#if you want tw tags ask me

[communistkenobi]

Historically, the fact that zombies originated in Haiti, as an expression of the terror felt by enslaved people towards the idea that they would remain enslaved even after death,makes the fact that nowadays, zombie narratives have become synonymous with "white dude (usually cop or adyancent) fantasy where you get to unleash your violent desires on a mass of homogenous dangerous people who are coming for your kid and wife next" makes it sooooooooooo much worse. Zombies have always been political

ok I looked this up bc I don’t know very much about it and this NPR article has a good excerpt:

Suicide was the slave's only way to take control over his or her own body ... And yet, the fear of becoming a zombie might stop them from doing so ... This final rest — in green, leafy, heavenly Africa, with no sugarcane to cut and no master to appease or serve — is unavailable to the zombie. To become a zombie was the slave's worst nightmare: to be dead and still a slave, an eternal field hand.

which I think reinforces the reading of zombies in american pop culture as these racialised non-persons, although the perspective on them has shifted drastically

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[kenobihater]

reblog for a bigger sample size of former angry, creative, and/or highly dramatic children

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep in bowls too small and empty for them until they die", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationshio chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[simply-ask-games]

I am constrained only by the amount of possible vote options

[reds-skull]

TW FLASHING LIGHTS/EYE STRAIN (GIF)

[if enough people request I'll post a version without the gif]

PART 1 | PART 3 | PART 4 | PART 5 | PART 6

Putting my very limited animation skills to use with this gif. If I had the time and motivation, I would've made this entire comic animated, but I don't, so I didn't.

Things are heating up! Hope you like action because there's gonna be more of it in the next part...

[uncanny-tranny]

At this point, talks about "mutilated bodies" tell me everything I need to know about people's politics. I truly don't believe you can combine the idea of mutilated or degenerate bodies with anything even slightly progressive in terms of autonomy. If you believe yourself to be progressive or anything left of an unapologetic fascist, you frankly cannot truly entertain the idea that some bodies and people are inherently mutilated or degenerate. It is an inherently fascist idea.

[catinasink]

the traveler, the star, and the fish

"why are there fish, nico?" you ask. well. lets jusr say. fish

sign that says id really appreciate reblogs of my art !!! /nf

[10piecechickenmcnugget]

a bunch of chimera olis because i miss him (+ team L.O.R.E cameo)

vers with oli slightly more fucked up under the cut

i spent nearly 4 hours on these so if you love me you’ll click on the image and zoom in for all the details <3

[determunition]

my week 3 oneshot for scrybruary has been up for a couple weeks now, and i'm overdue in posting about it! this one was for the theme "day in the life/mundane", so of course i wrote about death p03 taking magick leshy to the backrooms

The oneshot, Just Your Average Afternoon, is as you would expect quite a bit sillier than the two before it: Under an orange moon…Leshy is spending the afternoon at the dilapidated shopping center that serves as the Temple of P03, Scrybe of the Dead. When the possessed collection of decayed remains and analogue machinery shows Leshy a broken texture in the floor that leads to an infinite maze of yellowed rooms, the Scrybe of Magicks is equal parts shocked and intrigued. But perhaps, on a possibly haunted disk rife with sentient characters and poor programming, such a phenomenon isn't quite as unprecedented as one might assume.

you can read the oneshot right here! i put on a lot of analogue horror video essays while i work so it was a lot of fun to play around with some of those tropes and references in this chapter haha

[pjsk-headcanons]

hey, so im not THAT familiar with nightcord lore (i’ve only ever read the main story + farewell my mask), but i had some angsty thoughts, what if mafuyu really had disappeared?

kanade would probably be the most destroyed. she’d stop composing and stay inside her room. hikikimori, basically(i probably spelt that wrong). for months, maybe years, nobody knows. the grief, the guilt, the emptiness she feels without mafuyu, how she wasn’t able to “save” her. it’s all too much. or who knows, she might just go right along with her.

ena would probably react in anger, at first. how dare she? even after all they’ve been through? even though she has the talent, the recognition, the validation that ena so desperately wants, but can never get no matter how much she wrings herself dry? how dare she disappear like that and leave us all behind! then after her anger dissipates, it gives way to that void left behind by mafuyu, and ena none too quickly realises just how much she misses mafuyu.

mizuki tries to stay strong for the others, but even they can’t hide their pain. they’d try to comfort ena and kanade, but deep down inside they’re wondering if they could have done more to save her. they understood- somehow, how she felt, after all. and they’d silently but very quickly spiral into this hole of beating themself up.

miku’s usually deadpan and emotionless face, that would break and give way to tears. because even though she was there for mafuyu and only wanted to best for her, ultimately she failed, and she’s blaming herself for not doing more.

for once, luka doesn’t find drama fun.

meiko wouldn’t know what to say.

rin and len weep along with miku.

kaito stays there until the kagamines and miku finish crying. once all of it is over, he turns, without a word, and walks off into the distance, everyone looking at him as he disappears into the white landscape. and that was the last time anyone ever saw him, for a long, long time

yeah just some thoughts, sorry for the long ask!

.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 2/7)

PART 2 BAYBEE WAHOOO!! Three more gijinka designs comin right up!

I plan on posting them in order by groups of three, so there’s gonna be seven parts in total, all of which I’ll be linking here when done vvv

(Part One) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) This also contains a small amount of blood on one of the images!!

@saltydkart-reblogs

And that’s pretty much it, designs under the cut!

JOE:

The reason Joe dislikes most bird pokemon such as fletchling is because they're always stealing and pecking at the olives he... or well more specifically his company grows.

Speaking of which, they own a large plot of land which is used specifically to grow olive trees, which of course are used to make the olive oil he sells. What? Did you think that the olives come from Joe themselves? Of course not silly, welcome to capitalism.

That being said, Joe DOES know how to garden. When they first started their olive oil company they had to grow their own olive trees. Nowadays, in their spare time, they'll sometimes be found tending to the olive trees in their company's garden.

His crown is personally tailored for Joe and Joe ONLY. Crafted with the shiniest gold and the richest olives, all fit for a king! Somehow it never falls of his head. (Fun fact: the points are made to look like olive oil bottles)

Joe needs glasses but usually wears contacts when in public. Not that they look bad with glasses, it's just a personal choice.

Joe LOVES being involved in... well, anything! As long as it's not weird or sexual or illegal (that last one counts UNLESS it involves scamming others into buying his oil products), he is more than happy to invite himself into whatever is going on around him. What are you going to do? Stop him? Oh please!

HANNAH Ü:

At the start of her career, she would spend her days doing her own one-man (or.. well... woman) shows at subway stations, telling stories and entertaining other pokemon and people alike while they waited for the next train to arrive.

Her hat and cape are made entirely of salt! She is able to transform her cape and hat into different shapes and usually used this ability of hers to make stuff such as accessories, hats, and props that fit the role she's donning at the time.

Hannah LOVES collecting stickers and often wears them proudly on her body (in her poke form ofc ofc). However, she usually has to get someone else to stick them onto her bc of her lack of actual hands.

Some of her improv roles are inspired by the people she meets while others are inspired by pieces of media she's interested in at the moment.

Will ABSOLUTELY learn a new language if she needs to for a role. Duolingo speedrun world record

MYKYIE:

As stated previously, Mykyie used to be a circus performer before he quit to pursue his dreams. His most popular act involved him spinning plates on a stick while standing on a ball.

^^^ Because of this, he also has really, REALLY good balance.

Mykyie always keeps his Miku glowsticks on him, even when not attending any of her concerts.

"Anger Point" is basically an uncontrollable form of last resort whenever Mykyie is close to death but can still fight, it usually leads to him attacking whoever or whatever caused him great harm (In the instance of Lark, it was when he crit Mykyie and the ladder's health was extremely low.)

The Miku tattoo on Mykyie's arm was designed by Mykyie himself! However, it was drawn on him by an anonymous underground artist who went by many names to hide his true identity. The name that the artist went by at the time Mykyie got his tattoo was "Cl@ir33"

The cuffs and cape that he wears are... well, WERE, red. An unknown force seems to be slowly turning them into a shade of blue.

And that's all the HCs for now! Next Gijinka batch will consist of GrAce, Braidy, and Christene's

Also here's the posterless version of Joe's Gijinka bio before I go

[belovedqueer]

Sub title: 100% Toxic yandere kidnaps you! (BE CAREFUL)

Sub Affs: Yandere ill never ever hurt you or anyone you care about, never isolates you or holds you hostage, respects your privacy and boundaries and treats you like a person, and like, 50 other safety affs

Me: My brother in christ do you know what toxic means

[trainer-blue]

“there’s nothing wrong in principle with jews having a homeland but not THAT homeland” where do you want them to go. if they’re not allowed to go back where they came from where do you want them to go. europe? Where they’re not from? are the sites of concentration camps where Jews “belong”? is that the “homeland” you had in mind for them? no, please, tell me. what’s a better homeland for jewish people than their literal homeland which they got driven out of in the first place

[mewymarsher]

Wily Dies AU peeps come get your food

Context under the cut (also tw for a character having invasive thoughts)

After being fired from his job at a convenience store, Blues convinces Bass to start working on a farm far away from the hustle and bustle of the city.

Bass hates it at first, insisting that robots as important as himself don't do farm work and manual labor. Eventually he opens up to it with the help of Blues and the lovely couple that owns the farm.

The right sketch is from a scene where Blues gives Bass baby chicks to hold and Bass struggles to just...hold them...He's so used to destroying that he can't hold them without his thoughts trailing off to dark places. Don't worry, though, Blues and the farmer couple are there to help him through those thoughts.

Eventually Bass reaches a point where he can help with taking care of the animals on the farm without any intrusions.

Unfortunately, Wily's 2nd numbers get wind of Bass and Blues on the farm and well...that's all you get for now. :3c Okay bye until next time!

[uncanny-tranny]

The biggest saving grace I feel I've done is to get into death positivity, to learn to appreciate death. It's definitely not going to help for many, but I have found that not stigmatizing my own interest and desire for death has greatly helped. Being able to interact with death not as a punishment, but as a way to express humanity has been truly what has made me feel more human. I no longer want to feel ashamed of this aspect of myself, and it's made me want to live. Death has done unto me life.