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distantdarlings · 21 hours

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LET ME // t. nott

RATING: R / 4.8K WORDS

Theodore Nott x Fem Reader

+ SUMMARY - *Requested, based on this* Theodore Nott has been harassing you ever since he found out you had a crush on him. Now, you’ve been paired together for a project for McGonagall’s class and he has nothing good in mind.

+ WARNINGS - SMUT! (P in V), unprotected, sub!reader, Dom!Theo, slightly rough!dom!Theo, marking kink, slight size kink, bulge kink, brief dumbification, brief spit kink, reader wearing a skirt, light enemies to lovers, language, one (1) slap, name-calling, praise kink, slight degradation, public sex, fem!reader, oral (fem!receiving), Theo is persistent, not proof read (lmk if I missed any)

+ MUSIC (listened to while writing) -

Echo - XANU

- - -

Merlin, forgive whatever you had done to deserve the treatment you were currently receiving.

You thought back on every negative deed you’d done in the last year and still hadn’t found anything worthy of your horrendous luck.

The arrogant boy turned to stare you down, malicious intent etched into the unfortunately gorgeous features of his face.

You could feel your face contort into an expression of horror as you tore your eyes away from him and turned to Professor McGonagall.

“Professor, I— you started.”

“All partner decisions are final—no exceptions!” McGonagall finished, as if trying to answer the question you had before you could even voice.

You deflated into your seat, your mood dropping like a brick. If you didn’t know any better, you’d have guessed the entire class was staring at you. The entire student body of Hogwarts knew how you felt about your new Transfiguration project partner, Theodore Nott. The bastard…

You glanced back at up—arms crossed and lips poured—just to find the boy still staring you down, evil smirk painted on his lips. He gave you a sardonic wave, wiggling his fingers tauntingly.

“Fuck,” you sighed, pressed an exasperated fist to your forehead.

Your knee anxiously bobbed beneath the desk, the heel of your uniform shoe beating against the floor in a flurried rhythm.

Luna Lovegood, your best friend, was sitting directly next to you. Intuitive as she always was, you knew she could feel the pure panic radiating off of you. Her hand rested on your shoulder in a small motion of comfort, but nothing could calm you now. You were utterly screwed.

McGonagall finished off the rest of her speech on the instructions for her project, then dismissed the whole class. Luna helped you to gather your things together as you struggled to force yourself to move.

Maybe you’d pissed McGonagall off? Merlin, what had you done to deserve this? You asked yourself the same question over and over again.

Out of the corner of your eye, you glimpsed Theodore flouncing over to you with an unnerving glint in your eyes.

“Well, aren’t I just the luckiest man on earth?” he said snidely.

“Fuck off, Theo,” you growled, intentionally not making eye contact with him.

You made to pick up your books and slide them into your bag, when he slammed his hand down on the cover of one of them, pressing them down against the desk. He pinned your fingers beneath them against the wood—just enough to keep them sturdy, but light enough so that it didn’t hurt you.

“Stop!” You yanked your fingers out from beneath the books, the heavy leather smacking against the table with a thud. Now, you made eye contact with him.

“What are we going to do our project on, baby?” he asked.

“Don’t call me that!” You yanked your books out from underneath his strong hold and shoved them quickly into your bag. “We can discuss it in the library after class.”

“I’m looking forward to it—I’ll be sure we get a quiet corner, you know…,” he stepped closer to you, “…so I can explore every inch of…the subject.”

You sneered in disgust and pulled away from him, his voice still rattling in your ears.

“You’re disgusting,” you scoffed. “I’ll see you later for nothing more than our assignment.”

“Looking forward to it…can’t wait to put those big brains to use. Lovegood.” He nodded politely to Luna before heading off.

You glanced at Luna and acknowledged her slight smile. Everything in you was telling you to snap at her and tell her not to encourage any of the delinquent boy’s behavior, but you couldn’t find it in yourself to ever be very mad at Luna Lovegood. At least, not for long.

Instead, you rolled your eyes and took off toward the door, bag swinging between your shoulder blades.

“Wait up, friend!” Luna shouted lightly, running to catch up with you. You snorted and laughed at her, letting her sunlight hair fall into step beside you.

- - -

By the time your class of the day dismissed and the sun had begun to sink beneath the Hogwarts skyline, you were soaked through with nerves. The saturation of your anxiety had managed to breach every protective barrier you held up, and fill your hands with shudders and your stomach with nausea.

The root of your nerves when it came to Theo came from the consistent comments he insisted on making toward you. It seemed that he loved nothing more than dropping sexual hints into your ear every few days just to watch you squirm. He’d only started this after he’d heard through the grapevine you had a bit of a thing for him.

You’d be lying if you said you didn’t find him attractive, and that his words had absolutely no effect on you, but you couldn’t deny that he was just as annoying as he was charming.

It had gotten to a point when he made these comments, that he loved to joke aloud about your reactions to him, effectively embarrassing you in front of all of your peers. That was your final straw. All resemblance of an attraction toward Theo had melted away and been replaced by hatred.

And yet, as your feet led you to the grand library, you couldn’t stop the rapid pattering of your heart beat. Something about the boy had always been so…irresistible to you. Whether it was the way he always knew where to place his hands when he “accidentally” brushed you, or how he knew exactly what to say when he pressed his lips against the shell of your ear. You figured you should be grossed out and tell him to get away from you, but, unfortunately, you kind of liked it when he did those things.

As you came up to one of the several library doors lining the wall before you, you decided to try and swallow your nerves and focus only on the project. That was what you were supposed to do anyway—this wasn’t a date.

You pulled one of the doors open and slipped into the warmly-lit room. It always seemed to be just a tad bit cozier here than anywhere else in the castle—whether that was from the multiple fireplaces or the sweet aroma that floated through the air. Either way, you loved it.

Your neck craned as you glanced about, trying to glimpse the cocky boy, but to no avail. Wherever he was, he surely wasn’t interested in making it easy on you to find him.

A sigh left you as you started toward the back of the library where a couple tables rested behind a few conveniently placed bookcases. Unfortunately, the feeling in your stomach told you that he surely would be sitting at one of those tables, simply because you knew how his dirty, little mind worked.

That corner of the library was…infamous for its concealed nature. Everyone in Hogwarts had heard the little rumors that fluttered about, of couples getting a bit too friendly with each other while the librarian was downstairs.

Because of those rumors, it had garnered a reputation. And if someone who had a penchant for gossip slipped past you and Theodore Nott studying back there, you’d be screwed.

Once you passed the last book case, zigzagging between the three that formed the perfect labyrinth, you came upon Theo comfortably waiting at the table in the middle. A groan of defeat left you and your head dipped back. You stared at the ceiling for a few moments while contemplating your options—you could still run away.

“Hello, beautiful,” Theo said, leaning his chin down on his propped up fists. “I’ve been waiting so impatiently for you.”

“Whatever,” you sighed. You crossed over to the table and sat across from him—the farthest away you could get. Your bag collapsed to the ground and unzipped itself on the way down. The things you needed for this assignment floated out and landed neatly on the table before you, including a few rolls of parchment, a quill and ink, and your books.

He marveled silently, seemingly trying to hide his fascination at your wandless magic. Perhaps if he studied as hard as you did, he would also be able to achieve it.

“Alright, shall we do this?” you asked, maintaining a bored expression.

“I’d love to,” he smirked. “But I’d love to showcase a bit of my magic as well, if that’s alright with you?”

“What—?” Your voice was cut off with a slight gasp as all four legs of your chair lifted off of the ground. Your fingers wrapped around the sides of your seat to keep you from slipping off.

Theo’s eyes followed your chair as it floated over the table and all the way beside him. Once your shoulders were inches from his, your chair dropped a few centimeters to the ground. A small yelp came from you as you regained your balance and glared at him. Perhaps he was a better wizard than you thought.

“What the hell, Theo?” you demanded, immediately scooting your chair away from him, putting a good few inches between you.

“I just thought we’d be able to work better closer together,” he purred, his arm dropping against the table to cage you against him and the bookshelf a bit to your left. You eased away from him so you were closer to the shelves than you were to him. His eyes never dropped from yours. “Merlin, what is that smell? You smell absolutely divine—”

“Okay, let’s just get this done,” you interrupted him, pushing his approaching body back away from you.

“Mm, alright,” he smiled. “Have you decided on a topic you’re interested in presenting on?”

“Actually, I have.” You pulled your books across the table over to where the two of you were sitting, flipping everything to the appropriate page. There were a couple pages in your notebook where you’d jotted some ideas down earlier today, and you’d figured he’d want to see the different ideas, as it was his grade, as well. “So, I threw a couple of ideas together in my fourth period. We can see what you think of them…”

As you explained the details of all of your ideas, it became increasingly obvious that Theo was not at all interested in what you had to say about the project. Though you refused to look directly at him, the corner of your eyes granted more than enough knowledge.

Theo’s eyes were ravenous as they drew down your body, curving across the most private areas of your body with no shame. You could feel your cheeks burning, but hoped the warm tones from the candles around you would conceal that.

When he scooted a bit closer to you, you kept talking. And when he laid his arm across the back of your chair, you kept talking. And when his fingers began to toy with the ends of your hair, you kept talking. But when he took your quill gently from your fingers and set it down on the table, you finally stopped. You barely made eye contact with him, constantly glancing away and down to the table. You could feel your heartbeat in your ears.

His fingers pulled away from your hair and dropped to your shoulder. They squeezed the hard muscles a few times.

“God, you seem tense,” he spoke lowly, his voice barely above a whisper. His other hand reached up and matched the opposite’s position on your other shoulder.

When he placed a gentle amount of pressure, it expressed a small sigh from your lips. He was right. You were very tense—in general, but especially around him.

“Here, let me…,” he stood and appeared behind you rather quickly.

“Theo, I don’t think this is appropriate. I’d really just—” Your voice cut off as soon as he began to roll your taut muscles beneath his nimble fingers. Your eyes fluttered shut at the sensation, pleasurable jolts of pain shocking across your neck and down your back.

“That’s okay, baby,” he whispered, dangerously close to your ear. “Finish telling me about your idea. I’ll just loosen some things up back here. Fuck, you’re so tight.”

He pressed an especially hard drive against your skin. You bit back a moan at the sensation. You don’t think you’d ever had a better massage in your life.

You wanted to tell him to stop, but it felt so fucking good. And you really were sore around your neck and shoulders.

“Theo?” you tried again.

“Read.” His voice had a commanding tone to it. One hand released your shoulder briefly to grab your books and slide them closer to you, before returning to its position against your skin.

His hands worked their way up around your jaw, cupping it gently, so he could press his thumbs against the back of your neck. You audibly sighed this time without intending to. Embarrassed, you attempted to cover it up with a clear of your throat.

You began to explain the rest of your project plan, small shudders rippling through your voice every time he’d hit an especially sore spot.

By the time he finished and pulled his hands away from you, your body was mourning the loss of him but relishing in the relief it felt. It honestly hadn’t felt far off from a professional massage.

“How’s that?” He walked around to your side, still not sitting back down.

“Er, good,” you chuckled nervously, rubbing your hand along the back of your neck, trying to spread the relief around.

“Perfect,” he smiled, gently swiping his index finger beneath your chin. He sat back down beside you.

“So, what do you think?” you asked.

“About what?”

“The project idea…”

“Oh, yeah, I think it’s wonderful,” he said, shrugging a bit. “I think we can work with it.”

“Theo, did you even listen?” you asked, rolling your eyes.

“Of course, I did,” he chuckled. “It’s just not easy to focus when you have such a gorgeous partner.”

There went your cheeks getting insanely hot again. He thought you were gorgeous? There was no way. Someone must have put him up to this, right? Or he was fucking with you because he knew you had had a bit of a crush on him.

“I—er…” you stuttered hopelessly, pulling your eyes away from his.

He placed a hand on your knee. You could feel the warmth of his skin through your tights. The heartbeat in your ears picked up wildly.

“Don’t be nervous around me.”

“What?” you laughed suddenly. “I’m not nervous, I’m just—you’re just really…friendly? I don’t know. Why are you pretending to be so interested in me? Did someone put you up to it?”

“Why would someone have put me up to flirting with you?” he asked, genuinely confused.

“Because they know I had a thing for you,” you blurted before thinking. “I mean—”

“Nope! Can’t take it back now, my love.” Theo chuckled, an evil smirk printing across his lips. “And, for the record, no one put me up to flirting with you. I just want to.”

His hand slid up to the top of your knee as he leaned a bit forward.

“Theo!” you hissed. “We’re in the library—you can’t do that.” Though you verbally protested his actions, you couldn’t deny the heat building in your stomach at his touch.

Despite the conviction you had for needing to decline him and all of his advances, you couldn’t seem to suppress the need you felt for him right now—a different kind. His eyes remained on yours and refused to look away.

The two of you were in the library, and had seemed to despise each other’s company only minutes earlier, but for some reason, you couldn’t force yourself to stop his rising hand.

Soon, his fingers were toying with the edge of your skirt and his lips were millimeters from your own. You could feel his gentle breath against your cheeks.

“Theo…,” you shuddered at his proximity. His thumb slid slowly down the side of your thigh, the contact eliciting chills along your legs.

“You’ve wanted me for months,” he murmured, lips brushing against yours. “Are you finally going to let me fuck you?”

You gasped slightly as the tip of his thumb just barely brushed your core through your panties.

“Say yes, or I’m not going to touch you anymore.”

As if on cue, his hands pulled back from you and his mouth seemed to hover a few inches away. The cold air hit the spot his hand had been occupying on your thigh and sent a row of shivers up your spine.

“I don’t understand. Is this a joke?” you shuddered.

He shook his head slowly. “Not a joke, I just want you. Say yes, baby.”

“Y—” before you were even able to get the singular syllable out, his lips were pressing against yours and devouring them like a predator.

His hand found its place against your thigh again, the other hand following suit on the other thigh. He pushed them up the expanse of your skin, inching your skirts up in the process.

You moaned against his lips in embarrassment at the sudden loss of dignity.

“Don’t worry, sweetheart,” he sighed against your mouth. “Let me taste you.” He pressed his lips roughly back to yours.

You gasped for air and pulled away, noses brushing against the other. “Say please,” you managed to choke out.”

“What?”

“Say please,” you repeated. “What, did you think I was going to come here and just give you whatever you wanted?”

“Oh, that’s how you’re going to be?” he smirked. You stared back astutely, not yielding to any teasing he tried to give.

“Alright, baby,” he conceded. He pulled himself closer to you and worked his way up your neck and to your ear, pressing chaste kisses against your flesh. “Please let me taste this sweet cunt. ‘ve been dreaming about it for months.”

You shivered at his words before nodding. You weren’t in your right mind—you couldn’t be.

He slid out of his chair and dropped to his knees. His hands wrapped around your hips and yanked you to the edge of the seat. His fingers pushed your skirt up around your hips and angled you up toward his face, pulling your legs over each of his shoulders.

The cool air flushed against the hot wetness slathered across your thighs. But the shock of wintry air was canceled out quickly by Theo’s hot mouth placing against your clothed core.

Your head fell back against the chair as your hands flew to his honeyed curls.

He swirled his lips across you, gathering your lust on his tongue. Each time you let a little moan slip, he’d echo you with his own louder one. It wasn’t loud enough to be heard anywhere else in the library, but it was enough to vibrate against you and send your head spinning.

The second your thighs began to shake on either side of his sharp jaw, he pulled away from you, leaving you bare and wanting.

“Turn around,” he panted, wiping his mouth with the back of his hand. Obstinately, you held your chin up and refused to obey him. You wanted to appear strong and resistant as payment for how much of a dick he’d been to you, but with your quivering lips and legs still spread wide for him, you figured you didn’t quite get the point across.

He suddenly grabbed your jaw in one hand, while undoing his belt buckle with the other. Anticipation boiled in your belly.

“Turn around,” he said before suddenly and mockingly tilting his head to the side. “Or do you not understand what’s good for you?”

When you said nothing, he pulled you out of the chair and bent you over the library table. You yelped as your chest collided with the table.

Once on your stomach, he flipped your skirt over against your back and ripped your panties and stockings down your legs until the soaked things were stuck around your ankles.

Then, without another warning, he was sliding into you and stretching you wide. You gasped aloud and gripped at the smooth table, begging to find purchase on anything.

He moaned slightly at the way you clenched around him. He pushed himself into you a little more with each slow thrust, the movement splitting you down the middle. His hands held you tightly in place by your hips, pinning you down against the table.

“Shit, you feel fucking perfect,” he moaned, fingers gripping into your flesh.

Every alarm bell was ringing in your head, telling you to separate and cover yourselves, because you were in public. But, for some reason, you found yourself loving the thrill of possibly being walked in on; of possibly being found with Theodore Nott buried deep inside of you, taking his pleasure from your body.

By the time he’d finally bottomed out inside of you, he was panting and willing himself not to come prematurely.

“I’ve never felt anything this tight,” he groaned.

You hadn’t been able to see the size of him before he started pushing into you, but you had to guess he was the biggest you’d ever felt. Just having his hips pressed to your ass felt like the tip of him was brushing your cervix.

“Ah, fuck, wait,” he said, panting heavily. He rubbed your back as he slowly pulled all the way out of you and stood you up. He turned you around to face him and laid your back against the table.

He brought your legs around him and you hooked them together behind his back. You watched him with deep admiration as his fingers stroked up and down your legs, preparing to explain what he wanted.

“I want to watch me fill you up,” he whispered, leaning down to press a slow kiss to your lips. It was sweet and thick with saliva but, despite everything else he’d so far, this set off a flurry of butterflies in your stomach.

His hands came away from your legs and wrapped around your waist. He watched addictively as his fingers wrapped entirely around your body, his large hands positively dwarfing your small frame. And you could’ve sworn you saw his eyes fill with an inky, black glint as he brought his hips to the underside of your thighs.

He placed his dick on your stomach, reveling in how far up your stomach it went. He moaned at the sight and pulled your right leg up and over his shoulder. He pressed a small kiss to the side of your calf.

“Theo,” you whined, still reeling from the loss of him inside of you. “Please, no more teasing.”

“Be patient, baby,” he whispered against your leg. “I want to remember this moment.”

“Theo,” you urged once more. But his hand came down hard against the outer side of your thigh. You yelped at the pain that radiated down the side of your leg.

“I said to be patient.” He soothed the pain gently with his fingers, still looking down at how big he looked compared to you.

One of the things he’d always had on you was height. No matter if the things he said were stupid and undermining, you couldn’t deny that his size was enough to have the high ground.

“Look, we don’t have all the time in the world,” you sighed, leaning up on your elbows to speak with him. “The librarian could walk in here at any—”

He pushed back into you, choking any other words in your throat. You gasped and fell back against the wooden table, the cold lacquer biting into your flesh.

“Fuck,” Theo all but whined. He pressed his fingers against your lower abdomen where his dick had created a perfect impression. Every time he pulled out then pushed back in, his sheer size forced the body wall up and simultaneously probed a spot inside of you that had your eyes rolling backward.

Without wasting another second, he picked up his pace while dropping his hands down to your still-tucked in uniform shirt. He ripped the material out from beneath the waistband of your skirt, and ripped the buttons apart.

The candles floating overhead illuminated the curves and dips of your stomach, highlighting The valley of your breasts.

Hips still pistoning into you, and left hand holding your waist still, his right hand reached forward again and ripped the clip of your bra apart. Luckily, you’d worn the front access one today.

At the force of the destruction, your breasts fell apart from one another, bouncing against your dampened chest.

“Fuck,” he growled. “Gonna mark this beautiful body. Gonna let everyone know you’re mine. My girl.”

His words sent shockwaves through your system. You tried to reach for him but you couldn’t reach. Your arms fell back down against the table, your lack of anything to hold on to leaving you completely at the mercy of the pace he decided to set.

“T-Theo,” you stuttered, your voice breaking beneath the weight of his abuse.

He leaned down, pushing himself all the way into you for a moment, and latched his lips around a mouthful of your left breast. He sucked roughly on the flesh, pulling the blood to the surface. You whined through the pain that mingled with the pleasure from him below.

Once he was satisfied with the bruise painted on you, he moved toward your neck, sucking and biting just as rough, hips never halting.

“That’s it, baby,” he whispered. “Tell me how it feels.” He nibbled on your earlobe.

You said nothing, your lips unable to form enough to make any words come out. Your fingers still gripped uselessly at the sides of the table. One leg was held uselessly over Theo’s shoulder while the other dangled limply over the edge of the table.

He leaned up. “Tell me how it feels, baby.”

Still, you made no sound.

“Oh, you pathetic thing,” he whispered, lips pressing to your elevated leg once again. “Am I fucking you stupid? Is that what it is? Yeah, baby? Next time, I’ll shove this dick down your throat and see how quiet you are then, you dumb slut.”

Now, within the final moments before your finish, his thumb dropped to your clit and began to rub small circles into the nerves. Your mouth fell open and your back arched to the ceiling as his hips intensified. They forced your finish closer and closer until you were spilling all over him, coating your legs and his stomach.

At the clenching of your core, his release was barreling forward, as well. He came with a long groan and a slow walk down of the brutal pace he’d set with his hips. His spend mixed with yours dripped down your legs.

Finally, with him still inside of you, he leaned forward and pressed his forehead to yours. He eyed you sweetly, caressing soothing lines across your temple with his thumb.

“My sweet girl, you did so well,” he whispered against your lips. “Has anyone else ever fucked you so well?” There was that cocky Theo again.

“Maybe like one other person,” you gasped, trying to catch your breath.

“Oh, yeah? Who?” he asked, suddenly grabbing your jaw again and forcing you to look directly at him.

“Hmm, I’m not sure,” you said. “I think I forgot his name. I’ll probably just forget yours tomorrow, too.” You teased him meanly, smirk building on your lips. This was further payback for all the months of harassment you’d dealt with from him.

He pinched your cheeks together until your lips were pushed open.

“You can forget my name, sweetheart,” he whispered roughly, “but you’ll never forget what I just did to this body.”

His eyes watched yours with an intensity like no other. Then his lips pursed, and you watched as a line of spit dropped into your waiting mouth. It was the ultimate display of humiliation, but also ownership. You belonged to Theo, now.

And even if you forced yourself to forget his name or this day in the library, you’d never wipe the taste of his claim out of your mouth.

“Now, let’s get to work on that attitude, shall we?” Theo asked, voice suddenly chipper again.

He pulled out of you and zipped his pants back up, before selecting his bag off of the chair—which you’d now noticed he hadn’t even unpacked.

“Tomorrow at 6?” he asked.

Then he Disapparated, leaving you entirely exposed and alone.

That son of a bitch.

- - -

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epigstolary · 1 day

Text

On Your Own

The alarm buzzing on your phone announces another day of struggling to navigate your narrow, confined world. After a few minutes of burying your head under the pillow, you muster the strength to reach a heavy, puffy, flab-covered arm out to hit the snooze button. A couple of rocks back and forth with one of your shapeless legs and its bulging, wobbling sacs of fat, ready you to heave for the edge of the bed; and you feel your belly weight begin shifting and cascading over the side, helping to pull you toward an upright sitting position. You feel the now-familiar sensation of the thick layer of blubber burying every inch of your body sloshing with your movement, its weight pushing you down into a crater divoting most of this side of the bed. Your heart races and your breaths come shallow and labored as you recover from this extraordinary exertion, trying to collect yourself for the final push to stand up.

This hadn’t been the plan, not by a long shot. You were supposed to have a feeder, someone to take care of all the details like prepping your vast meals, getting the extensive grocery list needed to keep the overworked kitchen full, tidying up and performing all the personal care rituals you’d gotten too fat to do yourself without it taking a literal workout. And for a while, you’d had one. Someone who was happy, even eager, to see you gain as much as you possibly could. Someone who would have been far from disappointed to see you overwhelm your bed with your lard-packed body and keep eating. And someone who was willing to put in the work to help you make it happen.

He was there, cooking before and after work, making sure you had the piles of alternately greasy or fatty or sweet or salty food you needed to keep your waistline expanding and the rolls covering your body growing. He was there restocking your snack cabinet and your soda fridge and your containers of prepped meals so you rarely had to do more than waddle to the kitchen to find a couple thousand calories waiting for you. He was there to admire your growing bulk, watching as that heavy swollen belly swallowed up your lap, that ballooning butt anchored you more and more firmly to the couch, that double chin and those tits and that bicep flab piled up around your chest as if to bury you.

He’d eventually fed you to a point beyond what you’d have ever thought possible. He made sure you were tantalized by food 24/7, always able to have something tasty and fattening on hand at any moment of the day, never not thinking about your next snack or meal or indulgence. His encouragement left you with a permanent craving for something at all times — a craving he was always ready to satisfy. You didn’t worry about what his doting attention was doing to your body, or your stamina, or your health, because he was there. He was taking care of you. Even if you wound up in bed and too fat to ever move again, he’d be there to make sure you had everything you needed. You could get as big as you wanted, and know that he would always find a way to make it work.

And then he was gone. It wouldn’t do any good to dwell on how, again, for the thousandth time. The stark fact was that now you were on your own — no job, nothing like the amount of food he’d kept stocked up, struggling even to move under the 700 lbs he’d fed into you. You managed to avoid disaster — dusting off your resume and finding remote work, setting up a service for groceries, getting a monthly pass to keep your lifeline of fast food deliveries coming. But you knew how precarious your situation was, and how little it would take for your morbidly-obese, food-addicted self to be in real trouble, if you put on just a few pounds or had to try and travel hardly any distance.

Because you definitely weren’t getting any smaller. Fear didn’t keep you from picking up the fork; if anything, it made you shovel more junk down your throat. And how else were you supposed to lose weight, join a gym and start exercising? You knew you could bounce along on a treadmill for two or three minutes at most before your pounding heart and burning lungs would force you to quit. You’d be reduced to a wheezing, overheated mound of blubber desperately trying to collect yourself in front of a gym full of fit, healthy, judgmental people. You’d have to make do at this size for as long as your luck would hold out, hoping against hope that you wouldn’t grow and lose what little mobility you still had.

And so you do your best to stumble through your morning routine — your ass and belly squeaking as they rub against the sides of the shower stall they’re too big for, your chubby arms and bingo wings quivering as you reach into the grease-soaked paper bag for another fast-food breakfast sandwich, your couch creaking ominously as you settle in for work with your laptop and your chocolate-caramel-laced excuse of a coffee. You know, somewhere deep down, that there’s a ticking clock counting down — this is not a stable situation that can last forever. You know you can’t stop gorging and gaining. Things aren’t desperate enough yet for you to want to; but even if you did, you know you couldn’t. The day is coming when you’ll be stuck here, too big to help yourself anymore, no way to save yourself from snowballing growth. You know you can’t stop it.

And you realize why, for the first time. The voice you hear in the back of your mind, telling you how hungry you are, how tasty that little snack or dessert would be, is his voice. When you run your fingers across the soft, yielding flab spreading out from your body, it’s his touch, his hands that you feel. And when that yearning, aching, burning desire to eat even more and grow even heavier overtakes you, it’s his desperate lust that you feel. “I need you so much bigger, babe… I need you fat enough to fill this bed, so the real feeding can start.”

It doesn’t matter that he isn’t around anymore. That living independently and being a half-ton are a complete contradiction. That caring for yourself and being a bedbound lardpile are irreconcilably exclusive. You might be on your own, but he insinuated himself into your psyche a long time ago. After him, there was no going back to your merely chubby former self. His encouragement was corrupting to your very soul; and you were chained to him and his wishes as surely as if the ghost of his memory were the living, breathing man, delicately forcing another fattening morsel between your lips.

You were his. You are his. And he wants you fatter.

#feeder fiction #gainerfiction #ssbhm #weight gain fiction #wg fiction #extreme weight gain #gainer stories #weight gain story #gaining

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venus-is-thinking · 3 days

Text

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

#drdt #drdt spoilers #danganronpa despair time #teruko tawaki #eden tobisa #ace markey #i think those are the only characters for today #but i DEFINITELY talked about ace and eden enough for them to qualify #actually wait #hu jing #i talked about her a decent amount at the beginning #anyways sorry this is late! i had a concert night of the drdt drop so i'm just kinda a day behind everywhere i'd normally be re:drdt #killer reveal soon... insane

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tenjikyu · 3 days

Note

Okay! With your earlier reply in mind, here is my second request *slides it across the nonexistent table*

I've been having major Mitsuya brain rot so obviously this request will be about him :>

Picture this: Final timeline adult Mitsuya doing all his fashion designing stuff x house spouse (gn version of housewife/househusband).

Genre can be fluff, maybe a bit suggestive if that's okay with you, I don't mind either way, I am just dying for some Mitsuya works cuz I swear I've read most of the gn and male reader x him fics out there and I am starving for new content with him

Hopefully this was coherent and had at least something you could work with (if you need anything more specific, I can send another request)

— 🎭

𝘋𝘦𝘢𝘳 𝘍𝘶𝘵𝘶𝘳𝘦 𝘏𝘶𝘴𝘣𝘢𝘯𝘥

౨ৎ ⋆｡˚ mitsuya x GN!housespouce!reader , pure fluff n slightly suggestive but it’s nothing more then kissing, I 💗 mitsuya omg, still haven’t rewatched Tokyo rev I’ve been slack 🙁, short n sweet but I was struggling to finish it and I didn’t wanna keep the people waiting much longer so I do apologise.

౨ৎ ⋆｡˚ I’m so sorry for how long this took!! I desperately wanted to get this out before it hit the 1 month mark but I’ve been super duper busy with personal shit! Hope it’s still good enough lmao.

Takashi ironed the fabric with the upmost care, fondling the silk around the board with a low heat level on. The design itself was a dress resembling a lotus flower. The top was beaded with pale pink rhinestones and the bottom consisted with an array of green silks and gems. It had a sharp yet form fitting feel and anyone could tell the designer put the upmost love into the piece.

A gentle knock came from the other side of his work studio, and there was only one person it could be.

“Here darling, I made you some miso soup to have. Light enough it’ll keep you full but still good for dinner”, your voice charms his ears. Ever since moving in with him, you’ve taken on the role of housespouce. You clean and cook for him, in order to provide the best possible space for Takashi to work in.

It had been twelve years since the two of you got together in middle school. You were the schools vice president, and he was a gang member. Despite the opposite worlds, you hung out frequently and even babysat his sisters when he was unavailable. The day Takashi knew he wanted to some day marry you was the day he came home to his two younger sisters resting in your lap, washed dishes and comfortably lying on the futon.

Now, the two of you reside in an upper class place with lots of room for Takashi’s designs, and none of them are anything short of ethereal. Behind every design he creates, inspiration of you seeps through the thread and needle. Your favourite flower, animal, colour and styles all influence Takashi’s dresses and all of them are of the highest quality.

So, whenever you come into the studio, Takashi gives you a big grin and awaits a hug from his favourite partner.

“How’s your day, darling?” He asks you, and you smile gently at him.

“I’ve missed you, I can’t deny. It seems you’ve been locked in here forever”.

“I apologise my dear”.

“I know another way you can’t make it up to me..” you grin at him, and his cheeks flush with a pink hue.

Kissing his Adam’s apple gently, you guide him up and out of the studio, into your bedroom. Lying his cherished body onto the bed, you feel up his torso as you continue to litter him with small hickies.

He soon follows your lead, pressing a loving kiss to your cultivating lips. You swear there’s nothing closer to heaven than this man’s touch, and you’re convinced you’ve ascended as he grips your cheeks to deepen your kiss.

“I’ve missed you too, darling”, Takashi presses another kiss to your collarbone and manoeuvres his hands around your waist, and you sigh gently at his grip.

“I promise you I’ll give you what you want, after we eat dinner “, you giggle, and his pout is nothing short of cute.

“So you lead me to bed and suddenly leave me high and dry? I’m hurt baby”, he chuckles out, pressing one last kiss to the wedding ring on your finger.

“After dinner, I’ll give you all the desert you desire my love”.

#takashi #takashi mitsuya #mitsuya takashi #takashi x reader #mitsuya x reader #Tokyo revengers #Tokyo rev #Tokyo revengers x reader #tokyo revengers x male reader #male reader #Tokyo rev x reader #Tokyo rev x male reader

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sopreciouslife · 1 day

Text

3 𝒢𝓁𝑜𝓌 𝓊𝓅 𝒯𝒾𝓅𝓈

𝟏. Hygiene: This key for any glow-up, and it doesn't have to be super extra, just the basics to stay fresh. You should be showering at least once a day, preferably at night (and if you work out in the morning, definitely shower after that). When you're in the shower, PLEASE don’t just use your hands, grab a loofah, sponge, or washcloth, anything! But hands alone? A big no. Shaving is optional, but do it as often as you need. Some girls can get away with a couple times a week, others might need to every day, it’s totally personal. Lastly, exfoliation is your everything. You only need to do it 2-3 times a week, but girl, it’ll give you that smooth skin by scrubbing away all the dead skin cells. Trust, your skin will be glowing!

𝟐. Hair: Keeping up with hair care can be such a struggle sometimes, especially depending on your hair type, but trust me, it’s 100% worth it. I’ve been through a whole hair journey myself, so I get it! There’s a ton I could say, but here’s the tea-- first, you need to know your exact hair type. This will help you figure out how often to wash it and which products will make your hair thrive. It’s all part of getting that soft, long hair faster. Oh, and don’t forget—there are certain hairstyles and cuts that are perfect for your face shape, so do a little research to find what suits you best. You’re already gorgeous, but the right cut will take it to another level!

𝟑. SkinCare: If you're ready for that glow-up, it’s time to get serious about your skincare! Start with a bomb cleanser, something that matches your skin type (oily, dry, combo, girl... you know the drill). Exfoliate 2-3 times a week to get rid of those dead skin cells, and trust me, your skin will feel brand new. Hydration is everything, so find a moisturizer that leaves you dewy, not greasy. And don’t even think about skipping sunscreen, UV rays are NOT your bestie. Finish off with a glow serum and watch yourself literally shine. Glow up season is officially ON.

Note: This is my first post which is why I didn't make it too long. if you want me to make a post one a specific thing (or you wanna ask me a question) either dm me or ask in my inbox and ill answer! love ya <3

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truthsoarer · 14 hours

Text

I came to form nonhumanity two years ago. Maybe even four now, I've just been stuck in time.

Let's talk about Tiktok.

It's toxic. That's all! And it damaged me and I am still learning to repair it.

The consequences of the nonhuman space on tiktok, for me, were dire. I developed internalised fatphobia, and just general hatred of myself due to not being 'normal enough'.

Do you know how much that affected me as a teen? I still struggle with constantly being 'not good enough' or 'not thin enough' in my own mind. I hated myself, even going down the route of sh after a long time. I couldn't do quads or even feel safe because of the misconceptions. The stereotypes of women didn't help me either, neither did I feel safe around the people I loved.

Tumblr has been my safe space. And now, I yearn to come back to the place I hated. Why? To teach. I want to help the people that cannot deal with the things that I experienced. I want you all to help me.

I want to make a Tiktok, consisting of many people's beliefs and support, meanings and opinions. I want to make an account where people can express themselves. I can be the 'muzzle' of the account, speaking for you, if you don't want to say anything. If you do, send in those voicenotes to me on truthsoarer on discord. Send in those videos. And by all means, I will credit you (if you want).

The project will start off small. I will eventually make a discord if this project gets big.

So, write posts. Write definitions. Write all you can, so that it helps the community. Make videos. Make pictures. Make slideshows. Create voices of inclusivity.

Help me achieve this dream.

#therian #otherkin #alterhumanity #theriotype #alterhuman #nonhuman #help #nonhumanity #tiktok #idea

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ordinaryschmuck · 1 day

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Why I Love The Owl House: Part 5-The Themes

Prev Part

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.

Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…

With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:

(Also, prepare thyself. This one is twenty-five pages)

Honesty is the best policy

I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.

Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.

Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?

All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.

But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.

Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…

We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…

Your actions can have unintended consequences

There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.

Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.

The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.

The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…

Your existence changes lives in unexpected ways

Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.

“She also caused Belos to—”

SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.

Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.

“But she still help free The Collector–”

Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.

“But she still helped Belos–”

OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.

…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.

Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.

Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.

There’s nothing wrong with who you are

In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.

Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.

Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.

Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.

We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…

Your pain matters too

Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.

Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.

That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.

Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.

People can always improve

The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.

Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.

The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.

Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.

People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…

Some people don’t deserve redemption/forgiveness

This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.

Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.

It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.

No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.

Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.

It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.

The ones who make the rules are sometimes the most dangerous

Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.

The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.

Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.

I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!

…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.

Parenting isn’t easy

There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.

Starting with the most forgiving, we have…Camila.

“LE GASP!”

DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.

If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.

Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.

It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…

Family is more than blood

Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.

Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King’s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.

I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.

I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.

Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:

You’ll find your people

This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.

Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.

After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.

Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.

Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.

Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.

Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.

Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.

Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.

It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!

Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.

And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.

Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…

Love heals all wounds

On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.

“Us weirdos gotta stick together”

On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group.

Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?

What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?

Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.

And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.

Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.

#the owl house #luz noceda #eda clawthorne #king clawthorne #lilith clawthorne #amity blight #willow park #hunter deamonne #gus porter #camila noceda #emperor belos #toh the collector #why i love the owl house #what i thought about #the owl house reviews

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