A part of you was unsure how your Orc Boyfriend would react. As you pruned the bouquet of flowers in your hands, you were starting to regret your idea. It was only a few paces from the camp now, surely you could just turn back around and throw it away, right?
Flowers were something that women received typically. Maybe he would think you were insinuating something about him, or that maybe he was weaker than you thought he was-
“Love! You’re back!”
Too late for take backs now. Hiding the bouquet behind your back, you watched as your Orc Boyfriend dropped a wood chopping axe and rushed over to you. “How was your walk? Did you get what you needed?”
You weren’t sure why you thought you could hide the flowers from him. He was at least two or three feet taller than you.
He peered over your shoulder and raised an eyebrow. “What’re those for? You’ve never brought flowers back before.”
Well, now or never, you thought. Meekly, you pulled them out from behind your back and held them out to him.
Your Orc stared at you for a minute, looking you up and down in confusion. “I… Um…” Where did you even begin with this? You must look insane.
Sighing, you lowered the bouquet and looked down at the different blooms. “When humans really like each other, sometimes they give flowers. So, I picked some flowers for you.”
There was silence for a moment and you felt your face burning. You knew it, this was a stupid idea.
“You picked these… for me?” His green hand came into view, wrapping around your interlocked fingers.
You nodded, still not looking at him.
Before you could stop him, he had snatched up the bouquet and held it high above his head. He bellowed to his others in the camp: “Look here! My lovely lady brought me flowers! What have you suckers got?!”
Orcs from their various work stations looked up, growled, snarled and swatted their hands at your Orc, “get stuffed you lug!”
Your jaw hung open at your Orc's audacity, before he looked back down at you and gave you the widest grin. “I didn’t know humans did such a thing,” he admired the flowers in his hand, seemingly as big as daisies in his huge hand. “You picked these yourself?”
“Wait, you like them?”
“Why wouldn’t I like them love?” Your Orc kissed you on the forehead. “You went out of your way to get them for me.”
“It’s just… I thought… Human men don’t normally get flowers, so I thought that…”
Your Orc let out a bark of laughter, “but I’m not human, am I love?” He pulled you into his arms and squeezed you tightly. His arms were the most reassuring and calming thing at that moment.
Hugging him back, you realised that there had been nothing to be afraid of. How could you have assumed that he would have been insulted by your gift?
“Anything from you is something to be treasured.” He mumbled to you, giving you another kiss on your lips.
Patreon
2K notes
·
View notes
Gender and Sexuality in Batgirl (2000)
While Kelley Puckett's opening run on Batgirl (2000) deals with Cass experiencing human connections and human life outside of fighting, issue 37 onwards takes a hard turn into gendered experiences. For sure there's some problematic elements (Cass gets sexualised a LOT more), but Horrocks' run does explore Cass' view on gender and romance in an interesting way. I'll be focusing on issues 37 - 57, essentially Horrocks' run but including guest writers (Gabrych, for instance, is our starting point). By the way I'm not a gender studies expert so feel free to disagree with any of these readings.
Riot Girls
Issue #38 (written by Gabrych) opens with this Batman conversation, which sets up Horrocks' run perfectly. Cass has never experienced a close female friendship (Babs is more mother/daughter) until Stephanie. Yet Bruce strikes a nerve here: she's not like you, and she never will be. He tells Cass something she already suspects - there's something she lacks that Stephanie has. (Bruce is, ironically, trying to say that Stephanie's the one lacking, but that's not what Cass hears).
This leads into the iconic Steph-Cass conversation:
Steph reveals she's had a baby, and this is Cass' reaction. She realises how much she doesn't understand about her body, romance, and gender in general. Stephanie has "finally beat [her] at something." She has experienced 'girlhood' in ways Cass can only dream of.
At the end of the issue, Stephanie asks if Cass thinks "he's right" (referring to Bruce), and Cass says yes. By siding with the male perspective (Bruce, or the he), Cass falls out with Stephanie, losing her first female friend. The whole of Horrocks' run should be understood in the context of this issue, with Cass searching for an understanding of her gender/sexuality.
The Superboy Saga
When Babs takes her on vacation, she makes Cass put on a bikini. Cass ends up meeting Superboy, getting grossed out, and delivering this excellent speech. It's Cass' first proper encounter with the male gaze, and it's especially disquieting for her because a) she knows the power of vision and b) she's brushing up against sexism and systemic injustice, something she hasn't really experienced before. She's encountering a power that can't be defeated with fists, and she is struggling to understand it.
She eventually does kiss Conner, and decides to take a trip to Metropolis. The decision occurs after this panel. Cass' desire to be with Conner stems from her desire to understand these feelings of passion, to want/need and be wanted/needed by others. The top panel here is interesting, too; she sees sexism playing out with other people ("check me out, girls!" / "Jerk."). Her anguished expression indicates she's having trouble reconciling the harmful forms of passion (top panel) with the sweeter forms of love (bottom panel).
At the end of the Superboy saga, Cass learns to distinguish between her romantic and platonic feelings. This taking place after the fallout with Stephanie (who explicitly repudiated her friendship) makes this extra intriguing - Cass calls the creature they're fighting "lonely," clearly meant to show insight into herself. Without Steph, she felt 'lonely', thus sort of falling into this relationship with Conner. Conner, however, is unable to fulfil that loneliness. Which leads us to...
Bruce Wayne Strikes Again
I noted in my other post how Bruce is super disapproving of Cass' love life. While it's hilarious, it genuinely impacts Cass' ability to express her sexuality freely. Here, Bruce pits Cass' sexuality against Batgirl; he implies that these attempts to understand herself harm her vigilante career. The way Cass responds ("I want to. I need to") is strikingly similar to the passions panel ("I want you. I need you"). Instead of being directed to another person, Cass directs her passions to Batgirl as a career. She's sliding back into her early mindset where Batgirl was all she was.
Again, another contrast between her and Stephanie: Stephanie fought for recognition in the suit, but Cass has to fight for an identity outside of it.
The Tai'Darshan Tale
But the real motivator for Cass' sexual awakening is, of course, Tai'Darshan, the semi-racist-caricature metahuman terrorist from Tarakstan. He flirts with Cass constantly, and makes a lot of gendered references ("easy, girl," "I don't understand why a woman like you," he calls her "beautiful") (#39, #40). He is the first significant character to take an interest in Cass as a girl, and without his flirting Cass probably wouldn't have kissed Conner (she kisses him after fighting Tai'Darshan twice).
Tai'Darshan does a big tornado thing and Bruce, intent on not letting him kill, knocks him aside, killing him. I'm low-key mad about this plot point, but that's okay 'cause so is Cass! In an echo of the Steph-Cass situation above, Bruce entirely disapproves of Tai'Darshan, but Cass likes him. Unlike with Stephanie, however, Cass doesn't side with Bruce. Instead, she keeps her feelings "secret" from Batman. It's the start of their relationship fracturing, as well as the start of Cass prioritising her own feelings and self-development over Bruce's perception of her.
No Soul
After all of this boy drama Cass understands romance a bit better, but is still in the dark about her gender. When a woman tells her she has "no soul," Cass goes to Barbara, who tells her the following:
Barbara connects 'soul' with Batgirl and femininity. Cass believes her, putting on Barbara's old suit (which one panel associates with "girl power!") and heading into the streets. What's interesting is that to achieve girlhood, Cass discards her suit in favour of Barbara's. Once again, there's this belief she's not 'feminine enough'; she's not like other girls, and she never will be.
But the suit obviously doesn't match Cass' fighting style, and in the end Cass returns to her old one. We get this great speech from Babs:
Cass is asleep here, but I do think she's learning that there's no 'right way' to be a girl - that she doesn't have to be Stephanie or Conner's girlfriend or Batgirl or Barbara, but just Cass.
The Dick Debacle
Cass gets hit with a drug called 'Soul' and has these hallucinations. This mostly male group sexualises her, criticises her for being sexual, calls her ugly, calls her hot; Cass is visualising the overwhelming contradictory standards applied to women everywhere, a compression of all her experiences thus far. Even Babs has fallen victim to pushing Cass towards stereotypically feminine experiences, and Cass' anguish is not so much at these people but at the patriarchy she's finally beginning to understand.
Dick, in particular, seems to represent this anger:
Finding out Dick broke Babs' heart seems to be the final straw. Here, her hallucinations paint her rage as feminine; the devil repeatedly calls her "girl," and Soul is being peddled by an all-female group who were 'tired of being girlfriends'. Then Cass kicks Dick out a window.
The Dick incident represents a culmination of her negative gendered experiences, beginning from her fallout with Steph and ending with another one of her close female companions (Babs) being hurt by a man.
Fallout
In the final issue before War Games, Cass essentially loses both Barbara and Steph (after making up with her and seeing her as Robin). I just like the parallel between Cass looking at Barbara as she leaves, and Stephanie looking at Cass - in a way, this is the most 'like' Stephanie Cass ever gets.
There isn't really a satisfactory conclusion to the explorations of gender or sexuality in Horrocks' run, or even in Gabrych's after. I think there's a lot to explore and I hope whenever Cass gets her next solo they look into all this a little further!
554 notes
·
View notes
kiss her, you fool (Hotch x fem!Reader) -- one shot
Anyway I'm back in the fucking building again!!!! Listened to "Kiss Her You Fool" by Kids That Fly and had this one shot written in like an hour. The love for Aaron Hotchner never dies apparently
Summary: You're in the middle of spring cleaning when Aaron calls and says he forgot something at your place (he didn't).
Warnings: tooth-rotting fluff! I just wanted to write some romance
It’s the middle of the day and you’re in the middle of a cleaning frenzy when your phone rings for what looks like the third time. It’s Aaron.
“Hey! Sorry,” you laugh, grabbing the TV remote to pause your music, phone pressed to your ear with your shoulder. “I’m spring cleaning and clearly way too far in the zone. What’s up?”
“That’s okay,” you can hear him smiling as you readjust your phone in your hand. “Would it be alright if I stopped by? I think I left something there last night.”
You furrowed your brows, spinning around the living room. You definitely would’ve noticed if he left something here last night. You’ve practically turned your entire apartment upside down to clean it.
“Are you sure?” you ask, moving to lift the couch cushions for a third time. “What was it?”
“I’m not sure,” he says, which totally isn’t suspicious at all. “Can I just come look?”
“I mean,” you let out an awkward laugh. “I guess you can. I’ve been cleaning since this morning, though, so I think I would’ve spotted it, but—”
“I’ll be there in fifteen,” he says. “If that’s okay?”
You sigh, selfishly glad you’re getting to see him again, two days in a row. It feels like you’ve hit the jackpot. “Yeah, of course it’s okay.”
“Great, see you in a few.”
“See you,” you bite back your grin, ending the call. You turn the music back on, a little lower so you’ll hear him when he knocks.
You have no earthly idea what he could’ve forgotten. He had his phone and jacket in hand when he left. He never took his wallet or keys out of his jacket pockets, so they must’ve stayed there. Unless either of them fell out, but again, you feel like you would’ve noticed.
Whatever it is, he’ll either find it or realize it isn’t here. Regardless, you’re getting to see him again, so you’ll take it.
With his job, the days that you do see Aaron are typically one long day spent together here and there. Yesterday was an exception, a rare dinner mid-work week because he happened to be done at the office early and you were free, so obviously the opportunity was taken advantage of. It’s only been a few weeks of seeing one another, so you both take any chance you can get.
Despite this, though, things have moved…slow. Slower than you expected because, to be frank, every guy you’ve been with has been quick and to the point. Not that you always minded that. Sometimes you wanted the same thing — quick, hot, heavy. But those days have since left you, and you went through a period of seeing no one, aside from one guy who left as soon as you said you were interested in moving slowly.
It’s nothing against Aaron, but when he first introduced himself at your local coffee shop, you kind of assumed he’d be the same. It’s hard not to assume when everyone acted that way, and when the men who frequent said coffee shop don’t exactly have the best track record for being polite and respectful.
Aaron, though, took weeks to ask for your number, let alone to join your table one morning to sip his coffee — and even then, you offered him the seat; he didn’t invite himself. That alone was enough for you to agree to give him your number, and then to an official first date.
He kissed your cheek after the first date, your forehead after the second, and kept to those areas alone. You found yourself wondering if something was wrong with you somehow, but he wasn’t disinterested. Quite the opposite, actually, from how he held your hand and kept his arms around you, how he made sure you were safely inside your apartment before heading off, how he still texted when he arrived home to ask you if you were still safely inside.
Or when he had to cancel a date last minute, and sent flowers to your apartment in lieu of his presence. He apologized over the phone, but the flowers had an apology note attached too. And another apology when he arrived at your door four days later, fresh off the plane, with a real explanation of his job and why he didn’t have time to explain it all to you before he left.
Your friends think it’s a little crazy, that it’s been almost a month of dating and there hasn’t been a single kiss — “On the cheek doesn’t count!” they argue. You think it does. If anything, you’re just happy there’s no pressure.
The underlying anxiety is there, sure, of what if it never happens? But you can’t bring yourself to entertain the thought. Mainly because you want to kiss him so bad, you’re practically going to leap onto him one of these days.
You’re mid-dance when a knock sounds on your door and you jump, having forgotten Aaron said he would be here soon. You turn the music down as you head for the door, unlocking it to let him in.
He stands there in his usual dark suit, sans tie this time so the top buttons are undone, bouquet of flowers in hand and dumb smile on his face.
“What are these for?” you ask when he hands them to you.
He steps inside and shuts the door, pausing to press a kiss to your forehead. “Because I wanted to.”
You give him a look, cheeks feeling warm. “If you keep doing this ‘because you want to,’ I’m gonna need to open a flower truck,” you joke, gesturing to the other vase of flowers sitting in your window. And there’s another in the bathroom. And one in your bedroom.
“Just let me know what kind of truck you want,” he teases.
You press the flowers to your nose to hide your smile. “Oh, what did you forget? You’re welcome to look for it, but—”
He lets out a laugh, scratching the back of his neck. “Well, I might have lied.”
“I knew you were, you idiot,” you swat playfully at his arm. You turn to head into the kitchen in search of another vase. “I got off the phone and paced around like what did he possibly leave here? I figured maybe your wallet or something, but I definitely would’ve found it earlier. You should’ve seen the living room this morning — I had the couch on its side and the coffee table in the middle of the hallway—”
You’re in the middle of rambling, digging around under the sink for a vase, when Aaron pulls you up by your hand, spinning you to face him.
“—it was a disaster trying to vacuum. Remind me never to do that unless you’re over here to lift all of it. I think I nearly—”
He’s smiling at you, and you don’t have a single moment to spare to register that he’s leaning in before his lips are on yours.
You sigh into the kiss, pleasantly surprised to be interrupted in this way, and glad your hands are free so you can hold onto him. Maybe this is why it’s good he hadn’t kissed you yet — one second of it and you’re ready to collapse under the sweet weight of it all. His arms circle your waist to lift you up, and your arms circle his neck, keeping him close. As close as you’ve really wanted him.
When you finally break for air, it’s only to press your foreheads against one another’s, not wanting to move too far.
“Well,” you laugh.
“Technically,” he says, pausing to peck your nose, “that’s what I forgot last night.”
You roll your eyes. “You are so stupid.”
“Mm, just because it makes you smile,” he says, kissing your lips again, and again. “What are you doing tonight?”
“Ideally,” you pause, letting him kiss you again, “ordering dinner in and making out with my boyfriend until the sun rises. You?”
“You know, I was thinking about taking someone special out to dinner,” he pauses, pulling you closer again, “and then kissing her until she tells me to stop.”
“That could be forever, for all you know.”
“That’s fine with me.”
You grin and he kisses you again, pausing to say, “Sorry, I can’t help myself—”
“Trust me,” you move even closer, your eyelashes practically touching his cheeks when you blink, “you don’t need to apologize.”
He responds by kissing you some more, and more, until he’s lifting you into his arms and placing you on the kitchen counter.
“Aaron!” you squeal, nearly crushing the bouquet. “Let me move the flowers at least!”
“I’ll buy you another,” he says, just a whisper away from kissing you again.
“You know—” You have to pause in between words as he presses his lips to yours. “—I still have—cleaning—Aaron,” you giggle. “I need to put my apartment back together.”
“Do you?” he asks, relenting only slightly, his fingertips pressing into your lower back, keeping you against him. “Do you need help?”
“I do actually,” you chuckle, running your fingers through his hair. “The couch isn’t back where it was.”
He smirked. “I noticed.”
You tug on his hair slightly to tease him for that jab, only it lights a new spark behind his eyes. Your cheeks grow even warmer. “No, seriously,” you say. “It’ll stress me out if it’s not back in its spot, but then…”
He nods, kissing your lips. “Then we’ll get ready for dinner.”
“And then come back here for a movie?”
“We’ll see how much of the movie we actually pay attention to,” he smirks, eyes traveling all over your face.
The urge to let him ravish you right now against the kitchen counter is so strong it nearly makes you lightheaded. But soon Aaron is helping you down, pressing another kiss to your forehead.
“Did you get to vacuum under the couch all the way?”
“…kind of.”
“Come on,” he chuckles, pulling on your hand, leading you back into the living room. “Call me next time?”
“If I get kissed like that during spring cleaning then I’m doing it every day,” you reply, mostly joking. Kind of. “Fuck I forgot the vase for the flowers—”
Aaron kisses you to interrupt you once again. “One thing at a time,” he says.
The kissing doesn’t stop, and you never do get to vacuum under the couch. It can wait.
1K notes
·
View notes