#inviteation

[swan2swan]

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

[dweebspace]

"You can't be a lurker on tumblr." Yes, you absolutely can. I've been quietly reblogging things since 2014 and I haven't interacted with anyone in years.

[identityarchitect]

making up oc lore: fuck yes a little guy just for me

writing down oc lore: what the fuck

[platoapproved]

louis + cruelty

[wordfather]

[polararts]

They're all friends, wdym. Print preorder? available??

[quibbs]

my best friend varric dragon age

[twilight-zoned-out]

Some things about Allan:

He’s the only one who reacts to the narrator

He’s the only doll (besides the Weird House) who isn’t swayed in some way by Ken’s takeover

He also declares himself as “Ken's buddy" (making canon his official box description) which makes his inability to be swayed more interesting

He has bendable legs (probably the only reason he tries to jump the fence instead of going around like everyone else)

He easily decked a half-dozen construction Kens and could probably singlehandedly win the Ken fight

He seems to know more about the real world than most Barbies

He knows what NSYNC is 

He knows about other Allan copies living in the real world (I’m trying to figure out if he made this up to convince the humans he can live in the real world, but even if he did, how does he know what NSYNC is???)

There are no other Allan models

[skyberia]

workarounds to having a vampire as your partner in crime

[ponytailzuko]

ever since wishmaker came out i have this specific idea where adrien keeps on going out as chat noir and joining random classes to figure out a hobby he likes to do because he can't go out as adrien due to his dad. so marinette just sees "chat noir spotted at local pottery night" on her phone and has to go down there as ladybug and tell him hes gonna attract akumas if he keeps doing this. he defends it by saying hes making people happy hes coming so actually hes preventing akumas and "i'm going to learn how to rollerskate next week if you want to come!" marinette gets gray hairs.

[alectothinker]

curious. how did u guys start dating

[1v31182m5]

Egg day with the egg man :3

Happy Easter everybody!!!!

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[writingwife-83]

Guys, if you read on AO3 please try to create an account. So many of us writers are going to be forced to lock down our fics to registered users out of necessity to help keep AI away, and it kills us because we don’t want to stop any of you from reading.

AO3 is invite only. So if you know an AO3 user, ask if they have an invitation to give you (we’re given invite codes to share with others who want to join) because that’s an easy way to get in. If you don’t know someone you can ask, this is AO3’s instructions for requesting one from them…

I know this seems like an extra step and maybe you don’t think you need it and can just read from people who haven’t locked their fics. But this isn’t just about you as the reader. If you enjoy fics and you want to keep them coming, this is how you support your favorite writers! If our stats and comments plummet, I guarantee writing is going to start going down as well. Nobody wants that! So please consider making an account and signal boosting this as well! 🙏🏻

**NOTE: AO3 indicates (as of today) there’s 48k some people in the queue for invites and they’re sending out about 5k per day. That’s not a bad wait at all!!**

[poisoned-pearls]

Masquerade Road Trip 🚌

Okay but like…. What if instead of using mirrors they had to stuff this whole cast of people into a bus/van

It’d be a little funny

(Also turn up phone brightness to see it better. Or don’t. Idk I don’t control you)

[bandzboy]

the korean embassy in isnotreal is organizing kpop world festival there and is basically a competition people can participate with the support of kbs so yeah... this is quite bad

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.