It's time to info dump about my character headcanons some moreeeee I love spreading my agenda on the internet hehe
Mumbo Killsalot Jumbo is one of those ambiguous types where you can't tell if he's actually a hybrid or not? Like, there's something a little bit... off about him. Something distinctly non-human. Also he's a really weird guy, which makes even less sense, because at this point hybrids are like 60% of the population, and nobody bats(ha) an eye at them anymore, so it's not like he needs to hide it. But he is, in fact, secretly a vampire. Or at least, he's 1/16th vampire or something like that. He just remembers this one guy named Vlad who he refused to believe was actually his great-grandpa because he's literally, like thirty? How on Earth would he have been old enough to father children with children with children? Mumbo started believing it when he saw him again ten years later and he hadn't changed in the slightest. Suddenly, the strict nobody open the curtains rule made a lot more sense.
Now, even though Mumbo is technically a vampire, his family is primarily human. The only reason they even have vampiric origins is because Great-grandpa Vlad got turned at the ripe age of 27, and wasn't about to abandon his wife over his new and very serious garlic allergy. She thought it was all one big prank he was pulling to get out of working on the farm, but after twenty years and seven kids, she realized that being a stay-at-home dad was definitely not taking the toll it should.
Mumbo and his immediate family have retained a few of the traits they inherited from Vlad, but it manifests in very mild coincidences. His mom is allergic to garlic and his dad has a strange Scarland-Princess-like affiliation with bats. Mumbo, meanwhile, really got the short end of the stick, as he can't expose his shoulders to sunlight without them miraculously burning (he's gone through more bottles of M-77 brand sunscreen than he'd care to quantify). Not to mention the insomnia! He'd be lucky to get two hours of sleep on an average night, and the fact that the only affect it really has on him is making his eyes look baggy is truly an injustice. Wasn't insomnia supposed to cause other serious health problems? How could he even complain about it if he wasn't constantly overtired? Rather inconvenient, that.
Don't ask my why I have so much lore for this guy when I don't even write him that often. It's just the Mumbo Jumbo allure, I guess
Here's some other fun facts:
Smells like iron/copper (metallic)
Book smart - special knowledge of redstone
Likes: cloud gazing, embroidery, old westerns/duels/guns, rubix cubes (only to look at though, bro can’t solve them for shit)
Dislikes: designing floor plans, social interaction, eye contact
Passions: philanthropy, travel
Habits/other details: Super fidgety like holy shit he never stops moving, picks at his nails and has lots of scabs & hangnails bc of it, he is littered with cuts and bruises of unknown origin, also usually covered in redstone & he mistakes his blood for it half the time, can’t tell if he’s ADHD, ASD, or both (deffo both)
Reactive to their environment - does not like to be around danger most of the time, would rather watch from afar, would rather not even watch tyvm, too bad he’s always a victim, #easytarget, your honor he’s just a wet cat
Special, plot-relevant skills: good w/ redstone, rich asf
Insomniac, also has RLS, always tired but it’s not very obvious, mostly just has dumb blonde moments, his intelligence would be 10% more if he actually slept, what the heck Vlad why'd you have to get bit by a vampire
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Every Hypocritical, Contradictable, or nearly everything stupid (Or OUTLANDISH) thing in the HelluvaVerse we're supposed to ignore and move on from
Sin of lust, Ozzie is against forcing one into sex, Forces Moxxie to sing, kicks out when he refuses.
Everytime a guy gets sexually assaulted it's supposed to be seen as bad, or even cute, but when it's someone who doesn't actually mean nothing to the plot at all, it's funny and quirky.
consequences don't exist in Hell but in Heaven they sure do.
Angels claim they don't know "What gets a soul in Heaven" (but for some reason this statement is completely misconstrued in the fanbase and explained away.) But they are able to point out that Angel Dust isn't allowed into Heaven. While Adam writes down the shit afterwards. Either they are frauds who aren't worthy of their status, or they simply don't have the heart to tell Charlie it is, and send her down like Lucifer does.
Name everything Stolas does. Literally everything.
On the topic of the bird bitch, Stolas demands respect from Blitz when he has done nothing to deserve it, he's wasted Blitz time, treated Blitz like shit, and doesn't respect him at all. Stolas is just a bratty prince who doesn't know the value of respect but demands others give it to him.
Adam's views on Sinners are morally gray and stupid at best. What he says can be easily applied to Heaven, and it doesn't make sense.
Angel Dust's abuse is seen as scary and serious while Sir Pentious' getting dragged away is comical, make it make sense.
On the topic of that, we're supposed to feel bad for Angel Dust the entire episode of Episode Four when he comes across as unlikeable. He spent most of his time trying to convince the entire cast on why his porn video is good, while also defending it, and getting yelled at by Husk, and when he gets called out for sexually harassing someone, he storms off like a baby. This is who me and other victims are represented by folks, a sad sack of shit who completely lost all character to be someone to use and dispose.
Adding onto Heaven not knowing what gets a person into Heaven, does that shit also mean not knowing what someone gets into Hell either? Would that also mean Redemption is pointless?
Charlie's apparently blind, because she spend nearly 3 years with an ex-exterminator without knowing she's one? How can we as people believe Vaggie isn't one without knowing the fact she LOOKS LIKE A STANDARD ONE.
Also, HOW CAN VAGGIE SPEND 3 YEARS WALKING AROUND BEING A FORMER ANGEL WITHOUT ATLEAST HAVING SOME SORT OF POWER? SOME SORT OF PULL?
Charlie hasn't seen her mother in 7 years, yet her mother spoken to her in the pilot. She's much closer to her mother, yet her mother is also distant.
Nearly every female characterization is neutered or they are sent back to the kitchen, killed or even made worse because we needed to uplift terrible male leads.
Half of the LGBTQ+ Cast is in Hell, which matches some christians worldviews on people part of the Queer Umbrella, but this show STILL has to paint Heaven in a negative light? I don't even KNOW if SAINT PETER is gay or not. If he is, he also has a stereotypical voice to go along with it, he sounds like a Zestier Timmy Huckerdoo from SML than some guy in Heaven.
Hell is supposed to be the good guys while Heaven is the bad guys, Hell fucked themselves over by fighting against Heaven, making Charlie's dreams UNABLE TO COME TRUE. No one points out this at all. She ruined all chances at redeeming whatever rapist walks into the Hotel with that stunt.
I ran out, I will make more when I thought of it.
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An ironically conspicuous yet never exploited(except by me as far as I can see) dot that connects everything which could be the ultimate layer of secret to unravel the true identity of Arei's murderer...
It's Levi and this is where the final piece of puzzle come to make sense of itself: the Monotv recruiting Teruko do CAULKING scene!!!
This is such a detailed and prominant plot that so far made 0 sense as to its connection to the case. Monotv must have enlisted a helper to clean up the mess left in the gym. Since he can't even do caulking, it is 100% valid for the narrative that there are something in this mess he can't handle. This helper would have abundance of time to figure out the mechanism and took the tape.
(Monotv specifically mentioning he needs help to do certain chores)
Apart from the 4 involved in Ace's case, the only one awake/available late at night was Levi(and we never know for what purpose the story writer specifically left only him awake and readily came out to check the commotion either). This connects everything.
Think about it rationally. It makes absolutely no sense for those involved in the previous case to make an imitation of their own. Only 4 people knew what happened, and Nico ran off leaving the only necessary tool(tape) to replicate this. Should any of the 3 try to imitate a crime only they knew and able to replicate, they are basically yelling they're the only targets from the get-go (and isn't this what's happening right now?)which is beyond absurd. However, if a third party does exist, it changes everything, they would have everything to gain from pulling an imitation since the premise would exclude their possibility permanently.
Based on the aforementioned points, I will make a tentative prediction about one event we are likely gonna see in ep 15: A scrum debate will happen soon, concerning whether or not Ace&Eden really is the only option scope for imitation crime, for they will most certainly discuss the very reason why they imitate and promptly realized the absurdity thereof. The narrative would seem really off if they don't dabble on why, accepting imitation for the sake of imitation. Some will take the stance that such attempt would be illogical for a rational conspirator in the first place, others will insist on the lack of direct evidence of a third party.
P.S. I am basing this theory on the assumption that the tape went missing under the dialogue box cg is dev's mistake tho because the tape on the ground scene always includes Ace on the ground and the moment he stood it changed which feels too abrupt and dev might just forgot to add that, and there is not a single scene that showed the tape missing without such blockade.
more to add:
Rewatching the "i'm not fxxing dead!" scene got me some new insights. The tape is placed rather near in front of Ace, a little to our right. Yet, when he stood up he knocked Eden out to our left. It would seem shaky if we take this alone by face value as it could just be a dramatic effect, but what happened afterward is the camera itself turned left to film Eden gradually standing, and turned right to focus on Ace and then turned further right to focus on Teruko, which clearly suggested the actual positioning is: Eden Ace (tape?) Teruko (tape ?) . Problem is, the tape still exitsted right before, and went missing right after Ace stood up in the Teruko "yeah i figured" scene, few secs before Eden stood up, therefore her positioning would exclude her possibility of getting it. And Ace couldn't get it either since four eyes were and the camera was mostly on him, even depicting him reaching his wound with two hands.
I think If the dev did intend this hidden scene to be the key to locking the culprit, they would most likely be meticulous about either the tape's positioning or Ace's act to make unequivocal sense that one of them would have a clear window to obtain it, which in turn suggests they probably never had such intention to begin with.
Also, we got to consider factoring in complementary details like the starched clothes ball(Levi was the only one who mentioned being in the laundry room some time at night in ep10), Arei's missing glove(both Eden and Ace wears glove, Levi doesn't), enough strength to throw the rope near the ceiling(they emphasized early in one scene how high the ceiling is and eden is the smallest girl) Whit trying to make an argument about another motive Levi could have for killing Arei yet got cut off, and trying to redirect the crew's attention back to Levi's secret itself for some reason and got cut off again in ep13 11:22 12:44 (this i think is super super important and it seems only I was mentioning this). These solid details are all adding to the likelihood of Levi, and I really can't find as many other details to back Eden or Ace.
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So the fact that I have writer’s block is not a secret lol my ao3 last updated advertises the fact openly, and I’m trying to solve it. There are many reasons for it, mostly related to depression and addiction and other life-sapping problems that I am dealing with, but I know that the problem is also with the story itself. The muses have gone silent on War Drums in a very serious and unprecedented way.
I’ve just been bashing my head against the wall trying to figure out why it feels like that story that is the heart of my creative drive atm is dead in a way that I can’t force back into life. I’ve reluctantly come to the conclusion that the fact that the entire book was extensively and lovingly planned a couple years ago with architectural precision from the outside is actually the problem.
It was extremely fun back then to plan the book, chapter by chapter, planet by planet. That’s why I know we’re 15/45 of the way through that story, and each chapter represents about 3.125% of the total narrative. The character arcs follow beats timed according to percentage of the way through, like at 37% and 62% of the way through there are important conflicts that evolve their relationship, etc. It's solid and settled.
This is a problem because it’s no longer a mystery to write, and so not as fun to write, you know? It’s filling out a form that was outlined in the past, the mere execution of an idea that already exists fully formed in planning documents. I try to find energy to write from excitement about obikin’s relationship evolving, but I already know exactly when and how it happens, and so it just feels rote.
I remember how it felt to write Lex Talionis, and I KNOW that I can successfully write a 187k complete book. The difference with LT was that I felt the shape of that book and vaguely sensed plot points that I needed to happen, but my subconscious did the planning and writing it was more like discovering it. I need that energy back for War Drums if I'm going to finish.
Of course I really really really don’t want to throw away that much planning. It’s comforting to have the entire story on rails, and I can trust the pacing to that outlining structure. BUT I’ve spent the summer slowly coming to the realization though that it simply will never happen, and what I need to do is toss the outline in the bin, reread the beginning, see what threads are there, and dive off into the unknown.
So I don’t know how War Drums is going to end anymore. Or I knew how one version ended, it was satisfying, and maybe after I finish the version I am about to write, I will share the old dense outline. I’m going to make it fresh by making it new, and hopefully that means more story will come this fall. It’s a creative project unlike anything I’ve ever tried before, so we’ll see, but I feel intrigue and a hint of inspiration, so I need to chase it.
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Fandom….can anybody do my the favor of reading my draft of my new chapter of my fic (ya know the one) bc I need to see if it makes sense and flows naturally. I need some idea bouncing help😭.
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Anyways XO Kitty love interests summarized
Dae
Min Ho
Yuri
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Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.
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Something something S4 shows through Nancy how someone can be pressured into a relationship by well meaning people, how easy it is to project your significant other onto someone familiar when they're gone, something something Nancy only started giving Steve eyes during situations he reminded her of key moments in her relationship with Jonathan, how you could see all over her face that she was going to reject him, how the audiences emotions are lined up with Steve and not her and the fact that Steve wants a girlfriend so badly means the audience wants him to have a girlfriend too bc he deserves it ! He's grown so he can do better this time ! She CAN love him ! Look ! The people who just officially met them this week think they're true love ! But Nancy is in love with Jonathan. But Steve wants a white picket fence life at the end of a cul-de-sac with 6 children, which Nancy said herself is like her worst nightmare. But Steve was never the problem in their relationship. Nancy didn't love him. Nancy is not a prize. He doesn't deserve her for changing. And the people trying to matchmake them DO NOT KNOW BOTH PARTIES WELL. Robin JUST officially started talking to Nancy, all she really has to go off of is whatever Steve has told her and EDDIE met BOTH OF THEM officially like three days ago. All he knows is their reputations really, and that "act of true love" was entirely typical of Nancy's character and she would've done it for just about anyone she cares about, he doesn't know that though because he doesn't know her. And she ended the season in her bf's arms setting up their conflict in s5 while Steve ended the season alone but with his friends.
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so one character got to learn how to live again, how to reenter society after traumatizing event that will forever impact his life, got to heal and rebuild his relationship with his family even estranged father, reconnected with his old friends and was able to create reliable support system of people that also grew throughout this healing process and now can understand him more and be there for him, got to graduate and start his own business and now can even give inspirational speeches to help others
and the other one had to leave two closest people to him that were his only support after his family death bc 'friends' he had before weren't type of people worth reconnecting with, move out of his country abandoning everything he knew his whole life just to * checks notes * start a job he didn't really want and the main reason he needed higher pay was to establish financial stability for one of two people who he had to leave and that no longer wanted to be with him
okay yea okay sure both cases are about personal 'growth'
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the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?
to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.
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okay i just marathoned the entirety of ATLA live action & i might do an actual review of it explaining my thoughts more in depth, but the TLDR version basically boils down to this:
if you want to watch Avatar: The Last Airbender, just go watch the 2005 cartoon
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why do i always end up in the position where i get pissed off about fandoms villainizing specific characters. why do i set myself up like this.
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...So uh, basically bootleg Suicide Squad featuring not even a comic's accurate team but instead, just random characters picked randomly from throughout the MCU, including even character's that make zero fucking sense to be on the team???
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I prefer Guys characterization in the princes path rather then his consort route
I feel like all the routes should've progressed slower tbh but with Guy in particular I feel like it would really work with a slow burn romance
Also, unrelated but MC always falls in love with her chosen consort by chapter 10 like girl you've known this man for 2 weeks
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not to bitch and moan but im really starting to remember why i dont do original stories anymore
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