#if he thinks he’s dead… does he think he’s REAL?

[audliminal]

It's just a game, right? Pt 2

pt 1

"It's like. Crazy, y'know?" Bernard's voice echoes in Tim's ears as he fiddles with his mask. "Like, when they started posting, I was kinda meh about it? I mean the first few videos they posted were just like. Basic shitty, scrambled audio, and the first clues were just like, real simple. Basic word replacement stuff; mostly vigenères, right? But now it's- they're using everything! The current drop is. It's layers, man. And I think it's intentional."

"Isn't it supposed to be intentional? I thought that was like, the whole point of an ARG."

"No I mean, like yeah obviously the clues are intentional, but like. The way the difficulty curve is just increasing. When this started it was so easy, but I don't think it was because they like, didn't know what they were doing or anything. Which, cool yeah that makes sense, you want people to buy in before it gets super hard or whatever, but there are, like all these threads that never went anywhere. And everybody kind of wrote them off as red herrings because they didn't seem to fit into the narrative that we had so far, but I can't stop thinking about them, you know?"

"I mean, they could still be red herrings, couldn't they?"

"Well, technically, yeah, but like. Why? It's one thing to have a dead end that maybe calls back to a previous clue or, like, reaffirms some detail from before but having something completely unconnected seems like a weird choice. Especially when the creator keeps telling us to dig deeper."

"What the fuck does that mean?" Tim asks with a laugh.

"No that's the thing!" Bernard's voice goes intense, and Tim momentarily stops putting his mask back together. "Literally every fucking drop those exact words are hidden somewhere in the mess of encryptions, and as things get more complicated, it's showing up more not less. And that together with all the fucking loose details that don't seem to fit in anywhere? I'm literally on the verge of going back to the beginning of the whole thing and solving it from scratch, bc I think we're missing a lot." Tim kind of forgets, sometimes, how similar he and Bernard are, but the in his boyfriend's voice is one he's intimately familiar with. That combination of obsession and frustration - and obviously it's not really serious because like, it's an internet game, but it doesn't matter what the stakes are, being stuck on a puzzle fucking sucks, and he can't exactly patrol what with his broken ankle, so maybe a fun, no-stakes challenge would be good for him.

"We were planning on hanging out on Friday, so what if you walked me through it from the start, and maybe together we can come up with some answers?"

"Seriously? Dude that would be so awesome! I will teach you everything I know about code breaking!"

"I mean, I do know some things, you know. You think I didn't have a spy phase as a teenager?" Tim smiles at Bernard's responding laughter. It'll be nice, he thinks, to mess with a puzzle where nobody's life is at stake.

[theoxenfree]

DARK POOL

aquatic monster x reader | 2.8k

you're mystified by the strange noises coming from the basement. despite your uncle attempting to thwart your concerns, you make your way downstairs into the basement one night and come across an appalling sight, and soon enough, a blooming infatuation.

warnings; 18+, double penetration, explicit sexual details, imprisonment (not mc), some unsettling details, roughly proofread, repost from my old blog 2kmps.

this is a concept piece for a potentially long one-shot! pls answer the feedback questions at the end + reblog!! it really helps to develop a well-rounded story for y'all!

Uncle told you that the rats in Cape Tellis liked to swim and when they were in search of food, they didn't care how long they'd have to paddle through the water to find it. Some would simply drift with the current for days; black-gray fur rotted off, skin peeled off bone, little faces disfigured by sea and salt, but they would keep going until their bodies nudged the rust-red walls of the lighthouse and found the energy to scale upward to a window and squeeze inside.

He mentioned this anytime you had something to say about the ruckus down in the basement—sometimes scratching, sometimes powerful, erratic thuds that you felt pulse through the floorboards, through the rubber soles covering your feet, and into your skin. That place was sealed behind a rusted metal frame and door, deadbolted and locked with a key he always carried on a chain through a belt loop.

It always jangled when he walked because he had a limp so bad that his entire leg always dragged a pace behind him and took a great amount of effort to haul forward. When you had asked of it, as memory dictated a handful of years prior he didn't have such trouble, he first claimed it had been a bad sinus infection that got into his brain and disrupted something neurologically. In another instance where he had stopped for a third time on an evening stroll together, he had said he scuffed with one of Cape Tellis’ formidable rats and the mangy bastard had won and taken a chunk of meat out of him before scuttling back into the walls.

“Just ignore it, it's normal that they're active this time of year,” he was saying while scraping fried eggs out of a pan onto your plate. Meanwhile, you winced to the usual commotion downstairs. “They get real flighty this time of year. The rats do. They get frisky and chase each other all around. I don't know nothin' about them besides being persistent, ugly things, but it may well be their special season.”

You ripped a sharp edge in your toast and prodded the egg yolk until the sunny orb burst, oozing out across your plate before you could scoop it all up in the bread.

“How long does it take for the rats to go away?” you asked with some interest in his answer, if for no other reason to know what sort of yarn he'd spin next. The bread was buttered, the eggs unseasoned, but you ate it all anyway while watching him. “Are they permanent residents or do they come and go? You must be feeding them if they stay here.”

Uncle took a long time to situate his bad leg under the table, longer to arrange his silverware and the direction of his food. “Oh, they have no interest in leaving, I don't think. If they really wanted to, I imagine they would've jumped back into the water and swam somewhere else.”

Each time the noises rose up between the wood slats under your feet during breakfast, Uncle told you not to worry about it, but you quieted every sound in your head to better hear rattling metal, reverberations of some sort—like having a man’s deep, anguished moan pressed right against your ribs. You weren't sure what you were looking for when you listened, only that you knew they were rats.

Uncle looked at you, his appetite pushed away towards the center of the table with his plate. “Let's go for a walk, yes? The rain won't come back for a few hours.”

When you did walk after a meal, granduncle would often have to lie down with his dead leg propped up on a short stack of pillows for a long while. It became something of a habit of yours to exert him too much after dinner, forcing him to keep up with your youthfulness—your merry prances and unburdened soul.

For what it was worth, he did the best he could to never be a hindrance. He didn't seem to fully understand his own limitations either, making it quite a simple thing to steal the key from his belt loop while he slept—deep and silent, so much so that you needed to drop a tissue over his face from make sure he was still breathing—and unfasten the lock to descend a set of slick, stone stairs.

There wasn’t much to at the bottom; a space half-flooded from seasonal rains raising the sea-level, old pieces of ship equipment hanging like ornamentation, an old folding chair that had yet to rust despite damp air, and a large hole in the ground that was dark like the throat of a nightmare envisioned in the most precious hours of night.

You held a plate of raw meat, freshly thawed from the freezer, outstretched with a flickering lantern in your other hand. Anywhere else, you'd have just brung a flashlight—but, he didn't like the bright lights, had ripped the last one out of your hands and smashed it against the wall. Oil lanterns were better tolerated, but he still seemed to cower from the gentle flickers.

So, you placed the meat on the seat of the folding chair and walked closer to the hole, wading a hand through seawater until touching braids of cold metal, chains pulled taut as though weighted down by an anchor. You gave the closest one a tug, always with the same caution as a child gripping his mother's clothes in uncertain times, and backed away.

He never made noise when he surfaced, always frightfully quiet, only indicated by a trail of bubbles that followed after where he roamed underwater. The first thing to emerge was a dorsal fin flared proudly from the middle of his head until midway in the deepest curve of his back. His eyes were on you, abysmal black things with a luster you likened to a landbound fish, and skin and scales that moved stiffly with his facial movements.

“You,” said the creature, toneless and in a voice far too raspy and deep to have an equal match amongst human men. “You have come. You are here.”

Months ago, he hadn't been capable of simple speech such as this. The noises he made were incompatible to anything you had ever heard—perhaps mere vocalizations he utilized underwater, possibly something long gone and archaic—but he had started mimicking you when you'd speak, and eventually you started slowing down, giving him the time to feel how the sounds vibrated in his own throat.

“I brought you food, again.” You gestured towards the seat with raw meat with your lantern, prompting his passing glance of interest before he was back on you. “Not hungry? He usually doesn’t feed you that well. I haven't been down here in a week or so, so I figured you'd be ready to scarf it down.”

“No.”

He came closer and the size of him grew, a towering figure with strong, broad-shoulders and a chest built to withstand the friction of the sea he used to own. His face, although hidden in darkness and flickering shadow cast from your lantern, gleamed as the light struck his iridescent scales. The shape of his lips were human-like yet taut, helping to comfortably fit his sharp teeth inside his mouth.

You'd wondered at times what exactly he was, what your granduncle believed him to be and feared so much to hide him away, chained to a wall. You fantasized that he could be the lost prince of some underwater civilization, or the offspring of several thousands of years of evolution between humans and something else.

He never seemed to understand you when you asked him what he was.

“Come,” his reach was limited by the chains that bound his limbs, keeping him shy of touching your body. “Come to me.”

With the lantern set aside, a distance you hoped wouldn't turn him petulant, you walked in his arms and the shackles and made home there as he surrounded you. His embrace was not the sort you could escape, nor was the kiss he pressed against your mouth.

There were parts of him you were too scared to touch, where his scales were like serrated teeth and he had much less control to retract at will like the dorsal find along his back. His lips were smooth and cold, however, a safe place for you to be on his body along with the hard flesh on his chest.

He pushed himself into your touch as your fingertips traced the shape of his torso, rose with the sprawl of his breasts and shoulders, molded into the ridges of his lower abdomen that you felt pulse and tense the further downward you roamed.

The sheath around his groin had swelled significantly and seemed to twitch when you smoothed your hand across it, kneading it gently to see what would come of doing so. You'd seen this only once before several months ago, a time where you'd been more frightened of him and fled from the basement for weeks when he'd acted more aggressive than usual.

It was one of the many things he had taken notice of that were perceived negatively—with fear and distance and shutting him away in this deep dark until you found the courage to feed him again, because your uncle was petrified along with being restricted in his ability to navigate the stairs with his lame leg.

So, he had learned to behave at the worst of times to keep food supplied, for you to stay wrapped up in him like this and so curious to challenge the extent of his self-restraint.

His kiss had grown full-bodied and restless and gone elsewhere on your body to a great expanse of skin. His face nuzzled into the fabric hiding your warmth from him, teeth tearing and fraying the threads that kept your clothes together until you stopped him.

“Stop—wait, wait, wait.” You walked back out of his arms once he was able to recognize the words. He reached for you despite the clattering bonds around his wrist, but you took your time to shuck the clothes from your body and fold them.

Once he had you back, he led you to the edge of the pool of endless depths and sank down inside of it. Your toes touched the very edge of darkness, stirring a rabble of butterflies in your gut that did not dissipate even once he resurfaced.

"Sit.” He gestured right at where you stood. “Sit down.”

The idea of having any part of your body submerged in the black water left you with little desire in continuing this, but you obeyed and slowly lowered your rear to the rim of the pool, legs speckled by goose pimples as the cold water gripped up to the inside of your thighs.

“Yes, good.” He was close enough to push your thighs wide apart and stick his tongue inside of you. You took in a great sucking breath, startled from the suddenness of it and the long, articulate appendage massaging a part of you in a way no one ever had before.

You leaned back on your arms when they weakened and shook from the sensations, eyes flicking towards the drab ceiling, wondering just how far under the living quarters of the lighthouse you actually were and whether granduncle would hear any lewd sounds that were beginning to hum in your throat.

“Keep going.” He said when you moaned, tongue retracted from your body to mimic the ministrations you made with your hand and fingers while you stroked yourself. “Keep doing it.”

He nudged your hand away to put his mouth over that stimulated spot instead, sucking and licking along you with such fervor that you dissolved into hard pants and whimpers, tempted to close your thighs around his head and push him away as the tight warmth inside of you flushed out with a kaleidoscopic burst of color and cool air following the trail of something slowly oozing out of you.

It took a second orgasm and chanting turned to cries to get him off of you. That brief respite ended when he took you by the waist and dragged you into the pool with him. By that point, you were too far spent to have anything but unshakeable indifference to the depths and the cold.

His kiss was as it had been before, rough and restless, forceful in a way that left you malleable and melting against him. Even when he had your front wedged between the rim of the pool and his chest, you couldn't bring yourself to react much.

You felt his thighs mold to the back of yours before the slim tip of his cock pushed into you, the girth of it thickening considerably at the base. The friction of the water wasn't an obstacle for him to fuck into you with greedy thrusts that threw your hips forward, knocking skin and bone against the wall of the pool.

“Oh, oh, oh, oh—” the ridges of his cock were an unusual feeling, catching your walls in spots, spreading you wider when he'd withdraw part way and plunge back inside. “Oh, shit—feels good. Harder. Harder. Harder!”

There was truly never any way to know how much he understood when you said it, something called into question when his thrusts slowed to a stop, but he stayed hard inside of you. For a moment, the water settled along with your heavy breaths and blood gushing through your ears.

Things slowly came back into focus—the dancing lantern light, the room temperature meat, the wicked water in which you were immersed to the waist while the rest of you was braced by him.

He shifted behind you, adjusting his thighs so yours went even wider. Before you could ask the things you wanted to, a new sensation stole your breath—the swollen head of a second cock, different in shape and size from the first, pushed into you and lay flush atop the other.

“Don't—don’t move.” You were struggling to do the same thing with such an enormous stretch you'd never had to accommodate before. Tension built in your throat, whether a sob or a scream or your own anxiety, and stayed there to cinch your voice into silence.

He soothed you with lips and teeth all over your flesh; the back of your neck, the cartilage of your ears and the underside of your jawbone. His large hands left the shelf of your hips and felt along your front side, nipples, chest, stomach, and groin where he tried to recreate the same pleasure on you now as you had done for yourself earlier.

“Good?” He nested his cocks deeper when he heard you moan. The pain of it was beginning to subside, but the strangeness of it remained. “Is it good?”

“Just—just don't hurt me.”

His hands were back on your hips to keep you seated on his thighs while he thrust into you. It wasn't as easy for him to move as it was before, perhaps realizing the limitations of a human companion, but continued in snappy pulses that made the water lap at the skin on your back and turned your thoughts into senseless, garbled things.

Soon enough, you were riding a sloppy, savage rhythm to which you had no control of whatsoever as he chased his end. In moments where he seemed to regress into a natural state, almost animalistic in the way he rutted into you and buried his cocks, one would slip out and go forgotten for a time. The length of it glided against your groin, a smooth motion underwater that prodded your sore spots before he was able to fit it back into place with the other.

Amid your luscious sounds were those of his own; labored, air-sucking rasps that rumbled from places more than just his throat. They were probably never meant to be heard above the surface of water, just as he didn't belong fucking a human while being chained to a wall.

You thought about that fact while the last thrusts he took seated his cocks so deep that you ached, hard surges of warmth flooding your insides in a way unexpectedly delightful. He clung to you with his arms and shackles even well after he had emptied himself in your body and retracted both cocks into their sheath.

After a while, he hoisted you out of the water and followed you to retrieve your clothes. He stopped short of the chains pulling in the wall, watching while you wiped away the remnants of him oozing down the backs of your thighs and redressed.

“Don't go.” He kissed you and let his cold lips linger over yours. “Stay here.”

You returned the affection as endlessly as he gave it, only thinking that sunrise would soon come to pull you apart.

a/n: so, this idea has unfortunately never been able to fully develop from a lack of ideas. with starting this new blog, I'm hoping to get enough interest and feedback to actually commit to this and bring a completed project eventually!!

are you satisfied with how the aquatic monster was written in this piece? what would you be interested in having added/taken away? what do you think could be improved upon/expanded? is there anything you're particularly curious about?

what sort of setting would you like to see this story take place? 19th century, the 90s, or modern e.g. 2010+? are you satisfied with the setting being in cape tellis? a location inspired by lighthouse coastlines with predominately dreary/cool/wet weather? if not, what type of setting would you prefer to see?

in terms of the storyline, are you more interested in seeing: 1) a relative goes missing, so you arrive at the lighthouse he owned to solve the mystery 2) mc being an underwater mechanic to fix a damaged dam 3) mc being part of a small group trying to capture proof of a "creature" lurking around cape tellis. 4) something else???

[weirdmarioenemies]

Name: Firefly

Debut: Wario Land 4

Did you know? I can post anything I want on the internet. This is the first WME post of autumn, and here I am posting a firefly, an icon of summer magic! Hee hee! I am posting it because it is an incredibly darling firefly, even if to be honest it doesn't really resemble one at all, just a Cartoon Bug with a glowing light. But a great cartoon bug! Big ol' peepers, what could be either antennae or mandibles beneath, and feet that look like they may be wearing white gloves. Hot Dog!

I am being a bit rebellious on this post besides my seasonal antics, as well. If you asked the Super Mario Wiki (and you can imagine it as one of those tall suited object-headed fellows with the logo as the head, if you're into that) what this creature's name is, it would say "Hotaru". That's what the page calls it, after all. But that's just Japanese for Firefly! So that is what I will call it, with a disclaimer that it is an unofficial localization. And that's okay. You agree that it's okay. Thank you!

Do you call them fireflies or lightning bugs? Maybe something else? These two common names embody their Elemental Powers, which they do not actually have, but it's fun that they're two somewhat distinct elements. They should get a common name for all of the RPG elements! The larvae live and hunt in the soil, so there's a reason to give them an Earth related name, in a world where some weirdo decided that lurking in the dirt was more notable than glowing. And for Water, the larvae of some species are aquatic!

I kind of don't like any of the common names too much. I default to firefly, and it's fine enough, but... I don't know! I think I would call them glowbeetles. It sounds even more magical to me, like a creature that would exist as fantasy worldbuilding, while also being more accurate! It's a travesty that so many people don't realize these are beetles! They are! So I like "glowbeetle", even if it is a little weird to say. I like what it represents.

My manager is reminding me that I have not actually been talking about Wario Land 4 like I was supposed to. He's not paying me to talk about REAL bugs. He's SUPPOSED to be not paying me to talk about Wario Land 4! On it, boss!

For such a zany and over-the-top game, the firefly is surprisingly normal! If Wario touches the drool from a ghostly carnivorous plant's mouth, he will turn into a zombie. The way to reverse this status is by coming into contact with bright light. So a Firefly will appear to help! No fire. No lightning. Just good ol' light, like in real life. Its glow will make Wario no longer dead, so his funeral will have to be postponed until further notice. Perhaps it's a metaphor for how the wonders of nature make one happy to be alive! Whatever the case, this is just a regular cartoon bug who shows up, does its natural behavior, SAVES the player through its natural behavior, and leaves. That's incredible!

[davey-in-a-minivan]

Isabel Lovelace My Absolute Beloved

Lovelace is one of my favorite examples of one of my favorite kinds of characters, which is: woman who the world is trying so hard to kill and emerges beat up and spitting out teeth and still going.

(Relatedly, Eva Olivia Moreno is one of the few White Vault characters I really loved and it's on the strength of the joy I felt when i realized that not only had Eva NOT died when a rockslide separated her from the team, but instead dragged herself three days over the mountains, alone, covered in mud and blood and bruises, WITH ALL THE TEAM'S DATA DRIVES, to let the world know what was going on and demand rescue for the others. LOVE HER. Alessandra "Cockroach" Strong of the Penumbra Podcast ALSO falls into this category and I would've loved to see more of her)

Interestingly, I think Lovelace plays a similar role in-universe for Eiffel and Minkowski, in that they first encounter her as a 'character' in old audio logs whose survival they are rooting for at a remove -- when Eiffel and Minkowski listen to her logs but it's unclear whether she made it off the station, Eiffel shushes Minkowski's skepticism and says "let me have my badass space commando chick!!" In the absence of conclusive evidence he clings to the idea that she survived, for what i suspect are two reasons: (1) it means it's possible to survive and gives him and Minkowski a sliver of hope, and (2) it's not fair for her to die after trying so hard to save herself and her crew, and if she survived he can believe that there's some fairness in the universe.

After Kepler shoots Lovelace, Minkowski tells an imagined Lovelace how badly she wanted to get Lovelace home because she wanted to believe that she could go home, which feels like an echo of Eiffel's earlier sentiment--obviously by now Minkowski knows and cares about Lovelace as a person, but she's also a symbol of the ultimate survivor, who will do whatever it takes to get home. If Lovelace, who fought harder and longer, with more skill and fewer limits than Minkowski finds herself capable of, and still didn't survive, what chance is there for Minkowski and her crew?

WHICH MAKES IT SO FUCKING SATISFYING WHEN LOVELACE LIVES AGAIN.

I need you all to know--Lovelace was "dead" for, what, an episode??--in that time my then-roommate and I put up a SHRINE to her memory. She was too cool and tragic and extreme and funny and hot to die!!!

I'm very glad the universe and Gabriel Urbina agreed.

It's not only satisfying because I'm obsessed with her and wanted her back (which I admit freely). It's a riveting development in the story of the unkillable Captain Lovelace where we finally see that she CAN'T be killed because she's already dead. Functionally she's a ghost in the story, haunting the Hephaestus until she finishes her unfinished business, and there's a delightful sheen of destiny to her arc where I was like oh fuck they've already done their worst to her and she's still going. She's going to win this. I don't know what it'll cost her, this could still be a tragedy, but she's GOING to succeed.

What does this mean for the rest of the original crew looking to her as a symbol? Eiffel, Minkowski and Hera do survive, like Lovelace. It is possible. But it costs them a lot. Weeks after Lovelace dies, resurrects, and has the day-ruining revelation that she's actually the alien clone of the dead woman she thought she was haha, she talks about the discomforting effort she makes to be the real Lovelace, not the person that Goddard turned her into. I think once they return to Earth the rest of the crew will struggle in similar ways. Minkowski need to believe that Lovelace could come home, and she did. But none of them could be the same as they were before.

Now, obviously the extremes Lovelace had to go to in pursuit of survival and justice were difficult and upsetting for her. But they were also hot!! SO let's wrap this up with some of the most iconic Lovelace moments according to me:

1. The "run and hide" monologue Eiffel and Minkowski find - HOT. sorry i know this comes on the heels of her describing the harrowing tragedy of her crew members' deaths but like

that's hot!!! go girl, kill em all!!!

2. THE DEAD MAN'S SWITCH. she said im going big AND going home, through the power of insane resourcefulness and this nuclear bomb i made

3. "variations on a theme" is suuuch a good minisode

4. disabling the airlock during the clone jacobi situation without telling anyone

5. NAPALM

6a. broadly, the hostage situation during the coup, where she goads kepler into focusing on her instead of eiffel

6b. SPECIFICALLY the part of the hostage situation where she gets the show's one "fuck"

7. alien possession lovelace!!!! i know it wasn't quite her melting kepler's hand off but god it's a fun scene

8. time loop lovelace. i love a good time loop and the contrast between her yelling and goading and shooting things in the last argument but also being, like, pretty chill and pragmatic about it--this is just her method of causing enough trouble to break the loop--is fun

9. hera's and her intersecting journeys re: what it means to be a person

10. distracting cutter so minkowski can stab him with the harpoon!!!!!!

in conclusion: WHAT A CHARACTER

[dragons-bones]

FFXIV Write Entry #23: What the Future Holds

Prompt: on cloud nine || Master Post || On AO3 (coming in October)

A/N: Massive spoilers for the first half of Dawntrail.

---

It is not until after the ascension of Wuk Lamat and Koana as the new Dawnservants of Tuliyollal, and the first botanists from across the salt arrive with a plethora of seeds and saplings to discover which will thrive in the sapphire shadows of Ja Tiika, that the events of the past moons finally settle in the minds of Bakool Ja Ja.

With hindsight, he is not proud of his actions, even if at the time he believed they were necessary to secure the future of Mamook and her people. He was cowardly and dishonorable, and a fool besides to release Valigarmanda from his prison. Soon enough he must gather the courage to apologize to the men of his retinue for his callousness, to Wuk Lamat for his derision, to the Yok Huy for his arrogance, and await their judgment.

But he will do so with the knowledge that a real man, a real leader, accepts the consequences of his actions.

His mother and a group of their farmers are deep in discussion with the Sharlayan botanists. There are tentative plans in place for which seeds will they need to plant over the coming seasons, observing which will thrive and which will wither and which may end up to invasive for safe cultivation. Bakool Ja Ja the Mighty does not even pretend to understand it; Bakool Ja Ja the Mystic is itching to get his hands on one of those Sharlayan books about aetherology as it relates to agriculture. But today Bakool Ja Ja is needed elsewhere, and his mother smiles at him and has him lean down so she may kiss the cheek of the Mighty and then the Mystic before she returns to the meeting and he leaves the autarch’s palace.

He thinks that his mother has not stopped smiling since the Rite of Ascension ended. He does not remember that meeting room ever sounding so lively. He does not know if the walls of the palace have ever had hope echo through them.

Bakool Ja Ja passes his father on his way through the city streets. The autarch is overseeing repairs to some of the houses, and Zereel Ja nods to him as he walks by, even offering the shadow of a smile. His relationship with his father is awkward, to say the least, but Zereel Ja…Zereel Ja is trying. Bakool Ja Ja is not the only one who must relearn a great many things, and while he loves and resents his father in equal measure for the pressures placed upon him, Zereel Ja acknowledges he has erred and has let go of (most of) his pride, accepting the assistance of the Dawnservants to revitalize Mamook.

He has always had a good relationship with his mother, but the prospect of a healthier one with his father is…odd. Odd, but good.

It is in Skydeep Cenote that he breaks.

Oh, Bakool Ja Ja has broken many times in the past moons, not the least of which was in this very spot before Wuk Lamat and her entourage in revealing the shame of the Mamool Ja. But as he gently, reverently lifts one of the many urns that litter the waters of the cenote and sets it on the stone pier, to be carefully packed for transport to a proper mausoleum, both the Mighty and the Mystic together realize he will never have to place an urn within these waters ever again.

He has the sense to first ensure the urn is safely on the pier, even as his breath rattles in his chest. Then he steps around the crates he has already filled, each with four urns nestled among dried grasses and shredded najool leaves and cloud-soft alpaca wool, and walks to the doors of the inner cenote. He leans against the wall just next to the doors, staring out across the great cavern, and slides down to sit on the floor with a thud. The Mighty gasps for breath and the Mystic’s arm trembles violently.

No more dead brothers and sisters and cousins.

No more lost generations who could have been warriors or artisans or scholars.

No more children unable to escape their eggs, no more potential healthy children forsaken for the infinitesimal chance of a blessing sibling instead.

No more love matches broken for a betrothal between Boonewa and Hoobigo, no more resentful brides and grooms, no more mourning mothers and fathers, no more desperation that surely this egg will make it to maturity, no more wails of grief echoing through their dying city, no more potters having to fill their shelves with funerary urns, no more undertakers processing through Mamook westward to Skydeep escorting wivre-pulled carts rattling with filled urns.

No more no more no more no more no more no more.

The Mystic cannot cry; Boonewa eyes are simply not capable of the action. Hoobigo eyes are, however, and the Mighty weeps enough for them both, even as the Mystic rests his forehead against his brother’s temple. They shake, and hiccup, and cry, and cry, and cry.

For the first time in Bakool Ja Ja’s life, the tears are not from stress or grief.

They are from deep, overwhelming joy.

The past cannot be fixed, and the ghosts of his people’s children will haunt him until his last day. But his people have a future. His people will have happiness, and health, and one day soon, there will be children running through the streets of Mamook. There will be still be sorrow, because sorrow is a part of life, but there will be happiness at last, and laughter, and love, and hope.

Bakool Ja Ja weeps and as he does, his heart lightens until it soars.

[ttjisung]

back 2 u 𝜗𝜚

p. jisung x fem!reader smau

in which jisung does his best to avoid you, his ex, until he realizes his mistake far too late cw: suggestive themes, bad angst, cheating, swearing

i'm not going back, back, back, back, back

masterlist

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chapter i. (wc: 1.1k)

“I just don’t get it Yang… He was supposed to be my soulmate.” You sobbed into your best friend’s shoulder for the hundredth time in the day, more tears forming at the memory of your abrupt break-up. 

Yangyang simply sighed, holding you closer while offering you another tissue. “He’s an asshole, Y/n. Just forget about him.” You quickly shook your head in denial, forcing yourself further into the male’s arms. Dejun, your other best friend, cringed in pity at the scene. You looked horrible - your hair disheveled, your eyes puffy and red, and your clothes very obviously dirty. 

It had been three days since Park Jisung called you to his apartment, telling you he knew about your ‘secret’ and announcing your relationship was over. You were left confused and heartbroken outside of Jisung’s door, holding a random cardboard box full of your own belongings. You tried reasoning with him for well over half an hour until he seemingly got tired of you and kicked you out to the curb, leading you to cry your heart out to your friends instead. You wondered if this was affecting him as much as it was affecting you. Although he seemed reserved to others, you had spent enough time with him to learn about his emotional nature. Nonetheless, there was no way to know about his state, considering all of your mutual friends had taken his side, blocking you after cussing you out. It was as if your world had completely shifted that day, only leaving behind your own two best friends to pick you up and take care of you, because God knows you weren’t going to. 

It didn’t take a genius to figure out why Jisung broke up with you. For some reason, he thought you had cheated on him. Unknowingly to him, there was no truth behind this accusation considering you were deeply in love with him and would never think about hurting him in such a manner. The fact that you were innocent only added to your frustration, trying to reach out to him in several ways to explain yet he wouldn’t allow you.

In a desperate last attempt, you messaged your old best friend Huang Renjun who had actually set the two of you up, only to find out your message never went through. He had blocked you as well, alongside every other friend of his you knew. Dejun, furious at them for not even listening to you, took your phone as soon as you arrived at his shared apartment with Yangyang, blocking them all back except for Jisung, only because you begged him not to. In your head, soon he’d realize his mistake and message you, reconciling immediately. It had been two days since you last messaged him though, and the hope was slipping through your fingers due to his radio silence. His threat to block you was a sign enough that he had no interest in speaking to you.

“I… I know he said not to message him, but maybe I could show up to his place? He can’t block me in real life…” Your friends were quick to voice their disagreement with your plan, Yangyang taking the lead. “Look, Y/n, I’m sorry but maybe it’s time to maybe contemplate moving on. If he truly cared he would have listened to you by now.” “You don’t get it Yang, obviously he thinks I cheated on him so naturally he won’t believe me. I just have to show him I didn’t.” You reasoned, earning concerned glances from your friends. You didn’t realize how delusional you sounded, yet you were too sensitive to get made fun of so they held back, simply consoling you further.

Despite the constant warnings from your friends, you were dead-set on getting Jisung to listen to you, so you did as you planned, buying his favorite food and some flowers as a gift and making your way to his familiar apartment. Alongside the gifts, you had written him a letter explaining the situation, just in case he wasn’t home.

It took you fifteen minutes to gain the courage to enter the elevator, yet you eventually did it. Pressing the number to his floor, you fidgeted uncomfortably at the silence until the doors slowly opened, allowing you to walk to his door. 

Just as you were about to gently knock your fist on his door, you heard three familiar voices. Huang Renjun, Lee Donghyuck, and of course, Park Jisung. You subconsciously smiled, having missed hearing them, and although it added to the nerves, you felt more determined to walk inside and prove your innocence. That was until you heard what the familiar voices were saying. 

“She was kind of annoying sometimes, honestly.” Donghyuck was the first voice you were able to make out, although muffled, making you press your ear closer to hear what he was saying. “You cursed Ji by setting them up, Jun.” A laugh came out from his mouth. “It’s not my fault dude, I didn’t know she was weird like that.” “It’s fine. I won’t be answering her anyway.” It had been so long since you had heard Jisung’s voice, and although the familiar tone made you want to smile, understanding what he was saying had the opposite effect, and before you realized it, there were several tears running down your face. “I have some chicks that asked me for your number, Ji. Maybe it’s time to rebound.” Your heart broke at Donghyuck’s suggestion. You two hadn’t been as close as you and Renjun, yet you still considered him someone you cared for, so to hear him sabotage your relationship in such a manner made you deeply upset. You held your breath waiting for Jisung’s response, hoping he’d deny. “I think I’m good.” Your heart swelled with hope for a second before it broke again at his next words, “Actually, maybe. Text me their numbers.” 

Not wanting to hear anything further, you left the gifts at his door. You muffled your own sobs with your hands, slipping the letter on top of the items, yet a cry made it through and you panicked realizing footsteps were approaching the door. Quickly rushing to the end of the hallway where there was a blind spot, you heard it opening. “Holy shit, she’s a stalker Ji.” “That’s it… I’m blocking her.” 

You regretted coming, cursing yourself for not listening to your friends. After hearing the voices stop and the door shut again, you waited a minute before returning to the hallway. It wasn’t until you neared the elevator that you saw your gifts in the trash can near his unit, with the letter sitting idly on top of the other garbage. 

You dissociated for the rest of your walk home, falling onto your bed and immediately falling asleep, yet making sure to block him back before. You decided you would listen to Yangyang and Dejun from now on.

Maybe it was time to move on.  

a/n: haechan when i catch you...

[derww]

ok ive decided that i also want to have it here. written right after s5 zam ban

Name: Everything that will remain after me

TLDR: Mapicc and the Terrible, Horrible, No Good, Very Bad Day

CW: Violence, murder, suicidal ideations, self-harm, canonical character death

Zam betrays Mapicc; it's a second time.

He freezes at the place, hearing the blood-curdling rumble of the ban. He knows who it is with his guts. For the first time in his life, he is fucking terrified.

How dare he, It's tearing him inside out. How dare he leave him alone. Leave his back exposed and one comm – empty. How dare he.

BETRAYAL BETRAYAL BETRAYAL

He wants to revive Zam just to crush his skull and then kill himself, twist the knife in his own stomach, and on and on until there is no blood left in him to flow out. Every cell in his body is irritated. He turns inside out and tears apart; his skin melts alive; his world exists at one tiny point, around which there is an all-consuming void.

He hardly remembers what he does next, but his blood is boiling and his hand is clutching a sword. It seems that he kills someone, with the full realization that this is forever; he skins someone's alive and does not even remember who. He wakes up in the middle of nowhere, bloodied from head to toe. Some of the blood is his own: torn, extended wounds from a fight that he does not remember, as if the only thing that prevented him from being split apart were reflexes.

How dare he leave me, he thinks. How dare he give up. How dare he die. How dare he, how dare he, how dare he.

He is so hot that he is suffocating. He's so cold that he can't stop shivering. He wants little more now than to light two beacons of rebirth – to pull ten hearts out of his chest and dissolve them in the wind. He knows it's useless. He knows it won't work. Helplessness eats him alive. He wants to kill someone else. He wants to stick a knife in his leg and lead it forward until it stops hurting.

When Mapicc was betrayed last time, he felt sad. He didn't want to fight, and he didn't want to lose his friend and partner. Most of all, he was sorry – it was a pity that they did not talk more, it was a pity that they did not establish real trust, it was a pity that Zam did not talk to him first, and that he did not think that something was wrong. He fought not because he wanted to, but because he had to, because he had no choice, and then mourned their dead friendship, knowing that he would never be able to return it to its former state. Anger and rage came after.

"If we're going to continue working together," he told Zam when the Pirates started working with Guccigang, "you have to swear that you will never betray me again. I'm serious." Because his "I" did not rest on just hating, and he never liked to be reduced to that.

"Don't worry," Zam replied with a smile, "I won't betray you anymore. I've learned my lesson." For a single, unified moment, they were back in the snow-covered castle. Mapicc nodded. He knew he would never be able to trust him the way he trusted him then – unconditionally, absolutely – but that didn't mean he couldn't trust him with his back and his life.

In reality, his hands are shaking so much that, for a moment, he doubts whether he will ever be able to hold a weapon again, and it terrifies him. He is complex and simple, he reads people through and through, but misses the betrayal of the nearest one, he is smart and strategic, but at really important moments only a berserker who wants more deaths. He wants to cry, but he can't. He wants to give up, but that word is not in his vocabulary.

You whisper to MinuteTech: where is his body.

MinuteTech whispers to you: the podium

He is preparing a battle kit. He is preparing to die. He's going anyway.

There are people on spawn, and he appears to them, smeared in blood, carrying a trail of corpses in the shadow, with crazy eyes and still fingers. Guilty and innocent, dangerous and harmless, they don't bother him – in tunnel vision, he goes to the podium, and then just stares.

Zam looks peaceful. He is bloody from head to toe, and holes in his clothes mark the places of severe wounds, but he is smiling, and his whole body is covered with sakura flowers. It's a disgusting sight. He seems happy.

It seems that someone is trying to talk to Mapicc, but he does not hear a word. He carefully takes the body off the podium into his arms and just looks at it for a long moment, completely not understanding how they got to this point. Just a couple of hours ago, Zam had thirty hearts, and Mapicc was sure that he didn't have to worry about him. Now, he was dead. Mapicc opens his wings and takes off. No one follows him.

Ultimatum: You don't trust a Lifesteal member who is not your ally with absolutely anything. Immediately after the disaster, Mapicc and Zam took Bacon's body and buried it in the middle of nowhere, because the idea of using it against them was much worse than not being able to let him rest in his home. Mapicc flies there again, remembering the coordinates by heart.

He buries Zam very close to Bacon, almost shoulder to shoulder, and then stares at the graves for a long time. Both of his closest allies were banned on the same day. Those with whom he dreamed of meeting the finale, which he desired more than anything else, are now almost unattainable.

You whisper to Roshambogames: if i die, bury me next to them.

Roshambogames whispers to you: of course.

He tears his hand into a bloody mess with his bare fingers. The hatred in him is a beast, eager to tear apart everything in its path.

"Wemmbu better resurrect you both next Saturday," he hisses, "or I'll crush the skies to kill him."

He leaves without looking back, walking along a path that uncomfortably reminds him of something from the past. An hour later, he obtains immortality.

[corviiids]

hello if you are still accepting death note submissions, how about astarion

amazing submission thank you

verdict: no to both investigative questions. could astarion beat kira? probably, but not the normal way.

could astarion intuit the mechanics of the death note

no.

could astarion identify light yagami

no.

listen. i love astarion very much. he's very clever. but only in all the wrong directions. he has no ability to plan ahead. or really plan at all. he's too impatient to sit around and analyse clues. his plan for beating cazador was to walk into cazador's palace fuck around and find out. 10000% he couldn't beat light at his own game, so that's out, but honestly it might be more effective to beat light yagami NOT at his own game (like ending a chess game by just upending the chessboard) because L tried that and it didn't really work out.

what im saying is if the rest of the worm gang figures out that light is kira, astarion could probably beat him from there. but if you left astarion to his own devices and went "can you find kira" he'd give up.

i do think he might like, accidentally eat light or something though. that counts.

could astarion survive

ok here we run into some interesting questions. for the other ones ive been kind of waffling between whether im putting the character in the death note universe but borrowing their contextual abilities from their own universe, vs putting light yagami/kira/etc into the character's universe... i think due to baldur's gate being the way it is we have to put light in bg3, because astarion's backstory is so contextual and historical you cant really remove him from it while preserving all the relevant factors. what im talking about is two things

can light yagami figure out astarion's surname

what happens if you write an undead person's name in the death note

which are linked - because does light know that astarion is a vampire and therefore undead? the most straightforward way to find astarion's surname is to find his tombstone, but in order to do that light would have to know that astarion had died.

more to the point, the first rule of the death note is:

The human whose name is written in this note shall die.

where we run into TWO problems. the death note takes place in the 'real' world where there are only humans and obvious non-humans (ie animals and shinigami), so there's really no need to make any finer distinction.

but astarion is 1) an elf and 2) a vampire. so does the death note work on elves?? maybe? but an undead vampire ISN'T a human, not in the normal sense and also not in the extrapolated sense where you can assume elves and humans having similar personhood probably have the same rules apply. vampires are undead! that's very different! you cant kill a vampire with a heart attack!!! his heart isn't even working!!!

ALSO

You cannot kill humans at the age of 124 or over with the Death Note.

if we say aging stops when vampires die the first time, then astarion was 39, but then we're saying he's dead, in which case he probably can't die again. if we say aging continues as a vampire, then he's over 200, and he's excluded by this rule.

so i feel like astarion survives due to some stupid loophole.

[ladyisabelsblade]

My Live Reactions to X-Men Origins: Wolverine

A text thread between me and my friend.

---

Just watched the opening sequence and it’s so fucking funny when you’re high

Dude that guy with the two guns, his sequence kind of slapped

And then the other guy punched a tank. Yo….

This Deadpool looks like an idiot with the swords but he’s still pretty funny lol

Why does he know Swahili?????

Oh no! They’re colonizers!!???

But not Wolverine, he cares about black people, that’s how you can tell he’s the good guy

Little brother, breaking cycles of abuse

JIMMY

--wolverine says racism is wrong! --have u seen his cartoon claws yet?

They didn’t look that bad but I am high so I don’t care

The action sequences aren’t half as bad as in last stand

Or at least I’m too high to notice if they are lol

WOAH SGIRT OFF

--u see a lot of hugh jackman nipples

Lumberjack Wolverine, wow

Just wow he’s wow

"Your country needs you” “I’m Canadian”

Aw, I like this girl. She’s so gonna die

What the fuck is this stupid story?

Even Logan thinks it’s stupid.

Most clumsily overt foreshadowing ever

Oop, yep she dying

--lmao --yea she lasts under 10 mins thats hilarious

Damn fucking eviscerated

Manly man scream

He ruthless

LMFAOOOO AND THEN HE GETS HIT BY A TRUCK

--relatable tbh

He’s so oiled up

Damn the dramatic irony is dramatic irony-ing

The Adamantium looks like the aftermath of a lush bath bomb

--ooooh ur not at the cartoon claws yet --he’s still all boney

Yee

LMAOOOO THEY LOOK PLASTIC

HIS ASS OUT

--ASS ASS ASS

Cover up your tits you preening slut precursor

They look so stupid just do practical effects you idiots

YES THE JACKET

WHAAAAATTTT HOW COULD YOU KILL THAT OLD LADY WTF

I should have seen that coming

EXPLOSIONS SLAY QUEEN

--who exploded things?

Everyone but Logan exploding the helicopter was slay queen

--lol this movie is such a blur for me, i love reexperiencing in real time

Oh this is the bad part

Fucking blob omg

--ah yes --and will i am

I like will I am he ain’t bad

And boxer Logan, boxer Logan is saving this scene for me

--idr him good or bad, i just remember he's will i am

He is

I laughed so hard when his name came up during the opening credits

--its a great jumpscare

Local man discovers his girlfriend was fridged for his character development

REMY LA BOU

OH NO HES HOT

--is this the first time uv seen gambit in something? like have u seen him in the cartoons or stuff?

and poker? This is like combining every old lady white woman’s wet dream together: lumberjack, boxer, poker player

No I’ve never seen the cartoons man

--by far the most loved x-man

GRABBED HIM BY THE SPINE WHAT THE DUCK

gambit slays here dude

Will I am dead

--u have the best one liners omg

I’m over an hour in and I’m really enjoying this movie, being high is really elevating my experience

--its probably greaat high ngl

It’s just like fun moment after fun moment, I don’t care if it doesn’t make sense

--its my dad's favorite hated movie --its so fun

He’s right, I can’t believe you told me this was worse than last stand

--idr last stand at all ngl

Oh, well it was really bad

My man is more okay with jumping out of a plane than flying in one

SCOTT

YOUR EYES SCOTT

sir this is an operating room you can’t be here

Damn, this is freaky, I thought Stryker was a creep in x2

KAYLAS BACK

WHAT THE FUCK

oh it’s mystique isn’t it

NO ITS NOT WHAT THE FUCK

Damn that’s cold

No, poor baby he’s so sad

They were together for 6 years damn

Yo this is so dope

This fight

--have u gotten to deadpool

Kayla, now is not the time

Not yet

--thats THE thing

I know

But here he comes

HE LOOKS SO STUPID

XAVIER MY MAN

Yo the black around the eyes thing kind of slayed tho

Damn fucking sliced his head off

Oh shit damn

Do they look out for eachother because you kind of suck ass victor

YESSSSS GAMBIT

Kayla come on don’t die

Again

HOLY SHIT STRYJER

AYO WHAT THE FUCK

girl this movies good I don’t know what you’re talking about

That was so slay Kayla

But you’re still probably dying

PROFESSOR

I LOVE YOU EVEN THIUGH YOURE BADLY CGIED

LNAO THE MUTANTS RUNNING AWAY

he don’t even remember her that’s so fucking sad dude

damn wtf tear my heart out why don’t ya

This movies cheesy but it’s hitting all the right beats

Like this is a pretty good origin story movie

Probably a horrible stand alone movie, but if I pretend like I’m watching a bunch of flashbacks stitched together it’s pretty good

Oooo two post credits scenes

LMAO TEASING A DEADPOOL COMEBAJX BUT HE NEVER DOES

--he kiinda does

In Deadpool 2?

--yea lol

Comes back just to die

--good

lol he wasn’t too bad but I think I’d have a different opinion if he was sober and there weren’t already two other great Deadpool movies

[nutsackx]

Do you think for your mad scientist Au, Sodapop is okay with what Ponyboy did to Darry? How did he react? And also, Does Ponyboy ever regret his decision of reviving his friends? Why doesn’t he revive his parents? Does Ponyboy ever get caught by the police? Does Sodapop mess up on his job, and if he does how does Ponyboy react?

I HAVE SO MANY QUESTIONS THAT NEED ANSWERS.

I feel so corny writing this 🤤

Sodapop isn’t incredibly… sure what’s happening? I guess? Like he knows about the revivals and stuff, but he isn’t really big on details because it grosses him out. He’s aware that Darry’s a killer but he’s not aware that it’s not by choice. He was a lot like Darry where he wasn’t cool with it at all until Pony mentioned bringing their folks back.

Ponyboy does not regret reviving his friends at all. Even though they all hate him for it and constantly talk about wanting to die, he thinks he’s helping them. At first it was kinda of just ‘I’m going through some sort of psychosis and need closure” to “I’m a god I can bring people back from the dead, hallelujah’

And with his parents… however he revives them (I was thinking like the Re-Agent from Reanimator) only works on fresh bodies (I think Herbert went through that too, I haven’t seen the movie in a while). And obvi his parents died way before he figured it out becuase he’s not he wasn’t actually a scientist (lowk still isn’t, luck is on his side I guess).

The AU is set in like the 30s/40s, and if you know anything about asylums around that time they were HORRIFIC. Police already don't really care as long as he keeps the crazies locked away. The main people who think there’s something going on are like college students or activists, I guess?? And most of the time Soda’s able to sweet talk them into going away.

Also Soda is like easily the least coordinated when it comes to the Curtis’s. He messes up 24/7 (he’s the reason Dallas can escape so often, and more often than not causes Darry to have to go back out cus he dropped something), but Pony can’t really let him go because he thinks Soda’s gonna snitch.

And while Ponyboy still loves his brothers, he’s like lowkey a little crazy. He’s downright evil tbh. He defiantly has some sort of explosive dissorder, and when he gets mad he gets MAD.

also someone on Tiktok asked why Johnny’s got the blue eye. Realistically I’m just gonna say Darry snatched it from Bob because let’s be real he doesn’t need both. Also he can not see out of it or move it, it’s just kinda of cosmetic (though it’s absolutely disgusting and Johnny hates it)

anyway if anyone has anymore questions lemme know… this is kinda fun

I’m working on cherry and Marcia designs (they’re nurses btw), and maybe some of like Bob and Randy if I get bored

[thr0wnawayy]

Rei-Demption: A problem and my solution (ft. Rei's trauma and Hori's bullshit)

Might as well give my shot at it.

My take on Rei's personality has always been based in suppression.

Rei's whole life has been a balancing act of doing enough to protect her family, while still staying within the lines to not get disposed of.

She's everything Enji isn't. An iron will, a golden heart and a strong sense of empathy.

So with that in mind, hopefully it she'd light on it thought process with this post

A theory I have is that Rei was aware of the hospital's corruption

These panels always felt off too me, it always made me wonder: "does she know?"

The wording is very specific.

"I told him I liked it, around the first time we met. But only once"

It always struck me as odd, We're talking about the man who looked at his eldest death and kept going, man who destroyed multiple lives for a redundant pipedream.

It's not even why would he remember such a small detail, but rather how?

Unless... the doctors are feeding him information.

Think about it, who pays for all this. Surely it's not Fuyumi, on account of this being a massive money sink.

You really expect her to pay for all that on a teachers salary?

It can't be Natsuo because Enji has likely cut him off from everything to his name.

And that's assuming Enji even bothered to save up a college fund for any of them. Plus Natsuo is a full time student of medicine.

If the doctors are watching her every move, looking for any sign of deviation from the narrative then it makes sense for her to disguise her words.

Of course there's still more

Having PTSD isn't something you can keep someone institutionalized for. Especially when Rei's is very proportionate, given what she's gone through. (No, Japan's stigma of mental health wouldn't justify this)

I mean what are Rei's triggers?: Enji and that's about it.

"But we still... haven't met face to face, I'm still too afraid"

That's a standard reaction to have to your abuser (especially when he raped you multiple times)

('Just stop' gets a whole lot darker when you consider it's context)

Not to mention she's no longer fearful of anything resembling Enji, just Enji himself. So there is no real reason to keep her there unless they are afraid she might speak out.

This whole thing makes me think she's trying to tell Natsuo and Fuyumi what's really going on, in a way.

Subtly and under the calm, complacent mask she's expected to wear, in case anyone else is listening. Anyone who could report back to him.

It might also be she doesn't trust them. Fuyumi or Natsuo could blab or say something within earshot that could set Rei back months.

And she can't have that, not with how close she is to finally breaking free. She loves her children, all of them but the trust just isn't there, how can it be when when they don't have all the pieces.

So here's my theory: The hospital staff are in Enji's pockets. Either taking bribes (as recent as Dabi's Dance) or they were given a large sum of hush money when Rei was first hospitalized, with the goal of keeping her there as long as possible and possibly molding her to either keep her mouth shut or (sickeningly) gaslight her into returning to Enji.

(Note how she was only released when they could no longer keep a lid on things, the moment Dabi frops the bomb. She's out, no struggle)

This paints a picture of grotesque corruption, sloth and apathy (the very same cocktail that created Shigaraki) even by Hori's narrative standards. Shedding light on just how deep MHA's despotic nature goes.

The anime makes this even more apparent. Rei's fake smiles make the whole thing that much more viable. She seems so dead, it's like she smothered her soul or something.

I've seen both the sub and dub of this scene. The sub is the correct translation, the same as the Manga panel above.

The Dub however, while severly off mark, adds it's own flavour of dread. Rei sound so hollow, it was jarring the first time I heard it.

It sounded like she was reading a script (in-universe). Like she'd rehearsed this in her mind a million times, staring at the same 3 white walls + the window and waiting for an opening to finally speak.

That was supposed to be Shoto, until the dorms ruined that. Suddenly Rei's lifeline is gone, reduced to letters that don't even tell half the story.

10 years, 10 fucking years reduced to lines on a page.

Can you imagine the despair, dear reader?

The frustration. The sheer vitriol coursing thorough her veins, far hotter than Touya could ever manage.

Having to do the same thing she's been doing even before she was locked away. As the the skeleton in the closet of a criminal with a license.

Wearing masks for so long you can hardly breath and in the brief moments you can take them off. You can hardly recognize yourself, how you once were.

It must be the truest form of hell.

The Rei-demption Arc

Rei's redemption arc takes the attention of our theoretical arc without overtaking it.

The arc would mostly focus on the more domestic aspects of our trio being: Midoriya, Shoto and Uraraka.

A few minor changes would occur. The dorms never happen, allowing the characters to exist outside of UA.

There is solid confirmation that Fujiya is corrupt and is keeping Rei institutionalized on illegal grounds (ie: not meeting the criteria set up to ensure her silence)

The dinner scene would still happen only it would bd framed for what it really was. A pathetic attempt at creating a moment that never existed.

There's no family with Enji.

Just a family held hostage and a tyrant. I have my own grievances with Fuyumi, but I'll leave that for the future.

The only difference besides Natsuo being properly portrayed as a victim acting well within his right, the reasons for our trio going would be for Shoto's emotional wellbeing, because he asked them to.

Uraraka could have a moment where she realizes that money is as much as good as it is bad. An actually decent shift into her change of goals.

Here Enji motivates her to "watch the watchmen". Her need for money is still a crucial part of her reasons for becoming a hero, but she also has a more front and center goal.

I'd imagine she has a moment parallel to Midoriya's during the Sports Festival.

Where (alone in front of the Dojo after the failed dinner) she rightfully calls out Enji for being a self pitying piece of shit and that "sorry" doesn't cut it.

"You've hurt them in ways you can't imagine." Would probably be the last thing she says before walking away.

She may not know the whole story but she knows it hurt them and that's enough.

Rei's ascent

Rei's biggest hurdle is accepting that she was also an abuse victim. She's furious but she's only furious on her children's behalf and what they lost.

Her unintentionally harmful actions weigh on her, be it her neglect or the night she scalded Shoto, these events have impacted her deeply.

She learns to reconcile with her past, improve her relationship with Shoto and even meets Shoto's friends at one point.

Eventually she finds closure but that's later on.

She also acts as an advisor at times, having given Shoto the idea of using Ice projectiles (as seen in the Licensing Exam)

The second half comes from the Hospitals corruption, as Rei learns that she is long overdue for release (by about 8 years) among other horrific practices. This would play out as the arc's B plot, building up to what I call "The Summit"

The Summit

Eventually Rei fights Hood.

After gathering the evidence, she escapes the hospital. Planning to go to Natsuo for protection. As she's walking across a crosswalk however, she hears what sounds like an explosion.

Eventually she hears screaming and is forced to use her quirk as a bus is suddenly sent hurdling in her general direction.

As of her body moved on its own, she envelops it in her ice. Stopping the bus and saving those behind her in the process.

Only to see Hood land on top. They lock eyes and Rei can't help but see Touya in Hoods ambition.

In response to Rei holding her ground, Hood dashes. Rei counters this by manipulating her ice to send him crashing into an empty building, impaling him on the glaciers end.

Hood is impressed by Rei's proficiency and chooses to fight her.

Rei having no experience, fights for her life. Where as Rei avoids Civilians, Hood has no care for them which forces Rei to play the role of hero.

Rei uses every weapon in her arsenal in order to stave off Hood, who only gets more relentless as the battle stretches on. The upside is Hood's regeneration struggles in the cold, which Rei is constantly producing.

Each side gets blows in, with Rei taking them surprisingly well but still being worse for wear. Hood notes this saying "as if y-you've done t-t-this before" (close, Hood very close)

Eventually Hood gets the upper hand, towering over Rei in a manner that triggers her PTSD and leaves her stunned.

One of the civilians (Horoshi Tameda) emboldened by Rei's efforts, picks up a loose chunk of pavement and chucks it at Hood's back. It hits, causing Hood to look back.

Civilians begin making loud noise, others begin picking up anything they can find and throw it at Hood. Further catching him off guard long enough for Rei to snap out of her episode and strike back.

From here the fight kicks into high gear, with Rescue heroes & paramedics arriving on the scene and a camera crew recording the fight from above. Overall I imagine the scene to be very uplifting, with the Orchestra swelling as Rei prepares a final attack.

The move rivals that of Shoto's, arguably even surpassing it. Hoof is incased in a prison of Ice, covering an entire city block worth of destroyed buildings. And the fight finishes with Rei collapsing to her knees.

From here on out things change. Rei's newfound fame leads to the hospital being forced to do their job. Because of this Rei gets out early (around the time the Internship arc would started had I not scrapped it)

As for what this could lead to I'll let you decide. I'd love to read some suggestions.

Bonuses:

Theories:

The reason they kicked Fuyumi from her job is because she covered an abuser's ass for years. While Fuyumi is a victim, it doesn't excuse her complacency in regards to Enji's treatment of Shoto before and after his "self pity" arc.

Natsuo didnt go to someone because he wouldn't likely be believed, being seen as bitter and untrustworthy (his time away from home wouldn't help with pinning evidence).

Extra:

Hood survived the fight, Rei opted to capture him as opposed to kill him. That doesn't mean he didn't get frost bite. Police found out it is very difficult to question a Nomu.

Out of all her trauma. Rei accepting she was never given a choice will be the hardest to accept.

Rei's family is not inbred, rather her parents ran away so her father wouldn't be forced into a marriage with his cousin. Only to ironically do the very same to their daughter.

Hiroshi still becomes a meme, his 'Can't you see speech' leads to him becoming a motivational speaker.

The reason Hood appeared is because Dabi lost track of him. He nearly had a heart attack when he discovered his mom was holding the Nomu off.

[gojuo]

what Are your thoughts on show aegon trying to escape when he finds out Viserys is dead and they want to make him king? in the books he was with some paramour, no attempt to escape is mentioned.

Though the good septon admits Prince Aegon was with a paramour when he was found, he insists the girl was the daughter of a wealthy trader, and well cared for besides. Moreover, the prince at first refused to be a part of his mother’s plans. “My sister is the heir, not me,” he says in Eustace’s account. “What sort of brother steals his sister’s birthright?” Only when Ser Criston convinced him that the princess must surely execute him and his brothers should she don the crown did Aegon waver. “Whilst any trueborn Targaryen yet lives, no Strong can ever hope to sit the Iron Throne,” Cole said. “Rhaenyra has no choice but to take your heads if she wishes her bastards to rule after her.” It was this, and only this, that persuaded Aegon to accept the crown that the small council was offering him, insists our gentle septon.

Fire and Blood, p. 398.

You see, I don't think portraying Aegon as someone who knew what was coming for him once his father died and running for the hills trying to escape that fate is an inaccurate or uncomplimentary interpretation of this moment at all. It adds a layer of tragedy to both his character and the general situation at hand if he has the understanding that just his mere existence means certain war.

The actual issue with HOTD's version of this passage is what the writers deliberately took out and what they replaced it with. Any time an adaptation removes something that is in the source material, anytime it makes changes to the source material, whether it be an addition or substitution, you have to ask yourself: why? Why would they do this? Why did the writers for HOTD ep. 9 take out the part in this passage where Aegon is convinced by Criston to take up the crown because not only his life, but the lives of his entire family members are in mortal danger if he doesn't and replace it with a line wherein he says he will abandon every single member of his family instead, even his dragon ("Let me find a ship and I'll sail away, never to be found.")?

For what reason was this change made? What does this deliberate change to not just Aegon's motivations to act & his character arc, but Criston's and the entire Green cause as well mean? Well, you don't need me to explain it to you because I have been bitching and moaning and ranting and shouting about this transparantly deliberate change to the canon for over 2 years now, ever since that piece of shit episode 9 aired in 2022. Seriously fuck this show. These writers are so fucking childish, downplaying the Green cause at every turn and taking away everything that was good about Aegon and replacing it with something that makes him look worse than he was in the book (like how in the show they changed the plot so much that he now deliberately abandoned Helaena and Jaehaera for no real reason unlike in the book). I genuinely hate everything about HOTD.

[duskier]

Invisible man but it's toxic Ghoap x reader ...

cw: this is literally just ghoap mentally torturing reader and there are mentions of them intending to kill the reader 🫶

Them having access to fictional sounding levels of military technology and getting two suits of their own that allow them to go completely invisible- suits designed to even erase their shadows via a complex system of reflections and lights.

Of course, you're the first thing to come to mind when they put them on. You were their favorite barista at a café close to base. You probably didn't remember them out of your sea of regulars, but they never stopped thinking about you, a mutual fixation on you blooming between them. They start out small, breaking and entering in the middle of the night. Unplugging your phone from the charger so you wake up without an alarm, the battery long dead. Turning off power to your fridge and leaving the doors open, the food spoiled by the time you wake up.

The best part of the suits is they get to stick around and watch your devastation. Scrambling out of bed with a panicked, half asleep noise, putting on the first set of work clothes you can find. Soap leaning against your fridge so he can get a full look at your face as it crumples at the sight, your vegetables wilted and your meat already smelling.

Ghost takes it a step further after nights of keeping you awake with strange knocks around the house or precious items crashing to the floor. Soap has to bite his lip to keep from giggling as they take turns whispering your name in the night. They wait a few minutes between while they watch you peer into the dark, breath shaking in your chest in fear. You look so adorable with your eyes wide and darting about, like a pretty little thing of prey in your thin tank top and comfy panties. Like you're just waiting to be eaten.

Ghost brushes by Soap, hands reaching out purposefully to give his hand a squeeze. A silent command to stay. Soap is left waiting with you, continuing to admire how vulnerable you look. All it does is leave his cock swelling in the pants, fantasizing about ways he could get you to make that pretty frightened face for him more directly. Soap couldn't wait to get his hands on you, make you feel real weakness under his grip. They weren't going to fuck with you forever, this was just them playing with their food. A sort of foreplay. He wonders if you'd cry, if you'd beg for your life. Or would you try and play along, in hopes they'd spare you? Would you try to fight back, could you maybe land a blow on him? Soap palms himself quietly, careful to not let your now focused hearing catch him in the act. He really hopes you can split his lip or something, leave a scar to remember you by.

The both of you startle as suddenly you hear Ghost bellowing your name from somewhere on the first floor. His voice is so loud, so angry, it barely sounds human and is left ringing in your ears for a full minute after. You're paralyzed with fear, hyperventilating now. Before you could snap out of it and reach for your phone, you screamed at the feeling of a hand gripping your ankle and yanking you to the foot of the bed.

There was nothing and no one there. Even in the limited light you could tell that you were alone. This must have been a break in your psyche, you reassured yourself, just because you haven't been sleeping well and things have been going wrong in the house. No matter how you reassure yourself, you still creep down the stairs to look around for any signs of intrusion.

Every step, you pause and listen around for something, anything. Maybe a bear broke into your house for food or a thief was rooting through your office for your safe box. Maybe it was something as small and harmless as mice knocking over furniture. Every second feels like an eternity, your heart racing in your throat.

"Hello? I know there's someone here. Just leave, and I won't call the cops."

Ghost sneers at you behind the suit. What a stupid thing for you to do and say. He considers jumping the gun, ruining the mystery by revealing himself and teaching you a lesson. Soap inadvertently stops him, setting off your security alarm.

The high pitched alarm rang out, making you wince and cover your ears. Your house phone starts ringing, you scramble to pick it up. Backing yourself up against your living room wall to stare wide eyed into the darkness.

"Knight Security. Please provide your security code." The voice on the line said. The man sounded calm, kind, certain. It somehow helped to make you focus, take a deep breath. Probably why the guy worked there.

"CL-NG-8675."

"Alright, got you. The alarms were tripped at your property. Everything alright?"

Was everything alright? Now talking to another living being, you weren't so sure. You tried to put everything you were experiencing into words but found you sounded incredibly silly... or one foot into a mental break.

"...Yeah, I'm alright."

"That's good. I'll get those sirens turned off for you and call off emergency services. Now, procedure does require me to have you walk through all possible entrances and exits in the home just to verify security. Would you mind checking the front door, love?"

Blissfully, the alarm turned off. The ear piercing sound finally gone, you let out a sigh of relief. The handsome voice on the phone asked you to check the front door, so you did. Confirmed it was locked and secure, just as you left it before bed.

He had you do the same with your garage door, the side door to the yard, and the back door.

"Perfect. You did a great job. Best customer of the night, if I may say," You could hear the smile in his voice.

"Why, thank you. You may," You quipped back, smiling to yourself in the darkness of the living room.

The man on the phone sounded like he was going to say goodbye, but he paused and made a small sound. "Oh! Before I let you go, I have one more question I have to add to the report."

"Of course, anything," You say, eager to please now that your heart had stopped racing.

"Are you alone in the home?"

Your response was immediate. "Yes."

The line went silent for a few beats. "...Are you sure?"

You could still hear the smile in his voice, but these words were spoken softly, dangerously.

"...What?"

"Turn around."

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[hey-its-sybarite]

1. Why is Donald Trump talking about Hannibal Lecter?

2. Why does Donald Trump think Hannibal Lecter is dead?

3. Is the fact that Donald Trump seems fond of Hannibal Lecter the most human thing about him?

Liking Hannibal Lecter is relatable. Thinking he’s dead kind of implies Trump believes he was once alive and therefore real. Which is unhinged.

The Lithuanian Count Hannibal “the cannibal” Lecter is the LEAST believable fictional character EVER. Glowing maroon eyes? Widows peak? RAREST form of polydactyly on his LEFT hand? Rich and cultured. Gifted artist, composer, musician, chef, surgeon, psychiatrist, MURDERER and polyglot? Does complex equations? Eats the rude? So perceptive he comes across as a mind reader? THAT GUY? Trump thinks THAT GUY was REAL??? Hannibal is so deliberately gothic main character he is inconceivable as a real person. I, for one, would like to cut to a live Thomas Harris reaction. Whatever the writer’s intention, it could never have been this.

[lurukifennecfox]

Gotham was welcoming of Amity Parkers.

not as loving as with her own but she was way more patient with the people of her friend that any other outsiders.

so the people of Amity those Liminal and aware of her tried to pay her kindness back, to a reasonable degree of course but they could help and she let them stay so they did.

Paulina took it upon herself to make a nice place in the fashion district, she sold some charms to help with the curses as much as she could.

Sam being Sam opened a surprisingly Ivy Approved community garden and was very hard to convince not to join the Eco-terrorist but they managed to, thankfully.

the Fentons designed filters to help the 'Parkers but it was good for the city too if too little to do much.

Val hadn't moved here (yet) but she visited often enough and each visit volunteered somewhere.

Gotham grown to adore them almost as their own, she even hid them from the bats for a while to let them settle (and maybe help her more before her Knight inevitably got paranoid)

Gotham laughed when her King stumbled into her Red Knight, you could hear it in subtle ways the sounds of the night flowed just a little too much like a giggle.

Hood did deserve more good things she's proud of herself!