the random encounter. This post is in response to everyone who goes, "Why do people use random encounters? They interrupt the flow of the story, and it doesn't make any sense to have something randomly show up and fight."

Did you know there was a Pokemon named after me?

In this post, I will argue against these strawmen, make a case for random encounters in certain games, and describe my favorite random encounter situations from my own games.

This disputation against random encounters can be broken up into three parts:

they interrupt what is already going on ("the story")

they are illogical

they're automatically a fight

I'm going to address these last to first.

Random encounters shouldn't jump right into fights. If used as intended, they come with an encounter distance, meaning sometimes you just see signs of the encounter, or you spot them from far away. And they should also come with what used to be called a reaction roll, which dictates how the encounter feels about the PCs. These were rolled on 2d6, which meant there was a bell curve that favored results in the 6-8 range, which were usually something like "wary" or "neutral."

Second, the logic of random encounters. If you're using them right, random encounters should make sense. They should only have a chance of happening in places where the encounters could be, and encounter tables ought to be chosen based on location. So you won't get a dire trout in a desert or whatever.

This last bit is the hardest one. If it feels like a random encounter would disrupt "your story," you're probably running a game whose underlying philosophies are opposed to random encounters, yes. It's probably also opposed to many other frameworks that were present in traditional/old-school rule sets. If your game has a pre-planned story or plot, if that plot requires a certain pace or order, and if the injection of outside elements would disrupt that plot, you probably shouldn't use random encounters.

(You also shouldn't use D&D or its cousins. You might also not want to have other players, since they can disrupt those plots. But that's just me being petty.)

A page of random encounter rules from Advanced Dungeons & Dragons. This is a shitty example. I promise it's easier than this.

So when SHOULD you use random encounters? Use them if the game you're running is attempting to simulate a world that has its own logic and background that is not dependent on the player characters. Random encounters help show that the world is in motion at all times and that people and creatures move about of their own volition. They don't show up when it's meaningful to the plot or the other characters; they wander. They're random.

Another key component of this style of gaming is that they usually consider story as something that emerges from or comes after play. "Remember how we tried to cross the raging river full of electric eels, and you dropped your sword, and I almost died, but we made it across? That was awesome." These things didn't happen because they were important plot points predicted by the DM; they are the results of rolls at the table, rolls that are honored in their immediacy and only made sense of after the fact. Does this mean that you risk having a disjointed mess from which no pleasing story can emerge? Yes! But you also risk having a story emerge that no one could have planned, that is equally surprising and pleasing to everyone at the table.

This emergent storytelling is probably the greatest joy of the random encounter. Don't approach the encounter with, "It doesn't make sense that a goblin would be here." Instead, adopt the attitude of, "Let's figure out why this gobllin would be here." (And while you're at it, use that same attitude toward books you read and movies you see.)

A related aside: in some play cultures, the DM is considered to be someone who plans everything out and slowly reveals bits of story as rewards to the other players. As a DM, this can feel really stagnant, and it can be a lot to keep track of, and there is far less joy of surprise. Using dice at the table to introduce new elements can bring some of that fun back to the DM.

Everything I've said so far is a synthesis of dozens of rulebooks and blog posts I've read across a decade of running games, so please allow me to introduce a final element: my own experience with the joy of random tables.

In 2014, when 5E was coming out to great demand on the backs of Stranger Things, Critical Roll, and The Adventure Zone, I started running a campaign for friends and coworkers. There was no developed play culture around 5E at the time, no cottage industry of third-party developers. So in running it, I was drawing on what I had been reading for years: old-school roleplaying and story games.

So I prepped my starting town (doing way more work that I would today), including random encounter tables for the area. And when the players were out searching for some ruins and getting lost west of town, I rolled a random encounter. It was some gnomes. All the gnomes here had escaped from a gnome hell for greed, so they weren't exactly kind. And their reaction roll was just south of neutral, so they were a little surly.

A bad screenshot of my "west of the town of Wall" encounter tables.

They led the players to the ruins and waited, trying to trap them inside after they'd been run down by the undead inside. But the players overcame the trap and told the gnomes off. (They didn't want to get in another fight after going through the ruins; more emergent storytelling.) So the gnomes ran off, but they would remember this.

Flash forward to a different session. In the main mega-dungeon under the town, the players were exploring a new area. Another random encounter: the devil of gnome hell! It was a giant mole with masses of earthworms for limbs, and it was searching for its escaped prisoners. It threatened to kill the PCs unless they gave it a magical item. So Pepper the elf gave up his winged sword, which he'd found in the aforementioned ruins. He loved that sword.

And here's where it all comes together. The gnomes were trying to settle the land west of town, but the humans had a fort there. The players were going to that fort to get some information about the faerie realms. How could I show this situation in a way that would, as succinctly as possible, illustrate the tension while giving the players a choice on who to join? Well, the gnomes would be attacking the fort. This normally wouldn't be much of a battle…but the vengeful gnome from the ruins had made a deal with the gnome devil for power. And now he was wielding Pepper's sword, using it to fly over the fort walls and attack.

Pepper was pissed! He wanted his sword back! The other players were more interested in figuring out a way to stop the ongoing conflict between gnomes and humans. And the gnomes were split between wanting to peacefully settle their new land and get revenge on the players for driving them off from the ruins. Who would prevail?

I hadn't planned a story, but I had created a situation a story was likely to emerge based on the players' actions and the results of the dice.

Conclusion

This isn't me saying this is the only way to play. It's not the only way I play. In a short one-shot or a tightly paced, emotional game, I would never use random encounters. But they can be fun! And they (and their associated suite of rules) can address some of the issues that lead to DM burnout and genre predictability.

If you find me in the wilderness, I will fight you.

[shima-draws]

OK, so thinking about a Sanlu au where Luffy is a Pirate King who gets so many marriage requests but does not want to get married. And so he instead insists that he gets to choose his partner through a contest where all the princes and princesses of like the countries around them or other pirates can like bring him a meal and if he likes it, you get married. The problem is that whenever people bring him food he'll just eat it and move on.

And so obviously the vinsmokes are like. Oh s***, we should get in on that. New Ally? And so they try with some of Sanji's others brothers, but none of them like work because they just made their cooks make their meals and everything.

Then eventually sanji, who wants to escape hears about this. And he knows that he can cook so he makes this amazing meat dish He is ready to present his meal towards the Prince in hopes of like maybe escaping his country and living there with Luffy. But like as he's on the way there, there's like this little girl who's starving, and so he gives her the meal instead. It was a one in a million shot anyway.

Anyway, either Luffy sees him doing this or if this was like the true test for kindness for all his partners, and sanji passes the test. Luffy's like get bring this man to me! So sanji goes before him, and luffy asks if he has a meal for him. All sanji has is like, this old sandwhich that he made for himself for the journey here, and sanji tells luffy that. Luffy tells him to bring it to him anyway, and after a lot of protests, he does. Luffy finally eats it and says that its delicious. He and sanji definitely get married.

Sorry for dumping this on you, but your artwork made me literally fall in love with sanlu so I wanted to share this middle of the night idea with you lol.

SCREAMING CRYING THROWING UP ANON THIS IS EVERYTHING.......I'm a SUCKER for AUs like this, ones that kinda give off that Cinderella vibe? The whole 'Well if I have to get married to a random stranger I'm gonna do it my way' trope is always so fun to explore

Luffy's one requirement for a spouse being that they have to cook well is SO on brand for him tbh. I feel like that's something that would be canon too. (Thinks about a situation like that in canon where Luffy's like well nobody can cook better than Sanji so I'll just marry Sanji! And Sanji double takes like wait what hold on a second--)

Even funnier would be if Luffy just met Sanji's brothers and was like. I don't like their vibes they seem mean. And all three of them being SO offended at that lmao

SANJI GIVING HIS DISH TO A STARVING GIRL THO AAAHGFHFHF THAT'S SO. CLENCHES MY TEETH he's so selfless and giving he would absolutely give up all of his dreams just to make sure someone doesn't go hungry I am GOING to cry. And Luffy immediately noticing that, pointing at Sanji and going "Him. I want that one" AGHHH 😭😭😭

ALSO YES THE CALLBACK TO WCI with Sanji's little lunch basket...the food is a total mess it's been rained on and dropped and looks awful but Luffy eats it anyway and says it's delicious...and Sanji's like oh oh oh I think I'm in love with him. Uh-oh.

DON'T APOLOGIZE THIS IS SOOO ADORABLE I'm so glad I got you hooked on Sanlu they are so underrated!!! Going slightly off topic here but I think it's really funny how predictable I am when it comes to getting into new media. Step 1 I watch a show and slowly discover who my Favorites are. Step 2 I end up shipping those favorites together. Step 3 I make that everybody else's problem. Also that ship almost always ends up being the less popular one for some reason?? Which is SO funny to me. Looks at Trustedpartner/Diode, Yujikiri and Tododeku as the most obvious examples of this along with Sanlu

ANYWAY anon I really want to write this can I write this. No guarantees to me actually finishing a full blown fic but oh my godddd this is such a cute idea and is so in character for both of them I'm weeping real tears

[directdogman]

Hello Hound!! Since it's Dialtown's 2nd anniversary, I've been planning up a few "general" related questions about your series that I've been meaning to ask, but I decided to save them up for the big day because why not? Anyways, here's what I've got, these were meant to be fun to answer so don't sweat it :]

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

That's all I have for now, and I'm really excited to see your answers!!

I normally don't answer this many questions, but... alright, sure, tis the season!

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

Yeah, of course! I'm a lil proud, admittedly, but I'm aware of how comically little I really have to do with it all, even if I did make the game. Luck does play a LOT into it, of course. Granted, I made my share of predictions that wound up being useful, but it always comes down to lady luck at the end of the day. I've seen good projects fail and bad ones go viral. It's really all just a hodgepodge of probability and whimsy. That being said, I am very pleased with DT's success, and the community that's formed around the game! It caught me by surprise!

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

Gingi's always fun to write. And Mingus. Most painful is tough to say. Maybe Crown. I got a little weird when I wrote his full backstory, kinda caught up in the emotion Norm talks about. Never been a fan of stories getting cut short. You gotta wonder what would've happened if he'd made different choices, y'know?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

Honestly? Karen, probably. She's super underrated for sure. The fandom still loves her, but she doesn't get the same kind of attention as Oliver, Gingi, Randy, Norm. She's worth it.

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

Oh, I already have. I have this monstruous 30-40 page document detailing Crown's life and entire career. It's quite a read. and quite a mind-fuck if you don't know Dialtown's universe too well.

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

Oh yeah, a few characters had scenes that were cut. Stabby, Shooty, Mingus, Bunny, even Bigfoot! There's also the game's cut 6th datable, who was an interesting character with ties to other characters in the cast who I wanted to do more with. Ah, maybe one day.

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

Bigfoot. I made the ape noises in the suit. Had to. It felt right.

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

I quite like Norm's set, Mingus' too. Karen's poses too are quite good.

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

That answer probably changes every day. I like pretty much any scene where Mingus loses her temper.

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

I'd love to make sequels one day! I've got a lot of ideas for where the characters/story would end up. By the time DT1 wrapped up, I'd conceptualized way too much stuff to put in one game (without it taking another few years to finish), so if I ever wanted to make sequels, I'd 100% know where to start! But, that's a later down the road conversation.

For now, I'm gonna keep working on the Roger DLC and if there's demand for more, I can go from there :)

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

I guess I COULD do that with, like, anything. Nothing immediately springs to mind, since, y'know, I'm in control of the canon anyway. I will say, I've seen headcanons and theories that ARE scarily accurate to canon, to the point where I've feared people would just think I'm lifting stuff from the fanbase! It's a good thing I talk about these things with collaborators, huh? I've got a PAPER-TRAIL!!!

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

Finishing a new scene and realizing how stupidly long it was (without me realizing it) was always a treat. But yeah, writing the characters had to be it. Specifically any scene where a character the audience knows meets someone the audience doesn't know well (or at all), with the dynamic changing. Those are fun to write.

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

Hard question to answer. I do really wanna give a high number, but truthfully, a lot of game dev actually isn't super 'fun'. Some tasks are, granted, but many parts are a slog. Sitting and formatting dialogue, and then adding text pauses and pose changes isn't exactly a super thrilling activity. The engine itself also has some issues which I have to work around that adds to the workplace. Play-testing a scene for the 4th time isn't super fun either, or trying to figure out why the game crashes on some PCs and ONLY very rarely... Those tasks are Sisyphean to some degree.

...But, while most of those parts aren't fun, it's all still rewarding. There's a sense of accomplishment when you finish a scene. You get to look back at your hard work, remember the hours you spent typing dialogue into a text box and formatting mass amounts of pngs, painstakingly + manually getting the game's awful pre-loader to deal with the sprites right, etc... and suddenly, at the end, you've got this lil experience that people can play and enjoy. Somehow, the sum of all of those not so fun activities has created something that's going to make people laugh, feel happy. That's special. and even if some parts of development weren't super fun on their own, that's always what I remember. That in the end, all of those not so fun days mattered.

The route I agonized the most over was Oliver's. I went through a few weeks of writer's block, and now, it's one of the most popular routes in the game! Crazy how that happens. I was SURE for about a week that people would rank the route at the bottom! That's what I mean, all of the stress I went through trying to figure it out amounted to something people connected with! To think I almost CUT the route entirely!!!

And y'know, God knows Dialtown gave me something to throw myself at during a time where I REALLY needed the outlet. I'm very grateful to the project for that. So, I'll give DT an honorary 8 out of 10, even if it wasn't a consistently 8/10 experience making it heh heh! Sure glad I did, though and I'm very glad if any of you reading this had a really good time playing it! :)

Thanks for the questions!

[luffyvace]

HIHIHIHI TYSM FOR DOING MY REQUEST ^U^ I hope u Don't mind me dropping another one u :'))

Can I have kusuo reaction to Reader-chan being mostly know for her gore/angst/horror series but looks like nothing for a person to write this stuff (she looks absolutely innocent) yet having a (technically an old man) friend who is also anonymous writer for one of kusuo favorite series yet the said look absolutely opposite of it (the reader-chan and her friend are like Junji Ito and hayao miyazaki)

I'm sorry if u couldn't understand the request:')) my English isn't really the best-

HII DARLING! No problem at all! Of course I don’t mind! Request at any time as long as they say open <3

ohhh so she’s a horror writer :> OHHH I was confused at first but as soon as I searched them up and saw the memes I understood 😂💓

This is such a cute and funny topic! Enjoy your hcs anon 💖 ⚠️ Gore mentions⚠️

Kusuo isn’t easily scared.

there are very few things that actually do scare him, considering he can sense everything coming from a mile away

But shows and books are an exception (given he doesn’t stare at the pages to see through the book-)

he’s not normally into horror but your manga is actually very interesting to him!

seeing a bunch of mutilated corpses packed together is quite a gripping sight for him!

and honestly he is obbsessed likes normalcy but your case is a type of unique he doesn’t mind :)

it’s funny since you have this friendly and kind personality and your work is the exact opposite of that 🤗

it’s giving the cute core girlies!! (and guys!! <3) 💓💗💖🌸🌷💞🎀

he still gets the perk of reading the chapter before publish and giving small ideas for stuff

You once put his favorite character from another series in one of the manga panels and he when he noticed it he had a little smile on his face! 💗

he wasn’t excpecting you to do that at all and it was a pleasant surprise ;3

your introduced him to your friend and he also likes his work now!

Y’all are literal polar opposites- and ngl? He enjoys the balance!

like when he wants some exhilarating and goosebump-giving action he’ll pick up one of your mangas’

and when he’s feeling mellow while eating some coffee jelly on his bed his new (second) favorite author to read from is your friend!

His number one author is of course you ♥︎

would recommend his friends (specifically Kaido) one of your mangas to freak them out

they definitely won’t be expecting it seeing as though your such a cheerful person! 🌸🎀🌷

I feel like Torisuka would genuinely enjoy your manga as well!

he doesn’t get scared easily by creepy stuff for obvious reasons 😋

so you’ve got yourself another supporter !!

I have a feeling my girl boss Airua would get creeped out but 1) she wants to support you so she would probably buy and either never read or 2) read it anyway because it’s so interesting

like you captivated people with your work!

just as much as your friend does with more gentler topics

but in a different sense

You make your audience quite literally cover their eyes in fear yet still peak through they’re fingers with anticipation !

like that’s how good it is!

a “I can’t look away” type of thriller!

also you know that really talkative guy with the bob?

yeah he over analyzes your manga once he finds out about it

(which let me tell you- Kusuo tried his hardest to keep him away from it—but much to his luck- he got a hold of it anyway)

thankfully he likes it!

he’s scared- but once again- he just can’t look away :)

he comes to you and gives your extremely detailed compliments and (positive) feedback after each chapter is released and says he can’t wait for more

he also tells his expectations and predictions for the next one and hopes you’ll live up to them

so when your exceed them he’s more than thrilled (GET IT?? Ok..)

he’s practically able to predict every book or manga he reads because he analyzes everything

so when your able to surprise him he’s impressed!

after Kusuo he’s the first one to buy a copy

(cuz yk Kusuo gets those special you-get-the-first-copy-before-it’s-published-because-your-my-boyfriend-privileges)

LOL

the bob guy is low key jealous of him for getting it before it’s even PUBLISHED

tries to bargain you to get that too but it’s strictly reserved for Kuu ♡

okay I looked up bob guy’s name

it’s Akechi Touma (oops)

LOL “bob guy”

enjoy!! Pretty short but I think they’re a delight~

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[cactus-cuddler]

Peter Parker

TYPE OF BOYFRIEND

!femreader

◇ You met in the library, he was there for research with Ned while you had to study;

◇ When he saw you he stared at you the whole time and Ned couldn't make him come back with him from the cloud world;

◇ You felt uncomfortable, you had to study but you couldn't concentrate because every time you looked up he was there. You texted your friends to say there was a strange but cute boy who kept staring at you and they advised you to talk to him;

◇ You got up and went to talk to him. You introduced yourself and he apologized because he seemed like a stalker, you laughed sweetly and left him your number. You went back to studying and that evening he wrote to you:

◇ You talked all night, you had a lot in common and he was different from everyone you've met. It is extremely sweet;

◇You chatted for days but he never had the courage to ask you a date, you had to ask him and he thought it was extremely cute;

◇ If you ask him: what is the thing you like most about me? He will answer:

your eyes when they are on me

your lips when they are on mine

your hair when you let me caress it

the tip of your nose when it rubs with mine

your neck because I like to kiss it

your hips because they are made for my hands

your arms when they hug me

your legs when my head is resting on them

your hands when they touch me

I can't say anything else because I'm ashamed of what I might say

◇ He texts you every hour to ask if you are okay and if you need a "Peter hug";

◇ You asked him to get engaged because he never found the right opportunity, he wrote you a letter in which he confessed all his feelings and gave it to you on your anniversary saying: "with this I wanted to ask you to get engaged but you have more balls than me";

◇ He checks that your cycle is regular, he even created an application that acted as a calendar and predicted when your period would start and when you told him that it already existed he made this face:

(He worked there for two months)

◇ When you are late even just a day he is more anxious than you! He wants to become the father of your children but would like to plan it calmly

。·:*:·ﾟ★,。·:*:·ﾟ☆。·:*:·ﾟ★,。·:*:·ﾟ☆

Y/N: calm down I'm only two days late!

Peter: if it's a boy I want to call him Tony if it's a girl May, if it's boys twins Tony and Steve! It would be so fun but I want a daddy's little princess

Y/N: we have never had sex!

Peter: no daddy's princess?

Y/N: no!

(looking baby's photo)

。·:*:·ﾟ★,。·:*:·ﾟ☆。·:*:·ﾟ★,。·:*:·ﾟ☆

◇ When you're on your period he always buys you your favorite sweets and gives you belly rubs to relieve cramps;

◇ When you don't have time to be with him he still asks you to be on a video call together so he can see you;

◇ If you don't answer him within two hours he panics and clogs Ned with messages:

◇ When you're sick it becomes a walking pharmacy and makes sure you get the best care and that you get the right amount of rest;

◇ He loves when you make him feel special with phrases like: you're an idiot but I love you anyway!

◇ When someone looks at you him don't have toxic attitudes but he smile and tell you: you are so beautiful that everyone looks at you, I almost feel sorry for them because only I can do this [he takes you on the hips and kisses you];

◇ He lets you go out peacefully with your friends, he trusts you blindly but would like you to wear a sweatshirt that says: I'm happily engaged to Peter Paker (it have him face on.);

◇ He likes it when you steal his hoodie and shirts, when he buys a new one he asks you first to consult him to decide which is the best one to buy and the size;

◇ His favorite dates are Netflix and chill with pizza;

◇ He wouldn't let you win at video games on purpose and when he loses he uses the excuse "I let you win" (You know the truth);

◇ He's not jealous if you say that a character in a series/movie is hot, he helps you look for fan fiction and you read them together (maybe he writes some if that character has few but he would never tell you);

Sorry for any mistakes, I tried to do my best! I hope you like them!♡