uh oh it's never good when I experiment with styles, but that's what I did when @letsdrawcastiel threw the prompt for favorite Cas quote made into art around. so many good Cas quotes but I picked this one that's so delightfully weird and captures some of Cas' vast weirdness (also maybe inspired by the original prompt in which Cas thinks the Bunker is one species short dhgfgdndud)
I tried and failed to base the style on golden age comic books, but was really unhappy with the faces so I made them more like my usual style. the eye-searing colors were all snagged off this guide I found talking about the limited colors available at the time and ofc I had to get the weird half-limb wide spontaneous shading involved. also the iconic dots
my drawing app doesn't have comic sans apparently (the main comic book font) so I tried to recreate it but I think I made the words too thick. the speech bubble has the amazing quote "I'll interrogate the cat.*" and the box, designed after the author's notes of the comic book world, says "*Bob. He thinks Cas is a dumbass."
(03/11/24)
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not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)
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something about first impressions idk
bonus:
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day 26: apocalypse ♡
(femslashfeb prompt list)
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
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sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go
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Question ...if fairies rely on desire to feed,would Dev be a GOOD food source or a terrible food source? Does desire come from wishing or wanting more, essentially. Because dev like.. Has all he can want except his dad's approval ,so how does that work?
Fairies' food comes from the innate emotion a person has while Wishes are just the only way Fairies can pull the emotions (food) out!!!
The more the desire is out of reach, the more delicious it is, and the longer the fairy can go without needing another meal. It's simply easier to harvest from children because they have big emotions, and weak minds and impulses. A child can say "I wish" more openly than an adult does, making it easier for Fairies to cultivate.
Dev's one of the best food sources there is. In fact, he's able to feed a family of 5 for at least 8 months! However, he's also one of the worse sources to collect from because his desire is noncollectable by magic.
Which means you'll need an expert high-class, high-ranking Fairy Godparent who can siphon out his Desires into smaller parts via multiple smaller wishes!
Bitties Series: [Start] > [Previous] > [Next]
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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consumed by the inevitable
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ISAT & Dungeon Meshi swap!
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Prompt 209
Now Jason was planning on, well, a lot of things, when he came back to Gotham. He had a lot of plans, several of which had to do with the old man and even more that had to do with cleaning up Crime Alley, making it safer and all that.
What he was not planning on was to find some sort of lab in the basement of where he was planning on setting up a safehouse. Nor was he planning on finding several literal children in cages inside said lab. Oh and Lazarus Waters- but children! With muzzles! Being experimented on!
Now he’d like to say he had a plan in what happened next, but if he’s honest everything had gone Green and he didn’t remember what happened next, only that he’s back home with said children and covered in blood. Oh and everything smells of smoke.
… And apparently there’s more of these things dotted around Crime Alley with the rest of these kids, er, siblings? Family? Fright does mean family? Okay kids, he’s not turning into Bruce but you can stay here while he deals with this… however long that takes.
He better not be turning into Bruce he swears-
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aziraphale, the one who gave the first human exiles his flaming sword as both a source of protection and warmth, who did not look on them as sinners deserving of destruction but people entitled to the best chances possible, has never once looked at crowley, a heavenly exile, with anything other than compassion and a desire to protect. from their first meeting, he never wanted anything bad to happen to him. when crowley slithers up to him in eden, he treats him like an equal rather than an adversary. when crowley appears, his eyes fill with love and excitement, his gaze turns soft and hesitant, his whole body seizes with joy of seeing him. crowley might typically the one to seek him out, but aziraphale has always welcomed him home.
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it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.
like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.
I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.
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Thinking about Mass Effect, as you do, and how I'm kind of sad that the way it's been engraved in pop culture has more to do with the way internet reacted to it at the time than what the actual game is about. Yes sure, it's about romance (and not that much all things considered) and it's pulpy (but not solely because of hot lady aliens), but it's also intricate worldbuilding that touches on a lot of sharp ideas, and a complicated tug-of-war between a genuine and vulnerable belief in reconciliation and community VS post 9-11 US military propaganda and steadfast belief in heroic exceptionalism, and the melancholic yet energizing mood, and the daring narrative systems, and so so much more than the 'We'll Bang OKs" and the "There's No Shepard Without Vakarian" and the whole ME3 ending situation
It's all there, but I'm sad the impact of the series is often reduced to (what I think is) the least interesting parts of its sum
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