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Jacques Danube - Au nom de Satan: crimes rituels, messes noires, envoûtements, exorcismes - Presses de la Cité - 1978
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vinylfoxbooks · 6 months
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Christmas Fic!
I have a Christmas special finished that I was going to put out today but I'm tired and my bed is comfortable so it'll be out tomorrow (Dec 26). Here is a list of the songs I listened to to get the vibe (not including the ones I actually mentioned in the end notes):
*Merry Go Round of Life - both Andy Morris & Joe Hisaishu
*Chalkboard - Jóhan Jóhannsson
*Kingdom Dance - Tangled Soundtrack
*Solas - Jamie Duffy
*Experience - Ludovico Einaudi
*I Hear a Symphony - Cody Fry
*Isabella's Lullaby (イザベラの唄) - Takahiro Obata
*Middle of the Night - Joel Sunny
*Tonight ve Dance - Peter Gundry
*Howl's Moving Castle - Vitamin String Quartet
*Sway - Michael Buble
*Eleanor Rigby - Cody Fry
*Arctic Waters - Soetkin Milbouw
*The Sleeping Beauty Op.66 - Tchaikovsky
*Kaiser Walzer (Emperor Waltz) Op.437 - Johann Strauss II
*The Nutcracker Suite Op.71a - Tchaikovsky
*An Der Schonen, Blauen Donau (The Beautiful Blue Danube) Op.314 - Johann Strauss II
*Voices of Spring Op.410 - Johann Strauss II
*Swan Lake Suite Op.20a - Tchaikovsky
*Tarantella Napoletana - Gli Italiani di leri
*Can Can - Jacques Offenbach
*Jessica's Theme - Bruce Rowland
*Vivaldi's Autumn (Four Seasons)
*Tarantella in D Minor, Op.23 - Oliver Gledhill
*13 Pieces Op.76 - Jean Sibelius
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yllowpages · 1 year
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TIMELINE OF EVENTS : BUCKY BARNES .
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a comprehensive and semi-complete timeline for my mixed media/headcanon-based portrayal of bucky. i have taken mcu events, comic storylines, and my own personal headcanons to create a blend that does not fully coincide with either the film adaptations or the comics.
this post is your guide to my canon for bucky and i recommend reading it prior to or during plotting — or i can totally give you a rundown of divergences from canon and important headcanon-based pieces of my portrayal.
DISCLAIMER : events may shift from verse to verse or possibly not happen altogether, based on the nature of plotting.
THIS POST IS SUBJECT TO BEING UPDATED.
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1917
March 10 — James Buchanan “Bucky” Barnes is born in Shelbyville, Indiana to George and Winifred Barnes.
1920 - 1929
1920 — Rebecca Barnes is born. 1924 — The Barneses move from Shelbyville to Brooklyn, New York. 1925 — Violet Barnes is born. 1926 — Bucky meets Steve Rogers. 1929 — Theodore “Teddy” Barnes is born.
1930 - 1939
1936 — Sarah Rogers passes away. 1937 - 1938 — Bucky attends art classes with Steve. (Bucky is not good at art.)
1940 - 1949
December 7, 1941 — The Attack on Pearl Harbor ; the United States enters the Second World War. December 1941 - January 1942 —  Bucky is drafted into the Second World War ; Bucky trains Steve at Goldie’s Boxing Gym before Bucky goes to an enlistment office with Steve ; Steve is rejected. January 1942 - April 1943 — Bucky trains at Camp McCoy in Wisconsin (with periodical leaves back to New York) with the rest of the 107th Infantry, where he meets and befriends both Gabe Jones and "Dum Dum" Dugan ; Bucky is promoted to the rank of sergeant. June 14, 1943 — Flag Day ; Bucky’s last night before his shipment out to England. August 1943 — the “Captain America” comics debut to the public, to great success! September 1943 — The Battle of Azzano ; survivors of the 107th Infantry are captured by Hydra and taken to a weapons facility in the Austrian Alps. October 1943 — Bucky meets James Montgomery Falsworth and Jacques Dernier, both fellow POWs ; Bucky becomes ill and is beaten by Hydra Colonel Lohmer for his inability to perform manual labor ; the future Howling Commandos band together to orchestrate an accident that kills Lohmer ; Bucky, ill and weak, is taken to Arnim Zola to be used for experimentation. November 1943 — Bucky and the other POWs held by Hydra are rescued by Steve, now Captain America. November 1943 — The Howling Commandos are formed : Steve Rogers, Bucky Barnes, Gabriel “Gabe” Jones, Timothy Aloysius Cadwallader “Dum Dum” Dugan, James Montgomery “Monty” Falsworth, James “Jim” Morita , Jacques “Frenchie” Dernier. 1944 — the Howling Commandos travel across the European theater, performing raids on Hydra bases, weakening their forces. January 1944 — a new character is introduced in the thrilling “Captain America” comic series: his right-hand and sidekick, Bucky Barnes, a boy wonder! ; overseas, Bucky endures weeks of mockery after being turned into a kid sidekick in these comic books. February 2, 1945 — during a mission on a train in the Swiss Alps, Bucky unfortunately falls from the train into the Danube river and is presumed dead ; Zola’s experimenting on Bucky over a year earlier is the reason for his survival ; Soviet soldiers find Bucky still alive, taking him as a P.O.W. February 5, 1945 — the Barnes family is informed that Bucky has been declared missing in action as no body was recovered, but it is the opinion of many involved that Bucky was rather killed in action ; the Barneses spend the next few years holding out hope he isn't dead. 1945 - 1949 — upon medical examination of Bucky, the Soviets observe his enhanced physiology while blood tests confirm traces of a type of super-soldier serum, though difficult to synthesize more of ; the Winter Soldier Program (then unnamed) is subsequently born with Bucky as the only current subject ; with state of the art technology (and cybernetic schematics recovered by a Soviet spy) he is given his first bionic prosthetic as the next steps of the program are planned ; they begin the process of testing human cryostasis and brainwashing and assign the most skilled Soviet fighters to adequately train and condition the subject ; stolen technology from the supposedly-fallen HYDRA is used to construct an early version of the Memory Suppressing Machine, a device that utilizes electroconvulsive therapy to inflict damage to the brain with an emphasis on the limbic system ; Bucky's memories begin to fade. December 10, 1949 — nearly five years after Bucky's death or disappearance, George and Winifred Barnes decide to finally hold a funeral for their son ; an empty coffin is buried and the headstone lists his date of death as February 2, 1945.
1950 - 1959
1950 - 1954 — as his conditioning is continued, Bucky is periodically sent into the field with handlers in order to ensure his efficacy ; he is proving useful and is in the first steps to infamy ; cryostasis has proven successful in the last decade, therefore Bucky has barely aged within this time. 1951 — The Winter Soldier is sent to Goyang, South Korea to aid Soviet forces, where he encounters Isaiah Bradley, a Black American super-soldier who was privately experimented in a successor to Project Rebirth ; unable to kill Bradley, this altercation costs Bucky this early version of his bionic prosthetic and he is removed from the field. 1954 — after the KGB is formed, the organization formally joins the Winter Soldier Project and introduces conditioning methods, primarily accelerating physical combat training ; the use of trigger words are employed for efficiency in Bucky's brainwashing, which prove to work well with improvements made to the Memory Suppressing Machine. September 19, 1954 — George Barnes passes away at the age of 68 ; he's survived by his wife and three children. 1955 - 1959 — Bucky is continued to be trained, indoctrinated, and tortured while the results are tested with field missions ; the title of “The Winter Soldier” is officially given to him by the KGB (the program being retroactively named as such as well) ; he is now considered “the perfect soldier” and is officially an assassin for Soviet use ; his very existence would come to be doubted by even the highest of government agents.
1960 - 1989
years unknown — the Soviets take The Winter Soldier out of cryostasis suspended animation in order to use him to aid in training girls of the Red Room Academy ; The Winter Soldier meets and trains with Natalia Romanova, later known as Natasha Romanova ; they work together on many missions for the Soviet Union during The Cold War.*
*NOTE :  Due to my use of MCU inspiration, including Bucky's brainwashing, any romantic or sexual relationship between Bucky and Natasha is not my default canon, despite my inclusion of comic story, but it can be acknowledged with extensive plotting. The nature of Bucky's brainwashing generally implies a lack of autonomy, therefore prior plotting will be required before any plots involving Bucky and Natasha's relationship with each other from the comics.
April 21, 1967 — Winifred Barnes passes away at the age of 77 ; she is survived by her three children. 1986 — a Soviet scientist removes Bucky from cryostasis without authorization ; the scientist tells Bucky he is going to help him get home to America ; confused, fearful, and conflicted from his mental conditioning, Bucky kills the scientist ; he is found with the man’s body and is immediately put back into cryostasis.
1990 - 1999
December 16, 1991 — The Winter Soldier is sent to assassinate Howard and Maria Stark in order to obtain Howard Stark’s super soldier serum ; he is successful. December 1991 — in a last-ditch attempt to preserve The Winter Soldier Program in the last days of the Soviet Union, this serum is used on five former-KGB operatives in an attempt to turn them into super soldiers not unlike Bucky ; this is known internally as Zephyr ; the operatives are defective however and kept in cryostasis, indefinitely ; Bucky remains the only successful subject of The Winter Soldier Program ; with the Soviet Union dissolved, The Winter Soldier Program is abandoned and Bucky is left in a Soviet base in cryostasis, forgotten. 1994 — former member of the KGB Aleksander Lukin, who inherited The Winter Soldier Program from Vasily Karpov before the fall of the Soviet Union, reactivates The Winter Soldier for personal use as he begins to build his business, The Kronas Corporation. 
2000 - 2009
spanning the decade — Bucky is used by Lukin in order to kill political and corporate officials, intimidate various people, and overall aid in the growth of The Kronas Corporation, which has been steadily growing within the United States and across the world, working under the table.
2010 - ?
2012 — The Winter Soldier is sent to Sokovia by Hydra to assassinate a high-ranking political official ; he successfully does so with a timed detonation – there are many casualties ; EKO Scorpion, of the Sokovian Armed Forces, being posted at the site for security of sorts, is sent to either apprehend or kill The Winter Soldier before he escapes ; Colonel Helmut Zemo is among the agents sent ; The Winter Soldier kills most of EKO Scorpion, save for Zemo and one other member. 2014 — The Winter Soldier resurfaces and sent to assassinate Steve Rogers, as Lukin and his allies see him as a threat ; Bucky is unsuccessful when Steve instead recognizes him, this recognition tampering with the programming put in Bucky’s mind decades before ; unbeknownst to anyone else, Helmut Zemo learns of The Winter Soldier’s return and independently discovers the identity of The Winter Soldier, a truth he shares with the public ; exposed, a wanted criminal, and his mind broken, Bucky fails a second time to assassinate Steve due to inaction ; at the last second, Bucky saves Steve's life from drowning ; he begins a life on the run. 2014 - 2016 — Bucky, now free from Lukin, successfully leaves the United States and makes his way to Europe where he travels around, running from anyone who might be following him ; he never stays in one place more than a month. 2016 — in yet another act of revenge, Helmut Zemo bombs a U.N. meeting, killing the King T'Chaka of Wakanda in the process ; Zemo frames Bucky for the bombing in order to flush him out of hiding ; he is found in Bucharest, Romania, where he is apprehended and taken to Berlin by SHIELD, after also having been pursued by Prince T'Challa of Wakanda ; Zemo, posing as a psychiatrist, triggers The Winter Soldier conditioning, leading him to kill multiple SHIELD agents in escaping ; he is saved by Steve and Sam Wilson and they all soon go on the run ; they are lured to an abandoned Soviet base in Siberia by Zemo ; Bucky and Steve go to Siberia ; Zemo has the intent to activate The Winter Soldier yet again and force Bucky to kill Steve ; Zemo is apprehended by Bucky and Steve and handed over to SHIELD. 2016 - 2018 — Steve, familiar with Prince T’Challa of Wakanda, asks if Bucky, his name now cleared of King T'Chaka's death, can have sanctuary in Wakanda, as he knows Bucky will be safe and hidden there ; there, Bucky is put into suspended animation while Shuri, princess of Wakanda, devises a way to remove the Soviets’ programming ; through a complicated process, this is done and Bucky is truly on a path of healing and recovery from the years of torture from the Soviets ; Bucky receives a new prosthetic, vibranium arm, designed by Princess Shuri. 2018 - ? — Bucky chooses to leave Wakanda and return to the United States ; upon returning, seeing that he is still a wanted criminal and terrorist, Bucky turns himself in ; in turning himself in, Bucky is not arrested nor incarcerated at this time, but is willing to undergo heavy monitoring to prove he is not and will not be a threat to public safety or the country’s security ; Bucky is put on trial for his crimes as The Winter Soldier (the trial is not televised, a limited number of people are allowed in the gallery, and Bucky is advised not to do interviews before, during, or directly after trial proceedings) ; during the trial, the terms of a pardon were negotiated and, when no official verdict in the trial is reached, Bucky is granted a (conditional) federal pardon ; as a condition of his pardon, he is required to attend mandated therapy to assess his psychological state and to ensure he will not be a public threat in the future ; he is no longer considered an enemy of the state or terrorist and lives as a civilian.***
*** this is my main verse and the time in which MOST threads will be set.
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The Library Of Easy Piano Classics, Vol.1 & 2
The Library Of Easy Piano Classics, Vol.1:Best Sheet Music download from our Library.The Library Of Easy Piano Classics, Vol.2:Please, subscribe to our Library. Thank you!
The Library Of Easy Piano Classics, Vol.1:
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Contents: The Library Of Easy Piano Classics, Vol.1Download - Butterfly - Rameau: Le Tambourin - Georg Friedrich Händel: Air And Variations - Georg Friedrich Händel: Air - Scriabin: Album Leaf - Wolfgang Amadeus Mozart: Alla Turca Turkish March - Edvard Grieg: Anitra'S Dance Peer Gynt Suite Op.46 No.1 - Ludwig van Beethoven: Bagatelle - Jacques Offenbach: Barcarolle Les Contes D'Hoffmann - Pyotr Ilyich Tchaikovsky: Capriccio Italienne Op.45 - Claude Debussy: Deux Arabesques - Ludwig van Beethoven: Ecossaise - Frédéric Chopin: Fantasie Impromptu - Wolfgang Amadeus Mozart: Fantasy In D Minor - Johann Sebastian Bach: Four Pieces From The Little Notebook - Ludwig van Beethoven: Fur Elise Bagatelle In A Minor Woo 59 - Franz Joseph Haydn: Gipsy Rondo - Claude Debussy: Golliwogg'S Cakewalk - Dmitri Kabalevsky: Having Fun - Edvard Grieg: Humerosque - Antonin Dvorák: Humoresque - Johannes Brahms: Hungarian Dance - Franz Liszt: Hungarian Rhapsody No.1 - Claude Debussy: La Fille Aux Cheveux De Lin - Georg Friedrich Händel: Largo - Louis-Claude Daquin: Le Coucou - Franz Liszt: Liebestraum - Isaac Albéniz: Malaguena - Franz Schubert: March Militaire - Frédéric Chopin: Mazurka In B Flat - Claude Debussy: Minstrels - Minuet Blavet - Ludwig van Beethoven: Minuet In G - Franz Schubert: Moment Musicale Op.94 No.3 - Ludwig van Beethoven: Moonlight Sonata Op.27 No.2 - Fauré: Nocturne - Nocturne In E Flat Op.9 No.2 - Frédéric Chopin: Nocturne Op. 72 No. 1 - Sergei Prokofiev: Peter And The Wolf - Zdenek Fibich: Poem - Dimitri Shostakovich: Polka - Bach: Prelude And Fugue Book 1. No 2 - Bach: Prelude And Fugue Book 2 No. 12 - Frédéric Chopin: Prelude In A Op.28 No.7 - Frédéric Chopin: Prelude In B Minor Op.28 No.6 - Sergei Rachmaninov: Prelude - Bach: Prlude No. 1 - Rondinio Field - Ludwig van Beethoven: Rondo A Capriccio In G Op.129 - Hummel: Rondo - Wolfgang Amadeus Mozart: Rondo In D - Aram Il'yich Khachaturian: Saber Dance - Franz Schubert: Serenade - Ludwig van Beethoven: Six Variations - Franz Joseph Haydn: Sonata In D Major - Wolfgang Amadeus Mozart: Sonata K 543 - Sonate Au Clair De Lune Moonlight Sonata - Nicolay Rimsky-Korsakov: Song Of India Sadko - Isaac Albéniz: Tango - Johann Strauss Jr.: The Blue Danube Waltz Op.314 - Scott Joplin: The Cascades - Franck: The Doll's Complaint - Robert Schumann: The Happy Farmer Op.68 No.10 Album For The Young - Claude Debussy: The Little Negro - Anatol Lyadov: The Music Box - Edward MacDowell: To A Wild Rose Woodland Sketches Op.51 - Traumerei Kinderscenen Op.15 No.7 - Erik Satie: Trois Gnossiennes - Frédéric Chopin: Valse - Johannes Brahms: Waltz In A Flat Op.39 No.15 - Frédéric Chopin: Waltz In C Sharp Minor Op.64 No.2 - Carl Maria von Weber: Waltz
The Library Of Easy Piano Classics, Vol.2:
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Contents: The Library Of Easy Piano Classics Vol 2Download - 1812 Overture op49 (Tschaikowsky, Peter Iljitsch) - Air (Bach, Wilhelm Friedemann) - Allegretto Scherzando (Bach, Carl Philipp Emanuel) - American The Beautiful (Ward, Samuel A.) - Anitra's Dance (Peer Gynt Suite op46,1) (Grieg, Edvard) - Aria (Verdi, Giuseppe) - Arietta - Prelude No1 In C From The Well-tempered Clavier (Js, Bach) - Ave Verum Corpus K.618 - Allegretto Scherzando (Cpe Bach) - Air (Wf Bach) - Bell Song From Lakme - Minuet In G - Sympathy No7 - Sympathy No 7 - Sympathy No3 'Eroica' - Sympathy No 6 'Pastoral' - Theme From Variations On A Theme From Paisello's La Molinara - Piano Concerto No4 - Ecossaises - Minuet Op 49 No 2 - Farandolce From L'Arlesienne Suite No2 - Hungarian Dance No 4 - Hungarian Dance No 6 - Lullaby - Waltz - Prelude Op 28 No 4 - Gavotte - Waltz Op 18 - Waltz Op 34 No 1 - Waltz Op 64 No 2 - Waltz Op 69 No 2 - Nocturne Op 9 No 2 - Polonaise Op 40 No 1 - Polonaise Op 53 - Fantasy Impromptu Op 66 - Funeral March From Sonata - Sonatina - Reverie - Bell Song From Lakme - Pizzicati From Sylvia - Slavonic Dance No 10 - Melody - Jeanie With The Light Brown Hair (Foster) - Mighty Lak A Rose (Nevin) - Entry Of The Gladiators - Waltz Fromfaust - Anitras Dance From Peer Gynt - Minuet - Piano Concerto - Bouree - Gavotte - Minuet No 1 - Bouree From Music Of The Royal Fireworks - German Dance - Saint Anthony Chorale - Gypsy Love Song (Herbert) - My Herat At Thy Sweet Voice (Samson And Delilah) - Danube Waves - Parade Of The Tin Soldiers - Maple Leaf Rag (Joplin) - Over The Waves - Parade Of The Tin Soldiers - Four Scottish Dances - Les Preludes - Fascination - Nocturne - Fingal's Cave (Mendelsshon) - Theme - Piano Concerto In C - Minuet From Don Giovanni - Minuet In F - Minuet - Ave Verum - Romance From Eine Kleine Nachtmusik - Rondo - Romance From Piano Concerto No 20 - Arietta - Menuetto - Sailor's Dance (Dido And Aeneas) - Mighty Lak A Rose (Nevin) - Caprice No 24 - The Whistler And His Dog - Themes From Madame Butterfly - Solvejg's Song - Sailors Dance - Rondeau - Minuet - Over The Waves - My Heart At Thy Sweet Voice (Saint Saens) - Minuet (Scarlatti) - Sympathy No 7 - Trout Quintet - Impromptu - Moment Musicale - Sympathy No 9 - Piano Trio In E Flat - The Happy Farmer - Blindmans Buff - Melody - Slumber Song - Traumerei - Canon (Sciabin) - The Stars And Stripes Foreveer - The Washington Post - Emperor Waltz - Tritsch Tratsch Polka - Vienna Blood - Wine Women And Song - I Am The Very Model Of A Modern Major General (Sullivan) - Themes From Madame Butterfly - Morning Prayer - Waltz - Waltz In E Flat - Tritsch Tratsch Polka - Sympathy No 5 - Sympathy No 6 - March From The Nutcracker - Waltz Of The Flower - 1812 Overture - Chanson Triste - Battle Hymn Of The Republic (Traditional American Hymn) - Waltz (Schlubert) - Waltz In A Flat Op.34 No.1 - Red River Valley (Traditional American Song) - Waltz In C Sharp Minor Op.64 No.2 - Chicken Reel (Traditional American Fiddle Tune) - Waltz In E Flat - Good King Wenceslas (Traditional English Carol) - Prayer Of Thanksgiving (Traditional Netherlands Hymn) - Auldlang Syne (Traditional Scottish Air) - Aria - Evening Star - Wine Women And Song - The Band Played On - American The Beautiful Read the full article
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plaque-memoire · 2 years
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Plaque en hommage à : Jean de Lattre de Tassigny
Type : Commémoration
Adresse : 143 Grande rue, 69600 Oullins, France
Date de pose : 17 septembre 2005
Texte : Jean de Lattre de Tassigny, Maréchal de France, 1889 - 1952, commandant de la Première armée française Rhin et Danube, il débarqua en Provence le 16 août 1944, libéra la vallée du Rhône, l'Alsace et conduisit ses troupes au cœur de l'Allemagne. Le titre de Maréchal de France lui fut conféré à titre posthume le 15 janvier 1952. Place inaugurée le 17 septembre 2005 en présence de Fran_ois-Noël Buffet, sénateur maire, du conseil municipal d'Oullins et de Jacques Teullet, président du comité du Rhône de la Fondation Maréchal de Lattre.
Quelques précisions : Jean de Lattre de Tassigny (1889-1952) est un militaire français. Il monte au front dès la Première Guerre mondiale, au cours de laquelle il est blessé puis, durant l'entre-deux-guerres, participe à diverses opérations, en France métropolitaine comme dans les colonies. Devenu le plus jeune général de France en 1939, il s'illustre tout particulièrement durant la Seconde Guerre mondiale, formant des dizaines d'officiers, mais il entretient des rapports alors prudents et distants avec la Résistance (ayant choisi pendant quelques temps de suivre les instructions du Maréchal Pétain). Il finit toutefois par s'opposer plus frontalement aux Allemands en 1942,ce qui le conduit à un emprisonnement duquel il s'évade. Ayant rallié le Général de Gaulle, il mène le débarquement allié en Provence (opération Anvil-Dragoon) et remonte la France jusqu'à mener ses troupes en Allemagne. Il assiste à la signature de la capitulation allemande le 8 mai 1945. Il poursuit sa carrière militaire après 1945, prenant part à la guerre d'Indochine, avant de décéder d'un cancer en 1952. Il est élevé à la dignité de Maréchal de France à titre posthume.
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Jonathan Ford *Supporting character
Voice Claim: (Chace Crawford) https://www.youtube.com/watch?v=93RiBFp4DyA
Partner(s): None. Parents: Connie Burlington & Michael Ford. Siblings: Marlena Ford Kids: None Age: 35 Birthday: 1st of March Height: 189 cm (6.2ft) Body type: Slim but muscular. Eye color: Light to medium blue Classification: Human
About: Intelligent, Awkward, Clumsy, Observant, Neat, Rational, Intuitive, Curious, Open minded, Calm, Stubborn, Objective, Dedicated, Honest, Charming, Resourceful, Independent, Clean, Private, Disciplined, Logical, Decent, Focused, Determined and Reserved. ~ Sexuality Straight. ~ FBI agent. ~ Has sandy to golden blonde hair, he always spends a little too much time on fixing before his day starts. ~ Drinks too much coffee. ~ Can be a bit awkward at times. ~ Works too much, doesn’t have time for a relationship. ~ Lonely. ~ Has never fired a gun at anyone, only warning shots so far. ~ A bit of a momma’s boy. ~ 8/10 pretends to be sophisticated, really isn’t. ~ Very private, takes a lot for him to open up. ~ Can be a bit stiff around people he doesn’t know. ~ Can be a bit stiff, period. ~ Not the best cook, but manages not to burn the globe down. ~ City boy, but dreams of one day getting married, having kids and buying an old run down farm. ~ A bit of a closet romantic. ~ Drinks a lot of red wine. ~ Waiting for a promotion. ~ Doesn’t always know when to shut up. ~ Is often called the ‘ass-kisser’ at work, really isn’t. ~ Gets annoyed by slow drivers. ~ Can’t stand mushrooms! ~ Sings in the shower. ~ Isn’t very close to his family. More or less only see them during the big holidays. He’s on good terms with them, but work gets in the way aka Jonathan prefers work over people. ~ Goes grocery shopping once per week, always buys the same. ~ Eats a lot of frozen meals, canned tuna, scrambled eggs and pasta. ~ Often buried in work, even when he’s not at work. ~ Tends to forget there’s a world outside work. ~ His work partner simply calls him John, everyone else at work calls him ford. He tends to mostly listen to that. ~ Gets panic attacks. Pretends he’s alright, although he often feels like he’s losing it.  ~ Occasionally smokes, when he gets too stressed/tense. ~ Watches reality shows to battle his loneliness, 10/10 makes him more lonely! ~ Would never admit they make him more lonely, nor that he watches reality shows! ~ Loves: Married At First Sight (reality show), crime documentaries, serial killer documentaries, salted peanuts, canned tuna, red wine, peanut butter, burny-hot showers, work, French music, French fries, French kissing, French girls, French food, classical music, spring time, fog, cheese, otters, coffee, cuddling, foot baths, foot rubs, sea food and taking someone special out for dinner/cinema. ~ His style is formal/formal-casual (it’s rare to catch him in a completely casual look, and if you do, someone probably forced him or he lost a bet!) ~ Is actually a really great guy, if you have the patience to get to know him.
Biography: (Coming soon) Ford’s tag Ford’s house/home Ford’s moodboard Handwriting/ask answer pic:
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One gif to describe him:
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One song to describe him: Beethoven - Sonate au Clair de Lune Personal Playlist: 1. Indila - Tourner Dans Le Vide 2. Georges Bizet - The Pearl Fishers 3. Claude Debussy - Clair de Lune 4. Stromae - Formidable (ceci n'est pas une leçon) 5. Edith Piaf - Non, Je ne regrette rien 6. INGRID ST-PIERRE - Ficelles 7. Carla Bruni - Quelqu'un m'a dit 8. Johann Strauss - The Blue Danube Waltz 9. Maurice Ravel -  Miroirs III. Une Barque sur L'Ocean 10. Beethoven - Für Elise 11. La Femme - Sur La Planche 12. Guillaume Grand - Toi et moi 13. Tchaikovsky - Valse Sentimentale 14. Antonio Vivaldi - Storm 15. Franz Liszt - Liebestraum 16. Jacques Offenbach - La belle Hélène 17. Olivia Ruiz - J'Traine Des Pieds 18. Robert Schumann: der Dichter spricht (aus Kinderszenen op.15) 19. Franz Schubert - Ständchen 20. Erik Satie - Gnossienne No.3
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maggiec70 · 3 years
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The Tabor Bridge Tale
I might have said something a while ago about posting bits and pieces from the Western World’s longest-running Napoleonic HistFic in progress.  So to counter some gloom and doom, here’s my silly fictional version of getting to Vienna in one piece. Do hope you enjoy it.
>>>>>
Jean had improved by the second week of November. He’d set up a temporary camp south of Vienna for V Corps and waited for the rest of the army to arrive. Mariana didn’t watch him so closely now, hoping he’d learned his lesson, although he probably hadn’t learned anything. Meanwhile, the camp was pleasant, and she wondered how long they would be able to enjoy themselves. 
The answer arrived two days later after breakfast when Prince Murat galloped up in all his finery. “You’ve heard about the Tabor bridges?” he called out as he dismounted, tossing his reins to an aide. Mariana still marveled at the cavalry commander’s appearance. Neither a plume nor a curl out of place—however did he manage it? Perhaps the prince had four valets instead of the usual two. On the other hand, Jean looked like he’d been marching in the wake of the baggage trains for days.
“Can’t say I have,” Jean answered. “We arrived the day before yesterday. It takes a hell of a lot longer for my infantry divisions to march over these damn roads than it does for your circus riders on their fancy ponies.
”Murat ignored the jibe. “The Tabor bridges are the only way into Vienna. My scouts say the enemy has already mined the longest span. Hungarians hold the near end, and Austrians have the far end. Both are bristling with artillery.” He shrugged. “If we advance across the bridge, assuming we can outwit the Hungarians, the Austrians will blow the long span at the first glimpse of a French uniform and then shell us. The emperor wants the bridges intact, and he’s ordered us to take them.”
“Who did Napoleon mean by us?”
Murat grinned, looking almost as piratical as André Masséna. “You and me, mon ami. Who better?” Another grin and Murat threw an arm around Jean’s shoulders for emphasis.
Mariana nudged Joseph in the ribs. “The marshal’s going to say no,” she whispered. “Watch.”
“Let him take the damn things himself. I hate bridges—I still get headaches from being shot on the Arcola bridge.” Jean unbuckled the canteen from his saddle and took a long drink before turning back to Murat. “How long are the bridges?”
“The scouts said a couple of miles. They’re nothing more than a series of cobbled-together wooden sections, the longest one an arched span, with marshes beneath.”
“And the Austrian artillery is at the farthest end?”
“Right at the bridgehead.”
“So they can see us coming?”
“From the time we reach the arched span. And that’s if the Hungarians don’t send an alert. I’ve already decided a sneak attack won’t work.”
Jean said nothing for a few minutes, staring in Vienna’s direction and the unseen bridges. After a moment or two of silence disturbed by a flock of birds and the horses’ restless stamping, Jean looked at Murat, a slow smile spreading across his face. Beata Santa Caterina, Mariana thought. He’s not going to refuse.
“It’s a bit long for a Sunday stroll, Joachim, but it might work.”
“I’m not following you.”
“You’ve gone at this backward. We’ll walk out there and bluff the enemy right off the bridge before they know what’s happened.”
“I enjoy a challenge as much as you do, but strolling across a mined bridge with artillery aimed at both my arse and my hard-won medals doesn’t inspire me with confidence.”
“Where’s your imagination, Joachim? We’re dressed in our finest, with decorations, plumes, cloaks, sashes, and so are our staff—yours in particular. Throw in four or five senior officers, and off we go in splendor, dazzling the enemy. Just a group of officers out for a pleasant walk. They’ll be paying so much attention to us that they’ll never see Oudinot’s grenadiers slogging through the marshes and dismantling the mines. By the time they realize what’s happened, we’ll have spiked their guns. Tell them there’s been a truce or a cease-fire. Nom de Dieu, they’re only Austrians.”
Mariana stared first at Joseph, then at Jacques, but they seemed amused and worse, willing to participate in the improbable charade. “Boys!” she muttered, her hands balled into fists. “They will never grow up, certainly not with him setting such an example.”
“Excellent idea, my dear D’Artagnan. I wish I’d thought of it. Well, brush yourself off so you’ll glitter like me, and let’s go.” Murat had turned toward his staff of waiting peacocks as he asked, “See you in half an hour?”
It took less than that for Jean to find Oudinot and explain what he needed. With a sinking feeling, Mariana saw that Oudinot seemed delighted with the idea and just as eager to rush into danger as the rest of them.
Jean interrupted her misgivings by shouting, “Saint-Denis, you have anything to get rid of this dust?”
She rummaged through her saddlebag for the tack rag she kept rolled in the bottom. Pulling it out, she swatted at the dust on his coat, decided his breeches were a lost cause, and gave his boots a hasty swipe. “Give me your cloak. It’s covered with horsehair. Where’s your hat?”
“Damned if I know—find it, will you?”
They met Murat and his staff two hundred yards before the first bridgehead. Mariana had never seen so much military finery, blinding gold lace and braid, or so many waving, bobbing white plumes in one place. She was also confident that the plumes and those who wore them would be blown up, one way or another, in the next little while. They might receive a mention in history books later, perhaps in the same vein as Thermopylae.
“This is like a Sunday promenade, so talk, tell jokes, laugh, and occasionally stop to admire the scenery,” Jean reminded them and set off, his arm hooked through Murat’s.
“What scenery? There’s nothing but marshes,” Mariana said.
“Pretend, Saint-Denis,” Jean called back to her. “That’s all this is—a big game of pretending.”
“Except for the Hungarians and Austrians, whose guns and mines are real enough,” she mumbled to Joseph and walked faster to keep up.
The Hungarians at the near bridgehead were disarmed almost immediately in the face of Murat’s smooth talk of a truce, Jean’s friendliness, and the staff’s easy camaraderie. Most of all, they welcomed the bottles of brandy appearing by some sleight of hand from half-a-dozen senior officers. Mariana had stopped between Joseph and Jacques, her mouth agape. “Who told them to bring brandy?”
Jacques laughed as he tried to peer over Joseph’s shoulder to see what was happening. “The marshal did. Who else?”
Although only two Hungarian officers understood French, the rest seemed to appreciate the sudden largesse, oblivious to the grenadiers creeping forward and disappearing beneath the bridge.
The charade held together as they advanced. Mariana moved forward when Joseph and Jacques linked their arms through hers. Without them, she would have collapsed onto the rough planks. With them, she felt like a marionette, being jerked along, her heart hammering against her ribs, mouth as dry and wooly as a blanket. When they had reached within a hundred feet of the last bridgehead and the enemy guns, an Austrian officer yelled at them to halt. Jean and Murat didn’t stop, but slowed their pace until Murat made himself heard without too much shouting.
“Who’s in charge here?” Murat demanded when he was less than twenty feet from the officer.
“Prince Auersperg is our commander. Who are you?”
“Prince Murat, His Imperial Majesty’s envoy. I won’t discuss armistice terms with anyone but your commander. Go get him,” Murat said, every inch of him drawn up, shoulders squared. The epitome of a peacock in full plumage strutting before a peahen. Mariana tried not to laugh.
Jean strolled over to the nearest gun and, with admirable aplomb, used the caisson for leverage and sat on the barrel, one gloved hand casually covering the fuse. “Damn long walk. Any of you have anything to drink?”
Mariana desperately wanted something to drink to ease the terrible dryness in her throat. She’d cheerfully drink the strong, sharp brandy, or even scoop some of the brown Danube water up in her shako and drink that. But the brandy might give her ten or fifteen minutes of false courage, enough to get her through to the end of this charade, whatever the end might be. The brandy was no closer to her than the river was, and she swallowed, the effort making her throat sore. With a stoic sigh, she followed the rest of Jean’s aides and staff officers as they moved among the guns or leaned against the bridge railings as if they had all the time in the world. If she stood beside the nearest howitzer, it couldn’t possibly hurt her. She rested her hand on the barrel, warm from the sun, and then leaned against it. When nothing happened, she relaxed as the warmth of the metal penetrated her coat and chased away the last of her chills. On another day and in another place, she might even feel secure enough to rest her cheek against the smooth bronze and doze off.
She raised her head as four Austrian officers helped an old man in a uniform that hung on his bony, stooped frame onto the bridge. “Look at him, Joseph—he’s ancient,” Mariana said, not bothering to lower her voice. “How can he command anything?”
Murat directed a barrage of Gascon-accented charm at the old prince, explaining the terms of the non-existent armistice. Auersperg’s rheumy yellow eyes widened, and he trembled visibly. Two of his aides gripped his elbows and held him upright. Mariana began to feel sorry for him, even though she knew he would have ordered his men in a thin, wavering voice to blow them all into the next world, had the circumstances been different.
Jean removed his hat and waved it in the direction of the advancing grenadiers. They rose from the marshes at his signal, clambered over the railings, and swarmed across the bridge. It was finally over. Not one cannon or musket had fired at them. No explosives had exploded. No casualties at all other than one confused, elderly Austrian prince who didn’t understand how completely his enemy had tricked him.
Mariana was glad she had something substantial to hold her up. Weak-kneed with relief, she tightened her grasp around her howitzer and blew out a long pent-up breath as Jean and Murat left the bridge, congratulating themselves on their superb chicanery and laughing at the risks they had taken.
“They’ll never understand how dangerous this was.” Mariana stepped onto the bare, packed earth of the riverbank, Jacques beside her. “We could have been blown to our heavenly rewards, and they’re laughing like schoolboys. I thought I had steadier nerves, but I was as faint-hearted as a recruit.”
“I never believed danger was imminent, Gabriel, nor do I think the marshal, or the prince for that matter, would have exposed us all to certain annihilation.” He draped his arm across her shoulders, the weight almost making her slip on the river mud. “Come on. I’ll get you a drink, or several if you need them.” 
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justforbooks · 3 years
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Sir Patrick Michael Leigh Fermor, DSO, OBE (also known as Paddy Fermor) was born on February 11, 1915. He was a British author, scholar, soldier and polyglot who played a prominent role behind the lines in the Cretan resistance during the Second World War. He was widely regarded as Britain's greatest living travel writer during his lifetime, based on books such as A Time of Gifts (1977). A BBC journalist once described him as "a cross between Indiana Jones, James Bond and Graham Greene".
In 1950 Leigh Fermor published his first book, The Traveller's Tree, about his post-war travels in the Caribbean. The book won the Heinemann Foundation Prize for Literature and established his career. The reviewer in The Times Literary Supplement wrote: "Mr Leigh Fermor never loses sight of the fact, not always grasped by superficial visitors, that most of the problems of the West Indies are the direct legacy of the slave trade." It was quoted extensively in Live and Let Die, by Ian Fleming. He went on to write several further books of his journeys, including Mani and Roumeli, of his travels on mule and foot around remote parts of Greece.
Leigh Fermor translated the manuscript The Cretan Runner written by George Psychoundakis, a dispatch runner on Crete during the war, and helped Psychoundakis get his work published. Leigh Fermor also wrote a novel, The Violins of Saint-Jacques, which was adapted as an opera by Malcolm Williamson. His friend Lawrence Durrell recounts in his book Bitter Lemons (1957) how, during the Cypriot insurgency against continued British rule in 1955, Leigh Fermor visited Durrell's villa in Bellapais, Cyprus:
After a splendid dinner by the fire he starts singing, songs of Crete, Athens, Macedonia. When I go out to refill the ouzo bottle...I find the street completely filled with people listening in utter silence and darkness. Everyone seems struck dumb. 'What is it?' I say, catching sight of Frangos. 'Never have I heard of Englishmen singing Greek songs like this!' Their reverent amazement is touching; it is as if they want to embrace Paddy wherever he goes.
After living with her for many years, Leigh Fermor was married in 1968 to the Honourable Joan Elizabeth Rayner (née Eyres Monsell), daughter of Bolton Eyres-Monsell, 1st Viscount Monsell. She accompanied him on many of his travels until her death in Kardamyli in June 2003, aged 91. They had no children. They lived part of the year in their house in an olive grove near Kardamyli in the Mani Peninsula, southern Peloponnese, and part of the year in Gloucestershire.
In 2007, he said that, for the first time, he had decided to work using a typewriter, having written all his books longhand until then.
He opened his home in Kardamyli to the local villagers on his name day. New Zealand writer Maggie Rainey-Smith (who was staying in the area while researching for her next book) joined in with his name day celebration in November 2007, and, after his death, posted some of the photographs taken that day. The house at Kardamyli was featured in the 2013 film Before Midnight.
Leigh Fermor influenced a generation of British travel writers, including Bruce Chatwin, Colin Thubron, Philip Marsden, Nicholas Crane and Rory Stewart.
Works
Books
The Traveller's Tree. (1950)
The Violins of Saint-Jacques. (1953)
A Time to Keep Silence (1957), with photographs by Joan Eyres Monsell. This was an early publication from the Queen Anne Press, a company managed by Leigh Fermor's friend Ian Fleming. In this book he describes his experiences in several monasteries, and the profound effect the time spent in them had on him.
Mani: Travels in the Southern Peloponnese (1958)
Roumeli: Travels in Northern Greece (1966)
A Time of Gifts – On Foot to Constantinople: From the Hook of Holland to the Middle Danube (1977, published by John Murray)
Between the Woods and the Water – On Foot to Constantinople from the Hook of Holland: the Middle Danube to the Iron Gates (1986)
Three Letters from the Andes (1991)
Words of Mercury (2003), edited by Artemis Cooper
Introduction to Into Colditz by Lt Colonel Miles Reid (Michael Russell Publishing Ltd, Wilton, 1983). The story of Reid's captivity in Colditz and eventual escape by faking illness so as to qualify for repatriation. Reid had served with Leigh Fermor in Greece and was captured there trying to defend the Corinth Canal bridge in 1941.
Foreword of Albanian Assignment by Colonel David Smiley (Chatto & Windus, London, 1984). The story of SOE in Albania, by a brother in arms of Leigh Fermor, who was later a MI6 agent.
In Tearing Haste: Letters Between Deborah Devonshire and Patrick Leigh Fermor (2008), edited by Charlotte Mosley. (Deborah Cavendish, Duchess of Devonshire, the youngest of the six Mitford sisters, was the wife of the 11th Duke of Devonshire).
The Broken Road – Travels from Bulgaria to Mount Athos (2013), edited by Artemis Cooper and Colin Thubron from PLF's unfinished manuscript of the third volume of his account of his walk across Europe in the 1930s.
Abducting A General – The Kreipe Operation and SOE in Crete (2014)
Dashing for the Post: the Letters of Patrick Leigh Fermor (2017), edited by Adam Sisman
More Dashing: Further Letters of Patrick Leigh Fermor (2018), edited by Adam Sisman
Translations
No Innocent Abroad (published in United States as Forever Ulysses) by C. P. Rodocanachi (1938)
Julie de Carneilhan and Chance Acquaintances by Colette (1952)
The Cretan Runner: His Story of the German Occupation by George Psychoundakis (1955)
Screenplay
The Roots of Heaven (1958) adventure film, directed by John Huston
Periodicals
"A Monastery", in The Cornhill Magazine, London, no. 979, Summer, 1949.
"From Solesmes to La Grande Trappe", in The Cornhill Magazine, John Murray, London, no. 982, Spring 1950.
"Voodoo Rites in Haiti", in World Review, London, October 1950.
"The Rock-Monasteries of Cappadocia", in The Cornhill Magazine, London, no. 986, Spring 1951.
"The Monasteries of the Air", in The Cornhill Magazine, London, no. 987, Summer 1951.
"The Entrance to Hades", in The Cornhill Magazine, London, no. 1011, Spring 1957.
Books about Patrick and Joan Leigh Fermor
Artemis Cooper: Patrick Leigh Fermor. An Adventure (2012)
Helias Doundoulakis, Gabriella Gafni: My Unique Lifetime Association with Patrick Leigh Ferrmor (2015)
Simon Fenwick: Joan. The Remarkable Life of Joan Leigh Fermor (2017)
Michael O'Sullivan: Patrick Leigh Fermor, Noble Encounters between Budapest and Transylvania (2018)
Leigh Fermor was noted for his strong physical constitution, even though he smoked 80 to 100 cigarettes a day. Although in his last years he suffered from tunnel vision and wore hearing aids, he remained physically fit up to his death and dined at table on the last evening of his life.
For the last few months of his life Leigh Fermor suffered from a cancerous tumour, and in early June 2011 he underwent a tracheotomy in Greece. As death was close, according to local Greek friends, he expressed a wish to visit England to say good-bye to his friends, and then return to die in Kardamyli, though it is also stated that he actually wished to die in England and be buried next to his wife.
Leigh Fermor died in England, aged 96, on 10 June 2011, the day after his return. His funeral took place at St Peter's Church, Dumbleton, Gloucestershire, on 16 June 2011. A Guard of Honour was provided by serving and former members of the Intelligence Corps, and a bugler from the Irish Guards sounded the Last Post and reveille. Leigh Fermor is buried next to his wife in the churchyard at Dumbleton.
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The Greek inscription is a quotation from Konstantinos Kavafis that can be translated as "In addition, he was that best of all things, Hellenic".
Daily inspiration. Discover more photos at http://justforbooks.tumblr.com
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paralleljulieverse · 4 years
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“We’ll be educating Archie, so we’ll be busy for a while...”
We are a little late with this commemorative post, but last month -- 6 June, to be precise -- marked the 70th anniversary of the debut of Educating Archie (1950-59), the legendary BBC radio series starring ventriloquist Peter Brough and his dummy, Archie Andrews. Fourteen-year-old Julie Andrews was part of the original line-up for the 1950 premiere season of Educating Archie and she would remain with the show for two full seasons till late-1951/early-1952. 
It would be difficult to exaggerate the significance of Educating Archie during the ‘Golden Age' of BBC Radio in the 1950s. Across the ten years it was on the air, it grew from a popular series on the Light Programme into a “national institution” (Donovan, 74). At its peak, the series averaged a weekly audience of over 15 million Britons, almost a third of the national population (Elmes, 208). Even the Royals were apparently fans, with Brough and Archie invited to perform several times at Windsor Castle (Brough, 162ff). The show found equal success abroad, notably in Australia, where a special season of the series was recorded in 1957 (Foster and First, 133). 
Audiences couldn’t get enough of the smooth-talking Brough and his smart-lipped wooden sidekick, and the show soon spawned a flood of cross-promotional spin-offs and marketing ventures. There were Educating Archie  books, comics, records, toys, games, and clothing. An Archie Andrews keyring sold half a million units in six months and the Archie Andrews iced lolly was one of the biggest selling confectionary items of the decade (Dibbs 201). More than a mere radio programme, Educating Archie became a cultural phenomenon that “captured the heart and mood of a nation” (Merriman, 53). 
On paper, the extraordinary success of Educating Archie can be hard to fathom. After all, what is the point of a ventriloquist act on the radio where you can’t see the artist’s mouth or, for that matter, the dummy? Ventriloquism is, however, more than just the simple party trick of “voice-throwing”. A good “vent” is at heart a skilled actor who can use his or her voice to turn a wooden doll into a believable character with a distinct personality and dynamic emotional life. It is why many ventriloquists have found equal success as voice actors in animation and advertising (Lawson and Persons, 2004). 
Long before Educating Archie, several other ventriloquist acts showed it was possible to make a successful transition to the audio-only medium of radio. Most famous of these was the American Edgar Bergen who, with his dummy Charlie McCarthy, had a top-rating radio show which ran in the US for almost two decades from 1937-1956 (Dunning, 226). Other local British precedents were provided by vents such as Albert Saveen, Douglas Craggs and, a little later, Arthur Worsley, all of whom had been making regular appearances on radio variety programmes for some time (Catling, 81ff; Street, 245).
By his own admission, Peter Brough was not the most technically proficient of ventriloquists. A longstanding joke -- possibly apocryphal but now the stuff of showbiz lore -- runs that he once asked co-star Beryl Reid if she could ever see his lips move. “Only when Archie’s talking,” was her deadpan response (Barfe, 46). But Brough -- described by one critic as “debonair, fresh-faced and pleasantly toothy” (Wilson “Dummy”, 4) -- had an engaging performance style and he cultivated a “charismatic relationship with his doll as the enduring and seductive Archie Andrews” (Catling, 83). Touring the variety circuit throughout the war years, he worked hard to perfect his one-man comedy act with him as the sober straight man and Archie the wise-cracking cut-up. 
Inspired by the success of the aforementioned Edgar Bergen -- whose NBC radio shows had been brought over to the UK to entertain US servicemen during the war -- Brough applied to audition his act for the BBC (Brough, 43ff). It clearly worked because the young vent soon found himself performing on several of the national broadcaster’s variety shows. His turn on one of these, Navy Mixture, proved so popular that he secured a regular weekly segment, “Archie Takes the Helm” which ran for forty-six weeks (ibid, 49). While appearing on Navy Mixture, Brough worked alongside a wide range of other variety artists, including, as it happens, a husband and wife performing team by the name of Ted and Barbara Andrews. 
Fast forward several years to 1950 and, in response to his surging popularity, Brough was invited by the BBC to mount a fully-fledged radio series built around the mischievous Archie (Brough, 77ff). A semi-sitcom style narrative was devised -- written by Brough’s longtime writing partner, Sid Colin and talented newcomer, Eric Sykes  -- in which Archie was cast as “a boy in his middle teens, naughty but lovable, rather too grown up for his years-- especially where the ladies are concerned -- and distinctly cheeky” (Broadcasters, 5). Brough was written in as Archie’s guardian who, sensing the impish lad needed to be “taken strictly in hand before he becomes a juvenile delinquent,” engages the services of a private tutor to “educate Archie” (ibid.). Filling out the weekly tales of comic misadventure was a roster of both regular and one-off characters. In the first season, the Australian comedian, Robert Moreton, was Archie's pompous but slightly bumbling tutor, Max Bygraves played a likeable odd-job man, and the multi-talented Hattie Jacques voiced the part of Agatha Dinglebody, a dotty neighbourhood matron who was keen on the tutor, along with several other comic characters (Brough, 78-81).
In keeping with the variety format popular at the time, it was decided the series would also feature weekly musical interludes. “Our first choice” in this regard, recalls Peter Brough (1955), “was little Julie Andrews”:
“A brief two years before [Julie] had begun her professional career as a frail, pig-tailed, eleven-year-old singing sensation, startling the critics in Vic Oliver’s ‘Starlight Roof’ at the London Hippodrome by her astonishingly mature coloratura voice. Many people of the theatrical world were ready to scoff, declaring the child’s voice was a freak, that it could not last or that such singing night after night would injure her throat. They did not reckon with Julie’s mother, Barbara, and father, Ted: nor with her singing teacher, Madame Stiles-Allen. In their care, the little girl, who had sung ‘for the fun of it’ since she was seven, continued a meteoric career that has few, if any rivals” (81).
As further context for Julie’s casting in Educating Archie, the fourteen-year-old prodigy had already appeared on several earlier BBC broadcasts and was thus well known to network management. In fact, Julie had already worked with the show’s producer, Roy Speers, on his BBC variety show, Starlight Hour in 1948 (Julie Andrews Radio Artists File I).
Julie’s role in Educating Archie was essentially that of the show’s resident singer who would come out and perform a different song each week. In the first volume of her memoirs, Julie recalls:
“If I was lucky, I got a few lines with the dummy; if not, I just sang. Working closely with Mum and [singing teacher] Madame [Stiles-Allen], I learned many new songs and arias, like ‘The Shadow Waltz’ from Dinorah; ‘The Wren’; the waltz songs from Romeo and Juliet and Tom Jones; ‘Invitation to the Dance’; ‘The Blue Danube’; ‘Caro Nome’ from Rigoletto; and ‘Lo, Hear the Gentle Lark’” (Andrews 2008, 126)
Other numbers performed by Julie during her appearances on Educating Archie include: “The Pipes of Pan”, “My Heart and I”, “Count Your Blessings”, “I Heard a Robin”, and “The Song of the Tritsch-Tratsch” (”Song Notes”, 11; Julie Andrews Radio Artists File I). Additional musical interludes were provided by other regulars on the show such as Max Bygraves, the Hedley Ward Trio and the Tanner Sisters. 
Alongside her weekly showcase song, Julie’s role was progressively built into a character of sorts as the eponymously named ‘Julie’, a neighbourhood friend of Archie’s. In a later BBC retrospective, Brough recalled that it was actually Julie’s idea to flesh out her part:
“We were thinking of Educating Archie and dreaming up the idea...and we wanted something fresh in the musical spot. We had just heard Julie Andrews with Vic Oliver in Starlight Roof...and we thought, why not Julie with that lovely fresh voice, this youngster with a tremendous range? So we asked her to come and take part in the trial recording and she came up with her mother and her music teacher, Madame Stiles-Allen...and Julie was a tremendous hit, absolutely right from the start. She used to sing those lovely Strauss waltzes...and all those lovely songs and hit the high notes clear as a bell. And then she came to me and said, ‘Look...I’m just doing the song spot, do you think I could just do a line or two with Archie and develop a little talking, a little character work?’ So, I said, ‘I don’t see why not’, So we talked to Eric Sykes and Roy Speer and, suddenly, we started with Julie talking lines back-and-forth with Archie, and Eric developed the character for her of the girl-next-door for Archie, very sweet, quite different from the sophisticated young lady she is today, but a lovely sweet character” (cited in Benson 1985)
As intimated here, an initial trial recording of Educating Archie was commissioned by the BBC, ostensibly to gauge if the format would work or not. This recording was made with the full cast on 15 January 1950 and was sufficiently well received for the broadcaster to green-light a six-episode pilot series to start in June as a fill-in for the popular comedy programme, Take It From Here during that series’ summer hiatus (Pearce, 4). The first episode of Educating Archie was scheduled for Tuesday 6 June in the prime 8:00pm evening slot, with a repeat broadcast the following Sunday afternoon at 1:45pm (Brough, 88ff). 
All of the shows for Educating Archie were pre-recorded at the BBC’s Paris Cinema in Lower Regent Street. Typically, each week’s episode would be rehearsed in the afternoon and then performed and recorded later that evening in front of a live audience. Julie’s fee for the show was set at fifteen guineas (£15.15s.0d) for the recording, with an additional seven-and-a-half guineas (£7.17s.6d) per UK broadcast, 3 guineas (£3.3s.0d) for the first five overseas broadcasts, and one-and-a-half guineas for all other broadcasts (£1.11s.6d) (Julie Andrews Radio Artists File I).
The initial six-episodes of Educating Archie proved so popular that the BBC quickly extended the series for another six episodes from 18 July to 22 August (“So Archie,” 5). Of these Julie appeared in four -- 25 July, 1, 8, 14 August -- missing the fist and last episode due to prior performance commitments with Harold Fielding. Subsequently, the show -- and, with it, Julie’s contract -- was extended for a further eight episodes (29 August-17 October), then again for another eight (23 October-18 December). These later extensions were accompanied by a scheduling shift from Tuesday to Monday evening, with the Sunday afternoon repeat broadcast remaining unchanged (Julie Andrews Radio Artists File I). All up, the first season of Educating Archie ran for thirty weeks, five times its original scheduled length. During that time, the show’s audience jumped from an initial 4 million listeners to over 12 million (Dibbs, 200-201). It was also voted the top Variety Show of the year in the annual National Radio and Television Awards, a mere four-and-a-half months after its debut (Brough, 98; Wilson “Archie”, 3). 
Given the meteoric success of the show, the cast of Educating Archie found themselves in hot demand. Peter Brough (1955) relates that there was a growing clamour from theatre producers for stage presentations of Educating Archie, including an offer from Val Parnell for a full-scale show at the Prince of Wales in the heart of the West End (101). He demurred, feeling the timing wasn’t yet right and that it was too soon for the show “to sustain a box office attraction in London” -- though he left the door open for future stage shows (102).  
One venture Brough did green-light was a novelty recording of Jack and the Beanstalk with select stars of Educating Archie, including Julie. Spread over two sides of a single 78rpm, the recording was a kind of abridged fantasy episode of the show cum potted pantomime with Brough/Archie as Jack, Hattie Jacques as Mother, and Peter Madden as the Giant. Julie comes in at the very end of the tale to close proceedings with a short coloratura showcase, “When We Grow Up” which was written specially for the recording by Gene Crowley. Released by HMV in December 1950, the recording was pitched to the profitable Christmas market and, backed by a substantial marketing campaign, it realised brisk sales (“Jack,” 12). It was also warmly reviewed in the press as “a very well presented and most enjoyable disc” (“Disc,” 3) and “something to which children will listen again and again” (Tredinnick, 628).
In light of its astonishing success, there was  little question that Educating Archie would be renewed for another season in 1951. In fact, it occasioned something of a bidding war with Radio Luxembourg, a competitor commercial network, courting Brough with a lucrative deal to bring the show over to them (Brough, 103-4). Out of a sense of professional loyalty to the BBC -- and, no doubt, sweetened by a counter-offer described by the Daily Express as “one of the biggest single programme deals in the history of radio variety in Britain” (cited in Brough, 104) -- Brough re-signed with the national broadcaster for a further three year contract. 
For their part, the BBC was keen to get the new season up on the air as early as possible with an April start-date mooted. Brough, however, wanted to give the production team an extended break and, more importantly, secure enough time to develop new material with his writing team. Rising star scriptwriter, Eric Sykes was already overstretched with a competing assignment for Frankie Howerd so a later start for August was eventually confirmed (Brough, 105ff). The Educating Archie crew did, however, re-form for a one-off early preview special in March, Archie Andrew’s Easter Party, which reunited much of the original cast, including Julie (Gander, 6). 
The second 1951 season started in earnest in late-July with pre-recordings and rehearsals, followed by the first episode which was broadcast on 3 August. This time round, the programme would air on Friday evenings at 8:45pm with a repeat broadcast two days later on Sunday at 6:00pm. The cast remained more-or-less the same with the exception of Robert Moreton who had, in the interim, secured his own radio show. Replacing him as Archie’s tutor was another up-and-coming comedy talent by the name of Tony Hancock (Brough, 111). It was the start of what would prove a star-making cycle of substitute tutors over the years which would come to include  Harry Secombe, Benny Hill, Bruce Forsyth, and Sid James (Gifford 1985, 76). A further cast change would occur midway through Season 2 with the departure of Max Bygraves who left in October to pursue a touring opportunity as support act for Judy Garland in the United States (Brough, 113-14).
The second season of Educating Archie ran for 26 weeks from 3 August 1951 till 25 January 1952. Of these, Julie performed in 18 weekly episodes. She missed two episodes in late September due to other commitments and was absent from later episodes after 14 December due to her starring role in the Christmas panto, Aladdin at the London Casino. She was originally scheduled to return to Educating Archie for the final remaining shows of the season in January and her name appears in newspaper listings for these episodes. However, correspondence on file at the BBC Archives suggests she had to pull out due to ongoing contractual obligations with Aladdin which had extended its run due to popular demand (Julie Andrews Radio Artists File I).
Season 2 would mark the end of Julie’s association with Educating Archie. When the show resumed for Season 3 in September 1952, there would be no resident singer. Instead, the producers adopted “a policy of inviting a different guest artiste each week” (Brough 118). They also pushed the show more fully into the realm of character-based comedy with the inclusion of Beryl Reid who played a more subversive form of juvenile girl with her character of Monica, the unruly schoolgirl (Reid, 60ff). Moreover, by late 1952, Julie was herself “sixteen going on seventeen” and fast moving beyond the sweet little girl-next-door kind of role she had played on the show.
Still, there can be no doubt that the two years Julie spent with Educating Archie provided a major boost to her young career. Broadcast weekly into millions of homes around the nation, the programme afforded Julie a massive regular audience beyond anything she had yet experienced and helped consolidate her growing celebrity as a “household name”. Because Archie only recorded one day a week, Julie was still able to continue a fairly busy schedule of concerts and live performances, often travelling back to London for the broadcast before returning to various venues around the country (Andrews, 127). As a sign of her evolving star status, promotion for many of these appearances billed her as “Julie Andrews, 15 year old star of radio and television” (”Big Welcome,” 7) or even “Julie Andrews the outstanding radio and stage singing star from Educating Archie” (”Stage Attractions,” 4). In fact, Julie made at least two live appearances in this era alongside Brough and other members of the Educating Archie crew with a week at the Belfast Opera House in October 1951 and another week in November at the Gaumont Theatre Southampton (Programme, 1951).
Additionally, the fact that the episodes of Educating Archie were all pre-recorded means that the show provides a rare documentary record of Julie’s childhood performances. To date, several episodes with Julie have been publicly released. These include recordings of her singing “The Blue Danube” from 30 October 1950 and the popular Kathryn Grayson hit, “Love Is Where You Find It” from 19 October 1951. Given recordings of the series were issued to networks around Britain and even sent abroad suggests there must be others in existence and, so, we can only hope that more episodes with Julie will surface in time.
Reflecting on the cultural significance of Educating Archie, Barrie Took observes that, “Over the years [the] programme became a barometer of success; more than any other radio comedy it was the showcase of the emerging top-liner” (104). Indeed, the show’s alumni roll reads like a veritable “who’s who” of post-war British talent: Peter Brough, Eric Sykes, Hattie Jacques, Max Bygraves, Tony Hancock, Alfred Marks, Beryl Reid, Harry Secombe, Bruce Forsyth, Benny Hill, Warren Mitchell, Sid James, Marty Feldman, Dick Emery (Foster and Furst, 128-32). All big talents and even bigger names. However, it is perhaps fitting that, in a show built around a pint-sized dummy, the biggest name of all to come out of Educating Archie -- and, sadly, the only cast-member still with us today -- should be “little Julie Andrews”.
Sources:
Andrews, Julie. Home: A Memoir of My Early Years. London: Weidenfeld & Nicolson, 2008. 
Baker, Richard A. Old Time Variety: An Illustrated History. Barnsley: Remember When, 2010.
Barfe, Louis. Turned Out Nice Again: The Story of British Light Entertainment. London: Atlantic Books, 2008.
Benson, John (Pres.). “Julie Andrews, A Celebration, Part 2.” Star Sound Special. Luke, Tony (Prod.), radio programme, BBC 2, 7 October 1985.
“Big Welcome for Julie Andrews.” Staines and Ashford News. 17 November 1950: 7.
Broadcasters, The. “Both Sides of the Microphone.” Radio Times. 4 June 1950: 5.
Brough, Peter. Educating Archie. London: Stanely Paul & Co., 1955.
Catling, Brian. “Arthur Worsley and the Uncanny Valley.” Articulate Objects: Voice, Sculpture and Performance. Satz, A. and Wood, J. eds. Bern: Peter Lang, 2009: 81-94.
Dibbs, Martin. Radio Fun and the BBC Variety Department, 1922—67. Chams: Palgrave MacMillan, 2018.
“Disc Dissertation.” Lincolnshire Echo. 11 December 1950: 3.
Donovan, Paul. “A Voice from the Past.” The Sunday Times. 17 December 1995: 74.
Dunning, John. On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, 1998.
Elmes, Simon. Hello Again: Nine Decades of Radio Voices. London: Random House, 2012.
Fisher, John. Funny Way to Be a Hero. London: Frederick Muller, 1973.
Foster, Andy and Furst, Steve. Radio Comedy, 1938-1968: A Guide to 30 Years of Wonderful Wireless. London: Virgin Books, 1996.
Gander, L Marsland. “Radio Topics.” Daily Telegraph. 13 March 1951: 6.
Gifford, Denis. The Golden Age of Radio: An Illustrated Companion. London: Batsford, 1985.
____________. “Obituary: Peter Brough.” The Independent. 7 June 1999: 11.
“Jack and the Beanstalk.” His Masters Voice Record Review. Vol. 8, no. 4, December 1950: 12.
Julie Andrews Radio Artists File I, 1945-61. Papers. BBC Written Archives Centre, Caversham.
Lawson, Tim and Persons, Alissa. The Magic Behind the Voices: A Who's Who of Cartoon Voice Actors. Jackson: University Press of Mississippi Press, 2004.
Merriman, Andy. Hattie: The Authorised Biography of Hattie Jacques. London: Aurum Press, 2008.
Pearce, Emery. “Dummy is Radio Star No. 1.” Daily Herald. 6 April 1950: 4.
Programme for Peter Brough and All-Star Variety at the Belfast Opera House, 22 October 1951, Belfast.
Programme for Peter Brough and All-Star Variety at the Gaumont Theatre Southampton, 12 November 1951, Southampton.
Reid, Beryl. So Much Love: An Autobiography. London: Hutchinson, 1984
“So Archie Stays on.” Daily Mail. 1 July 1950: 5.
“Song Notes.” The Stage. 28 September 1950: 11.
“Stage Attractions: Arcadia.” Lincolnshire Standard. 18 August 1951: 4
Street, Seán. The A to Z of British Radio. Lanham, MD: Scarecrow Press, 2009.
Took, Barry. Laughter in the Air: An Informal History of British Radio Comedy. London: Robson Books, 1976.
Tredinnick, Robert. “Gramophone Notes.” The Tatler and Bystander. 13 December 1950: 628.
Wilson, Cecil. “Dummy Steals the Spotlight.” Daily Mail. 27 May 1950: 4.
____________. “Archie, Petula Soar to the Top.” Daily Mail. 20 October 1950: 3.
Copyright © Brett Farmer 2020
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wightwulf-a · 4 years
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this is a semi-complete timeline for my canon of my portrayal of bucky. it consists of mcu events/inspiration, comic inspiration, and my own personal headcanons. specific dates will also only be included here and there as the exact timelines of the movies aren’t super clear, aside from years.
DISCLAIMER : events may shift from verse to verse, possibly even not happening altogether. it depends on the plot and the situation. if you have any questions, just ask.
THIS POST IS SUBJECT TO BEING UPDATED OR CHANGED.
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1917
March 10 -- James Buchanan “Bucky” Barnes is born in Shelbyville, Indiana to George and Winifred Barnes.
1920 - 1929
1920 -- Rebecca Barnes is born. 1923 -- The Barnes move from Shelbyville to Brooklyn, New York. 1925 -- Violet Barnes is born. 1926 -- Bucky meets Steve Rogers. (more info here) 1929 -- Theodore Barnes is born.
1930 - 1939
1936 -- Sarah Rogers passes away. 1937 - 1938 -- Bucky attends art classes with Steve. (Bucky is Not good at art.)
1940 - 1949
December 7, 1941 -- The Attack on Pearl Harbor ; the United States enters the Second World War. December 1941 - January 1942 --  Bucky is drafted into the Second World War ; Bucky trains Steve at Goldie’s Boxing Gym before Bucky goes to an enlistment office with Steve ; Steve is rejected. February 1942 - April 1943 -- Bucky trains at Camp McCoy in Wisconsin (with periodical leaves back to New York) with the rest of the 107th Infantry, where he meets and befriends both Gabe Jones and Dum Dum Dugan ; Bucky is promoted to the rank of sergeant. June 14, 1943 -- Flag Day ; Bucky’s last night before his shipment out to England. August 1943 -- the “Captain America” comics debut to the public, to great success! September 1943 -- The Battle of Azzano ; survivors of the 107th Infantry are captured by Hydra and taken to a weapons facility in the Austrian Alps. October 1943 -- Bucky meets James Montgomery Falsworth and Jacques Dernier, both fellow POWs ; Bucky becomes ill and is beaten by Hydra Colonel Lohmer for his inability to perform manual labor ; the future Howling Commandos band together to orchestrate an accident that kills Lohmer ; Bucky, ill and weak, is taken to Arnim Zola to be used for experimentation. November 1943 -- Bucky and the other POWs held by Hydra are rescued by Steve, now Captain America. November 1943 -- The Howling Commandos are formed : Steve Rogers, Bucky Barnes, Gabriel “Gabe” Jones, Timothy Aloysius Cadwallader “Dum Dum” Dugan, James Montgomery “Monty” Falsworth, James “Jim” Morita , Jacques “Frenchie” Dernier. 1944 -- The Howling Commandos travel across the European theater, performing raids on Hydra bases, weakening their forces. January 1944 -- a new character is introduced in the thrilling “Captain America” comic series: his right-hand and sidekick, Bucky Barnes, a boy wonder! ; overseas, Bucky endures weeks of mockery after being turned into a kid sidekick in these comic books. February 2, 1945 -- during a mission on a train in the Swiss Alps, Bucky unfortunately fell from the train into the Danube river and was presumed dead ; Zola’s experimenting on Bucky over a year earlier is the reason for his survival ; Soviet soldiers find Bucky still alive, taking him as a P.O.W. 1945 - 1949 -- the Winter Soldier Program is born with Bucky as the only subject ; with state of the art technology, the most modern of its time, he is given a bionic prosthetic as the next steps of the program are planned ; they begin the process of testing human cryostasis.
1950 - 1959
1950 - 1954 -- using technology stolen from the supposedly-fallen Hydra, the Soviets begin testing brainwashing technology on Bucky, with underwhelming results ; cryostasis has proven successful in the last decade, therefore Bucky has barely aged within this time. 1954 -- after the KGB is formed, the organization formally joins the Winter Soldier Project and introduces conditioning methods, both accelerating the brainwashing techniques and physical combat training ; the use of trigger words are employed for efficiency. 1955 - 1959 -- Bucky is continued to be trained, conditioned, and tortured ; the title of “The Winter Soldier” is given to him by the KGB ; he loses all memory of himself and his life and is turned into “the perfect soldier”, now an assassin for Soviet use.
1960 - 1964
November 22, 1963 -- Bucky, as The Winter Soldier, successfully assassinates American President John F. Kennedy in Dallas, Texas.
1965 - 1989
years unknown -- the Soviets take The Winter Soldier out of cryostasis suspended animation in order to use him to aid in training girls of the Red Room Academy ; The Winter Soldier meets and trains with Natalia Romanova, later known as Natasha Romanova ; they work together on many missions for the Soviet Union during The Cold War.
NOTE : while i am using comic influence here, i will not be acknowledging any romantic or sexual relationship between bucky and natasha during this time. while i am mixing canons and using much headcanon, i am taking influence from the mcu in regards to bucky’s brainwashing. in short, he was in no mental position to be involved in any romantic or sexual relationship.
1986 -- a Soviet scientist removes Bucky from cryostasis without authorization ; the scientist tells Bucky he is going to help him get home to America ; confused, fearful, and conflicted from his mental conditioning, Bucky kills the scientist ; he is found with the man’s body and is immediately put back into cryostasis.
1990 - 1999
December 16, 1991 -- The Winter Soldier is sent to assassinate Howard and Maria Stark in order to obtain Howard Stark’s super soldier serum ; he is successful. 1991 -- in a last-ditch attempt to preserve The Winter Soldier Program after the fall of the Soviet Union, this serum is used on five former-KGB operatives in an attempt to turn them into super soldiers not unlike Bucky ; they are defective however and disposed of ; Bucky remains the only successful subject of The Winter Soldier Program ; Bucky is left in a Soviet base in cryostasis, forgotten.
2000 - 2009
2003 -- former member of the KGB Aleksander Lukin, who inherited The Winter Soldier Program from Vasily Karpov before the fall of the Soviet Union, reactivates The Winter Soldier as he begins to build his buiness, The Kronas Corporation. 
2010 - ?
2012 -- The Winter Soldier is sent to Sokovia by Hydra to assassinate a high-ranking political official and seize a superhuman artifact from the country known as The Cosmic Cube ; he successfully does so with a timed detonation -- there are many casualties ; EKO Scorpion, of the Sokovian Armed Forces, being posted at the site for security of sorts, is sent to either apprehend or kill The Winter Soldier before he escapes ; Colonel Helmut Zemo is among the agents sent ; The Winter Soldier kills most of EKO Scorpion, save for Zemo and one other member. 2014 -- The Winter Soldier resurfaces and sent to assassinate Steve Rogers ; he is unsuccessful when Steve instead recognizes Bucky, this recognition tampering with the programming put in Bucky’s mind decades before ; unbenknownst to anyone else, Helmut Zemo learns of The Winter Soldier’s return and independently discovers the identity of The Winter Soldier, a truth he shares with the public ; exposed, a wanted criminal, and his mind broken, Bucky fails a second time to assassinate Steve, whose life he ultimately saves from drowning ; he begins a life on the run. 2014 - 2016 -- Bucky, now free from Lukin, successfully leaves the United States and makes his way to Europe where he travels around, running from anyone who might be following him ; he never stays in one place more than a month. 2016 -- in yet another act of revenge, Helmut Zemo bombs a U.N. meeting ; Zemo frames Bucky for the bombing in order to flush him out of hiding ; he is found in Bucharest, Romania, where he is apprehended and taken to Berlin by SHIELD ; Zemo, posing as a psychiatrist, triggers The Winter Soldier conditioning, leading him to kill multiple SHIELD agents in escaping ; he is saved by Steve and Sam Wilson and they all soon go on the run ; they are lured to an abandoned Soviet base in Siberia by Zemo ; Bucky and Steve go to Siberia ; Zemo has the intent to activate The Winter Soldier yet again and force Bucky to kill Steve ; Zemo is apprehended by Bucky and Steve and handed over to SHIELD. 2016 - 2018 -- Steve, familiar with Prince T’Challa of Wakanda, asks if Bucky can have sanctuary in Wakanda, as he knows Bucky will be safe and hidden there ; there, Bucky is put into suspended animation while Shuri, princess of Wakanda, devises a way to remove the Soviets’ programming ; over the course of a year, this is done and Bucky is truly on a path of healing and recovery from the years of torture from the Soviets ; Bucky receives a new prosthetic, vibranium arm, designed by Princess Shuri. 2018 - ? -- Bucky chooses to leave Wakanda and return to the United States ; upon returning, seeing that he is still a wanted criminal and terrorist, Bucky turns himself in ; in turning himself in, Bucky is not arrested nor incarcerated at this time, but is willing to undergo monitoring to prove he is not and will not be a threat to public safety or the country’s security ; Bucky is put on trial for his crimes as The Winter Soldier (the trial is not made public -- everything is kept closely under wraps) ; during the trial, the terms of a pardon were negotiated and, when no official verdict in the trial is reached, Bucky is granted a (conditional) pardon ; as a condition of his pardon, he is required to attend mandated therapy to assess his psychological state and to ensure he will not be a public threat in the future ; he is no longer considered an enemy of the state or terrorist and lives as a civilian.***
*** this is my main verse and the time in which MOST threads will be set.
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ordopraedicatorum · 5 years
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Saint Albert the Great, Confessor and Doctor of the Church - 15 Nov.
Albert the Great, Universal Doctor and Patron of the Sciences, was born in the castle of  Lauingen on the Danube early in the 13th century. Under the inspiration  of Bl. Jordan of Saxony (St. Dominic's successor), the young count  entered the Order of Preachers from the University of Padua, despite  family opposition. Following ordination he taught in Dominican houses of  study at Hildesheim, Freiburg in Breisgau, Ratisbon, and Cologne,  achieving greatest distinction at the Priory of St. Jacques affiliated  to the University of Paris. He was a pioneer in the experimental  scientific method as well as in Aristotelian philosophy, and his solid  achievements in science are acknowledged today. He was probably the most  prolific writer on scientific and spiritual subjects in the medieval  period. He was also bishop of Ratisbon, and preacher of the last Crusade  in Germany. He died in Cologne in 1280, some time after an arduous walk  to Paris and back to defend the memory of his greatest disciple, Thomas  Aquinas.
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ghoststudios · 4 years
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I making an list of my ocs for Oc-tober for a random generator, it’s ok to skip this post
Main Universe -
Adam Finestine 
Alex Lee
Anthony Carter
Chad Willans
Christopher Alexander
Dribbles Tears
Emma Smith
Enzo Tye
Gavril Reaper
Jacques Marks
Jubilee Arthur
Kastey Willans
Lily Porter
Linsey Noas
Lotte Watthem
Nathan David
Nasu
Pentronela Violet
*Rebekah “Beak” Willans 
Roxanne Madeline
Sakura Manami
Sam Brown-Eriksson
Shadow Tears
Silvana “Spirtly” Tears
Stephanie 
Trixie Sue
Valentina Carol
Zackery Noas 
Zola Jenkins
(*Only child oc due to not knowing how drawing children works)
Snowfall -
 Amy Tyee
Carmelo Davis 
Melodie Lee 
 Sarah Davis 
Minecraft “OCs” (more of roleplay than characters) - 
Charlotte (Form of Lotte)
Alison 
Kyla
Princess Griselde
Emily
Thomas
Olly
MLP -
Cinnamon Sticks
Lemon Bloom
Tadpole Hopscotch
Sonic - 
Alexis the Cat
Calvin the Wolf Dog
Fred the Hippo
Marcus the Giraffe 
Maxwell the Goat 
May the Rabbit
Natalie the Racoon
Raeyln the Hedgehog
Monster High/Ever After High
Alice Sandglass 
Alika Pontus
 Fangritic Stonebeast 
Koemi Ueta 
Noir Blanc
 Salavina Shrieks
 Willow Blossom 
Whitney Taurus
Percy Argos 
Flocke Fidelio 
Steffi Sigrun 
Isabella Crane
Gretia Dane 
Aldo Arsch 
Dirk Danube
Misc - (Lalaloopsy + Strawberry Shortcake)
Kirstea C Mariot
Rosé Mariot
Nanaimo Bar
Logan Berry 
Cloud Berry 
Gramie Cucmber
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allbestnet · 6 years
Text
Guardian Essential Library
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Alan Turing: The Enigma by Andrew Hodges
Anna Karenina by Leo Tolstoy
The Annals by Tacitus
The Armada by Garrett Mattingly
Aubrey's brief lives by John Aubrey
The Autobiography of Malcolm X by Malcolm X
Beethoven's Letters by Ludwig van Beethoven
Bully for Brontosaurus by Stephen Jay Gould
C: Because Cowards Get Cancer Too... by John Diamond
Candide by Voltaire
The Classical Style: Haydn, Mozart, Beethoven by Charles Rosen
Climbing Mount Improbable by Richard Dawkins
The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography by Simon Singh
Collected Poems by Edward Thomas
The Communist Manifesto by Karl Marx
The Complete Poems by Christina Rossetti
The Complete Poems of Emily Dickinson by Emily Dickinson
The complete poems, 1927–1979 by Elizabeth Bishop
Cosmos by Carl Sagan
The Custom of the Country by Edith Wharton
Danube by Claudio Magris
Democracy in America by Alexis de Tocqueville
Development as Freedom by Amartya Sen
Diaries by Alan Clark
Doctor Faustus : The Life of the German Composer Adrian Leverkuhn As Told by a Friend by Thomas Mann
Don Quixote by Miguel de Cervantes
Don Quixote's Delusions: Travels in Castilian Spain by Miranda France
The Double Helix: A Personal Account of the Discovery of the Structure of DNA by James D. Watson
Dr. Johnson & Mr. Savage by Richard Holmes
E=mc2: A Biography of the World's Most Famous Equation by David Bodanis
Effi Briest by Theodor Fontane
Eminent Victorians by Lytton Strachey
English Society in the Eighteenth Century by Roy Porter
Eothen by Alexander William Kinglake
Essays on Music by Theodor Adorno
Eugene Onegin: A Novel in Verse by Alexander Pushkin
Experience by Martin Amis
The Face of Battle by John Keegan
Fathers and Sons by Ivan Turgenev
The Federalist Papers by Alexander Hamilton
The Glenn Gould Reader by Glenn Gould
The Good Soldier by Ford Madox Ford
Goodbye to All That by Robert Graves
The Great Gatsby by F. Scott Fitzgerald
The Great Railway Bazaar by Paul Theroux
Henry James: A Life by Leon Edel
A Hero of Our Time by Mikhail Lermontov
If Not Now, When? by Primo Levi
If This Is a Man and The Truce by Primo Levi
In Search of Lost Time by Marcel Proust
In Siberia by Colin Thubron
In Xanadu: A Quest by William Dalrymple
The Invisible Woman: The Story of Nelly Ternan and Charles Dickens by Claire Tomalin
I Know Why the Caged Bird Sings by Maya Angelou
The Leopard by Giuseppe Tomasi di Lampedusa
Leviathan by Thomas Hobbes
The Life of Charlotte Brontë by Elizabeth Gaskell
The Life of Samuel Johnson, LL.D. by James Boswell
The Lives of the Artists by Giorgio Vasari
Long Walk to Freedom by Nelson Mandela
Madame Bovary by Gustave Flaubert
The Man Who Loved Only Numbers: The Story of Paul Erdos and the Search for Mathematical Truth by Paul Hoffman
The Master and Margarita by Mikhail Bulgakov
The Mediterranean and the Mediterranean World in the Age of Philip II by Fernand Braudel
Memories and Commentaries: New One-Volume Edition by Igor Stravinsky
Mendeleyev's Dream: The Quest for the Elements by Paul Strathern
Middlemarch by George Eliot
The Naked Civil Servant by Quentin Crisp
Old Glory : A Voyage Down the Mississippi by Jonathan Raban
On the Social Contract by Jean-Jacques Rousseau
Orlando by Virginia Woolf
Orwell and Politics (Penguin Modern Classics) by George Orwell
Our Mutual Friend by Charles Dickens
The Painter of Modern Life by Charles Baudelaire
Persuasion by Jane Austen
The Poetry of Robert Frost by Robert Frost
Politics by Aristotle
The Portrait of a Lady by Henry James
The Prelude by William Wordsworth
The Prince by Niccolò Machiavelli
The Quest for Corvo : An Experiment in Biography by A. J. A. Symons
Rabbit Angstrom: A Tetralogy by John Updike
Reflections on the Revolution in France by Edmund Burke
The Road to Oxiana by Robert Byron
The Scarlet Letter by Nathaniel Hawthorne
Selected Writings [Oxford World's Classics] by William Hazlitt
The Social Contract and Discourses by Jean-Jacques Rousseau
The Sonnets by William Shakespeare
The Story of Art by E. H. Gombrich
Sun Dancing by Geoffrey Moorhouse
Survival In Auschwitz by Primo Levi
Testament of Youth by Vera Brittain
The Third Chimpanzee: The Evolution and Future of the Human Animal by Jared M. Diamond
Thomas Hardy: The Complete Poems by Thomas Hardy
A Time of Gifts by Patrick Leigh Fermor
Trilobite! Eyewitness to Evolution by Richard Fortey
Troilus and Cressida; A Love Poem in Five Books by Geoffrey Chaucer
Ulysses by James Joyce
The Waning of the Middle Ages by Johan Huizinga
The Waste Land by T. S. Eliot
Ways of Seeing by John Berger
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wightwyntr · 2 years
Text
TIMELINE OF EVENTS :
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this is a semi-complete timeline for my canon of my portrayal of bucky. it consists of mcu events/inspiration, comic inspiration, and my own personal headcanons. specific dates will also only be included here and there as the exact timelines of the movies aren’t super clear, aside from years.
DISCLAIMER : events may shift from verse to verse, possibly even not happening altogether. it depends on the plot and the situation. if you have any questions, just ask.
THIS POST IS SUBJECT TO BEING UPDATED OR CHANGED.
Tumblr media
1917
March 10 — James Buchanan “Bucky” Barnes is born in Shelbyville, Indiana to George and Winifred Barnes.
1920 - 1929
1920 — Rebecca Barnes is born. 1924 — The Barnes move from Shelbyville to Brooklyn, New York. 1925 — Violet Barnes is born. 1926 — Bucky meets Steve Rogers. (more info here) 1929 — Theodore Barnes is born.
1930 - 1939
1936 — Sarah Rogers passes away. 1937 - 1938 — Bucky attends art classes with Steve. (Bucky is Not good at art.)
1940 - 1949
December 7, 1941 — The Attack on Pearl Harbor ; the United States enters the Second World War. December 1941 - January 1942 —  Bucky is drafted into the Second World War ; Bucky trains Steve at Goldie’s Boxing Gym before Bucky goes to an enlistment office with Steve ; Steve is rejected. February 1942 - April 1943 — Bucky trains at Camp McCoy in Wisconsin (with periodical leaves back to New York) with the rest of the 107th Infantry, where he meets and befriends both Gabe Jones and Dum Dum Dugan ; Bucky is promoted to the rank of sergeant. June 14, 1943 — Flag Day ; Bucky’s last night before his shipment out to England. August 1943 — the “Captain America” comics debut to the public, to great success! September 1943 — The Battle of Azzano ; survivors of the 107th Infantry are captured by Hydra and taken to a weapons facility in the Austrian Alps. October 1943 — Bucky meets James Montgomery Falsworth and Jacques Dernier, both fellow POWs ; Bucky becomes ill and is beaten by Hydra Colonel Lohmer for his inability to perform manual labor ; the future Howling Commandos band together to orchestrate an accident that kills Lohmer ; Bucky, ill and weak, is taken to Arnim Zola to be used for experimentation. November 1943 — Bucky and the other POWs held by Hydra are rescued by Steve, now Captain America. November 1943 — The Howling Commandos are formed : Steve Rogers, Bucky Barnes, Gabriel “Gabe” Jones, Timothy Aloysius Cadwallader “Dum Dum” Dugan, James Montgomery “Monty” Falsworth, James “Jim” Morita , Jacques “Frenchie” Dernier. 1944 — The Howling Commandos travel across the European theater, performing raids on Hydra bases, weakening their forces. January 1944 — a new character is introduced in the thrilling “Captain America” comic series: his right-hand and sidekick, Bucky Barnes, a boy wonder! ; overseas, Bucky endures weeks of mockery after being turned into a kid sidekick in these comic books. February 2, 1945 — during a mission on a train in the Swiss Alps, Bucky unfortunately fell from the train into the Danube river and was presumed dead ; Zola’s experimenting on Bucky over a year earlier is the reason for his survival ; Soviet soldiers find Bucky still alive, taking him as a P.O.W. 1945 - 1949 — the Winter Soldier Program is born with Bucky as the only subject ; with state of the art technology, the most modern of its time, he is given a bionic prosthetic as the next steps of the program are planned ; they begin the process of testing human cryostasis.
1950 - 1959
1950 - 1954 — using technology stolen from the supposedly-fallen Hydra, the Soviets begin testing brainwashing technology on Bucky, with underwhelming results ; cryostasis has proven successful in the last decade, therefore Bucky has barely aged within this time. 1954 — after the KGB is formed, the organization formally joins the Winter Soldier Project and introduces conditioning methods, both accelerating the brainwashing techniques and physical combat training ; the use of trigger words are employed for efficiency. 1955 - 1959 — Bucky is continued to be trained, conditioned, and tortured ; the title of “The Winter Soldier” is given to him by the KGB ; he loses all memory of himself and his life and is turned into “the perfect soldier”, now an assassin for Soviet use.
1960 - 1964
November 22, 1963 — Bucky, as The Winter Soldier, successfully assassinates American President John F. Kennedy in Dallas, Texas.
1965 - 1989
years unknown — the Soviets take The Winter Soldier out of cryostasis suspended animation in order to use him to aid in training girls of the Red Room Academy ; The Winter Soldier meets and trains with Natalia Romanova, later known as Natasha Romanova ; they work together on many missions for the Soviet Union during The Cold War.
NOTE : while i am using comic influence here, i will not be acknowledging any romantic or sexual relationship between bucky and natasha during this time. while i am mixing canons and using much headcanon, i am taking influence from the mcu in regards to bucky’s brainwashing. in short, he was in no mental position to be involved in any romantic or sexual relationship.
1986 — a Soviet scientist removes Bucky from cryostasis without authorization ; the scientist tells Bucky he is going to help him get home to America ; confused, fearful, and conflicted from his mental conditioning, Bucky kills the scientist ; he is found with the man’s body and is immediately put back into cryostasis.
1990 - 1999
December 16, 1991 — The Winter Soldier is sent to assassinate Howard and Maria Stark in order to obtain Howard Stark’s super soldier serum ; he is successful. 1991 — in a last-ditch attempt to preserve The Winter Soldier Program after the fall of the Soviet Union, this serum is used on five former-KGB operatives in an attempt to turn them into super soldiers not unlike Bucky ; they are defective however and disposed of ; Bucky remains the only successful subject of The Winter Soldier Program ; Bucky is left in a Soviet base in cryostasis, forgotten.
2000 - 2009
2003 — former member of the KGB Aleksander Lukin, who inherited The Winter Soldier Program from Vasily Karpov before the fall of the Soviet Union, reactivates The Winter Soldier as he begins to build his buiness, The Kronas Corporation. 
2010 - ?
2012 — The Winter Soldier is sent to Sokovia by Hydra to assassinate a high-ranking political official and seize a superhuman artifact from the country known as The Cosmic Cube ; he successfully does so with a timed detonation -- there are many casualties ; EKO Scorpion, of the Sokovian Armed Forces, being posted at the site for security of sorts, is sent to either apprehend or kill The Winter Soldier before he escapes ; Colonel Helmut Zemo is among the agents sent ; The Winter Soldier kills most of EKO Scorpion, save for Zemo and one other member. 2014 — The Winter Soldier resurfaces and sent to assassinate Steve Rogers ; he is unsuccessful when Steve instead recognizes Bucky, this recognition tampering with the programming put in Bucky’s mind decades before ; unbeknownst to anyone else, Helmut Zemo learns of The Winter Soldier’s return and independently discovers the identity of The Winter Soldier, a truth he shares with the public ; exposed, a wanted criminal, and his mind broken, Bucky fails a second time to assassinate Steve, whose life he ultimately saves from drowning ; he begins a life on the run. 2014 - 2016 — Bucky, now free from Lukin, successfully leaves the United States and makes his way to Europe where he travels around, running from anyone who might be following him ; he never stays in one place more than a month. 2016 — in yet another act of revenge, Helmut Zemo bombs a U.N. meeting ; Zemo frames Bucky for the bombing in order to flush him out of hiding ; he is found in Bucharest, Romania, where he is apprehended and taken to Berlin by SHIELD ; Zemo, posing as a psychiatrist, triggers The Winter Soldier conditioning, leading him to kill multiple SHIELD agents in escaping ; he is saved by Steve and Sam Wilson and they all soon go on the run ; they are lured to an abandoned Soviet base in Siberia by Zemo ; Bucky and Steve go to Siberia ; Zemo has the intent to activate The Winter Soldier yet again and force Bucky to kill Steve ; Zemo is apprehended by Bucky and Steve and handed over to SHIELD. 2016 - 2018 — Steve, familiar with Prince T’Challa of Wakanda, asks if Bucky can have sanctuary in Wakanda, as he knows Bucky will be safe and hidden there ; there, Bucky is put into suspended animation while Shuri, princess of Wakanda, devises a way to remove the Soviets’ programming ; over the course of a year, this is done and Bucky is truly on a path of healing and recovery from the years of torture from the Soviets ; Bucky receives a new prosthetic, vibranium arm, designed by Princess Shuri. 2018 - ? — Bucky chooses to leave Wakanda and return to the United States ; upon returning, seeing that he is still a wanted criminal and terrorist, Bucky turns himself in ; in turning himself in, Bucky is not arrested nor incarcerated at this time, but is willing to undergo monitoring to prove he is not and will not be a threat to public safety or the country’s security ; Bucky is put on trial for his crimes as The Winter Soldier (the trial is not made public -- everything is kept closely under wraps) ; during the trial, the terms of a pardon were negotiated and, when no official verdict in the trial is reached, Bucky is granted a (conditional) pardon ; as a condition of his pardon, he is required to attend mandated therapy to assess his psychological state and to ensure he will not be a public threat in the future ; he is no longer considered an enemy of the state or terrorist and lives as a civilian.***
*** this is my main verse and the time in which MOST threads will be set.
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30 songs tag
Been tagged by @cryst4lsnow!! Thank you, I took my sweet time with this one!💜💜💜 btw you can literally tag me whenever you want! Don’t worry about that! I like those! :)
Rules: answer all questions then tag 3 people you follow and 3 people that follow you that you want to get to know better
1. A song you like with a color in the title? The Blue Danube by Johann Strauss II x) or Violet Hill or Yellow by Coldplay.
2. A song you like with a number in the title? 4 O’Clock by RM & V. It’s soft and purple and a bit bittersweet to my ear. I don’t know how to put words on it.
3. A song that reminds you of summer? It was Waves by Jeremy Loops I think? A friend made me listen to one of his songs, and it screamed “summer” to my ears.
4. A song that reminds you of someone you’d rather forget? All the popular French raps from last year.🙃
5. A song that needs to be played out loud? FIRE by BTS. I want that song in my funeral just before my body gets burnt.
6. A song that makes you want to dance? Daydream by J-Hope
7. A song to drive to? Back to Black by AC/DC. But I can’t drive for shit. Safer for everybody.
8. A random song you first think of? Gasoline by Haisley
9. A song that makes you happy? All the hixtape??? How is it even possible?
10. A song that makes you sad? Forever Young by BTS.
11. A song you never get tired of? Spring Day by BTS. It’s even my alarm. I could listen to it for days without hating it. And the lyrics. Don’t start me on those.
12. A song from your past? Viva la Vida by Coldplay. First song I think of when I think about the past.
13. A song that’s sexy? Errrr... Thnks Fr Th Mmrs by Fall Out Boy, I guess? You really shouldn’t ask me if something is sexy or not. XD
14. A song you’d love to be played at your wedding? ... i gotta find somebody first XD well I guess Don’t Leave Me by BTS, pretty please? Not really a wedding themed song but I have no inspiration? And I actually think I would love to listen to it in the arms of my significant other? I’m such a sap ignore me.
15. A song you’re currently obsessed with? Don’t Leave Me by BTS those lovely bastards are at it again.
16. A song you used to love but now hate? I don’t know? I forget about them? Then it all comes back when I hear them again?
17. A song you’d sing a duet with at karaoke? If I’m drunk enough I’d sing anything and everything, even French varieties. Especially French varieties from the 80s. I hate those songs but I know each word. Thanks dad.
18. A song from the year you were born? Wannabe by the Spice Girls, apparently. I had to google it. Oh and apparently Lemon Tree by Fools Garden too!! :D I love that song.
19. A song that makes you think about life? Basically most of RM’s songs, thanks mate but I already doubt my own existence each morning. And Les Vieux by Jacques Brel.
20. A song that has many meanings to you? Never Mind by BTS.
21. A song you think everyone should listen to?... I don’t know?
22. A song by a group you still wish was together? Let it be by the Beatles. However it’s kinda hard to be together again with two dead members I guess.
23. A song that makes you want to fall in love? Kiss Me by Ed Sheeran, Serendipity by BTS, and Quand on a que l’amour by Jacques Brel. I’m a very Soft, Sappy and Whipped™️ human being. And I’m not even in a relationship.
24. A song that breaks your heart? SOS d’un Terrien en Détresse by Daniel Balavoine.
25. A song with amazing vocals? SOS d’un Terrien en Détresse by Daniel Balavoine, and Awake by Jin (seriously before that song I had no idea how much that boy was talented), and my biased ass would say most of BTS’s vocal line songs x)
26. A song with amazing rap? For me, The Last by Agust D.
27. A song that makes you smile? Sex, Yeah by Marina and the Diamonds. Also Oh No! Pretty sure I ain’t supposed to smile at those.
28. A song that makes you feel good about yourself? Comme un Homme from Mulan Disney movie? Idk?
29. A song that you would dedicate to you and your best friend/mutual/someone close to you? Wish You Were Here by Pink Floyd to my soulsis @sarebellion
30. A song that reminds you of yourself? Warmth by Bastille, the orchestra version.
I tag: @sarebellion, when you have time sweetie, don’t feel pressured, I love you🖤💙💜
@astoriadiem go on, take your time :)
@theclosestofstars it’s been a long time. :)
@oldmanjinjokes I don’t know you yet so :)
@nurnocheinkeks you either, but don’t feel forced, okay? :)
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                                                                                                            OZONE   & LE CINEMA  
OZONE, le groupe « maudit » de l’est !, de pont-à-mousson (ne pas confondre avec un boys band de l’est plus lointain, lequel se nommera aussi o/zone plus tard), s’est formé fin 1976 & a existé fortement (basé dans la fameuse ancienne abbaye des Prémontrés), quoique dans l’underground, jusqu’à 1985, puis subliminalement jusqu’à 1999, avec seulement quelques sorties de disques /
un tel groupe peut cependant être auditionné aujourd’hui dans le monde entier !, depuis son entrée sur la plate-forme SOUNDCLOUD /      
peut-être… vous pourriez tenir compte de cette actualité-là, l’actualité des « rééditions » en quelque sorte, ce qui existe au présent n’est pas seulement ce qui existe
         le répertoire de ce groupe, en ses 7 périodes créatives, montre vite la passion de son compositeur principal pour le cinéma
on peut écouter, datant de mi-eighties, la proposition étonnante mais bienvenue d’une nouvelle illustration sonore pour la langoureuse scène du film que l’on sait phagocytée par « le beau danube bleu », cet instrumental particulier d’ozone pourra être retrouvé sur soundcloud sous le titre «a space wedding march for the film 2001 »
dans cette même veine « tribute », « dancing on the moon », et pour chanter apollo 11 le trio, au contraire, mobilise cette fois le thème d’ « A S Z » de strauss, pour clore cette décalée protest song dont le sous-titre est « stop télévision », une plage featuring un theremine, le tout est une étonnante suite électro soft pré french-touch
autre curiosité sonore disponible : « lonely hollywood » (« l. h. » / the spiritualiste mix), 2 versions disponibles, dont le point de départ fut le visionnage d’un fameux film de joseph mankiewicz / le passage climax (qu’un cinéphile reconnaitra dès les 1ères secondes) a été samplé et alimente psychédéliquement cette plage électro surprenante, cela voulu comme l’élaboration d’une musique « spirite »,  (le compositeur recommande une écoute exclusivement à minuit), c’était ambitieux, et… cela fonctionne là encore  
bien sûr, à prendre en compte aussi : leur titre phare, déjà assez repéré / « le hit français maudit des années 80  / tristan vox » rappellera à certains la nouvelle de michel tournier, mais aussi bien sûr « phantom of the paradise » (film culte donc déjà en 1982, dont le making-of reste tout à fait regardable !), il s’agit là d’un mix de ces deux influences revendiquées présidée par la réminiscence d’un gros tube de la fin des sixties, et avec cette volonté, d’obtenir un diplôme en classicisme pop d’où généreux emploi des archétypes,  (« tristan vox », hélas se retrouvant sur la face b du 45 tours et maxi d’ozone6 sortis au canada en 1985!, cela confirmant la cécité générale qui fut réservée à ce groupe en effet assez maudit ! )
toujours made in eighties : 2 versions de « pub  tv », cette fois, c’est le film « les tricheurs » qui a été judicieusement samplé,  en quelque sorte voici leur chanson gay friendly ! (un anti-hommage à leur producteur -malfaisant, finalement- d’alors, bertrand lepage, celui-là même qui a aidé à la propulsion du tout 1er single de mylène farmer) / (les connaisseurs, en écoutant « pub tv »  repéreront sur la version eighties : un clin d’œil culotté au « vidocq » de jacques loussier)
autre chanson raccord avec la 7ème obsession, celle-là sur le harcèlement des stars… « traque la star », genre : funk rock !, en version live sur soundcloud
un autre de leurs hymnes eighties, tout simplement : « cinéma », une suggestion de générique pour une émission qui serait consacrée au ciné, et en effet, là, comme un petit essais sur les sensations de grand large que l’on peut éprouver devant le grand écran  
les séries ont inspiré également ozone mark 6 : « sean & kelly », reconstitue emblématiquement, ironiquement, l’univers des soap opéras et, comme on dit, on joue là avec les codes de ce sous-genre & quant à l’instru incroyable de « the cyborgs live » (avatar d’ozone) : « playing rock n roll », celui-ci mobilise d’une façon quasi géniale un extrait son d’un épisode de la série « chapeau melon…», cela stupéfiera cette fois
////////////à savoir encore : ozone en sa période 3 (1979)  pourra être surclassé en tant qu’un des rares groupes français qui à la toute fin des seventies se positionnaient sur les rails du « trans europe express » de kraftwerk, mais eux avec une originalité folle, hélas cela aura été impossible à homologuer à l’époque, ce répertoire restant à l’état de maquette, ces 8 mn ont nom « euro disco suite », la plage la + jouée sur soundcloud (sans tricher :  le groupe n’a même pas de compte pro, ce compte : managé par un de leur fan) &, une de leurs télés nationales en fait foi : ce quatuor flamboyant se plaçait, aussi en cette année annonciatrice 79, consciencieusement sur la vague synthépop (quoique sur le mode instrumental -mal jugé- sans issue) avec leur « joan d’arc / le 1er combat » » (renommé ainsi car son revamping futur rappelait la soundtrack de «les visiteurs » signée eric serra , curieux lien avec ce compositeur car déjà en 1990 le label, sis à neuilly !, qui les produisait, sortait en cd single sous le nom de télélove: une vraie fausse cover de la b. o. du « grand bleu ») / en la version ozone6 cela sera identifié ainsi sur soundcloud : « the sense of silence (sy)  / the promise mix », un emmêlement à la chanson d’un culte joueur de mellotron des seventies à deviner encore, ici
 communiqué rédigé avec elodie s. pour  la villa molitor éditions
adresses soundcloud  :   ozone   richy       tristan vox         lonely hollywood    satie aux jardins de bagatelle sous l’orage                  
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