#legit 10/10

[djarindroid]

Personal post ✌️ I went to see Muse last night and they were absolutely incredible 🙌

[applestruda]

THEYRE HERE

[daddiesdrarryy]

Me writing

[cardo-de-comer]

started playing lisa. a doodle i don't understand what is going on and in fact all i remember is just Nern talking and talking and talking and talking and

[lillazyboithings]

2 hours of hiding under the covers, drawing with only a phone and one hand in the dead of night

I did it for the fucking meme

Special mention to: @blazethestarshipranger for the inspo-

[6ebe]

China and Taiwan sharing a joint bronze medal in horizontal bar is a hilarious unintentional unparalleled sports diplomacy moment 🤣😭

[mj-thrush-gxn]

🗣️🗣️HAPPY BIRTHDAY MR OAK MAN

ONLY DAY ON MY CALENDAR‼️🗣️

[boss-poss]

See, Lethal Company's real genius is that it somehow marries two normally opposed genres, those being horror and comedy together into something greater. Mechanically it's a multiplayer looter extraction survival type game. It's designed to create stressful and scary situations by forcing you to speedrun mini randomized dungeons while monsters hunt your character to meet a certain quota (our asses are not making quota). That's not the clever part though, no, that's giving the players the ability to fuck themselves over and the hilarity that comes from it.

Anything you say into your mic is said in the game world and can be heard by certain monsters. Many items, similarly, can be used to make noise and you can bet there is little impulse control when a player finds an air horn or gets a walkie talkie. The sound of a distant honk somewhere out of nowhere is not something most players are prepared for while in a pitch black maze. Sound in this game has a doppler effect, which makes it harder to hear the further away the source is, allowing screams to fade into nothing and unintelligible yelling heard for a second before vanishing. You must rely on your senses but those are, by design, limited and regularly tricked.

Because level layouts, monster locations, and item spawns are all random, it's insanely easy to get lost or lose track of thigs, especially in the dark and especially when panicking. Seeing a bracken for the first time will almost certainly send a player running in the opposite direction and get lost, if they even see it all. No one is prepared to have a hand wrap around their face and snap their neck in an instant. It's utterly shocking and will leave you gasping in surprise to first time you experience it.

Certain weather patterns make levels harder, some even nearly impossible (looking at you eclipse), and sometimes your options are avoiding deadly lightning or not being able to see due to fog. High level moons have excessively valuable loot but also feature the worst foes and cost a fee to access, forcing a compromise between greed, ability, and resources.

Dying, likewise incurs a penalties. Your team is fined for dying and not bringing the bodies back but if you all die, all your collected loot goes poof. Gone. A team wipe can and will effectively end the run in an instant if you do something stupid like stick around when you hear "pop goes the weasel" or try to pick up that funny looking roomba. You can almost feel the pressure weighing down on your shoulders when you realize you're the last one left and you need to get back to the ship or miss the quota.

The monsters likewise, are engines of terror that are comically effective killing machines with no cohesive theme to help anticipate them. The already mentioned bracken is one of the scariest things I've seen in a game, and those technically aren't even that bad. They're completely manageable if you keep your head on a swivel and pay attention to your surroundings. Coilheads are these mannequins with bobble heads that will path to and kill you in a microsecond the moment you aren't looking at them, weeping angel style. There's a thing called the ghost girl that I have yet to see but is apparently one of the most terrifying critters in the menagerie. Forest giants. If you know, you know.

All these little mechanics, these choices that are made by and for the player, create a maelstrom of unpredictable chaos that, like a buxom blond transforming into an orgasming pooltoy, turns what would be strictly serious horror into a unique form of dark comedy that layers over it like jelly on peanut butter. You are scared, you are on edge, and it only gets worse when you know what these things are capable of, but the sheer hopelessness is something you all have in common. It's funny how little hope you have. You will die. A monster will wipe your team. There will eventually come a quota you can't beat. You were doomed from the start.

So why not get silly with it? Why not try to fight that bracken with shovel? Fuck him. Why not just run past a turret and try to nab that fat jar of pickles? Why not wander off from the group? You're just as likely to come back with arms loaded and the quota met as you are likely to not come back at all. You're already dead, so take the gamble, do stupid shit, repeat this hell until you can meet its horrors with grim determination and put in the effort to afford that goddamn boombox. Dance. Just press 1 and dance the fear away.

You are all united in your mortality and duty, fragile sacks of flesh working to break even at the behest of perhaps the greatest horror of all: The company you work for. You are so preposterously fucked beyond all belief from every angle there really isn't enough adjectives to describe it. And that's comedy baby, when things are so bad all you can do is laugh.

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[rbtlvr]

(text from this post, fic is little kid with a big death wish by @remedyturtles)

i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!

okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again

your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next

[an0nthecat]

jack goes on an adventure 😋😋😋

He touches more grass than I do

[ohnopeh]

i love the idea that ian finally understands he had been making mickey believe he wasn't loved enough for not singing the paper.

he goes to mickey showing a ring and mickey is hopeful but also wary of what is happening, then ian says it

i love ian, but darling, you can be a bit dumb (its okay you are learning)

what could have mickey possibly thought? that ian will marry him cause gallagher keep their promises? that's all to it? is it not because he supposedly loves him and genuinely wants that?

the look on mickey's face as he realises what ian said makes me think that it was the moment mickey fears were ''confirmed''. ian didn't love him enough, of course he wouldn't, why would he? ian bought the promise ring, yes, but he still wouldn't wear it but hang it on his neck where he can hide it, is mickey not it? and then mickey says it

he realises mickey had been thinking ian didn’t love him and that’s it, he tried many times. by coming out, being there during the whole diagnosis, being broken up with but still thinking of him and hoping to be together, thinking he will be with him in mexico and then getting himself back to prison so that he can be with him, support him through all that. but that was it. he didn't have it in him to fight for them anymore, he had the rights to finally put himself first and say ''that's enough''. ‘you don’t love me enough now, and that’s fine, it’s cool.’

but ian fucked up. he now knows that mickey believed he wasn't enough, he wasn't the right one for ian.

it didn't even cross his mind that it could have been a possibility, cause since the diagnosis, ian had been so sure that he wasn't worth of mickey and the pain that comes by being around him, loving him.

so ian thinks : how can you ever be so sure you love me? how can you even possibly be in love with me when i have such disorder that won't make it easy for you? what do you even see in me to think i'm worth all of that?

the only explaination ian can think of for someone like mickey to fight so hard for their relationship to work is that : he's either crazy or he never experienced any other type of relationship before.

cause ian has, ian has dated other people after mickey and none of them loved him. one cheated on him, gaslighting him that it was okay cause it was a chick and not a guy. the other made it a challange for ian to be attracted to him, didn't respect ian when it came to his trauma regarding monica, didn't really care about ian being off his meds, being more concerned that his mania was making him the star of the news and not what trevor really wanted. mickey had never done that, mickey had always been there for ian and he knows that— he knows that mickey is the one he loves and the one that will do anything for him. he broke up with him because he loved mickey too much and wanted him to be free.

being with those people made it impossible for ian to even pretend that mickey wasn't the one he loved and that loved him back.

but mickey? he never had a relationship other than the one with ian, so how could he know that ian is the one if he never dated anyone else? someone ‘normal’, someone that wouldn’t make him worry and watch for his mood swings?

ian is telling mickey that he has a choice to do better— he’s telling him that out there, there’s someone that won’t hurt him, that won’t make mickey think they’re not in love enough to take the big step with him. cause ian knows mickey is everything— but how could mickey know that ian is that for him too?

i love how mickey’s expression changes as ian speaks. it's the moment it hits him that ian loves mickey enough, he loves him too much so that he questions himself just as much, deciding for both of them (once again) what mickey needs and who he shouldn't be with.

and i love that mickey finally understands everything, he understands why ian broke up with him in s5 and tried to move on and pretend mickey wasn’t what he wanted. mickey's first reaction is just to shake his head and say ''jesus christ, ian.''

and ian looks so confused, he might be thinking : what did i say wrong? i know i am right, you know that this is true. i'm a problem, i'm not worth it, can't you see? but that's mickey’s limit, it was ian’s moment to work on his not worthy of your love shit and realise that it’s all bullshit cause mickey is all in for them. he always has been no matter what.

and mickey knows so well that he can't do anything else to prove it to ian. he straight up tells him the answer to lip's ''figure out why you don't wanna marry him.'' 'cause he doesn't believe he's worth it. but mickey has proved him enough, mickey has told him what's ian true fear is and its not mickey's love for him that will fix it. it was ian's job to work through with it (and he did!! of course he did) back when this episode came out, i was so angry and frustrated about it, i guess growing up makes you see things differently uh?

[insertsomthinawesome]

Goodbye, Roberto. Thank you for being here, even if your time here was short. -NO ROMANCE INCLUDED-

[fangirls-just-want-to-have-fun]

new hyperfixation just dropped

[spicyraeman]

Okay, so I gotta know, does the firework guy in baldur’s gate normally detonate the entire lower level of his shop when in combat, or did the ai just have enough

[applestruda]

Wing studies with grian and trying to figure out how they actually attach to him

These probably aren't 100% accurate but I tried. Anyways I've always been obsessed with the idea of drawing grian as different birds for different hc and life seasons, but never got around to actually looking up birds