#last call spoilers

[ciderjacks]

I like that Chilchuck says that he only stayed on to help with Falin bc he was paid upfront so couldn’t quit when he wanted to, but later admits to the orc teen that he could’ve quit, and didn’t because he was too stubborn to let her go. And the reason he regretted it was because he felt like by having that hope he ended up putting his friends in danger. And then also out of everyone in the party he was the one who ended up breaking down in tears because he wasn’t able to handle watching his friends risk their lives. That man cares more than anyone he just can’t drop his hatersona. Life is agony for repressed middle aged people who love deeply.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[soft-cryptids]

“It’s okay, baby girl. I got you.”  ____ more of my artworks: (x) you can support me on Ko-fi! (x)

[bluevelvetea]

So start by saving me, Itadori.

(Find my reference here)

[lucabyte]

"So what's the weirdest possible first (second) impression Loop could make on the party in postcanon?" "Yeah, that, probably."

+ Bonus

theyre just standing there in direct party order while this happens. normal tuesday.

[artilite]

fuck you *lethal companies your in stars and time*

(long) exposition under cut (spoilers for ISAT + lethal company logs)

This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!

Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.

Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.

Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??

Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.

Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.

(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)

[dasnercaret]

oh my god it's finally finished. it's done. it's done i'm free i'm

[420technoblazeit]

i can't believe we got gay rights (charlie and vaggie kiss, huskerdust flirting) and gay wrongs (vox and valentino dancing and shoving their tongues down each other's throats) in the same episode

[nikossasaki]

AVATAR: THE LAST AIRBENDER | AANG

Have you seen Appa? My sky bison.

[concernedbrownbread]

Listen, I love Allison and she's a good sister, but Diego was the one who was there for Klaus since S1. Diego drove him around. Diego saved him from Hazel and Cha Cha. Diego helped him get sober to get Dave. Six years of Allison giving Klaus her basement doesn't erase the fact that Diego's was there for Klaus for who-knows-how-many years.

[littledemo0n]

The fact that i still have more ideas of scenes to transform i to this meme...hopefully no one has beated me to these yes

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[morgana-ren]

i love angst, and i love your writing, but please, PLEASE, i beg you, could you write some hope of tav ever returning now that the imbecile, has realised the error of his ways 🥺😭 (either way, thank you so much, for all your astarion writtings, it has made me feel things, the angst is real and my masochistic heart loves it🥲)

First part of the story HERE

Common complaint I got on that one! So I fixed it just for y'all. This ending is much less sad and much more sappy, so here is the comfort you need after all that angst!

"Darling, will you smile for me? Just once more. Please--"

He feels her cheeks in his palms, the soft skin against his battle-hardened callouses. Desperation cradles his unbeating heart, and for a moment, the emotion is far too much. A searing flame after centuries of frost. A bonfire in a blizzard. It hurts-- it burns--

"My love, I just need you to--"

"Anything my lord, anything at all for you. Simply command me and I will do anything you ask."

"No, I can't-- I-- I won't do it. I won't. I won't!"

"My lord?"

Her head cocks, turning slowly to look upon him, but her eyes-- they are empty; beetle-black and hollow. Her smile is uncanny as a painted doll, her movements disjointed and inhuman. Her teeth are stained crimson with blood, dripping, dripping, ever dripping down, never swallowed, only pooling.

She is light as a feather as she slips away from him, her skin marbling into a sickly gray before ash spreads across her body as a disease, smearing her form into nothingness. Only her face is left untouched, pretty as porcelain, unflinching and unfalling save a small crack that splinters down from her forehead down to her eyes, revealing inky black abyss beneath.

"My lord-- Oh, my tender, vicious lord. I can feel your anguish-- your hunger. Devour me to be whole once more--"

Her blood smells of rot and she--

She is too far gone to save. Too far gone to ever be saved.

"I won't!"

Whirlwind. Pain. Confusion and dread and seeping anguish. A maelstrom of rage and all-consuming despair swelling from within his soul—

—his soul?

The world around him falls away, a wicked tornado thrashing him about, his mind howling in the eternal winds--

And suddenly he is in a chair.

Not a throne. A chair— and a rather uncomfortable one at that.

"What in the hells—"

His vision spins, nausea curling his gut into a wicked tide of sickness barely restrained by his teeth. He tastes stale blood crawling up his throat, threatening to overturn onto the faded rug beneath him.

"Did you see what you wished for, little spawn?"

The voice takes him by surprise. It is not hers, but another, less familiar voice. The wailing animal in his head retreats to a dull roar as his memory creeps back. A brightly colored tent assaults his vision, piecemeal rugs and odd, foreign trinkets abound on makeshift shelves, and before him sits a strange old woman, hood pulled heavy over her straggling gray hair.

"I-- What was that?"

He sees her cracked, aging lips upturn, gnarled hands placed protectively over a strange orb on the table touching his knees. "I have shown you your future, vampling. Was it to your liking?" Panic rises within his stomach again, and though he does not breathe, he clutches his chest. The smell of incense clogs his nostrils and again, the wave of sick threatens to spill forth. Wretched taste of metallic, aged blood sits heavy on his tongue, all sensation too much-- all of it too much.

"No-- No, that cannot be it!"

"This is your path, Pale Elf. The road you walk. The power you seek is well within your grasp, but as I told you before, it will cost you everything."

He vehemently shakes his head, denying it. Denying it before her and all the Gods.

"You told me upon entry that no price was too great for your reward. Do you still agree with this sentiment?"

"No! Not-- not her. Not her. Not that! I couldn't--"

"You can and you shall, sure as the moon follows the sun. You will have everything you ever wanted, but cost of this ritual is plain before you. You cared not for the many souls left to your mercy that are crushed beneath your tyrannical fist in your ascension, but what of the sole one that resides in your heart?"

Her. The light of his life. The air he breathes. The sun on his frigid flesh, the warmth that melts his icy heart.

"No," He hisses, trying to stand, but ultimately unable to muster the strength. "I won't! There-- There must be another way. Show me!"

"There is no other way," She says, solemnly. "It is inevitable."

He swallows down the information like a boulder lodged in his gullet. Her words echo endlessly in his mind, bouncing off the walls and lodging shards of ice directly in his soul.

"What if I-- What if I don't ascend? Tell me, what if I don't?"

She smiles again, teeth flashing through her thin lips. "That is another path, little elf." "I need to know. I-- I need certainty. I won't do this to her, but I--" He pauses, grappling with everything in his mind, desperately flitting about to absorb it all. "If I am going to forgo this, I need to be certain. I need to know that I can protect her, that she will be safe--"

But the woman simply shakes her head.

"Everyone must choose. For some, the path is dark, but for you, you see more than most will ever have the comfort of knowing. I can offer you nothing more. Should you initiate the Rite, you know this will come to pass. I can tell you nothing more if you choose to not. The future is yet unwritten, and the quill resides in your hands." "Then why can I not have both!" He slams a fist on the table, clawing at the soft wood. For the first time in ages, tears prick at his pale lashes and frustration wells a knot in his throat. "Why--" "Because one path is wholly your own, while the other is a tangled web, such is the nature of deals with the Hells. You will get everything you ever wanted and lose everything that made it worth having."

His head slumps, defeated and miserable. Silvery tears slide down the curves of his cheeks, even as he attempts to bite them back. He thought he would find comfort in knowing the future, but all it has given him is utter horror.

"Despair not," She continues. "Yes, you will wither under the sun, an eternally cursed dweller of the night, but all is not lost, is it? The one you love, will she stray from your side?" "I wanted her to have better than that," He sniffles, needling his lip with a fang. "I cannot brave the sun, but her-- She deserves better than that-- better than me."

"And what of what she feels?"

His brows furrow, and he peers up at the woman from tear-beaded lashes.

"You are a night walker; it is in your nature to be selfish. But love is not selfish, little vampling. You must fight your nature, your inherent self-loathing, or your love will always find the fire. What of what she desires?"

"She loves me," He says with absolute certainty. "And I--" "Do you love her?"

"Yes," He hisses, almost insulted that she would ask. "More than anything. I'm here, aren't I?"

"Then the rest matters naught. If you love her, you will allow her the agency to choose-- something you deny her as an ascendent. You must grow past your own follies. To love is to be vulnerable, and you must allow both yourself and her this freedom."

They are hard words to swallow, and yet, he feels the truth resound in them. She would not leave his side, even as he tried to force her to understand. Even as an instrument of his manipulation and schemes came to light, she stood steadfast with him, hand entwined in his, ready to face the fire together.

"I-- I need to know she will be safe."

Again, the woman shakes her head. "You cannot. You must fight fate if you wish to overturn it. You face dire odds, though throwing the dice in your favor now will doom you later should this outcome be the confirmation of your fears."

He sighs, face crinkling as he sniffs once more, summoning the willpower to swallow down the agony of his choice. He finds the strength in his legs to push himself upward from the chair, weak and shaking as a newborn fawn as he does so. "I will do whatever I need to. Anything."

"Then you may yet see this through."

He can hear the fanfare of the circus outside, the bawdy bards strumming away on their lutes and banging on drums, the elated screams of the children and their parents. Facing the light now seems impossible, but he must find his way home to her-- he has to be with her now now now--

"The coin first, boy."

He snaps out of his delirium only long enough to fish his hands into one of his pockets, bringing out a coin. Aged and neglected, the sinister engraving of a skull peers up at him from his palm, ruby eyes gleaming in the light as he tosses it into the woman's knobbily-jointed hands.

"Best of luck to you, night-child," She tucks it away. "We may yet meet again." "No offense, but I hope not."

"Me too, Little Star."

He pays little mind to the bustling streets and bursting taverns of Baldur's Gate, his feet carrying him back to camp as swiftly as his body will allow. It takes him until sundown even as he damn near jobs, ripping through the tree line and into the ruins with the intensity of a man starved.

"Astarion!" Karlach greets him, trying to wave him over. "I've got a bet with Gale about--" "Where is she?" Astarion immediately cuts her off, looking around frantically.

"Who?" Karlach raises a brow.

"Who else?" Wyll crosses his arms, looking intrigued at Astarion's intensity.

"Oh! In her tent, I think. Why? Gotcha a special something' in town for her, eh?" Karlach tries to rib at him, but he pushes past her without a second glance.

"Bet it's a fancy new dress he needs to tear off of her immediately," Karlach rolls her eyes before returning to her business.

He bursts into her tent to find her hunched over a book, tongue poking from between her teeth, as she scans over the page. This only lasts a few seconds before he scrambles onto the bed, squeezing her as tightly as he can manage, burying his nose into her hair, tears brimming in his eyes once more.

"Woah, hey!" She laughs, carefully setting her book aside, trying to discern what in the hells he is mumbling endlessly into her neck.

Need you-- need you-- love you-- can't lose you-- don't ever--

She hushes him, realizing something has gone terribly, terribly wrong, kissing his head and tugging him close. "Hey, what's wrong?"

She tries to cup his cheeks and bring his face up but he adamantly refuses, hard-swallowing the urge to bawl into her shoulder with every ounce of willpower he has. All he can manage is to cling to her, half sobbing, visions of that terrible future swimming in his head. He cannot let it come to pass, he will not--

And she holds him, cradling him in her arms, hushing him gently. Her face creases with worry, running her hands through his silvery hair as he pulls him into her lap.

"Little Star, what's wrong? You seem so upset. What can I do to make you happy, my love?"

"Is it done?" Ulma leans down as she enters the tent, carefully dodging the intricate tassels of the blanket strewn over the entryway.

"It is," The strange old woman replies, still rubbing the coin with her worn thumb.

"And?"

"I showed him nothing but truth," She says quietly. "I did not manipulate his vision. Only channeled it."

"That tells me nothing. I need to know if our children are safe."

"I cannot tell you this, Ulma. You know of the ways of our tribe; our relationship with these magics." Ulma's lips purse, her exasperation evident in her humorless expression. "I need to know--"

"His reaction was genuine. That was not my doing. He knows the price of power. I cannot tell you if he will pay it regardless," The old woman's head lifts, a slight mischievous smile playing on her lips. "But I can tell you what I think."

"And what do you think?"

"I have seen his soul-- the heart of it. I believe you will see our children yet. He will spare our heart to spare his own in kind. It beats in that woman," Her eyes twinkle in the low candlelight, a genuine smile widening across her cheeks. "I believe he can find redemption yet."

[furiosophie]

it's something sinister to love without regard for dear tomorrow

[r-aindr0p]

Elden ring art/shitpost dump hehee yeah I didn't see the boss being beaten yet !!! But saw phase 2.... so yeah sorry for that last pic, but this is literally what it made me think of

Thoughts before DLC : Miquella my beloved Thoughts after DLC : Miquella my beloved I am brainwashed from the beginning

Still my favorite character and I'm happy that I was right about him being a bit sus, love that character even more...

[dunmeshistash]

speaking of trans characters, i really love how lycion as a trans-coded character, who understands deeply what it's like to live with dysphoria/ under oppressive beauty standards, is also the one who openly finds the current mithrun as hot, despite the fact that he's missing traditional elf markers of attractiveness (sharp ears and grey eyes). i'm so. augh

Lycion is a darling, he really fought for a body he could finally be happy in and I'm happy for him <3