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jiveyuncle · 2 months

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Keith keeps popping up in unexpected places.

He appears in the mirror as the scar on Lance's upper lip, acquired the time Keith shoved him down behind a barricade and the butt of his own rifle clocked him in the face. The move had saved Lance's ass, but it still hadn't stopped him from chewing Keith's ear off post-battle for “damaging one of the team's greatest assets.” What did stop him mid-rant, words grinding to a halt on his tongue, was the annoyed huff of, “Don't worry, you're still pretty.” For, like, half a second anyway, before Lance’s brain caught up and he realized Keith was being sarcastic and was definitely insulting him. Lance's hellraising started up with renewed vigor.

Keith appears in the boots that peek up at Lance from the squeaky cabinet of his wardrobe, left behind because Keith was too concerned about waking him the morning he headed out to pick up the Blade member that would eventually kill him.

He lingers in the seventh plate that sits empty at the set dinner table, the one placed there out of habit, then left there as they ate because getting up to put it away felt wrong.

He's in the long dark hairs Lance rolls over in the morning to find stuck to the bedsheets.

He's in the scuff marks on the training deck floor and the sweat that drips down Lance's temple as he increases the bot's fighting difficulty.

He's in the face of the Red Lion - the ship that solidified Keith's place on the team, the place it ended, the spot Lance has to fill.

And when Lance finally makes his way to Red’s cockpit out of his own volition, for Red’s sake, closing his eyes and reaching out to her to offer support in their mutual grief, he finds Keith, again, in the familiarity of the mind link. As Lance’s bond tugs Red’s consciousness to him, he feels her ghost over him. He lets out a shuddering breath. The connection allows the lions and their pilots to communicate and understand one another while also granting them the ability to sense their teammates when they’re bonded in their respective cockpits. It’s welcome - the shared connections are comforting during long flights and necessary in battle. Lance dreams of it when he’s asleep, launches himself from his covers when he feels Keith’s energy flow over him and twine with his, wonders why he never felt the connection break when a blade was dragged across his throat.

Then, Lance’s lungs constrict, freezing the breath halfway into his chest, and his fingers curl tighter around Red’s control arms. A phantom connection whispers along the hairs at the nape of his neck, a specific hum of energy he never anticipated feeling brush against his own ever again.

Blue eyes snap open to take in familiar grey ones staring back, heart seizing at the sight of a mouth set in that stubborn, concentrated frown that says less about its wearer’s emotional state and everything about the intensity of his focus. Slowly, the frown softens, and then turns up gently at the corners.

Keith sighs and leans back against the viewing monitors. “Hey.”

Dead Keith/Red Paladin Lance AU (Part 3/?)

So much of this story is not going to be told linearly and is mostly just a bunch of scenes that are fun for me, but this part felt necessary to share before I start bouncing around.

Part 1 Part 2 Part 3

You can now read this on AO3 as:

Empty Spaces You Left Behind

#klance #keith kogane #lance mcclain #voltron legendary defender #voltron #vld #fanart #fanfic #red paladin lance #dead keith red paladin lance au #major character death #closing my eyes and hitting post

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autisticlancemcclain · 7 months

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“Just – don’t do it, Lance. I don’t want you to end up in the west wing, or things are going to get bad in here.”

If Lance is being entirely honest, he has no desire to deviate from Hunk’s directions. At least he didn’t. If Hunk hadn’t said anything, it probably wouldn’t have even occurred to Lance to go to the west wing anyway. This is the second time he has been warned away from the west wing, now. If Lance was curious before, he’s burning with it now.

But Hunk is his friend, and he’s doing him a favour, so he bites his tongue and nods his head and walks down the way Hunk instructed him too. It helps that he’s ravenous, and is more focused on food than anything.

But he won’t lie and say that he doesn’t have to force himself away from dark hallways and beckoning shadows.

———

“Oh, Lance, hello!” Colleen greets him enthusiastically when he walks in the door. Lance wiggles his fingers at her in a small wave. “I’m glad you came out, dear. I was worried.”

“Got hungry.”

“Of course, of course. Sal, heat up the food, will you?”

The giant wood burning stove in the corner of the kitchen chugs to life, vent forming an enthusiastic grin. The sound of frying meat and salted potatoes fill the air, making Lance’s mouth water.

The kitchen is quiet at this time of night; warm. It makes him think of his Abuela, on the many nights when neither of them could sleep, guiding his hands as he kneaded dough, sliced meat, prepared vegetables. Things he can do easily, now, without thinking, in a way he has never been able to do with a plow or bailer. Things that form callouses on the tips of his fingers rather than the pad of his palm.

He shakes his head, shoving the thoughts in the back of his mind. It doesn’t matter, now. The food is warm and smells heavenly, and more importantly, there’s no screaming fiancé to reckon with.

He scarfs back the food so quickly his stomach aches, forgetting to be self conscious. Colleen’s laughter is only teasing, after all, and there is no one else to see it. He smiles sheepishly at her and wishes her goodnight as he finishes his third plate, watching her hop off to a cabinet.

Slowly the lights in the kitchen fade as candles burn low and the embers of the oven start to die out, shadows shifting on the cluttered walls and full shelves. Lance picks up one of the newer candles before the kitchen goes completely dark, placing it gently in a (non-animated, thankfully) teacup to guide him down the corridors. He remembers Hunk’s instructions, pausing for a moment to flip them in his head so he won’t get lost in the wide, dark hallways – left, left, right; now left, right, right. Stick to the path.

He walks out of the kitchen, closing the heavy door gently so as to not wake anyone. He takes his time, not quite comfortable in the dark but not quite afraid, either; his shoes, worn and thin, provide a light enough cover that he can almost feel the smooth marble floors on the soles of his feet, and his free hand traces along the wall as he walks, feeling the rough bricks and occasional soft tapestries. He keeps his candle close to his face, both to help him see and to try and soak up some of the tiny flame’s warmth. His cloak is back in the servant’s quarters – his room – and the castle is warmer than outside but barely.

His fingers brush over a soft tapestry, threads so thin and tightly woven he can barely feel the difference between them, and then brick again, and then air. He pauses, holding his candle a little further from his eyes and squinting to make out what’s in front of him.

Difficult to see in the low candlelight, a massive stained glass window towers in front of him. The colours are too dark to make out, but when he places the candle at the base of the window and steps back, he can see the vague shapes of a young man, tall and regal and dark-haired, holding a sword and standing in front of a castle. Below him are panels of farmland and forest, and beside him are orchards, vills, estates. Above him, to the right, is a shining sun. To the left, a crescent moon.

Left, right, right. Don’t veer off the path.

Lance bites his lip, and follows the path of the moon.

The corridor, somehow, seems colder. As if the bricks are further away from the sun, no longer leaching the warmth collected as it was shining. The darkness seems blacker, too; heavier almost, and soon his candle burns down to the base, extinguishing, leaving him to stumble forward completely blind. He reaches out to steady himself, to trace the wall to stay on track, and has to choke back a scream when he feels a face instead of a wall, sharp teeth digging into the flesh of his palm, snarling and furious. It takes him several minutes to calm his racing heart, work up the courage to reach forward, again, touch the face, map curve of the stone jaw, curling horns, and twisted, scowling mouth. A gargoyle, although Lance has never heard of one inside before.

“Rich people are so goddamn weird,” he mutters to himself.

Shaken but determined, he moves forward.

As he creeps forward, more and more carvings dot the walls, each one angrier and angrier. At one point he has to pull his hand away, continuing forward on his legs alone, because he fears cutting himself on teeth that only appear to get sharper, brick that only seems to get rougher. He keeps his arms extended, moving forward slowly, cautious of what might be in front of him, too scared to stumble.

Eventually, his knuckles hit a door, the sound of the slight impact bouncing off the walls and echoing down the hallway. He flattens his hands against the grainy wood, mapping out the knots, the iron studs and hinges. He’s surprised to feel the lock pulled free. He wraps his fingers around the door handles and tugs, pulling the door open with a groan.

Moonlight spills into the hallway. It’s silvery and faint, but it’s enough that Lance can see the outline of his hands, even vaguely in front of him. He pushes the door open further, wincing at the slight creak, just wide enough for him to slip in.

The room is…huge. And destroyed.

Inside, it’s even easier for the moonlight to lift some of the oppressive shadow. It’s not bright by any means, but the window that makes up the back wall is massive and clear, and the doors are wide open, letting the full moon spill into the crowded, dusty room. Lance steps cautiously forward, hands still extended, looking around with wide eyes.

Broken furniture litters the floor, leaving splinters and shards of metal everywhere, casting long shadows on the wall. Lance is careful to step around it, but in his attempt to steer clear he very nearly walks into one of the many torn drapes and tapestries hanging from the walls and ceiling. He ducks at the last second, avoiding a facefull of it, but he still nudges it with his shoulder, causing a cloud of dust to fall to the floor, powdering his face and hair.

“Aw, that’s fucking disgusting,” he says, swiping it off his face and resisting the urge to throw up. He shakes out his hair, hyperconscious of how little it actually does, hoping that there is some kind of well he can find on the grounds in the morning to bathe. Or, God, maybe even a real bath! With hot water! It’s a castle, after all. There should be.

He looks again at the state of the room, with the shattered glass all over the wall and holes punched into the plaster walls. Paint is peeled or scratched off in many areas, especially where decorative fabric has been torn, or where coat racks or lampposts have fallen, scratching the walls on their way down. On second thought, hot water baths seem too nice for this shithole.

A glint catches his eye, and he lifts his head just to find himself face to face with his own fragmented reflection, startled expression mirrored back to him, brown eyes wide and eyebrows creased. Half the glass is missing, and the rest of it is spiderwebbed, in shards. The ornate carvings of the mirror’s frame have been half-crushed, like the whole giant, floor-length thing was picked up and smashed on the floor.

Sufficiently spooked, with his abuela’s warnings of bad luck ringing in his ears, he starts to turn away, unsure if he can be cursed if he didn’t break the damn thing but unwilling to take his chances. He's in a rough enough situation. He can’t really afford to make it worse. But as he moves forward, he catches sight of another face reflected out of the corner of his eye, and whips around to face it, hand curled protectively over his heart.

“Oh,” he breathes, air knocked out of him, transfixed on the portrait across from him.

It’s painting, or at least, it was. Like everything else in the room it’s been destroyed, half the man’s face shredded cleanly away. Left only is the shining thickness of his dark hair, the length of his pale neck, and the perplexing, swirling indigo of his eyes. He looks hauntingly familiar, in the way a name on a tombstone brings on a shudder of vague recollection, a chill down one’s spine.

Wary and curious, Lance slowly reaches forward, pinching the corner of the ripped flap of canvas with his thumb and pointer finger, cognizant of the accumulated grime, and hesitant for a reason he doesn’t understand. Slowly he begins to flip the canvas up, running his pinkies along the rejoining seams, too dark to make out the rest of the painting quite yet but noting the strong chin, sharp jawline, regal set of the shoulders –

A red light pulses, suddenly, nearly blinding the room, and Lance’s eyes squeeze shut on reflex, hands dropping to his sides. He turns slowly once it has faded, heart pounding, and sees to his great shock a flower, encased in glass, floating atop a small table, glowing as brightly as a ruby.

As if in a trance, he walks towards it, tripping over a table but quickly righting himself, eyes glued to the flower; noting the way it seems to rotate, almost too slowly to track, and sparkle like freshly fallen snow in early sunlight. He stops when he gets close, admiring it in almost a single-minded focus; the deep, dark green of the stem, the sharp thorns in great number along it, and the softly glowing pinkish-red of the three triangular petals. Lance has seen nothing like it before, not in his sister’s garden, not sold in the town square, not even wild. The flower is enchanting, and Lance is reaching out before he can stop himself, pressing careful hands to the glass and lifting it quickly, setting it on the floor and standing again as fast as he can manage, unwilling to take his eyes off the flower for even a second.

He’s nervous, now, as the flower lays without barrier, brighter and softer alike in the cool air and silver moonlight. His reach to touch it is slow, almost as if he must caress the air around it first, single finger poised to rest gently on the widest petal.

A shadow suddenly dwarfs him. He rips back his hand at light speed, but it’s too late, and Prince Keith snarls at him, teeth bared and mouth twisted and far more horrifying than any gargoyle.

He says nothing for a moment. Condensation huffs out of him in a cloud in the cold night, enveloping his head like a halo of smoke. In the next second he’s leaping forward and Lance doesn’t have time to move, doesn’t even have time to pray, can only let out a strangle shout and sharp inhale.

But Keith does not claw him to death, or sink his teeth into Lance’s heart. He only slams the glass case back over the flower, wrapping himself around it almost protectively, mouth still twisted and eyes still angry and cold.

“Why did you come here,” he hisses, stalking towards him, matching every step Lance takes backward. His claws scratch on the floor with every step.

Lance says nothing.

“What about this place seemed inviting to you?” Keith’s voice is low, carefully controlled. With every word Lance’s heart lurches, and with every step his lungs get tighter and tighter. “What about the darkness and closed door made you feel you had the right to enter?”

There’s no overt animosity to his tone, no animation. His voice is flat; deadly. This is not some kind of banter; there is no upper hand for Lance to gain. This conversation doesn’t need him at all.

This is a cornering. A final toying with a trapped animal.

“It’s only a flower,” Lance manages, and the words are barely out of his mouth before Keith roars, a hundred times louder than before, shaking the very ground with the force of it. There is nothing human or humane about it.

“Do you realise what you could have done?!” he shouts, so mounstrous it reverberates in Lance’s bones. He slashes wildly, splitting an already broken chair in two, flinging the halves at the wall.

Lance presses himself against the wall, as far away from him as he can manage, breath coming in short pants. “I didn’t mean –”

“Get out!” Keith booms, and Lance doesn’t waste a second.

He turns around, and he flees.

— — —

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