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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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transxfiles · 2 years

Text

lost phineas and ferb episode where perry is called to investigate what dr doofenshmirtz is up to because carl the intern got ahold of some intel that doof has been seen speaking to lawyers and looking up the endangered species act at internet cafes and as major monogram says, "something fishy is going on"

meanwhile phineas and ferb's subplot of "i know what we're gonna do today!" is that isabella needs her environmentalist fireside girls badge so they start researching which species are in urgent need of help in the tri-state area so that they can use new cloning and gene therapy technologies to bring at-risk animals back from extinction

(yes there is a c-plot where buford and baljeet argue the ethics of this idea, i don't have time to explain it all for you rn)

we cut back to🎵doofenshmirtz evil incorporated🎵where we see perry carefully maneuvering around doofenshmirtz's lab scared he might fall into a trap but he hasn't set off a single booby trap and it's clear something is off

he runs into doofenshmirtz and goes to kick him in the gut action movie style but doof steps back one overly confident and says, "nuh uh uh, you see perry the platypus, you are TRAPPED! by the danville section of the endangered species act of 1973!"

doof goes on to explain his tragic backstory: "you see, perry the platypus, when i was a child my parents did not show up for my own birth! but you know that already, yadda yadda yadda they did not love me and then they loved roger more, ANYways i was raised by ocelots! i had a lovely foster mother who took me in and made me one of the pride, and so you see, perry the platypus, i am still legally considered an ocelot. did you know that there are only 50 recorded ocelots still alive in the continental united states? very sad for me as a member of a near-extinct species. it would be immoral for you to hurt someone critically endangered... in fact, you have made many attempts on my life this summer"

[montage of doof's security camera footage of their battles]

"which is why i have decided to bring you... TO COURT!" we cut back to phineas and ferb's back yard where they've decided to start cloning ocelots in their kiddie pool

candace storms outside enraged and says, "phineas and ferb are you cloning ocelots in my duckie momo kiddie pool!?"

ferb's one line of the episode is "well, i guess it's more of a kitty pool, now"

candace storms away saying, "i'm going to tell mom!" and isabella turns to phineas and says, "oh, does your mom have experience in wildlife conservation?"

we cut back to the doof and perry plotline where the two are now in the danville hall of justice and we learn that doof has spent his monthly alimony check on a defense lawyer and perry turns and sees the lawyer and then vanessa helping her organize her briefcase and perry chitters at her and vanessa shrugs and says, "i'm thinking about going into legal defense. sorry perry."

the rest of the doof and perry b-plot is spent in court and perry is about to ask for a public defense lawyer when carl runs into the room and explains that he's owca's official legal defense and perry looks at him like, "uhhh is that even allowed?"

it doesn't matter because apparently the judge is out sick today but because it's danville roger's the judge now because he's the mayor and everyone loves him.

the court case continues.

meanwhile phineas and ferb have successfully cloned multiple ocelots from the original ocelot dna they had on hand and isabella asks phineas if these clones will experience health problems like premature aging, phineas casually explains that ferb figured out the problem while they were experimenting with stem cell harvesting.

back in the courtroom, doof's ocelot foster mother has been brought to the stand along with an ocelot to english translator. doof gets emotional seeing her after so long. she says that he was one of her favorite child and he was as strong a hunter as anyone else in the family. it's incredibly sweet. the jury's in tears.

meanwhile, isabella has established connections with a group in texas who are going to release the ocelots back into their natural habitat and, using the cloned ocelots to prevent inbreeding, help establish an ocelot breeding program. the group explains that they are going to send a helicopter to retrieve the cloned ocelots from danville and bring them to texas soon.

isabella gets her fireside girls badge.

candace manages to get mom to see the backyard only after the ocelots have been helicoptered off to coastal texas, their primary habitat.

mom makes it into the backyard as phineas stares wistfully over the fence and says, "if you love something, you have to let it go." candace goes, "look mom look look look!" and points at the ducky momo kiddie pool, devoid of cloned ocelots, where baljeet and buford are now chilling out, having settled their philosophical debate about the ethics of animal cloning.

back in the courtroom drama, doof looks like he's about to win when an attendant walks into the courtroom and whispers something in roger's ear.

roger looks up, grinning, and says, "good news, everyone! my attendant here has just enlightened me that ocelots are no longer considered critically endangered!"

this settles the case, with perry being decreed not guilty and the entire affair being called off. the courtroom cheers, roger walks over to doof and personally congratulates him on his species' return from the brink of extinction.

doof shouts, "curse you endangered species classification system!" at the ceiling of the danville hall of justice.

perry arrives back home just in time for mom to say, "who wants pie?"

the end.

#cricket.chatterbox #phineas and ferb #pnf #dr doofenshmirtz #perry the platypus #phineas flynn #ferb fletcher #greatest hits

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etfrin · 10 months

Text

⤷❝ The Quiet Gift | Coriolanus Snow❞ˎˊ-

⇢☾Warning: NSFW | squirting, Snow is his own warning, mentions of killing, possessiveness, fingering (f. receiving), bathroom sex, mirror sex, semi-public sex (there was a gala), pinv sex, creampie, unprotected sex (wrap it dumbfucks), dumbfication if you squint, dom sub undertones, degradation, ownership kink, breath play with a twist | lmk if I forgot anything!

⇢☾Pairing: young president Coriolanus Snow x fem! Reader

⇢☾Summary: continuation of the arranged marriage au, this is your one year anniversary with him with a gala held in place to celebrate, you get insecure because of some bitches and Coryo fucks you in the bathroom with sprinkles of your daily life with him.

⇢☾Request: this is a request (idk if i’m writing it in the write place im new to tumblr i usually use wattpad) young coriolanus snow bathroom mirror sex like him making u watch ur self come undone in the mirror

⇢☾A/N: enjoy everyone! And to one who requested, hope you like this! :) this might be my last post of this theme btw, i am getting sick of the blue :/

arranged marriage au: the study, mine to love

< masterlist > < bc: @cafekitsune > < tag list >

A year had passed of your marriage, a bond between two souls which wasn't much of a lie as before. Things with Coryo were better than you could ever expect. You thought he would isolate himself from you after your confession but so much had changed. He had gotten softer but more possessive. His edges are sharp yet he makes sure it's a shield for you, not something that would make you bleed.

Among his actions include changing your entire wardrobe (not without your opinion first), a library that connects to his office (his office is something you have access to at all times now), his room was now yours both (your favorite change), and last but not least a poison taster was included so that no attempts of assassination at the First Lady could be taken.

At first, you thought it to be extra, but knowing that it would put his paranoid mind at peace you allow it without much to say. He picked out your outfit every day, and sometimes you did the same for Coriolanus. He would frown as you decide what to wear or not for him for the day, knowing that some of the pieces don't match his style but when he sees your smile as you pick out the clothes. He smooths his frown and takes whatever horrible fashion statement you created for him and wears it with pride.

If anyone dared to speak up about it, he proudly said that his wife picked it out and everyone knew better than to speak a single ill word of the unspoken Queen of Panem.

Today was one of those days when you decided to pick his outfit. Today was something special after all. One year had passed since you had become Mrs. Snow, and a gala was to be held tonight to celebrate the union.

So yes, you were going to pick his outfit. You had even woken up early because of it. You giggled as you opened your eyes, your arm around Coryo whose hair looked impossibly messy, sticking out everywhere. It made him look years younger than he was. You chuckled at the sight, your heart clenching with the love you have for this man. You lean forward to press a kiss to his forehead and then his cheek. You whispered, not expecting him to wake up until his alarm rang, “Good morning, Coryo”

You quietly slipped away from the bed and tiptoeed to the closet. The closet you both shared now. One side carrying every single piece of your clothing and the other side his. You wanted to pick out something different for your husband once, sick of seeing him in his white shirts and black vest. That's how you picked out a black suit with a white vest and a red silk shirt. You could imagine unbuttoning this off of him tonight and the thought made your body heat up and a giggle escaped your lips.

“What are you laughing about, doll?” A voice, his deep sleepy voice startling you. “Nothing!” You quickly said, turning to look at Snow, your breath hitching as his eyes were half closed and his hair turned into a mess of curls. Sometimes you wonder if this was all a fever dream and if you truly have the privilege of seeing him like this. You placed the clothes into a corner and went to him.

You pulled him down, your hand on his nape and another on his cheek as you guided him to your lips. Morning breath be damned. His actions were reflexive with how his arms pulled you in closer as his lips pressed into yours. He smiles against your lips and soon both of your tongues tangle in an uncoordinated sleepy manner and you whimper into his mouth.

This was real. This was your reality and you would do everything to keep it as it is. You pulled back and he whispered, “What was that for, doll?”

“Just needed to make sure this was real,” you answered him. Your words make him crack a real smile, something even you saw rarely and it would only be possible in moments like this. Moments when you have shocked the man with your actions and words and made him fall harder for you.

“Well it is,” he grins. Before his expression clears up he focuses on the clothes you have set aside. “Outfit for today?” He asked. You nod and smile at him, gesturing at the clothes. “You would look handsome in them,” you said. “Don't I always look handsome?” He smirks, you laugh, “I am not falling for that trap, dear husband. I'll be in the shower, choose something for me.” You press a kiss on his cheek before leaving the closet.

After showering and wearing the red dress he had decided, both of you go on for your respective duties. The gala would start early in the day and there were a few hours left before it formally started as guests were already coming in.

The mansion was set up beautifully, no words could have possibly explained the amount of work and dedication to make this the event of the year, valued higher than the Hunger Games itself. In another universe, it may not have been possible, in this one however you somehow managed to crack into his heart and made yourself a higher priority.

You were doing finishing touches of your makeup when Corio came in, his hair slicked back but his body tense, his eyes unable to hide the shakiness in them. You don't say anything, letting the man have his moment of vulnerability. You knew you would mess him up even more if you pointed it out, so you continued your task.

You didn't pay him any attention despite the itch to turn to him. You force yourself to stare straight into the mirror, applying your lipstick for the night. That was until he came behind you, his arms around your waist and pulled you against his chest, his head propped on your shoulder as you felt him take deep breaths.

You don't ask if anything is wrong, accepting the rare form of intimacy he initiated. Usually, you're the ones for the hugs, the genuine ones anyway. You knew despite everything you were like a math equation to Snow. His mind figured out the formulas to keep you to him forever, you doubted if he saw anyone as his equal but you were perhaps the closest thing to it.

You had accepted it long before, but moments like this when Coriolanus allowed himself to be a human meant everything to you. You fell for every version of him, the one that is an untouchable deity who could kill you without guilt, and the human he was, obsession filling in veins making you the sole objective of his mind as he already achieved Panem.

You close your eyes, taking deep breaths with him. In the end, you were human too and you broke. “What's wrong?” You asked, as softly as possible yet breaking the bubble that had formed.

He smirks through the mirror, his eyes meeting yours, a sense of superiority in the blue hues. “Nothing’s wrong, my doll,” he whispered to you, pressing a ghost-like kiss to your bare shoulder. His arms cage you tighter, making a small gasp on your lips. “Okay,” you smile at him.

“Ready to start the gala then?” You asked, “Snows are born ready,” he replied, his tone smug.

One of his arms was kept wrapped around his waist while the other opened a drawer to take out a small box. “For you,” he whispered, pressing a kiss to your neck. You opened the box, and in it was a gold necklace with the initial ‘S’. You blush, and leave it to Corio to give you a necklace with his initials for an anniversary gift. “It’s beautiful,” you whispered, your head turning back and you gave him the brightest smile. “Help me wear it?” You mumbled as you handed him the box.

And so he did, and now a necklace was on your neck, the letter ‘S’ sitting perfectly on your skin. It scratched an innate itch for Snow to see you wear this. A part of him had expected you to fight, and be disgusted by this action, his mind thinking of several ways to make (force) you to wear the necklace. But as always you surprised him with your acceptance, as if you knew that wearing this would help him with his possessiveness. You were truly the right woman for him.

With his arm around your waist, you walk into the celebration. Countless people, the top elites of the Capitol were attending the gala. Everything had to be perfect.

Alas, fate is nothing but fickle.

The rumors didn't catch your ears at first before slowly the whispers caught up to you. Too busy with your life in the mansion and with Coriolanus, you rarely were social. You never had many friends from the capitols' elites. And those who knew were merely allies for the future. So the gossip never reached your ears.

Gossip you knew better to believe. Words change when they travel mouth to mouth. It can be easily manipulated too, your husband was a living proof of that. The snake tongue of all of Panem. But when the words seemed to get louder and louder, you couldn't help but feel maybe it's tinged with truth.

Snow was busy talking to diplomats while you were politely having a conversation with the ladies. That's when the questions began about some things they had heard about Snow. Each worse than the other but nothing you didn't already know. You make sure to change their perspective whenever something new comes up. Coriolanus was still new at this position, anything could snatch the power away if either of you weren't careful.

Feeling like you have finished the job, you begin to move away, only to stop when you hear, “...even wearing a pendant with his initial, she's nothing more than a whore who was pushed up to play the role of the First Lady. A woman of her standing would never deserve such a title.”

It was true, when Snow asked you to marry you, it was sudden and he gained nothing from it. Nothing, no money, power, and just a few connections you had but he had already impressed them all beforehand so there was no need for you. Your history in the academy wasn't all that great either, you were never the best but wholly average. A man like Snow deserved the best.

Insecurity claws at your heart and even so with recent events you knew their words were wrong. Tears burned your eyes. Your hand goes to the necklace you had on, your fingers twirling the pendant. Meanwhile, despite Coriolanus' focus being mainly on talking sweet to the guests and gathering sponsors, his eyes were on you, your every moment, and each person you spoke to. He notices you walking away from the gala and into the hallways. He followed you.

You were in one of the many bathrooms the manor had to offer. You stared at the mirror, the necklace you were wearing, and your hands traveled to the back ready to take it off. That's when Coriolanus enters the bathroom, his footsteps stopping midtrack as you freeze too.

“Coryo,” you begin to speak, your hand at your side now. “I was just-” “Why were you going to take it off?” He interrupted you, his face twisted in a glare you never thought would be directed at you. You shrugged, trying to play casual, “It doesn't feel appropriate.” “Why?” He questioned his tone icy calm, spreading chills down your spine. “Because-” because you didn't feel worthy of it. “Because you're ashamed of me,” he scoffs, walking closer to you. His eyes now fully glaring at you.

You frown, “What? Coryo, no-” He tilts your chin up, as he leans in, his expression twisted in fury, “Then what? There's no other appropriate reason for you to take it off then.” In truth, something was getting lost in translation, the women you were talking to earlier were going to be accused of treason in a few days. The cause? The rumors (some truth mixed in as well) they had spread about Snow. They were invited out of courtesy and after this, they had signed their death certificate.

“It's nothing like-” “Then what?” He hissed, “Did you finally come to your senses? Did they tell you how much of a horrible monster I am? And a horrible president?” You knew some sort of major miscommunication had happened but you had no idea how to deal with it. Not when Snow pressed a harsh, hard kiss to your lips, teeth clashing and his tongue seemingly fighting with yours for dominance that you easily gave over.

“You can't escape me, doll. No matter how horrible you realize I am. Think about running away and it's your dead body that will be leaving this mansion.” he whispered against your lips, his hands on your waist, your body flushed against his as your back hit the counter.

You chuckled at his words, knowing that would never be your end. His eyebrows furrow in confusion and it makes you giggle even further. “Dove, I am not joking,” he said, looking straight in your eyes. “I know,” you smile at him, “You…” you shake your head, smiling, you were surely crazier than him. You leaned up and pressed a soft kiss to his lips. “Those women said something… mean and it made me realize I may not be worthy of this necklace…” you begin to explain, hoping the explanation would calm him down.

You thought wrong. “You don't think I can decide who deserves to be my property, pet. Whom I let to be my queen,” he said, his tone deeper than before. He whispered, “I decided it's you. It's been a year since that decision and I haven't regretted it once.”

He manovaroued you so you were facing the mirror. He was right behind you, his eyes hard. “The woman you're looking at right now is mine. My pet. My wife. How dare you try to take off a mark of my ownership, doll?” You opened your mouth to apologize, but a moan escaped instead as he bit into your shoulder. He begins to press you against the counter, your body bending over as he continues to press wet kisses on your nape.

“You need a reminder about whom you belong to,” he whispered, his lips brushing against your skin making you shiver, heat spreading to your body as his hands unzipped your dress from behind, letting the fabric fall on the floor. “I am yours,” you moan to him as his palms knead your breasts through the bra. “Then you should have known better, my stupid bird.”

“You look away from the mirror even once…,” he said, his hands squeezing your breasts roughly, his head propped up to your shoulder, his face set in a smirk, “and that group of women dies.” They were going to die either way but you didn't know that.

You gasp, “Snow- '' His hands squeeze your breasts harder, bordering on pain. “It’s Coryo for you, dove,” he said, slowly yet firmly as if talking to a child. His hands move downwards, one moves to your hip, and for the other, his fingers slip inside your panties. You whimper when his fingertip touches your clit. At any other time, he would have been slow, and gentle when he was rubbing the bud but now? His touch was fast and unconcerned, his sole goal was to inflict punishment with pleasure.

He rubbed at your clit relentlessly, making you soak your panties with your juices. His other hand squeezes your hips. You whine, your eyes closing and he pinches your clit making you moan louder than you should, your eyes opening immediately to meet his gaze.

“Only warning, pet,” he whispered, his finger now playing with the clit even more relentlessly. Back and forth, up and down with no mercy, making the bud swollen and your pussy clench around nothing. “Yes, Coryo,” you gasp.

“My dumb pet can learn after all,” he whispered to your ear and then his lips kissed the clasp of your necklace. His fingers abandon your clit to swipe at your folds to gather your wetness. He chuckles as he continues to tease you like this, his hard cock pressing against your ass.

“Coryo,” you whispered and your eyes connected with his and you knew his fingers could feel the flex of your cunt around nothing. “That's it. Look at me, doll.”

He slipped his fingers one by one into your slit, the stretch making you gasp. “It's too much,” you managed to get out, your voice shaky. “You can take it,” he tuts. His fingers begin to message your wall, hitting every crook and canny you never knew existed. He twisted his fingers thrusting right at your g-spot making you moan loudly, your body was now completely bent over in front of the mirror and your hands gripped the counter for life. Snow continues to playfully stretch you out, scissoring your pussy with his long fingers.

When he finally deemed you loose enough, he pulled his fingers out without a warning making you whimper. He pulls down your panties around your knees, and then his hand unzipped his pant to take his cock out. Something in you liked how he was composed and fully clothed while having you like this, primal and debauched. It showcased Coriolanus perfectly, no matter how prim and proper the man was outside in the end he was as much of a mess.

His impatient was clear with his clenched jaw, one of his hands traveling upwards your body to grip your breast like a handle as his free hand guides his leaking, hard cock into your entrance. “I was going to fuck you good tonight, on a bed properly like a wife deserves,” he begins to say as he pushed in with a single stroke. Your mouth lets out a small scream as your pussy adjusts to his dick. “Instead I have to treat you like a whore, bending your ass over a counter and fuck you while there are people all over the mansion.” He shakes his head disappointed, he meets your gaze, “I expected better, doll.”

“Then why keep a disappointment around,” you snapped at him, making him raise his eyebrows at your tone, his cock twitching inside your walls. “I wonder that myself too,” he grunts, his face buried in your shoulder, his tongue licking your salty skin. “You’re my everything,” he whispered, “Don't you forget that, dove.”

It was a confession that made you turn your back and made you catch his lips. He groans into your mouth as both of your tongues play with each other, expressing words the others cannot say. His free hand went to grip your necklace chain, making you gasp as he fisted the chain and pulled at it, knocking at your breath in one go.

His hips had begun to pound into you, short, hard thrusts that made his cockhead press against your g-spot while his remaining length messaged your walls perfectly. “You don't have to think, doll. I am here to think for you. You don't have to think about deserving me, or Panem. You don't have to think at all, just be my bird. My bird only,” he grunts.

Your eyes had begun to see spots from the lack of air, he hadn't seemed to care as your pussy keeps squeezing around him because of it. He lets go of the chain, making you gasp and you take the air you desperately need as his thrusts begin to get sloppier. Coryo was too impatient, too worked up, too mad at you to care about your pleasure. You were a pet getting used and you loved every second of it.

“I love you,” you whispered to him, and he groaned in response, as his thrusts got slower. He was edging himself to last longer, for this not to end. He bites your nape, not hard as he does usually to make sure the mark fades in a few seconds. His hips continue to rock into you, both of his hands now kneading at your clothed breast. He makes your round flesh spill from the bra and cups them with a groan escaping his lips.

“You’re mine,” he said as he pressed wet kisses all over your neck and shoulders, “Mine.” Your pussy clenched around him, making his pace get even slower, frustration begins to claw your mind as your body tethers to the edge. “Yours,” you agreed. “Fuck me faster,” you plead.

He lets out a laugh, “No. You'll take what I'll give.” “Coryo, my love please!” You begged. His hips stutter, making you feel confused, before realizing why he had stopped. You hadn't called him that since that night and you realized you had leverage on the man.

“My love, please! Fuck me harder,” you spill, “Baby, please!” He clenched his jaw trying so hard not to give in to the instinct of rutting into you like an animal. Knowing that he was near the edge, you continue, “Cum in me and make me walk around the gala with your cum inside, please. Please, mark me!”

That did the trick rather perfectly. His hand wraps around your throat, not choking you but staying there as a comforting presence that shouldn't have been comforting at all. “My dumb pet has ways with words. Gotta fuck that out of you, my dove,” he smirked.

His hips begin to roll into you again, making you gasp and squeeze his dick with your slick walls. The start of it was slow and cautious before Coriolanus decided to throw it all in the wind. He takes half of his length out before slamming it back to you. The sound of hips snapping echoed into the air along with his grunts and your moans. He kept fucking into you, with no care about anything.

Both of your sights were obscene in the mirror and it turned you not to end. Your body had begun to heat, your pussy aching to cum after being played with for so long. The tension in your body was close to snapping, and he knew it too. Knew it the way your cunt kept sucking his cock in so well. His head was on your shoulder, his mouth breathing out hot air onto your skin.

“Look at me,” you whispered, and his eyes snap at you and not even a second later he spills into your cunt, fucking his cum into you as he lets out a whine for the first time. You gasp, feeling your build-up fading without snapping but Snow was never to disappoint. He pulled his cock out, just to stuff you with his fingers. You whimper, your sensitive walls twitching around his fingers, so close to breaking.

Coriolanus doesn't waste a second to thrust into your sopping cunt, your folds covered in his cum, and fucking that into you with his fingers. He crooks his fingers perfectly, hitting your g-spot and making you black out for a second as his fingers keep assaulting your insides without a care.

You gasp, your body starting to give up. Snow has to wrap an arm around you to help you stay balanced. “That's it, doll. Cum on my fingers. I will make you cum on my cock later,” he promised to you. You cry out as his fingers continue their fast pace of thrusting. And finally, finally, your orgasm builds up again. A single graze from his fingertip onto your spongy spot has you not only cumming but squirting too.

Even Coriolanus eyes widen in surprise as you spill your juices onto the floor, ruining your dress and everything. You begin to feel ashamed of losing control in such a manner, but Coryo curses, “Fuck, doll. Fuck, that was…” He couldn't even finish the sentence.

You close your eyes, feeling yourself close to losing balance, only for Snow to swipe your legs from the floor and carry you to the bathtub.

“I’ll take care of you, doll,” he said, “I’ll bring in a new set of clothes, wait.” “What about the gala?” You asked. He kissed your temple before he replied, “I told everyone to leave the moment you walked away. Told everyone you were sick and as your husband, I shall be taking care of you.”

You let out a raspy chuckle, it was rather amazing how Coriolanus Snow always turned everything in his favor. Even this would help his image of being a president who took such good care of his wife and would surely take the country to great lengths.

“Snow lands on top,” you whispered to him with a smile.

Current tag list: @stelleduarte @nowitsmissing @lifeonawhim @le-lena @dollfacedalls @motley-baby @champomiel @slytherinholland @randomstuff2040 @justacaliforniandreamer @emmalinemalfoy @hyuk4s @theamuz @watercolorskyy

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jamminvroomvroom · 11 months

Text

everything.

ln x fem!reader

in which you’re his best friend until you’re something more

hi! here you go lmao. probs the fluffiest thing i’ve ever written and i am obsessed with the concept! thank you for being here and baring with me - i loved writing this one and i’d love to hear what you think! huge shoutout to my girlies @mcmuppet and @lavenderlando ily both!

songs that set the mood: pink and white by frank ocean, daylight by harry styles, angel by finneas, enchanted by taylor swift, hate to be lame by lizzy mcalpine

warnings: 18+!! minors dni!! smut, language, friends to lovers brain rot, slight corruption kink, readers first time, qatar angst

6.4k words

“do you wanna talk about it?” you whispered softly, your hand resting on lando’s sagged shoulder.

your eyes were fixed on the third place plaque on his table in front of you, his very much fixed on the floor.

“no.” his reply was short and sweet, his tone conveying exactly how deflated he was.

you’d only flown in to qatar this morning, the october sun hitting you hard as you walked into the paddock, drastically different to the london climate you’d grown accustomed to. lando had all but begged you to come, your evening before spent on the phone, and you knew that he needed a friend, otherwise he never would have asked you to fly halfway around the world.

friends. that’s what you were.

you’d hugged him tight and told him that the weekend had to get better, and then his teammate put it on pole and got his first win. so, yeah, maybe it wasn’t going to get better and not even the podium could cheer him up.

his radio messages had hurt your heart, your chest aching as he self deprecated in the cockpit. he owned his mistakes, sure, but he’d taken it a step too far and you knew you had a job to do. you’d do anything, quite literally anything, to cheer him up.

you’d always found a way to be there for eachother, your friendship spanning five long years after you’d knocked a coffee over a guy you quickly recognised as the new mclaren driver. both nineteen and awkward as hell, you’d um-ed and er-ed and danced around one another in the busy pret in central london, chucking tissues at him, attempting to mop up the frothy mess all over his white sweatshirt.

eventually you’d just burst into laughter, lando immediately following suit. your cheeks were hurting from smiling at the curly haired stranger, intrigued by the very way his faced moved when he laughed, and he’d looked at you like you hung the stars in the sky, not like someone that had just destroyed a brand new hoodie.

and just like that, a connection was born.

you’d gotten used to having a friend for only half the year, but he never let you feel the distance. paddock passes often fell through your letter box and you could usually be located in the background of his streams when he was home long enough to do them, the amount of times you’d been wrongfully accused of being his girlfriend a list as long as your arm. even in those moments of awkwardness, friendship prevailed and you both managed to crack up together about the conspiracy that you were more than friends.

and what an intriguing conspiracy it was.

“we should get you back to the hotel, you need to get some rest.” you told him, standing from the sofa and offering him your hand.

lando grabbed it, squeezing, his own special way of telling you he was grateful for your presence, and let you pull him up. as he tried to walk towards the door, you stopped him, hands on his shoulders. you wanted to shake him, tell him how fucking great he was. you didn’t think he’d appreciate that after an intense session in the car.

“hey, look at me. you got this, okay?” you smiled reassuringly, managing to get the smallest crack back from him, his lips upturning ever so slightly. something in his eyes told you that you’d succeeded, a small glimmer of an emotion that you didn’t know how to unpack.

friends.

that’s what you were.

you tried to ignore how touchy lando was being. you figured he just needed some comfort, physical touch not out of bounds in your friendship, but a new level had been reached.

on the entire walk through the paddock to his car, his hand sat comfortably on the small of your back, despite the endless amount of cameras pointed at you. his hand skimmed your thigh in the car, accidentally, you told yourself, and you had to avert your eyes when his hand graced your headrest as he reversed out of the parking space. knowing that he needed you in qatar so desperately that he’d flown you out was one thing, the way he was treating you once you got there was something else.

he’d opened your door when you pulled up at the hotel valet, helping you out of the car, his hand tucked in yours for a second longer than necessary. once again, his hand seemed to be glued to your lower back the whole way to the elevator.

the ding of the lift had you both shuffling out onto your floor, trailing towards your rooms in a heavy silence, something more left unsaid in the air.

you reached your door first, coming to a stop and shuffling around in your bag for your keycard.

“um, i need to be at the track early tomorrow. breakfast?” lando asked.

you turned to look at him, nodding your head profusely.

“of course, just drop me a message and i’ll come down and meet you.” you affirmed, your fingers finally grasping the piece of plastic that had, of course, fallen to the very bottom of your tardis of a tote bag.

you expected him to leave, but he lingered, as if there was something else on his mind.

“you okay?” you raised an eyebrow, unlocking your door. lando seemed to snap out of it then, awkwardly running a hand through his curls that had taken a brutal hit from the humidity. you liked the look on him, nonetheless.

“yeah, i- yeah, i think i just need some sleep.”

“okay, well, goodnight. let me know if you need anything.” you disappeared through the door then, the tension getting the better of you. you slumped against the shut door, wondering what he so clearly wanted to say.

the clock read 1:32am on your bedside.

a faint tapping had woken you up, and you groggily scanned the room, trying to find the source of the noise. you deduced that it was coming from your door, letting out a groan as you threw the cosy comforter off and trudged towards the disturbance.

you cracked it open, peeking through the gap and coming face to face with your best friend.

“lando?” you croaked, opening the door further.

“i’m sorry, can’t sleep. can i come in? it’s okay if not, i just didn’t know what to do.” he sounded so shy, something you didn’t recognise in the man stood before you, and you quickly swung the door open, ushering him inside.

“come, sit.” you waved for him to follow you across the room to the foot of your bed. he sat down beside you, the mattress dipping.

you patted your lap and he instantly knew what to do, laying down with his head in your lap. it’s something he did quite frequently when you were sprawled on his sofa at home, watching a shitty movie that neither of you were really paying attention to. you’d often be looking at him, praying he didn’t notice, and he’d be playing with your fingers, tracing the palm of your hand.

you couldn’t help yourself, running your hand through his curls. you didn’t mean to, stomach instantly twisting with embarrassment, but it was quickly twisting with something else. his eyes fluttered shut, a low groan falling from the back of his throat. it made your thighs clench, and he must have noticed, the tiniest smirk on his face.

“you okay?” lando asked, his eyes still shut, a look of relaxation finally on his face.

you coughed awkwardly.

“yeah, sorry. are you comfy?” you said teasingly, trying to cut the growing tension in the room.

“i am now, could fall asleep here.”

“you can, you know.” you whispered. his eyes flew open. your heart was hammering in your chest. this was new territory and you were worried you’d fucked up. sleepovers were also a norm, but one of you usually retired to a guest room, not the other side of eachothers beds.

“you want me to stay?” his voice rose in surprise.

“well, i mean, you can if you want, like, there’s space and-“ you rambled.

“do you want me to stay?” he repeated.

“is it gonna help?” you questioned cautiously.

“yes.” the confidence in which he replied did something to you.

“then stay.”

you crawled up the mattress, falling back into the place you’d so comfortably occupied just minutes before. you laid so still, watching with quiet curiosity as he slipped his hoodie off. his shirt came with it ever so slightly, riding up over his back, and you had to pry your eyes away, the ache between your thighs still ever present.

what on earth were you doing, allowing your best friend to crawl into bed with you? emotions were running so high, but it felt like a switch had been flipped ever since you hit the tarmac in qatar. every look, every touch was fuelled by something different to what it had been before and you weren’t sure if it was a good thing or not.

lando turned towards you, making his way back over to the bed. he looked apprehensive, as if he was thinking the same thoughts as you, wondering if there was any logic in what was about to happen. he seemed to come to the conclusion that this was, in fact, happening, crawling into bed beside you.

“is this okay?” lando breathed into the darkness of the room, his hand brushing yours. you were both as still as planks, mere centimetres separating you, the only light coming from the lamp beside the bed.

“yeah,” you took a deep breath, preparing for the words that were about to come tumbling out. “i’ve just never done this before.” you spoke quickly, sucking in another breath as you finished.

“you’ve never…”

“i’ve never shared a bed… like this.”

“like what?”

“with a… a guy?” your anxiety riddled words came out more like a question than an answer.

“oh. oh.” it seemed to dawn on lando then. “so, you’ve never… oh. i mean i can go if you’re uncomfortable.”

“lando, no, i just wanted you to know. i’m always comfortable with you.” you said, quietly baring your soul to him.

you weren’t sure why you’d basically told him you were a virgin. it held no relevance, he was just here to sleep, for some friendly comfort. he was not here for any other reason. and yet here you were, spilling the beans, all over the bed you found yourself sharing.

“i didn’t come here to, you know. i just needed you.”

you tried to ignore the pang in your chest and the annoying, minuscule butterfly springing to life in your belly.

“god, yeah i know! i didn’t think that you wanted to, well i mean not with me because why would you want me like that anyway, i get why you’re here, lando.” you rambled into the empty air. you heard yourself, groaning in embarrassment and dragging the cover over your face. lando laughed, pulling it back so he could see you again.

he was leaning over you, perched on his side, resting on his elbow.

“trust me, i’m more than happy with any part of yourself that you wanna give me.”

“don’t tease me, lando.” you scoffed. he was joking, right? right?

“i’m not! i promise, this is the one place i want to be.”

“why? why with me? i mean you could’ve called max. all he does is stream when you’re not home, think he misses you.” you were half joking, half deadly serious.

“come on, it’s you. it’s just… its been so hard this year, being away from you so much more. and then you came all the way here…” lando trailed off, averting eye contact.

you turned on your side to face him, placing your hand over his affectionately.

“you needed me.”

“exactly. i needed you. you.”

he gave you a look, one that you didn’t recognise, but you understood what it meant. it said more than anything had done since this confusingly beautiful interaction began. you got it, then, why you were here.

“lando-“

“i know that i shouldn’t tell you this and i can’t just spring this on you in the middle of the night, but i-“

“lando!”

“what?”

“kiss me.”

and god, he kissed you. the air was sucked out of your lungs, dragged out of you by the way he put his hands on your body, so urgent.

you sunk back into the mattress, his body over yours, a hand cupping your cheek while the other rested on your waist, stroking the skin there, exposed from your ridden up top. your hands were in his curls, and you revelled in the way that you could shamelessly touch them now.

he paused for a second, nose brushing yours, breathless and grinning down at you, a knowing smile that was so beautiful that it rendered you speechless.

“you have no idea how long i’ve waited for this.” lando breathed, scanning your face as if he was trying to take it all in. you, panting beneath him, coy smile, cheeks flushed. you’d never looked so gorgeous to him.

you leaned in to kiss him again, slower this time, relishing in the moment. you were lost in him, thinking back to the very first time you’d locked eyes and how you never thought it would come to this. this, the way he was holding you, was the best surprise.

lando pulled away, peppering your flushed cheeks with kisses, a dazed giggle passing your swollen lips.

he flopped onto his side, grinning at the ceiling mindlessly. you hadn’t seen him smile that big all weekend.

“are you tired?” you whispered, lips brushing his cheek, his light stubble rough against you. you wondered how it would feel elsewhere, scratching over your bare skin.

“no.”

“then why did you stop?” you asked, the words falling off your tongue slowly, sinking all over him like honey. you felt the way he tensed up, the suggestion that laced the seemingly innocent question making you tingle.

“i didn’t come here for that.” he reiterated.

“and i didn’t let you in for that. but here we are.” you weren’t ashamed of what you were asking, the moment was right, the one, and you knew it.

“it’s too soon.” lando was apprehensive. he was always overly protective of you, previously as his friend, but this, god, this was an entirely different ball park and he was proceeding with caution, against every natural instinct in his body screaming at him.

“says who?”

“it’s your first. it needs to be special.”

“everything about this is better than i could have ever imagined.”

“are you sure you want it to be me?” there it was again, those unrecognisable nerves that made everything inside of you flutter.

“lando, there is no one else i could ever want to do this with more than i want to do it with you. i want it to be you.”

“but… now? are you sure? i don’t want you to regret this.”

“the only thing i regret is that this didn’t happen sooner.”

“one last time. i just need to hear it one last time.”

“i want you, lando.”

and with that, the air changed, charged with a different kind of tension. lando pulled you on top of him, hands firm on your body, the action itself gentle. you steadied yourself, hands on his shoulders, his resting on your waist.

“can i take this off?” he tugged at the hem of your shirt. you nodded profusely. “words, sweetheart. i need you to use your words.” lando cupped your jaw as he said it, squeezing ever so slightly, enough to turn you into putty in his hands.

“please. yes.” you said shakily.

he smiled softly, slowly peeling the material off of your body, up over your head and tossed carelessly onto the floor. he kept his eyes on yours, despite the fact you were now left bare, aside from the white cotton panties that separated you both. he pawed at your sides, kneading gently at your soft hips.

“we’re gonna start slow, okay? gonna take my time with you.” he muttered, eyes on yours before they trailed slowly down, across your face, neck, collarbone, further and further until he was taking all of you in. he began to stroke the underside of your breast with his thumb, watching the way your body tensed under his feather-like touch.

“okay.” you choked out, head tipping back as he placed a kiss to the base of your throat.

his kiss trailed further down your body, peppered in the valley of your breasts, and then you stopped breathing, the air caught in your throat because he was looking at you, really, truly looking at you, as his tongue found your nipple. you couldn’t take your eyes off of him, not when he was looking at you like that, not when he was making you feel this good already.

lando pulled away, just for a second, just so that he could shift you from his lap onto his thigh. he was still fully clothed beneath you, totally in control, and you craved him in a way you didn’t know was humanly possible, so much so that you didn’t need the encouragement he was giving you to start rolling your hips, pussy grinding down on his covered thighs, the friction of your underwear driving you insane.

“oh, baby. you want me so badly, don’t you? should’ve asked me sooner. m’gonna make you feel so good.” his hands were on your hips, guiding you backwards and forwards on him.

“it feels so- oh, god.” you whimpered, fingers tangling in his curls, back arching further into him as your thighs clenched around his. he licked over your collarbone oh so slowly, a shiver running down your taut spine.

and then he was kissing you again, tongue slow over yours, his fingertips surely leaving marks where he was controlling your pace. the kiss was filthy, untameable, and you found yourself dragging against him slower, harder.

“i need you.” you panted, forehead falling on his shoulder as you pulled away from his lips, goosebumps pricking your sweat slicked skin. you were so close to an orgasm, desperate to feel him everywhere.

“i want you to come for me like this first, okay? can you do that for me, baby?” he cooed, bouncing his leg ever so slightly. “look at me.” and you did, somehow mustering the strength to pull yourself back up and find his darkened eyes.

you were a mess of curses when you let go, your body convulsing, collapsing into him as you came. you were throbbing on his thigh, one glance down at where you were grinding against him displaying your slick. his arms went around your body, flipping you onto your back so that you were resting against the mattress.

“you did so well, baby.” lando crooned, resting over you on his forearms. you stared up at him in awe, blinking away the haze. “do you want more?”

“i want everything.” you breathed, pulling him against you. you smoothed your hands over his shirt until you reached the hem, dragging it up over his back. he helped you take it off, and then it was lost to the room. you grabbed at his shoulder blades, smooth, muscular planes of bronzed skin so warm under your touch. you felt insatiable, like nothing was enough, totally intoxicated by him and everything he was managing to make you feel.

lando’s hand slid down your body, searching for the band of your underwear. when he reached his destination, he toyed with the lacy edges, letting them snap against the pudge of your belly, teasing you. you bucked your hips, frustrated, and he used the opportunity to cup your pussy, feeling where you’d soaked through the cotton. the groan he let out was carnal, animalistic, almost needy. he could feel all of you, how you ached and dripped, how you needed the everything that you’d requested.

“you’re so fucking good for me, god.” lando almost slurred his words, voice lower than you’d ever heard it. you keened at the sound, pushing your hips further into him.

lando didn’t give you much time to dwell on it, mouth latching onto your underwear where it met the crease of your thigh. he was so close, so tantalising close to where you were aching for him and you were just about levitating off the bed when his teeth grazed your inner thigh. you couldn’t see him looking at you, losing it, inhibitions out the window. your eyes were already squeezed shut when he began mouthing over your cloth-covered pussy, spit further ruining the sodden material.

“take them off.” you cried out, tugging hard at his curls that you hadn’t even realised you were clutching for dear life. and lando was a good listener, because he complied immediately, tearing the lace down your legs like a starved man.

his tongue was on you then, everywhere all at once, running through your folds and over your clit. you didn’t know if you were dead or alive, a different kind of pleasure than anything you’d ever experienced coursing hot through your veins. lando switched between long, slow licks, his tongue flat against you, and rapid kitten licks, burying his face in your cunt.

everything was moving in slow motion, your hands grasping frantically at anything you could reach; his curls, the sheets, his shoulders. you could barely make out what he was saying, his words muffled, lost to the soft flesh between your legs. it seemed to echo, every lick, stroke, word. you snapped out of it, finally, when he pulled away.

“more? you want my fingers, baby? gonna get you nice and ready for me.” you just nodded, voice lost to the air of the room.

one arm locked around your thigh, pinning you still, and the other snaked up your leg until he reached the mess between your thighs. he took a moment to take it in, how wet you were, how fucked out you looked, knowing full well he must have looked the same, unhinged as he gave into your shared desire that he’d tried his best to keep hidden. he’d never felt more stupid in his life for holding back, as he took in the ethereal delight sprawled under his touch.

when lando slid the first finger in, your stomach twisted deliciously. he watched you carefully, searching for discomfort but all he could find was sheer bliss, written all over your face as clear as daylight. he worked the digit in and out, nice and slow, curling against your walls. he could feel how tight you were, clamping around just one finger and he thought his head was gonna explode. he added another finger, watching the way you took him in, twisting his fingers.

“are you gonna let go for me again, sweetheart?” lando punctuated his words by putting his mouth back on you, teeth grazing your clit as he sucked.

you were thrashing, a silent scream building from the fire in your belly. you could just about make out the way he was spurring you on, his mouth running as you spilled over the edge, covering his fingers. you saw white, maybe god, ears ringing, and when you finally mustered the energy to look at him, you could have come for a third time. lando looked feral, lips red and coated in everything you had to offer him. his eyes were glazed over, a hazy grey that sent a jolt through your body, the aftershocks of the orgasm setting in.

“christ.” was all you could sigh out. a lazy smile painted your face, your eyes blown out, everything a little blurry. everything except him.

you could feel him scaling up your body, crawling over you until he was level with your face. he placed a kiss to your throat, your jaw and finally your lips; when he pulled away all that was left was shared giddy smile, both of you suddenly shy. you couldn’t stop the roaming of your hands, exploring all the parts of him that you could reach. when you found the waist band of his joggers, your hand grazing his abs as you did, he sucked all of the air out of the room, a sharp inhalation making him tense up.

“you still want all of me?” he breathed, his shaky breath fanning your face. lando was obsessed with hearing you say it, obsessed with how you wanted him as much as he needed you.

“all of you. lando, this is… you’re perfect.” you admitted, lips brushing his. your hands pushed the material down his hips, nails raking over him as you did. he couldn’t seem to wait any longer, kicking them off the rest of the way, his boxers quickly following suit.

you couldn’t help but stare, all of him bare against all of you. your nipples brushed his chest, his hands holding you close, your hands threaded through his curls. it was like you were sussing each other out, eyes watching lips and hands getting lost. you stayed like that for a moment, pressed together, closer and closer, until he was slotted between your legs like he was coming home. lando searched your face one last time, hunting for a smidge of discomfort.

“are you ready for me?” he whispered.

“yes.”

the initial stretch burned, but he slid into you smoothly, his cock slipping through your folds with ease. he felt you clamp down on him, his head thrown back as far as it could go, thick neck exposed to you. you bit down on his shoulder, where it met the base of his throat, trying to mask the gasp of pleasure that sent your eyes rolling back in your head. he grunted at the sensation, enjoying the sting.

“oh, fuck.” he was shuddering, trying to keep himself in check.

“don’t, oh god,” you started, meeting the roll of his hips. “don’t hold back.”

“we gotta go easy.”

“i don’t want easy.” you tightened around him then, and he saw stars.

“you’re so fucking good.” lando groaned, an edge of excitement in his voice, and then he unleashed everything that he’d held back. how much he wanted you, and a bittersweet weekend of frustration versus success came crashing down and he couldn’t do anything except give himself to you exactly how you wanted.

lando was a delicious weight on top of you, the drag of his hips slow, meeting yours hard. the pressure made you lightheaded, his body moving against yours like the thick drip of honey, smooth and sweet. you couldn’t make sense of it, of how fucking good he felt, grinding deeper and deeper into you like he’d found buried treasure. the overstimulation had your third orgasm building nice and quick, waves of pleasure making you dizzy.

“you like it like this? like when i fuck you nice and hard?” yes you did. “don’t think i can go without this now, you know that? such a good fucking girl.” you couldn’t breathe, couldn’t think, just let his words wash over you. “so beautiful, taking me so well.”

you couldn’t process that this was your best friend lando. this was a different person, it had to be. yet, somehow, it made sense that the man you knew, the one who spoke his mind, mischievous and troublesome, would be like this, a god above you as he fucked deeper into you with every thrust. he was filthy and gentle, brutal and sweet. it didn’t make sense, but it also just did.

“are you gonna come for me? one more time, baby. need to feel that perfect fucking pussy.” well, his wish was your command, because then you were gushing. the one thing you could feel was him, none of your other senses worked, you couldn’t see past the tears that fell, couldn’t get any words past your lips. maybe you screamed, you weren’t exactly sure.

lando was kissing you everywhere. each hip bone was met with his lips, your stomach, over your ribs, breasts, clavicle, neck. your face was covered in kisses next, your cheeks, forehead, a dainty peck to your nose.

“can you look at me?”

your eyes cracked open slowly, the exhaustion hitting as you came back to reality.

“was that okay?” there he was again, this shy version of lando that you couldn’t get used to.

“okay? lando that was…” you shook your head in awe. “that meant everything to me.”

he smiled then, that gorgeous, gorgeous smile, the one with the crinkles by his eyes and his teeth on full display. you melted.

“me too. you’re fucking beautiful. so, so fucking beautiful. should’ve told you sooner.” he murmured.

his words made you think, way too hard for your current state. what happened next? lando had said some things, some pretty big things that you didn’t know how to comprehend. it was crazy, how scared you were to bring it back up to him, considering he’d just been inside of you.

“sooner?” you whispered, hardly audible. lando was midway through tucking you both into bed, pulling your flushed, naked body into his own under the duvet.

“yes. a lot sooner.” he replied, not a trace of doubt in his voice.

‘how much sooner?’ you thought to yourself, unable to stay awake any longer to agonise over it, your dreams haunted by the way he touched you so well. it was magnificent to fall asleep in his arms, and you couldn’t help yourself from wondering when it would happen again.

you woke up tangled with him, fingers stroking your cheek, smoothing your hair out of your eyes.

lando was always so warm, but now his tanned skin radiated sunshine, a beacon of light in your bed. you smiled, eyes still shut, shielding yourself from the streaks of light casting over the room from the crack in the curtains.

“what time is it?” you croaked, bringing a hand to your eyes to rub away the sleep.

“gone eleven. i need to go, baby.”

baby.

you hadn’t gotten a chance to take my notice of the things he’d called you last night, too caught up in the way he played with your body. now that you heard it, in the calm after the storm, it made you swoon.

“already?” you tried to hide your disappointment, not quite ready to detangle yourself from him.

“need to get to the track. i think i’m already late. i just wanted to be here when you woke up.” lando sounded so soft, not as groggy as you, and you wondered how long he’d been awake, watching the soft rise and fall of your chest.

“thank you.” you knew that you’d have spiralled waking up alone, and you were immensely grateful that he’d stayed.

lando began to get up, wincing at your whine of protest.

“i’m sorry. i’ll have someone pick you up later, okay? i’ll see you soon, i promise.”

you knew he had to work hard today, knew how much analysis he needed to do before the race. he was starting further back than anyone would have liked, and he had something to prove as well, oscar starting too close to the front for lando’s liking. there were places to make up and hard work to be done to get back to the front.

“don’t apologise. i hope it goes smoothly today.” you smiled at him, watching him collect his long forgotten clothes. you were entranced by the way his body moved, the lines and shapes that tensed and rippled as he dressed himself.

“i’ll message you.” he promised, creeping back over to the bed. you weren’t sure what to expect, but the soft kiss to your lips, almost apprehensive on his part, could have killed you off, your heart pounding.

your grinned like a fool when the door shut behind him.

the shower was burning hot, loosening up your muscles. you cleaned yourself slowly, examining your body, the same one that you’d given to lando. he’d taken you apart, piece by piece, and put you back together, the traces of him that he’d left behind delectably apparent.

you followed the trail of marks he’d left, starting with the love bite below your right breast that you couldn’t even remember him leaving, making your way to the litter of fingerprints that were tattooed into your hips. your fingertips ghosted over your swollen lips, the kiss that he’d left at the junction between your neck and your shoulder, reminiscing the evening. you seemed to ache everywhere, the dull pain setting into your bones so nicely.

you prayed it would happen again. you felt like it would, everything between you had changed now, changed from any possible return to the norm. you wanted it to change, you couldn’t fathom the idea of staying friends when the lines had blurred like this, when he’d kissed you so deeply, touched you so intimately.

the shower was much needed, refreshing your body that was now tainted by him in the best way. you tried to keep a clear head while you got yourself ready, taking your time to make yourself presentable to the paddock. the time of your departure was looming, the pink and white sunset outside your window indicating that the race was only a few hours away. the air had cooled slightly, and you knew you needed to make your way to the lobby.

your phone dinged in your hand as you were packing your essentials into your bag. you glanced down at the device, unruly smile gracing your face.

see you soon, the text read, an orange love heart punctuating the short but sweet text. it was safe to say that the butterflies in your belly were well and truly alive.

the screen beeped as you scanned your paddock pass, and you slipped through the gate, making your way into the paddock. it was beautiful in qatar, they’d outdone themselves with this structure, the glass ceilings and jungle of greenery an expression of wealth and elegance.

you made a beeline for the mclaren garage, greeting lando’s pr officer who smiled warmly at you. you recognised oscar smirking as you appeared in the garage, and as you got closer you realised why.

“nice to see you. looking for lando?” his monotonous voice held an amused twang.

“hey oscar, great job last night!” you said, waiting for the other shoe to drop. “yeah, is he around here somewhere?”

“yeah he’s just doing press i think. extra spring in his step today.” oscar gave you a knowing look, one that made you blush.

“what do you know?” you deadpanned, fighting back laughter.

“i know that this was a long time coming.” he smiled, and then he was gone, lost to the bustle of the garage.

you stood there, probably in the way, lost in thought about what oscar had just said. he was right, this was a long time coming.

you jumped a bit when a hand landed on your waist, relaxing instantly into lando’s body when he pressed himself against you, head on your shoulder.

“i’m so glad you’re here.” he whispered, pressing a secret kiss under your ear, and then he, too, was gone, before you could even react.

your nerves were shot, ushered to the back of the garage where you found a headset. you chewed your nails, anxious about it all. the race, the changes that you were surely coming. you wanted it, wanted everything from him that he’d give you, willing to commit to all of it, to him. the distance, borrowed time, chaos of his world. last night had changed everything and you couldn’t have asked for more.

eventually the lights went out and the fight was underway. you found your hands clasped together, sweating in the dry heat and the anxiety. you clapped every time he made an overtake, storming through the field. when he made it into p3, picking the pace up on oscar, the nerves resurged and you prayed for a clean end to this race.

lando’s radio messages flooded your ears, and your leg bounced uncontrollably, your shoe slapping against the floor.

“be sensible, lando.” you muttered under your breath, resting your chin on your tightly clasped hands. he would be on the podium, but you knew it wasn’t enough for him, it never was. would you be enough for him?

eventually he agreed to hold position, thank fuck, and you could breathe again. he’d driven a beautiful recovery drive, bringing the car onto the podium, and you rushed out with the team to congratulate him. you lingered at the back of the pack behind the metal barriers, watching in quiet admiration as he jumped out of the car. he slapped oscar on the back, hugging his younger teammate before bounding towards the team. his head was darting around as if he was looking for something, but you couldn’t make it out with his helmet still on. and then the helmet came off and it became clear.

he was looking for you.

lando pulled away from a hug with a mechanic, leaning over the barrier right in front of you. you gravitated towards him, somehow moving through the swarm of team members until you were pressed against the metal too. he was beaming, eyes brighter than they had been all working weekend, and then his hands were on you. the hug he pulled you into was tight and you clung to one another for a moment, unbothered by his damp race suit, or the tickle of his sweat slicked curls.

the kiss he pressed to your cheek was far less secret than the one in the garage, so was the one he pressed to your forehead, but the one he pressed to your lips, as quick as it may have been, was the one that really took the cake. you were blushing when he pulled back, a mischievous grin on his face. you shook your head in disbelief at his boldness, unable to tame your bewildered smile.

“what are you doing for dinner, baby?” he called out to you as he walked away. the podium high had clearly set in.

nothing, you mouthed back, not quite confident enough to shout across parc ferme.

“good, we’re going on a date.” lando winked and then he was gone, pulled into the chaos of post race duties.

tears pricked your eyes when he stood on the podium, a much happier man than the one you found when you’d arrived. you couldn’t put it into words, how one night had changed everything, giving you everything you didn’t realise you wanted.

then again, lando was always good at beating expectations.

hehe the end

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dawnslight-aegis · 3 months

Text

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

#ffxiv #ffxiv tarot #tarot #ffxiv gpose #had so much fun with this project #I've wanted to do it for years #I'll link this on twitter in a couple days but y'all get it early

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