I'm sorry I dont know why, but anytime I see a Marceline-focused highschool/modern au fic with both Simon and Hunson tagged, my mind can't help but immediately go to this:
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Bro the askers treat spamton so much better on that askblog.
While over here we send him drawings of his joints and tell him "go puppet boy go!"
Honestly I love seeing the difference.
LOLLL they do… and maybe a little bit of that is my fault based on the ones i choose because im really picky with the ones i do answer (being nice to him, in this case) because there are SO many people who are trying to make him feel better, but ultimately they always bring up something or other to remind him of the shit he’s gone or is going through..
..Like,, “so you know how youre always failing and you’re uh… maybe alone with the (physical) things you’re going through? Yeah? Well ive failed too. Sometimes. Hope you feel better after i just reminded you!” Kind of stuff. Obviously im very much exaggerating what people say but YIPPPEESS its like they’re trying to get him to cry or something. I appreciate their efforts and how much the care but damn i dont think that they’re thinking about how that’d sound to him, especially since his immediate thought towards things like that is that its ingenuine.
I think less of Loki’s audience wants to see him suffer. A lot of mine do. LMAO. The difference /is/ funny.
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2023 reads // twitter thread
The Meister of Decimen City
a chaotic superhero satire
a genius who’s labelled a villain by the government after her super intelligent dinosaur children get loose is put under supervision
and has to confront her past / deal with the trauma of her complicated family/sibling relationships
and also the realisation that she might be asexual
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so i went to reblog some fanart earlier and started to tag it #oh this is. incredible actually, and then paused and thought, @self why the 'actually.' what is that adverb conveying. and i contemplated it for a bit, and finally concluded: well, shit. it's reflexive deprecation.
the thing is, deprecation is my starting position pretty much always, and that's a problem in itself, but mostly my problem; but when you're talking abt somebody else's work, and you start backing defensively away from imagined negativity before anyone's even actually voiced any? you may think you're playing bodyguard, but in reality you're the vanguard of the assault, opening a wedge for enemy forces to strike.
i was talking a couple of weeks ago abt seeing ppl tag that kristin sue lucas name-multiplied-by-one post with tags like 'this is art To Me' vel sim., and honestly i think it's a similar sort of reflex—i think exposure to the tumblr vernacular often leads people (very much including me!) to produce turns of phrase like this, that ultimately serve to convey roughly
'i, a clever girlblogger,¹ am, yeah, engaging with this frivolous hai pollai²-coded material; but my relationship to it, unlike that of most she-ple, is Intellectual and Analytical and Examined! and to make that clear, i'll be dropping in these little verbal particles from time to time, in order to distinguish my own, elevated examination of the subject from the state of risible naivete³ i'm implicitly ascribing to the other, more ordinary audience members i'm conjuring up only to instantly put down—but like, it's fine, i'm a free-and-easy girlblogger(TM), so you can't think i'd ever deliberately propagate establishmentarian prejudices! never mind the effect my rhetoric might subconsciously be having, on me or on anyone else…'
and i think this framing is worth squinting at, and worth attempting to excise from one's speech and from one's mindset, because when you get right down to it? it's just yet another insidious manifestation of respectability politics, that's gotten people to adopt it via the cuckoo-chick strategy of positioning itself as cutesy tumblr idiolect.
and like, circling back around to that fanart i mentioned at the outset: yeah, the tag did feel weirdly prosodically truncated to me without that 'actually'! but this way, if the artist ends up seeing my discussion of their work in their notes, they won't be getting slapped in the face with a wet dead fish first, so like. what's more important, you know?
⸻
¹ ""(gender neutral)""
² https://en.wikipedia.org/wiki/Hoi_polloi in the feminine, if i haven't totally fumbled my declensions…
³ phrasing nicked from a comment of @proudheron's.
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Also. Unrelated. To my previous post.
I've been thinking a lot about the past stuff Kyoko doesn't know about because here's the thing - even if she doesn't know, Junko should - and trying to find the root of this whole knight thing and, uh.
Yeah, at least in backstory terms, this is probably definitely a past ship. Just in terms of this makes sense from what I'm gathering, this is the general scenario I'm seeing.
But it doesn't necessarily need to be that way?
(And I still don't know if Junko was even remotely being legit or if she was just...being Junko. Because like. Matsuda was still very much a thing. I'm definitely already implying that Mikan was a thing. And that's a really quick cycle from one to the other to a third there, especially if Mikan should have been simultaneous to probably both to some extent (and if I remember correctly, DR3 makes that SUPER abusive on Junko's end, and actually coming out of everything with Matsuda, I could see how she ended up there, but that's another theory to think about after I've actually seen DR3). Like there's some layers specifically just to the Junko side of this that I. still want to think through.)
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