#if anyone wants to add on anything

[theriverbeyond]

how do we know in the books that john is indigenous? can you say more about how his indigeneity is important to his story?

hello! so there is a word of god post on race (doesn't mention John but mentions that Gideon is "mixed Maori"), BUT I frankly don't think word of god statements are worth any weight without actual in-text support (see: the "dumbledore is gay" situation). SO!

Specific evidence that John Gaius is Maori, as revealed in Nona the Ninth:

When he is listing his education, John mentions having gone to Dilworth School (John 20:8). Dilworth is an all boys boarding school in Auckland and accepts students based on financial need instead of academic or sporting achievements. Demographics appear to be about 70% low income Maori boys, indicating that it is highly likely that John is Maori

John reports that P- said he looked like a "Maori-TV pink panther" (John 15:23) when his eyes turned gold. Maori TV is a TV station that is focused primarily on Maori culture & language revitalization, with presumably all or mostly Maori hosts, and tbh I don't see why P- would say this unless John was himself Maori

John uses a te reo Māori phrase ("kia kaha, kia māia") (John 5:20) when he is saying goodbye to the corpses in the cryo lab before the power is shut off. Though it is possible he said this as a non-Maori kiwi, but in combination with the previous two points of evidence I think this all very strongly points to him being Maori

He also renames his daughter Kiriona Gaia, "Kiriona" being just literally the name "Gideon" in te reo Māori

TLT is not a series that hands you anything on a silver platter but to ME this is all pretty solid proof

Why is this relevant to The Locked Tomb?

In Nona the Ninth, we learn that before he completed apotheosis and ate the solar system, John was basically trying to save the earth from capitalism-caused climate change. Climate justice and the rights of indigenous people over their own land are deeply tied together, in the same way that climate catastrophe and capitalism/ imperialism/ colonialism are linked. disclaimer that this is NOT my area of study and others have definitely said it better; this is just the basic gist as I understand it, but on quick search I found some sources here and here if you want to do some reading.

TLT is not a series that hands you anything on a silver platter, but i don't think it is a stretch to see John as an indigenous man trying to save the earth and getting ignored and shut down at every turn by primarily western colonial powers (PanEuro, the USA) who declare him a terrorist and then as a reader thematically connecting that to the experience of indigenous climate activists IRL

there are absolutely TLT meta posts that have discussed this before me; tumblr search is nonfunctional and I have been looking for an hour and a half and cannot find anything specific even though i KNOW i reblogged multiple posts about this in the first few weeks following NTN's release. sad & I am sorry

I think that by the time the books take place, John is 10k years removed from the cultural context he grew up in, with the Nine Houses having become a genocidal colonial power in their own right (with more parallels to be made between John's forever war for the resources of literal life energy and like, oil wars), but I also think that John Gaius is a fictional character who can represent and symbolize multiple different things in service of telling a story. (not to mention the potential thematic parallels being made to how oppressed people sometimes are pressed into replicating the power dynamics of their oppressors and continuing the cycle--now that is a tumblr post i KNOW i read last year and definitely cannot find right now, once again sad & I am sorry)

How Radical Was John Gaius, Really is a forum thread that was locked by the moderators after 234534645674564 pages of heated debate

[starry-bi-sky]

sO i got to part two of the daniel jason todd fenton au :)

>:) word count 8k+

So, first, taglist for folks who asked for it: @blep-23 @mikyapixie @isnt-that-grape @randomenglishmajor @illryiannightmare @the-navistar-carol

SECOND: this part needs a trigger/content warning list: - CW Mild Swearing - CW Slight Psychological Horror - ^ CW mild depictions of being haunted by your own ghost/death flag and not realizing it (other people do though) - CW Brief Emetophobia (Danny throws up during a second nightmare) - CW Danny has nightmares of dying - except its of Jason Todd's warehouse death. It's not explicit but it's implied - TW Mild mentions of perceived Blood - TW Depictions of Corpses (first is non-descript, and then second one is slightly more descript but its not anything uh, super descriptive) - TW Mild description of burns (the descriptive part above) - TW Depictions of Panic Attacks (Danny's nightmares)

I mentioned that this au was inspired by a song lyric from Jann's 'Gladiator' here is that line:

I know your addiction's attention, Let's start a show Is it everything and more than you were hoping for? Show us something we ain't never seen before

The day after Danny meets himself, he's downstairs having breakfast in the dining room with the rest of the family, listening idly in on their conversations. Tim Drake is talking about something about Wayne Industries with Mr. Wayne - and wasn't that a startling surprise to learn the first time? - and Damian was slyly trying to feed Ace under the table. Duke Thomas was mid conversation with Cass, much of it audibly one-sided as Cass swaps between ASL and verbal speech.

(Danny comes across her a fair few amount of times in Wayne Manor. The first time was in the library. She hands him a book about planets, smiles, and walks away.)

(He hasn't talked much to Duke Thomas yet, but he plans to - he seems cool. They just haven't had the time to run into each other yet. Danny might just have to corner him, he thinks.)

And finally Dick Grayson on his left, his Dick Grayson, was talking away with the other Dick Grayson - who had stopped by from Bludhaven for the morning for his day off. He was a cop, ew. They were comparing lives, specifically college lives. There wasn’t much to talk about in their childhood, it seems. Danny was quietly listening in. 

(They both gave their Bruces headaches as children, apparently. Climbing the chandeliers and sliding down the staircase banisters. Flips and tricks only a child raised by the circus could do.) 

All-in-all, a very quiet morning, Danny thinks. That is, until the other Dick Grayson turns to him and goes; "I'm sure you've been asked already, but what do your parents do, Mini Jay?"

Danny squints at him, and releases his grip on his spoon to raise a pointed finger. "First off: only my Dick Grayson can call me Jay, you have your own." He says, slightly playful and nodding to Dick - oh that was going to get confusing, fast. He should come up with a nickname for one of them, probably - "And second: you're the second person to ask me that, actually. Jason - er, myself? - asked me yesterday. My parents are ectologists."

Apparently, mentioning that he met himself is a set of magic words, because the whole table stops what they're doing, and Danny's half-sinking back into his chair when all eyes turn to him in varying degrees of surprise. Dick - Richard, he’s going to call him Richard - looks at him with wide eyes and furrowed, confused brows. "You saw Jason?"

(Danny sends Bruce a confused look, but he's not paying attention - looking at everyone else with threaded eyebrows and a faint frown. Well, at least Danny isn't the only one confused by the reaction.)

(What a comfort.) 

"I guess that nickname is a dimensional constant." He mutters under his breath, and straightens up, eyeing the room warily. It... doesn't bode well to him that the Waynes were surprised by his other self's appearance -- was hisself estranged from the family?

...He hopes that doesn't happen in his world. Dick and Bruce may not be his adoptive family, but he likes them quite a lot. He wants to stay in contact with them when they get home.

"Yeah, he was in the library." He says, frowning at Richard Grayson. "He was sitting in my armchair." He supposes it was Jason's armchair first -- god, that was so weird to refer to himself in third person. "We talked for a little bit, and he asked me what my parents did. They're ectologists, by the way."

He turns to Mister Wayne and tilts his head, "Did you really not know that he was here?" He asks, narrowing his eyes. He wouldn't expect Richard to know, he doesn't live here. But Mister Wayne looks just as surprised, perhaps even a little remorseful.

(There’s a pit in his stomach that’s growing bigger.)

(His neck burns with a new pair of eyes, ones that he can’t see.) 

Mr. Wayne looks thoughtful for a moment, and then carefully, he goes; "Jason is rather... independent. He comes and goes from the manor when he feels like it." And the way he speaks sounds like he was choosing his words carefully. Danny suppresses the shiver of unease.

Something was not well in this house. Something unspoken was haunting the air. 

(Jason would know about hauntings, wouldn’t he?) 

He hopes history won't repeat itself, he likes Bruce quite a lot.

"...Alright," he says after a moment of silence, not hiding his wariness as he slowly turns back to Richard. His eyes flick towards Bruce, and then to Ricard. "Anyway, my parents are ectologists, as I've said for the third time now."

Richard, for his effort, takes the topic change easily, and his surprise shifts into one of curiosity - as does everyone else. (Did Danny really not mention what his parents did? Even Dick and Bruce look intrigued.) "That's... new." Richard says lightly, Danny commends him for the way he sounds non-judgmental. "What are ectologists?"

Danny quirks a dry half-smile, and deadpans; "Studiers of all things dead and afterlife."

...And there is that reaction again. A ripple of surprise and intrigue that spreads throughout the room as everyone looks at him, like a bunch of cats perking up their ears. 

On the other side of the table, Damian scoffs quietly, a sound much like the one Jason - the other one - did when Danny told him. Danny's eyes snap over to him in an instant, he stares at him, trying to study him. Why that reaction - again? 

He lets himself frown, briefly, before addressing Richard again. "Everyone just calls them ghost hunters, but the 'official' term is ectologists." He drawls, air-quoting the word 'official' with his fingers as he rolls his eyes. "They've been obsessed with ghosts since college. We even have a lab in the basement, and they keep liquid ectoplasm samples in the fridge."

Danny's been in the lab a handful of times, he and Jazz both have, either to clean it as part of their chores, or to listen to a lecture from their parents for their newest invention. The lab is cool, kinda, but Danny thinks it wouldn't look out of place in any evil lair of a Rogue with a doctorate. 

…He’s glad that the Fentons weren’t stationed in Gotham. They would have blown up a street. He’s surprised they haven’t already. 

"Ectoplasm?" Dick asks, leaning over to catch Danny's eye. Almost by instinct now Danny smiles at him, and then nods.

"Mom and dad say it's the stuff that makes ghosts." He explains, leaning back against his seat, his arms crossing. "It's invisible in its natural state, and it makes up everything. Kinda like the Force from Star Wars, or just, matter in general."

That cracks a few quiet, laugh-like sounds through the dining room. Danny halves a smile again, a swelling of pride in his chest that lingers for a moment. "My parents say that when ectoplasm condenses enough in one area, it can start taking on visible properties," he continues, "they say that ghosts are just the memories and emotions of a dying person or animal being imprinted on a concentration of ectoplasm, and that the ghost itself isn't actually the person or animal, just matter trying to mimic it."

Which Danny guesses makes sense, even if the way they talk about ghosts made him really uncomfortable. His parents insisted that ghosts weren't actually people, but he just couldn't shake the idea that they were. How close to ‘human’ does something get before they actually are? 

Well, no, that wasn’t fair. Superman wasn’t human, and yet everyone treated him like he was. Let him rephrase himself:

How human-like must something get before they are considered as such? Before they’re considered sapient and sentient, and real?  

"That's... quite interesting." Someone says, and Danny turns to see Bruce leaning his elbows against the table and putting his chin on threaded fingers. He looks genuinely engrossed in what Danny's said, and pride once again leaks into his heart. "You mentioned they kept ectoplasm in a liquified state in their... fridge?"

"Oh yeah," Danny says, putting his full attention to Bruce, "it's crazy. They keep little test tube racks in the freezer full of liquid ectoplasm, and it's this - uh - glowing, bright green stuff. It used to be the weirdest thing in the house."

(From his peripherals, Danny notices the room tense up again at his description — and he bites back the urge to slow his talking down and narrow his eyes. Suspicious. Suspicious. The Waynes weren’t scientists - why do they react to something like they are?)

(Nobody knows what ectoplasm is. To the scientific world, it's an unconfirmed theory of a state of matter. Why do the Waynes act like they know what it is?)

(Danny is not stupid. Even if his scientific family makes him feel like it, sometimes.) 

Bruce gives him this half-tilted, confused smile, the corners of his eyes crinkling up. "Used to be?"

Danny opens his mouth, the answer already on the tip of his tongue -- and then he freezes. His jaw clicks shut as he frowns. Should he say what his parents' latest pet project was? Surely, surely, it would be fine? Their inventions never work - and a life-sized portal is just another thing on his parents' crazy ideas list.

His teeth sink into his bottom lip, chewing on the skin as he rolls the answer over in his head. ...Surely, it would be fine. His face turns in hesitance, and his shoulders scrunch and twist to his ears, like he's about to admit something that could get him grounded by his parents.

"They... may, or may not, be building an inter-dimensional portal in the basement?" His voice steadily pitches upward nervously the longer he speaks. By the time he finishes, his voice is close to a squeaky pitch.

There is a horrified silence that follows him, sitting in the air so still-like that Danny could hear the whoosh of a pin drop. He should have expected that, nervously surveying the ranging horrified expressions on the Wayne family's faces. "...I promise they're harmless... to the living." He hesitates, "Mostly."

Bruce stares at him for a long moment. "Mostly?" He repeats, his brows arched high and pinched together. Danny cringes back a little.

"Dad's a little clumsy, that's all." He says, shrugging with a helpless smile. It doesn't help, he thinks, and the silence is strangling. Sitting up, he's a little frantic to add; "I really, really, doubt it's going to work, Bruce. Their inventions never do. Mom and dad built a mini portal in college and it didn't work either!" There's a moment of silence following him, before he quietly adds, wincing, "It- it did hospitalize the guy who was helping them, though."

He only heard about that when he asked his parents about the portal - it was still in production when they picked him up. Jack Fenton claimed it was safe as safe could be - they’d make sure that the ‘college’ instance never happened again.

Bruce - both Bruces actually - looked vaguely ill at the thought. Mister Wayne’s face was blank, his face sunk into his folded hands, and Bruce’s stare burned into Danny, intense like concentrated fire. 

Danny for some reason - either through his panicked urge to make things better, or through temporary insanity - laughs forcibly. "The worst thing that could happen is that the portal could explode, but that never happens."

Next to him, Dick makes a stressed sound. "That's not better, Jay." He forces out. He looks even more horrified.

Danny sucks on his bottom lip for a long beat. Then lets out a breath.

"Yeah, I know." Danny sighs, deep and long while his shoulders slump. He watches the room for a moment, with their various stony-like expressions, and looks back at the very concerned-looking Bruce. "But Bruce, I swear it's fine. Nothing's gonna happen, please don't call the Justice League on my parents. They really are harmless."

Bruce looks conflicted.

"I was being dramatic when I said the portal could explode, it won't." He continues, giving Bruce what Jazz has called his 'cheating puppy eyes'. "My parents are eccentric about their line of work, but they understand lab safety. They'd never do anything to put me and Jazz in danger."

...Actively or on purpose, that is.

He and Bruce stare each other down. One second, two seconds; what feels like thirty seconds pass in silence before Bruce relents, sighing deeply and uncannily dad-like. He drags a hand down his face, and rubs his eyes with his thumb and forefinger. "When we get back to our universe, you are giving me your phone number so you can contact me if anything happens."

Danny beams, nodding hurriedly. "Thank you, Buzz."

Bruce isn't able to hide his smile - small as it was - quickly enough. "You're welcome, Danny."

—-----

Danny has a nightmare that night. He doesn't remember most of it. There's a ticking sound, and high laughter, and there is a thumping heartbeat in his ears. Everything is dark and he is in agonizing pain.

He wakes up in paralyzing terror, a scream lodged in the back of his throat. His head pounds like a concussion and there is a shallowing ache in his ribs, like someone's kicked him, and kicked him, and kicked him until all air has been knocked from his lungs. He can't breathe.

Danny's hands scrabble for his throat, and even though he can hear himself gasping for air, it doesn't feel like he's taking any of it in. There is no relief in the action, no reassurance, and everything is so hot. He kicks at his blankets, his panic growing higher as they tangle around his legs.

He needs-

He needs--

He needs to move. He needs to get up. He needs to free himself. He needs to prove that he's not dying. He feels like he's dying. He feels like he's burning. There are tears swelling in his eyes as he finally gets the blankets off his feet, and he rolls - quite literally - out of bed.

He tries to catch himself, he does. But he doesn't. He hits the floor with a heavy thud and can hardly bring himself to care -- he catches himself on his elbows, and the sting it causes makes him feel worse. The air is knocked out of his chest again. 

The ground is cold though, blessedly cold. And before Danny can realize this, he lifts his head and, disoriented, looks for the door. It's too dark, it's too dark. His head swivels blindly in search of it. He needs to get out, he needs to escape. 

"Bruce." He croaks, still trying to force air down into his lungs. His call comes out raspy, weak, and hot tears blur his vision.

"Dick." He tries instead when a minute passes and no one comes, and he thinks he can finally start breathing. No one comes to find him - his voice is too quiet to wake anyone up. The tears in his eyes bubble and pop, and stream down his face.

He makes a distressed noise. "Jazz?" He whispers, his voice shaky and uneven with an encompassing want for his sister. It's nearly been a month since they got here. He wants Jazz.

No one hears him. He's alone.

God, he doesn't want to be alone. Please don't make him be alone.

Danny eventually gets himself calmed down. But he is curled up on the floor, trembling with the lingering traces of fear from whatever dream had woken up. His fingers dig painfully into his arms, leaving crescent-moon indents by his nails. The contents of the nightmare are already fading further into his mind, slipping out of his hands like water. Like ash.

He feels no need to chase after it.

The back of his shirt is damp with sweat, and in between the trembling he is also shivering, goosebumps lacing up his arms. His eyes have adjusted to the dark, and he stares with wide, crying eyes at the side of his bed. His breath comes out in short, shaky pants.

He doesn't know how long he lays there, trying to comprehend what happened as his mind still hangs onto the edge of the dreamworld. It feels like there is something in the room with him, crawling along the walls.

Danny forces himself to get up, and the sudden standing makes his vision blacken and swim as blood rushes to his head. He stumbles, slightly, and lurches halfway across the room for the light switch.

He squints as the room is drenched in light, chasing away the lingering paranoia in the back of his brain. He is still shaking. His head still hurts. He still looks, wide eyed, around the room for anything out of place.

There is none.

But he still feels unsafe. He needs- he needs to find someone, or go somewhere else. He grabs a firm pillow off the bed, and leaves.

(He ends up in the library alone. He turns on the lights and grabs a book Dick recommended to him, and he curls up tight in his armchair. He ends up falling asleep just as the sun is rising.)

(He doesn't tell anyone about the nightmare.)

-

Progress in getting the three of them back to their home dimension is slow. Dimension Hopping is a rare experience, and what update Bruce gets he relays back to Danny and Dick: they're trying to figure out a way to send them back safely, from the exact time they disappeared, and to find what dimension they're from. It's complicated magic.

It's been three weeks. 

Danny, for one, is getting homesick. He misses Jazz, Sam, and Tucker terribly, and his parents. Bruce and Dick are great, really, and Danny kinda wants to keep in touch with them after they return to their own world, but they aren't replacements of his sister and friends.

His nightmare from a few days ago still haunt his steps. He closes eyes, and that high-pitched laughter and blood-rushed pounding burns itself his ears and fills a level of unseen terror into his heart. Danny thinks that if he was hit with Scarecrow's fear gas, this is what it would feel like.

He tries to avoid falling asleep by reading in his room, by stargazing, but the place sets him on edge; an unsettling reminder of that nightmare. So he goes to the library when it gets too much, he's run into Bruce twice now doing it, and they both do reading.

Danny thinks Bruce can suspect something is up with him, but he doesn't want to tell him about that nightmare. Dick either, for that matter. He just wants to forget it.

They spend afternoons in the gym, they have it mostly to themselves - Tim Drake is at Wayne Industries, Damian Wayne is at school, so is Duke Thompson, and Cassandra Cain is... doing whatever she does during the day. Danny's not totally sure.

Dick in that time, tries showing Danny how to be more flexible. He says he's a fast learner, but Danny knows he's been slacking lately with his lack of sleep.

There isn't much they can do outside of the manor - Bruce and Dick can't go outside because they'll catch the attention of the paparazzi, and they are both significantly younger than their counterparts, and Danny isn't allowed out without a chaperone.

Which has its own unique set of problems because rumors could rapidly start if he's seen with any of the Waynes multiple times. The paparazzi aren’t dumb enough… okay, most — some — of them aren’t dumb enough to make a tabloid claiming there’s a new Wayne kid just because they see the Waynes interacting with one kid, one time. Multiple times however? That’s another story. And, he has the same issue as Bruce and Dick - he's a baby-faced Jason Todd. Who is Bruce Wayne's adoptive son in this world. He could be recognized. 

And how do you explain a tiny Jason Todd to a world where Jason Todd is a full grown man?

So all three of them are... stuck inside, so to speak. And making do with what they can. Danny spends most of his morning and early noon with Dick, and then they both separate after to have time to themselves before dinner.

Bruce is in one of the studies, doing... something. Danny's not sure and he keeps forgetting to ask.

--

Dick likes Danny - Jason? - Jay. Danny said that he can call him Jason, and he doesn't protest to being called Jay. 

Point is: he likes Jay. He's a delightful kid to be around; he's funny, and clever, even if he doesn't realize it himself. And Dick's a little upset that Jay isn't his brother in his world, he would've loved to have him around the manor. He probably would have visited more if he was around.

Something that he and Bruce were still slowly trying to fix...

He likes spending time with him - getting to teach him his acrobatic tricks was not something he expected, but he loves showing Jay how to do them. He thinks this is probably how Bruce felt when he was training Dick how to be Robin, all those years ago.

Speaking of which, Dick was still not over the Robin jacket that Jay wore. The origins of it weren't the best - Jay started wearing it to take back the insult the other kids at his school were throwing at him - but isn't that what part of what being Robin was about? 

Cheesy, he knows. But his point still stands.

He thinks that if he had to pass the Robin title down to anyone, it would be Daniel Jason Todd-Fenton. Or perhaps just Jason Fenton-Todd? Jay doesn’t seem all that attached to the name Danny. 

(“Mom and dad just started calling me it when they picked me up.” Danny — Jay shrugged when Dick asked him about it, the two of them swinging from bar to bar. “I wasn’t tellin’ ‘em my name at the time, so they gave me a new one.”) 

If he had met Jason before the Fentons had, Dick thinks maybe he would have adopted him instead. And what would that future look like? Would he have been able to, when he had to go to college and classes? Would he have been able to keep going out at night, and keep that secret to himself? 

He’ll never know, he supposes. 

“I think that’s it for today.” Dick says, swinging off the jungle gym and landing on the mats with a cat-like thump. Behind him, Jay groans, and drops with a less graceful thud as Dick stretches out his spine. There’s a satisfying pop-pop-pop of his back as he leans back. 

He turns, and sees Jay going for his water bottle. He looks tired — from what, Dick doesn’t know. But there are dark bags under his eyes and a sleep-distracted look on his face. He’s been distracted, and their lessons have been suffering from it. 

Dick wants to know what’s bothering him, but Jay hasn’t said anything, and Dick doesn’t know what he could say to make it better. 

“I can still keep going.” Jason insists, but he tiredly slumps over to grab his water, and straightens up sluggishly. It’s probably not a lie, but anything Dick shows him he doubts that Jay will retain it. “You don’t have to stop.”

“Oh but I want to.” Dick says, walking over to grab his own water. “I’m human too you know—” and Jay snorts at him with a grumbled ‘doubt it’. “—so I also need my breaks.” 

“With the way you can bend I really don’t think so.” Jason mutters, eyeing him up and down. Dick laughs quietly and takes a long sip of his water. “Seriously, circus boy, what do they feed you? Actually - what did they feed myself?”

Dick’s laughter doubles as Jay’s eyes grow wide and wild, his head shaking with spasming arms. “No, seriously! I don’t know if you’ve seen the other me yet, Dick, but he- he’s fucking huge!” He exclaims, and jumps as high as he can as his arms try to make a silhouette above his head. “I- I’m almost as big as Jack Fenton, and we’re not even biologically related! I don’t know where he got that much height to him, ‘cause- ‘cause Willis, that drunk bastard, was never that big!” 

Dick hasn’t seen the elusive other Jason Todd, and he’s been so curious about him. Both he and Bruce have — especially considering that everyone else doesn’t seem to want to tell them about him. He tried stopping his other self to ask about Jason Todd of his world, and his other self just said that he was his little brother and the second robin, and that he did a lot of his own stuff. 

It was a whole bunch of fucking nothing. And he and Bruce were growing suspicious about it. They hadn’t thought of it before because, well, they were busy adjusting to being in a new world and trying to figure out a way back. And then Jason was never really brought up, but neither was Dick Grayson unless Dick asked about it, and he didn’t think to ask about Jason Todd before.

It was all just strange.

But Jay’s exclamation over the size of himself distracts Dick long enough that he forces himself to put the mystery of Jason Todd on the backburner for now. “I’ll- I’ll have to see him for myself, Jaybird.” He says when his laughter subsides, and he straightens up. 

“Seriously,” Jay stresses, and he starts to make his way towards the gym door. “He’s fucking massive, Dick. Built like a brick shithouse.” 

Dick almost starts laughing again, “Where did you even learn that phrase?” 

Jay rolls his shoulders back and grins at him slyly, “I read.” He says, and it’s so clearly not how he learned that word that Dick barks out a laugh. 

They reach the door, and Jay holds the door open as Dick reaches for the light switch. He looks behind him, surveying the room quickly to make sure that there’s nothing they could have left on the floor, before turning off the lights.

Bright green eyes stare at him from the mirror. Right where Jay is standing. 

In an instant, the lights are back on. Dick’s heart has been kickstarted into fifth gear, suddenly and loudly racing in his chest as he darts his head around the room. It was only two seconds, perhaps only even one, but fear has been shot like an adrenaline needle into Dick’s veins. An inhuman, skyrocketing fear alike to Scarecrow’s fear gas. 

What was that?

What was that?

WHAT WAS THAT?  

But there’s nothing there. There’s nothing there. There’s nothing there. There is only Jason where the eyes were. 

From the mirror’s reflection, Jason turns his head — he hadn’t been looking at Dick, he hadn’t been looking at Dick — and stares up at him. There is confusion written on his face as he glances up at Dick, and then at the mirror. He meets his eyes - Jason’s blue, blue, not green, eyes — and Dick forces himself to look away from the mirror and down at Jay.

“What was that for?” Jay asks him, perfectly normal and perfectly confused. 

Dick feels like he just ran a marathon. He’s panting, he doesn’t know why, and he forces himself to sound like he wasn’t as he wets his lips and furrows his brows. “I thought I saw something.” He says, frowning. 

He didn’t think. He did. He did. 

What did he see? 

It was standing where Jay was. Those eyes. Those green-green eyes. It was where Jay was. He forces himself to shake his head, his frown deepening, unsettled. Jason peers around him as if to see what he had, and Dick puts a hand on his chest, stopping him. “It was nothing, let's go.” 

He turns Jay around, and ignores his bewildered look. That lighthearted mood he had earlier has plummeted, replaced with an eerie paranoia as he takes the door from Jason’s hand and flicks the lights back off. 

When he looks over his shoulder at the mirror, there’s nothing there. 

—------------

Danny has another nightmare. It’s the same one. It’s dark again. That high pitched laughter fills his ears. The ticking is louder, louder, louder. It’s counting down, but to what - he can’t see — he can’t see what it’s counting down to. 

There is still so much pain. His head hurts, his body hurts. He has a body now, he can remember he has a body. He’s in so much pain. He looks down at his hands and pooling around his knees is a bloody yellow cape, it’s torn and bloody and his hands are bloody and torn and he’s wearing green gloves. 

He wakes up just before the ticking stops. He doesn’t know how he knows that the ticking stops. 

Danny rolls over and hangs himself sideways off the bed, gasping for air that doesn’t come. He wants to scream again, to shriek with such terror that it sends everyone in the manor running into his room. He doesn’t, he can’t, he has no mouth and he must scream. 

Danny gasps for air instead, and then dry heaves until he throws up onto the floor. His head is spinning with the fadings of a dream-made concussion, again. His chest hurts deeper, more, it’s no longer shallow and as if someone was sitting on his chest, like someone had beat him in the stomach and chest and head.  

He feels like he’s choking. He is, he’s choking on what bile he can’t get out of his throat, and he forces himself to swallow it back down. He’s crying, he realizes, and dragging in air down into his lungs to the point it hurts. 

What is going on? He thinks through the haze in his mind. With what lucidity he has he brings a hand to his head to make sure he’s not bleeding. His palm swipes against sticky skin, and all that comes back is sweat. He’s not bleeding. He feels like he is. 

Make it stop. His inner mind wails as he finally, finally, starts to calm down again. He’s still crying. The tears burn down his cheeks, and he absently sticks out his tongue and licks the ones that gather at his lips away. He wipes at his face again, and when he looks at his hands, all he sees is skin.

He’s not wearing gloves. 

His hands reach for his back, and grasp his sweat-soaked shirt instead. He’s not wearing a cape. It soothes him, just a little bit. But not enough to keep him feeling safe. 

Danny peers over the side of the bed, and through his dark-adjusted eyes he sees the sitting puddle of throw-up on the floor. He cringes, sniffling. He can’t keep that there. He needs to — he needs to clean that up. 

Alfred must be sleeping by now — what time is it? He doesn’t know. He can’t wake him up. Where does Alfred keep the cleaning supplies? 

Danny throws his legs over the side — they’re not broken, he thinks dazedly — why would he think they’re broken? — and he stumbles to the door. He avoids, somehow, the sick.

(He passes by a mirrored vanity on his way to the door. He doesn’t see his reflection staring at him with green-green eyes. He doesn’t see those eyes following him.) 

He runs into Bruce in the hallway. He should have guessed it so. Danny freezes in his tracks, fear shooting up into his throat as Bruce turns towards him, already a smile pulling on the older man’s face. 

It drops immediately when he sees him. It twists down, and his face burrows into concern. “What’s wrong?” He asks, and Bruce is kneeling before him before Danny can blink. He looks worried. Danny must look awful then.

(He does. He looks pale as a ghost, and his face is splotchy red and shiny with tears.) 

Danny blinks at him numbly, trying to get his thoughts in order. Bruce’s hands are on his shoulders, Danny throws his hands over them, squeezing the knuckles and blinking widely. “I had-” he licks his lips, “a- uh, nightmare. And then I threw up.”

Fuck, he feels like a toddler. His eyes burn with embarrassed tears. He’s fucking thirteen. He’s not a baby. But he feels like a little kid going to their parent’s room. Bruce isn’t even his dad. He shouldn’t feel this way. 

But Bruce doesn’t make fun of him, or scold him, and Danny didn’t really expect him to, but the concern that melts over his face as his eyes soften makes him feel all warm and fuzzy anyways. “Okay,” Bruce says, expression softened but no less worried, and stands up. “Okay, we can go find Alfred then.” 

Danny’s lips press together, uneven and wobbling. “Please don’t.” He says before he can stop himself, and his voice cracks. He feels like such a baby. “I can clean it myself. We don’t have to wake him up.” 

“Do you even know where the cleaning supplies are, chum?” Bruce asks, and in the dark hallway he can see him raise an eyebrow. Danny’s lips press tighter together. He doesn’t. But he can find it. 

They wake up Alfred. Dany feels like shit the entire time. 

“I’m sorry.” He croaks as he follows Alfred and Bruce down the hallway with a mop and a bucket. He’s so embarrassed. He’s going to cry again, and he hates it. “I can do it, Mister Pennyworth. Please.” 

“You sound,” Mister Pennyworth starts, his voice soft, “just like young Master Jason when he started living here.” He turns to throw Danny an endeared smile, and Danny thinks it’s supposed to make him feel better. It does, a little bit, and it also makes him feel worse. 

“I am Jason.” He says, and tears spill down his face again. He is Jason. That’s his name. It’s not Danny, it never has been. The time he’s been here has slowly been pointing that out to him. He may be Fenton, but he’s not Danny. 

Alfred gets it all cleaned up, and Bruce sticks with him after he leaves. Danny’s grateful and resentful of it — hasn’t he embarrassed himself enough tonight? 

Bruce leads him to the library, a funny parallel to the first time. “We can ask Mister Wayne —” Bruce’s face scrunches up slightly, and Danny laughs under his breath. At least he’s not the only one still weirded out by it. “— about getting you a new room tomorrow.” 

Danny sniffs dryly, “How’d you know?” He didn’t think it was obvious that he didn’t want to go to sleep in his room. Bruce smiles knowingly at him, sadly, and they both sit down in the lounge chair next to the fireplace. It sits across from Danny’s armchair.

“I know a thing or two about nightmares.” He says softly.

Oh. 

Yeah.

That’s right. His parents. 

He probably had nightmares about that. 

Danny looks away from him, his eyes drop to his hands. His bare, non-bloody hands. He leans into Bruce’s side. “I don’t wanna talk about it.” He mumbles. He doesn’t want to talk about dying. Or what he thought was dying.  

“And you don’t have to.” Bruce says, slinging one arm around him and slumping against the curve of the chair. Danny reluctantly follows his falling, and finds himself trapped between the back of the chair and Bruce’s side. His ear is pressed to Bruce’s heartbeat. “We can just sit here, and talk about something else.” 

Danny blinks at the empty fireplace. “Okay. Tell me about films again.” 

Bruce’s fingers dig gently into his hair, and scratch slowly against his scalp. “Okay, Danny.” 

Danny frowns. “And don’t call me Danny. It’s Jason.” 

He doesn’t look up to see Bruce’s smile, but he can hear it as the man thumbs over the shell of his ear. “Okay, Jason.” 

(Danny falls asleep halfway through Bruce’s telling of the history of the Grey Ghost. Bruce knows by the way his breathing slows into a steady rhythm and his eyes don’t open.) 

(He smiles for mite a moment, before it drops and his eyes turn to the bookshelf in the corner. Standing there is a small black figure, with two burning green eyes.) 

(They stare at each other for a long, long minute, Bruce’s heart rising slowly. The figure tilts its head, and disappears. Bruce doesn’t sleep for the rest of the night.) 

—-------

Danny stares down Bruce. Bruce stares him down back. It’s morning. It’s breakfast. Everyone is at the table eating, and he and Bruce are having a silent staring contest. Danny has to ask Mister Wayne about moving to a new room, he thought he would be able to do so after breakfast. 

(Who was he kidding? He wasn’t going to ask at all - why bother Mister Wayne about something he can get over?) 

(Bruce, apparently, wasn’t having it. With that stupid knowing look on his face.) 

But Bruce wants it to be now. Danny narrows his eyes at him, and Bruce raises an eyebrow back. Dick Grayson, his world, was going to notice soon. He was sitting next to Bruce this morning. That traitor. 

If you don’t do it, I will. Bruce’s face says. Bastard. Danny was going to take away his Jason rights.

Danny’s the first to relent, pressing his lips together into an annoyed, thin line, before he lets out a silent sigh and turns to Mister Wayne. “Mister Wayne?” He says, cringing slightly when Mister Wayne looks up at him - as with most of the room. 

“Yes, Danny?” 

He spares one last look at Bruce, who nods curtly at him, and Danny throws him one last annoyed look before turning back to Mister Wayne. “Would it, uh, be fine if I changed rooms?” He asks. 

Mister Wayne tilts his head, slightly, to the side with a look of interest. “You can, but what brought this up? Is everything okay?”

Fuck. Shit. Fuck. Danny was expecting that question. He glares at Bruce from the corner of his eye. And then smiles shakily at Mister Wayne. “Um, uh, yeah. Everything’s fine— it’s just, it’s stupid. Some, some stupid nightmares keeping me up.” 

Mister Wayne’s brows furrow, and Dick looks concerned from Danny’s peripherals. “It’s not stupid, you can change your room. I’m sorry you’ve been having nightmares.”

He doesn’t even ask what they’re about. Bruce didn’t either — he thinks he would’ve, maybe — but fuck, jeez. Danny laughs uncomfortably, scratching his jaw. “Yeah- um, thanks. It sucks.” He just barely stops himself from blurting out that he was dreaming that he was dying.

That was not a can he wanted to open. They would have questions, he knows they would, and he doesn’t want to think about it. The image of his bloody, torn hands are already seared into his mind. 

Everyone goes back to eating.

(Dick keeps looking up at him with a shadow of a frown on his face, like he’s keeping an eye on him. Quick enough that Danny doesn’t notice it. Bruce does, and watches his son from the corner of his eye.)

(Danny doesn’t see it, but his reflection turns its head. And peers around the back of its chair. Its eye burns green and it stares at Dick. The next time Dick looks up, it catches his eye.)

(He doesn’t straighten up, he forces himself not to react. He just keeps staring at it, his breath locked in his lungs, his limbs filling with a low, buzzing static. He doesn’t know what it is. It’s terrifying him.)

(The reflection doesn’t react to him, but its eyes seem to… glitch. And an eye appears next to it, and another one appears in a line. The pupils slowly turn to look… at Danny.)

(The window begins to crack.)

“JaSON!” Dick suddenly yells, standing up so abruptly that his chair falls back and slams against the ground with an echoing bang. Danny jerks back in surprise, and stares at Dick, who looks at him with equally wide eyes. 

Dick looks like he’s seen a ghost, his face pale as a sheet. He looks ill. He’s panting, there’s a sheen going over his forehead, like he’s just run a mile. But he’s gripping the table like he may just vault over it.

And everyone is looking at them both once again. Bruce looks incredibly concerned. 

“I— what?” Danny says, pushing his back into the chair as far as he could go. 

Dick blinks, and heaves a breath. Like whatever trance he was in was just… snapped out of. His brows furrow, and he moves, suddenly, peering over Danny like he’s trying to look around him. Left, right, and over, and then back again. 

“You—” he pauses, breathing in, “you looked like you were about to disappear.” 

Danny stares at him in disbelief. And he looks behind him, laughing nervously. There’s nothing there but his own reflection in the smooth glass window. “What- what kind of fucking—” he turns back around to look at Dick. “Why would you say that?” 

“There was something in the window.” Dick says immediately, and Danny is immediately rising to his feet and rushing around the table. Nope - nope, nope, fuck that. He’s by him and Bruce in an instant, as the other Waynes stand up and turn to the window as well.

Dick’s arms are around him the moment he’s within reach, tugging him into his side as one hand presses down against his chest, keeping him close. Dick hasn’t taken his eyes off the window, brows furrowed and serious. 

Everyone looks so serious. It’s freaking him out a little bit. 

“What was your nightmare about, Jay?” Dick asks when he finally tears his eyes away from the window and looks down at him. He’s got a protective hold on him, something so similar to Jazz whenever their parents set something on fire upstairs. 

Danny swallows dryly — does he have to say it? Saying it might bring him back to it, and he doesn’t want to go back to it. Twice was enough for him. “I was dying.” He admits anyways, and regrets it immediately when half a dozen heads all snap to look at him. 

In a panic, his mouth runs. “I was- I don’t remember anything- I just, it was dark and I was in pain and-” He presses his lips together, “I— I was in so much pain. There was this laughter—” Laughter. Familiar laughter now that he thinks about it. From the news. Danny’s lips curl downwards, and he whispers to himself, “Joker?”

“Joker?” Dick repeats, his voice hard. When Danny looks up, his face is unrecognizably stern. “You had a dream that the Joker was killing you?” 

“I— no— yes?” Frustration bleeds into his chest, fear pooling up his throat as the nightmare pulls on the edge of his memory. “I don’t fucking know. I didn’t see anything, all I heard was ticking and that stupid laughter. And I was bleeding, and I was wearing this yellow fucking cape, and- and I was dying.” 

He pulls himself away from Dick, his breathing picking up. “I just- I was— there was this ticking sound and I woke up before it stopped, and I- I don’t know why I knew it was about to stop — but I know that when the ticking stops something bad was going to happen— and it was just a nightmare.” 

Danny grits his teeth, and looks back up at Dick, forcing himself to calm down before he works himself into a panic. “It was just a fucking nightmare, Dick.” He says forcibly, and then he marches out of the room to the library. 

His appetite’s been ruined. 

—---------

Danny’s — Jason’s — asleep next to him. Bruce would think it was sweet if it weren’t for the fact that Jason’s been having nightmares about dying of all things. Nightmares that weren’t, he suspects, completely unfounded. 

His other self looked ill in the face as Jason marched out of the room that morning after Dick’s outburst. Outburst. That’s all he can think to call it even if it sounds juvenile. Like it was unfounded as Jason’s nightmare. 

His other self has been hiding something from him. Something about Jason Todd of this world, who he hasn’t seen at all since they arrived, but Danny — Jason — has. He would’ve thought the other Todd was a ghost if his other world’s… children… hadn’t confirmed seeing and knowing him recently. 

(That was something he still hasn’t fully comprehended. Children, plural? He adopts more after Dick? He has a biological son?) 

He’d be interrogating his other self on this if Jason wasn’t asleep next to him. It would be remarkably easy, as they were all sitting in the living room for the afternoon. All his other children were vigilantes, he wouldn’t need to keep pretenses.

But Jason is asleep next to him, and he doesn’t know. So he resolves to staring holes into his other self’s head, who was going through documents. A case, he bets. His other self doesn’t pay him any mind, but Bruce knows he knows that he’s staring at him. 

(“What have you been keeping from me?” He growls the moment Jason is out of the dining room, rising to his feet. The look on his other self meant that he knew something about those nightmares that Bruce didn’t. 

His other self looks at him, “Nothing that concerns your world.” He says, all of the kids looked tense as well, but now they were staring between the both of them like a fight would break out. 

“Bullshit.” Dick snaps before Bruce can speak, he walks around him and points an accusing finger at his other self. “You looked like you saw a ghost when Jaybird said he was dreaming of the Joker killing him. You know something.”

He did not tell them anything.) 

Whatever it was that his other self was hiding, Bruce would find out before they went back to their world. This concerned him, and it concerned Jason’s safety. If he wasn’t safe and his other self knew something about it, Bruce would be furious. 

Jason’s ragged gasp cut through the air like a knife, and Bruce’s gaze snapped down to his face as the boy’s eyes flew open and he jerked sharply. Jason’s hands were latched onto his shirt before Bruce could react, his nails dragging into his skin like he was trying to claw himself up.

It was another nightmare. Jason was clawing at him, trying to sit himself up while jagged, awful sounding gasps filled the air. He wasn’t looking at Bruce, he wasn’t looking at anything, his eyes glazed over like he was still trapped in the nightmare. 

Bruce wrapped his arms around the small boy and pulled them both down onto the ground, ignoring his other children standing up and looking at them until he had Jay in a cradle. 

The boy was still gasping for air, hyperventilating. His hands drop from Bruce’s shirt and scratch at his throat, his arms forming an ‘x’ while he tilts his head back and desperately tries to draw in oxygen. Bruce tilts his head back up with his hand, and leans him against his shoulder. 

“Breathe.” He murmurs, pushing damp black curls out of Jay’s face. It was a poor command - Jason’s eyes were squeezed shut and his face scrunched in pain, Bruce doesn’t think he can even hear him. “You’re safe.” 

“Bruce.” Dick hisses into his ear, and Bruce doesn’t look at him. He grunts to let his son know he heard him. “The mirror.” 

Bruce’s eyes fly up.

There was a floor length mirror sitting in front of the couch. A mirror that Bruce was conveniently, coincidentally, sitting in front of. A mirror that should have been working as all mirrors do. 

A mirror that, instead of showing Bruce his reflection back as he was, showed him in his Batman suit. Jason was in his arms, but in a torn, bloody uniform. A uniform that looked like a Robin suit. Jason - his Jason - wasn’t a Robin. But here he was, dressed as one, his black-yellow cape pooling beneath him and covered in blood. 

The Jason in the mirror, the Robin, wasn’t breathing. His head lolled over Bruce’s arm lifelessly. 

Bruce’s heart skids to a stop, and he looks back down. Jason was still breathing, his hyperventilating was beginning to slow, but he was breathing. The pained crease of his face was softening, even as his brows were still furrowed. 

When Bruce looks back up at the mirror, the reflection has changed. It wasn’t back to normal, Jason was just in a different suit. He was wearing a white hazmat suit now, and he was burned, horribly. The suit was melted to his skin in patches around his body in black, charred splotches, what wasn’t burned was torn, and the skin he could see was cauterized. The only part of him that was bleeding was his head, and it soaked his black hair red. What of his face he could see, there were bright green lightning figures going up his neck, burning the skin around where it glows. 

The mirror cracks down the middle, severing Jason from Bruce. 

He forces himself to look down, terrified to see the reflection a reality right in front of him. But Jason was alive, uninjured, and breathing quietly. Bruce presses two fingers to his throat, and feels a steady pulsepoint thumping against the pads of his fingers.

Jason’s eyes open and blue stares up at him.  

When Bruce looks up at the mirror, the reflection is back to normal.  

[wraithdance]

CoD | Diverse Reader/OC Fic Directory

Note: Curious to know why a Diverse fic list is necessary for Fandom space? Are you asking yourself ‘This is supposed to be fun, why do we need this?’ Well take a look at the Hall of Shame. 

Please don’t send me questions about explaining further without previous due diligence. I'm not a teacher and I will not respond. If you would like to suggest an addition or removal feel free to message me!

Last Updated: (08/25/24)

Order arranged as follows:

Title | Author | Length | Genre/Type | Pairings

Icon Legend:

** | Dark fic or Mature; U | Unknown/Unspecified

Dark Fics or Fics with potentially triggering content will be notated with a ‘**’ Please be responsible and mind the author's descriptions! For now this will only contain recommendations for the Call of Duty Fandom. If there is a desire for a multi-fandom directory I will consider facilitating that later on <3

PoC Readers/OC’s

♠ Black/AA Readers/OC

Transferable Skills | Dragonnarrative-writes |  Series | Romance | Ghost x Reader Welcome home, it’s wash day! | Kyletogaz  | Drabble | Fluff | Gaz x Reader Natural | Kyletogaz | Oneshot | Romance | Ghost x Reader Through Me/The Flood | Peachesofteal | Romance | Series | Ghost x Reader Meet Bricks! | Dragonnarrative-writes | WIP/Drabble | Romance | Ghost x OC Shameful | Miwsolovely | Oneshot | Romance | tf 141 x Reader Ghost & Nanami | Merakidoll | Imagine/Drabble | Smut/Fluff | Ghost or Nanami (JJK) x Reader Choking w/ Ghost | Merakidoll | Imagine/Drabble | Smut | Ghost x Reader Heavy Weighs the Crown | SentientCave | Series | Fantasy AU | TF 141 x Reader The Arrangement | 391780 | Series | Romance | Price x Reader Picture Day | Kyletogaz | Oneshot | Fluff | Gaz x Reader

♠ Indigenous Readers/OC

Baby Blues | Yeyinde | Oneshot | Angst/Fluff | Price x Reader  Paloma | Motherofhorses | Series | Romance | Ghost x OC

♠ Latine/Latinx Readers/OC

Pierced Ears | Buttdumplin | Oneshot | Poly 141 x GN!Reader In Dub | Buttdumplin | Oneshot | Fluff | Poly x GN!Reader |  Derritiendo los glaciares de su corazón | Pricesugarwife | Oneshot | Romance | Ghost x Reader El Caribe somos tú y yo | Pricesugarwife | Oneshot | Romance | Gaz x Reader Sharing Cultural Foods | Buttdumplin | Oneshot | Fluff | Gaz x Reader Choices Have Consequences | Lazybutsmexy | Oneshot | Fluff | Alejandro x Reader By Trust Alone | Cynicalrosebud | Series | Romance | Soap x Reader

♠ South Asian Readers/OC

From Out There | 391780 | Series | Sci-Fi | Price x Reader TF x 141 & Reader's Mehndi | Femalefemur | Drabbles/fluff | tf 141 x Reader TF 141 Oiling Desi Reader's Hair | Femalefemur | Drabbles/fluff | TF 141 x Reader

♠ South East Asian Readers/Oc 

Retirement Party | Sentientcave | Romance**| Price x Filipino!Reader

♠ East Asian Readers/OC

TF141 w/ Japanese Reader | All-Purpose-Dish-Soap | Fluff | Imagine/Drabble | TF 141 x Reader

♠ Polynesian Readers/OC

TBC

♠ Biracial/Unspecified POC Readers/OC

Brown skin, pretty brown eyes | Disgustingtwitches | Oneshot | Smut | Gaz x Reader

LGBTQIA+ Readers/OC’s

♠ Gender non conforming Readers/OC

Can you check Me? | Syoddeye | Imagine/Drabble | TF 141 x Reader

TransMasc Readers/OC

Binders & Boyfriends | PFHwrittes | Series | Various | TF 141 x Reader Spoils | Syoddeye | Series | Darkfic** | Poly 141 x Reader The Hysterectomy | Buttdumplin | Oneshot | Comfort | Poly 141 x Reader Independence? Simon Says No | Captainjamster | Comfort/Fluff | Oneshot | Ghost x Reader

♠ TransFemme Readers/OC

TBC

♠ Bisexual Readers/OC

TBC

♠ Aromantic Readers/OC

Ghost & Kate w/ Aro Reader | Captainjamster | Drabble/Imagine | Ghost or Laswell x Reader

♠ Lesbian Readers/OC 

The Perks of Being Mrs. Laswell | 391780 | Imagine/Drabble | Fluff/Smut | Laswell x Reader The Pines Are Dancing | 391780 | Series | Shifter AU | Laswell x Reader Go For Watcher | Syoddeye | Smut | Laswell x Reader Mommy Knows Best | Captainjamster | Oneshot | Smut | Valeria x Reader

Disabled & Neurodivergent Readers/OC

♠ Characters w/ Physical Disabilities

Simon w/ Deaf Reader | Starsofang | Oneshot | Fluff | Ghost x Deaf!Reader Simon w/ Blind Reader | Starsofang | Oneshot | Fluff/Comfort | Ghost x Reader Ducks & Dogs | Captainjamster | Oneshot | Fluff/Comfort | Ghost x Blind/Vision Impaired!Reader The Scottish Cabin In the Woods | CharlieMWrites | Series | Dark** | Ghost x Soap x Disabled Veteran!Reader Gaz & Chronically ill Reader | 391780 | Drabble/fluff | Gaz x Reader Across the Way | Swordsandhoney | Series/Romance | Ghoap x Reader

♠ Characters w/ Mental Health Issues & Disabilities

Dead Disco | Peachesofteal | series | Angst | Ghoap x Depressed!Reader Anything | Darklordofthesimp | Series | Angst | Konig x PTSD!Reader Reader w/ Eating Disorder | Starsofang | Oneshot | Fluff/Comfort | Ghost x Reader w/ ED Stray Dogs | Wraithdance | Series | Dark Romance** | Ghost x Soap x Avoidant/PTSD!Reader Caught | Captainjamster | Oneshot | Comfort | Price x Recovering Addict!Reader

♠ Neuro-divergent Characters

Muses | Eowystein | Romance | Series | Soap x Autistic!Reader Lessons in Epigenetics | Eowystein | Smut | Price x Autistic!Reader; Poly 141 x Autistic!Reader Simon w/ Autistic Reader | Starsofang | Oneshot | Fluff/Comfort | Ghost x Autistic!Reader

Size & Height Inclusive Readers/OC’s

♠ Plus Sized/Fat Readers/OC

Scrap Metal Muzzle | 391780 | Dark fic** | Oneshot | Soap x Reader Plus Sized Fashion Designer | Swordsandholly | Romance | Drabble | Ghost x Reader Soft | 391780 | Romance | Series | Price x Reader Mail Order Bride | Bi-writes | Romance | Series | Ghost x Reader The Arrangement | 391780 | Series | Romance | Price x Reader

♠ Tall Readers/OC

I like My Women Tall w/ a Big Ass | Disgustingtwitches | Oneshot | Smut | König x Reader

[solarpunkani]

Solarpunk Community Playlists

So we've got the community playlist for Solarpunk Aesthetic Week, right? It's nice and big, but I wanted to make more community playlists with specific vibes in mind! I've already added a bunch of songs to each, but the goal is to let everyone contribute to them and enjoy them!

Solarpunk and Chill is for lofi/chill beats! The aim is to have it be mostly lofi, or generally just good music to chill to while studying or working on projects!

Solarpunk Sunny Beats is for songs that are pretty upbeat and just feel solarpunk to us--whether its the subject matter of the song, or just the way the instruments sound! It's meant to be the middle ground between the lofi playlist and the next.

Solarpunks Fight for Our Future! is for songs that are punk/punky/rebellious-feeling! The kind of playlist you would bump to on the way to a protest, or do some action--what's the soundtrack that plays in your head if you were to guerrilla garden or do other rebellious acts? Add it here!

I hope you enjoy! I can't wait to listen to everyone's contributions!

[leftneb]

alr here's me yapping about the landoscar Detroit: Become Human AU @lyslsstuff and I have cooked up over the past week or so

(decided to make a full post about it bc a. I have many MANY thoughts about it and b. you people are clearly not normal about this either) (affectionately)

first off have another WIP (peep the blue blush and the lines on their faces I'm totally normal about it yesyes) I unironically had to hide their heads a couple times because the sheer homosexual glee on their faces was making me nauseous (this is how I know I've succeeded as an artist)

the main concept goes: oscar is an F1 driver, and lando is one of his android mechanics. unbenoknownst to the general public (and pretty much everyone except like. zak brown) is that oscar is also an android

androids are very much banned from f1

lando starts out as a normal android, just following his programming and minding his own business really. altough the au plays out after the android revolution androids are still mistreated, just in subtler ways. technically they're not owned by anyone (but they're only allowed to exist when employed) and there's no segregation in public (but there's no laws against it) and some people are vaguely accepting (guess what there's no hate crime or hate speech laws either)

basically I went with the game's commentary on capitalism and treatment of minorities and made it a lot more actual c: we're not oppressing you (but we're also not not oppressing you)

the real plot begins when lando (accidentally) finds out that oscar is an android, which both of them proceed to be completely normal and not disgustingly in love about for the rest of eternity

one of my favorite things about this au (and this was completely unplanned it sorta just happened on it's own) is that the car is basically the 3rd main character. the way I'd explain it is basically: rk800 connor in the game is able to reconstruct entire events (crimes in his case) by examining details and piecing it all together. both lando (being a mechanic) and oscar (actually pulling functions out of the thing) are intimately familiar with the car, like they KNOW it on a personal level pretty much, they can reconstruct every single thing that is happening mechanically by hearing the sound it's making alone

for oscar this is sort of unfortunate because he is suspiciously good at telling when something is wrong (way before anyone else can really). but it also makes both of them emotionally attached feel connected to their machines which I think would be a genuinely interesting aspect of having androids in motorsports

thought I had while writing that paragraph: since irl the cars are usually identified by their drivers' numbers ("car number 4" and such) it could be that oscar litterally just calls his car "81". like that's just it's name. very creative ik

for the enjoyers of the original game I'd add that oscar's deviancy arc (in the sense of which impulses he recieves that lead him to disobey his programming) is most similar to markus' while lando's is more akin to connor's

bonus details that I can't really fit in a paragraph but want to add anyway:

android movements being inhumanly smooth conveniently mirrors oscar's irl driving style (minimal movement)

oscar normally has his pain receptors on despite being able to disable them. something about wanting to feel human (refuses to turn them off after crashes he feels were his fault despite mark scolding him about it)

yk the thing where both of these idiots are always dressed for opposite weather? yeah here it actually makes sense they were just programmed that way

I have no idea where lando's name comes from androids don't have names by default. they just get called "it" for the most part except oscar sometimes slips up and calls lando by his given name (that sounds very trans when I put it like that) which everyone else collectively goes "who the FUCK is lando" at

android transgenderism

I will not elaborate on that (note: I am trans. I will project this)

fun fact the piece that started it all ^^ was quite litterally just me seeing a picture of lando and going "dbh vibes" despite my knowledge of the game consisting of maybe half a playthrough I kinda-watched in 2021 (tubbo played it on stream lmao). it's safe to say that I may have hyperfixated on it a little tiny bit taking into account the 10 hours of playthrough I've watched and 2283 words of google doc we've written since that fateful day. whoopsies

also want to conclude this by saying that I purposefully didn't give too much away about the AU plot-wise because the hypothetical fic that hypothetically may come into existance at some point is hypothetically still a ways away and I don't want to spoil it too hard. consider this a director's commentary if you will

lmk if you wanna be added to the tag list for posts related to this au btw!!! I absolutely love hearing people's thoughts on it (though I am gonna be a bit busy in the coming weeks)

tag list (more people asked me to talk about this than I anticipated soz if I didn't respond directly I hope this makes up for it) @roosterhouse @wisteriagoesvroom @kpiastri @kingkestrel

[monstrous-munch]

aksjsk guys I’m having THOUGHTS again.

warnings: ducon, non-fae creatures being kept as pets, fae being degenerate mfs pfft

Thinking about the fae courts and the glamorous parties they throw. Specifically their more debauched ones. The ones where they have their ‘pets’ - generally humans and mythical creatures - on display. You know how sometimes clubs have people standing on platforms dancing ? kinda like that.

Throughout the rooms the party takes place in, there are raised platforms where 1-4 pets are stationed. Just before the event starts an aphrodisiac perfume, that is MUCH more effective on non-fae, is released. While the fae who inhale it may feel a little more flirtatious, non-fae become overwhelmed with carnal desire.

As the fae nobility mingle - gossiping, and enjoying the food and company - they occasionally stop to observe the entertainment.

A solo human desperately fists his cock, panting, as the evidence of his many releases pool by his knees. Two humans crying out in ecstasy as one bounces up and down on the other.

And then of course there are the mythical creatures. Sometimes paired with each other but often paired with a delicate human.

A werewolf pinning down and mating its little human. A minotaur using one like a flesh light. Moans sound from a naga as her coils wrap round someone’s body drawing their cock in and out of her slit. Across the room snarls erupt as a dragon and chimera posture over who gets to pin down and fuck the pretty thing they’re grouped with.

All across the room wild and wondrous grouping provided and interesting backdrop as the fae make merry~

[travisdermotts]

HOW THE HECK DOES BASEBALL WORK? (Part 1)

Have you thought to yourself “I hate hockey, I need a sport that can break my heart every night!” OR “Who is that mustached man all my mutuals keep reblogging?” OR “I want to get into baseball but what the heck is an ERA?”? If you have, you’ve come to the right place. In this first installment of my “How the heck does baseball work?” series, I’ll be going over the basics of the game.

(if anyone needs or is interested in a PDF version of this, please DM me and I'd be happy to send it out!!)

[tex-now]

Hey is it just me or do certain fans complain about how much they hate the other groups instead of loving theirs.

I don't think calling out the misogyny in this fandom is wrong, not in the slightest (my most popular post is calling out the way people treat ena versus akito because of their gender), but most of the time these call out posts just result in more negativity and arguments rather than any like. Productive discussion.

I don't wanna hear about how minoharu and anhane are more canon than ruikasa and akitoya and are Therefore More Valid And Liking Ruikasa More Is Wrong And Bad (exaggerated but most of the time people do insult a ship in order to promote their own) (also sometimes implies that rarepairs are less valid which is a dick move). I wanna hear about the interesting (and I mean very interesting) relationship that an has with kohane, her feelings of inadequacy and slight envy, I wanna hear about how minori (and the rest of mmj) inspired haruka to get back on the stage, and how minori finally got to "repay" haruka in a way.

I didn't start liking ichika because of people endlessly complaining about how underutilized she is and how You Guys Just Don't Get Her, Read The Stories And you'll Discover That She's Actually Perfect Actually (this one isn't an exaggeration but it was on YouTube not Tumblr so in it goes), I started liking her because I learned about her character, her sheer determination and love for her friends, and her want to resonate with people's hearts from people who really like her.

I'm not gonna pretend the Ruikasa fandom and akitoya fandom can't be annoying, a lot of them are toxic and have a habit of making everything about Ruikasa/akitoya while reducing their relationships with other characters to push their shipping narrative. It pisses me off. A lot. I could write (and probably will write) an entire essay on how entitled and bitchy Ruikasa/akitoya fans can be, and I definitely understand how it can build up resentment towards a ship, and how their mass popularity is most definitely attributed to the fact that they are men (which results in an extreme lack of understanding of their actual characters and overall dynamic, reducing them to "top tall sexy one" and "bottom cute feminine one" which upsets me to hell and back). And calling this out is not wrong in the slightest.

but needlessly attacking a ship that someone likes is not a call out. calling Ruikasa and akitoya "a stupid ship" is not a call out. Actively insulting people for liking it is not a call out. Adding Ruikasa and akitoya tags to your post bashing them is not a callout. It's being a dick. You are not doing anything productive by calling Ruikasa and akitoya shippers idiots or stupid or insulting their taste you are only going to piss people off and you know that you are going to piss people off.

Acknowledge but do not attack. Be civil. And if you cant be civil then save everyone some time and keep it private.

Oh yeah. And be annoying about your blorbos. Make KING kanamafu art. Put shizuairi in Fragile. Talk about how much you love your girl ships and your girl characters and don't event mention the guys, make fanfiction and fanart of the girls, I really really want you to, genuinely, because they do get less rep in the fandom than their male counterparts, so more content of the girls is always great. It feels a lot better than complaining about a ship you don't even like, I promise

(Btw I mention this in the tags but if anyone wants to add input or correct me on something you totally can. My words aren't law and this post is just me stating my thoughts, and I invite you to share yours if you want.)

[mercymaker]

i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.

i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.

one thing in this 'apology' that really stood out to me was this:

how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?

how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?

how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?

all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.

and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?

and then this was from your apology back in march:

and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.

at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.

[selfship-vent-confessions]

I will never understand non-sharing. Their F/Os are just fictitious characters, they are not their property. :/

It's usually for comfort. Some people are just very closely attached to the characters and thus feel uncomfortable sharing them. Sometimes it's because they're ficto in some way and thus view the characters as being genuine partners cause the love for them is the same as any nonfictional relationship (which is completely valid, by the way), and sometimes it's just because they don't want to for their own reasons

Yes, some people can be rude about being not open to sharing, but not all non-sharers are aggressive about it. Most are fans just like you who want to feel safe in their community just like you do. Most don't even view the characters as their "property", they just don't feel comfortable interacting with those who have the same F/O as them. It's a boundary and should be respected just as much as people that are okay with sharing

I'm mainly answering this just to give some information, but this is a safe space for sharers and non-sharers. You gotta realize that to some people these aren't just "fictitious characters", and selfshipping is a lot more personal.

[foxaoxarts]

BEE KISS TOMORR- *dead* /j

If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣

(FLICKER WARNING. It's all through out so be careful!👍 )

[bisexualfbiagents]

There is no right or wrong. Life is just a path. You follow your heart and it'll take you where you're supposed to go. God, you sound like a greeting card.

CELEBRATING 30 YEARS OF THE X FILES Day 3: Favorite Character ➤ Melissa Scully

[bow-wow-wark-wark]

Toshiro defense post

Hi everyone! So, I know this topic has been discussed a bunch of times before xd, but I keep seeing people say nonsense about Toshiro so… strap in cause this is another Toshiro explanation post!!

IMPORTANT: I do want to clarify that it’s fine if you dislike Toshiro. After all, everyone has the right to dislike characters so I’m not going to stop you, I know it’s not that serious. But then I’d like to ask you to stop spreading misinformation about him, use him for angst stuff that mischaracterizes him or any of that xd. Like, dislike him in peace xd but stop using him as a villain. Also, before any of you say “I understand his complexities but…”  let me stop you bc most of the time you don’t xd. Like you acknowledge the microaggressions and other things but use other poor excuses for hating him or invalidate that, so please read this post and keep an open mind!! Finaly, this post is going to touch on and disprove the following topics: 1. Toshiro hates Laois (together with stuff like how he is ableist and an asshole) 2. Toshiro is a huge hypocrite for liking Fallin (together with how he doesn’t really love her) and 3. Toshiro was racist towards itsutzumi (without getting too into complex race politics). I will also back up my arguments by content in the anime and some of the extras from the manga, despite that I will not delve on spoiler related content so, let’s get to it!

1. Toshiro hates Laios.

Something that people use to hate on Toshiro is his famous fighting scene with Laois, saying things like “Toshiro was ableist towards Laois” “Toshiro is a hypocrite because he complains about poor communication, but why didn’t he say anything himself?” “Toshiro hates Laois” but before we tackle this let’s recap:

In this scene they fight over the fact that Laois has poor social skills and doesn’t understand the ways Toshiro expresses his annoyance at him and his desire to have some space, he also accuses Laois of being unserious about saving Fallin and even says that he has always hated Laois. This scene resonated with MANY people that have experienced this exact same conversation with “friends” who would get mad at them for showing neurodivergent traits, I am one of those people as well so I can totally understand.  So, them seeing themselves in Laois and their acquaintance in Toshiro people accuse him of being ableist, but this:

Is not that. First of all, it’s important to note that Toshiro’s complaints come from his cultural background as an easterner, where he is used to subtle communication, and by his upbringing as an heir of his island (something that is explained by this thread in great detail!! But to summarize it basically says that he has become more reserved due to his retainer’s overbearing nature and do to being compared to his father constantly and by being surrounded by rumors of his family, so he chooses to not speak out as to cause more trouble for himself). Second of all he doesn’t really do anything ableist… many people say that they hate him “because he was a huge dick to Laois” but apart from expressing his frustration by yelling and fighting, something rude of course, what ableist or horrid thing did he do?  He didn’t call him names or anything, and even acknowledges the fact that Laois is someone who acts in good fate and doesn’t mean any harm to him, but he still dislikes his actions (not a bad thing at all). It’s also important to note that Toshiro is TIRED in this scene, he hasn’t eaten or slept in 3 whole days and suddenly he bumps into a bunch of problems and the girl he loves turned into a monster by this guy who seems WAY to relaxed about it and who he already has gripes against, my question is: Who wouldn’t lash out? Additionally, this scene is important for him too!! As he finally stands up for himself and expresses his feelings, something that drives his character development into being a better guy.

On top of all that, it’s also important to note that Toshiro himself shows signs of being neurodivergent just that in a different way than Laois. For example, his hyperfocus on saving Fallin making him ignore his needs, his overreliance on social cues to understand others, his stand offish an awkward nature that doesn’t let him connect with the people around him and his difficulty to express his needs. These are things many neurodivergent people can relate to, and dare I say, things Laois shares with him!! They both suck socially which is literally what causes this, so what makes him so different? So hard to forgive? What makes it hard to understand him but not Laois? And let’s all not forget the fact that Laois has been pulling a microaggression on him by calling him a butchered version of his name this entire time! It doesn’t make him evil! But it shows how they have a complex relationship where both sides where right. (Also, I know this is a complicated topic and I know there are poc people who hate him BUT, to me the issue is that he 1. Has a meltdown and 2. He’s not white. Like it is very known and said that poc cannot express themselves in such freeing ways as our white counterparts, so it’s harder to be nd and poc than white and nd, which is somehow the case for Toshiro as well xd. Many people say that he shows how people only like nd traits when they’re palatable, but this argument goes back to you, you might find nd traits better when it’s on a white guy you can baby and not on the Asian guy who should know better. None of them should have to, characters are allowed to do bad things and fix those errors).

 Lastly, Toshiro mends his mistake immediately!!  He doesn’t hate Laois, if anything he holds complicated feelings towards him for a while, which most of the cast do (more on this later). Some people seriously act like this didn’t happen, but at the end of the fight he admits that he doesn’t hate Laois (media literacy check but not everything a character says while angry is true!!) but envies his free spirited and straight forward nature. And if this doesn’t seem enough to mend his mistake, he gives Laois the calling bell, which will immediately send someone to help him and fetch him to the east. Would you have a guy that you HATE as a refugee in your country? Plus, he’s serious about the bell too! This scene wasn’t added in the anime, but there’s a point where Toshiro and Kabru are leaving and they keep hearing the bell, which they point out as annoying, despite that Toshiro always keeps it with him and says that if the noise stops, he will know to fetch Laios. If he really hated him, why would he keep a loud object around him just to make sure he is safe? (There’s literally a scene where it goes off after Laois throws it and he just acts embarrassed that it’s interrupting a conversation, but he doesn’t leave it or anything).

2. Toshiro is a huge hypocrite for liking Fallin.

With that point out of the way, lets get to the 2nd problem: Toshiro’s crush on Fallin. Let me preface once more by saying I LOVE Farcille and think they’re a very cute ship, but using Toshiro as your angst bait is not cool and super ooc (clarification: I don’t mean like a respectful joke about him getting rejected or exploring marcille’s thoughts on his proposal, I mean bashing on him hard or saying that he would intervene or disapprove of a farcille relationship).

Ok so in this case, many people say that Toshiro is a HUGE hypocrite because of 2 things: 1. He likes Fallin but dislikes Laois even though they’re almost identical, and 2. Because he claims to love Fallin while abandoning her and condemning black magic.

So, let’s get into why this is not true:

We have already discussed how Toshiro does not dislike Laois, but pushing that out of the way, the one thing he “dislikes” about Laois is the one thing he does not share with Fallin, which is their social awareness. Fallin is significantly more socially aware and tends to do things as to avoid burdening others, putting her needs aside, she’s someone who is very thoughtful and mindful of the people around her, unlike Laois who, while also thoughtful and kind, is not as receptive (Also crazy to note that her and Toshiro share this “not fully sharing my feelings as to not burden others” thing). Besides that, he likes that Fallin likes bugs/nature (the same thread from before has a nice possible explanation if you want to check it out) something that could be related to Laois’s love for monsters which, fun fact, he doesn’t hate at all!! Something that, funnily enough, others seem to give Laois flack over but not Fallin (crazy how there aren’t as many people shitting on Marcille or chilchuck for this?? specially since Fallin also likes monsters but Marcille never says anything about it and centers her annoyance on Laois? Wow… (I don’t hate Marcille for this either btw, I’m being sarcastic). And on the topic of this double standard, I’ve seen many people ask how he thinks he can marry into the Toudens while hating Laois (bad), while at the same time seeing so many “omg marcille thinks the only downside to marrying Fallin is Laois” (funny), crazy how its bad when Toshiro does it, huh? (Even crazier is the fact it’s only half true for both of them xd, they like Laois he is their friend)

So, once more he dislikes that Laois doesn’t give him space but likes Fallin because she does, especially because they aren’t very close at all. Toshiro has a hard time getting close to others and it’s stated that he tends to put barriers around himself with people who are “close” to him like maizaru and Hien. But since Fallin is an acquaintance at best it’s easy to like her from afar and the traits she seems to show outwardly.

Which leads me to the next point: Toshiro mani pixie dream girlifies Fallin. It is true that Toshiro has idealized her and doesn’t know her too well because they don’t talk but... is that a crime? There are many characters who hold biased opinions on others (like kabru with Laois or senshi with marcille or marcille with the orcs, etc.) and that doesn’t really get critiqued either. I don’t think it’s the sign of a horrid man for him to like Fallin without knowing her to well xd, it’s pretty normal for a crush and also if you consider his nature. Besides, this is once more influenced by his background: in one scene chilchuck mentions how the proposal thing is common in the east + he is an heir xd, so it’s only logical to be thinking about marriage, specially since his dad has high expectations for him (something that I know has not yet been shown in the anime, but it is present on extra manga content). It’s important to note also, that he doesn’t claim that he knows her best, puts words on her mouth or push his feelings towards her either. He proposes, she says that she will think about it and as far as the anime is concerned, he waits patiently for her answer. He doesn’t say “curse you woman you are coming with me!” or anything like that, and even if he expresses that he wants to leave with her to the east, that is ONLY if she says yes and agrees to that, so its illogical to say any of these things without proof.

Now onto the 2nd main point of this section: He abandoned Fallin and hates black magic. 1st of all, he didn’t abandon Fallin, he left to gather his retainers to search for her in a way he thought more efficient and once we see him again, he HASN’T EATEN OR SLEPT IN 3 DAYS OUT OF DEDICATION ALONE!! (If you use the argument that he abandoned Laois, that can also be explained by this). Now, him hating dark magic and claiming to turn in Marcille to the elves. This is not the best, since it poses conflict for our protagonists but 1. He doesn’t even end up doing that and helps them out after all is explained and 2. Put yourself in his shoes, what would you do if your crush turned into a monster that killed all your party? “Toshiro didn’t love Fallin enough to accept her as a monster unlike Marcille” Are you guys listening to yourselves? What he sees is a Fallin that has been desecrated and turned into a monster, something that will harm her and others + he’s not a magic specialist so how would he know or believe that they could turn her back to normal? He condemns Marcille but not out of lack of love, but I would say because of it, as far as he knows this could only turn worse for her anyways. Also, Kabru points out his illogical line of thought, claiming that it would be better for Fallin to die then, and Toshiro realizes how stupid he sounded a moment ago xd; Kabru points out how he also would have done anything to save her, and he backs down in agreement.

Once more, maybe annoying but not bad guy material. What’s more, this one is a really pressing matter as I have seen SO many Farcille fan artists and editors using him as an easy villain that hates Marcille (he is canonically scared of her) or as a cuck that doesn’t get Fallin. Somone pointed out once how he gets treated like a female character that gets in the way of an mlm ship and I agree. But while sometimes funny, it gets absurd at times and tends to border on making him someone he is not. I’ve even seen people say he’s homophobic (XD) or make him the token straight guy (something that in most fandoms means being an annoying incel character). In addition, many people say that Fallin would hate him for being “mean” to Laois but 1. She is very kind and would probably understand him. 2. If she realizes Laois has forgiven him, I don’t think she would meddle in to fix her brother’s problems because he wouldn’t want that and that’s just not her personality.

2.5 Small section.

Before we move into the last section, I’d like to add a small section called: you guys don’t understand Toshiro’s personality. Let’s be clear Toshiro is a shy, quiet, reserved, sentimental, rigid and half-hearted guy. It’s not common for him to start things, he tends to leave problem solving to authorities, he isn’t too confident in himself, and he is also an outcast in his homeland. Yet so many people describe him as being arrogant of self-absorbed and I really don’t know where that is coming from. Like, I’ve seen a bunch of people say, “oh how can he think he’s good enough for Fallin?” or variations of the sort but... I don’t think he thinks that he just decides to shoot his shot anyways. I’ve also seen some people describe him as some “pretentious rich asshole”, but this is also never showed or implied in text. Toshiro does not flaunt his wealth; he doesn’t act like he is better than ANYONE in the party, he just has money by being an heir (something not fun for him) and that’s it, but he doesn’t even use his status to get anything from anyone either., so… where is this coming from? (Racism? a need for a bad guy? who knows?) Plus, many people seem to dislike him because he is an aristocrat but… the system is not the same as being like a prince, his family just has influence in the east. Besides, characters like Laois or Mithun were also well off and from influential families and don’t get that type of flack. There’re also characters like Laois and Kabru, who express the desire to join this “aristocratic/monarchy” system by becoming king and lord of the dungeon. Who, then again, don’t get that flack.  

3. Toshiro was racist towards itsutzumi.

With that out of the way, we have reached the final point: Toshiro owns people (making him racist ig). Ok so let’s preface by saying 2 things: 1. Dungeon meshi is not a racist story, but a story with racism and many complicated race relations that get treated respectfully for the most part. With this is included, the complex treatment of beast skins and other races seen as less human like kobolds or ogres like Tade.  2. The retainers are not slaves; they are servants for Toshiro’s family.

Ok, so it is true that Toshiro’s father bought itsutzumi from people who were abusing her (and Tade as well but people don’t bring her up when talking about this xd) and later put her to work as a retainer, so therefore he owns her right? Yeah, but not as a slave. Slaves do forced labor and are kept in inhumane conditions, which she is not, as she is given a home, education and the most labor she does is chores (which she usually avoids anyways) and probably some fighting of the sort. In fact, you could even say that she was enslaved prior to being bought by Toshiro’s father (not that this is an excuse for buying her necessarily, but once more this relates to complicated race things). It is also important to acknowledge that as a beast skin itsutzumi (a non-human) is seen as less valuable and gets treated unfairly by maizuru. And while it can border on othering behavior, like being tied up for misbehaving, this is once more pushed by maizuru and not any of the other retainers or Toshiro himself.  With this argument usually comes the mention of the cursed collar that was kept on her, which is definitely a bad thing, but once more it is made by maizuru without Toshiro having ANY knowledge about it. I don’t judge any anime only for not knowing this, but in one extra it is revealed that Maizuru actually used the collar on Toshiro himself as a child, so that he would not leave too far from her side, so she explains that she made a similar one for itsutzumi; in this extra he looks surprised and remembers the traumatizing experience so... yeah, he didn’t know.

Additionally, many people compare the argument that he doesn’t own them, but his father does with the sixpence drama from a long time ago. Saying that this doesn’t excuse the behavior and that he should have done something, but that can also be explained. 1. Toshiro actually doesn’t meaningfully associate with any of the retainers prior to leaving to the island, (as explained by the adventurer’s bible and other extras) except for Hien as they are childhood friends and Maizuru. Besides that, he holds no relation to any of them, so he could not have known about itsutzumi’s situation, and it’s even shown that he doesn’t know how he should treat her at all. Despite that Toshiro does show consciousness towards their situation, saying that he would like to talk to Tade about being so adoring of him and his father, but he isn’t sure how to approach the issue. With that, we could assume the same could be said about his feelings towards itsutzumi. 2. “He left her to die”, technically no. They know she’s a capable fighter, so they probably didn’t see any problems with leaving her and also, itsutzumi scapes his party. Meaning that they know she doesn’t like them so why would they go back and search for her? If anything, Toshiro might have thought of it as an easy way to give her freedom, once more, why would you force someone back when you know they don’t want to be there?

“Why didn’t he let her go sooner?” This is explained by the first bit that he didn’t really know her and by asecond thing: contrary to popular belief, Toshiro doesn’t have such a big control of the retainers as it may seem, and it is ultimately maizurus or his father’s choice as to what to do with them. Like he didn’t want them to come with him to the island, but they don’t heed to that and come anyways. So, what makes anyone think that he could just change his fathers wishes? So yeah, he doesn’t own people they work for his family and that’s it.

So, this is the end of the post, if you read all of this, I greatly thank you and I hope I could make at least one of you change your mind. If not, oh well. Once more is valid to dislike characters, you can keep doing that but stop seriously stop with the angst bait or misinformation spread. That is all I want to say, so thank you again and see you later.

[chaoticace2005]

I’ve seen a lot of people talking about how the exorcists look like demons, and while I do understand where the complaint is coming from I also wanted to talk about how them looking like that kind of supports the narrative.

I’m going to start this off by staying this is from a perspective looking at the narrative presented to us in the Hellaverse, not any specific religion because 1) I am an atheist who doesn’t have the knowledge or background for making any calls on that and 2) the canon hasn’t confirmed this adheres to a specific belief system. There’s Adam and Eve and Hell and Heaven and yes, but this show arguably works as a parody of all of that.

Now that that’s established, I want to bring up one of the main points in the show: the idea that those in Heaven and Hell aren’t that different. In Helluva we’re shown the experiences of hell-born, and we even see cherubs later on who seem to fulfill the parallel role of them in Heaven (with the IMP vs CHERUB fight.) We also know that Lucifer was an angel in this canon. So some of the characters with the most authority in those domains are from the same stock.

The main difference seems to be punishment. Lucifer was punished for his actions and was given those who were deemed “Sinners.” The Hell born seem to be just natives living there and many seem to be products of their environment. So while Sinners may be “bad” and Winners “good”, all those born in Heaven or Hell have no reason for being there.

Whether exorcists are brought to heaven or made there, there is still that view of superiority. The way Lute talks makes it clear she’d be willing to kill the hellborn if she could, despite them not having done anything to be there like the Sinners. It’s similar to how some people born into high economic status view those born into lower. It’s just luck of the draw but now you have access to different opportunities and that influences the way you view others. Those born in Heaven probably look at those born in Hell and argue that if hellborn aren’t bad, then why does Hell suck? Ignoring the fact that Hell is established for the purpose of containing Sinners, who often end up being more powerful that the majority of hellborn.

Even some of the Sinners likely fall into that issue where people who gave to endure harsher environments may have to resort to more extreme measures to get by, and then punishment for it just causes them to need to do even more because their conditions worsened. As seen with the rate of people who keep returning to prison. With Hell some may have fallen down this path (think of Angel, who was born into a crime family, it’s likely a lot easier to fall into drug addiction then when you have access and more things you’d like to forget, but drug addiction can be a slippery slope and the other stuff he needed to do to survive basically condemned him.) Obviously not all Sinners fall into this category and are just monstrous pieces of shit, but they likely isn’t the case for everyone.

Then, once you get to Hell it’s essentially a larger prison, except you aren’t separated and are given powers, causing some of the more malicious individuals to rise up and acquire power, making it even more of a nightmare for everyone else. This continues that cycle of having to do certain things to survive. Similar to have in jail that fear of getting hurt by some violent people make you align yourself with slightly less violent people. Except now in Hell there’s that added issue: there’s no escape.

(Also, Hell is a prison but you STILL have to pay rent and work to survive, so you really get the added stress of both worlds.)

Anyway, this whole cycle causes a similar effect to the growing class disparity we see in many countries. Those on top (Heaven) continue to have power while those lower have to deal with most of the burden. Reinforcing that belief in exorcists that Heaven is “good” and Hell is “bad” because they are unable to see the full picture. They just see it as “they blew their shot” without thinking of why that may be or considering the people who didn’t even have a choice being there— like how some people blame others in poverty for being that way because “they are lazy.” That’s not even remotely the full picture. But because certain things come easy for you it’s hard to understand why it can’t come easy for others.

Exorcists are then given the excuse and opportunity to kill others, people who they believe are lesser than them. And some take genuine joy out of it, yet they continue to see themselves as the “good guys” because that’s what they are and the others “deserve it.” And this shows how when some people are given the opportunity and reason to be assholes they’ll take it- millionaires don’t HAVE to exploit their employees, but they view it as being to their benefit and helping the bottom line.

So now, both exorcists and those in hell have reason and excuse to be violent, albeit for very different reasons. Yet because of this exorcists are still “good” and those in hell are “bad.” And this is largely because of the lack of consequences for their actions. Heaven reinforces their behavior, before episode 8 there was no push back from Hell, so they could continue to use their reasoning as an excuse to kill others.

They’re blind and don’t see it though. They only see the world from one perspective, which is ironic given the exorcist mask is missing an eye. They can put masks on and hurt others and then take them off without dealing with the consequences. They “go down” to the level of the very people they despise and then write it all off, because they have the comfort of taking their masks off at the end. Of having a choice.

It’s also interesting how their masks don’t resemble sinners but Hellborn. Which almost reminds me of mocking another’s culture while actively hurting them. They may not be able to physically hurt hellborn, but they’re still viewed through the same lens as Sinners. They’re still “bad.” So exorcists can don caricatures of their appearances, go around “pretending” to be them by committing violent acts, and when they’re done they can take it off. As I’m writing this I’m now thinking about how in the past black-face has been used to reinforce racist stereotypes, making racist caricatures.

This also camouflage in a way, maybe they were previously asked to “fit in” before things got all crazy, and when told to look for “demon disguises” they all fall back onto the stereotype and dressed up like that.

The usage of exorcists wearing demon-looking masks could be them both “playing bad” while also clearly showing the fact that at the core people aren’t so different. For as much as they hate those in hell, they’re just as likely to fall into the same traps and patterns as them.

Having written this all now, I wanted to bring up Vaggie. Vaggie who took her exorcist mask off to show sympathy for someone only to be punished and marked with an “X” that mirrors her mask. Vaggie who previously was part of the “elite”, where she could forgo consequences until she couldn’t for not following them and was cast out, being permanently marked. Vaggie, who was previously allowed given the gift to “play bad” due to being in Heaven, but when she was cast out “playing bad” wasn’t an option anymore. Taking off her mask can’t get rid of mistakes anymore, and now she has to display them for the world to see.

I don’t know if the “X” was intentional on her part or irony, but if she did choose it it could also be her recognizing her role in the system. Her realizing she can’t go back and using the “X” to remind her of what she’s done. Because she doesn’t have the luxury of pretending she’s a good person anymore— she doesn’t want to forget.

[black-and-yellow]

How much would it cost to see post lov Loudspeaker with all of his scars? I have shiny rocks and seashells

Doesn't take much to convince me to draw Loudspeaker. But give me your coolest rock.