wait I haven't noticed this before, but the next world mural is in line with Noid's ideology
"True love is only possible only in the next world - for new people it is too late for us. Wreak havoc on the middle class"
Noid - "In the true life of tomorrow, every woman will be an innocence.
Noid - "A life is true if it's free from fear and internal division among oneself. And others -- mankind has seeds of greatness in it. A germinal will come, a return to trueness. It will be hard core."
Noid - "Have you been listening to what Egg's been saying? Love is *hard core* man, and a mother's love is the hardest core of all..."
Noid - "Well, they *loved* her. They put all their love in her and forgot all about the rest of us."
Which reminds me:
Fuck the World - "I can answer that. Many men keep searching for *the one*. For so-called true love, which is actually just obsession masquerading as kinship. The thrill of the chase, the hollowness that fills your chest cavity after catching it." (...) one must think of a way to fuck the whole world -- and not get caught up in fucking some *one*."
(The church quest is full of Scooter references and Fuck here sounds like he's quoting the first line of How much is the fish?: The chase is better than the catch - it's all connected lol)
True love is only possible in the next world/ true life of tomorrow where all women are innocences!
And I think this is all in line with Chernyshevsky's views about nihilism which has been discussed in this post
The line about fucking the whole world instead of putting all your love into one person also makes me think of a love that is not about thinking that you own your monogamous partner, but a more free kind of love that is present in Chernysevsky's book
Also, I feel like there are different versions of nihilism in Elysium, for example Zigi's father in Sacred and Terrible Air is a nihilist, but he says St Miro's nihilism isn't real nihilism, and it's a disappointment. So I'm not saying Noid is the same as Zigi, who wants the whole world to just disappear. Piss and Fuck seem to be also more into what Noid is talking about. Then there is Esteban and Hulio from Full Core State Nihilist (story on Martin Luiga's Medium set in Elysium) who are edgelords just fucking around (? I'm still not sure what their deal is)
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it wouldn't surprise me that, despite sanji being the literal cook of the crew, he had an eating disorder (ofc trigger warning here for eds, child abuse, starvation and, y'know, sanji's background in general).
he experienced the most traumatic years of his life trapped inside a fucking cell, with a metal helmet around his head and only eating when his father let him. which was 'only when the kid needs it', probably. which leads to judge saying 'i couldn't even kill my son' and it can translate to 'at least i kept you alive'. and not to turn this into irl trauma, but abusive parents constantly use the 'keeping you alive and giving you food' excuse (the bare fucking minimum) to guilt trip you into thinking that they're good and that you're exaggerating how bad they treated you because, well, at least they kept you alive, didn't they?
so here, sanji sees food as a form of loving but in the sense of 'at least my dad didn't kill me. that's something'. so his vision towards food remains positive but only because of his mom. only because his love language is acts of service and his mom took everything he gave her, even if it was horrific, as a way of saying 'i love all of you. you're perfect because you tried and the fact that you brought me your food is enough to make me feel loved. you're not a mistake' despite his brothers and his father saying that he was, indeed, a mistake and weak for wanting to give food to others instead of just taking it for himself.
both ideas of 'someone who loves you wouldn't let you starve' and 'offering food to others is opening up your heart' coexist inside little sanji's brain.
so it wouldn't be crazy to think that, although sanji loves cooking and his best early memories of it are that book that kept him dreaming while he was locked up, and his mom's words, has a hard time eating food.
besides, sanji is used to giving, not taking. he's not selfish, but actually extremely generous to the point of forgetting about his own well-being. i don't think he actually thinks about how hungry he is until it hurts. until he needs it. he only ate whenever his father let him so he wouldn't starve, and the only thing that made him feel well about food was the fact that he could give it to the one he loved and needed it.
sanji doesn't have good experiences eating food, but only cooking it. it's a great representation of his personality as a whole, to be honest.
then the whole zeff thing happens, and he actually almost starves to death and learns what hunger feels like. but once again, zeff saves him and he's the one to be hungry for not letting the kid starve. which might seem similar to what judge did, but 'not letting you starve because i couldn't kill you' isn't the same as 'not letting you starve because i don't want you to die'. sanji learns the difference that day.
he didn't know somebody could be that kind. especially to him, someone who doesn't deserve it (he thinks he doesn't) because, in his house, love only came when you earned it.
and, you know, sanji's like that. sanji's selfless. sanji does everything for others. and so the guilt eats him up first. what zeff did is beautiful and amazing and we love him for it, but we don't know about how that affected sanji at a young age. which only makes him even more selfless and more of a better, kinder, generous person. and that might be bad, considering how little he thinks about himself already-
he learns that throwing away food is awful, and that you have to be grateful for being able to eat. grateful for living. so his don't-waste-food policy is obviously a big part of his personality due to almost dying of starvation and also owing his life to his dad (zeff, the real one, of course. fuck judge).
but that can almost be dangerous because refusing to waste food leads to forcing yourself to eat only because of his concept of what food means.
and then we have luffy in wci saying the whole 'i won't eat anything that you haven't cooked' which is precious and something very beautiful to say to your cook, but that only brings sanji back to 'starving is a form of loving' and 'you can't let someone you love starve'. and no matter how much he wants to force himself to push luffy away, he gives him food because he knows his captain will keep his promise.
sanji feels guilty, once again, but he ends up fixing it.
the thing is, after everything i've said, i don't think it would be weird to think about sanji viewing food as something external. something that isn't for himself. something that he only has control over because it's for others and not for himself, and it's a concept, a form of love, and not a need. because he does not feel hungry. when it comes to food, he feels responsibility and guilt and love... but never hunger.
hunger is, by all means, a form of selfishness sanji isn't used to unless his body is about to give up completely. he can eat out of pleasure and satisfaction and love for food, but he does it to train a selfless skill that may or may not also be selfish in the sense of 'wanting to be loved and useful'.
so here we have:
seeing food as a form of love because at least his dad wouldn't let him die, but he probably learned to push away the concept of hunger
seeing cooking as the most beautiful way of showing your feelings and efforts and taking care of people
not knowing the concept of hunger due to his own selflessness
scratch the first one, actually starving for others is a form of loving. he will never let the people he loves starve even if it means he dies in the process.
he can't waste food because that would be insulting and disrespectful. no matter the context.
and i'm just saying (and this whole thing is extremely self-indulgent and me projecting again and again) that it wouldn't be surprising to me if he had some issues when it comes to eating and making food for himself.
it's not that he thinks he doesn't deserve food, it's just the thought that he doesn't need it. going back to his past it could be seeing hunger as a form of weakness (not when it comes to others. never when it comes to others), both because of what his family taught him men should be like, and the fact that the manliest man he knows used starvation as a form of love.
so it's seeing hunger as something that makes you weak, but only when it comes to himself because of course, he wouldn't apply the same rules for him as for everyone else. he's just like that.
he thinks about others first, and himself second. always second. and the thought of eating and needing it only comes when it's too much. and when that time comes, the voices in his head tell him that he's weak. and again, i don't think he sees himself as undeserving of food because he has this whole thing about everybody deserving to eat. but he has never played with the same rules as the rest, always a few steps behind, so if he can't fight the thoughts in his head contradicting his morals, that's just how he is.
not to mention the 'don't waste food' part which also would make him feel guilty about not being able to eat if the thoughts of not deserving food and being weak for needing to eat become too much. he can't eat because he doesn't deserve it and because he's weak. and he can't starve, because that would mean wasting food.
so, you know, sanji is out of options here.
if some days sanji just casually decides not to eat- forgets to prepare himself a meal while his crew enjoys his food... that's just the way he is, isn't it? and if he lies about it, it's just another form of love, keeping them away from his problems.
besides, controlling hunger and controlling food is the only way he has to take control of his messy life. when something is out of reach, the unstoppable thing called life he has never been able to control, at least he can choose not to eat. he can choose to starve, this time, with the comfort of knowing he won't. he can choose not to eat this time, not like all of those times when food was controlling him instead.
at least the strawhats will never, ever, starve if he's around. but of course, nobody thinks about asking the cook if he wants to eat. that would be absurd. and it's impossible to think sanji would have some sort of issue with it! sanji, the cook, who keeps telling them not to waste food, not eating? that would be absurd and too selfless to make sense.
that's just the way he is.
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It is extremely difficult to design modern outfits for Alfonse though idk what it is. Sharena will look good in anything from flannel docs lesbian outfit to cute overalls to something sporty to high femme dresses (tbh I still wanna draw her in one of my fave old dresses ..) but Alfonse. There are def a few routes you can take keeping his character/personality in mind and I think they look good/are super cute and make sense but like... esp for me personally, thinking of the v specific way I draw/stylize him...
AH. MAYBE. MAYBE I FIGURED IT OUT BC I HAVE NO PROBLEM DESIGNING OUTFITS FOR HIM IN FEH CONTEXT...... it's cause that bitch is always wearing tights and long shirts that (esp depending on how you draw it) border on being dress-like to straight up robes/skirt-like garments WHICH makes sense for him in universe bc that's p standard wear for men in Askr, in the Order of Heroes specifically. Like
Seliph's resplendent stands out to me as a huge example of this, and you can kinda see it in Corrin's too! Though I do think resplendents often take a lot from the chara's base outfit (both standard and resplendent Seliph having tunics, both Corrins having leggings ect). But speaking of Corrin, espp the lengthening of that bit of fabric at Corrin's hip, looks a lot like Gustav's garments!
Who may be a better measure for men's dress in Askr (normal attire, for a king anyway, and a cultural festival outfit). But I do also think you can glean some details off of resplendent designs too!
Also actually.
This Day of the Life comic that acknowledged Sharena's absence from the DoD banner (BITE BITE KILL KILL SO MUCH HATRED IN THE WORLD‼️‼️‼️) implies that their outfits may have been identical, just in their respective signature colors (blue and pink). And even looking at Alfonse and Sharena's base art, they have a lot in common!
And looking at Seliph and Corrin again, the puffy sleeves seen on Sharena and Henriette aren't necessarily gendered traits. ACTUALLY.... GUSTAV HAS THEM TOO! Alfonse's outfit is an outlier sleeve design wise!
Which is to say, there aren't actually a lot of strict gender differences in attire here. A lot of the clothing looks/feels androgynous esp when viewed through a modern lense (like I'm sure there's a lot of real-world historical inspo that goes into the designs, I just know fuck all about that LMFAO 😅). And esppp the way I've come to draw Alfonse a lot, I do emphasize what reads as femme -- giving him longer shirts, simplifying the strappy armor on his thighs into. Over the knee socks. Over the leggings/tights. 🫣 And that's not even getting into the knee high boots and heels!!!!
WHICH IS. Actually SO FUCKING DIFFICULT. To translate into modern fashion esp typical standard men's fashion, in a way that still feels true to him as well... bc I do believe in femme/androgynous Alfonse supremacy 😤 But he is ALSO. SO IMPORTANTLY. He is VERY MUCH just some guy who is heavily defined by the role he's been put in. Which is also kind of difficult to sort out, what Would he wear, if the standards were completely different and also if he was choosing for himself?
SINCE. I'M CERTAIN idk if I wanna dig for it but -- I'm CERTAIN all his outfits have been picked For him to some degree. The Order of Heroes outfit is a uniform, the bunny outfit is implied/stated to be picked by Sharena. The yukatas in their duo are 1) Hoshidan and 2) I think Anna was the one who picked them? Might be wrong on that, but I do feel like there's a castle dialogue about it. And of course, the DoD outfits are implied to be cultural Askran wear, and going back to that comic -- it seems neither Alfonse OR Sharena have much of a say in what it looks like (her being uncomfortable "showing that much leg" -- that, if given a choice, she may have wanted something more modest).
So like. There is. So much going on here actually.
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