hi welcome back to leanne rewatches deadpool & wolverine and goes insane about every single detail in this movie. in this edition: how logan's clothes reflect the trajectory of his character
1. the suit—inside
so we start off with the scene in the bar where logan appears to be wearing what we're used to seeing him wear. flannels, leather jackets. his outfit and even the setting is not at all unfamiliar for him. but, as we later find out, he was wearing the suit underneath all those layers the whole time.
during his talk with laura, he reveals that he wears the suit to remember those he'd lost, and as a reminder of what he'd done. he's had the suit on permanently for god knows how long, hidden under his clothes. at this point he bears the suit like a cross, suffering in silence under the guise of normalcy, yet sacrificing what's left of his identity by reducing himself to what the suit represents; by taking all the jabs and nasty looks people throw at him that he thinks he's too deserving of to combat.
2. the suit—outside
after wade pulls him out, he has the suit on display for quite a while. on one hand, it shows the fight that's in him now as a contrast to his passivity in his own world. on the other hand, it's also a sort of vulnerability: what that suit stands for and by extension what he himself is is now laid bare to the world. out in the open for people to question. maybe that fight that's in him now stems precisely from this vulnerability.
this vulnerability is both good and bad for him: it causes him to lash out at the questions from wade that he's not ready to answer. it also leads him to open up to laura and finally speak about what happened—who knows if he's ever said any of it out loud before. fun! even with just the suit, we're already seeing some development.
and THIS is where it gets interesting.
3. the white shirt—his mind
the first time we truly see him without the suit is when cassandra nova looks into his mind. i've been going back and forth on whether this is logan's own manifestation of himself or if it's cassandra's, and i still don't know. i think the distinction does matter, but in the end what it conveys is the same.
firstly, another layer of vulnerability again. he's already on his knees for cassandra, submissive—now in his mind he's also stripped as bare as he can be (i think we all know white shirts can sometimes leave little to the imagination). cassandra looks at him and says "you're hiding ... from all the ones you let down." how interesting is that?? if we go all the way back to the first scene, he hides his suit under normal clothes. and he hides this version of him in his mind even further underneath all of that.
secondly and as an extension of that point, white symbolises purity. cleanliness. even a promise of new beginnings. let's tackle this from the two possible perspectives.
if this is logan's manifestation of himself, it would be so intriguing that this is how he appears. maybe it means that despite it all, there's some good in him. maybe it means that deep, deep down, past all the shame and the guilt and the grief, there's still a part of his mind where he can just be.
on the other hand, the white could also symbolise a second chance—like i said, a promise of new beginnings. i made a post about this scene here, but the basic point is that cassandra is offering him something that no one else may ever be able to offer him. a chance to fully be himself, to silence the voices. the white is such a stunning visual representation of what she is saying logan could be if he stays with her. which makes it even more poignant that he doesn't.
4. the time ripper
after this scene, he's in the suit again, necessarily. but then! BUT THEN!!!!! the time ripper!!! y'all need to understand the significance of this scene in all its nuances FR! here you can look at his abs again:
but the thing is we know by now what the suit represents. all his failures, all his guilt, his inability to let go of his past. it represents him. isn't it just so fitting that it's at this point where he saves the fucking world that the suit breaks away. it breaks away from him. he's free. this not the same as him just taking it off, because with it breaking into pieces he literally cannot wear it anymore. this is not just a hugh jackman body appreciation, this is logan finally moving on. this is him realising that he is not a failure, that he is not his failures, that he has something else to live for.
5. him
and oh my god, we finally make it to the extremely satisfying ending. after all of that, we finally come full circle. he's in his normal clothes again, the wife beater and the flannel, except this time without anything underneath. he's no longer defined by that one incident, defined by his mistakes and the people he let down. he is just him.
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hey guys did you know that um. did you know. first of all did you know i'm losing my mind, secondly, do y'all remember in tma how when someone reads a written statement, they don't really Stop unless they're interrupted? and they read the whole thing easy cheesy, no issues with reading whatever words are there? like. jon literally could read french for a whole statement and was Fine. granted, that's Jon, but like nobody else struggled with pronunciations and whatnot (that i can recall)
presumably, this is an eye thing. either as employees of the institute, or because everyone there is just also eye-aligned in some degree (melanie had the ghost hunting show, the eye is fond of martin, etc)
and then there's tim in season 3 ep 86
[Sigh] Statement of… uh, Benjamin Hatendi… Hateendi? Regarding a… [papers rustling] a blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t. Statement is from… 1983, March 2nd. And I guess… [long sigh] I guess I’m doing this one. Tim Stoker. Archival assistant… Archival prisoner at the Magnus Institute.
correct me if im wrong but i don't recall anyone struggling with pronunciations before this bit. but that's not even the biggest thing here, that's just a lil Taste, a lil Flavor.
note the phrasing there. "Regarding his unavoidable and gruesome end." why would he say this when the written text on the statement says this:
Uh, right. Benjamin Hatendi’s account of… [rustling pages] oh for… a, a strange encounter. Er, statement date, March 2nd, 1983. Melanie King recording. Apparently.
"a strange encounter". that's it. nothing about an unavoidable death, just a "strange encounter". Tim Why Did You Say That.
why would our dear timothy bimothy, who is being pushed to the brink, who is becoming rapidly more depressed and losing hope, say this?
this isn't the only time he's said some weirdly grim shit tho (ep 104)
There was never really any hope for me, though, was there? This was how it was always going to go.
and then there's this bit from elias apparently having Looked into tim (also 104)
TIM
All right, hit me with your X-ray eyes then, boss. What do you see?
ELIAS
Disruption. An unpredictable, angry man with nothing left but the desire to feel in some way revenged.
TIM
[Sarcastic] Ooh, terrifying! Surely only magic could have let you see so deep inside my very soul.
"nothing left" but the desire to feel revenged. and tim doesn't dispute this, because it's true.
when he first joined the institute he did so in order to look for answers about danny, but then he stopped seriously looking. and now that the circus is back, this is all the drive he has left. not looking for answers, just wanting revenge. closure. an end, if you will.
this is Literally It For Him. a couple lines later he suggests elias kill him, he's At The Breaking Point.
he is so tired, he's lost all hope, and he's saying all this grim shit about "unavoidable death" and "this is how it was always going to go" like hmmmm sounds familiar doesn't it. DOESN'T IT (<- is going insane)
(ep 11) [....] despite the rapid response of the paramedics and how much of his medical history I had immediately to hand, there was nothing I could do to save him.
(ep 11) I have no responsibility to try and prevent whatever fate is coming for you. Based on my previous experience, such a thing is likely impossible anyway,[....]
(ep 121) There. That was it. That was our fate; where we would always be.
hmmmm sounds a bit like oliver huh? everyone's favorite ex-accountant avatar of the end?? right??
but then there's this last bit i have from ep 86.
why did he stop reading the statement
Statement.
“My parents never let me have a nightlight. I was always afraid, but they were ju–”
Ugh, this is stupid.
why did he do that. again, correct me if im wrong but when else has someone just Stopped Reading like that without someone or something else interrupting them? why could tim just stop himself?
my theory is this: at this point, tim is completely gone from being aligned with the eye. he no longer seeks to know what happened to danny, he just wants closure. he doesn't wanna do any statement work, and he keeps mentioning these tidbits about hopelessness and the inevitability of terrible events, specifically death.
the eye isn't compelling him to read the statements like it does the others, because it doesn't have as strong a hold anymore. the grip is slipping from him. and by the time the unknowing rolls around, maybe it's lost him for good. maybe he finally fell into a different power he never meant to serve, and yet, he does.
and maybe. just maybe. because i'm so not in denial. but MAYBE. he did die in the unknowing. but maybe he got better.
basically end!tim truthers rise up, this is how end!tim kayaking with his bf oliver banks can still win, etc etc I'm Going Feral <3
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