Here’s how I want robin in the next battinson movie:
The very first scene is Bruce and tiny Dick Grayson sitting across from each other at the dining table, staring each other down in silence, both clearly grumpy about it. Alfred is in the background watching them with concern. The silence lasts about 20 seconds before Dick speaks.
“Let me fight crime.” (said with all the petulance of a pouty 10 year old)
Bruce replies immediately. “No.” (this is clearly an ongoing argument)
Immediately cut to the next scene where Dick, wearing the iconic Robin suit, is having the time of his life swinging across the city while Bruce frantically tries to keep up with him while yelling at him to be careful like an anxious mother
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one of my most favourite things in sagau is the special connection the traveler has with the player (or creator)
i absorbed the idea that the traveller would be scared about the whole controlling their body and they cant do anything to prevent it thing the first time it happens
the first time it happens is, of course, after your game first loaded teyvat. when your hold over their world was first established
that beach, the beginning of your journey. and the first time traveller had felt completely powerless against a higher and unknown being as a traveller of worlds
paimon feels robotic. it’s like she is following a script, her movements calculated and unnaturally stiff
‘something is wrong,’ the traveller thought. ‘she was… normal earlier.’
because the teyvat world already existed before you entered it. you just condemned them to follow a code in place of their real and alive selves the moment you clicked to play this game
i like to imagine they slowly gain awareness. but the traveller being the most aware. and with the most developed opinion of you
they were scared at first, but when they gradually realized you were on their side. that you were helping them. guiding their hand with yours and journey this new land in a way they agree with
how could they not gain a sense of respect and admiration for you?
and since paimon is so close with the traveller, she was quick to become self aware like the traveller
and with or without the teyvat hero, more characters realize their existence. as well as realize how adoring you are
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Wait uh I think missed something, why's the statue scene getting so much hate? Like yeah it's horrific second hand embarassment but practicing a love confession with what she thinks is a fake statue of her crush is like. The most normal thing Marinette has done wrt to her cringe teenage crush
Season 5 likes to pretend that it's the moment that Adrien started falling for Marinette:
Since we already hate the scene for the cringe level of second-hand embarrassment, them forcing us to make this scene important 2 seasons later is mega-annoying. Like, 2 Seasons ago Adrien's "feelings changed"???? Because it sure didn't seem that way to anyone watching!
And I'm extra dead because they had the scene in Season 4 where Marinette gave her genuine love confession to "Buttercup" and you can literally see Chat Noir be touched and moved by it and THAT SHOULD'VE BEEN WHERE THINGS STARTED TO CHANGE-
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Woke up to back to back posts that went “remember when Irep and Peri had to pretend to raise an egg for school in the original series,” “Irep and Peri should totally coparent Dev,” and “trans fem Dev thooo” and I felt the need to contribute
Disclaimer: nothing Dev lists automatically makes someone a girl. Makeup and genre preferences are ultimately gender neutral, though they can also be gender affirming for some people, and the only thing that gets a say in what someone’s gender is that person themself. I just wanted to make an egg joke lol
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Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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