#like at least give credit to the artists????

[wolflyndraws]

Wtf is with the sudden increase of fanart reposters on the twitter fandom??? Ive seen like 8 people do it already with NO credit and people thinking that the reposter drew it and when askes they claim they "found it on pinterest" Like what the fuck is happening there jeez

[moony-2001]

Hey rq, art theft is super not okay and if you do it, fuck you.

[layalu]

Hate how i got into the habit of (objectively!) criticising/pointing out flaws with my work to compensate being overpraised as The Gifted Kid TM & how it makes me sound like i'm being self deprecating

[emmaspolaroid]

what a long day

[sanstropfremir]

I might just go on a huge tangent on here so I sincerely apologize, but I think this is something you've slightly touched on before, so maybe it's interesting to you? About the fact that literally Nobody on the staff/people who work behind the scenes of everything in the kpop industry are credited, mentioned or acknowledged for their work (other than, for example, the surface level “the designer deserves a raise!!!” that i so often see in mv comments :/). What I wanted to talk about specifically though is the company’s complete lack of crediting of these people?? I wanted to look into who directed this new mv that just dropped that I really liked the artistry, editing, and general composition of, but I found absolutely nothing across the group’s yt videos or their pages of who the director is, perhaps the set designer, editor, etc. Utterly taken aback, I checked the descriptions of other kpop music videos, from the most popular to more unknown groups (Twice, Dongkiz, to name a few), and again, nothing. I thought I was going insane, so I looked at mvs for like Amercian bands, and their video details are completely filled with the information of the producer, the recording studio, mixer, master, etc. etc, my point is: so much more than just the group’s twitter or merch page??? I’m like what is going on?? I noticed the kpop mv's only list licensing info at least, but so did the american ones? Idk. It’s either me not knowing where to look, or maybe I’m late to the fact that that is just how things work with kpop group companies or the industry as whole, just giving you no details as to who the hell else worked on this mv or song. I love my biases and appreciate their contributions, but I do not buy for a second that, more often than not, they wrote or produced or mixed absolutely nothing. I think it’s a huge shame that this is done because it reinforces the false idea that the idols are the ones responsible for everything we’re seeing and listening to. Maybe that’s the point, and that’s exactly what the industry wants you to believe, which that just makes it really sad. (Wait also maybe it all gets hidden because its work for hire or the companies buy ownership copyright...)

so i want to clarify some things for you, from the perspective of someone who works in the arts industry. firstly, and most importantly: visible credits exist in western filmic media because of unions. and there are still a LOT of fields that are not unionized. for thousands of years it was fundamentally understood that no performance based art form was done singularly by an individual, so there was often not a reason for there to be 'credits' in the first place. the whole assuming the face of the project is the person who did the most work thing? that's a very new phenomenon in the history of art, and it's capitalism's fault.

secondly: um. you are definitely not looking in the right places bc people are ABSOLUTELY credited? especially music production staff? i guess if you only look at a music video then sure yea there's not always credits there, but companies literally release tracklists and highlight medleys on their main social medias AS PROMOTION that have LISTS of their arrangers and composers. hell, tan's most recent tracklist has their fucking midi programmer on it????

also..............the fucking ALBUMS HAVE CREDITS IN THEM. i can't believe i have to say this but THE ALBUMS ARE THE MAIN PRODUCT AND THEY HAVE PAGES OF CREDITS IN THEM. i...????

like???

i got addy (@hoforwonho) to send these to me, these are from a lucy album and nayeon's album, and they literally have pages of credits???

lastly, and most importantly: the only people who are being 'fooled' into thinking that idols are 'producing' most of the content are western fans. because that is the stereotype promoted BY THE WESTERN MUSIC INDUSTRY. so that is the lens through which you view the korean music industry. koreans and korean fans are well aware that idols do not produce their own artistic content, there is quite literally a stigma around idols in sk about how they are not viewed as artists SPECIFICALLY because of this. gdragon and jonghyun were HUGE deals for being some of the first idol producers + songwriters. music is a huge part of the korean entertainment industry and people who make music are very much a visible part of it. kim eana is a very famous lyricist and she has a popular radio show. kbs just did a whole competition show featuring producers as the contestants. companies are not required to put credits in music videos because music videos are only one part of a kpop cb, and they are also not obligated to put those credits in english. just because you can't find something doesn't mean that it doesn't exist and the whole industry is at fault for it.

[lonely--seeker]

I spent like $5.4K on just half the study books i need this semester (that's in our currency) and i was already sad because i still need like $6K more for the rest half of this semester. So I'll probably just not buy the rest and just go with the PDF versions on my phone. But, I just checked how much that was in USD and let me tell you, OUR ECONOMY IS IN SHAMBLES! When did $15USD BECOME $5.400 What's going!!

[anarchypumpkincowboy]

I’m beholden to two mice, Bob the spy, AND THIS WONDERFUL LITTLE FISHERMAN

[imperiuswrecked]

The never ending trend of people reposting fanart then not giving credit/links or doing it in a manner where you can't easily access a link or just saying "credit goes to X" is why many artists in fandom give up and stop sharing their work.

[haitanirindo]

this fandom is honestly so embarrassing for constantly reposting stolen fanart without credit

[transfaggot]

Every time I see a Taylor Swift lyric it’s just so obviously her trying to be deep or impactful but failing to do so bc none of her music is by any means authentic or her taking a risk. Every single instance of her trying to be poignant via a heavy-handed and unoriginal metaphor just comes across as contrived. I don’t know how people listen to her music without feeling incredibly insulted by the shocking lack of authenticity & creativity & respect she has for her audience.

[revasserium]

Okay okay hear me out Rain: reader watching Sanji cook, just sitting, waiting, maybe reading a book but catching glances at him every so often and he knows they're looking at him and just smiles....sorry I love that man

accidentally in love

opla!sanji; 2,569 words; fluff, banter so much banter, flirting, flustered!sanji, whipped!sanji, no "y/n", confessions, "sweetheart", fem!reader, straw hat"!reader

summary: in which sanji is trying to cook dinner but you're very, very distracting. or, sanji finally meets his match.

a/n: i know i said i might not write for anyone other than zoro but i lied. i guess i'm a sanji bitch now too. fuck.

Sanji’s always liked to say that he can cook anywhere, anytime, given that he’s got something that resembles heat and a smattering of ingredients — like any great artist, he knows how to make do. But, he’d be lying if he said that he didn’t enjoy this — the quiet of a ship’s kitchen, the gentle sway of the ocean, the simmer and pop of fat on a pan, the soft bubbling of boiling water — and you.

You, perched on the counter with your legs hanging off the side, hair piled up and pinned with a chopstick, a book in your hands or on your lap, the early afternoon sun spilling in to caress your skin like so many loving fingers. Sometimes, he’ll glance over while chopping onions or mincing garlic to catch a glimpse of you, and he’d find himself stilling, his fingers slowing, his breath suspended in his chest, caught like an insect in amber: held weightless and perfect.

“You’re staring,” you say, flipping a page without looking up, a smile twitching at your lips.

“Yeah, I know. I’ve found that admiring beautiful things helps me in my creative process,” he says, his grin going lopsided as he lowers his eyes to the ingredients on the cutting board — tiny, plump cherry tomatoes ripe to bursting. He resumes slicing each in half with swift, decisive cuts and relishes in the sound of your laughter.

“Careful with that mouth of yours — someone might accidentally fall in love with you,” you flip another page.

Sanji slides the cut tomatoes into a bowl and wipes a hand on the towel slung over his shoulder.

“Accidentally? C’mon, you gotta gimme some more credit. But if anyone’s fallin’ in love, it’s gonna be with you.”

Another page. Sanji plucks a few zucchini from a large bag and starts to julienne them into thin strips.

“What are you making?” you ask, finally setting the book down in favor of peering at all the ingredients he’s got laid out. He quirks an eyebrow, glancing up.

“What, finished with that book already?”

“Nope — just found something more interesting to look at, that’s all.”

Sanji blushes.

Let it never be said that Vinsmoke Sanji can’t take as good as he gives but by all the gods and monsters and sea kings — you’re a damn good flirt. Almost as good as he is, he used to think. Now, as he covers up his rapidly darkening cheeks with a chuckle, turning away to grab a potato for skinning, he wonders if you might just be better.

“You never answered my question, y’know.”

He looks up again, his tongue feeling strangely swollen and uncoordinated in his mouth. You’re grinning at him, your legs still swinging, but in the few seconds he’d looked away, you’ve inched closer, your outer thigh now almost pressing against the edge of his cutting board.

The first time he’d found you perched up on his long work table with a book in your lap, he’d blinked, crossed his arms, and debated on asking what on earth you thought you were doing. Chefs generally do not take kindly to their prep spaces being treated like free real estate for sitting, but he’d never been able to say no to a beautiful woman, now has he? And least of all you.

“Thought you could use the company,” was your answer to his then-unasked question. He’d laughed, nodded, and gotten on with his breakfast prep. But that was months ago and since then, it’s become something of a habit; a ritual, almost.

“What question was that? I was —” he asks, clearing his throat, his fingers almost slipping on the freshly peeled potato, “distracted by your —”

“What are you making?”

“Oh —” Sanji returns his gaze to the cutting board, now acutely aware of the smell of your skin, creamy and warm. He swallows, trying to focus on slicing the potato.

“Just a cherry tomato and zucchini noodle pasta — not often that we get such fresh produce. But Luffy’d asked if I can make chips from scratch the other day so that’s what this bad boy’s for,” he says, holding up half the potato.

“You sure one potato’s gonna be enough?” you shift your leg to cross one above the other, and Sanji has to swallow passed the thickness building up in the back of his throat at the sight of your soft, smooth thighs.

“Good point,” he says, laughing as he bends down to grab a few more.

You fall into a companionable silence, the quiet only punctuated by the tack-tack-tack of his knife on the cutting board and the occasionally shunk-thump of ingredients being swept into a metal prep bowl.

“You’re staring,” he says. And this time, it’s Sanji who grins, keeping his eyes fixed on the remainder of the herb mix he’s chopping up.

“Yeah, I know. I’m making a habit of admiring beautiful things. I’ve heard that it’s good for me.”

Heat bursts in Sanji’s chest as if he’d swallowed a shot of whiskey or gin or perhaps something even more potent. His head spins, but he steadies himself before letting out a soft, low whistle. He fights the urge to look up just to check if you’re as affected as he is.

“Keep talkin’ like that and falling in love with you’s not gonna be an accident.”

When he finally looks up to shoot you a flirty smile, he finds himself faltering as he meets your eyes.

“Who said I wanted it to be an accident?”

The knife in Sanji’s hand slips and he swears as it knicks the skin of his forefinger.

“Ah, shit —”

“Oops.” You have the decency to look sheepish as he shoots you a mildly reproachful look. But you shift your legs and tug open a drawer that had been tucked beneath where your knee had been, pulling out a small bandage.

“Come here,” you offer, reaching out as he stares at you for a second before moving forward to give you his hand. You gently wipe away the blood before pressing the bandage to the small cut, running a thumb over the edges to make sure it’s sealed.

The air hangs between you like dust motes trapped in sunlight, like first snow caught in the silvery breaths of awestruck children.

“There,” you say, the word no more than a whisper. Your hands linger over his, his skin burning where you’d touched him. Shivers skitter down the length of his spine as he gulps in a breath of air that tastes faintly of fairytale endings and happily-ever-afters.

“Thanks.”

He doesn't pull away. Neither do you.

Like this, he can count every single lash that frames your doe-wide eyes. Like this, he can feel the static thrum of electricity threatening to jump from his body to yours, and all at once, he understands why lightning always tries to reach for the closest thing to its storm-ridden skies.

Perhaps it, too, yearns for closeness — for that infinitesimal moment of connection.

He wants to reach for you.

Your lips hover a kiss’s-breadth away.

An alarm goes off.

“Oh fuck —”

He jerks away from you, the world clanging rudely back into focus as he reaches for the lid of a large pot, his heart hammering something fierce inside his ribcage. He nearly burns himself on the thick fog of steam rising from inside the pot to reveal six flat-face crabs, freshly caught that morning.

Behind him, he hears the distinct sounds of you slipping from the long work table.

“Leaving already?” he asks as he turns back around with a stab at his usual light-hearted cheek.

You lick your lips, grinning, “I feel like I’ve caused enough damage for one dinner service. If I keep hanging around, you might lose a finger next.”

“Small price to pay for the company of a beautiful woman,” but there’s a gravel and grit to his voice that wasn’t there before, and he looks away first when this time your eyes catch. He tries to busy himself with prepping the pan sauce for the crabs.

“I’ll let Nami know that the next time she wants to peek in on you cooking.”

“Hey —”

You pause at the sound of his voice just as you reach the door. You turn.

Sanji’s expression flickers between caution and anticipation as he opens his mouth, his eyes somehow sharper and darker than they usually are.

“We’re not done talking about this.”

You cock your head, “About what?”

But there’s a smile teasing at the corner of your lips and Sanji lets out a good-humored sigh.

“Alright, go. Or else I might lose more than a finger.”

Like a heart, he thinks as you close the door behind you with a soft click.

Dinner is an appetizer of cold zucchini pasta followed by a warm, tangy tomato veloute. Then come the crabs — freshly steamed over a bed of risotto and served with a lemon and rosemary pan sauce so delicious it has even Zoro sighing with satisfaction.

“Wow, special occasion?” Nami asks, looking up as Sanji comes around with a tray full of cocktails, complete with blood orange slices garnishing the lip of each glass.

“Ain’t every day a special one with this crew?” he asks, winking at Nami as she takes her drink.

Everyone laughs, but as he sets down your drink, you notice a tiny note tucked beneath the base of your glass.

You take a sip of your drink, glancing down at the note. It has three simple words written in Sanji’s unmistakable, slanted handwriting:

Kitchen — after dinner.

You tuck the note away in your pocket with a secret grin, taking another long sip of the cold, refreshing drink.

The final course is a heaping pile of home-made potato chips with garlic and cheese dip, and Luffy wastes no time in shoveling half the batch into his mouth, crunching loudly over a series of vague, animalistic hums and grunts that all seem to denote happiness.

You finish your drink and slip away under the guise of going for another.

When you get to the kitchen, it's to find Sanji already cleaning up.

“Need a hand?” you ask, setting your empty glass on the counter before lightly hoisting yourself up onto it.

Sanji shakes his head, turning off the water and wiping down his hands. He pours you another drink from a large pitcher before setting it down and pursing his lips.

“This afternoon —”

“I meant what I said —” you say, cutting him off as you look away, eyes fixed on your knees as you swing your feet away from the table’s edge, “if that’s what you’re asking.”

“Oh, yeah,” Sanji clears his throat, reaching into his pocket to grab a cigarette and a lighter, if only to keep his hands busy. The thing in his chest that he’d been so convinced was his heart for most of his life now feels very much like a ticking time bomb. Or perhaps a hand grenade, with the pin held precariously between your teeth.

One word from you and —

“So? What about you?” you ask.

Sanji sucks in a long breath of smoke, holding it in his lungs before letting it out. The familiar sting grounds him as he looks at you and wonders if you know all the things he’d do for you. All the things he’s already done.

“Me?” he asks.

“Yeah — did you mean it?” And for the first time since he’s known you, you sound uncertain, “All… all those things you said? All the things you’ve been saying?”

He takes a few steps forward, finally allowing himself to breach the delicate circle of your personal space, his free hand coming to rest on the counter next to your thigh, his palm pressing flat to keep himself from going too far, too fast.

“Three guesses,” he says, letting his eyes flicker down to your lips and linger there, “You guess right… and there might be a prize involved, hm?”

A small, knowing grin spreads across your lips even as you quirk an eyebrow.

“Three guesses to a yes or no question? C’mon, if I didn’t know better, I’d say you’re losing your touch.”

Sanji leans in and you can almost taste the smoke on your tongue.

“But you do know better, don’t you, sweetheart?”

You suck in a breath, reaching up to tug the cigarette from his lips.

“Yes.”

You catch a flash of his smile a second before his lips find yours. He tastes of salt and tobacco and lemon-rosemary sauce.

“That’s one,” he says as the pair of you break apart. The cigarette lies forgotten on the counter.

Somehow, his hands have found their way to the bend of your waist, settling there as naturally as the tide might settle against its favorite stretch of forgotten beach.

You smile as you reach up to tug him closer, “Yes.”

Another kiss.

Sanji notes with a satisfied grin that your cheeks are just as flushed as his feels when he pulls away this time. He nods, trailing long fingers up your side, one hand reaching up to cup your cheek, the other pressing at the small of your back.

“That’s two.”

You nudge his nose with yours and he feels his hand-grenade heart leap into his throat.

“And…” you hum, letting your head lilt to one side as you ghost your lips over his, “Hm, lemme think about this one…”

Sanji rolls his eyes, tugging you forward by the back of your neck, crushing your mouth to his. It’s more insistent this time — the kiss, the breath, his fingers, your hands — more desperate and fumbling, fueled by the ever-growing heat bubbling at the base of his spine.

“Yes —” you hiss, panting as the pair of you pull apart, your pupils blown wide and dark in the dim kitchen light.

“And that’s all three,” he says, his smile going wide with warmth, “See? You’ve got it. Knew you’d get there.”

“Did you ever doubt?”

Sanji shrugs, taking half a step back to admire the sight of you, with kiss-swollen lips and heat-flushed skin. Perfect might not be strong enough a word.

“There was a moment here or there,” he says, to which you respond with a light shove to his shoulder as you hop off the table.

“Oh, I meant to ask you — what’s for dessert?”

Sanji laughs, “What? Did my garlic-cheddar chips not satisfy?”

“Really? Chips for dessert? And here I was hoping for something sweet.”

You make to leave the kitchen but Sanji reaches forward, pulling you back all too easily, spinning you around and pinning you against the door. His eyes are soft with mirth but as he leans down, you can’t help but shiver at the promise of something more lingering beneath the smoke of his breath.

“Well then, sweetheart, I think I’ve got my dessert picked out already now, don’t I?”

recs r technically closed, but... if you have an opla!sanji one... send it here.

[illnessfaker]

tw: black+trans death

from the_yvesdropper on instagram:

our beautiful black trans brother, 35 year old Righteous Torrence "Chevy" Hill, was murdered in Atlanta, GA this weekend.

he went by his nickname 'Chevy' he was originally from Macon, GA. he owned Evollusion, which is a black/ queer owned LGBTQ+ salon in Atlanta that provided and dedicated full service to specializing in hair, nails, barbering and makeup. growing up as young black queer boys/kids, the barbershop experience can sometimes be a tricky space to occupy, this was something that Chevy understood and wanted to cultivate a space of safety where you can also get the affirming look and style you want, and he did exactly that.

Chevy was a beloved son, brother, partner, and father.

one of his last posts that had a photo of himself said :

"if you truly know me, you know i am a humble, modest, private man, that i love my community, i have the love of God in me and will give the shirt off my back to any soul in need, also i never post pictures of myself, legaey give myself credit, that stops today, i am my legacy!"

(a close friend of Chevy asked if i could share more then one photo of Chevy, since he never posted photos of himself and in recent years he got the confidence to want to share more photos and now he won't get the chance to)

Chevy, hey king, hey brother, hey angel, thank you for everything, i lové you, we lové you, i'm so sorry. there are a lot of photographers in heaven who will be able to photograph you as the glorious black trans angel that you are.

there will be a homegoing service/memorial for our brother

there aren't many details about what happened but apparently he was shot by a family member last wednesday, the 28th (at least this article was the one linked in relation to his murder.)

judging by both the IG post and the comments section he was well-loved by many people and those people have many good memories with him and nothing but good things to say. this is a comment that was left by tirajmeansgolden which was hidden by IG for some reason:

I started testosterone in February 2020. I hit this man up at the end of 2019 after numerous Google searches for an LGBT-friendly barber near me (and by near me... he was a good 35-40 minutes from the rural area I was in outside of Atlanta: but when I found out he was a trans man and that his business was the first and only LGBT hair bar, I knew it would be worth the trip). I was a dysphoric mess in his DMs one Sunday. I hated how my hair was growing out. I never had a "masculine" hairstyle before but decided one day I would buzz it all off myself, then allowed it to grow out a bit... I sent him a video and despite him being closed on Sunday, he told me to come through. I got my hair braided and he gave me my first really masculine fade. Explained the different terms. Lined me up. Was asking me about my decision to transition and provided some helpful advice + guidance. I told him how I was a therapist and he was hype and said he talked with a group of trans men and he would love for me to stop by and also give some mental health tips. So whoever said he was humble - wow, what an understatement. Such a community man! Made me feel SO comfortable because barbershops were a source of major trauma and triggers for me. They were such an integral part of my early transition (I just celebrated 4 years later week). And he was such an integral part of the Atlanta Queer community with hosting events like Queer Con. How I found so many other great resources + queer businesses/artists. May you rest in peace, Chevy. You'll be missed. You've made such a different in the lives of countless people. You definitely were living your Purpose + left a legacy behind ...

[spookysteddie]

Cover Girl

modern!rockstar!Eddie Munson x Influencer!reader

cw: public nudity, topless photoshoot, album covers, implied smut at the end, pet names.

wc: 1.5k

A/N: I hope you enjoy this little one shot! The aesthetic for this is very much 'Ethel Cain' (sorry not sorry) and the 70s style wood paneling even though that has like very little to do with the fic? Anyway, I enjoyed writing this!!

...

You’ve done a lot of photoshoots in your life. Some for magazines, some for your social media, some for brands. So many that, at this point, you shouldn’t be this nervous. 

This photoshoot is different. 

This photoshoot is for Corroded Coffins album. The cover of the album to be exact, so you’re practically shitting yourself as your team finishes your makeup. Your team thought this would be an incredible opportunity and the rest of the band was more than excited. According to Eddie, it was their idea and they practically begged him to agree to it. 

“Are you excited?” Your hair stylist asks you and she fixes your hair. It’s supposed to be… effortlessly messy. There is a very high chance no one will even see your hair but better to be safe than sorry. 

You smile at her through the mirror, being careful not to disturb your makeup artist, “yes and no. We haven’t been together long so I’m just scared.” 

Which was true. 

You had this weird fear that if you and Eddie broke up during this albums era, it would be the end of your career. Your therapist, of course, reminded you how harmful that mindset could be. You agreed but it didn’t mean it didn’t chew at the back of your mind. The chances of that happening were extremely low, but there was still a chance. Then your voice is immortalized on his album along with your body and face on his album covers. 

Eddie, to his credit, had reassured you that he didn’t care. Well, not that he didn’t care, he cares about you and your feelings. But the point is that, in his own words, even if you two didn't work out, it would be a reminder of you and, allegedly, he wants to remember you for the rest of his life. It calmed your fears slightly. 

Your hairstylist finishes, spraying your hair with hairspray, “well, I think you’re the perfect fit for this cover. You are so beautiful that no one would ever regret putting you on their cover art.” 

You smile, your throat getting a little tight at her words. “Thank you. Means a lot.” 

… 

You’re in little more than a pair of blue jeans, inside a house that looks like it’s stuck in the 70s. You haven’t seen carpet like this in a very long time. It makes you laugh a little, remembering your best friends house, her parents refused to upgrade it even though they totally could’ve. 

You hold a rob to your chest, leaving your back exposed but keeping your chest covered for now. Eddie smiles when he sees you, “well don’t you look pretty.” 

You feel your face and body go warm, “you’re sweet.” 

He kisses your forehead, more than knowing that your makeup artist will beat his ass for ruining your lipstick. “I mean it.” 

You smile shyly, shaking your head a little. You know he means it but no man has ever made you feel as wanted and appreciated as Eddie does. He tells you how pretty you are at least three times a day and he always makes sure to kiss you goodnight. 

Needless to say, he was perfection in a human being. 

“How do you want me?” You look up at him with big eyes, eyes that make his cock twitch in his pants. He needs to give your hair and makeup team a very large bonus because you look ever more fuckable than you typically do. 

Eddie hands you his precious guitar, his baby. His hands shake slightly and you can tell he’s a little nervous of letting anyone but him handle this instrument. And he is nervous. This guitar has been with him through all the ups and downs of his life. 

From leaving Hawkins to signing his first record deal, that guitar has been there. It’s a reminder of where he’s been and where he’s going. Is it super easy to break guitars? No. If you happen to drop it the worst that might happen is a scratch, maybe a dent. 

But you knew better than that. You reach out, gripping the neck of the guitar tightly, Eddie also holding on. You drop the robe, previously agreeing to being topless but covered by the guitar. You put the strap over your shoulder, only letting the robe go when you have the guitar covering you. 

Eddie let's go and you can tell he’s trying really hard to not look at your chest, to not make you uncomfortable in front of everyone. You’re more than comfortable with your nudity, especially around Eddie, but you appreciate the respect. 

You grin up at him, “again, how do you want me?” You bat your lashes at him as you ask. 

He takes a shuddering breath, “we-we were thinking of having you lay down, knees under you with the guitar covering your c-chest.” Eddie swallows, letting his eyes dip to your chest for only a moment before meeting your eyes again. 

You lean up, kissing him sweetly, “absolutely baby.” 

You head to the middle of the room, being careful not to flash everyone as you get to your knees. “Should we start with a few of me just on my knees?” You give Eddie big bedroom eyes as you ask. 

He shifts foot to foot before the photographer answers, “actually that might be a good idea! Give us some options just in case.” 

You smile and pose, making sure the guitar is covering your tits correctly. The camera flashes and you blink a little, trying to wipe away the new, green specks in front of your face. But you pull it together, moving and posing in all the ways you could. 

“Okay, now lay back and keep your legs under you.” 

You lay back, settling yourself on the scratchy carpet and letting your hair lay around you like a halo. You let your hand curl around the neck and the other resting on the body. The strap covers your breast, the body covering the other one. 

If you asked Eddie, you looked like a fucking angel. Like a little rock goddess. Eddie hasn’t ever felt this way about anyone ever. He think you’re the most beautiful woman to ever exist, not to mention so fucking kind to every single person you ever come in contact with. Eddie wishes he could be more like you in that sense. 

Isn’t there a saying that's like ‘opposites attract’? That’s what you and Eddie are, opposites, but it works more than he wanted to admit. Sure, deep down he has this horrible fear he’s going to fuck it up. He knows he probably should give you more credit than he is, but he’s terrified that one wrong move and that is it. It’s how it usually went with the girls he dates. 

But he knew you weren’t usual. In the good way of course. Eddie doesn’t really know why he knows, but he does. He knows the feelings he has for you run deep and ever since the string theory got brought up, he’s been feeling the tug more. It’s an emotion he doesn’t want to (and can’t) name. Eddie feels it’s just slightly too early and again he doesn’t want to scare you. 

The photographer snaps photos of you from all angles, making sure to give the guys and Eddie plenty of options for the cover. They’d wanted the album cover to be simple and had confessed to Eddie that they thought you’d be perfect. They may or may not have confessed that they enjoy having you around and that they think you’re good for Eddie. 

“Okay! We’re done! Great job Miss. Asher, you were beautiful as ever.” Eddie watches you smile, gripping the neck of the guitar so you don’t somehow drop it. 

Eddie puts you out of your misery, handing you your robe and covering you so you can take the guitar off and slip the robe on. Once it’s settled around your shoulders he kisses the side of your head.

…

The photos and mock up of the cover come back a few weeks later. They’d all chosen the one of you on the floor, back arched slightly and not looking at the camera. You don’t know what filters they used but the photo looks old school. It looks like they took it on a disposable camera and you couldn’t love it anymore. 

Eddie’s eyes get wide when he sees the finished product. 

“God… this is so perfect.” He whispers it and you know he didn’t mean for you to hear it. But it’s sweet regardless. 

You zoom in just a little, “god this is such a vibe and I am obsessed.” 

He looks over, a big, beautiful grin on his face, “I’m glad you like it too. And um… thank you for all your help with this album.” 

You smile softly, kissing him, “of course. Thank you for letting me be a part of it.” 

He kisses you deeply, laying you back on the bed. 

“Let me really thank you, yeah?” 

You swallow, nodding, “I would love that. Always love the way you thank me.” 

Eddie smirks, ducking below the covers and worshiping you till you can’t take it anymore. 

[artist-ellen]

Alicent Hightower, Little Miss Greensleeves

At the wedding of Rhaenyra and Laenor Valeryon Alicent makes a dramatic entrance in a brilliant green gown. A declaration for House Hightower instead of the reds and blacks she used to wear for her husband's House. I know some people love this show-dress but I can't get behind it. It looks too flimsy to be a Queen's show-stopping ensemble. It needed length, or folds of fabric... even just better lining in the bodice would have helped. It's honestly looked better in the cosplays I've seen.

I will give it to the show designers though, it is a hard gown to design. I completed this illustration at least 3 times before I knew for certain what it was going to look like. Hopefully the elements of Hightower fashion/anti-Targaryen fashion i've been mentioning and building to are recognizable.

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

[renthony]

Weird trend I've noticed:

When it comes to Disney-owned television shows, people seem much more willing to recognize that Disney just owns it, Disney didn't make it. The creators, writers, and actors are more likely to be credited and celebrated within fandom spaces, and even people who dislike it will acknowledge that it was made by the individual artists.

Disney movies, though? They don't seem to get that as often. The movies are much more likely to be treated as if the vague entity of "Disney" made it. Fans will say "Disney made a great movie," and critics will say that "Disney made a piece of crap." The directors and writers get mentioned much more rarely.

For example, people know that Dana Terrace created The Owl House and Alex Hirsch created Gravity Falls and Matt Braly created Amphibia, but far fewer people seem aware that Turning Red was directed and co-written by Domee Shi, Encanto was directed by Jarded Bush and Byron Howard, and Moana was Musker & Clements.

I'm sure a decent amount of that is due to the way Disney itself markets the films as part of their brand. Show title cards will list the title and the "created by" credit, but you never see that in film title cards (if the film even has a title card). The company wants you to look at the movies and only see the corporate branding. They want the movies to lead to new theme park attractions and merch deals, where they just don't put that level of marketing into their television productions nine times out of ten.

I do often think fandom spaces could be more diligent in learning the names of the artists behind the films, though. Disney didn't make them, the workers did, and it's the workers who get exploited in the process. At least give them the credit instead of the studio.

[snuffysbox]

man, it's a little disheartening to see how much the idea of 'content creation' and creation for the sake of the algorithm and a more desperate push for visibility in an increasingly hostile environment is perpetuating bad practices within the art community.

young artists, inexperienced artists, I have a plea for you. it's completely fine and okay to trace art you like as part of your growth and exploration! It's fine! It's normal! We've all done it! it's immensely helpful to see through the eyes of another artist and understand what makes their art appealing to you. it helps build confidence. it's fun to see results that you like and can inspire you to draw more. it's a great tool when used in conjunction with normal practice and should never be discouraged as such. (and I'm not talking about tracing reference material made for the purpose of being heavily referenced here, I'm mostly talking about other peoples' published works.)

what's not fine is to publish that exploration under the guise of it being your own art. at least ask permission. at least give credit. if something has inspired you enough to want to replicate that work fully, at least lend that person some basic respect.