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mostlysignssomeportents · 3 months

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On July 14, I'm giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! On July 20, I'm appearing in CHICAGO at Exile in Bookville.

We're living through one of those moments when millions of people become suddenly and overwhelmingly interested in fair use, one of the subtlest and worst-understood aspects of copyright law. It's not a subject you can master by skimming a Wikipedia article!

I've been talking about fair use with laypeople for more than 20 years. I've met so many people who possess the unshakable, serene confidence of the truly wrong, like the people who think fair use means you can take x words from a book, or y seconds from a song and it will always be fair, while anything more will never be.

Or the people who think that if you violate any of the four factors, your use can't be fair – or the people who think that if you fail all of the four factors, you must be infringing (people, the Supreme Court is calling and they want to tell you about the Betamax!).

You might think that you can never quote a song lyric in a book without infringing copyright, or that you must clear every musical sample. You might be rock solid certain that scraping the web to train an AI is infringing. If you hold those beliefs, you do not understand the "fact intensive" nature of fair use.

But you can learn! It's actually a really cool and interesting and gnarly subject, and it's a favorite of copyright scholars, who have really fascinating disagreements and discussions about the subject. These discussions often key off of the controversies of the moment, but inevitably they implicate earlier fights about everything from the piano roll to 2 Live Crew to antiracist retellings of Gone With the Wind.

One of the most interesting discussions of fair use you can ask for took place in 2019, when the NYU Engelberg Center on Innovation Law & Policy held a symposium called "Proving IP." One of the panels featured dueling musicologists debating the merits of the Blurred Lines case. That case marked a turning point in music copyright, with the Marvin Gaye estate successfully suing Robin Thicke and Pharrell Williams for copying the "vibe" of Gaye's "Got to Give it Up."

Naturally, this discussion featured clips from both songs as the experts – joined by some of America's top copyright scholars – delved into the legal reasoning and future consequences of the case. It would be literally impossible to discuss this case without those clips.

And that's where the problems start: as soon as the symposium was uploaded to Youtube, it was flagged and removed by Content ID, Google's $100,000,000 copyright enforcement system. This initial takedown was fully automated, which is how Content ID works: rightsholders upload audio to claim it, and then Content ID removes other videos where that audio appears (rightsholders can also specify that videos with matching clips be demonetized, or that the ad revenue from those videos be diverted to the rightsholders).

But Content ID has a safety valve: an uploader whose video has been incorrectly flagged can challenge the takedown. The case is then punted to the rightsholder, who has to manually renew or drop their claim. In the case of this symposium, the rightsholder was Universal Music Group, the largest record company in the world. UMG's personnel reviewed the video and did not drop the claim.

99.99% of the time, that's where the story would end, for many reasons. First of all, most people don't understand fair use well enough to contest the judgment of a cosmically vast, unimaginably rich monopolist who wants to censor their video. Just as importantly, though, is that Content ID is a Byzantine system that is nearly as complex as fair use, but it's an entirely private affair, created and adjudicated by another galactic-scale monopolist (Google).

Google's copyright enforcement system is a cod-legal regime with all the downsides of the law, and a few wrinkles of its own (for example, it's a system without lawyers – just corporate experts doing battle with laypeople). And a single mis-step can result in your video being deleted or your account being permanently deleted, along with every video you've ever posted. For people who make their living on audiovisual content, losing your Youtube account is an extinction-level event:

https://www.eff.org/wp/unfiltered-how-youtubes-content-id-discourages-fair-use-and-dictates-what-we-see-online

So for the average Youtuber, Content ID is a kind of Kafka-as-a-Service system that is always avoided and never investigated. But the Engelbert Center isn't your average Youtuber: they boast some of the country's top copyright experts, specializing in exactly the questions Youtube's Content ID is supposed to be adjudicating.

So naturally, they challenged the takedown – only to have UMG double down. This is par for the course with UMG: they are infamous for refusing to consider fair use in takedown requests. Their stance is so unreasonable that a court actually found them guilty of violating the DMCA's provision against fraudulent takedowns:

https://www.eff.org/cases/lenz-v-universal

But the DMCA's takedown system is part of the real law, while Content ID is a fake law, created and overseen by a tech monopolist, not a court. So the fate of the Blurred Lines discussion turned on the Engelberg Center's ability to navigate both the law and the n-dimensional topology of Content ID's takedown flowchart.

It took more than a year, but eventually, Engelberg prevailed.

Until they didn't.

If Content ID was a person, it would be baby, specifically, a baby under 18 months old – that is, before the development of "object permanence." Until our 18th month (or so), we lack the ability to reason about things we can't see – this the period when small babies find peek-a-boo amazing. Object permanence is the ability to understand things that aren't in your immediate field of vision.

Content ID has no object permanence. Despite the fact that the Engelberg Blurred Lines panel was the most involved fair use question the system was ever called upon to parse, it managed to repeatedly forget that it had decided that the panel could stay up. Over and over since that initial determination, Content ID has taken down the video of the panel, forcing Engelberg to go through the whole process again.

But that's just for starters, because Youtube isn't the only place where a copyright enforcement bot is making billions of unsupervised, unaccountable decisions about what audiovisual material you're allowed to access.

Spotify is yet another monopolist, with a justifiable reputation for being extremely hostile to artists' interests, thanks in large part to the role that UMG and the other major record labels played in designing its business rules:

https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing

Spotify has spent hundreds of millions of dollars trying to capture the podcasting market, in the hopes of converting one of the last truly open digital publishing systems into a product under its control:

https://pluralistic.net/2023/01/27/enshittification-resistance/#ummauerter-garten-nein

Thankfully, that campaign has failed – but millions of people have (unwisely) ditched their open podcatchers in favor of Spotify's pre-enshittified app, so everyone with a podcast now must target Spotify for distribution if they hope to reach those captive users.

Guess who has a podcast? The Engelberg Center.

Naturally, Engelberg's podcast includes the audio of that Blurred Lines panel, and that audio includes samples from both "Blurred Lines" and "Got To Give It Up."

So – naturally – UMG keeps taking down the podcast.

Spotify has its own answer to Content ID, and incredibly, it's even worse and harder to navigate than Google's pretend legal system. As Engelberg describes in its latest post, UMG and Spotify have colluded to ensure that this now-classic discussion of fair use will never be able to take advantage of fair use itself:

https://www.nyuengelberg.org/news/how-explaining-copyright-broke-the-spotify-copyright-system/

Remember, this is the best case scenario for arguing about fair use with a monopolist like UMG, Google, or Spotify. As Engelberg puts it:

The Engelberg Center had an extraordinarily high level of interest in pursuing this issue, and legal confidence in our position that would have cost an average podcaster tens of thousands of dollars to develop. That cannot be what is required to challenge the removal of a podcast episode.

Automated takedown systems are the tech industry's answer to the "notice-and-takedown" system that was invented to broker a peace between copyright law and the internet, starting with the US's 1998 Digital Millennium Copyright Act. The DMCA implements (and exceeds) a pair of 1996 UN treaties, the WIPO Copyright Treaty and the Performances and Phonograms Treaty, and most countries in the world have some version of notice-and-takedown.

Big corporate rightsholders claim that notice-and-takedown is a gift to the tech sector, one that allows tech companies to get away with copyright infringement. They want a "strict liability" regime, where any platform that allows a user to post something infringing is liable for that infringement, to the tune of $150,000 in statutory damages.

Of course, there's no way for a platform to know a priori whether something a user posts infringes on someone's copyright. There is no registry of everything that is copyrighted, and of course, fair use means that there are lots of ways to legally reproduce someone's work without their permission (or even when they object). Even if every person who ever has trained or ever will train as a copyright lawyer worked 24/7 for just one online platform to evaluate every tweet, video, audio clip and image for copyright infringement, they wouldn't be able to touch even 1% of what gets posted to that platform.

The "compromise" that the entertainment industry wants is automated takedown – a system like Content ID, where rightsholders register their copyrights and platforms block anything that matches the registry. This "filternet" proposal became law in the EU in 2019 with Article 17 of the Digital Single Market Directive:

https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back

This was the most controversial directive in EU history, and – as experts warned at the time – there is no way to implement it without violating the GDPR, Europe's privacy law, so now it's stuck in limbo:

https://www.eff.org/deeplinks/2022/05/eus-copyright-directive-still-about-filters-eus-top-court-limits-its-use

As critics pointed out during the EU debate, there are so many problems with filternets. For one thing, these copyright filters are very expensive: remember that Google has spent $100m on Content ID alone, and that only does a fraction of what filternet advocates demand. Building the filternet would cost so much that only the biggest tech monopolists could afford it, which is to say, filternets are a legal requirement to keep the tech monopolists in business and prevent smaller, better platforms from ever coming into existence.

Filternets are also incapable of telling the difference between similar files. This is especially problematic for classical musicians, who routinely find their work blocked or demonetized by Sony Music, which claims performances of all the most important classical music compositions:

https://pluralistic.net/2021/05/08/copyfraud/#beethoven-just-wrote-music

Content ID can't tell the difference between your performance of "The Goldberg Variations" and Glenn Gould's. For classical musicians, the best case scenario is to have their online wages stolen by Sony, who fraudulently claim copyright to their recordings. The worst case scenario is that their video is blocked, their channel deleted, and their names blacklisted from ever opening another account on one of the monopoly platforms.

But when it comes to free expression, the role that notice-and-takedown and filternets play in the creative industries is really a sideshow. In creating a system of no-evidence-required takedowns, with no real consequences for fraudulent takedowns, these systems are huge gift to the world's worst criminals. For example, "reputation management" companies help convicted rapists, murderers, and even war criminals purge the internet of true accounts of their crimes by claiming copyright over them:

https://pluralistic.net/2021/04/23/reputation-laundry/#dark-ops

Remember how during the covid lockdowns, scumbags marketed junk devices by claiming that they'd protect you from the virus? Their products remained online, while the detailed scientific articles warning people about the fraud were speedily removed through false copyright claims:

https://pluralistic.net/2021/10/18/labor-shortage-discourse-time/#copyfraud

Copyfraud – making false copyright claims – is an extremely safe crime to commit, and it's not just quack covid remedy peddlers and war criminals who avail themselves of it. Tech giants like Adobe do not hesitate to abuse the takedown system, even when that means exposing millions of people to spyware:

https://pluralistic.net/2021/10/13/theres-an-app-for-that/#gnash

Dirty cops play loud, copyrighted music during confrontations with the public, in the hopes that this will trigger copyright filters on services like Youtube and Instagram and block videos of their misbehavior:

https://pluralistic.net/2021/02/10/duke-sucks/#bhpd

But even if you solved all these problems with filternets and takedown, this system would still choke on fair use and other copyright exceptions. These are "fact intensive" questions that the world's top experts struggle with (as anyone who watches the Blurred Lines panel can see). There's no way we can get software to accurately determine when a use is or isn't fair.

That's a question that the entertainment industry itself is increasingly conflicted about. The Blurred Lines judgment opened the floodgates to a new kind of copyright troll – grifters who sued the record labels and their biggest stars for taking the "vibe" of songs that no one ever heard of. Musicians like Ed Sheeran have been sued for millions of dollars over these alleged infringements. These suits caused the record industry to (ahem) change its tune on fair use, insisting that fair use should be broadly interpreted to protect people who made things that were similar to existing works. The labels understood that if "vibe rights" became accepted law, they'd end up in the kind of hell that the rest of us enter when we try to post things online – where anything they produce can trigger takedowns, long legal battles, and millions in liability:

https://pluralistic.net/2022/04/08/oh-why/#two-notes-and-running

But the music industry remains deeply conflicted over fair use. Take the curious case of Katy Perry's song "Dark Horse," which attracted a multimillion-dollar suit from an obscure Christian rapper who claimed that a brief phrase in "Dark Horse" was impermissibly similar to his song "A Joyful Noise."

Perry and her publisher, Warner Chappell, lost the suit and were ordered to pay $2.8m. While they subsequently won an appeal, this definitely put the cold grue up Warner Chappell's back. They could see a long future of similar suits launched by treasure hunters hoping for a quick settlement.

But here's where it gets unbelievably weird and darkly funny. A Youtuber named Adam Neely made a wildly successful viral video about the suit, taking Perry's side and defending her song. As part of that video, Neely included a few seconds' worth of "A Joyful Noise," the song that Perry was accused of copying.

In court, Warner Chappell had argued that "A Joyful Noise" was not similar to Perry's "Dark Horse." But when Warner had Google remove Neely's video, they claimed that the sample from "Joyful Noise" was actually taken from "Dark Horse." Incredibly, they maintained this position through multiple appeals through the Content ID system:

https://pluralistic.net/2020/03/05/warner-chappell-copyfraud/#warnerchappell

In other words, they maintained that the song that they'd told the court was totally dissimilar to their own was so indistinguishable from their own song that they couldn't tell the difference!

Now, this question of vibes, similarity and fair use has only gotten more intense since the takedown of Neely's video. Just this week, the RIAA sued several AI companies, claiming that the songs the AI shits out are infringingly similar to tracks in their catalog:

https://www.rollingstone.com/music/music-news/record-labels-sue-music-generators-suno-and-udio-1235042056/

Even before "Blurred Lines," this was a difficult fair use question to answer, with lots of chewy nuances. Just ask George Harrison:

https://en.wikipedia.org/wiki/My_Sweet_Lord

But as the Engelberg panel's cohort of dueling musicologists and renowned copyright experts proved, this question only gets harder as time goes by. If you listen to that panel (if you can listen to that panel), you'll be hard pressed to come away with any certainty about the questions in this latest lawsuit.

The notice-and-takedown system is what's known as an "intermediary liability" rule. Platforms are "intermediaries" in that they connect end users with each other and with businesses. Ebay and Etsy and Amazon connect buyers and sellers; Facebook and Google and Tiktok connect performers, advertisers and publishers with audiences and so on.

For copyright, notice-and-takedown gives platforms a "safe harbor." A platform doesn't have to remove material after an allegation of infringement, but if they don't, they're jointly liable for any future judgment. In other words, Youtube isn't required to take down the Engelberg Blurred Lines panel, but if UMG sues Engelberg and wins a judgment, Google will also have to pay out.

During the adoption of the 1996 WIPO treaties and the 1998 US DMCA, this safe harbor rule was characterized as a balance between the rights of the public to publish online and the interest of rightsholders whose material might be infringed upon. The idea was that things that were likely to be infringing would be immediately removed once the platform received a notification, but that platforms would ignore spurious or obviously fraudulent takedowns.

That's not how it worked out. Whether it's Sony Music claiming to own your performance of "Fur Elise" or a war criminal claiming authorship over a newspaper story about his crimes, platforms nuke first and ask questions never. Why not? If they ignore a takedown and get it wrong, they suffer dire consequences ($150,000 per claim). But if they take action on a dodgy claim, there are no consequences. Of course they're just going to delete anything they're asked to delete.

This is how platforms always handle liability, and that's a lesson that we really should have internalized by now. After all, the DMCA is the second-most famous intermediary liability system for the internet – the most (in)famous is Section 230 of the Communications Decency Act.

This is a 27-word law that says that platforms are not liable for civil damages arising from their users' speech. Now, this is a US law, and in the US, there aren't many civil damages from speech to begin with. The First Amendment makes it very hard to get a libel judgment, and even when these judgments are secured, damages are typically limited to "actual damages" – generally a low sum. Most of the worst online speech is actually not illegal: hate speech, misinformation and disinformation are all covered by the First Amendment.

Notwithstanding the First Amendment, there are categories of speech that US law criminalizes: actual threats of violence, criminal harassment, and committing certain kinds of legal, medical, election or financial fraud. These are all exempted from Section 230, which only provides immunity for civil suits, not criminal acts.

What Section 230 really protects platforms from is being named to unwinnable nuisance suits by unscrupulous parties who are betting that the platforms would rather remove legal speech that they object to than go to court. A generation of copyfraudsters have proved that this is a very safe bet:

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

In other words, if you made a #MeToo accusation, or if you were a gig worker using an online forum to organize a union, or if you were blowing the whistle on your employer's toxic waste leaks, or if you were any other under-resourced person being bullied by a wealthy, powerful person or organization, that organization could shut you up by threatening to sue the platform that hosted your speech. The platform would immediately cave. But those same rich and powerful people would have access to the lawyers and back-channels that would prevent you from doing the same to them – that's why Sony can get your Brahms recital taken down, but you can't turn around and do the same to them.

This is true of every intermediary liability system, and it's been true since the earliest days of the internet, and it keeps getting proven to be true. Six years ago, Trump signed SESTA/FOSTA, a law that allowed platforms to be held civilly liable by survivors of sex trafficking. At the time, advocates claimed that this would only affect "sexual slavery" and would not impact consensual sex-work.

But from the start, and ever since, SESTA/FOSTA has primarily targeted consensual sex-work, to the immediate, lasting, and profound detriment of sex workers:

https://hackinghustling.org/what-is-sesta-fosta/

SESTA/FOSTA killed the "bad date" forums where sex workers circulated the details of violent and unstable clients, killed the online booking sites that allowed sex workers to screen their clients, and killed the payment processors that let sex workers avoid holding unsafe amounts of cash:

https://www.eff.org/deeplinks/2022/09/fight-overturn-fosta-unconstitutional-internet-censorship-law-continues

SESTA/FOSTA made voluntary sex work more dangerous – and also made life harder for law enforcement efforts to target sex trafficking:

https://hackinghustling.org/erased-the-impact-of-fosta-sesta-2020/

Despite half a decade of SESTA/FOSTA, despite 15 years of filternets, despite a quarter century of notice-and-takedown, people continue to insist that getting rid of safe harbors will punish Big Tech and make life better for everyday internet users.

As of now, it seems likely that Section 230 will be dead by then end of 2025, even if there is nothing in place to replace it:

https://energycommerce.house.gov/posts/bipartisan-energy-and-commerce-leaders-announce-legislative-hearing-on-sunsetting-section-230

This isn't the win that some people think it is. By making platforms responsible for screening the content their users post, we create a system that only the largest tech monopolies can survive, and only then by removing or blocking anything that threatens or displeases the wealthy and powerful.

Filternets are not precision-guided takedown machines; they're indiscriminate cluster-bombs that destroy anything in the vicinity of illegal speech – including (and especially) the best-informed, most informative discussions of how these systems go wrong, and how that blocks the complaints of the powerless, the marginalized, and the abused.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/27/nuke-first/#ask-questions-never

Image: EFF https://www.eff.org/files/banner_library/yt-fu-1b.png

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

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kykyonthemoon · 1 month

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One Summer Day

A road trip, a summer festival, childhood popsicles and Zayne. You have captured the essence of summer in your hands.

── .✦ Zayne x Female Reader (MC)

── .✦ Tags: R16 - MNDI, suggestive themes, summer, vacation, festival, use of Japanese culture and words, fluff, sweet, established relationship.

── .✦ Word count: 2k6

── .✦ Ky Ky's notes: This piece is inspired by Zayne’s text (Top Prize) after completing his story in Adventure above the Clouds event.

Misty Invasion Fan Art Contest Entry - Please support me on X!

── .✦ Masterlist ♡ Request a fic - closed for the time being.

You stood under your porch with all enthusiasm, feet tiptoeing up and down, eyes fixed on the impending cars. When you recognized Zayne's familiar transport, the smile on your lips immediately spread like flower petals.

“Why are you out here? Didn't we agree to meet inside first?" Zayne inquired as he assisted you in loading the luggage into the back of the car.

"I saved Doctor Zayne the trouble." You responded. That was only half of the truth; the rest was because you were so eager to begin this journey that you rolled about in bed all night thinking about it. This morning, you awoke before the alarm went off. Because your luggage was little, you went downstairs to wait. That way, neither of you would have to waste any more time and could depart right away.

Zayne grinned as if he understood what you were saying and opened the car door to invite you in. Then he sat in the driver seat. The first song on your pre-selected list began to play, and with all your impatience, the three-hour long journey to the predetermined destination began.

Not long after the vehicle drove away, Zayne noticed a rustling close to him. You were opening the package for a snack you had recently enjoyed. Zayne laughed as his car came to a stop at a red light. He turned to face you and said:

“We've only been gone for five minutes and you're already hungry?”

You took a piece of snack and fed it to Zayne, replying:

“For you.”

He obediently took a mouthful while still staring at you, who was beaming with your snack bag. A few curls of hair had fallen on your cheeks, and he tucked them behind your ear. Zayne used the chance to gently stroke your face.

"Someone was so happy that she was unable to rest last night, right?"

You hastily checked the rearview mirror of the car. Aside from appearing too eager, a closer look would expose the weariness from lack of sleep around your eyes.

"Are you sure that person isn't Doctor Zayne?" You commented. Even though he had caught you red-handed, you would continue to deny it.

"Then there were two people who could not sleep last night." You were not prepared for Zayne to admit it so soon. You spotted his brilliant smile just as the green light went on and he shifted his concentration to the road ahead.

Zayne stated that if you were weary, you could take a nap in the car and he would wake you up at the destination. Nonetheless, you were determined to remain awake the whole journey. Every time the car came to a halt at a red light, you swiftly fed him some snacks. Zayne, in return, clasped his hands around yours. You would occasionally hum along to the music being played and see that Zayne was enjoying it. Was it the song or your voice? His fingers on the steering wheel moved gently with the rhythm, as did his head and neck, as if he were swaying to the melodies. But every time he recognized you gazing and was about to say something to tease him, Zayne claimed to be in the dark and made an insignificant remark: "Your taste in music is acceptable."

You burst into laughter. When you were together, he must have heard those songs so many times that he knew them by heart. Zayne frequently took you on outings, but this one was different. He won a lottery at Akso Hospital, resulting in a two-day, three-night vacation for a couple. Although you guessed that everyone had given Doctor Zayne the jackpot after seeing how hard he worked day and night, you were nonetheless overjoyed to be able to accompany him like this.

Zayne was the one to plan everything ahead, always had been. However, you were constantly thinking about all that may happen, while you were both thrilled and anxious. This vacation marked a significant step forward in your relationship; how could you not pay attention to every little thing? You wanted all to be perfect so Zayne could enjoy an unforgettable getaway.

But such things might have to wait a little longer. Your eyes began to close around halfway through and after you had consumed all of the treats. You had a strange feeling Zayne was adjusting the seat to make you more comfortable. He softly touched your palm, saying something like, "Yet someone insisted that she wasn't sleepy..." Then you fell into a deep slumber.

After a series of short, strange dreams, including one where Doctor Zayne transformed into a big cat, you were awakened by a cold touch on your cheek.

“We're here.” Zayne's voice rang out, and all of your weariness vanished as you saw the small, lovely village stretch out in front of you, embracing the foot of the mountain. You hastily exited the car. The fresh wind carried the welcome aroma of grass and trees, making you feel delighted.

It was already past midday when you arrived at the resort. After a light meal, Zayne and you checked in. It was a modest room only enough for a couple with complete facilities, including a tatami-covered floor and a sleeping mattress for two people, known as a futon. The room was simply designed, yet it felt airy and close to nature. Zayne claimed that his prize included the most adorable suite at the resort, which was not an exaggeration at all. Large wooden and matte paper doors opened into the serene alpine view that surrounded the room. Outside was a steaming onsen, and the afternoon sunshine falling on the bottom shimmered like precious gemstones, so it was inevitable that it would be the first thing to attract your attention when you arrived. There was nothing better than being able to soak it up at night and gaze at the stars.

However, you briefly resisted the impulse to soak in it right away because when you opened the wardrobe, you discovered two folded yukata sets waiting for you and Zayne. It was no surprise since you overheard him discussing your clothing size with the resort personnel prior to your arrival. You turned your head back to peer at Zayne, who was averting his gaze, but his brilliant expression indicated that he had planned all of this for you.

The yukata he had chosen for you was light blue, embellished with white jasmine pattern. You enthusiastically tried it on yourself. But even with a handbook in the room explaining how to wear it, you struggled and failed to put it correctly. You sighed and requested assistance from Zayne on the opposite side of the folding screen which divided the dressing space in two.

“Doctor Zayne… I must have done something wrong…”

“Wait for me.”

His voice sounded out. A second later, he emerged from the opposite side of the screen. Zayne put on a yukata that was a much darker shade of blue than yours, dotted with a silver swallow pattern. As soon as you saw him, so perfect in the kind of outfit he had tried for the first time, you lost your breath. It was not until Zayne came closer to fix your dress that you recovered your composure.

“You've put on the wrong layers.” He said gently. “Let me fix it.”

Thus you stood motionless, arms wide out so Zayne could effortlessly alter your attire. Layer upon layer, one by one. It was not surprising to you that he was so skilled, given that this was your first time wearing a yukata together. Because, for you, Doctor Zayne's hands were a divine tool capable of assisting you in all you lacked. After your outfit was complete, the same hands assisted you in combing your hair and placing a jasmine flower on your head.

“How do I look? Has Doctor Zayne overdone it a bit?”

You inquired while glancing in the mirror. Behind you, he grinned pleasantly. “Not at all.”

You carefully brushed the fabric jasmine blossom Zayne had just placed in your hair. True, he had put a lot of thought into this trip. You turned around to look at him, mumbling a "Thank you" before rewarding him with a kiss on the cheek.

When the two of you arrived at the street, the sky was already tinted with dusk. You softly held Zayne's hand and moved in modest steps. You were not entirely comfortable with the geta that went with your attire. He wore a pair similar to yours, yet you were the only one who struggled.

The festival in this little community grew busier at night. Laughter breathed life into the desolate mountains and hills. The street was illuminated by lanterns, and both sides of the sidewalk were lined with vendors offering crafts, traditional games, and foods with inviting fragrances. As a result, after every few steps, you drew Zayne into a food stall to try it out.

You ate so many dishes that your tummy was full, leaving no room for supper at the resort. However, when you arrived at an old popsicle stall, you pleaded that Zayne try it with you.

"This is just like when we were kids, right?" You gladly accepted the popsicle from Zayne's hand. He sat next to you on a bench along the woodland edge, away from the festival noise. The aromatic popsicle looked quite good. You took a large bite and felt numb to the brain.

"Ugh…" You shouted. Zayne instantly reached out to rub your head and temples. He softly said:

"For what reason are you so hasty when there's a popsicle? Are you still a three-year-old?"

You pouted, stared at him and snorted loudly. Zayne softly squeezed your face and added:

“Slow down. With me here, you don't have to worry about your popsicle melting."

"Sure." You nodded. Your gaze fell on the mint-flavored popsicle in Zayne's fingers. Then, as fast as lightning, you leaned down and took a mouthful.

"You—" Zayne protested, but it was a bit too late. You giggled as your head became dizzy from a fresh brain freeze.

He grumbled and proceeded to rub your head. After consuming the popsicle, you stated:

“That's my revenge on you for pinching my cheek! How dare you?”

Zayne clicked his tongue and shook his head playfully. "It seems that no matter how old you get, the way you eat popsicles still remains.”

After that, he placed his thumb in the corner of your lips, softly wiped away the smeared cream, then lingered there forever. His gaze was unable to depart your slightly opened ruby lips. Zayne leaned down to taste the popsicle flavor that persisted on the tip of your tongue.

“Hmm… This flavor combined with mint… It isn't bad at all…”

After the festival, you chose to wrap up the day in comfort by soaking in the onsen outside your bedroom. You removed your yukata and wrapped a towel over your body before stepping out into the warm night, which was filled with luminous stars above. Zayne was already soaking in the hot spring, the moonlight casting luscious honey dews on his bare back as he turned toward the chamber. You approached delicately and sat down to soak your feet in the warm water first.

Zayne turned back to gaze at you. Iridescent drops poured from his hair and flowed down his dominant chest; every muscle fiber that was usually hidden underneath discreet layers of clothing was now displayed before your eyes, even the scars running along his arms. Suddenly, you realized that the water in the onsen was hotter than intended.

“How are your feet?” Zayne questioned as he approached you. The water solely reached his waist, where he was covered in a towel. You replied:

“I feel better now. Those geta are probably not for me.”

The sensation of Zayne's hand on your submerged feet startled you. He took your slightly red foot and gently rubbed it while keeping it under the water. He repeated the same thing with your other foot.

“By doing this, you will feel more comfortable,” said Zayne. You nodded firmly, eyes still fixed on his body. While he was massaging your feet, you kicked the water around, causing him extra soaked. Nonetheless, he simply wiped any water from his face and glanced at you in a patient manner, shaking his head slightly.

You giggled and continued to swing your leg harder. This time, he gently squeezed your ankle and said:

“Just now, someone complained about her feet hurting and insisted on being carried back here. Is she fully recovered by now? If that's the case, she doesn't need my care anymore."

His hands eased on you, yet you quickly wrapped your legs around Zayne's waist and pressed him closer. The bottom of the onsen seemed slippery, causing him to suddenly slide forward. He placed his hands on the ground so he would not tumble on you. His hot breath invaded your left ear. His body emitted a faint aroma of warm wood. Before your eyes, the water-soaked crook of his neck was revealed. Your nose gently rubbed against it.

“Who said she doesn't need your special care anymore?”

You nuzzled him, arms wrapped around his neck to pull him closer. Zayne's breathing became heavier. He maintained his balance, although it was difficult to remove himself from you while you were this close to him. The sweet fruity scent emanating from you was which he had become accustomed to these past few days.

“You're using that lotion again…” Every syllable that escaped his mouth was like fire pouring into your ears. You said quietly:

“Since you seem to appreciate it so much, I…”

Before you could finish your sentence, Zayne seized your waist and lifted you off the onsen edge. You could only lean your body absolutely into his chest, legs clamped securely around his waist to keep from falling, despite the fact that he held you extremely firm in place. Zayne pushed his face against your neck, hungrily devouring the sweet scent flowing from there. His lips pressed lengthy, scorching kisses against your neck, shoulders, and chest.

"Z-Zayne…" You tenderly called his name. Your hand on his neck softly pushed him away. The thin smoke from the onsen veiled your vision, rendering everything as surreal as a dream. In the lake's heat and humidity, drops of perspiration and water ran from Zayne's temples to the back of his neck and torso. But no matter how much you resisted, he would not let go of you.

You lightly nipped his red ear. Only then did Zayne shift away from you, his expression showing astonishment mixed with a little hurt. Had he just done something that made you unsettling?

"Let me down first…" You murmured. Zayne held you with one arm, with the other hand softly drawing circles on the area of your back which was exposed from the towel. He tilted his head and whispered into your ear:

"This is also part of my special care. Are you certain you don't want it?"

His radiant eyes fixed on you, anticipating. You pursed your lips hard before deliberately pressing yourself closer to his body.

“Of course… I want it…”

The corner of Zayne's mouth curled up slightly. He walked to a deeper part of the onsen, allowing both of you to plunge into the water, which became hotter with each touch. He kissed you. It began gently, like calm water; but over time it grew more intense, as if he was slowly melting with you. You always possessed the ability of exposing his deepest emotions and desires. Only you.

For, if he could control it, then it was certainly not love.

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mylifestylearedilfs · 4 months

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⇢ ˗ˏˋ joost klein x singer!reader ࿐ྂ

ੈ✩‧₊˚ ESPRESSO : fluff ; imagine ; all is fictional ; joost is such a babygirl here ; english is not my first language

, , ,

_________ ׂׂૢ་༘࿐ WHEN JURY ANNOUNCED YOU as a representation of your country, you couldn’t be happier. since your childhood, you were a fan of eurovision, only because you loved the idea that every country could show off their culture, beautiful language etc. you weren’t the most extrovert, so the thought of being filmed almost every second, having to take part in those interviews— which most of the time wasn’t even that necessary — stressed you out.

but someone decided to send you a literal angels, every contestant were just amazing, helping you with stress before performing at pre-parties. but your main partners in crime were nemo, bambie, your two baby girls marcus & martinus and your favourite person in this world — joost klein.

they all were your shoulders to cry on. you even created a group chat for your little eurovision gang. and let me say, you cried a lot during some pre-parties, both from laughing & crying. you couldn’t believe that you met that beautiful and amazing people, you were super grateful for that.

, , ,

today was the last pre-party before semi-finals, for you personally it was also a very important event, because you wanted to create a bond with your audience, and all the music parties before real contest were a must. that’s why you wanted everything to be perfect about your performance. but then you were woke up by a sharp pain in your throat, you started to panic immediately. when you tried to sang whatever song you had in mind in that moment, all you could hear was rasp voice and in this circumstance it wasn’t this sexy type of rasp.

as you walked into cafeteria, where almost every contestant were eating breakfast before rehearsals. when you saw bambie & nemo a big smile appears on your face. even if your mood were dead today, they will always make you smile no matter what. with loud sigh you sat down at the table, saying quick ‘hello’

“hi babe, what happened to your precious voice?” bambie asked and you just hided your face in your hands.

“i guess i just screamed too much at your performances and now my voice said bye bye everyone” you joked and they just laughed, but then nemo sat down next to you and bring you to side hug.

“so you won’t be performing today?” bambie asked with worry tone, they knew how much you wanted to take part in every single evening.

“did i heard something about no performing?” you heard well known voice and second later you felt his hands on your shoulders.

“our little singer is mute for today unfortunately” bambie said, as joost sat next to you.

“i don’t even want to hear about this, of course you will perform” he said with such a lightness in his voice, and everyone else send him questionable looks.

“but i barely speak, there’s no way i can sing today” joost just laughed at your comment.

“who said anything about singing, honey?” after seeing more confused looks, he just added “you will see, now let’s eat” he clapped his hands and took some fruit out of nemo’s plate.

, , ,

right now you finally were on last pre-party, the atmosphere was fantastic as always. everyone was getting ready to show, without that much stress as at the beginning of this project. you admired how people that were shy and very formal to each other now can be a hundred per cent themselves. also watching them growing as artists was another great experience, sometimes you felt like a proud mother, especially when it comes to your safe group. at this point, you didn’t even care who would win, because in any scenario you would be extremely proud of your friends.

joost told you to get ready for the concert as usual, you didn’t even question him anymore, because you knew that he wouldn’t tell you anything, so it was pointless. you wore your stage outfit and patiently waited for your turn, right now at the stage you could see your favourite twins, even if you couldn’t sing, you still loudly supported them, but only with your applauses.

finally it was your turn to go on stage, but right before your leg touched the floor, joost showed up with his iconic blue suit, he took a microphone and started talking;

“hello everyone! i know you’re all waiting for our amazing y/n, but unfortunately she won’t be give you guys proper performance today, but good for her - i’m here” he said smiling, as the crowd just laughed, then he invited you at the stage and you were loudly welcome by audience. joost handed you microphone that was turned off and you heard the beginning of your song. a few moments later instead of your voice, you heard joost who were holding a phone with the lyrics of this song.

you couldn’t believed what was happening, all you did was laugh, when you heard how he tried to mimic your singing style. but then you realised, that you should start to lip syncing, and that’s what you did.

everyone, the audience & the contestants started laughing, but also singing along with joost. that was officially your best performance at all eurovision pre parties.

when the song ended, you turned on the microphone and said shortly “you’re crazy” shortly after you heard his response “anything for you, honey”

#imagine #fluff #joost klein #justice for joost #free joost #stand with joost #joost x reader #joost klein x reader #joost klein x you #eurovision #eurovison song contest #eurovision imagines #eurovision 2024

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soobnny · 1 year

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classmate au | lee heeseung

❝ hey, i’ll go ahead. i have to walk (name) home. ❞

look…. i know this says classmate au

BUT but but but hear me out

he’s your senior

maybe a year or two years older

AND he’s your neighbor, next door neighbor lee heeseung

do you see where i’m going with this

he walks you home to school every morning and every after class

your parents r also pretty close so you’re always hanging by each other’s house

THO he’s more of like an unattainable senior so handsome 😞😞 yall dont talk much when you’re having that little family get together

he tries talking to u tho … but you run away pretty fast

it’s always that awkward sitting beside each other while your parents talk to each other

…. awkward eye contact

SO YEAH he walks you to school every morning and after class by your mom’s request

heeseung always walks by the side of the road like the gentleman he is

will pull you by the waist when you attempt to even walk on that side so he can switch you two

and always waits for you outside your class or by the student council office to walk you home

sometimes 💔💔💔💔 during basketball practice … he does that thing where he goes home ahead so he can walk u home

the moment you walk into the basketball gym, wide eyes searching for heeseung ?!

he’s already dismissing himself .. saying goodbye to his friends and the couch and slinging your bag on his shoulder

you think he only views you as a little sister this SUCKS !!!!!

ah you are so wrong.

oh also lee heeseung student athlete and face of the school, just thought i’d mention

sometimes, he even appears in your classes to assist the teacher like what CAN’T he do

the teacher encounters some tech difficulties with the powerpoint???

“hey (name), can you call heeseung?”

you quietly slip out of the classroom and hurry to his

(he gave you his class schedule in case you ever needed anything… so you know where to find him…)

“excuse me, mr. hwang is looking for heeseung?” you’d tell the teacher

and their whole class would burst into SCREAMS and teasing as heeseung is pushed towards the door

“hey, you okay? how was your day?” he’d always catch up with you in that small time

dear god please have mercy.

he’d have a hand on the small of your waist to guide you along the hallways too

AND TUTORING

Lee Heeseung who is naturally good at everything is also smart

he tutors you at his house after class when you’re having a hard time

as a reward, sometimes, you guys would play video games

you ended up falling asleep at his house once and heeseung had to tell his mom to call yours so she wouldn’t worry

you wake up to blankets draped all over you and heeseung sleeping on the floor i’m so sad

karaoke is always fun in these family outings bc your family always makes you sing duets

atp you guys have every disney and broadway duets DOWN and memorized

though it does make you blush and all giggly when he makes intense eye contact while seeing to you

“now she’s here, shining in the starlight. now she’s here, suddenly i know. if she’s here, it’s crystal clear, i’m where i’m meant to go.”

he is a fantastic singer and he makes you forget to sing your parts sometimes

ALWAYS ENDS A SONG IN A HUG while your parents violently clap in the background

during the sports festival, the teachers ltrly let him join all the sports and he just accepts 😭😭

if he’s not playing, he’s facilitating

“do you have an event for this year’s sports festival?” he’d ask one night as he’s walking you home

“oh no. i’m just joining the cheer contest with sunoo on the first day.”

“do you think you could cheer for me?”

HE’S ASKING YOU TO CHEER FOR HIM

of course you say yes

and his eyes are on you in every sport he plays

basketball… volleyball… badminton… you name them all!

he’d look to you before serving the ball and point at you when he shoots a ball in bkb

heeseung would win every game for you

because the thrill in your smile is too wide to disappoint

and also because he has a big fat crush on you

goes to hug you after every game

“my good luck charm” as he liked to call you

BYEEEEEE bye leave me alone please

you’re HIS good luck charm

you pretend to be annoyed because he’s sweating so he teases you by hugging you even more

he lets you hold his spare shirt AND lets you wear his spare jersey ……

by the end of the week, he wins a shit ton of medals and a trophy for being the MVP

lets you wear some of his medals 😭😭 honestly maybe even all of them

would come to you after the awarding and take off his medals to put it around your neck too

OBLIGATORY SPORTS FESTIVAL PICTURE WITH YOUR CRUSH

you guys hold the trophy together … he has an arm around you … like he ltrly has the poses thought out already

asks you to be his girlfriend on the walk back home

handcrafted you a medal already in case you’ll say yes

engraved on it is “best girlfriend”

damn you’ve only been together like a few hours and he already awarded you best girlfriend

honestly congratulations

you bagged face of the school and student athlete senior lee heeseung

note. credits to user @.luvknow for the layout of this post! i just thought it looked rly cute and coherent. let me know what you think! please discuss these with me i’m crazy

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creativepromptsforwriting · 1 year

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Spooktober Prompts Masterlist 2023

"They are calling us…" "Don't listen to them. Do you hear me? Don't listen to a word they promise you!"

The cameras show five people enter an elevator, but only four of them leaving it. Those four never remembered a fifth passenger.

"Aww, are you so afraid of the dark that you need me to hold your hand?" "I'm not holding your hand." "Then whose..."

At first, they believe it to be a bad joke, but when more and more graves of people who haven't died yet appear in the graveyard, they start to panic.

The camera she bought at a flea market already has photos on it. Since the people are wearing clothes from centuries ago, they believe them to be from a play. But they soon realize that those photos and events were real.

A child actress turned cult leader feels her power slipping and she needs to gain control over her following again.

When they started building the new school, they had expected to maybe find unexploded WWII bombs, but what they found instead was nothing they could have expected.

She heard footsteps behind her coming closer, but when she turned around, holding her breath, she could only see the dark and empty alley.

"Why did you choose the cemetary as our meeting place for tonight?" "Because only the dead can keep our secrets."

Going to your own funeral and see who would cry - it sounded almost fun. If it wasn’t for the fact that they could hear and see everything, but could not make a sound to stop them from closing up the grave around them.

A medium without a voice of her own, can only speak when a ghost speaks through her.

They had always felt that shadows seemed to beckon to them. But this time, when the shadows beckoned, they wore a sinister grin. (Submitted by: tumblebumblebee-63)

"I'm not haunting a filthy public bathroom, I'm a ghost with class."

A fun survival game TV show on a remote island becomes a reality when one contestant after the other turns up brutally killed. Right in front of hundreds of cameras and millions of watchful eyes.

Waking up to a child that you've never seen before, but that everyone assures you is your own that you've raised for years, is terrifying.

"Did you see that?" "Did I see what?" "That man... he touched the leaves and they immediately blackened and fell off. Please, let us go back before he sees us!" "Too late." The man in the dark cloak suddenly stood right in front of them and slowly reached out his hands to them.

What started as a fun midnight activity suddenly turned into one of them missing and the others running for their lives, trying to escape freaking zombies.

He always dreamed about being in a kdrama. He didn't imagine it to have a horror side plotline that feels way too real.

They said that when you die, you return to earth as your one true self. Why then, when he opened his eyes after being killed, were his teeth long and he hungered for blood? (Submitted by: ouilah)

She didn't think it would come to this point. She felt the cold stone of the gravestone in her back and before her the red glowing eyes of the creature crept slowly closer.

There are perks of being a ghost. Walking through walls was fun. Or haunting annoying people. But nothing was quite as nice as being able to just fade out of a conversation that you didn’t want to be a part of.

"I dare you! Come on, stop being a coward. There is no such thing as ghosts."

Someone wakes up to a text saying 'It's your lucky day!' and it turns out to be the worst day ever.

A family of vampires that lives unidentified in human communities, becomes paranoid and starts to believe all their neighbors are also supernatural creatures.

There are stories and superstitions abound about the seaside bluffs, but that's to be expected in a town of fishermen. One night, from the bluffs' direction, you hear someone singing, softly. (Submitted by: someoneoffthestreet)

Astronauts coming back to earth keep talking about hearing songs from outside the space shuttle. What they don't say, is that those songs followed them home.

Someone stared at her through the window. She had always felt safe in her own home, shutting out the scary, real world. But a window is just glass, and glass… oh it breaks so, so easily…

A plane disappears from the radar and then reappears multiple hours later at the exact same location in the middle of the ocean with no place to land and not enough fuel to just fly around for hours.

"We shouldn't enter! This place was abandoned for a reason!" "Come on, don't be a coward. We will be the only ones here!" "Okay, okay... I'll follow you. You don't have to push me!" "I... I didn't push you..."

A session of reading tea leaves ends in chaos when every single participant reveals a bad omen.

Something tells the home owner that the kids trick-or-treating in front of his house are not wearing costumes - and are not human at all.

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#spooktober #spooky prompts #writeblr #spooktober 2023 #writing prompts #writers on tumblr #creative writing #writers #halloween

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