#im sure there a version of this and i know

[fanaticsnail]

Dreaming of you Red-Hair Pirates: Shanks, Beckman, Hongo edition when? 👉👈😔

I am gonna add a page break because I am not sure how to word what I need to say in a sfw way. Also, thank you for prompting me to really think about these guys, I love it.

Red Hair Pirates

Themes: Shanks x gn!reader, Beckman x gn!reader, Hongo x gn!reader, mdni, smut, 18+, NSFW, head canons on how they engage in intimacy, smutty thoughts.

To me: these three all fuck different.

Shanks: He's flirty, he's fun, he's a soft dom who encourages you to sing out for him as loud as you can be. If you're already loud, he's going to find that spot in you to make you louder. Switching positions, laughing all the way before that mean switch flips. Then he dishes out the most possessive, dominant, and ass-rippling back shots. He's a dirty pirate, and he knows how to handle himself. Showing you just how much strength he has in that remaining arm, he'll hold you down and staple you in heavy, languid drags of his cock deep within your stomach - before rolling you atop him and watching you whine and cry while bouncing on his lap. Planting his heels, he'll buck his hips up to help you out in having that orgasm you're both chasing together. There is no kink he hasn't done, and he is willing to explore anything that takes your fancy so long as he's in charge. He's the captain, after all.

Beckman: The king of cockwarming. He's so patient, and his restraint is hardened in the way he teases. Sure, he's happy to give in and treat you like an animal from time to time, but he wants to take his time about it. There is no quick fixes with this old man, and he knows it. All of his motions are slow and steady, not once picking up his pace no matter how much you beg for it. While Beckman yearns for someone to take care of him, he won't so easily give up that control and let someone shatter his restraint. He also wants to be close to you, sharing breaths with your heads and lips connected. He makes love, and he acts like he has all the time in the world to do it.

Hongo: While he's just as dirty as Shanks is, he has far more restraint when it comes to enjoying you. He wants you to try to make as little noise as you can, letting your body do all the talking for you in the way you snap your hips against his. As the doctor of the Red Hair pirates, he is used to showing a lot of control and seriousness in his actions, but in intimacy: he wants you to take the reigns. He's so tired, almost as tired as Beckman is. Where Beckman refuses to give in, Hongo wants you to top him due to him wanting to be empty-headed of all of those "how, where, when," questions. This doctor wants you to take care of him in the same way he takes care of his crew, and he needs to relax while you both come unravelled.

Conclusion: I am trying to find a way to word the set up in a way I can see them all enjoying the same reader. I don't want a repetition of the Cross-Guild version, and I am very much taking my time to find it. While Buggy, Mihawk, and Crocodile all are so vastly different: they're all possessive about what they want and have that need for control. The Red-Hairs don't, and I want this one to have plot with the smut to follow.

Tag list: @mfreedomstuff @daydreamer-in-training @since-im-already-here @gingernut1314 @writingmysanity @i-am-vita @indydonuts @feral-artistry @the-light-of-star @empirenowmp3 @racfoam @sunflowersatori @carrotsunshine @skullfacedlady @jintaka-hane @thenotsofantasticlifestory

[teehhhhhhhhhhh]

haha finally debuting my magical girl marvels au! i was thinking of a manga cover while making this; i really wanted it to have a kinda hyperpop and sailor moon style.

So! In my version of this AU, the Marvels travel through different dimensions to fight the forces of evil to balance the multiversal scale! They do this, via train! The train is usually a subway, but it magically adapts to the dimensions they are in. (Ex. Submarine Looking Train for a mainly water dimension, an old style train for a dimension with a earlier timeline.)

Billy Batson is a Train Conductor! I based his outfit on those train conductor uniforms and I really like it. His main base powers are, of course, lighting, and the ability to make portals! He uses the portals in his fighting style, dodging with portals instead of blocking attacks. Billy can only teleport to a mirror dimension without the aid of the train, so he actually teleports to the mirror dimension in fights when he dodges, then portals back to the og dimension. The train boosts his powers so his ability to travel to the mirror dimension is enhanced, and he can travel to other dimensions when using the train. (Other then that, its a basic portal power lol)

Mary’s design was inspired by fairy tale princes, which is actually really random but I made it work. I wanted the three of them to be different genres of magical girls, but still fit look like they are in the same style. Her base powers in this AU is basically charisma (yes, literal charms), and lightning. So, her charisma powers are pretty much just that people will be more inclined to do things her way; she lets off an aura of power + confidence that no one can say no to (besides Billy and Freddy, they are immune). She also will look extremely intimidating to people when she wants to. So in a nutshell, her power is to change the way people perceive her, and use that to her advantage. Mary often uses this to do undercover work, or info gathering about the dimension they are in.

Freddy, is a mermaid based magical girl. He can shift between having a mermaid tail and his legs. His base powers are hydrokinesis (ability to control water) and (can you guess it?) lightning! Though not shown here, Freddy actually uses water to float himself around. The water is thinly covered over his body and he uses that to get around without his crutches. He learned how to do this after seeing how he can float in the water when swimming. Freddy doesn’t do this all the time because it requires a lot of control and it can tire himself out. He used to do it all the time, but once in a battle, he shifted all his focus into the fight and lost control of the water that makes him float. Freddy learnt to not completely rely on his powers all the time after that. I’ll go more into this specific event later bc I think this scenario would really impact how Freddy sees his disability, and how he learns to accept it. I imagine this Freddy is more recently disabled and that he still has bitter feelings about it. The thing with Freddy’s dad in the boat still happened (they got attacked by one of Billy’s enemies), and that’s when he got his leg injury. He met Billy that way and got his powers. (Basically just how CM3 got his powers.. idk why im explaining it)

The thing is that I, myself, am not disabled so I need a bit of help understanding what that would be like to accurately write Freddy’s struggles with his disability. 😭

Another thing is that I’m not sure what their hero names would be? I tried doing those precure names like ‘Cure Marvel!’ but that would only work for one of them and I would still need names. Marvel *insert something here* or *something* Marvel is an idea but I wouldn’t know what to put.

yeah, theres my au lol maybe i’ll post more about it

[heuldoch7b]

Have you tried drawing the female versions of the Primarchs? They're an very cool idea but most often done horribly. The female versions I saw are sexualised and do not look and sound at all like their canon versions. Would hope to see how one of my favourite artists do it. Your Primarch designs are so authentic and I know that you'll do a great job, as always, for the other ones ^^

oh ;_; god thank you so much.. favorite artist?? thats such a huge title to have. blush.

ive never really been into like, genderswap stuff honestly :o( i play with gender like toys as is, never really occurs to me to do like specific gender swaps; i will just say a character is male/female/genderfluid/agender/WHATEVER and thats that!

also, ontop of that, its difficult for me to imagine what exactly the differences would be considering. like. physiologically emps has effectively hand-crafted a new species of human and certaintly has some insane shit going on hormonally for them to make them optimized for being like. big huge mcmusclefucks. sex characteristics arent really that important when it comes to biocrafting living weapons. itd more go towards how theyd want to present, i suppose. scratches my cheek. im sure theres someone out there whos thought of this way more than i have + i have a "get silly with it" mindset

nevertheless, i drew roboute, corvus, dorn, and leman with their "fem" versions for your troubles.

[jellyfishcharm]

i dont know how to say this in a nice way but i have have no interest in watching the 1994 version of interview with the vampire for one reason: they aren’t black.

i love iwtv with my whole heart. it is my favorite show (with the exception of arcane) and means so much to me. ive seen s1 literally a million times. i have fanart, fanfics, edits, and headcanons for all the characters i love so much. but i dont not want to watch the 1994 version because they (specifically claudia) are not black.

i’m a biracial girl with a black immigrant mom who has been told so many times that i “act white.” i’m queer,i do a predominantly white sport (ballet), and go to a predominantly white school. on top of that i have a mental illness/mood disorder, which makes me seem, lets be honest, irritating and off putting. (wow what a combo) “weird girl representation” has always made me so uncomfortable because it never feels like it was made with anyone but white girls in mind. and that’s okay, except for the fact that there’s no alternative. i couldn’t find anything that had someone i could see myself in, specifically with a black lead. so i would always just take what i could get, until i watched iwtv and saw claudia for the first time.

claudia as a character represents so many things i have struggled with. her personality, looks, struggles with her family - id count lestat and louis as her parents in this analogy - are things i resonate so much with on such a deep level. seeing claudia, both Delainey Hayles and Bailey Bass in different ways, healed something inside of me that i had been looking for for so so so long. seeing them in that role was life changing for me, and i don’t want to see claudia’s character as anything else but black.

i am in no way saying that the original 1994 version is bad, i’m sure the original cast did an amazing job and brought so much to those roles. but i don’t want to think about claudia as anything but black, or at least black coded. im planning to read the books to understand the source material and Anne Rice’s vision better, but im even hesitant about that because Claudia is so important to me i dont want to think about her any other way.

i love claudia sm she is so special to me🫶🏽

[sentience-if]

as a thought experiment, may i ask how the other ROs would have reacted if they had found the MC instead of Val??

like, we see the MC visits Val a lot, and we see a dependency there that is semi-financial (in addition to other things) and how Val has impacted the MC somewhat (although a major part of that depends on the player's decisions about the MC's personality, there is still a foundation that orbits Val, at least i think so). im just curious both what fundamental changes would have happened to the MC had someone else "been their Val", as well as if these other ROs would have even... "been a Val", so to speak? or would they have turned the MC over to someone else (idk, jailers? scientists?? a convent???) only to never see them again-- or, perhaps, meant to do that but then kept seeing the MC anyway due to a "weird" urge to check in or maybe due to coincidence...????

idk, just sounded like a fun thought experiment of a scenario lol

sorry this took me like 2 business months. spoiler-free edition because I have in fact already written the scene where io and Val meet

Klaus: if they'd met when Klaus was acting under an official context, he'd have ignored Io entirely, as focusing on the well being of anyone who isn't the High Priest is extremely not his job. If it was just Klaus out on his own, he'd probably have enlisted the help of one of his personal (non-religious) friends, paying them to keep an eye on this weird stranger until they're recovered. Idk how well this would go as I haven't put a single thought towards what kind of people Klaus' city friends are, but he would only maintain a mild, passing interest. Io would have little to no idea he was ever involved.

Kat: Io would be a lot less naive, for sure. they're not spending any time wondering if they're different because they already know they are. kat's entire mission shifts to figuring Io out and she's totally open with them the entire time. This would be... a very different game lol

Connie: torn between taking Io to Klaus and taking them to their family. the latter wins out since Con knows Klaus doesn't have time for this. Io becomes the weird family friend that lives in the guest room for a few months until they finally move out, a house just down the street. depending on Io's personality, I could even see Connie letting them move in to their own house. This version of Io is the best at passing at a normal citizen, but maybe in the end has the biggest crisis about Not Being Like Other Girls, since they have such a good "normal" to compare themself to

Ira: current-day Ira would be pretty similar to Val- fully taking Io in, supporting them and being a friend they can't live without; though of course, with far less illegal activities lol. I imagine Io would have read every book Ira owns five times over by now. Ira five years ago, however, was in no place to take care of someone else. they would have done their best, but it would not have gone well. I'll stop there bc honestly. spoilers.

[midwestgender]

for every sports team in a highschool they should have two. one for the people who are actually good at it on competitive level and then one for people who just want to do it for fun/exercise. i think Fuck Around teams would be immensely popular actually

[lazycranberrydoodles]

everybody go home. this is my magnum opus

[seagull-scribbles]

All of my Out of Touch Turts-day for easy comparison 💕

Which one is your favourite?

[1987] [2003] [2007] [2012] [2018] [2019] [2023]

[u3pxx]

old doodle, dialogue from the game but i added some stuff in the end just for harriet and kim wheezes

[the-ace-with-spades]

(I adore fics where Johnny’s family loves Ghost from day one, but, you know…angst)

Soap and Ghost had been together for almost two years. They never name the relationship, really, but it's serious and they both know it.

Thing is, Johnny's seen Ghost's face a total of four times, counting Las Almas.

Well, he sees parts of it regularly, more than others. Ghost will either roll the balaclava up when they're reading together in bed or when they're eating. Sometimes, when Soap wants to go out and Ghost indulges him, he goes in public in just either a face mask or a gaiter and Soap can see his short wavy blonde hair sticking all over the place and 

The four times he had seen Simon’s face in it’s whole — obviously, Las Almas; one time when he was unconscious and bleeding from a head wound and Johnny had to check; one time when they took a shower together, Simon stayed with his back toward him through most of it, but when they finished, he let Johnny dry off his hair; one time, when Johnny asked him to see him for his birthday presents, a few minutes after midnight.

Johnny wasn’t sure why exactly Simon didn’t want to show him his face. It wasn’t a trust thing — he trusted Johnny with more than his own life — and it wasn’t like he was ugly — he was downright sinful. He never drilled the topic because he didn’t care, if SImon wasn’t ready, then he wasn’t ready, but if he had to guess, it was all to do with identity and being seen. No one knew his face — people could know his name, Simon “Ghost” Riley, but they wouldn’t know the man behind the mask. Wouldn’t know the people behind Simon “Ghost” Riley.

(Johnny wasn’t completely off on the assumption — Simon didn’t want anyone to know his face because faceless people weren’t missed. Faceless graves — like his own — didn’t have people to leave behind, and faceless soldiers didn’t have loved ones to find and he was both. No one could get hurt if he remained faceless. Or at least that’s what he’d been telling himself.)

And Johnny is okay with that — if Simon never showe him his face again, he’d still love him all the same. Johnny’s family? Not so much.

They’re supposed to be in Glasgow for five days total, leaving after Boxing Day. Johnny gives them all a warning, that Ghost is a bit shy and doesn’t like showing his face, he’ll most likely stay covered the whole time, he might be wearing a balaclava, or a mask, he probably won't eat at the table.

When they arrive at his parents house, it almost seems like everyone forgot. Like everyone thought it'd be more mild or that Johnny was exaggerating.

There are looks. There is silence. People can't stop staring.

His mam takes one look at Simon’s balaclava once they enter the living room and looks funny at them. “Ah thooght Ah tauld ye boays tae strip doon.”

“Mam, lea him alane,” he tries but he can tell that Simon is getting tense and his mam is getting tense.

His mam, who is usually the sweetest person ever, is uncharacteristically quiet and curt whenever Simon is around. Simon doesn't really know how to make it better — Johnny's never seen him so silent outside of stealth missions, he just stands there like a sore thumb, not making anything less awkward. He didn't expect him to — Simon's social skills are lacking and he loves him that way — but he expected his own family to not make such a big deal out of that mask.

His da is stern and silent, which is as disapproving as he gets. His sisters are a bit weirded out, but mostly focused on teasing Johnny, even making fun of the mask. With a stupid grin, his older sister asks, “Does he keep it oan in bed?”

Johnny doesn't say anything to that, even though his face feels red. His sisters stop laughing.

“He does?” When Johnny tries to step out of the room and avoid the conversation, his sister’s tone changes. “Hae ye e’en seen his face?”

“O’ coorse Ah hae,” he spits out. He doesn’t specify it was only four times — he doesn’t think it’d help. “And ‘s a bonnie ane, alricht.”

It doesn’t save the situation and his sisters are also weirded out and wary from then on.

 The kids do not care — they ask maybe two questions, tilts their head as Simon explains and that’s it — and Johnny breathes a little easier as soon as his nieces push Simon outside to help them build a snowman.

The judgment doesn’t stop. Johnny’s blood boils any time it shows and even though Simon says it’s all fine, he can’t stop feeling angry about this. They just can’t get past the mask.

Christmas Eve and Christmas Day are difficult to Simon and Johnny knows it. He’s given him the option to omit the family dinner on both those days if he’s not feeling alright enough to spend those days in crowdy house filled with a flock of loud and cheery people of all ages.

Simon knows this. He also knows that if he says he wants to stay at Johnny’s flat for the time being, Johnny is going to insist he doesn’t have to go either, that he’d prefer to stay in with him and not go for the Christmas dinner. Which he also knows is bullshit — Johnny loves Christmas, loves spenidng time with his family, that was basically why he kept on insisting Simon couldn’t stay alone at the base for Christmas another year in a row. It was the main reason why he agreed to go with Johnny in the first place, he was pretty sure if he didn’t go with him, Johnny would insist he stays, too. 

So Simon stays in for Christmas Eve — or rather goes to a pub while Soap spends the day with his parents — but insists they go to Christmas dinner. 

His family is disappointed to see him there, to the point the usual manuevering around politeness and disapproving go onto a backburner.

“John said yer nae a fan o’ Christmas,” Johnny’s mum says to him pointedly.

“That’s right.”

“And yet ye’r ’ere,” she notes.

Johnny is far away from the earshot and he doesn’t want to lie to her so he admits, “If I didn’t come, Johnny would insist on keepin’ me company.”

“How come ye dinnae try to hae a bit mair cheer fur th' holidays then? Put a bit mair effort in for ma baby.” 

Johnny notices and soon enough, he’s next to him, their arms brushing, Johnny’s hand on the small of his back. “Lea him alane, mam.”

“It’s fine,” he says even though it’s not fine. They deserve an explanation, even just to know what they son is getting himself into. “My family was murdered on Christmas Eve. I’m—I’m trying.”

The silence falls over the room — Johnny’s mum, dad, his sister, all present, not looking at them. Simon closes his eyes, tries to breathe.

Johnny rubs his back. “Let’s gae home.”

“I’m not ruining Christmas for you, Johnny,” he says. Before Johnny can deny it — and he knows he’d try — he tries to placate, “Let’s just have ourselves a minute to calm down.”

Maybe it’s the way his voice is perfectly levelled or the way his hand trembles as he squeezes Johnny’s, but he lets him leave the room.

He steps outside — to the backyard. Sits down on the step to the garden and lets the snow soak through his jeans and the top o his balaclava.

The kids come outside, tripping over Simon’s legs. They were all oblivious to the trails and errors of Simon’s integration into the family, so they approach him as always

“Whit's wrang?”

There’s just something so innocent in having a six-year-old girl covered from head to toe in pink and glitter worry about you. Simon would never admit it in front of Johnny, but he finds the accent cute.

Simon takes off the mask.

The kids all look at him and look at him, a bit unsure maybe a bit fearful — it can be a scary sight, he admits, the elongated, jagged smile that sticks to him no matter the mood, makes him more crazy than he already is — but only one of Johnny’s niece keeps her eyes on Simon’s face. 

Shily, she asks, “Does it hurt?”

“No,” he replies. When she smiles, he smiles back.

Not anymore.

This is Johnny’s family. Simon can deny it all he wants, but Johnny’s seen him as family, as someone he’d leave behind, and it hadn’t been unrequited. He can’t hide behind a mask forever and maybe this was the kick he needed.

He steps back inside when his hands turn numb. He doesn’t put the mask back on.

Johnny’s eyes widen. “Simon?”

Simon just—smiles. He can feel the scars pulling on the corners of his mouth, the stiffer skin, but he’s not faceless. He’s not been faceless for a while.

Edit (29/03/24): This is now a WIP for a minimum 15k fic, titled don't shoot me, santa, that will have 4 chapters and will be posted (hopefully) later in the year

[arielluva]

tried my best to draw in the official art style :33

little progress gif under the cut

[canon-gabriel-quotes]

✨💐 Mother's Day 💐✨

Transcript:

Machine. Gabriel omegaverse male pregnancy art.

Transcript:

I'm two days late... *gasp* Did Minos finally..?

Transcript:

Did Sisyphus finally..?

Transcript:

Don't come to my server.

Don't pray to me.

Don't "V1 pregnant" react me.

We're done.

*vine boom*

Transcript:

Guys, stop giving birth in vc.

Transcript:

You know.

I'd really like to say all of the pregnancy jokes catch me off guard.

But to tell you the truth, I was expecting.

i hate it here

Omegaverse clip

Minos clip

Sisyphus clip

Divorce clip

Literally 1984

He was expecting :]

[screechingfromthevoid]

nothing (besides everyone ignoring Orym's deal) has made me angrier than watching Dorian keep up this facade. Dorian Storm has always been a type of mask he's worn. At first he called himself a liar because of it. The happy go lucky bard was a way of escaping for him. He was escaping Brontë so he created Dorian. He didn't believe he was Dorian. Until the Crown Keepers made Dorian real. And for a while, he really believed he was Dorian. That he has this new family and new life and he could be who he truly wanted to be.

And then his brother came back and made his problems Dorian's problems. Until he had to put Brontë back on. Because even if the Crown Keepers + Cyrus called him Dorian, he was Brontë. He had to be who his brother thought he was.

When Cyrus dies, the thread to Brontë had snapped. He was going to see Orym, back to the Bells Hells, back to Dorian Storm. But the foundation of Dorian had shattered. Dorian was created in order to run from his place in life, family, Cyrus. Now he was gone. The Crown Keepers had fallen apart. His friends fell through his fingers and he couldn't do anything to stop it. He was once ready to side with a betrayer god for these people and now they're in the wind.

So Dorian shows back up to Bells Hella and he's completely broken. The foundation of both of his lives has been thoroughly rocked. No brother. No Crown Keepers. The two things that forged Dorian Storm. He wears that mask so fucking well. Because he still wants to believe in it. He said it live on stage that he should "believe his own backstory". The one he made up. The one where he was a bard.

He wants to be Dorian so bad. He spends all his money on Orym, he spins the bottle so he can kiss his friends, he flirts, he blushes and giggles at compliments. Exactly how Dorian would, should.

But he wears the gold of the heir. He has a festering animosity inside his chest. He doesn't sleep. He's thinner than he was. He doesn't sleep. He sicks abominations after their creators. He talks to God's without an ounce of self preservation, daring them to strike him down. He does not acknowledge them as they taunt him.

The god of beauty and magic calls him beautiful and he does not smile.

[happistar]

How many invisible things do you think this man has lost?

(Lodgetember Day 2 - Griffin)

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[senselessalchemist]

officially summer or something